#stories that will never be written

[violaflou]

Mysterious Mr. Oriole, master of the brush and the fan, but not the sword

"The mantis stalks the cicada, unaware of the oriole behind." This Chinese saying fits perfectly with Nie Huaisang's defeat of Meng Yao. However, it seems that it further said about the hunter who shot an oriole and about the puddle in which the hunter fell. But that doesn’t matter, Huaisang just needs to be careful not to become a mantis himself.

"huángquè" is variously translated as "oriole", or "siskin", or even "yellow bird". I also think it sounds remotely similar to Huaysan's name.

It's Nie Huaisang in a bird costume. I remember how, while drawing this art, I was trying to understand the structure of Chinese costumes. Unsuccessfully. But all these long sleeves look like wings, and I thought: why not? Some details are taken from Huaisang's old costume. I also found pictures of black and yellow birds, for example this siskin. But the truth is that I just love the combination of black and gold.

It's actually an illustration of two different stories at once.

The first story is about split personality. What if Nie Huaisang really didn’t know anything? All this time, “the oriole behind” was not him, but his second identity. Huaisang created this identity because he could not bear the truth of Meng Yao's betrayal. And this revengeful identity might look exactly like this.

The second story is about a demon. Nie Huaisang wanted to know who killed his brother. He heard a legend about a bird demon who grants wishes, and made a deal with the demon. Nie Huaisang learned the truth and gained the strength to revange, and the price was very small: his whole life he will have to fulfill other people's wishes. Essentially, the demon forced Huaisang to take his place.

The brush in Huaisang's hand can perform all sorts of miracles, and its power becomes stronger the more wishes he fulfills. It is also very useful that you can demand any price for desires, whether it is fair or not, Huaisang himself decides. He can pull a drunkard out of a dry well, and in return ask for either only a shoe from his left foot, or to dig a tunnel into the Guangyin Temple.

I think he made this costume himself, and not a single bird was harmed. Nie Huaisang wants to look fashionable and mysterious when he comes to those who call him! In such clothes no one will recognize him for sure! And if someone thinks they know him... Well, Huaisang will make sure that person never knows anything again.

One day he will come to Mo Xuanyu and say, like a real demon: “Of course, I will help you take revenge. All I need is your soul.”

#nie huaisang #mdzs #mo dao su zhi #I'm bad at English #digital art #stories that will never be written

[thevoidstaredback]

Enough Caffeine to Kill an Elephant

Listen. It was an accident. He didn't mean to! It just kinda happened.

So maybe he brought a drink with enough caffeine in it to kill an elephant within a few minutes, and maybe he forgot to put the sleeve on his cup so he could tell it apart from the others, but it's not his fault! He didn't think anyone else was going to have the exact same Yeti cup as him! It's not like he'd seen any of the others carry one before. Besides, he worked with superheros. They should be smart enough to check before drinking someone else's drink.

Danny had been summoned by the Justice League Dark a few years back in order to help with a world ending crisis and he just didn't leave. It's not like he could go anywhere anyway. His ghost half hadn't grown past fourteen and his human half had stopped visibly aging at eighteen. He'd had to leave town as Danny Fenton, but he'd stayed in Amity Park as Danny Phantom. When his parents died of old age, thank god, he'd closed down the portal, stuck around for a few more years, before traveling the world as Danny Fenton.

Anyway, he'd taken up residence in the House of Mysteries after the JLD had summoned him. Constantine, at first, had been wary, but he and the rest of the JLD had grown to accept him. He was an honorary member of the team.

At some point, just after Robin had become Red Robin, Danny had been introduced to the Justice League. He liked those guys, too, and worked with them sometimes. Though, he usually only went to bug them.

Red Robin had been very interested in the fact that his was fourteen and working with grown heros, like he was one to talk, but Danny hadn't explained anything other than saying that he had died and come back. The following conversation was an interesting one that lead to Danny knowing that Nightwing was the Batman he'd met and that Batman was lost somewhere. He'd confirmed that the man was not dead, but he hadn't offered to help look for him. He probably should have, in retrospect.

Back on topic! Everyone in the JLD knew not to touch Danny's drink. They'd all seen him make it before and had been horrified on varying degrees. It's not like it could kill him. He's already half dead! So long as he only drank this specific brew as Phantom, he'd be fine.

The Justice League, apparently, didn't get the memo. He blames Constantine because Zatanna and Raven can do no wrong. No, John, he's not biased.

The point is, Red Robin just had a sip of Danny's drink. The horror he now felt was akin to the fear he held when he'd told his parents he was Phantom. (An interaction that had gone very well, thank you very much.)

Danny knew the exact moment that the vigilante realized he grabbed the wrong drink. His eyes widened to an astonishing degree, and, if he'd been able to seen his eyes behind the mask, Danny knew that the man's pupils would've completely overtaken the irises. His hands started shaking, too. Oh, no. The man's already addicted to hellish amounts of coffee. This is only going to make it worse!

Quickly, and without drawing any attention, thank the Ancients, Danny rushed over. "You, um, you okay, man?" Obviously not, but he tends to talk when he's anxious and he was certainly anxious right now. He could've possibly just killed a man via poison!

"What the fuck is in this coffee?" Red Robin asked, going to take another sip.

Danny pulled the Yeti from his hand and gave him the proper one. "Enough caffeine to kill an elephant."

"Obviously not, seeing as I'm still alive."

"Yeah, I can't tell if that's a good thing or not."

"Excuse me?"

"I-I mean-! I didn't-! You know what I mean." Caffeine is poisonous in excess, and his drink was way beyond excess, but it's the only thing that works for him as a ghost! Superpowered metabolism and all that.

"Do I?" The laugh in his voice answered for him. He took a sip from his drink and frowned at it. "I don't think any coffee will ever be enough again."

"And that's my cue to get my drink very far away from you." Danny turned, fully intent on moving to the other side of the room. Besides, the meeting was going to start as soon as the Flash and Kid Flash arrived, which would be soon. Something about one of their Rouges getting out?

"What?" Red Robin asked, "Why?" If he was a little desperate to get another sip of that coffee, he'd rather not acknowledge it.

"Because you don't need anymore lethal coffee," he muttered, "The sip you took will already keep you awake for three days at least, and it probably jump started an addiction. Best to stop it now. Besides, I need to go have my crisis on how the hell you're still alive after even a sip of this stuff."

"Again, rude." The bird themed vigilante crossed his arms as best he could while holding his cup. "If it's so dangerous, why do you drink it?"

Danny took a deliberate sip as he locked eyes with the technically younger man. "I'm dead. I don't need to worry about my heart stopping or having a seizure."

"Excuses."

"No, it's not 'excuses'. I'm saving your life."

"You're a kid. If I can't have that coffee, then you shouldn't be having it."

"First, I'm older than you. Second, I already told you: I'm dead. This isn't going to hurt me. Third, you can't tell me what to do."

"There's no way you're older than me. You're like, ten."

"I'm thirty-eight!" He balked, "I only look fourteen because I died when I was fourteen. We've been over this."

Neither noticed the entire Justice League looking at them. The two they were waiting on had arrived a few minutes ago and everyone was ready to start the meeting, but they'd been distracted by the two's conversation. Was that true? Had Phantom really died so young? They'd all been made aware he was not living, but they didn't think he'd died so young! Though, that was probably the denial speaking.

The Justice League Dark had been fully aware of this and didn't really bat an eye. Though, someone should probably get this meeting started. A potentially world ending threat was the topic, and that was a pretty important thing to discuss.

Captain Marvel was the first to pull himself together, though that was only after Atlas and Zeus had mentally slapped him out of his stupur. "As, ah, riveting as this conversation is," he stepped between the two boys- er, boy and man? "we really need to start this meeting."

Batman did not clear his throat because he'd not lost his voice in the first place. "He's right. Everyone take your seats."

Part 2

#I wrote this instead of working on any of my current wips #dc x dp #justice league #justice league dark #red robin #danny phantom #writing prompt #brain child #no ships #should I continue this? #I've never written these characters (on my own) before but I've fallen down a rabbit hole and I felt the need to jump on the train #should I post other stories here? #would y'all be interested in seeing some of my other works? #I should actually link my ao3 here #I'll stop now #captain marvel #shazam #coffee #caffeine #justice league meeting #word ending threat #writing #fanfic #fandom #phandom #dcxdp #Enough Caffeine to Kill an Elephant

[the-red-planet-mars]

500 notes on this and you write that angsty mars fanfic

JKDHGHOIJWEHBGEHUIWO FINE!

sigh im making the deadline to 5th May despite knowing this will reach half the goal in under an hour

#reblog attack #notes attack #mars #smarti-marti #ive never written a fanfic b4 and i have original story ideas but school killed my motivation i trust this to motivate me now- #starting off with a fanfic is good coz ion need to make up a whole ah character yk #ahem- anyways go forth and blast my notifs folks

[belltari]

he's just admiring the view

(ghost's horse's name is Gob. it's short for Gobshite)

#thank you so much for all the love i never expected people to like my silly little cowboy #you guys are all so cute #i got 4 stories written and i cant wait to share them #ghostsoap #soapghost #simon ghost riley #john soap mactavish #cod #call of duty #cod mw2 #yeehaw

[astridthevalkyrie]

tw: dubcon, noncon, bully!gojo, afab reader w/ she/her pronouns

Gojo's a sick fuck.

He corners you on campus in the strangest places, taking advantage of the fact that he's been here a year longer than you. Sometimes Getou or Ieiri are with him, but most of the time he's alone, and when he's alone he's even worse than when he's just putting on a show for his dickhead friends. They only get to bear witness to him teasing you from afar, just his general idiocy and inborn cruelty. When he's by himself, though, nothing stops him from trying to corner you literally, one hand on the wall next to your head and the other finding some excuse to touch you, either running a finger down your cheek or brushing some invisible dust from your shoulder.

And you've had enough. You just want to find a place to sit down and study or read or eat or literally anything else as long as you don't have to worry about the only guy who tormented you all throughout school continuing the cycle in university where you were supposed to be free from this, this cocky, stupid, bitch.

You're in the library today, but his approach is the same as it is in any other location. Your physics lab, outside a professor's office, the community pool, for Christ's sake. First, he makes his presence known, making you aware that he's being his usual creepy self. This time, he's leaning against the wall when you turn the corner behind one of the shelves. There's a book in his hands that has so many dog ears you think he reads one page then saves the literal next one for the following day.

He doesn't look up, not right away. Not until he feels you glare burning his skin for a good few seconds. It's when you assume the burn actually becomes painful that he looks up, feigning a surprised smirk as his icy blues practically gleam. "Fancy seeing you here," he purrs, book staying open in his hands.

"Go to hell, Satoru." There's no point engaging further with him. The only option you have is to get the hell out before he gets to touch you. If he touches you, it's all over. You turn on your heel and throw a quick thank you prayer out that you don't immediately bump into Getou, who would act as the other mousecatcher whenever Gojo decided he wanted to play.

Behind you, you hear him put the book down and your legs move faster without you even thinking about it. You don't even know how he always tracks you down. Maybe he installed some app on your phone without you realizing. You'll get a new one. Anything to just get rid of him.

Even though you've been on campus for at least a month now, virtually every building is still wholly unexplored, mostly because you're constantly trying to avoid these exact types of situations. The amount of times you could have stayed on campus but instead scurried home is already close to the triple digits. And for what? You've only avoided Gojo a handful of times and left yourself unprepared for a hasty escape too.

There's footsteps somewhere, and now that your heart is racing you can't calm down enough to pinpoint where they're coming from. It's a Friday night and not even close to midterm week, so there's a few regulars here, but not nearly enough people that someone will see you. Not that Gojo minds, you've seen him look someone dead in the eye and then squeeze your hip impatiently, as though to tell them do you mind? You don't know where he gets his confidence, but whatever it is, it's well earned. Everyone gives in to him, eventually. Even you.

You turn out of yet another aisle, and then your legs falter.

"Hey, sweetness," he grins at you. Your back hits the wood behind you and your bag thumps to the floor. On days where he wants to really torture you, Gojo acts like a charmer, kissing the back of your hand or carrying your bag over his shoulder, preening in the direction of anyone who calls him a good boyfriend, singing a sinister thanks knowing damn well he isn't your anything.

This isn't one of those days. You can tell.

Gojo doesn't want to be your boyfriend anymore than you want to be his girlfriend. He likes his lifestyle, and an average stick in the mud like you would definitely ruin the perfect image. But that doesn't mean he wants you out of his life completely. When he'd learned you'd be going to the same university as him, he'd sent you the only text message he'd ever sent you, a filthy picture captioned with a sweet and simple can't wait to have you.

And have you he will, whenever he wants. He's pretty open about that. "Are you in a rush?" His blues blink innocently. You're not sure why he keeps up the act even when no one is around, it only serves to set your nerves further askew.

"Leave..." Before you can even formulate the thought of a process, his hands are on your hips, pinky finger slipping under your sweater inconspicuously. "Leave me alone, Satoru."

"Nah," he breathes, "you look real pretty today, sweetheart."

While he doesn't make a move to take your sweater off, he does bury his face in your shoulder and inhale the scent. Then he slowly switches from the sweater to your actual skin, tucking down the fabric of the turtleneck to expose your neck, which you'd taken pains and suffered the heat to hide. Gojo moans a little at just the last remaining bruise he sees on you.

"Love when you don't try to cover it up," he murmurs, "don't need you treating me like a dirty secret."

As if you could keep him a secret. No one aside from your professors even tries speaking to you, and you have no doubts as to why. "I do try—I did cover it up."

"This doesn't count." Instead of just kissing you, because he's a bitch, Gojo kisses the inside of your turtleneck, his hair tickling your nose. "I meant makeup and crap. This? S'like unwrapping a present, baby."

"Satoru," you choke. It isn't just how he touches you, it's everything. The proximity, the casual way he says the most scummy things you've heard in your life and says them like they're just simple facts.

"Normally, I'd tell someone to stop playing so hard to get after so many times. But you're special, y'know." Two fingers push your lower lip down and slide in slowly, running over your gums before violating your mouth further. "This bitchy attitude only makes me wanna have you more." He waits, waits for you to gag, to choke on his fingers and look up at him with watery, pleading eyes before he removes his fingers and slots his lips over yours.

When Gojo kisses you, it's not demanding so much as needy. For someone who already has an ego that's sky high, he still seems to want you to stroke it, and nothing strokes his ego more than the noises you make unwillingly. Every little gasp, whimper, sharp breath, he swallows possessively, as he drags his nails gently along your lower back, making you squirm closer to his mouth to get away.

He plays you like you're his favorite instrument. And he knows exactly which strings to pluck.

His tongue nips at your teeth playfully, and that's when you pull away, summoning up whatever remaining courage you have. "Someone's going to come down this way," you beg, because the only thing you haven't experienced yet is being fucked with an audience, and you're not eager to change that. "Please, Sato—"

"It's okay." The fingers that were just in your mouth a few seconds ago now slide down your waist and under your jeans, nudging them down. "Don't need any foreplay. Been hard since you walked into the library, sweetness. And I bet you've just been dripping playing tag with me. I promise one of these days you'll get to be it," he mocks, as his other hand undoes his belt.

Tears spring to your eyes, but Gojo kisses them off your eyebags before they can fall too far. "You're so tired," his voice coos, "m'gonna make it all better. I'll make you feel so good."

His hand twists into your hair, yanking it back in a single motion that must be gentle for him, but it's rough for you. It's the sting in your scalp that you focus on as he takes your hand and wraps it around his cock, making you jerk him off in preparation. It's the one thing he always demands, claiming he can't get off unless he gets to feel your touch first. Bullshit.

Once he's satisfied, Gojo moves your hand away, intertwining your fingers and placing them on the shelf next to your head as he guides his dick to your leaking pussy, sliding the first inch in with a hiss.

Praise drips from him easily like this, when he has you between him and any hard surface. The individual shelves hurt your back, but less so when he slides an arm around you, pulling you closer as he pushes in with one lazy thrust.

"Ah!" your cry catches in your throat, but he bites you, groaning with your lip caught between his teeth. He pulls out and thrusts again, and your tear slips down to your mouth this time, where he licks it off.

"God," he compliments, developing a pace that's fast but not fast enough, not fast enough to ensure you won't get caught or to make you cum, "so fuckin' glad I don't let anyone else fuck you. This cunt's only for me, yeah? Belongs to me?" When you don't answer, too focused on the feeling of him filling you, leaving you empty, and then filling you again, he speeds up. To Gojo, the more you struggle to give him what he wants, the more fair it is to make it harder.

The shelf shakes as he loves you against it, it won't fall but you fantasize about him being crushed under it anyways. Then you think about being buried under with him, completely in his clutches with no telling when you'd be able to get out, and you clench around him, eyes rolling back.

"You think there's cameras in here?" he pants, digging his nails into your skin again. The pads of his fingers press roughly under your shirt, sure to leave even more bruises for him to lavish with his tongue later, whenever he pleases. "Think someone'll see you getting railed and jack off to it? I know I would, baby. If I only got you on camera I'd be fuckin' my hand and coming on your face every night. Lucky me," he gasps, and you feel him swell inside you, "that I got the real thing all to myself."

You hate how much his voice and his words affect you, how much each filthy thought of his makes your pussy practically gush for him as one of your own fingers rubs over your clit frantically. Each squelching sound makes him more feral, till he's rattling you against the shelf, every thrust of his hips growing more frantic and more desperate.

"I'm almost there, sweetness." Gojo reaches up and squishes your cheeks together, blues blown out as he kisses your puckered lips one more time. "Answer my question, baby. Tell me whose cunt this is so I can blow my load in it. C'mon, fuck, tell me."

You let out a sob that hiccups into a moan, force out, "Yours," and cum.

Gojo whines, thrusting one, two, three more times before he's coming too, filling you up with each jerk of his hips. His head falls onto your shoulder, panting on your neck. Your turtleneck is entirely too warm now, and useless to boot. Cum drips from your pussy; Gojo slides two fingers against your hole as he pulls out, sticking them in your mouth, just at your tongue this time. You taste him and yourself, and even though he's not forcing them in further this time, you still feel like gagging.

He takes them out, then places them in his own mouth, sucking them off and groaning at the taste.

As he tucks himself back in his pants, he runs a hand through his hair, setting it back into place before dropping a kiss to your cheek. Your tears have dried now, and you're trying to ignore his cum leaking onto your panties as you pull your jeans up. You don't even want to think about how you look, or about how you'll bring yourself to another orgasm tonight thinking of this, albeit not one as good.

Patting your hip, Gojo flashes you his best grin. "See you next time, sweetness. Maybe tomorrow?" Without waiting for your reaction, he strolls off, a single hand raised in goodbye.

Wiping at your cheeks and taking out your phone, you release an angry sniff, penciling it in.

#i have never ever written for gojo idk how this happened a charlie puth song really put me in a mood #gojo x reader #gojo smut #gojo satoru x reader #gojo satoru #jjk #jjk x reader #valkyrie stories

[yumeyumeappleo]

donnie i drew idk

#rottmnt #rottmnt donnie #rise donnie #rise of the tmnt #yyal art #hhhh music makes me sad it reminds me of people who are just forgotten chapters of my life. they got written out. BY ME . by accident #if i could hit undo and rewrite your place in my story i would id love you forever #but i cant rewrite you. yyou were beautiful and you were you i can never get youback because that handwriting was yorue and yours alone HHH #AAaaaaAAaAaaAaAAaA #maybe i'll delete these tags in the morning it hink theyre too wild to be in a ninja turtle art post #whatever. easter egg for my unloyal fans

[whenfatecollides]

Xena Warrior Princess 6x8 The Ring

#xena warrior princess #xenaedit #xwpedit #tvedit #wlwsource #wlwedit #gif* #xena* #other characters having that OH moment about xena and gabrielle will never not be funny to me #but there's also a lot of layers to this scene #xena is seriously one of the best characters ever written her story will never get old #1k

[roykentschesthair]

I’m sorry, but the venn diagram of Roy Kent’s *intense* need to be needed and Jamie Tartt’s *intense* need to be wanted is a fucking circle.

They literally complete each other. Jamie would never be smothered by Roy, he’d absolutely thrive under the attention (this is literal canon) and Roy would absolutely find the secure attachment he needs by being able to meet Jamie’s needs

And we never got to see it come to it’s inevitable and obvious conclusion and I’ll never get over it.

#royjamie #roy kent #jamie tartt #ted lasso #we deserved a royjamie ending #I’ll never be over them #they’re the best love story never written #I’m totally normal about them

[nopanamaman]

How does it feel knowing that there’s pafl content out there that you might never see?

How do YOU feel there's pafl content you will never ever see. Think about that

#The amount of stuff I don't publish is twisted crazy #My patreon lore ramblings are basically rundowns of the shit I've had doodled and written out but would never really post otherwise #And it's still just general lore overviews. I got like ten trillion short stories and doodles that'll never see the light of day #parties are for losers #asks #blog

[aegagrusscholarship]

familiarity, the lack thereof, and the only way it could have ended.

the thing is, ultrakill is a very diegetic game. near everything, from the style meter to the bottomless arsenal to the shitass graphics themselves, are explained in some way by some in-universe fact.

so, what with violence and the implication that V1 was designed to counter earthmovers

what with 7-4 and the fact that it is a culmination of this implication

i wonder. when V1 looked up at that earthmover, did it know, with whatever passes for instinct in a machine, exactly what to do? and if it did, then, how is this conveyed to the player?

diegetic as the game is, how does it engineer a situation in which the player, themselves, knows exactly what they have to do?

the biggest factor, i think, is the fact that the earthmover's health bar appears the moment you lay eyes (or camera, or whatever) on it, and it does not leave until you have finally killed this colossus.

but this factor is much more subtle than it appears at first glance. yes, big honkin' boss healthbar on screen for the entire level, what more to it. there's a good deal more, it turns out.

first off- this is the shortest leadup by far to any bossfight in the game. you slide through a single vent, and you are greeted with benjamin right out in the open. even P-1, devoid of any other hazards as it is, gives you a long trek down the spinal staircase before you reach the flesh prison. 7-4 has none of it. you enter the level, you enter the stage, and there you have it. you know exactly what you are up against right from the outset, and it's not quite a feeling of familiarity but it tells you exactly what you have to do. which is the point of this all, isn't it?

7-4 is also... not a bossfight! it is a full level! it is a full level framed as a bossfight. the health bar frames this full complete level as a bossfight.

and on one hand, this is not new news. on the other hand, i think this is the crux of it. the thing is, most bossfights are near-to-entirely new. you do not know how the boss acts. you do not know their attack patterns. you do not know their capabilities. you are learning something new. levels, though, you have done a thousand times over and so the player knows how they need to play through this bossfight in a way that is not quite present with any other boss in the game.

the content of the level is new, of course, because that's how it goes. but you know the motions. you have done this for two acts prior, you know the motions. you know exactly what to do.

also! this level does not exist in a vacuum. what i am saying is this: the rest of violence layer shifts its storytelling and its tone and even its graphics. it is something completely new in contrast to the rest of the game. 7-4, though, returns to environments and graphics more akin to what you have experienced before, bringing you back to familiarity and again knowing what to do here in a way the rest of violence hasn't let the player experience.

one more thing about this level: it plays directly into expectations. which is something that the rest of the game actually does not tend to do.

the game, at base, is just not a typical FPS. it gives you movement like a roguelite or a platformer, it takes guns you expect to know the mechanics of and goes utterly wild with how far the archetype can be changed.

in a smaller scope, here is a comparison of the earthmover and the corpse of king minos as two separate colossal bosses foreshadowed in similar ways. and i mean, minos's bossfight isn't unprecedented in other works. but i think the thing that matters here is that you are not, in fact, the underdog as is the case with so many other bosses of its ilk. riven of many voices, destiny 2, similar bossfight similar scale. you are hiding from her you are a fireteam of many you are triumphing over a dragon larger than life. project gestalt, madness project nexus, you are pulling out every stop you can to take down something so far over your head (both literally and metaphorically). corpse of king minos- V1 looks up, stands its ground, and parries his god damn fist.

and the thing is, the earthmover plays into a different expectation, but it's playing into an expectation nonetheless. you look at this thing and you climb it and you dismantle it from within, like you have done in many games prior. you know what your goal is from the moment you see that healthbar and you hook onto the conspicuously placed hookpoints that tell you- you will climb this machine; you will fight your way up to whatever its core is and you will kill it. you play through the entire level with this expectation and you get exactly this expectation. you destroy its core and it begins a countdown, and so very many games have countdowns before the collapse of whatever level you have just beaten, and you know exactly what you have to do.

i don't know. i love diegetic storytelling. i love this level.

it's just familiarity, i think. this level runs off familiarity. it gives you, the player, things and tropes and designs you are familiar with. it signals to you that you should know what to do, and it lets you do exactly what you expect to do.

if i were any more cheesy i could absolutely end this by restating something about the only way it could've ended, but uh. i am not that cheesy. this time.

aw crud now i don't know how to end this oh well goodbye then

#ultrakill #ultrakill spoilers #idk dude i just saw someone say like. 'when v1 saw the earthmover do you think it knew what to do in a way itd never experienced before' #and i was like 'hmmmm ultrakill is a game that justifies a LOT of its story decisions in gameplay' #'i sure wonder how this one mighta been conveyed to the player' #and then i experienced a category 5 autism event in one of my friends' dms. thanks pory youre a real one #for listening to my giant fucking ramble while i was walkin down from the train station LMFAO #......also fuck i hope no one has written this before i amso sorry if i am just rehashing someone elses already written thoughts fffffuck.

[arbiterlexultionis]

Poltergeist

So, Danny, who’s blood is composed of mostly caffeine because the Box Ghost just WON’T FUCKING STOP attacking on the middle of the night, God Dammit this is the SEVENTH Time tonight how the Crap Baskets do you keep escaping the Thermos!! So, when he wakes up one morning needing both caffeine and ectoplasm in his sleep deprived state he just mixes a 4 pack of monster and beaker of ectoplasm in a jug and starts chugging to try and get it down before the taste hits and then stops. Takes a sip. Takes another. And realizes that it actually taste way better then either do individually.

So he starts mixing them up regularly, and eventually starts just phasing ectoplasm into still sealed cans so he can grab and go for the sake of convenience. Then some other ghost get a taste, like it, and start asking for more. So Danny gets some new friends and starts making ghost money selling his concoction, and as a joke based on the original name of the energy drink, paints over the can and relabels them Poltergeist.

For a while, business is booming but then a problem pops up. Real world items are contraband in the zone according to Walker, and most of the drink itself and the container it comes in is real world matter. Cue prohibition era shenaniganery as Danny and his allies became energy drink bootleggers, running from Walker, smuggling cases of Poltergeist, hiring ghost to help them with all of this, the whole nine yards.

I think this could work out pretty well with Danny and The Spooks, him and his boys mass producing and shipping out illegal ghost energy drinks could be a really cool plot line in my opinion, producing it, figuring out how to get it to the zone and all that as a group. I also feel this idea is just the right amount of wacky to work with the DP verse and serious/sensible enough to not be complete crack fic unless you want it to be.

When the Fenton’s and Valerie hear about that no good menace Phantom selling Highly Dangerous Ghost Drugs the flip their shit. The smear campaign is the stuff of legends. And then the truth comes out. It’s just a really Really REALLY tired teenager trying to stay awake and make some pocket money to buy first aid supplies and have some left over to buy food for homeless people.

If it’s a verse where Sam and Tucker are in on the whole ghost fighting thing then they are Energy Drink Kingpin Danny’s right and left hand men. Tucker’s the tech guy, figuring out how to build hidden compartments in vehicles to hide the goods, monitoring and screwing with Walker’s tech, managing accounts for human money he makes/figuring out how to exchange human money for Ghost money. Sam is his badass enforcer who keeps the underlings in line, and also uses her money and rich people connections to launder money and stuff. Proper crime boss stuff.

Eventually, everyone’s least favorite front loop catch’s wind of this. And I see this going one of two ways.

1) He comes to the conclusion that Danny’s not aloud to have nice things, and starts his own enterprise to compete with Danny. Stealing business, sabotaging production, tipping off Walker. General douchbaggery.

2) He is the opposite of opposition. He wants Danny as his Son, wants Danny to be just like him, wants to guide and train Danny the way he never got. So Danny, all on his own, building a criminal empire? Pissing off the authorities instead of being a little goody two shoes? Laundering money almost as good as his old man? It is wonderful and he is Here For It. Either he’s in the distance cheering him on or actively trying to help. “No no my boy, if you do it like that you’ll either end up broke or in jail for tax evasion. You’ve got to send your money through these channels and store it in banks of these countries. I’ll help you set up accounts.”

#danny fenton #danny phantom #dp au #fic prompt #story prompt #writing prompt #danny phantom au #Danny’s a crime lord #and he’s bound and determined to make it everyone else’s problem #Frostbite is at first glance the muscles of the organization but then he throws on a lob calf and goes to his lab to cook up better flavors #this is my first to tagging Danny as a Crike Lord it will not be the last #Walker #Walker won’t admit it but he’s absolutely ecstatic about the whole situation #tickled pink beyond belief #His whole Shtick is to be an old timey cop #getting to do all this prohibition stuff is a litter Al dream come true for the guy #Vlad has a foam finger with Number 1 Crime Boss written on it #he’s never bend more proud of his little boy. #Vlad: *Sees Danny monologing to petty ghost criminals that are trying to take his business* I’ve never been prouder #*wipes a tear*

[pyro-les]

I have a pretty cool idea for a Regina x reader story and I really wanna write it but I've also never written a fanfic before so idk.

Would anyone take the gamble and read it if I wrote it?

#i kinda just wanna info dump all my ideas without writing it properly #ive got a tone of stuff in my notes on my phone and way more in my head #like enough for a full multipart story #but ive never written a fic before so idk #would anyone wanna read my potentially bad potentially brilliant story? #regina george x reader

[stone-stars]

a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…

you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.

and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.

it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--

the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.) for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.

melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack. for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.

the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands. for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.

the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.

anyway. this was a post about naddpod music.

#naddpod #ba2mia #naddmusic tag #sorry to leave calder out his story is too ongoing to fit yet #(and we haven’t had any songs that fit in his arc either) #if we get a late stage bahumia song during this arc #for calder and gowan im gonna fucking. die. #truly just going insane over here anyway #like obviously on a meta level the reason the songs were never used for the bob #before the endgame is bc they weren’t written yet #but like. when you start to think about it #it kind of fits that it happens like this #there’s also more examples like i just want to know you’re taken care of #which is used in c1e91 for moonshine and paw paw’s convo #being used for callie and foster in ep10 #of c3 #specifically in the context of callie’s love and her fear of loving big #(contrasted against moonshine resigning herself to hell and her fear of that future) #anyway if i keep talking abt this i’ll explode so #enjoy? i guess? #hanbles

[lee-kangin]

HARRY KANE (10) & SON HEUNGMIN (7) OF TOTTENHAM HOTSPUR The greatest partnership to ever exist in the world of football. “When you turn, I will be always there.”

BBC Sport / Kane and Son break the all-time record for Premier League goal combinations / The Guardian / Kane-Son trademark celebration during Liverpool 1-1 Tottenham, 07th May 2022 / Kane-Son trademark celebration during Manchester United 1-6 Tottenham, 04th October 2020 / Kane-Son trademark celebration during Aston Villa 0-4 Tottenham, 09th April 2022 / Kane-Son trademark celebration during Tottenham 2-0 West Ham United / Kane on Twitter after assisting Son on 4 goals against Southampton / Tottenham 1-0 Burnley, 26th Oct 2020 / Nice to Mich You, Son Heungmin / Premier League / Kane and Son hug during Manchester City 2-3 Tottenham, 19th Feb 2022 / Kane and Son hug during Tottenham 1-0 Crystal Palace, 20th Sept 2015 / Kane consoles Son during the Carabao Cup final against Manchester City / Kane and Son celebrate during Tottenham 5-2 Southampton, 26th Dec 2017 / Commentator on the Kane and Son partnership / Tottenham 2-0 Arsenal, 06th Dec 2020 / Caption from ‘Heungmin Son and Harry Kane guess their Premier League goal combinations’ / Stray Kids, I am YOU / Kane and Son celebrate during a 6-1 game against Leicester City, 18th May 2017 / Kane and Son celebrate during a 4-0 game against Everton, 13th Jan 2018 / Kane on Twitter / Frank O’Hara, ‘Morning’ / Kane wins the Golden Boot 20/21 / Son wins the Golden Boot 21/22 / Kane assists Son against Southampton / Caption from ‘Heungmin Son and Harry Kane guess their Premier League goal combinations’ / Mitski, Francis Forever / YouTube: Record breakers! Kane & Son react to becoming Premier League’s most deadly duo! / FootballJOE on Twitter, referencing Son’s trademark goal celebration, the ‘camera,’ through which he is looking at Kane / Gang of Youths, ‘Achilles Come Down’ / Kane and Son celebrate their goal against Arsenal / Kane on his relationship and link-ups with Son / Son and Kane on Instagram / Kane and Son after Kane assisted Son on four goals against Southampton / Tottenham 3-2 Ajax, 08th May 2019 / cr. Shaun Botterill, Getty Images / Commentator on the Kane and Son partnership / Tottenham 3-2 Manchester City, 19th Feb 2022 / Caption from ‘Heungmin Son and Harry Kane guess their Premier League goal combinations’

#footballedit #kaneson #tottenham hotspur #harry kane #son heungmin #son heung min #heungmin son #heung min son #tottenham #football #this is my magnum opus i spent an actual insane amount of time on this ... there is something SO deeply wrong with me. #i feel like this isn't enough to encompass the love they have for each other there needs to be MORE ... but i tried my best #in the end do you ever think about how they both grew up on different sides of the world with nothing binding them apart from a shared #desire to play football and to be the best at it. and how more than 2 decades later they found each other in london and became part of each #other's stories. because that's the crux of it isn't it? there will be no book written about one of them without mentioning the other. #they've become so intertwined over the years you can't tell where one starts and the other ends. #the amount of respect and admiration that they hold for each other is actually insane. like sonny talking about how harry is the best #striker in the world and - not pictured here - how he believed he could win the golden boot at the world cup last year which uh. #that was never going to happen but it's the FAITH. the unwavering relentless FAITH!!! that he has in him :((( #or the DIFFERENT way harry loves sonny oh i could pen tomes about it really but the point is that he opens up around him and he sheds that #stoic and untouchable persona and actually laughs and giggles and smiles in interviews with him and never doubts him. ever. #i couldn't fit in 'never in doubt' here but NEVER IN DOUBT!!! #'when you turn i will be always there.' how goddamn romantic is that then. #the thing is that they were born to be together. they were meant to play with each other. #there will never be another duo like them. #rahul.gif

[bowenoke]

sorry I tried to make your boyfriend the protagonist of a timeloop au but- yeah. no, yeah. the horror of the situation and his utter powerlessness got to him. yeah. he's changing as a person but incapable of moving forward. sorry

#me reading the fantasy timeloop au I tried to write: ah fuck! i've cosmic horrored him. #never written a horror story by accident before! thats a new one! #i have. over the course of the last 4 months. formed some very strong thoughts on time loops as an allegory for trauma recov. sorry abt tha #looping #time travel tag

[charcubed]

I NEEEED people—especially those with unfathomably large platforms???—to start doing just a tiny bit of internal evaluation before they log onto a blue website and say “I don’t want these queer characters to fuck in canon” or “I’d be fine if these characters never kissed again” or whatever.

This is a post about Good Omens and the prospect of Aziraphale and Crowley potentially having sex in season 3. It's a response to a tweet that I'm crossposting, but let it be known the above statement and this topic applies broadly across multiple fandoms too.

But anyway, in regards to Good Omens specifically:

I am seeing this take that essentially boils down to "Canon has now made it clear that these characters want to have sex with each other through subtext (i.e. Aziraphale and the ox), but I don’t want that to reach narrative completion because the idea of them having sex makes me uncomfortable or isn’t my personal preference” and it is, to put it mildly and delicately, A Very Bad Take.

This is rhetorical (and I do not expect or particularly want an answer), but: explain to me how and why queer characters who are unavoidably visibly queer (aka 2 "man-shaped beings") fucking on screen wouldn’t be a net positive, especially when you can indicate how canon has set it up.

Presumably, some people say things like this because ~they want to see them as visibly ace.~ Okay. But by some of these people’s own admission, there IS more evidence in canon now to indicate these characters crave sex with each other (vs arguing otherwise)... yet people would rather that be ignored/erased all for the sake of them feeling comfortable or feeling better about what canon shows or doesn’t show explicitly??

I’m sorry, but—speaking as an ace person, to be clear—your personal preferences for the story shouldn’t / don’t affect anything here. There’s too much in this.

Yeah, I understand on a personal level not having “representation.” I almost never see myself or my unique experiences and identity reflected in stories. And yet, I also understand that that doesn’t change any story or the world in which we live. Things like this are not said in a vacuum.

Any queer characters having sex on screen IS a net positive. It is rare and impactful, and openly calling for or hoping for otherwise when canon points to its potential is a detrimental alliance with purity culture, whether intentionally or accidentally. Because we live in a Goddamn society!

Who knows (other than Neil Gaiman) whether Aziraphale and Crowley ARE going to fuck on international TV. None of us do! But the subtext right now blatantly says they’re starving for it. And you don’t have to like the prospect of that, but honestly? We SHOULD get to see it play out. There’s no truly legitimate reason we shouldn’t ¯\_(ツ)_/¯ Whether you "prefer" it or not.

And my ultimate hot take is… if someone balks at the idea of that or doesn’t understand the importance of it, despite even seeing the subtext… then they should perhaps unpack that? Just a thought.

Truly the way fandoms are managing to hit either “subtext doesn’t count :/ ” or “let’s keep it to subtext so it’s ‘open to interpretation’ :) ” nowadays depending on what corner one visits is MADDENING. Whiplash-inducing. Surreal. And so much nonsense you can’t pick where to start.

So! I do genuinely hope I'm not kicking off discourse but I felt this Needed To Be Said (and on more than one site). Because posts like “even if they never kiss again, we’ve won <3 “ make me want to be like…

These characters are YEARNING. Do not doom them and us to it. For once, we can reach for the stars and maybe–against all odds–pull them down. Embrace it!

---

[Update: after more discourse has occurred, I have somewhat elaborated on this further, from the POV of the significance of the queer themes in Good Omens and more specifically how they center illicit pleasure/desire]

#good omens #good omens season 2 #good omens spoilers #good omens season 3 #neil gaiman #aziracrow #ineffeble husbands #I'm OVER ITTTT. #this is the delicate version of this rant. trust me. I tried to keep it chill for the sake of posting on main #char writes things #PS adding some brief tags now that the discourse has Escalated: #Mr Gaiman can be pedantic on the internet and pretend by omission he's never heard of subtext all he wants. #it's not what his story is saying and I do actually think he DOES know how to do stories. so. love & light to whatever his deal is. #(what I mean: do not come into my house & try to say 'neil said the ox scene isn't sexual.' inaccurate + that's a whole suitcase to unpack) #(I have now written about All That at length elsewhere with exasperation but it doesn't need to be linked in this post lol.)