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catwouthats · 9 months

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I want to preface this by saying I have a really good pattern recognition and took a film class before .

I NEVER WANTED TO LEARN THIS INFORMATION OR HAVE THIS THEORY!!

Anyways, because people are confused about the theory of Gabriel somehow having the second coming of Christ (and also why I think some of the book of Revelation will be included in Good Omens 3), I thought I’d put my evidence here.

Once again I’d like to formally apologize and this is your last warning.

You will lose all sanity past this point just like i did.

(TLDR; only read what’s in bold and look at the pictures)

When it comes to why I think season 3 might be based off of Revelation slightly, there isn’t that much evidence. (Unfortunately there is more evidence for the other part.)

First of all we have Metatron mentioning the second coming of Christ before they get on the elevator. Now for those of you who don’t know the second Coming of Christ is part of Revelation! (Also, Metatron did not bother to try and stop Gabriel from leaving… which I find suspicious…)

Where “Christ 2.0” is mentioned in Revelation? Well the Revelation is not straight forward. Some think of the Second Coming of Christ as whom was mentioned in Revelation 14:14-16 (in this chapter he comes down from the heavens and chops off heads) and some think of The Second Coming of Christ as who was mentioned in Revelation 19:11-16 (in this chapter he comes down from the heavens and helps put two of the false prophets in hellfire). For Chapter 14, they call the being “the son of man”, which is the same title people use for Jesus. For chapter 19, there is “King of Kings, Lord of Lords” tattooed on his thigh, which is what some people call God.

Luckily, considering the main point of Good Omens is to show that love and life matters most, I don’t think they will do exactly what those chapters say.

Neil also said that he got inspiration from Genesis and Revelation here: https://www.tumblr.com/neil-gaiman/728173029401788416/hi-neil-gaiman-i-would-like-to-know-if-good-omens

Side note, another reason I feel they will use some of Revelation:

Now on to the Unfortunate truth. Proof/foreshadowing that Gabriel will have the Second Coming of Christ. (Again I want to formerly apologize to both the fandom and Neil Gaiman.)

So what started this is Chapter 12 of Revelation. In chapter 12 someone is pregnant in the sky/heavens/space and gives birth to a special child. Before that child is eaten by a monster, an Angel comes in and takes the Baby away and brings the baby to God. This is why I think this is the same being as the second coming mentioned before. He was taken care of by God and raised in Heaven.

But he was also born in space…

And unfortunately for us ineffable bureaucracy is in space. And although they aren’t human, there are actually a lot of references throughout Good Omens 1 and 2 that associate Gabriel with birth and sex.

But before i get into that, I want to preface all this. I know this might upset some of you all because you might also have had the head cannon of them being asexual. To that I say, don’t worry I don’t think anything sexual will actually happen. They are kind of dumb (when it comes to human affairs) supernatural beings whom can perform miracles. A lot of this is just dramatic irony used to make us laugh and to possibly hint at the future.

So here is all the evidence of Gabriel having a kid so far (I will edit it if more comes up):

1) When he says he was there for the creation/birth of Eve in the garden. Why in the world would that be an important thing to mention? For what reason did God want him there? Why did God want him to see how to make a human?

2) The fact he is the same Angel who delivered the message to Mary that she was pregnant with Jesus. You can see this in Luke 1:26. While, this is not mentioning Good Omens I feel it is important to point out. Also, I think it would be funny if Mary was able to pull an Uno reverse card (and a +2 card because it would be the 2nd coming) and tell GABRIEL that he was gonna have the child.

Not to mention there are even more similarities between the two of them (which I mention later.) I think it shows them as having something more in common rather than just being in eachother a story…

3) The fact he was also there for the “birth” of 3 of Lot’s kids. Yet another moment of human creation that God insisted he’d be a part of.

6) The tomatoes falling in front of him as he walked to Aziraphale’s Bookshop (they did a close up which usually is a “pay attention” sign) because apparently tomatoes are a sign of fertility. (Also if you look at the extended edition of Gabriel’s arrival you will see that the tomato pile seeming bubbled up like it was multiply as he walked by.)

Not only that, but some studies show that tomatoes can cure infertility. And considering we know that angels do not at first have any reproductive organs, I think it’s safe to say that this symbolism could show how he is no longer infertile. (Link: https://www.nicswell.co.uk/health-news/tomatoes-and-fertility )

7) Everyone assumed he was a stripper that Aziraphale hired. Nina thought it was Aziraphale’s ”naked man friend” he hired. And the people around him even took pictures of him nude. They didn’t even bother to call the police they were in such awe.

The fact that they didn’t call the police or weren’t really disgusted (but rather many were quite turned on if you look at the symbolism) is very interesting to me. It reminds me of the story of Lot in the Bible. Two Angels visit Lot (in sodom and Gomorrah) and a huge crowd of people forms outside his house. The angels were so charismatic and hot that everybody wanted to do them, and that is why they were crowding around Lot’s house. I wish I was joking, but I’m not!

8) All the people that flirted with him at the ball to which he said something along the lines of “I learned something new about this body last night in bed” and also “want me to show you?”

As my friend on tiktok (cloverthegrand) said “something something Gabriel was [probably] purposefully made to be very attractive to attract a partner to fulfill the second coming requirements.”

9) He likes hot cocoa and chocolate is sort of an aphrodisiac, which is something that supposedly “turns you on”. And yes, chocolate is still a symbol of love even without it’s aphrodisiac qualities.

(Link: https://www.simplychocolate.com/learn-chocolate-aphrodisiac )

10) When they have sushi (fish), Gabriel is always(?) there. When they are in he restaurant in season 1 and at the Ball in season 2. Fish is a sign of fertility in a couple cultures like in judaism, some Native American tribes, and Celtic culture.

(Links: https://www.myjewishlearning.com/article/an-abundance-of-fish/ and https://www.atshq.org/fish-symbolism/ )

11) This is quite controversial, but the fact that Gabriel planned basically to show up to beelzebub completely naked is quite… odd. He probably doesn’t understand the complexities of this and what it means (or would mean to humans), yet it is still an odd flag that I feel could show us a hint. And once again, I would like to remind you all that this is not me saying that they aren’t asexual. I still firmly believe that they are both aroace spec because they are/were Angels!

12) The “I’m in the fly” on the bottom of the box that Gabriel brought is also quite funny to me. Gabriel and Beelzebub sure did not get the joke, but I know some of the audience (including me) had one Hell of a time laughing at that dramatic irony/pun! And once again it is another this that associates Gabriel with the creation of kids.

13) “Everyday” being beelzebub and Gabriels song -despite also being described by Terry and Neil as an apocalyptic song- is also interesting to me. I feel it could show that somehow their love and their romance is the start of this second apocalypse or maybe even the center of it. It’s slightly scary to me that Neil didn’t wait to use Everyday for season three, yet instead started using it here for a romance.

14) All the good luck symbolism for Gabriel. Gabriel got really lucky the season. Whether with a Aziraphale and Crowley and his memory or how everything around him went. It was as if it was perfectly planned. And it was! There were a lot of symbols for good luck, always surrounding Gabriel to make sure no harm came his way (such as the Garlic, onions, cabbage, and plum tree at Gabriel’s arrival. Also the color blue, hearts, and lions.) I feel this shows just how important and essential Gabriel is to SOMETHING. Something probably bigger than he knows.

Please correct me if I’m wrong, but I’m pretty sure I remember Neil Gaiman once saying on Tumblr that he made Gabriel more of a character in season one of good omens because he was important to the next part of the story. This season definitely showed us just how important Gabriel really is (to my unfortunate mental decline.)

15) Cows. This one isn’t that big considering it is just two framed images of cows in the background while Beelzebub and Gabriel order at the bar, but I included it anyways. Cows represent fertility and strength (yippee 😐)

16) Gabriel is wearing the same blue at the Ball as Sitis(kind of) and as The Virgin Mary! They all have big blue thingy. This shows they are similar… somehow (*cough* miraculous births/“births” *cough*)

Bonus: The Proof is in the Pudding!… or at least the side dish. Here is some evidence from the extended editions/cut scenes:

A) In the extended edition of Gabriel’s arrival:

Aa) Lemon symbolism. In the extended edition, you can see an old man holding a lemon, while standing in front of a pile of tomatoes on the table. The pile of tomatoes then later, bubbles up, as if multiplying, and falls down on the floor, overtaking him and his lemon. lemons can symbolize loyalty to one other person in a sexual or romantic relationship and they were also used as a form of birth control, but consider the tomatoes -what fixes infertility- went past that man I think it’s safe to say that is no longer a thing.

Ab) Flowers. Honestly this is not that important because flowers have many different meanings (I mainly did this for fun; not all of the flowers support this theory). But mainly people use flowers to give to someone they love. Also, flowers in General (specifically Lilies and Roses) are commonly associated with the Virgin Mary. Let me quickly go over the flowers/plants in this shot that I could identify.

Black eyed Susans - encouragement, motivation, endurance, and justice

White Roses - purity, youthfulness, innocence, eternal loyalty, and new beginnings

Yellow Roses - friendship and joy

Pink Roses - elegance, refinement, sweetness, and femininity

Green Roses or Green Chrysanthemum? (I can’t tell which it is from a distance) - chrysanthemum-good fortune, rebirth, renew, and good health. Rose-renewal, fertility, growth, abundance, and rejuvenation

Eucalyptus - strength, protection, abundance, and the division between Heaven and Earth

Wreaths - not a flower I know, but they do symbolize some important things. Fertility, life after death, life, and Jesus dying and coming back

(Links (This is not all of them because I got tired): https://fiftyflowers.com/blogs/flowers/rose-color-meanings#:~:text=White%20roses%20symbolize%20purity%2C%20youthfulness,for%20weddings%20and%20romantic%20occasions. And https://blossmcart.com/blog/chrysanthemum-meaning-and-symbolism/#:~:text=Green%20chrysanthemums%20symbolize%20good%20fortune,love%2C%20longevity%2C%20and%20joy. )

Ac) THE HOSE POORING WATER INTO THE PURSE! OH MY GOSH DID THIS SHOT SURPRISE ME IN THE EXTENDED EDITION! Also they even did a close up of it so you know it’s important! This is on the nose fornication. The hose representing a pp, the purse representing somethings that “purrs”, and the water representing… human male milk. The hose fills up the purse and makes it wet in these shots.

This could just be them showing more of how everyone is thirsting after Gabriel, but than again… why specifically Gabriel? And why something so specifically representing conception?

B) In the cut scene at The Ball

Ba) The nut allergy. In one of the cut scenes Justine has a nut allergy and asks Gabriel if any of the appetizers have nuts in them. I love to interpret this as them saying they are a lesbian because of their emphasis on all nuts. I especially love this because (assumingly) the people before them were flirting with him and they weren’t (probably because he looks like a male human.)

Bb) The fact Gabriel has no idea what nuts are and asks what they taste like. It seems very innocent in the scene, but if I saw that scene back to back of the “I learned something new in bed last night” I would definitely assume that was on purpose for many reasons. And considering all the other times Gabriel is associated with sex, I think I am gonna interpret it this way. He is a very innocent Angel though (literally).

[EDITS: The bit on the side (more evidence that I unfortunately can’t add imagery for because I’ve reached my limit on this Tumblr post):

-the pornography bit in s1

-the fact Gabriel is sort of fixated on having a nice body (exercising, looking at the statue of himself)

-the way his statue holds a cross the similar to how The Virgin Mary holds a cross in images (at least at times where she is holding one)

-The fact that there is also a lot of imagery of the Virgin Mary putting her hands cross over her chest, which is similar to how Gabriel does when Aziraphale and Crowley ask to hold his hands in s2

-him “being a Virgin” being the butt of a lot of the sexual jokes. I put being a virgin in quotes because I actually have a very depressing theory about this. He most definitely did not just miracle genitals right before seeing Beelzebub, otherwise the Angels would’ve gotten a notification as he was leaving that he did that considering they were looking at his file. That means he’s had that for a while. We know he has something down there because of the crowds reaction to him being naked after he puts down the box.

-Neil said “we will never know” when asked if Gabriel made “the effort” down there… this isn’t evidence I just find this hilarious (Link https://www.tumblr.com/neil-gaiman/725238480054239232/hey-neil-i-dont-know-if-this-question-has )

-Neil offered the name Gabriel to someone that was naming an incubator in their lab https://www.tumblr.com/neil-gaiman/727942479466430464/i-need-help-naming-lab-equipment-i-work-in-a-lab

Do I think all of this evidence means Gabriel will give BIRTH? Not exactly, I mean he could just miracle a child by pulling of one of his ribs and gathering Star dust around it to shape the body. However, I do think there is a high possibility that Gabriel will somehow raise or make The Second coming of Christ (or just any child) in Good Omens 3.

And on the contrary, to all of what I said, some of the other angels and demons could also be associated with fertility (ex: stars, sand and fish as symbolism for fertility. Aziraphale has scenes with stars, sand and fish). However, in my opinion, it is not to the degree that Gabriel is associated with things like sex, birth and the Virgin Mary. He is CONSTANTLY being associated with it (even if it’s not on purpose) throughout the series. They could just be making sex jokes with Gabriel because it’s funny (and because it’s John Hamm who is/was apparently a sex symbol), but we’ll never know until season 3 I guess!

I doubt this all will help in my plea to be not weird on tumblr, considering I shared the evidence now, but it’s better than sounding like somebody who just said “archangel Gabriel mpreg” just for the fuck all.

#good omens #good omens 2 #ineffable bureaucracy #good omens gabriel #gos2 spoilers #go2 spoilers #gos2 #good omens 2 spoilers #good omens theory #good omens 3 theory #archangel fucking gabriel

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princessmisery666 · 10 months

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Please don't leave. Jensen Ackles and reader

Please Don't Leave

Summary: Friends to lovers to friends, that can work, right?

Warnings/Genres/Troupes: angst, fluff, Jensen in his thicc Soldier Boy era (that’s a warning in itself!)

W/C: 4.3k

Characters: Jensen Ackles, Jared Padalecki. Small Parts/Mentioned: Karl Urban, Jack Quaid, Gen Padalecki.

Pairing: Jensen Ackles x reader (you - no descriptions of body type or ethnicity).

Notes: For the purpose of this fic, Jensen is not and never has been married.

A/N: This drabble got way out of hand.

Betas: @deanwinchesterswitch // any mistakes belong to me.

Graphics: Title card Jensen photo credit - https://twitter.com/_AlanaKing_ Soldier Boy image from Variety. Fly video belongs to me.

Master Lists: Dean Winchester // Main // Made Up Fic Titles

“Help me understand,” you implore.

The first domino to set off the chain reaction was in the form of a famous and beautiful actress, Mae Nova, sliding into Jensen’s DM’s—a very detailed offer with an accompanying photo that you saw by no fault of your own. How is irrelevant. Why is the issue. Why didn’t he delete it or immediately set her straight?

“You’re the one that wanted this, Jay,” you say when he remains silent. “You're the one who pursued me, convinced me we should try and turn the ten years of friendship into something more.”

“I know.” He sighs, pushing a hand through his longer hair. “And I don’t regret a second of the last six months we’ve been together…” he doesn’t say it; however, the ‘but’ demands attention like a flickering light.

“But you're having second thoughts?”

“No!” he denies vehemently, finally looking you in the eye. “Don’t put words in my mouth.”

“Well, one of us has to!”

He shakes his head, exhaling loudly. “I’m sorry,” he repeats, sounding like a broken record. His heart rate is running high, and his chest heaves with every breath, but his vocabulary appears to be running low.

You tsk, fighting back a scathing comment about needing a script writer to make him talk. But it wouldn’t be fair. He’s not a man who runs from his emotions. He’s just trying to make sense of it all like you are. You have to remind yourself he’s not Dean Winchester. He doesn’t look much like him anymore either; longer hair, beard growing almost wildly, no plaid in sight in the Soldier Boy wardrobe at the back of the fancy trailer.

Is that where the lines blurred? Working together for so long on Supernatural, have you both confused the other for your characters and their feelings toward the other?

“You can stop saying your sorry. I forgive you,” you say, and he turns a watery gaze your way. It almost breaks your resolve, but you realize it’s down to you to be the strong one. “I just need to understand why? Why didn’t you reply and tell her you're in a relationship? You’ve done it a hundred times before.”

“I don’t know.”

To make matters worse, Mae had landed a role on The Boys and would be working alongside Jensen.

“Jensen, you spent fifteen years of your life devoted to Supernatural, ten of those with me around. I think you were scared of the end, afraid of losing such a big part of yourself.”

“I was,” he agrees, in a whisper as if you speaking the words is the reason for his realization of it being the truth.

“Maybe us being together was a knee-jerk reaction?” you suggest, “a way to cling onto the past.” You take a deep breath, and your chest tightens as if begging yourself not to say the next part. “Maybe you need a clean break, see what the world looks like without Supernatural… without me.”

“What? No.” He looks offended but can’t hold eye contact and doesn’t offer anything further.

You can’t keep going around in circles, so you make a decision, sitting down at the small table and firing up your laptop.

“What’re you doing?” he asks, rushing to look over your shoulder, perhaps worried you’ll take it upon yourself to reply to the woman. “Searching for flights back home?” Jensen says, panic clear in his tone. Harshly he slams the laptop shut, and you look up at him. “You can’t leave.”

“Give me a reason to stay.”

“Me, us!” he yells, “we can work this out.”

You stand up and gently press your lips to his. Jensen’s hand automatically goes to the small of your back, guiding you around the chair to better press himself against you.

The kiss is natural and unhurried, but there’s too much tension in his body, and you know it’s because he feels it, too. This is your last kiss.

A little breathless, you pull back. “I don’t wanna fight, Jensen.”

“Me neither.”

“So let me be the bad guy,” you say, heart aching but trying to hold it together. “Let me walk away before the wound is too big to save our friendship.”

He grimaces as if tasting something bitter but nods once, “I’m sorry.”

It’s been a long day. All Jensen wanted to do was take a shower and crash, but Karl convinced him to go for dinner with the cast and crew.

The conversation is light, everyone enjoying their food and making small talk. It’s nice enough, but it’s incomplete because you're not there.

He wishes it was you beside him instead of Mae. The seating arrangements have no rhyme or reason. It just happened that way. But still, he almost resents that she’s the one next to him. So much has happened in the weeks since he last saw you. He wants to share it all with you, and wants to know how you are - if you’re struggling with his absence as much as he is with yours.

“Okay there, Ackles?” Jack asks, “You're a world away.”

“Yeah,” he lies, sitting up straighter and smiling. “Just thinking…”

Karl must know the look of a man missing his significant other because he asks, “About your girl?”

“Yeah,” Jensen admits, sighing heavily. He hasn't told anyone you broke up, and there’s been no speculation in the tabloids.

“Tell us about her. You never did tell us about your first date,” Jack says, “we all know you met on Supernatural, but not the story of your first date.”

Jack’s an awesome guy, sweet and kind, he doesn’t know the reminder is like a kick in the teeth, but Jensen obliges.

Jensen hurried across the lot, a coffee in each hand, the brown paper bag containing two cinnamon rolls dangling from his mouth. He was late, and Jared would give him shit for it, but it would be worth whatever Jared threw at him if it improved your morning.

Your latest Instagram post was a photo of a fly swimming in your coffee with the caption: “It was my last coffee pod. This just topped off a crappy weekend😭. #HappyMonday”. You were one hundred percent a coffee snob. You made it in a particular way using a fancy - and stupidly expensive - machine. You wouldn’t settle for the coffee on set. You’d rather go without. However, Jensen knew when you didn’t get her morning beverage, you’d be grumpy all day, and he hated to see you without a smile.

He headed for the makeup trailer, knowing that’s where you’d be. He kicked the bottom of the door gently as a way of knocking, then waited.

He didn’t expect Jared to be the one to open it. He wasn’t due in makeup for another half-hour, but his lanky frame filled the space of the open door. “Look who decided to show up,” Jared jeered playfully.

“Shut up,” Jensen mumbled around the bag, walking past him.

You were already there, looking through clothes on the rack, but stopped to smile at him. “Morning, Jay.”

“Here,” he said, handing over the coffee that was for you. “Hi, hey, morning.”

Confusion wrinkled your brow, but you took it. “Um, thanks.”

“I saw your Instagram, and I know how cranky you get without your coffee, and you said you had a shit weekend, so I wanted to try and make it better,” Jensen vomited words without thinking. “I don’t like seeing you upset, and you’ve been down a lot lately, and I just thought maybe this would help, some, a little, maybe.” Breathlessly he shrugged and prayed the floor would open up and swallow him.

Your smile beamed, and you lifted the cup to your nose, inhaling the aroma, and hummed contentedly, “Mmm. You even got my order right,” you said and stepped closer to him to place a kiss on his cheek.

“That’s cause you're always posting about it on social media,” quipped Jared.

You tutted, rolling your eyes at your co-star but kept your eyes locked on Jensen. Dropping back down from your tiptoes, you said, “Thank you for this. It means a lot that you thought of me.”

“It’s nothing,” he lied. It was everything, and as your kiss dried on his cheek, it reminded him of your evening plans. “I know you’ve got a long day ahead, especially with your date later.”

As part of a charity event, you had agreed that they auction off a date with you. The auction had been silent, so you had no idea who had hired you for the night. Though the studio had assured you they had vetted the winner, you’d asked that he and Jared be in the bar next door in case of emergency.

“Oh god,” you groaned, “don’t remind me. I wish I never agreed to that stupid silent auction.”

“Ah, don’t be such a downer,” Jared said, winking. “You never know. He might be the man of your dreams.”

Oh god, I hope not. Jensen thought. He’d already had to watch you be in a relationship with Chad, a man who neither deserved you nor treated you well. He couldn’t bear to watch you be with someone else again. He wanted to be next in line, and he would treat you as you should be, like a Queen. He just needed to work up the courage to tell you.

“I doubt it,” you sighed, and Jensen swore your eyes flicked to him and away again. “Besides, who said it’s a man who hired me?”

“C’mon, you two,” Zara, the makeup artist, said, waving them toward the door, “out! I’ve got to get this one ready.”

Amongst a chorus of goodbyes, Jared and Jensen left. “What is it with you when you’re around her?” Jared asked as soon as the trailer door was closed. “You’re a bumbling idiot, and she’s starting to notice.”

“What?”

“Yeah, she asked me what’s wrong with you. Thinks she’s done something wrong ‘cause you either avoid her or barely speak to her.”

“I know, man,” Jensen groaned, scrubbing a hand down his face. “Ever since you put it out there that we could be more than friends, I can't stop thinking about it. I don’t want to blurt it out at the wrong time, so I try to be careful about what I say, but I just end up tripping over myself.”

Jared clapped him on the back, “You just need to fake some of that Dean Winchester confidence.”

“Maybe.”

“You better find a way to be around her ‘cause you’ve got a date with her tonight.”

“What?”

“The silent auction,” Jared explained, “I paid for the date with her for you.”

“Jared, what? No!”

“I think Gen will have an issue if I show up for a date with her, and are you really going to leave her sitting on her own?”

“No, but Jared, I can’t,” Jensen panicked, “I’m going to make a fool of myself.”

“You’re an actor. Just act normal.” Jared suggested before walking off.

Seeing you through the restaurant window, Jensen wanted to hug Jared so tight to thank him he’d crack a rib. But he also wanted to punch him so damn hard in the arm it’d be limp for a week. Why had he agreed to this? Okay, he hadn’t agreed. He’d totally freaked out, drank two beers, took three shots of whiskey, and then forced himself into the waiting car.

He was going to mess this up. He knew it. He was a fumbling, mumbling idiot around you, and dread settled firmly in his gut as he watched you scanning the menu. He regretted the whiskey and allowing Jared to talk him into this.

He swore he was having an out-of-body experience as his feet took him closer to you. You glanced up when he got to the side of the table, and your face glowed with a smile. “Come to check in on me?” you asked, rising and pulling him into a hug.

He held you a little tighter than he usually would, savoring the moment before releasing you and taking a seat. “Not exactly checking up on you,” he said, “this wasn’t my idea, but Jared brought you for me.”

“What?”

“The silent auction, Jared was the highest bidder.”

Confusion took over your features. “Why would he do that? I mean not that I’m not grateful, I’d much rather be here with you, but I don’t understand.”

He realized it was now or never. “‘Cause he knows how I feel about you,” he admits, holding his breath for a reaction.

“Care to elaborate?” you ask after a long silence.

“The truth is, I like you... a lot.”

“I like you too.”

“No,” he shook his head, “you don’t get it. I cherish our friendship and don’t want to lose it, but it's more than that. My feelings for you go beyond friendship, and I want to see if we could be more.”

“I was so nervous,” Jensen chuckles. “I felt like I was auditioning for the rest of my life.” he contemplates it for a moment, “maybe I was.”

“Well then, it’s good she reciprocated,” Karl laughs.

“It took her a minute,” Jensen remembers, “but yeah, she came around.”

Your phone rings as you slot the key into your door’s lock. You’re juggling coffee, a pile of scripts to read, dry cleaning, and a bag of groceries. You have no hope of answering without dropping everything, so leave it to ring. You assume it’s Jared checking in on you after seeing the photos on TMZ. Jensen and Mae were pictured at a restaurant in Ontario.

The phone stops as you enter the kitchen and set everything down on the countertop.

Gen had already checked in to make sure you were okay, and you’d been anticipating a call from Jared to yet again invite you out to the set of Walker to meet one of the crew he was insistent you’d “hit it off with.” You’d politely declined, having already been on a date that had been pleasant and ended with a goodnight kiss, but you’d told the Padalecki’s it had left you feeling guilty as if you were cheating on Jensen. You needed time to let that feeling pass and allow the wound to heal completely.

You set about emptying the bags of groceries, and your phone rings again. You shuffle the contents of your bag, looking for the device, sure that it will cut off to voicemail before you find it.

“Hello,” you answer, pressing it to your ear.

“Hey.”

Jensen’s voice freezes you to the floor, and you hold your breath. It’s been more than a month since you left him in his trailer, and you’ve only exchanged a few text messages. Why is he calling now? Does he want to be the one to confirm that he and Mae are together?

He says your name when your silence stretches.

“Um, yeah. Hey, hi,” you say, clearing your throat to rid yourself of the shock.

“You sound out of breath,” he notes, “is this a bad time?”

“No, no, I just wasn’t expecting it to be you,” you explain, “caught me off guard.”

“Who were you expecting?” he asks, sounding accusatory.

“Jared,” you sneer, unable to stop the ire you feel.

“Sorry,” he says, and the apology tightens your jaw with the frustration it evokes. “I should have called sooner.”

“I haven’t called you either.”

No one is to blame for the lack of communication. You both needed some space, so you were both right not to call.

Neither of you speaks for a moment, and you debate whether to tell him you're busy so you can end the call and be done with the awkwardness. But he obviously put his awkwardness aside to call, so you might as well rip the stitches out and reopen the wound if that's what this is about.

“Why are you calling now?”

“I need you to know that me and Mae aren’t together,” he says, firm and direct.

You try to interrupt, “Jensen, it’s fine.” but he determinedly continues.

“The picture they posted was cropped,” he explains. “The whole cast and some of the crew were there. The photo made it look like it was just the two of us, and that’s not the truth.”

“Even if it was, it’s okay.” It’s not okay, and from the moment you saw it, you’ve felt nauseous. Still, you assure him, “You’re free to do what you want. You don’t owe me an explanation.”

He sighs, and you can hear the scowl in his tone, “It’s important to me that you know.”

You think it’s sweet that he’s taking the time to explain himself, even if it’s not what you expected. But Mae was never the problem. The situation she presented only shone a light into the crack that you had both been ignoring. Yet the information that Jensen has shared is a welcomed relief in the wake of the storm, but it’s just the eye. More questions are coming, questions that will likely only cause more hurt and confusion.

“Why?” you ask, “why do you want me to know?”

“Because I wanted it to be you next to me…” he pauses.

You're not sure if he wants you to say something or read between the lines, but you can’t let yourself trust the spark of hope that jabs your heart like a pinprick.

“Even if we’re just friends,” he adds.

That pinprick pierces the thin shell you’d managed to build, and it feels like a thousand jagged pieces of glass lacerate your heart, and you chew your top lip to stop the emotion from escaping in a sob.

There’s a loud bang on his end of the line, and someone calls out, “We’re ready on set, Mr. Ackles.”

“I gotta go,” he says.

“Okay,” you say, and immaturely add, “Bye, buddy,” before hanging up.

The party has been a monumental success. You helped Gen, along with a professional party planner, to pull it off.

“So you really had no idea?” You ask Jared once everyone seems to have greeted him and wished him a very happy fortieth birthday. Technically it's not his birthday for another four hours, but the surprise party had needed that early element to make sure it went off without a hitch.

“None,” Jared says, smiling. “I was fully prepared to fly home tomorrow to spend my birthday with Gen and the kids. I was looking forward to it, actually. I didn’t want a big fuss,” he chuckles, looking around the room, “but I’m glad you helped Gen make a fuss. It’s nice to see all the old faces.”

“Not all of them,” you note sourly, commenting on Jensen’s absence. “He wanted to be here, but you know how tight filming schedules can be.”

“I know,” he nods with a tight, sad smile. “It would have been good to see him. For me, at least.”

“Don’t.”

“It’s my birthday. I’m allowed,” he teases.

“It would have been nice to see him,” you agree before Jared can start in on the lecture. “I think. I don’t know. It’s weird and painful, and maybe I'm better off not seeing him until it’s not weird and painful.”

He laughs, pulling you into a hug. “Sounds like you have it all under control.”

“Absolutely.”

You mingle with old friends from Supernatural and new friends from the Walker set. The crew member, a camera operator named Vince, is as cute as Jared promised him to be, and you find yourself tucked in a corner talking with him as the night continues.

You hear the cheerful reunion before you see it. People applaud and shout greetings as Jensen crosses the room and embraces Jared in a tight hug. They hug for a long time, whispered words exchanged between brothers, and you see Jared’s eyes tear up. His night is complete now that Jensen is here.

A few people greet Jensen with hugs and shakes of his hand, but his eyes never seem to focus on them. He distractedly looks around them and seems disappointed when he sees the next person waiting to greet him.

You mostly manage to keep your focus on Vince, but you can see Jensen in your peripheral. You don’t react, but you notice when he finds you. He stares for a long moment, maybe hoping you’ll feel his eyes on you and look at him, but you don’t, and he doesn’t approach.

You're doing nothing wrong, but an uneasiness sneaks up on you. It’s not that you feel like you're somehow betraying Jensen. It’s that you're betraying yourself by denying how you feel. It wouldn’t be fair to start anything with anyone new right now. They’d be a rebound.

Vince seems to notice your focus has shifted and politely parts ways with you.

You spy Jensen across the room, catching up with Brianna, and head for the bar, needing something more potent than wine to make it through the rest of the night.

If possible, Jensen seems to have grown broader, arm muscles bulky beneath the material of his shirt, and you're definitely a fan of the Soldier Boy look. He looks good with a now-trimmed beard and long hair. The sight sends an ache of loneliness through your chest, remembering how it felt to be wrapped in those arms.

A shot turns into two, and when the bartender steps away to refill your wine glass, you feel the air next to you shift. You don’t have to turn to see who it is, the cologne gives him away, and as it arrests your senses, he nudges his shoulder into yours. The familiar heat of his body makes your chest tighten. You so desperately want to turn and embrace him, but you know your fragile emotions would crumble under the weight.

“Whiskey, neat,” he tells the bartender, his voice deep and gruff. He turns his body towards you, one arm resting on the bar, and you sip your drink, silently wishing it was hard liquor again instead of wine.

“Hey,” he says when you don’t look at him.

“Hi,” you respond blandly.

“How are you? You look good.”

“So do you. Really. You look incredible,” you say, without actually looking him in the eyes.

“I hate having to do the diet and exercise thing, though,” he chuckles, “it was so much easier when all I had to do was wear flannel.”

You laugh, but it's bittersweet because everything was easier when he was wearing flannel. “How’s it all going? Stepping into the shoes of a new character?”

“Daunting, but fun.” Jensen talks, and you do all you can to listen and engage but can’t bring yourself to fully meet his eyes.

He says your name so delicately it feels like a caress that sends a shiver through you. You close your eyes and know what he’s asking before he pleads, “Please look at me.”

His eyes have always been mesmerizing, and you know if you gaze into them, the spell will be cast, and there will be no escaping him, even when he’s miles away again. He waits for a beat, but your eyes remain firmly shut, and he closes the space between you, demanding attention.

His exhale wafts through your hair. It’s too close because it's not close enough, and you feel the heartache rising in your chest.

“It was good to see you, Jensen,” you flash a smile in his general direction, picking up your glass.

“Wait,” he says, grabbing your wrist as you turn your back to him. “Don’t leave.”

You freeze in place and turn to look at his hand cuffing your wrist. Slowly you raise your gaze from his hold to his face, preparing yourself for the enchantment of his eyes, but his sad expression is downcast. His chest heaves with a deep breath before he finally looks at you, despondence turning to tentative hope.

“I know I should have said it back then, but I’m saying it now.” His voice is nearly a whisper beneath the muted conversation and ambient music, but it’s clear as a bell to your ears. “Please, don’t leave.”

You turn back to face him, and he takes two deep breaths before he finds the words.

“The last couple of months, I’ve been miserable without you.” He admits, “I’ve had to fight myself to eat, to work out, to do anything that didn’t involve staying in my trailer with a bottle of whiskey. I know that things are weird, but I realized my hesitance had nothing to do with the ending of Supernatural. Yes, I was scared. But I was scared of how easy it was with you, how much I cared for you, how quickly I realized that I am head over heels in love with you.”

You choke out his name as tears well in your eyes, and he steps forward to swipe the first droplet from your cheek.

“I was ready to tell you I’m in love with you, and you were booking flights home,” the heartache of the reminder dims the light behind his eyes, and he drops his gaze to battle whatever emotion he’s feeling. “That scared me more than anything. I didn’t want to say it in the heat of the moment or on the phone, and I was terrified you didn’t feel the same. It doesn’t matter if you don’t. I need you to know that I love you.”

You don’t have words, unexpectedly wishing you had a script so you don’t say something stupid. Then, just as surprisingly, you realize you don’t need words. You take a half step forward and kiss him. Jensen responds immediately, a hand caressing your cheek and drawing you closer as the other slips around your waist to tug you flush against him.

You tangle your fingers in his hair, and he groans into your mouth. His kiss gets you drunker than any alcohol ever could, and after a moment that could have been a minute or an hour, you feel lightheaded.

Jensen chases you as you pull back, placing swift kisses on your lips and pressing his head against yours.

“Damn, I’ve missed you,” you sigh.

“Well, don’t get used to it,” he says, “I’m never letting you leave me again.”

Tag List Info

Tagging Dean Winchester and Supernatural List. Sorry if you don't like RPF.

@alexxavicry / @b3autyfuldisast3r-blog / @deandreamernp / @deanwinchesterswitch / @fandom-princess-forevermore / @foxyjwls007 / @jc-winchester / @justagirlinafandomworld / @katbratsupernaturalwhore / @leigh70 / @letsbys-library / @lyarr24 / @mrswhozeewhatsis / @nancymcl / @shanimallina87 / @stoneyggirl2 / @waywardbaby / @wildbornsiren / @writercole / @dean-winchester-is-a-warrior / @deans-spinster-witchs-favorites

Master Lists: Dean Winchester // Main

#Jensen Ackles #Solider Boy #RPF #RPF FanFic #RPF fanfiction #Jensen Ackles fic #Jensen Ackles RPF fanfic #fluff #angst #dean winchester #spn #supernatural #Jensen Ackles x Reader #Jensen Ackles x You

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666frames · 3 months

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Don't Panic (1987)

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almostlookedhuman · 6 months

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24/31.

#title card #film #dracula a.d. 1972 #gibson #vampire #supernatural horror #gothic horror

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physalian · 4 months

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Color in Fiction! (Once You See it, You Cannot Unsee it)

White versus black, red versus blue, Gatsby’s green light, Dorothy’s ruby red slippers, Belle’s blue dress.

Color is perhaps the most ubiquitous motif used across both fiction and reality to thread people or objects through a common theme, or to pit two ideologies against each other beyond their verbal spats. Color is also perhaps the simplest motif, but that doesn’t make it any lesser in its potency.

In fiction, color is an easy way for the audience to learn as fast as possible who’s on whose side, and who their opponents are, and today, we’re going to look at a few.

But first: Crash course into color theory:

Warmer colors evoke passion or uncertainty, movement and excitement, happiness and warmth, but also rage, aggression, love, and lust. The cooler colors evoke sadness and serenity, but also youth and spring and winter and death.

Most of the time when a creator wants to juxtapose color in a narrative or other work, they’re going to use inverses, just google one of the hundreds of teal and orange movie posters. Inverses are whatever colors lie at opposite sides of the wheel. Blue and Orange, Red and Green, Purple and Yellow. These pairs show up either in opposition, or as an ensemble of one character or a group or team.

Part 1: Black and White

Yes it has grounds in racism, but black and white are also accepted to mean chaos and order, good and evil, death and life.

In a show like Lost, themes of black and white are constant. The black and white backgammon pieces, the colors of the Dharma station logos, the show’s main title card, God stand-in Jacob (Lucifer from Supernatural), and his unnamed brother, the Man in Black.

Black and white show up *everywhere,* in some places subtler than others. In fiction with a male and female lead, if they are coded in black and white, the man is almost always the one in black. Black means strength and mystery and this deep, almost corrupted darkness. White is purity, femininity, youth, and nurturing, when a woman wears it, unless she's the villain.

Villains in white are very often surprise villains:

The White Witch (Chronicles of Narnia)

Saruman (Lord of the Rings)

President Coin (Hunger Games)

Hans (Frozen), Mayor Bellweather (Zootopia), Auto (Wall-E)

Elizabeth from Pirates of the Caribbean is an interesting case. She begins the first movie wearing light colors and being trapped in the pure and lawful life of the governor’s daughter. She ends her arc in the third movie in solid black (through several costumes) a badass Pirate King and wife of the new Captain of the Flying Dutchman.

Men in black are chivalrous, dark knights, or morally grey vigilantes, silent badasses, or edgy badboys. Black is also of course reserved for villains a la Darth Vader, or Severus Snape and Voldemort and a million others. The "Black Knight" is his own trope, whether he's in a fantasy setting or not.

Women in black are temptresses, or seductive badasses. Black is the color of corruption, sin, and angst in western media 9 times out of 10 unless a narrative wants to subvert it.

I could do an entire essay on black and white in Lord of the Rings alone but here's a few other contrasts: The white Tower of Ecthelion, Minas Tirith, the "White City", the White Tree, Gandalf the White. The Black Riders, Black Speech, Black Land of Mordor, Orthanc (Saruman's Tower).

But you don’t have to make your character’s entire costumes black and white, no, you can just make their hair light and dark.

Part 2: Hair

**Possibly also because racism but we don’t have time to unpack all that right now**

When you have your male protagonist and his male foil, love interest, competition, companion, lancer, or villain, most of the time (in western media where blonds are in abundance) the more noble or “good” character of the two will be blond, the other brunet, especially in a love triangle. If two male characters have opposing ideologies on any level, they will often have opposing hair. A male and female lead duo will also tend to have opposing hair, but it’s most obvious what they’re doing when it’s two dudes and not just coincidence.

Here’s a nonexhaustive list, with the brunet first (ignoring if the adaptation was faithful):

Frodo Baggins and Samwise Gamnee (LoTR)

Aragorn and Boromir (LoTR)

Aragorn and Theoden (LoTR)

Denethor and Faramir (LoTR)

Thorin and Bilbo (Hobbit)

Jack Shephard and James “Sawyer” Ford (Lost)

Jack Twist and Ennis Del Mar (Brokeback Mountain) *Also have opposing hats*

Bruce Wayne and Harvey Dent (The Dark Knight)

Tony Stark and Steve Rogers (Marvel)

Bucky Barnes and Steve Rogers (Marvel)

Loki and Thor (Marvel)

Nico di Angelo and Will Solace (Percy Jackson)

Percy Jackson and Jason Grace (Percy Jackson)

Sherlock Holmes and John Watson (the Cumberbatch one)

Sam Winchester and Dean Winchester (Supernatural)

Edmund Pevensie and Peter Pevensie (Chronicles of Narnia)

Gale Hawthorne and Peeta Mellark (Hunger Games)

Damon Salvatore and Stefan Salvatore (Vampire Diaries)

Tom Buchanan and Jay Gatsby (2013 Gatsby)

Caledon Hockley and Jack Dawson (Titanic)

Notable nonexhaustive exceptions:

Harry Potter and Draco Malfoy (Harry Potter)

Percy Jackson and Luke Castellan (Percy Jackson)

Jacob Black and Edward Cullen (Twilight)

Batman and Superman (DC Comics)

Luke Skywalker and Han Solo (Star Wars)

Anakin Skywalker and Obi-Wan Kenobi (Star Wars) *wardrobe makes up for it*

*Feel free to tag the ones I missed

Not every brunet on the list is a “bad” guy, nor is every blond the “good” guy, but compared to each other, the brunet tends to be the more morally grey, the more corrupted, the one who’s ideologies end up getting them hurt or killed or proving them wrong. Or, the brunet faces more demons, has a darker personality, or tends to have a “shoot first ask questions later” philosophy.

This of course goes out the window if the media is set in a region or with a cast of characters who are meant to share similar features, like how there’s no blondes at all in Last Airbender (otherwise Aang would absolutely fit the pattern).

Whether that’s Frodo getting corrupted by the Ring and Sam being his rock, Jack Twist getting murdered while Ennis lives on, or the beloved Dark Knight and his bat-black demons while Harvey’s White legacy saves Gotham, next time you write a brunet and his blond competition, ask yourself just why you’re doing it.

*Side note, I’m pretty sure Harvey Dent, when he’s animated, is usually a brunet, but he’s also usually Two-Face by then and no longer a hero*

I don’t even have time for black and white in anime or the trope of the white-haired anime boy and since natural hair colors are kind of moot, I don’t think the same rules apply. But outside of the westernized “black knight vs white knight” I do want to dig deeper into color motifs in anime at some point.

Here's some notable dark and light dichotomies nonetheless in wardrobe and/or hair:

Kirito and Asuna (Sword Art Online)

Lelouch and Suzaku (Code Geass)

Midoriya and Bakugo (My Hero Academia)

L and Light (Death Note)

Medusa and Stein (Soul Eater)

Sasuke and Naruto (Naruto)

Roy Mustang and Riza Hawkeye (Fullmetal Alchemist)

Eiji and Ash (Banana Fish)

Kyoya and Tamaki (OHSHC)

Yuri and Viktor (Yuri!!! On Ice)

Dracula and Alucard (Castlevania)

Part 3: Red v. Blue and everything in between

The megalith that is the color motif extends past the white/black dichotomy.

It’s also red and blue.

If red is pitted against blue in any story, red is always the team the audience is supposed to root against, unless this is sports. Red is the color of the Sith, the Fire Nation, red eyes are seen as evil, red is blood and rage and wrath and fire. Red is the color of evil empires. Blue is the color of heroes. It’s water and healing and camaraderie, serenity. Blue is the color of rebels and underdogs.

Red versus blue is in everything from the color of lightsabers in Star Wars to the color of cybertronian eyes in Transformers, to the color of the Water Tribes and Fire Nations (with some exceptions a la Azula’s blue fire) to the colors of the pills in the Matrix. Red is the ‘dangerous’ choice, blue is the ‘safe’ choice. Unless your character is patriotically sporting the red, white and blue of the UK, USA, or France.

Villains usually only wear blue if they're ice-coded, or belong to a faction wearing navy blue uniforms.

Red versus blue also shows up between leaders and their lancers. The first one I can think up off the top of my head is Robin and Raven from Teen Titans.

Purple is also usually lumped in with the bad guys and green with the good guys, but purple and green also show up a ton as contrasting colors of the same character like the Hulk or the Joker. But both can swing either way. The Decepticons in the early cartoons for Transformers had purple everywhere and reclaimed it in Transformers: Prime. Megatron, Soundwave, Shockwave, the Vehicons, Airachnid, and the Dark Star Saber, and some G1s]. Prime also has three sets of red-blue dichotomies within their factions: [Arcee/Cliffjumper, Optimus/Ratchet, and Knockout/Breakdown].

Green is the color of more Jedi, and the Green Lanterns, but green also represents sickness or disease or generic evil energy a la Loki, Dr. Facilier (Princess and the Frog) or the Hyenas and Scar in the Lion King.

Pink is really up in the air, as is orange and yellow, especially when it comes to female characters, especially female anime characters.

But enough about color dichotomy.

Part 4: Color Singularity

Color singularly is either meant to evoke a specific emotion, like using blue everywhere to represent sadness, or it’s meant to be a bold statement in an otherwise grayscale world.

I mentioned a few at the top of the post and I’ll elaborate on them here:

In Great Gatsby, green and yellow are very important colors. The “green light” is this real object at the end of the titular character’s love interest’s dock. This light and this color are motifs that represent Gatsby’s longing for Daisy and to return to a glorious past he can never have again (it’s also the color of American money). Yellow is also everywhere in this book. It’s the color of his chekov’s car and several dresses at his extravagant party. Yellow is the color of his current life of glitz and glam and riches (and is also the color of gold). If you listen to one of the accompanying songs to the 2013 film, Florence and the Machine’s “Over the Love” recognizes the importance of yellow in the narrative.

Dorothy’s red slippers in the Wizard of Oz are hyperbolically bold, especially since the movie starts out in black and white. Color is a huge piece of this film- the Emerald City, the Yellow Brick Road, the horse of many colors. Red scientifically is the color humans tend to notice first, those shoes were made to be remembered. Color in Wizard of Oz is the symbol of the fantastical, which was really helped by the time the film was made and simply seeing so much color on screen dazzled audiences.

Red catches your eye faster than any other color, and red in a world of black and white sticks in your mind, just look at Schindler’s List.

Belle from Beauty and the Beast, along with a lot of fictional women wear blue. Blue is biblically Mary’s color, and at one time was the color marketed to women before the shift to “blue for boys”. In the original Beauty and the Beast, Belle was the only character who wore blue, because she was an outsider, and outlier, a free-thinker. Or at least, Belle is the only one who wears blue until she dances with the Beast. The live-action remake didn’t maintain this extra level of the narrative and that’s a shame.

I didn't mention eye color much above (also maybe because racism) but blue eyes, especially animated blue and green eyes, go to characters who are more hopeful, heroic, nurturing, morally just, honest, or brave than their brown-eyed counterparts, unless he's a blue-eyed Tall, Dark, and Handsome. Blue-eyed people tend to be blond, so the traits go hand in hand for the "good" character.

Weirdly enough, this also applies to blue-eyed animal characters -- your animated anthropomorphised villain is rarely going to be drawn with eyes that aren't brown, black, green, red, orange, or yellow.

Because color is also a subliminal or overt way of foreshadowing in both written and visual media as much as any other motif and recurring symbol. You can foreshadow death, or impending doom, or an eventual identity reveal, whatever you want.

You can also subvert the usual associations with specific colors. Black doesn’t have to mean evil in your world. Black can be life, too. White doesn’t have to be pure, white can be clinical and sterile and lifeless (but please no more lady villains in white pantsuits, that's its own cliche at this point). Shake it up a bit every once in a while.

So whether it’s dueling ideologies or the very forces of good and evil, a harbinger of doom or a secret tell, or community and camaraderie, or an enduring hope, you can represent it all with a careful dose of color.

#writing advice #writing tips #writing resources #color theory #literary analysis

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