Swapcation
I can't believe I finally did it. I was so afraid to use my powers I got and now look at me. A fat kid like me would never walk around like this. Parading around
I still feel guilty though
14 hours ago:
My family spoke about receiving my powers for many years. They all got their chance for a few years when they were young but one day their power run out when they got too old. It took a few years for each person.
But now I was the youngest out of our family and they all were looking forward to use my powers to swap them into younger bodies. I hated this idea, cause they usually picked a family they knew and replaced them. What did my family do with the other swapped family are you asking? You don't wanna know.
And that's why I escaped the night before my family got their hands on me. I couldn't let another family get killed of like so many before. I just have to swap soon enough before my family finds me a tries to use me for themselves. Unfortunately it won't be easy, cause after centuries of swapping, they got themselves into the higher class and got enough money to do whatever they wanted.
I ran through the forest with my backpack and got to the nearest road. It was the middle of the night and there weren't cars nearby. I walked for an hour and arrived to a 24/7 diner. Perfect. I can hitchhike from here.
The only three people in the diner were the chef, waitress and some guy. He looked like a bussiness man coming from some trip. Sipped his coffee, maybe heading somewhere and trying to get some cofein to not fall asleep behind the wheel.
I aproached him:"Hey, I was just wondering if you were taking hitchhikers by any chance?" I asked with a shaky voice.
He looked at me with his exhausted eyes:"Where are you heading? Got a name kid?"
"North," I exclaimed, " and the name is Kenneth. Nice to meet you."
I saw a spark in his eyes. Maybe it was just a coincidence. "Really? North? There isn't anything but wilderness for miles." I didn't respond. And just nodded. He continued:"Well we got a lot to talk about then"
We headed to the car. He was driving a black Toyota. That's all I could say about that car. I knew shit about cars
His car was clean, but he had a lot of bags in the trunk. Probably from the business trip, I thought.
An hour of smalltalk about my life and himself followed. His name was Matthew, and he worked as a marketer on west coast. He quit university a few years ago and went on to get more money. From the talk all I could notice was the way his hands moved, his beautifully manly hands. His biceps was carefully wrapped around by the blue short sleeve of his T-shirt. I could only imagine what it would be like to kiss his beard and continue to his chest. Burry myself there. I wondered if he was hairy there just as his arms were.
As I was dreaming about this beautiful specimen I didn't even notice that he made a few slight turns. As he kept talking and I was admiring him, out of the pitch black forest a diner emerged. The same diner we came back from.
I looked at him horrified
"You didn't think that your parents would let you get away? Sorry for the change of your plans for the vacation, but your family needs you and I was promised a lot of money. So I gotta get you back."
Fuck. No. I can't let this happen. I can't go back. I gotta find a way out of here.
The doors were locked, so there was no way I was getting out of there. Begging didn't seem like a valid option. I noticed the time 2:09. It's my birthday. I wonder. If this doesn't work then I am dead. If I don't do anything my family will use me. I can't let the happen.
I concentrated hard enough. I have never swapped before, but I knew how from my family. They all went through it many times.
I felt warmth coming straight from my head, following to my hands.
We were few miles from my home
Now or never
I jumping at him. My right hand grabbing the wheel and turning it to the right. My left hand grabbing his shoulder.
A moment of darkness. For a short glimpse I saw my own face shocked and screaming. Then we hit the tree.
I got out of the car as soon as possible. My body didn't move. I killed him. I did the same thing, like my family to all the others.
I ran to the backseat, grabbed my backpack a ran striaght to the forest. I could hear sirens in the distance. I have to run now.
Present
I think it has been far enough for now. The forest ened with a beautiful large meadow between two massive mountains. Sun already shined and I could slow down for a minute.
I took off my ripped shirt and jeans. If someone saw them they would think that a bear attacked.
In my view were now two beautifully sculpted hairy pecs and even more beautiful abs. I went through every ridge my fingers found. The skin was tigh and warm. After the run I completely forgot I was now Matthew. Not Jake anymore. But Matthew. Beautiful hot sexy Matthew.
I spoke out. What a manly voice I now possess I though. My hand touching my neck and the other my lips and beard as I spoke. I smelled my armpit. The stentch of sweat was extremely strong but erotic. I went to admire my new hairy legs. I slowly started from my strong thighs, through the thick carpet of hair covering them, following to my new feet. I took off the shoes. My feet are massive now.
The last thing I didn't see yet was already awaiting hard. I got completely naked. There I was. A man! A hot sexy man. Sculpted like a statue with a hard and large dick in hand. I jerked off slowly and with my other hand I kept on exploring the already touched areas. I went on to masturbate rapidly just until the streams of cum kept pouring out off me.
I stood there smiling, laughing.
And then the clarity hit. I took Matthew's life. I did that to stop my family, but that didn't make it easier.
There was no going back now. I took my backpack and the rest of my clothes that weren't destroyed, hoping I would get a chance to get some on the way.
"I am Matthew Daniels and I am on a vacation. I am Matthew."
I went into the beautiful nature to continue my journey. I still feel guilty. Maybe the feeling will pass. I hope...
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Look, I understand that I am complaining about clickbait here - I am the problem, "you are talking about it baby". I know, I know, I am a sinner.
But like can we stop doing that thing where when foreign people make jokes we pretend they aren't obviously jokes? Nakashima (writer of Kill la Kill) in a sit down with Imaishi told a funny joke about their heavy fanservice:
Nakashima: After all, what we're creating are commercial works, so we want people to see them. It's understandable if people say they don't get it, we don't want them to feel unnecessary discomfort. However, if we all create something completely sanitized, it lowers the collective immune system, and everyone ends up dying. So, there's also the idea that we deliberately take on a bad reputation and put out harmful things.
Imaishi: Haha.
Nakashima: We do it with the high ideal of "this is necessary for humanity's immune system." It's never understood, but we bear the bad reputation and perish for humanity's sake. There's that path of doing it with that kind of resolve (laughs).
Imaishi: That being said, if possible, I don't want to perish (laughs).
This is cute, right? Like humanity's prudishness needs the vaccine of media fanservice to immunize it against the true sex. Its both, again, a joke, its not a real argument. But also its a cute way of saying that society needs a diversity of content, you gotta get the raw stuff sometimes so you are ready for it in life. Valid enough argument honestly, I agree that every teen should see some porn in their day to learn.
So can dumb dumb western media sources stop pretending that they don't know this is a cutesy metaphor? Did you read it?? Its not "bizarre", you are talking to the creators of Kill la Kill for fucks sake, what did you expect.
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can you write blaise zabini with "i can see you"?? where him and reader only ever talk during social events outside of hogwarts (blaise's mom's multiple weddings, pureblood balls, formal parties and stuff) so during school year they basically ignore each other's existence and reader is sick of it. like, they're def not in a relationship or anything (yet) but blaise follows reader with his eyes all the time and everyone of his friends has noticed even tho he doesnt have the balls to admit to himself yet
(bonus if reader isnt exactly close to the slytherin gang but has casual conversations with each of them except for him)
i can see you // blaise zabini x fem slytherin reader
playlist: i can see you - taylor swift
summary: youve always been acquaintances with blaise zabini , just completely casual. so why does he always stare at you yet avoid speaking? you dont know why - and that frustrates you so much.
y/n used , fluff
tysm for this request its so good!! i hope you like it i tried my best <3
masterlist
"youre staring again." theodore stated simply , snapping blaise zabini besides him out of some sort of trance.
"what? staring at what?-" blaise stuttered.
"y/n of course , dont even bother denying it mate everyone with eyes can see you- even pansy and her eyesight is shit." theodore laughed as pansy smacked his arm and mumbled an argument.
blaise ignored the two and searched his whole brain for a way to deny and defend himself against the boys claims , he wasnt staring?! of course he wasnt why would he!
"and again , you just cant help yourself can you?" theodore chuckled as blaise was snapped out of another daydream. he hadnt even realised that his eyes had once again magnetised to you - at this point he did it so subconsciously even he didnt notice.
"why would i stare at-"
"y/n!" pansy said excitedly as you walked dangerously close past the group , pansys interruption having saved a flustered blaise the embarrassment of you hearing him.
"oh hi pansy!" you said with a small smile ,"what are you up to?"
blaises eyes darted everywhere but on you as you now stood infront of the group , he seemed to have a newly found interest in the floor.
well , of course blaise has talked to you before! youve talked at parties and gatherings outside of school but...in school blaise seemed to avoid you like the plague. and of course he hadnt noticed the amount of times you went to engage in conversation before he would run away.
"nothing much, lifes pretty boring when quidditch isnt on!" pansy said as you nodded in agreement , "but ill see you in herbology right- can you help me on my assignment?"
you nodded your head with a smile , "sure! i need to finish mine too."
"great , see you tomorrow then , bye y/n!" pansy smiled and waved and you began to walk away.
"bye panse! oh and bye theo , blaise!" you smiled and waved before blending in with the corridor crowd and you friend group.
blaise simply watched as you figure disappeared into the crowd , the only trace of your past presence being the blush that lit up his cheeks.
"see, simple as that. shes no saint blaise , you can communicate with the girl." pansy teased as blaise threw her a look.
"i do talk to her!"
"just not in school." theo added with a laugh.
"well-" blaises attempt to defend himself was cut short by his name being shouted down the corridor and the sound of pattering feet getting closer.
"blaise!" your voice called out , reappearing from the crowd.
the whole friend group gaped at you in surprise , coming up with no valid reason for you to be shouting the boys name and running over with such urgency.
"y-yeah?" blaise muttered once you were stood directly infront of him, breathing slightly heavily.
"i need to talk to you." you stated before grabbing his wrist and dragging him to the refuge of the nearest empty corridor.
whilst you pulled him the tall boy couldnt help his vulnerability and shyness , it always came naturally when he found himself around you in school. he didnt know why of course.
"blaise im just wondering if i did something?!" you let your words out like a long kept secret as you both stood in the silence of the hall , "i mean we talk at events and parties but you dont talk to me in school - you stare and then you stay silent! did i do something wrong because-?"
"no! no , merlin you never did a thing i just- i dont know i get....quiet." he muttered.
"quiet? blaise zabini you are far from a quiet person , i dont think there is a single moment in charms where you dont talk! its just-..its frustrating because i really like you!" your confession spilled out so quickly you caught yourself off guard, covering your mouth quickly.
blaise stared back in shock , studying your face for any hint of perjury in your words.
"im- im sorry...i dont do it intentionally! i think....that i like you too" he stuttered as you both blushed.
"well thank merlin for that because if you didnt id simply have to move schools." you laughed lightly as blaise smiled at you.
after a few moments of silence you tip toed up and kissed his cheek softly , making him smile.
"promise to talk more? maybe even go on a date?.." you asked hopefully.
"i think id have to be mad to remain mute when someone as perfect as you asked me not to." he smirked as you laughed , "a date sounds good - i promise to talk , but i cant promise not to stare, beautiful."
"wow a turn of events! i never thought my silent admirer could flirt so boldly!" you teased as his arms rested around your waist , pulling you closer.
"i can do more than flirt." he winked as you smacked his arm lightly , with a surprised giggle.
"sit with me at lunch?" you asked hopefully.
"sure , away from both our friends though." blaise added in annoyance making you laugh.
"oh 1000% the teasing would be relentless!" you added as blaise looked at you with slight shock.
"your friends tease you about me?!" he asked , you nod back.
"oh yeah , i think everyone saw you stare zabini, even me. i can see you yknow" you mocked , hinting to how you were all well aware of his constant fixation on you, blaise himself being the only person oblivious.
"shush." he said softly as you both laughed , his hand intertwining with yours before pulling you down the corridor and towards the great hall.
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Re: villain stans, I really do think you're conflating two groups of people and I feel the need to point it out because the art of haterism deserves pinpoint precision. The thing is that I would consider myself, broadly speaking, a villain stan and I also can't stand the people you're complaining about in that post because I think they've missed the point entirely. They've ruined the entire villain-loving ecosystem. I can't even facetiously say "they've never done anything wrong, ever, in their entire life" about characters that may as well be called Murders McWarCrimes, and whose death or comeuppance I am eagerly awaiting alongside everyone else in the fandom, because some of these idiots actually mean it when they say things like that -- and usually about some of the blandest, most disappointing villains I've seen in a long time. It's like passionately defending the storytelling equivalent of a slightly offensive shade of beige.
Look, some of us see the "time to boo and hiss" signs the narrative is putting up, but I'm not looking to experience every story like it's a children's pantomime. Maybe sometimes I want a wrestling match instead. I know the heel is going to lose. That's their job. It's what they're for. But if imagining that they might win is outside the realm of possibility... well, it's probably not a very good story. The stakes are not compelling. There's a reason that I would describe, say, c1 Briarwoods as delicious and c3 Delilah as overstaying her welcome. A good antagonist is a vital part of the story ecosystem and I enjoy seeing that role played well.
But I don't get to relish in characters being terrible people who do terrible things anymore, because now villain fandom is always overrun by people who read one Wikipedia article on moral relativism and want to have debates about what if Murder McWarCrimes is good actually? No! No, they are not! And if they were, that would be stupid and boring!
And so I reach across the metaphorical aisle to you that we may share in one of the hater's greatest delights: the knowledge that no one likes those idiots, and everyone wishes they would just shut up, even the people they think are on their side.
Hey anon,
I will admit usually when I get a long ask telling me I am conflating things I roll my eyes and wait for someone to say "i am feeling uncomfortable when we are not about me" but, the truth is, I very much was, and you are correct to the point that I think we are fully in agreement.
To be clear: I am pro people enjoying themselves in, as you say, the wrestling fan enjoying the heel way! I agree - a good story needs a villain who feels like a genuine threat. I can appreciate a villain for what they are and enjoy them very much as a character! I am personally unlikely in most cases to root for them but people who look at the story, analyze it, and say "this will be a fun guy to care about, even though I know the victory's probably going to the heroes, and I will be normal and not terribly resentful" are entirely valid and my post is not about them (except to say carry on as you were). It sounds like you're in this latter category and so: carry on as you were, you guys are great.
But I am definitely conflating two flavors of annoying villain stan:
the first is, as you very eloquently put it, the Person Who Read One Wikipedia Article About Moral Relativism and ooooooh what if Mr. Murder McWarcrimes was sufficiently sad about bad things in his life such that the murder and war crimes are correct actually.
The second is the person who does understand that they are looking at a villain who is a bad person but seems actively confused that like, a largely hopeful or heroic narrative will probably not end with Mr. Murder McWarcrimes stabbing everyone to death and then evil laughing against a red lightning-filled sky and seems mad that people are like "actually I like Kit the Heroic Hero". Actual Play D&D is not a place where you'll find these people because a TPK is technically possible regardless of the existing themes! But like...for example, I have to imagine theatergoers in 1983 who weren't idiots did not walk into Return of the Jedi like "oh man I think Darth Vader's gonna win the whole thing and he'll blow up everyone and institute more Space Fascism over the nuked out husk of Endor." Like, as you say, the villain needs to have some bite to be worth my time, but deep in my heart, there are stories where I know that victory is assured by the nature of the plot and it's much more about how it will be assured and what sacrifices will be made, and so it's weird when someone seems to be existing in a denial that that's the story and is like NO Mr. Murder McWarCrimes is NOT going to get a comeuppance and everyone is going to DIE at his hand.
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woke up thinking about byan having cryptic text hidden within the art of the tattoos that are tied to their traumas... for when the images themselves aren't a strong enough reminder of lessons learned 🤔
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Just 2 AM thoughts: Theory crafting is just another form of writing fanfiction, you cannot change my mind.
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bestie bestie have you seen the poltergayst art :D? the sillies!!! ive drawn them!!
im thinkin about drawing killer having like just weird or disturbing features, like his jaw hanging barely attached or something cuz he doesn’t understand Skeleton Monster anatomy and i honestly have so many ideas for this au cackles
yes!!! yes i've seen them >:D
i just arrived home so i'm reblogging them all simultaneously but waa these beans are so interesting to daydream about...
Like look at him look at our ghostie killie omggg<33333
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It's lovely when I read a book and some random paragraph in it hits me in the face like a train at mach speed
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Yandere!Kimi notes
TW : suicide mention, yandere tropes
So some friends and I were talking about -dere types, and ended up discussing yandere types, and we played with, "if you pushed it as far and hard as you could, which would you be?" and here is where I landed. I think this makes the most sense for the Extreme Anime Kimi lol. I took little tidbits of actual traits and just yeeted them as hard as I could into the trope.
Outside of Yan, if I had to class Kimi as a -dere, and not go off the rails with it, probably shundere, with notes of bakadere.
If Kimi was a yandere her most likely type would be ison-gata, dependence type. Highly emotionally manipulative, but not in any way that is controlled or calculated. “I’ll kill myself if you leave me. I’ll be dead and it’ll be all your fault.” Prone to hysterics and tantrums but largely harmless to others, unless you happen to get clipped by something she flings.
She tends to fawn, to dote. She cooks and 'babies' and demands love and validation in return. She provides trinkets and gifts and expects adoration and gratefulness.
Exceptionally needy, but fickle, she demands people cater to her needs. Whether that means undivided attention, or to be left alone. However ‘alone’ really means you’d better be on standby to answer her call immediately.
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mission failed we’ll get em next time 😭😭😭😭😭😭😭😭😭
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@pax-thuban left these tags on a post:
#well. first of all. this is so. bittersweet
#like screaming and crying and throwing up on the floor etc
#second of all. maybe i'm looking too much into this but.
#it's interesting to see that there's blood splatters on tenzo's face /and/ his mask
#if i recall correctly. the mask covers his happuri as well
#the implication that tenzo lost his mask during battle. put it back on presumably /still/ in battle. continued killing
#idk. just hurts
#like something something anbu work forces him to feel more comfortable wearing a mask and conforming to a nameless org and set of ideals#and forgoing individuality
#or like. something something maybe he feels worse that his face got 'stained' because it's basically a reminder that 'cat' and 'tenzo'
#are one and the same and not two distinct entities no matter how much he wants to separate his identity and his anbu lifestyle
#and the fact that the happuri is blank and doesn't have a konoha leaf on it.... he doesn't feel connected to the community even as he kills
#for it...
#i feel like it's kind of obvious that it's significant that the comic shows tenzo taking off his mask as he shows his weariness/depression
#regarding anbu work and then how he thinks about kakashi as a jonin sensei. like representing himself as tenzo the individual rather than#'cat' a faceless tool of konoha in the shadows
#i also feel like it's kind of noteworthy that the perspective(? is that what it's called for images?) zooms in on tenzo's face
#first panel is mostly black and tenzo's body is off-center(?). like his face is centered but his body's not. and that leaves more room for
#the black background. but the second panel fills it up with the kakashi thought bubble and tenzo's body comes into the center to fill up
#the bottom half. and then the third panel makes tenzo himself fill up more space. there's less 'darkness' now
#not sure how to say it other than. his sole saving grace in anbu at the moment is preserving his self and bond with kakashi ig
#i also like how the black background isn't pure black. there's a tinge of red(? idk it could also be orange? but i'm taking it as red)
#like one hand. maybe a reference to the whole blood thing. a reflection of how he feels surrounded by that reminder of murder instead
#of just it being select patches on his skin
#on the other hand (and this might be looking too deep 😔) maybe how allusion to the sharingan. how even though he left root
#anbu still feels very similar to it that he feels reminded of how he was watched by danzo?
#sorry for rambling. i am in an analysing mood today
#but i'm also not that great at analysing visual art lmao
nooo no sorries! this is really useful and EXTREMELY flattering to receive such detailed thoughts, i feel like im back in a School Crit Circle or something, which is really fun and helpful. Critique like this rlly helps me understand what people are bringing to my art when I make it and how it's getting interpreted, which as somebody who wants to tell understandable stories via images, is useful to me beyond what words can describe!
like—there's no "right" or "wrong" when it comes to interpreting art, there is my intention, but my intention isn't necessarily what comes out (like how kishimoto somehow accidentally wrote two teenagers who he meant for us to perceive as straight, in the pains and throes of love for each other. like he wrote that, whether or not he intended to. i dont even actually ship s/n bc it doesn't have The One Ingredient for me, but its...also something thats hard to ignore about the text)
and similarly, since theres no way to objectively read a text, when you read it you're putting it in your own context, finishing the painting yourself with whatever colors you've got in your palette to use
that said! I can answer for my intentions in some of these
The blood and the mask: Practically, you're 100% right! Mask needs to be off to get at the happuri. That he's got blood on both his mask, and his happuri, means that at some point in the battle, he lost his mask and then put it on.
In terms of art, I did this because the juxaposition contrast between the blood and the small amount of joy he's taking in thinking about a scarecrow, felt really important, and I didn't want to lose that with the removal of the mask.
I also put the blood splatter in the same place, coming in from Tenzō's left, and splattering upward across his forehead area. Practically, this would mean that he was in the same position by a spatter of blood twice, but symbolically this implies that he is or feels like the same with or without the mask—like u talk about them being the same entity.
I didn't really do that intentionally though—like I didn't think about it. I just kinda was like "yea that feels right. anyway moving on."
No leaf on the happuri: I AGREE WITH YOU ABT THE SYMBOLISM...he doesnt feel connected to konoha in a Real way until he's co-captaining, I think. He needs to be allowed to LIVE in Konoha to be a part of it... That said, if I'm not drawing Captain Yamato Post-Sunlight-Exposure I straight up forget that he had the leaf at all–I know it's supposed to be a Danzō thing, but I keep thinking it's an anbu thing. Honestly, since I agree with the symbolism, whether or not I forget or make an intentional choice not to depict it really doesn't matter I suppose
The Zoom In: Kind of the same as the last! i felt in my heart that we had to zoom in...I didn't think about it in terms of ''lessening darkness'' although now that I've read you write that I like THAT reading much more—esp since so much of yamato's themes in canon seem to be about sunlight and darkness...there's an interesting reading of darkness lessening (because he takes up more space) without light gaining any footing (he's still, as always, situated in the dark) about like, the little things that one can do to manage their depression or a dark situation, even when they still aren't able to be fully FREE of it quite yet (if ever).
I think, when I was thinking abt it, I was thinking about making Tenzō seem very small and alone in the first panel, and then even after thinking about Kakashi, he's not quite so small in the panel, even though he still remains alone. This being said, the darkness reading is much stronger than the loneliness reading, even though they go hand in hand, I much prefer your interpretation.
the red in the black: This is interesting!!!! I like your interpretations a lot...in terms of materials this is only black india ink, so there's no red actually in it, but in the photo I can see what you mean—the ink I'm using is shiny because the "matte" ink is twice the price of it and I'm a cheapskate, and it inevitably creates shines of color when scanned or photographed.
Obviously though, the lack of intention or the material contrast doesn't mean you're wrong—I saw the colorful patches in the image and decided it was fine enough to post anyway, they're a piece of the art as it exists digitally! Open for critique and interpretation. I like the idea that the darkness is connected to the blood very much especially, because it is for Tenzō, isn't it?
anyway, ty v much for your analysis, i was incredibly flattered to receive it, and i think you're actually super good at it, in my opinion!
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working on like 17 different motif compilation posts rn but half of them tie into each other and i can’t even begin to try analyzing what it all means….. i need to gather and sort them all like skittles first
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Actually everything has been too complicated and now that the sun is out I've decided that everything is actually easier than I thought and nothing has to hurt me unless I let it
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Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality
Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
____
In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
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You guys really need to stop and consider the ways you're talking about Kabru I am dead fucking serious. Like I know that flattening characters is just what fandom does to a certain extent, but Kabru's actual personality is getting lost to the fandom hivemind insisting that he's aggressive/cruel/sociopathic/hateful, and these are particularly concerning takes to see leveled at the only brown character in the main cast day after day. "My poor sweet golden child Laios needs to be protected from this scary brown man" is not a good look! Like, it's very telling that the bulk of the hate and bad faith readings are reserved for Toshiro and Kabru. Everyone else's flaws get to be discussed and validated and forgiven (or erased), meanwhile people are straight making up things to be mad about with Toshiro and Kabru but patting themselves on the back for being smart.
The worst part is how undeserved it all is. I'm trying to lay off anime-onlys because we're still kind of in the red herring stage of getting to know Kabru, but I would still like to gently suggest that even if you think Kabru is up to something, you don't gave to get in the tags of every fan creator's post and bring up how you hate him or You Can Tell he's totally evil. Sometimes I think Kabru's blue eyes give people license to say things about his appearance that they know would sound completely racist otherwise, but referring to his blue eyes acts as a get-out-of-racism free card. The jokes about the dog with brown contacts are getting old, by the way.
For people who have read the manga, it's disappointing. Kabru is one of the most complex and important characters in the story, and if you base your interpretation of him and all your fandom interactions on shallow first impressions you are completely missing out.
I know part of this is because Dungeon Meshi is a comedy, but the story also wants to be taken seriously. For example, it's admittedly really funny when Chilchuck calls Laios "sick in the head", but that doesn't change the fact that the way Chilchuck casually belittles Laios caused him to hide the fact that he was "hallucinating" from his friends for weeks. Those feelings matter.
Like, this
is funny.
But this?
Is not. This is just a very clear example of a brown boy with PTSD. As someone else with PTSD, just looking at this fucking sucks, man.
The only reason why Kabru thinks about killing Laios is because he is in the middle of a flashback. He's struggling through a panic attack. If he truly wanted to kill Laios because he's violent or because he finds Laios inherently annoying, he wouldn't otherwise talk with Laios normally. Notice how he doesn't act this way at any other point in the story- it's just because he's triggered by monsters. Even when he's thinking about his plans to "deal with" Laios later, he's reluctant to actually kill him and only considers it to prevent another tragedy. Despite his deadly skills, Kabru relies far more on "soft" power- insight, persuasion, diplomacy. He's a rare example of a character who absolutely is, or at least can be, manipulative, but seems to use his abilities for good. He's not a pathological liar, he isn't looking down on everyone behind a smile. He's someone who is extremely emotionally intelligent, and he's willing to put aside all his own basic wants and needs to stop the cycle of dungeons devouring humans.
I'm going to cut a potential thesis on his character short and just give some examples of things that fandom should consider about his personality more:
Racism in fandom isn't just about whitewashing in fan art, or using racial slurs. The insidiousness of bad faith readings, reductions to racist tropes, lack of fan content for characters of color, and dismissal of a character's complexity are far more common. You can believe yourself to be completely neutral or even positive about a character and still churn out low-grade bile about them into fandom's collective unconscious. Fandom reflects real life.
And I have been around fandom long enough to see how these behaviors (mostly from my fellow white fans) affect fans of color, how it makes a fandom feel hostile and unwelcome to them. It's fun to make jokes and memes, I'm absolutely not saying that everything needs to be a deeply nuanced take, but we need to be careful that it doesn't veer into toxicity. Please think about how our contributions to fandom come across, and what sort of vibes they cultivate in this communal space.
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I saw that post about what to do if you're homeless again (the one that starts by telling you to spend all of your money on motel rooms lmao) anyway, here's a few thoughts, specifically for trans girls, cuz I don't really care otherwise tbh:
1) plan ahead, most trans girls are in precarious housing situations, you will have a much easier time when it falls apart if you already have a pack with most of the gear you need in it. Also, if you find yourself in a situation where you cant make rent, dont pay part of it, spend that money on gear, pocket the rest and leave, youll have a much nicer time. Look up your local eviction laws, you have plenty of time. (Gear list at the end)
2) travel! If you're in Arizona in May, leave. it's about to be hot as hell. If you're in Michigan in October, leave. It's about to be cold as hell. If you're in a big city, leave. It's way easier to be homeless pretty much anywhere else. Amtrak is cheaper and more comfortable than greyhound, hitchhiking is free and easy, if you're alone it's not that much slower than the previous two, and it's more fun, and sometimes people buy you food or whatever or give you money. I promise it's not scary and you're entirely capable of doing it, no matter who you are. 95+% of people who will pick you up are very nice. All you have to do is take the bus out of town, as far down the highway you can, to an exit with a truck stop if possible, then just stand on the side of the road with your thumb out until someone picks you up. You can stand at the bottom of the ramp(on the highway) near where the merge lane ends or at the top of the ramp(where there's usually a traffic light), the former is more likely to lead to cop interactions but will maybe get you a ride faster, check on hitchwiki for how the cops are in the area. don't be afraid to take a commuter bus or Amtrak to get out of a shitty cop area
3) skip shelters if you can (they are very occasionally a decent place to get stuff from) and encampments, good places to sleep include the trees near railroad tracks or highways, wooded areas behind shopping centers, sections of parks without paths, overgrown empty lots. Hang a tarp above you if there's an appreciable chance of rain, there's tons of YouTube tutorials on how to do this, maybe I'll make a post about what I usually do some day. There are many habits more fun than motel rooms, save your money for them lmao.
4) get on food stamps. This is easier in some places than others, but it makes the whole thing a lot easier. Just tell them you're homeless, if they don't give you a card the same day, you can probably ask to pick it up from that office, alternatively some drop in centers/day shelters can receive mail for you, or you can have it sent to general delivery(USPS service, look it up)
7) libraries are great for charging your phone and using wifi, but also keep an eye out, plenty of random outlets on the outsides of buildings are also powered
5) dumpster. sidewalk trash cans, Aldi, Einstein's, trader Joe's, pizza places, etc. You need to develop a bit of a sense for it but it's an easy way to get cooked food or travelling food or expensive food without spending resources. Also it's fun.
6) water is free, go into the bathroom of any gas station or grocery store in America(offer not valid in most big cities or on the west coast, but in that case just go to the library) and fill up your water bottle
8) hygiene notes: truckers get free showers from chain truck stops(loves, pilot/flying j) go there and ask them. convenient if you're hitchhiking, also you don't need to shower 3 times a day, really, you'll survive. Ditto with deodorant. Take care of your teeth though. Take your socks off every. day. Change them consistently. Safety razors give a good shave, work well without adequate water pressure, and the replacement blades are very stealable, they're kind of heavy though. Walmart makes these electric razors for women that take AA batteries and are pretty light but give a worse shave, also they kinda go through batteries, pick whatever works for you(cartridge razors suck)
9) traveling food notes: peanut butter is great, tortillas and bagels travel pretty well, tuna packets are pretty good protein for traveling(the ones with rice and beans or whatever are nice since theyre often the same price as the regular), condiment packets are free, hot sauce makes everything better, and mayo goes well with tuna and has a bunch of calories in it, salad dressing packets are free from truck stops and work well turning the Walmart shredded vegetable packages (labeled for making into slaw, next to the bagged salads) into a salad with real vegetables(not iceberg lettuce) in it or mixing in with tuna packets for even more calories than mayo
Gear world:
Necessary items(in order of importance): a gallon of water carrying capacity(an Arizona jug or other twist top jug is conventional, but a bladder+arizona bottles also works), a tarp(larger than 6'x9', not brightly colored), a hank of parachord, a sleeping bag (20° rated, synthetic insulation), a backpack with a padded hip belt(at least 50L, no more than 75), rain gear(a rain poncho might cover your pack too, a rain jacket can help with wind when its cold, a trash bag inside or outside your pack can keep it dry, a plan to watch the weather and not get caught also works), a z-fold foam sleeping pad, three pairs of socks, two pairs of underwear (at least one pair of boxer breifs strongly recommended if you arent incredibly skinny), a decent pair of shoes with good arch support, a functional jacket(skip if you got a rain jacket before), a base layer(wool or poly, absolutely no cotton)
Convenient items: a sleeping bag liner(cotton free, keeps you warm in winter and cool in summer), gallon zip locks to pack your stuff in(helps keep it dry and organized), no more than one change of clothes(as light as possible), a multi-tool(can opener, pliers, wire cutter), lighter(burning rope ends etc), spoon, floss and needles for patching
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