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#the description of this is going to be very confusing to the unitiated sorry
eyeonyou · 2 months
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KANAYA => SWOOP IN WITH YOUR CHARACTERISTIC AIR OF BELEAGURED YET DEBONAIR COMPETENCE AND RESCUE YOUR IDIOTIC CLOWN FRIEND FROM HIMSELF
Gamzee I Do Not Even Want To Know Why There Is A Shout Amplifier Halfway Down Your Throat
Frankly I Would Prefer To Forget Every Searing Detail Of This Grotesque Scene And In Particular The Colour Of Your Tonsils Which Is Not Information I Have Ever Once Yearned To Possess
That Being Said The Shouthusk Is Amplifying Your Gurgling Noises And None Of Us Need That So Unless You Can Choke To Death With Less Honking Clamor I Will Be Forced To Intervene
KANAYA => SIGH UPON REALISATION THAT YOU ARE THE ONLY TROLL CAPABLE OF MEDDLESOME FIRST AID PRAXIS
KANAYA => RELUCTANTLY CONSIGN YOUR POOR, BEAUTIFUL GLOVE TO EXCAVATION OF THE NON-EUCLIDEAN HORRORS OF A CLOWN'S SPASMING ESOPHAGUS AND CURSE THE GODS THAT BROUGHT YOU HERE
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gatitties · 21 days
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OMGOMGOMGOMG I HAVE BEEN WAITING SO LONG FOR YOUR INBOX TO BE OPEN I LIVE YOUR WRITING!!! I wanted to see if i could request a witch reader x the straw hats??? Like imagine if Eda and Rain from The Owl House had a kid that acted like Luz. Like how she always wants to stand up for others and is kind, but also pretty innocent and naive at times. Like if Sanji flirted with her she wouldn't really understand that he's flirting.I could imagine her also having a little friend like owlberrt or at least an owl staff. Also like her mother her hair is kinda like a mini pocket dimension that she shoves things in
but instead in this universe the day unity is a day where a bunch of witch hunters come to their island and kills all of them but she somehow manages to survive. Like it would happen a few years or so before she encounters the straw hats. When she meets them it does take her a while still to tell them her full past thought. She meets them on some random island running from some local store owner because like her mother, she is a trouble maker but she's not as good at stealing. With the fact that her parents died and couldn't teach her much, all she has is old books and journals from both of them. Which mean that she's not that good at magic and messes up her spells a lot
i'm sorry if this is confusing i've just had this idea in my head for MONTHS and in crappy at explaining things D:
Again im sorry if this is to much or confusing i just really want to see your ideas of some HCs for this.
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a meme for your collection (if you have one lol)
─Strawhats x witch!reader
─Summary: Some unfortunate events make you meet what you can consider a second family.
─Warnings: none
YEEEE thanks for contributing to the collection of cursed memes on my pinterest, I love it <3, sorry for the delay, I also had to look up information about the owl house because I didn't watch the series and f I changed a little how they met, sorry for that too 😔
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─ Not even you know how you managed to survive the witch hunt that day, but here you are now, sailing on a wooden plank with a backpack that doesn't even have food or water but a couple of books on spells.
─ At first it was a small boat but you tried to cast a spell so that the wind was in your favor and you turned the small boat into a piece of plank, you were not a very experienced witch but you survived.
─ Your eyes lit up and you screamed with all the strength you could when you saw a ship.
─ Your first thought was to try to steal one of the emergency ships, but you ruled it out when you saw the crew, you weren't that clever and it seemed like they had nothing to do with the witch hunt.
─ The first to see you was Usopp who was fishing when you scared him to death, the others noticed you once they saw you wave your arms strangely (you were trying to do magic but nothing came out)
─ You complement Luffy quite well once you start interacting with the crew, Nami probably scolds you a lot because he asks you to do some magic and it ends up going wrong.
─ Last time you transformed Sanji's face into a trout for trying to make Luffy's portion bigger, you're lucky that the cook likes your presence, although you completely ignore his strange behavior when he is with girls.
─ You and Zoro have small competitions to keep your pride high over any nonsense, like a healthy rivalry (you both end up lost in the strangest places).
─ Probably and, despite not understanding anything about magic, Robin will help you with some spells here and there, she is a cultured woman and she seems to understand some descriptions much more than you.
─ Usopp repaired your cane when you chipped it once, you thanked him because he reinforced it so it wouldn't break again.
─ You and Chopper go out to look for ingredients together, whether to make medicines or potions.
─ Jinbe is curious about your culture and your home island as well as other sorcerers, you can spend hours talking about witchcraft with him, Franky and Brook will join in sometimes.
─ When you take the courage to tell them why you were alone with nothing and adrift, they feel a little sorry for you, If you don't plan to stay here with them, you will be welcome whenever you want and If you want to continue with them, you are already part of the crew!
─ For once you feel that you are advancing in your process of learning as a magician, feeling indebted to these pirates, you decide to help as much as you can and improve your skills even more.
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izicodes · 1 year
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hey — i'm sorry if this question has been asked before. if it has, u can just link me to ur answer!
if you had to do your coding journey all over again, where would you start? what would you recommend to beginners?
Hiya!!
Yes, I have answered a similar question to this before, which you can view them here:
Ask link 1 | Ask link 2 | Ask link 3 | Ask link 4 | Ask link 5
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Personally for me if I would start all over again, I would learn HTML, CSS, and JavaScript then, after researching what area in programming I like (which would be web development and game development), I would learn some JavaScript frameworks like React and Vue. At the same time learning C# and Unity. The key part in what I just said is "after researching what area in programming I like" - find the niche you like and focus on the languages/frameworks/libraries etc you need to know to be very well in it.
Don't waste your time on things you don't need. Example: why would I learn about the data science side of programming? Right now it's not necessary for me to learn that... so I don't.
Don't know what you like and looking into having a job in programming? Look at the job listing's description of the kind of developer you want to be and look at what languages/frameworks/libraries they want you to know to apply. Obviously, you're not going to apply now but it gives you an idea of what the market is asking for.
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As I explained in some of the asks I listed above, what I recommend for beginners all depends on what kind of programmer you want to be. But if you're confused and you're an absolute beginner, just try HTML, CSS and JavaScript as starters before having your full course meal, which would be the programming languages you researched that you need before the developer you want to be.
Here is a cool link that I am using currently to help me stay on track with different developer paths you could follow:
Roadmap.sh [LINK] - a community effort to create roadmaps, guides and other educational content to help guide the developers in picking up the path and guiding their learnings.
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I hope this helps!! Good luck with your studies!
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gwaean · 3 years
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The Rescuers  
Part One: “Old acquaintances meet again"
 Summary: You are a mandalorian rebel friends with Captain Rex so you are well aware of the entire "clone situation" going on. And of course you want to help as much as you can. You then go to Ryloth trying to help the Syndulla's and maybe find your old friend Cody. 
 Pairing: None. Yet. But will be a Crosshair x Reader.
 Gender: There'll be no mentions of gender or pronouns on this part yet. Though further in the story it might have she/they pronouns used.
 Word count: 1.6k
 Tags: Injury recover, post-clone wars story, rescuing clones/friends, a bit of melancholy?
 Warning: Brief description of injury.
 Notes: So, I literally dreamed most parts of this story (I know, crazy Star Wars obsession here). I filled up some parts as I was writing of course. And it turned out a bit like a beautiful sad tragic. I might even do a playlist for this fanfic actually. Hope u enjoy it :) 
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 The war, the republic, the jedi all have ended. Literally on the same day. And what it seemed like a fresh start, finally a moment of peace in the chaos turned into nightmares. You weren’t there when it happened, you just heard the news of Obi-Wan saying the jedi order and the republic had fallen and you also heard the now Emperor Palpatine telling everyone that the clone wars has ended and the jedi were traitor, they’ve tried to assassinate him according to well… himself. And now he’s forming this new galactic empire, giving people numbers like the ones clones used to have and killing off any resistance against this new order. Everyone seemed to believe him, you gotta give him that he was a pretty damn’ good  liar indeed. But you knew better than that. You are mandalorian after all and were friends with no one less than Duchess Satine and Senator Padmé. You helped them countless times in their diplomatics and you even fought with the jedi and the clones at times. They were good people, yes, the order might have messed up at lot but traitors? Murders? They sure didn’t deserve to die like that and I guess… No one does.
  You quickly then joined the rebellion. There you found many of former politics like Senator Organa and even a clone… Captain Rex (or is it Commander now?). You’ve met him once before and he seemed like a good person and looks like he’s really a great man just like you thought. You soon became friends. But sadly, the other clones you knew before like Cody were still with the empire. Though both you and Rex were very determinate to help others like him. And also, obviously, protect your allies against the empire.
  Well, as expected trouble begins. There’s been rumors about what’s going in Ryloth with the Syndulla’s and the empire occupation. Worried about them and their people, you go there to help as you can. And if there’s need, you’d call more rebels to help too though you didn’t want to envolve more people yet because you’re afraid of the reaction it could cause ( and what that would cost for ryloth and its people). You also have a tiny tiny hope that maybe just maybe Cody could be there.
  Arriving in Ryloth, you discover the Syndulla family have indeed oppose agains the empire occupation and they’ve went into a lot of trouble because of that but apparently a group of mercenaries (?) have already rescued them from the prison they were sent to. One less problem for you to fix I guess. You were glad for them but you still want to spy a little on the empire and see what you could find out after all, the trip couldn’t be for nothing.
  You find your way and get to a particular high hill with a great view of one imperial base. You pick up your binoculars and the only person you see in a sort of balcony is a very depressive-looking Crosshair. You remember him from that one time clone force 99 saved your butt from the mess you’ve yourself in. He was… quite unfriendly, let’s say. But he did get the job done and made sure you were okay so you just ignored his behavior. Looking at him now it was looking at a shadow of him. 
   It made you remember what Rex told you once: 
“We clones were all created with this chip thing in our my minds. We were made for the war and the war only but apparently someone thought it would be great if they let us think we've got free will. That we could be anything we wanted to be after the war. So we made friends, some of us found a family with our jedi. They let we hope. Just so we have all of that taken away from us with order 66. The war had ended for everyone except for us. We had our will taken from us, our minds controlled by this chip and we had to follow orders. While we're still there conscious of what we were doing we had to kill the people we fought together the entire war. I remember her face... I'm so glad she didn't see my face. I couldn't bare.” 
 Thinking about what all the clones been through, you can’t just leave him like this. He did save you once and this was your chance to repay that. Rex keeps saying we can’t save everyone (more to himself than to you) but one person is better than nobody, right?  At the time you improvise a plan: neither the empire nor Cross can’t know yet that you’re a rebel. You haven’t done anything yet incriminating (at least not that they were aware of). So you can just jump in there where he was standing and talk to him. Worst case scenario he ignores you. However you sure knew how to annoy him enough that at least he would call you out and when that happens you act. Ok, that you still have to figure out exactly how you would act. Well, half of a plan is better than no plan.
  You just jump in behind his back and of course he points his gun at you as expected. But he apparently recognizes who it’s standing in front of him and put his riffle down. 
   “ Hello there.”  You say.
   “What do you think you’re doing?”  He replies.
   “Oh, please, don’t act like you aren’t happy to see me.” 
     He gives you a faint of a smile. “Don’t flatter yourself.” 
     You smiled back. “But seriously, what you’re doing here all alone? And why- You finally noticed the burn mark on his now bald head. - are you like this? Doesn’t the empire takes care of its soldiers? Nor your squad? The bad batch, right? That’s what you called yourselves?” 
     His face closes again. “You have nothing to do with that. I’m-” 
     “By yourself?” You pause for a moment. “Alright, I get it. You’ve probably been through a lot. We all have. Not sure why you’re like this but it doesn’t matter right now. I just wonder… Don’t you want to get out of all of this?” 
     Cross pauses for a moment. It seems like he's considering the possibility. “I… I can’t.” 
     “But…”  You then think. You remind yourself of how protective he was that one time you were saved by them. Maybe this instinct was still there, you had to try. You saw a pointed rock close to where you were standing and decided that you would accidentally cut yourself. “Ouch!” 
    “What’s up?” 
    “Oh! Nothing! Just might have cut myself here.” You show your hand now with a bit bigger than you expected cut and some blood.
     He almost laughs at it. “What a little clumsy one you are, eh?” 
     His mocking at you, that’s something, right? “Yeah, I guess….” 
     “Well, let’s go?”  He points to the door.
     “Go where?” 
     “Don’t you wanna take care of that, sweetheart?” 
     “Right, medical bay then?” 
     “Obviously.”  Perfect. He would be right where you needed him to be.
  The both of you enter the facility and walk directly to the medical bay. The empire base is pretty much a bland dark and boring military base with some troopers walking around, some commanders (you think) yelling at the soldiers and some droids doing whatever they have to do. You knew only that they were “r - unities” but droids weren’t exactly your area of expertise. However you do notice that the troopers walking around still wear the same clone armor from back the war. And you feel guilty. Because as much as you’d like you won’t be able to help them all. They’ll stay there with their chips on being controlled by the empire…. By the force, that was a hole guilty trip you knew you shouldn’t take. It wasn’t your fault. No, no. They did this. Palpatine and his men were the monsters. Not you. And certainly not these poor clones. One day, yes, one day maybe you could come back and save them?
 “Hmmm…. You wanna me to do this?”  Cross says. You were so distracted in your thoughts you don’t even realized you were already in the medical bay.
 “Oh. You don’t have to.” 
 “It's fine. I’m used to do this anyway.” 
  “Ok. Be my guest then?” 
  “Wow, you’re so funny.” He jokes.
  “Whatever. Just do your thing.” 
  “Give me your hand.”  
 You give him your hand and he takes it. And to your surprise he’s very gentle while taking care of your wound. He applies some alcohol pads to clean the wound. And as he presses the wound to stop the bleeding you reach for your gun and keep looking at his face. His very concentrated. It’s almost like the rest of the galaxy doesn’t matter. He’s only there at the moment focused on helping you. And you’re trying to plan how you’re gonna knock him out to take his chip off.
 “Now I’m gonna get some stuff to make a bandage for ya, ok?” He says and turns his back. Now is you chance. You turn your blaster to stun only and shoots. He falls. 
 “I’m sorry. But there’s no other way.” You whisper as if he’s actually listening. 
 It takes some effort (seriously, Crosshair's heavier than he looks) but you manage to put him on one these surgical stretchers. You also have to learn super quick how to use the pad control to see where the chip’s in and take it off. But it’s done. And you wait and wait… For what it seemed like hours though it was only like 15 minutes.
And he wakes up very confused.
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best-enemies · 3 years
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I have to write an actual review on Gallifrey TW4 for the podcast I’m in but I have a writer’s block, so here are some of my thoughts on the box because I need to yell about it somewhere and my friends are pissed that I keep yelling on twitter. Spoilers ahead!
Don’t expect anything coherent to come out of this post I’m just going to throw stuff in this post and if you get it you get it lol. It’s not like I have fully recovered from the blow anyway... 
Deception is a great introdution to the box and probably one of the best Gallifrey audios. I hate it when the OT4 gets separated (and that it happens all the time!), and in this case it happens between Narvin and Leela. However, it’s always great to see Leela working on her own and interacting with other people. When she tried to save those people from the resistance, the way she dealt with the situation even when she felt lost because she couldn’t trust her senses - a tool Leela values a lot as a warrior and a hunter - was absolutely incredible and it reminded me (not that I could ever forget that) of how much I love and admire her. 
Listening to them being inside the distortion field felt like a really bad trip 
All I could think throughout the box and not just Deception is that Leela had a crush on Eris and man I can’t blame her at all not only he was a great guy he’s really good looking and I got a crush on him too akshdashdkjaks
I don’t think I say this enough, but I really like Livia. She’s not evil, she just makes a lot of bad choices and she has this problem of being too much on the fence, which is not the characteristic of a true leader. She was never one. But still, even if I don’t remember the content of the earlier audios she’s in I’ve always liked her. And I liked that she finally chose a side in the end. I mean, she did when she helped the resistance, and that was a good beginning.
 Also can I interest you with my headcanon that she was Romana’s girlfriend at the Academy and they broke up? Lol Anyways, when she heard that Romana had “died” she was shocked and later on complimented her as a person and I kind of wish we saw more of them on good terms
Now, on Dissolution: I love Narvin. That’s pretty much it lol. Before starting Gallifrey my friend gave me a spoiler which was basically, “you’re gonna love Narvin”. Well, at first I really liked his voice - it was funny and cute and voices are an important thing to me. Of course, even if he seemed funny to me, unfortunately he was a total xenophobic asshole. He had convictions, he had layers which made him very interesting, but still, an asshole. Which makes me really proud to see how far he has come, how much he’s grown. When he joined Romana’s side I soon realized that my friend was right; Narvin had one of the best redemption arcs I’ve ever seen. He went from Romana’s political rival, if I could put it that way, to one of her most trusted allies and best friends. And he found out that he could still fight for and protect his home, but using the right tools, doing it the right way. Dissolution showed that contrast between the old Narvin and what he wanted and the new Narvin, and honestly? I could almost call this episode a moment of relief amongst the chaos. Narvin has become one of my favorite characters in the Whoniverse and one of my all time favorites as well.
Alright... now we get to Beyond *deep breaths*. So let’s start from the beginning, shall we? I spent months since listening to Unity living in a total hell not knowing if Romana was alive or not. I couldn’t believe that that was her ending, that she wouldn’t show up again for their last hurrah, and that my favorite companion ever was gone forever. But then, BF announced the cover, and the description for the episodes, and her name came up, and I could finally breath. My friend and I started theorizing that maybe Braxiatel had dematerialized the TARDIS around her and saved her in the last second - which is kind of what happened, I mean, the description said he wasn’t ready to give up on her! So they go to that place called Beyond, and shit happens. Those ravenous bitches were there eating people and shit. They even ate Narvin - I almost started crying in the middle of the bus, telling myself he wasn’t our Narvin, but he was a Narvin and it still hurt. I wanted to fight those ravenous myself. And not just that, Romana went through hell watching Leela die in front of her, and her reaction was really heartbreaking. 
Aaand that kind of brings me to a point here, something that bothered me. Romana and Brax, as always, spent the audio bickering a little, but they had their moments as well. Like when Brax says that it’s good to see her smile again, when he says (sorry I don’t remember it word by word) something like, she couldn’t die and that she’s supposed to be the best of the Time Lords, when she calls him her friend, and when she asks with a soft voice if he’s coming back to Gallifrey. And it was sweet. Like, they have a lot of issues, but they also have good feelings towards each other. Despite everything they care about each other, and it shows. Which is why I got really confused about Romana’s reaction when Brax was eaten by the ravenous. I remember I even thought she wasn’t around when it happened, that he had left and was somewhere else (I have a little difficulty paying attention), but then my friend said she was. So I was like... wait, she saw her friend, whom she’s known for most of her life (and more than she can even remember) die in a truly horrible way and didn’t even react to that? I’m not blaming Romana, I think this is really out of character for her. She may have difficulty expressing her feelings but she would never, ever react so coldly to the death of a friend. 
Now, on Brax’s death... I was really devastated. At first, as always I got confused and thought the older Brax was an older version of him, somehow. Even if he died, I was like, this is confusing, but it’s Brax? So I was weary, but still, I thought “well at least he’s safe now, on another universe in the Beyond”. But then my friend said “no, that’s an alternative Brax, the one we know is dead”. And that’s when I felt my stomach drop. IT HURT SO BAD. I’ll be honest and say I don’t know everything about Brax, or about the depth of his character, I’m still very early on the Benny audios and only have listened to him on Gally and a few audios here and there. People who have more knowledge on him say that the way he was written wasn’t really accurate, and that can be true, but I won’t get into that because I don’t know for myself. Still, Brax is one of the best and most interesting characters I’ve ever known. I loved him from the beginning. I got mad at him so many times during the series, felt as betrayed as Romana did, heard about a lot of dark shit he’s done, but still I could never hate him. I got a little bit too attached to him, which is why his death felt absurd and unnecessarily cruel. I don’t think for a moment that Brax deserved that, as I said I don’t know everything about him but something in my heart tells me that things could’ve gone another way. I knew he could die in the finale but not like this. And it’s a bit hard to put into words how much I hate the ending he got and how much I’ll miss him. I just hope he comes back, I mean, he always does, BF writers need to figure something out I don’t even care lol
I had to edit the post because my dumb ass forgot about one of my favorite and at the same time one of the most bittersweet moments of Beyond: Brax asking about the Doctor and saying leaving Gallifrey was a “family thing”. I love them and there isn’t enough stuff out there from the Lungbarrow siblings for me. He talks so fondly of the Doctor and now all I think about is that he never mentioned him in the series but thought of him on the last hours of his life... brb I’m gonna go cry in the bathroom
Oh god. Okay, Homecoming. I’ll start on a light note and say some stuff about Hot Rassilon: Richard Armitage nailed it. I’ve always liked him as an actor and I got thrilled when he was announced. His voice is like, the one I want to hear when I get my name called up in Heaven - or Hell, which is where I’m going - and his speeches were really powerful. Still, I wish they could’ve given him more to do. Of course, I understand that this is where they wanted to go with him - Hot Rassilon going batshit crazy and calling himself a god and coming up with some stupid fanfiction about the Time Lords becoming gods of everything, yada yada. I loved his interactions with the Dalek Emperor, the first thing I thought (besides the fact that it was really funny) was that it showed two despots with a god complex playing chess with the universe and discarding their people as garbage, fighting for their own personal power and not for the collective. Of course, I don’t expect the Daleks to care about each other - they want to spread throughout the galaxies and gain absolute power, not bring social well-being to their own. But that should apply to the Time Lord Society, and we see that Hot Rassilon doens’t give a flying fuck about that. 
I feel like I should reinforce the fact that I actually hate Rassilon. I call him hot but I hate him. I can do both
Once again, I need to point out the emotional moments between the galligang. It all felt so off. As someone pointed out here (sorry, I saw the post but don’t recall who said it now): it’s a war and there’s little time for grief, however, it’s not like they’re just grieving the loss of a group of people they’re not familiar with. The galligang are the closest thing they have to a family with each other. They’ve been through all sorts of things together, created a deep bond and have crossed the universe to find each other. And then, that Dalek ship blows up, with Narvin still in it, and... nothing. Leela even asked Romana if they could’ve done something and she says if the bracelet thingy had been working he would’ve come back already. And that’s it. At first I didn’t even understand, I was like “wait, he was really still inside the ship? And it blew up?”, because once again, I couldn’t tell from the way they reacted, I was only sure when they had that exchange. And of course, I started sobbing, because my favorite character was dead. I guess the writers wanted to focus on the war and political aspects and shit but did they forget that Gallifrey was about these three specific people and that their relationship was the core of the series, not just the politics? 
Okay, moving on. Leela and Romana once again end up on Gallifrey and run into Hot Rassilon. Did I mention I found him a bit scary? Well, I did mark me down as scared & horny.
Aaaaaand he decides to lock Romana up in a pocket universe. It surprised me, because I thought he would execute her. I find that he wanted to do that because Romana was the president who wanted to take Gallifrey into the future, to make it a prosperous and advanced society who left all their fears of the unknown and prejudices behind. And now he locked her up in the past. Get it? I don’t know, maybe that’s just me, but this was the first thing I thought. But I cannot even begin to tell you all how RELIEVED I am that she’s alive, and that there could be a possibility - even if a very tiny one - that she could escape. It’s Doctor Who, so everything is possible. EDIT: Now I’m sad because Leela will die after the end of the Time War and Romana will know about that, and all her friends are gone, and she believes the Doctor isn’t the man she once knew so she can’t rely on him, and she’s alone, and I’m FUMING because I’m still processing the whole thing and I hadn’t realized that. She’s totally alone and now I’m crying once again. I HATE IT HERE
As for Leela, I want to see what’s next for her. I haven’t gotten into the other Time War stuff yet, this is my first introduction to the actual thing, but I heard that she’s gonna fight alongside the War Doctor and might be on the War Doctor Begins boxset. But man listening to her and Romana having to depart like that broke my heart. And now I know that she’ll be protecting Gallifrey because of Romana, because Romana represents the best in Gallifrey.
*Phew* okay, that was a lot. I don’t even know if I covered everything, but I managed to make more sense than I thought I would at the beginning of this post. I don’t know man I’ve been crying for hours, went to sleep at 2am crying because of Narvin and Brax and woke up at 7am and my first thought was them, dying again... I don’t even know anymore, I guess I’ll either focus on uni and my job or curl up into a ball and cry for the rest of my life lolololol
Now I want to write a post with my theories on how the entire galligang is alive and in the epilogue in my head they have reunited and are all living together happily. Maybe it’ll be my next post.
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neuxue · 5 years
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Wheel of Time liveblogging: The Gathering Storm ch 41
EGWENE!!!!!!! And excellent use of outsider POV! And could Gawyn be more irritating? And EGWENE!!!!!
Chapter 41: A Fount of Power
Ah, the unique and entirely self-inflicted frustration of having to pause for three weeks in the middle of a major battle…
Gawyn continues to exist in this sequence and I am irritated. You’d better impede the awesome, Gawyn.
But we all know what Gawyn’s track record at the Tower looks like, so I’m not holding out a great deal of hope here.
The White Tower itself seemed to burn. It lit a daunting profile in the sky, all white and red, outlined by flames. Smoke boiled toward the midnight clouds above, fires blazed in many Tower windows, and a glare at the base indicated that outlying buildings and trees were also alight.
It’s such a great image, the once-untouchable White Tower burning against the night sky. And on a more symbolic level, it’s as if the truth is finally made visible: the Tower is burning, wounded, vulnerable, and it’s there for anyone to see.
Though right now Gawyn and the soldiers with him are more interested in seeing that there is in fact a secret entrance. And here I was hoping Gawyn might have to resort to banging really hard on the stone wall and shouting for someone to let him in, and eventually Egwene would notice him and shout down to him while lighting a to’raken on fire that she might need to take a rain check on tonight’s date, this really isn’t the best time, she has to go wash her hair.
At least he was finally doing something to help Egwene.
IS HE THOUGH?
Not all princesses want to be rescued from their fiery towers beset by dragons, Gawyn. Some of them might rather like it there. Standing in a badass hero pose, silhouetted against the night sky, surrounded by power, with their hair blowing in the wind.
She’s doing far more to help herself than you are to help her, is what I’m getting at here, Gawyn.
They were gliding directly into a war zone where both sides were stronger than they were, both sides had little reason to like them, and both sides were wielding the One Power. It took a special kind of man to stare those odds in the eyes.
‘Special’ is not exactly the word I would use.
But this frames the whole situation quite nicely: they’re heading straight into a battle in which they are hideously outmatched, with very little idea of what’s going on, for no reason but to rescue someone who has specifically asked not to be rescued. WHY.
They’ve brought a hundred soldiers with them? Again…why? What do they think that will possibly do against a Seanchan attack mounted on dragons and wielding the One Power? It’s too many for stealth, and not enough to actually have an effect. I’m just so confused as to why they’re doing this at all. You’re all going to die and to what purpose?
I suppose disguising themselves as Tower guards helps a bit on the stealth front, but still. Everything about this plan seems terrible.
“It’s always a good idea to have a few copies of your enemy’s uniform.”
“It’s not proper,” Siuan said, folding her arms. “Serving on the Tower Guard is a sacred duty. They—”
“They’re your enemy, Siuan,” Bryne said sternly.
Are they?
How long can they look at the Tower as their enemy before it becomes insurmountable truth? This is why Egwene does not want to be rescued; this is what she has learned in her time as a supposed captive of the Tower. She came here as a result of her own declaration of war against them, true, but that’s a part of this whole arc for her, realising that the Tower and the Aes Sedai there are not her enemies, that she cannot afford for them to be her enemies, even if Elaida is. That the solution must somehow be unity, not war.
Gawyn, Siuan and Bryne took up positions at the front—Gawyn and the general walking just ahead of Siuan, as if they were Warders
Gawyn Trakand, the things you do not notice could literally fill books.
All in all, the illusion was very good. On first glance, Gawyn himself would have bought the disguise.
Yeah, sorry, that’s really not a high bar.
The billowing smoke reflected red firelight, enveloping the Tower in a menacing crimson haze. Holes and gashes broke the walls of the once-majestic building; fires blazed within several of them.
It’s so starkly different from how the Tower has always been described up until now; it’s the sort of language that would much more naturally be associated with, say, Dragonmount. But the illusion of a pure white structure, beautiful and untouchable and eternal, a monument and a lasting symbol of strength, has been shattered, and beneath it is…this. A nightmare of fire and a crumbling structure and chaos, burning.
I just love the contrast, because up until now the descriptions of the Tower have been so consistent, so perfectly crafted to suit an entity that presents only and exactly the image it chooses, never changing, never faltering, never letting anyone see what is truly there. In hindsight, all those descriptions feel a bit like looping a single piece of film across CCTV footage while carrying out a bank robbery. Too perfect, too still. And so to now get these descriptions instead is perfect in its suddenness, jarring in the way a shattering is as the illusion is forcibly broken away.
Up above, near the middle of the Tower, several gashes were spewing fireballs and lighting back out at the invaders.
EGWENE! Maybe Gawyn will see her as the absolute fucking badass that she is and will realise that she is way, way out of his league, and will give up and go home and leave Egwene to be awesome in peace.
“Now what?” Gawyn whispered.
Great plan, guys.
“We find Egwene,” Siuan answered. “We start at the base, then head down to the basement floors. She was locked down there somewhere earlier today, and it’s probably the first place we should look.”
Oh, ye of little faith. How can even you, Siuan, have so little confidence in her? You’ve seen her take on a Hall that treated her like a puppet, you’ve sent her to hunt the Black Ajah as little more than a novice, you know her strength and resourcefulness and ability.
Gawyn, she’s supposed to be the woman you love, and therefore someone you should have confidence in, and assume competence of. That’s how it works, right?
Bryne, you swore allegiance to her when, again, she was to all appearances just a girl raised Amyrlin so that it would be easy to pull her strings. You gave her an army and trusted that she would know what to do with it.
And yet NONE OF YOU look at the battle taking place, and think that maybe Egwene is in the middle of it, that maybe Egwene has done what she does and found a way to turn an impossible situation to her advantage, or at least found a way to fight back. Give her some credit already!
I know, I know, based on the information they have, her situation is Hashtag Not Great, but…come on, this is Egwene we’re talking about! Even if ‘ah she’s probably found a way to be badass and claim the Amyrlin’s authority at least as a battlefield commission in order to get shit done when no one else can and save the Tower’ isn’t the default assumption, they should at least entertain the possibility that she’s managed to figure something out, that she’s found a way to fight back.
Though in Siuan’s case, I wonder if there’s an element of…projection? After all, she was a clever and capable and powerful Amyrlin, but she was dancing on thin ice for a long time with the coming of the Dragon Reborn and the secrets she held and the course she was trying to take, and she did not see the coup coming, and for all her own resourcefulness and strength she was unable to save herself from it. So from her I wonder if it’s not so much a lack of confidence in Egwene as a sense of something almost like déjà vu, of looking at this situation and being terrified that it’s happening again, that what happened to her will happen to Egwene because even the most capable can be brought down.
Gawyn has no excuse though. He’s had many, many opportunities to give his girlfriend a single vote of confidence and he always seems to…not do that. It’s very frustrating.
Oh thank the Light it’s a POV switch.
I should have known it would be Saerin trying to actually implement some sort of strategy. Or one of that group, anyway; they’re some of the few who have managed bipartisan talks cooperation and effective work towards an actual goal lately.
Around her, the room was in virtual chaos.
I think this is a case of somewhere the word ‘literal’ would actually be appropriate…
Moradri was a long-limbed Mayener with dark skin, and she was trailed by two handsome Warders, both also Mayener. Rumours said that they were her brothers, come to the White Tower to defend their sister
Okay I know we’re in the middle of a battle here but this is such an interesting little aside! On the one hand, I’m almost surprised we haven’t seen instances of the Warder bond being used between siblings, but on the other hand, speaking as someone who has a sibling…wow. That would be uh. Interesting. And yet it also makes a lot of sense, given that it is by definition an incredibly close bond requiring a great deal of trust and a long partnership…but also two brothers as Warders. What a family! I suddenly want all of the backstory here.
No Greens to be found. We know where Adelorna is, at least, but it’s really not all that surprising, if you think about it.
“A pity,” Saerin said. “They like to call themselves the Battle Ajah, after all. Well, that leaves me to organise the fighting.”
They’re the Battle Ajah, but I think that the Tower’s long tendencies towards secrecy, isolation and insulation, noninterference between sisters, and manipulation rather than outright participation in any sort of war or battle has not just had an impact on the Greens’ ability to work as anything resembling a cohesive group, but is also a set of attitudes that would end up forcing tactics over strategy in a battle situation.
Whereas someone like Saerin, or really any of the Brown Ajah who have made war and strategy a part of their studies might well be better suited to the more administrative – but oh so massively underrated and vitally important – aspects of fighting.
Saerin eyed the Green sister, then tapped the map. “Mark the locations, Moradri. You can go back to the fighting soon enough, but your knowledge is more important right now.”
Yes, exactly this. Moradri wants to be out there fighting, because that’s what her Ajah’s attitude is or has become. And because if they all see themselves as individuals acting separately, of course the impulse is to go out and fight directly, rather than recognise that they’ll actually be more successful if they coordinate, and that all of them just throwing all their firepower at whatever they can reach is not the most efficient approach.
They have fighting skills, it seems, but they don’t know how to function as any sort of military force. Because the Tower’s attitudes haven’t allowed for that sort of thinking or cohesiveness to ever emerge.
So you need the people who can stand back rather than rushing straight in to where the fighting is thickest, who can pull out the maps and watch what’s happening and bring some level of organisation to the chaos, and send out those who do have the actual hands-on fighting ability but may lack the mindset for looking at the bigger picture.
Which of course is just another of the already myriad reasons the Ajahs need to work together and maybe, I don’t know, communicate and recognise that they all have valuable but different skills to contribute and that they’re stronger and more capable as a whole than as a disparate set of individuals, but…well, that’s sort of the whole point of the Tower’s story, isn’t it? United we stand, divided we fall, and all that.
“Captain, our most important task is to form a centre of operations. Aes Sedai and soldiers alike are scrambling about independently, acting like rats faced by wolves. We need to stand together.”
Couldn’t have said it better myself. Not that that’s ever stopped me from spending a few hundred words trying…
It’s not just that they need to stand together, though. It’s that they need to work together, and delegate tasks, and understand that it’s not just about firepower here. That they need a centre of operations, and that means some of them hanging back from the fighting, in order to make that fighting more efficient.
And I like that it isn’t Egwene organising this. Because Egwene is so much better suited to doing exactly what she’s doing: leading from the front, by example, and demonstrating in highly effective fashion the importance of having battle-ready tacticians who can hold their own in the middle of a fight and respond quickly. Egwene is somewhat more of a tactician than a strategist, and in a way she’s an example of what the Green Ajah could and should be, because she doesn’t only consider herself, and she doesn’t approach the fight as an individual but rather as a leader, taking into account the other people around her and how they can have the most impact.
But she goes straight for the front lines; Egwene is not exactly a character to hold herself back from…anything, really. She’s not the sort of person who would be in Saerin’s role—before or after a battle, maybe, but not during one. So I like that we get to see the importance of both. That Egwene gets to be badass as the Amyrlin in battle, but we also get this quiet emphasis on how important it is for the rest of the Tower to come together, to figure out how to strategise as a whole rather than a bunch of individuals. Egwene is fighting for the Tower, but the Tower also needs to learn how to fight for itself in order to back her up, and follow that lead. And for that, they need not just a leader like Egwene, but people like Saerin who can fill those desperately needed administrative and strategic roles, and look beyond the divisions as Egwene has been trying so hard to get them to do.
I also like that Saerin explicitly acknowledges Egwene in her thoughts, because Egwene isn’t here—and shouldn’t be; she’s doing just fine right where she is—but this is largely due to her influence. She can’t play every role herself, and what she’s doing right now is probably the best thing she could possibly be doing, but this is why she’s been trying to get them to break down those barriers between the Ajahs and even between the sisters themselves. Because Tarmon Gai’don is coming, and they need all of those skills—not just the fighters, or the healers, or the strategists, or the historians, but all of them, contributing their individual strengths. Just as we see Saerin doing here.
“This is a disaster!” an angry voice shouted.
Katerine, at least fifteen minutes late and not even bringing Starbucks.
“How dare they strike here!” Katerine continued.
Yes, Katerine, we see what you’re doing. It’s something the Black Ajah has been frighteningly successful at: sowing this sort of discord and inward-looking righteous anger and doing everything in their power to keep the Tower, and the Aes Sedai within it, from looking past themselves and their status and superiority.
So she comes into this ad-hoc centre of operations trying to rile them all up, because that’s the best way to ensure that they continue to face this threat as no more than an angry set of individuals, rather than putting aside insult or anger or fear for a while in order to fight back.
“We need to scour the Tower and eliminate each of them!”
It’s such a transparent attempt to divide them, and yet they’re all so divided already that would probably work, if Saerin weren’t here to immediately stomp out the bullshit.
Saerin raised an eyebrow. “Since when did the Mistress of Novices outrank a Sitter in the Hall, Katerine?”
Katerine tries to play the Red vs Brown angle but Saerin’s response is excellent not just because Katerine is a pain in our collective arses and it’s nice to see someone give her the verbal slap in the face she so deserves, but because it completely…not just ignores but takes all the relevance out of their difference in Ajahs. Saerin is a Sitter and Katerine is not and they’re under attack and it doesn’t matter what Ajah they are.
It reminds me, really, of Egwene telling Adelorna that for now, Adelorna and the others must call her Mother and accept her authority (also can I just say as an aside how much I love that the title of authority claimed by a leader in the midst of battle is Mother? Like what a way to quietly and without even addressing it subvert military and battle gender expectations and stereotypes). Saerin’s doing a similar thing in the…centre of operations, such as it is. She claims authority through competence, and for now they have to just accept that.
This battle isn’t really about the Seanchan so much as it’s about the Tower having to confront some hard truths about itself, which means it’s a time when characters like Egwene but also characters like Saerin get a chance to shine.
Another boom sounded outside.
“Where do those keep coming from?” Saerin asked in annoyance. “Haven’t they made enough holes?”
They?
“No, Aes Sedai!” the guard said. “I think it was a blast thrown from within the Tower, launched from one of the upper floors out at the flying creatures.” “Well at least someone else is fighting back,” Saerin said.
OH YOU HAVE NO IDEA.
She doesn’t, does she? Of course she wouldn’t. Because the Tower is a mess and there’s so little communication and even those like Egwene and Saerin who are trying to coordinate an actual defence—either by enacting it with whatever resources they can reach, or by trying to form a central command hub—are isolated from one another, and no one knows what’s going on.
“It appears that there’s a second rallying point for the defence, and it’s doing very well.”
YOU DON’T SAY. Tell us more, Captain. Paint us a picture of Egwene being a force of light, a rallying point for the Tower.
Have I mentioned I love outsider POV? We’re not even seeing Egwene through any of these characters’ eyes but that almost makes it better, because as the reader you know who they’re talking about even when they don’t. You can watch them try in wonder and surprise to work it out, or to see Saerin take it in stride but also with a clear sense of relief and even excitement, and you know who is causing that, who is having that kind of impact. There’s a particular kind of delight as a reader in seeing other characters in some form of awe or respect or even just surprise or relief at what you know to be another character’s actions, but their reaction isn’t for the character, it’s for what the character has done. It’s for the awesome, even when they don’t know the source of the awesome, but as a reader you do and it’s wonderful. This is maybe a weirdly specific thing to love, but love it I do.  
“Where?” Saerin asked eagerly. “Specifically?”
“The twenty-second, Aes Sedai. Northeastern quarter.”
“What?” Katerine asked. “The Brown Ajah sections?”
No. That was what had been there before. Now, with the swapping of the Tower’s corridors, that area of the Tower was…
THIS IS EVERYTHING I WANTED IT TO BE.
This slow realisation, the amazement first at the fact that there’s a strong defence at all, and then wondering who and how, and then this gradual realisation that wait, wait…
It’s not suspense, exactly, because as a reader you know exactly who and how, but watching other characters realise is just delicious.
“The novices’ quarters?” Saerin said. That seemed even more ridiculous. “How in the world…” She trailed off, eyes widening slightly. “Egwene.”
I LOVE EVERYTHING ABOUT THIS SO MUCH.
This, this is why I absolutely adore outsider POV. It’s that sense of…triumph by proxy, that thrill of other characters realising, and really seeing Egwene for the first time in a new light, even when she’s not actually there. Perhaps even because she’s not actually there. Those moments when characters recognise something in another that you’ve known all along but seeing it through new eyes it’s almost like getting to see it again for the first time.
Also okay, I’m just a simple girl with simple needs, and so if you give me a character breathing another character’s name in astonishment and realisation, I will be happy.
It’s especially effective because this is what Egwene has been working towards for so long, and we’ve seen bits and pieces of it—of the way the other Aes Sedai see her shifting—but this is where it really seems to happen. Where someone like Saerin fully understands that this girl is no novice, that she’s not a wilfull child or a puppet manipulated into declaring herself Amyrlin. This is where, again perhaps because Egwene isn’t actually there, she and maybe the others can look past Egwene’s youth and her novice dress and see what they’ve been unable or unwilling to see before. That this woman is the Amyrlin, and she is a force to be reckoned with, and she will save the Tower by sheer force of will if she has to.
I also like how that realisation is coming right on the heels of a very different mood of outsider-POV-realisations-about-a-character with Rand. Mostly in seeing him through Tuon’s eyes, but even seeing him through Min’s when he burned Natrin’s Barrow. There, it was watching other characters finally realise just how terrifying he has become—or in Tuon’s case, you get the same impression because it’s her first time meeting him and what she sees and thinks about shows Rand in a very different light, seen through the eyes of someone who has not been watching him all along and doesn’t still see, at least a little bit, the boy from Emond’s Field.
And now you get the same thing with Egwene—the realisation that she is not just a girl from Emond’s Field claiming authority she doesn’t have, and that she is a force to be reckoned with, and that she’s so much more than they assumed her to be—but in every other aspect it’s opposite to what we see with Rand. And yet conveyed through the same techniques, and even with the Seanchan as backdrop, to some extent.
Now over to Egwene herself!
Egwene stood at an open hole in the side of the White Tower, wind pulling at her white dress, tugging at her hair, howling as if in accompaniment to her rage.
I do love these…Hero Pose Portraits we get of her. Egwene at the heart of the storm, wind in her hair and fire in her eyes. It’s a strong visual, and a very recognisable one. This is absolutely and immediately recognisable as a Hero Pose, and I suppose it’s a good example of how some tropes are tropes because damn it they work.
Her anger was not out of control. It was cold and distilled. The Tower was burning.
Are you tired of me drawing parallels and contrasts between her and Rand yet? Yes? Well, too bad.
‘Cold’ is definitely a description pretty strongly associated with Rand at this point, cold and hard and emotionless. And right at this moment, yes, Egwene is cold and calm and ruthless. She’s in the middle of a battle; she has to be. She has to be able to order the novices to form circles and fight with her, she has to be able to strike to kill, to bring down raken that may be carrying Aes Sedai captives. She has to be able to think, and to respond to the Seanchan’s attacks, and plan her own.
But the difference between her and Rand here is that Egwene uses that as a temporary state, and even then she doesn’t deny her emotions, or push them down so far that they end up stabbing her to death from the inside with their tiny spiteful knives (don’t lie to me, Rand, that’s exactly what’s going on and we both know it).
It’s like when she told herself steel yourself, Egwene, before reading through the list of dead ladies Black Ajah members. There are times when a measure of cold is needed. There are times to put emotion aside for later. But she doesn’t try to become that cold. She doesn’t try to become steel. She can harden herself to battle when she has to, and she does a bloody good job of it, but she’s not trying to flay herself into  a permanent state of it as a way of dealing with what she must do.
She can embrace pain, but embracing it also means accepting and acknowledging and feeling it, and understanding that her aims are simply more important than the pain. She can steel herself to harsh truth, but she also takes a few moments to work through the emotional turmoil it causes.
It’s an issue of moderation; Egwene seems to have found a balance of sorts, where Rand has gone to an extreme. She can access that place of calm, cold determination, but she doesn’t have to take up permanent residence there (which is good because wow, here I thought America’s citizenship path was demanding). And she has a very clear sense of why she’s doing this; it’s something she has chosen, and something she will fight for because she believes it is worth fighting for. The fact that she cares is what enables her to do this at all, whereas Rand feels like he has to not care about anything in order to reach a state where he can do anything.
She directed her anger—the anger of justice, the wrath of the Amyrlin.
She can be cold in the midst of battle, but she’s channelling her anger into that rather than denying it. She is not unfeeling, here; this is not like Rand so calmly and so quietly erasing a fortress with balefire, knowing it should terrify him and yet feeling nothing at all. She is angry and she accepts that anger and both the power and the consequences of it.
And I think maybe it comes down to choices, again. Egwene can kill for the Tower because she chose her role; she may not actually want to kill people but it doesn’t threaten to destroy her when she has to, because she accepts it as part of the path and cause and role she has chosen. Not that she specifically chose the killing people part, or necessarily would have, but I think she doesn’t see it as a duty she is forced to bear, a role she is forced to play, blood that is demanded of her. She chose the Tower and she chose to be Amyrlin and she chose to leave Emond’s Field and she chose to be the person she is now and give herself to this cause, and so if this is part of it, well, then, that is what she will do. It feels like one of those lines that is both vast and yet so small, just a matter of perspective and nuance, and yet it makes such a huge difference to almost everything.
She was a fount of Power, drawn from deep within the fluted rod in her hands, channelled through a group of novices and Accepted hiding in the room behind, bound to her in circle. Egwene was part of the fires that burned in the Tower, bloodying the sky with their flames, painting the air with their smoke. She almost seemed not a being of flesh, but one of pure Power, sending judgement to those who had dared bring war to the Tower itself. Blasts of lightning stormed from the sky, the clouds churning above. Fire sprouted from her hands.
This is absolutely beautiful, and so, so similar to how Rand was described, as a force of Light, a being seemingly made of light and Power rather than flesh, channelling through a ter’angreal that shone in his hands. And at the end, fire.
It’s such an eerily similar description, and it carries the same beauty and power, and yet the context and therefore feeling it evokes is so completely different. These are the parallels I love, where the scenes are almost mirrors of each other, where the actions or situations are almost identical, and yet a simple shift in perspective or sense of agency or reasoning can make it look completely and utterly opposite.
With Rand, this image was one to evoke a sense of quiet horror, beauty and yet terror, a pause before the step across a line, the sort of silence and blinding power and then act that leaves no breath or words for making sense of what has just happened. But now, the almost identical image is one of wrath and justice and power and triumph—there’s a harshness to it, yes, but it’s all for a purpose, and there is no silent gaping absence of emotion, no moment where it seems the whole world is drawing in in horror before the release.
With Rand, the eeriness came in part from the complete absence of violence in the description. It was just beauty and power and then…that. Whereas with Egwene the violence is a part of it; the description is beautiful and she is a being of power but we have fires the burned the Tower and bloodying the sky and painting the air with their smoke and blasts and churned. There is no denial of violence here, just as there is no denial of the emotional aspect of it. This isn’t quiet the way Rand’s scene was, because nothing is being muted or suppressed here. There isn’t a sense of absence, or of something vital missing. There’s just violent, terrible, beautiful power and triumph and anger and desperate defense and vengeance and justice. No, it’s not kind. But it’s not meant to be. And so it has none of the eeriness of A Force of Light, none of the growing horror at how soft and quiet everything was contrasted with what it was.
And I like the nod here to the Amyrlin being one with the Tower, in the way we’re always given the Dragon as one with the land.
Perhaps she should have feared breaking the Three Oaths. But she did not. This was a fight that needed to be fought, and she did not lust for death—though, perhaps, her rage against the sul’dam approached it. The soldiers and damane were unfortunate casualties.
The White Tower, the sacred dwelling of the Aes Sedai, was under attack. They were all in dagner, a danger greater than death. Those silvery collars were far worse. Egwene defended herself and each woman in the Tower.
Okay, I’m glad we at least got some acknowledgement that this is on the fuzzy side of compliance with the Three Oaths, though I’m still surprised Adelorna didn’t even think about it.
For the record, I have absolutely no problems with what Egwene is doing; the Seanchan attacked first, and they’re attacking to capture or kill, and if Egwene can spin that into defending her life and the lives of all the Aes Sedai in the Tower in order to comply with the oath against using the Power as a weapon, great. But it is definitely in a slightly grey area of that particular oath, so I’m glad we’re seeing some awareness of that.
And…yeah, she’s not killing because killing is fun, but she’s also not going to be torturing herself with the blood on her hands after this. Would she have chosen this battle? No. But it’s here and this is the role she has chosen, and so this is a part of what that means, and she can accept that. Even somewhat coldly, in the moment—but again I don’t think it’s a complete absence of feeling so much as an acceptance, and a lack of…heaping unnecessary pain on herself because of the things that she has to do.
(And I’m just going to continue to ignore the ‘worse than death’ thing because I said so).
The attackers prepared weaves to strike her down, but each time Egwene struck first, either deflecting the balls of fire with a blast of air or simply bringing down the to’raken who carried the women trying to kill her.
A one-woman anti-aircraft gun.
Something I really like about this fight is that it doesn’t shy away from the fact that Egwene is in battle, with a body count, aiming to kill. It’s something that often is…avoided…with female protagonists. Implied, sometimes, but often euphemised or glossed over or never really verified on-screen. A bit like how we see Aviendha, actually; she’s a former Maiden of the Spear and it’s kind of assumed that she has been in fights and has killed people, but it’s definitely told more than shown. So you get a fair amount of that (and then there’s Tamora Pierce, doing the Good Work and providing all kinds of Ladies With Swords content), but this is definitely more rare.
And yet Egwene gets to have that, and it’s not written as a stain on her character, or as something that’s going to cause an existential crisis. It’s just who and where she is: she is the Amyrlin and the Tower is under attack and she is on the front lines defending, and that means she is in a battle, and she is fighting and fighting to kill. Just as Mat and Perrin and Rand have been. And it’s not written differently because she’s a woman, or even written in such a way as to highlight that at all. It’s just written as a powerful main character in a battle for her life and the cause she’s defending.
Between Falme and Cairhien and now this, she’s probably in the running for second-highest body count after Rand (maybe third; Mat is almost certainly higher and it’s hard to say with Perrin), but it’s not made into a Thing any more than it is for any of them. Nor is she the seductress/femme-fatale type you often see with women who have blood on their hands. She’s just…a powerful character in a position that means she sees battle, and she’s really not treated any differently in that sense than the male characters in similar positions. Which I really, really appreciate.
Some would escape. But they would pay dearly. That was another goal. She had to make certain they never attacked the Tower again.
This raid had to cost them.
And this is the other thing I like: that she’s allowed to have this edge. She is fighting on the defensive, and out of necessity, but she is also approaching it as a tactician, and it is a battle, and could turn into an ongoing war. So she’s doing what she can to prevent that, which means making it cost them—which means killing them. She’s allowed that ruthlessness, just as she has always been allowed ambition; two traits that are sometimes hard to find in non-villain female characters.
Over to Bryne now, who is busy dodging a burning raken. Probably Egwene’s welcome gift to him; she’s a bit busy to send flowers.
It’s a shame Bashere isn’t here; he’d probably commandeer one and honestly I want nothing more.
Were the Seanchan running away from something or just looking for a fight?
Not something, Bryne. They are absolutely fleeing someone and I cannot wait for you to work it out. Because watching people work out how very capable and frankly terrifying Egwene is has been the best part of these chapters.
Well, aside from Egwene herself, of course.
I don’t want Bryne to admire Gawyn’s swordsmanship because that means I have to accept that Gawyn’s good with a sword and—okay, this sentence was actually going somewhere but it got derailed when I realised I was just diving headfirst into truly awful innuendo. Ow. Well, whatever Gawyn, Galad is still the better swordsman and Mat could take both of you with a stick and Lan could probably take all three of you without breaking a sweat and—yeah, no, that sentence wasn’t any better. I give up.
Gawyn unsheathed his own blade, on edge. “Look up there,” he said, and pointed with his sword. […] “By the Light…” Bryne whispered, focusing on the gap. A solitary figure wearing white stood in the Tower’s rent.
AW YEAH.
The theme of this chapter is whispered awe at the sight or even realisation of Egwene and I am here for it.
And yes, Bryne. By the Light indeed. Even more so than you meant it, I think.
It’s just SUCH A GOOD IMAGE, a solitary figure in white, alone and yet the essence of the Tower itself, as it should be; the Amyrlin even dressed as a novice, standing in a fracture in the Tower because she is the one holding it together, holding its attackers at bay.
It was too distant to make out her face, even with the spyglass, but whoever she was
ARE YOU SHITTING ME. ‘Whoever she was’? Surely one of you at least has a fleeting suspicion at this point?
Whoever she was, she was certainly doing some damage to the Seanchan. Her arms were upraised with fire glowing between  her hands, the burning light throwing shadows across the outer Tower wall around her.
Setting aside the fact that her boyfriend and her general can’t seem to recognise her, I love all these glimpses we get of her throughout the battle. We only see briefly from her POV, but to those who see her…the descriptions are all in this mode of the heroic bordering almost on the divine. A force of light and power, a solitary figure in white, arms upraised and fire in her hands, a symbol of strength and determination and everything the Tower should be. And she is always met with awe and almost wonder; it’s such a great way to show a character coming well and truly into her own in the eyes of those around her.
Except, apparently, for Bryne and Gawyn, who still don’t even consider that it could be her. WHO THE FUCK ELSE WOULD IT BE?
I am Disgruntled.
(Also, the burning light throwing shadows is again so similar to the description of Rand in A Force of Light that it’s almost hard to tell the quotes apart…and yet while the visual imagery is the same, almost nothing else is. On the one hand destruction, and on the other, salvation).
The badly wounded would be abandoned into enemy hands, but they had been warned of that possibility before coming on this mission. Recovering the Amyrlin outweighed all other concerns.
Except by ‘enemy’ he means the Tower and not the Seanchan, and he looks at the whole battle against the Seanchan as a distraction from their real purpose, and really none of them should be enemies and he just saw the Amyrlin and she certainly did not need recovering and really…everything is wrong here. None of them should be fighting, and yet they are, and all sides or contingents involved have a different thought as to who the enemy even is, and it’s just confusion and chaos because none of this should be happening at all.
“And if you’d been recognised?” he demanded. “Siuan, these people tried to execute you!”
She sniffed. “Moiraine herself wouldn’t recognise me with this face.”
Wow, okay, I’m not sure why this hit me the way it did but something about the fact that she so reflexively uses Moiraine as the reference point her …as far as Siuan knows, Moiraine is dead, and yet she has for so long been the person Siuan was closest to, the one other person who shared their secret for twenty years, her best friend and onetime lover and just the way she says it, ‘Moiraine herself’, without seeming to even think about it…I don’t know, it came out of nowhere and yet of course that’s what she would say and suddenly I’m a little bit sad.
There are a lot of reunions—or even first-time meetings—I’m hoping for before the end, but Moiraine and Siuan are very high on the list. They are the only ones left of the ones who began this, and I just want them to have a moment to see one another again and be able to share that knowledge of how far they have come and all they have done, even if it’s bittersweet, and maybe even get to finally lay that duty down and look ahead to a life in this world they’ve given so much of their lives to save.
Anyway she’s found a novice who should at least be able to tell them what’s going on, and by ‘what’s going on’ I mean ‘that Egwene is a badass and they don’t need to rescue her because she’s busy rescuing the entire Tower, so maybe they could just go help her out with that’.
“The Amyrlin, Egwene al’Vere,” the novice said in a quivering voice. “She was released from the cells earlier today and allowed to return to the novices’ quarters.”
And the novices’ quarters aren’t where they were, so there’s still some reason for Siuan and the others to not immediately put two and two together to make ‘Egwene is a badass and they don’t need to rescue her because she’s busy rescuing the Tower, so maybe they culd just go help her out with that’ but the fact that still none of them have even considered the possibility is DRIVING ME MAD.
“But she’s probably up on the twenty-first or twenty-second level somewhere. That’s where the novices’ quarters are now.”
Okay, no more excuses.
AND YET. THEY STILL. DO NOT EVEN THINK. THAT MAYBE THE GLORIOUS AND TERRIBLE WOMAN WITH FIRE IN HER HANDS AND A WHITE NOVICE DRESS IS THEIR AMYRLIN.
I am, of course, most disappointed in Gawyn who should be the one going ‘Wait! What if that was Egwene! My girlfriend is awesome and capable and maybe she’s managed to find a way to fight!’ but instead goes straight for ‘We’ve got to reach her!’
He was the one who pointed her out, even. Worst Boyfriend of the Year.
I cannot believe I have been forced to a point where I wish that, if she had to choose one of the Brothers Arthurian, she had chosen Galad. I resent this.
“You’re here to rescue her, aren’t you?” The novice sounded eager.
Bryne eyed the girl. Child, I wish you hadn’t made that connection.
What, you thought there was even a slight chance that she wouldn’t? With you storming into the Tower and talking about Egwene and immediately saying you have to go and find her? Just because you three are all being as dense as bricks about what’s right in front of you doesn’t mean everyone else is.
As much as I loved the way Saerin’s realisation that Egwene was the one organising the fight against the Seanchan, the astonishment as she said Egwene’s name and understood what was happening? That’s how much I’m annoyed at seeing Bryne and Gawyn and Siuan fail to realise the same thing.
Especially because really, they have just as much information as Saerin did, and she worked it out. More information, even; they’ve actually seen Egwene, even if they couldn’t make out her face. *Shakes head* I’m not mad; I’m just very disappointed in the three of you.
Pause for a quick Healing break because this lot have brought swords to a One Power fight.
Would [the Tower] ever be the same again, or had a seemingly eternal monument fallen this evening? Was he proud or grieved to have witnessed it?
This, I like, because it’s one of the threads running through this whole chapter—and, really, through most of the series, especially since The Shadow Rising. Now, though, the cracks that have spidered their way up the Tower are made plain for the world to see, thrown open beyond anyone’s ability to hide. It’s that destruction of the illusion of invincibility, which can utterly flip entire worldviews. The realisation that something once considered untouchable is just as vulnerable as anywhere else, and I am…somewhat put in mind of an aspect of a nation’s response to fall of another (set of) tower(s); a lot has been written about the realisation of vulnerability that caused, and the effect it’s had on the sociopolitical landscape of the entire country pretty much since then. There’s definitely a paradigm shift that occurs with that sort of realisation or fracturing of worldview.
I like Bryne’s…confusion isn’t the word I want but it’ll have to do…at whether he feels proud or grieved to be seeing this. He’s not really a part of the Tower—I mean, he serves a claimant to the Amyrlin Seat and he’s bonded now to a former Amyrlin and his focus has been on fighting to reclaim the Tower, so okay, he’s got some ties there, but he’s not Aes Sedai, and he’s not from Tar Valon, and for most of his life he has been no more tied to the Tower than anyone on this continent. But it’s been a constant throughout all that time; love it or hate it or fear it, the Tower has been the Tower for as long as anyone alive can remember. So to watch this…there could be a sense of pride, or perhaps of justice or vindication in seeing the arrogance of the Aes Sedai brought low. But at the same time…it has been a constant, and while the Aes Sedai are far from perfect, what does it mean for the world if they are show to be truly fallible? If the Tower can break, what else will follow? It’s the sense of an ending; it’s one thing to know Tarmon Gaidon is coming, but another to watch as a symbol of your time is destroyed.
No time for philosophical pondering, though, because he has to go stab a guy.
Was this one of the Bloodknives? It certainly looks to be; pity that didn’t help him against a Warder’s reflexes.
Assassins. They always seemed to look the same, regardless of the culture.
This feels like an author poking fun, and I had to laugh.
“Min,” Siuan said, sounding tired. Those Healings seemed to have taken a lot out of her. “She said I had to stay near you.” She paused. “If you hadn’t come tonight, I would have died.”
“Well,” Bryne said, “I am your Warder. I suspect it won’t be the only time I save you.” Why had it grown so warm all of a sudden.
“Yes,” Siuan said, standing up. “But this is different. Min said I’d die, and…No, wait. That’s not what Min said exactly. She said that if I didn’t stay close to you, we’d both die.”
And she proceeds to pull a poisoned needle out of his arm. So Min was right, but her viewing only ended up being true because she told Siuan about it, because if she hadn’t, then Siuan wouldn’t have paused to think about it and about the other half of it, which implies that—okay, no, that way lies brain-pain. Do Not Think Too Hard About Foretellings And Prophecies: rule number one of reading fantasy (without falling into an infinite loop).
“But I wouldn’t have been poisoned if I hadn’t come!” “Don’t try to apply logic to a viewing or Foretelling like this”
It’s like you read my mind, Siuan. Or, more likely, Sanderson. A little nod to the nature of the genre, there?
Egwene sat, exhausted, on a pile of rubble, staring out of the hole in the White Tower, watching fires burn below.
I love that this is how we begin her POV here. We’ve seen her glorious in battle, full of cold anger and justice and determination, we’ve seen other characters look to her in awe, and the Seanchan have fled from her…
And, in victory, all we see is exhaustion. Exhaustion and the aftermath—the Tower is still broken, the fires still burn. They have won, but there is a price.
It’s such an excellent contrast to the imagery and mood from the battle itself, and it’s perfect in the way so many of the battle-aftermath scenes have been in this series. It’s that sense of…only a battle lost is sadder than a battle won.
She has fought, and she has won, but while there was a sense of triumph and strength in the moment, now there’s just…exhaustion and rubble. They’ve won, but it has taken so much, and they’ve taken wounds, and it’s not truly over. And like so many battles in the series, it wasn’t even against the Shadow; it was against those who should not be enemies and yet are, because they cannot find common ground.
And…I just realised something. This was Egwene’s parallel to A Force of Light (well, parallel and inversion) but it was also her Dumai’s Wells. The Seanchan are, in a way, her Shaido; the Shaido were the catalyst for much of Rand’s early arc and steps along the path that led him to where he is now, and at Dumai’s Wells he broke free from the box he was kept in and found himself surrounded by them and thought They will pay. I am the Lord of the Morning. And then he destroyed them—or, commanded and witnessed their destruction until he couldn’t take it anymore and they fled—in a vicious battle that ended in definitive but pyrrhic victory, as well as Aes Sedai swearing fealty to him.
Meanwhile, the Seanchan were the catalyst for much of Egwene’s early arc and steps along the path that have led her to where she is, and now she has just been freed from the box-like prison cell where she was held and beaten, and she finds herself surrounded by the Seanchan and thinks They would pay dearly. This raid had to cost them, and destroys them with fire and the One Power resulting in victory, but one that comes at the high cost to the nearly-destroyed Tower, but has led to Aes Sedai accepting her authority and seems likely to lead to Aes Sedai acknowledging her as Amyrlin.
Though, of course, there’s the usual inversion of tone to a certain extent; this doesn’t feel like Egwene’s darkest hour, even with the exhaustion and destruction that follows. But I think the point is that it so easily could have been, that so much depends on perception.
It’s also just a really cool set of parallels.
A few sisters weaving Air or Water could make short work of the flames, preserving the Tower. What was left of it.
Egwene closed her eyes and lay back, resting against the fragments of a wall, feeling the fresh breeze blow across her.
Here, again, we get a sense almost of the Amyrlin as one with the Tower. Victorious, technically, but beaten and exhausted and still burning, unable to do anything but lie back against the fragments of what was. With the wind, of course. Of course a wind rises, here.
Egwene wanted to help. A part of her did, at least. A sliver. But Light, she was tired! She couldn’t channel another trickle, not even using the sa’angreal. She’d pushed the limits of what she could manage. But she was so worn out now that she woudn’t be able to embrace the Source if she tried.
Oh, Egwene. It is a heavy mountain to carry, even if it is one she has largely chosen, or believes she has chosen. But she has been through so much in the last…well, twelve books but particularly the last few weeks, and she just faced the strength of the Seanchan while barely able to channel unaided, and still the Tower is broken and still there is more to do and she wants to help but there are limits and she is far past them.
Not that that always stops her, but…there’s a sense here not quite of despair but I guess that she’s been doing too much of this alone for too long. She’s held the Tower together and defended it all while those within it have tried to break her even as the Tower itself was breaking—the Tower is one with the Amyrlin and the Amyrlin is one with the Tower—and maybe now it’s up to some of them to put the fires out. To begin the repair. To help her hold the Tower together, because there’s no point if they don’t join her; there’s no point in her holding it up if the Aes Sedai don’t rally to the same cause.
And so perhaps it’s not up to her to help, here. She has done what she can for them, and she will continue to do more, but right now it’s time for them to take some steps of their own, to decide whether the Tower will in fact be saved, or whether they will let it fall.
She’d fought. She’d been glorious and destructive, the Amyrlin of judgement and fury, Green Ajah to the core. And still, the Tower had burned.
This is so, so lovely. I love that glorious and destructive are the words she chooses. There is absolutely a salvation/destruction duality to what she has done here, and I’m not even going to parallel it with Rand’s own entire character and story of salvation and destruction, but instead I just think it’s perfect for her situation and for the Tower itself.
She fought, and fought beautifully, and despite all her power and determination, the Tower burned. Because it can’t just be her; for the Tower to stand, it has to be unified. There is only so much she can do alone, and until the others truly join her and decide for themselves to save the Tower, she can only just hold it together, no matter how strong she is. She can lead, but only if they decide to follow. Otherwise she is holding together an empty shell of a memory of a possibility.
I just love aftermath scenes.
So much.
Especially the way they’re done in this series. Joyful or despairing, gloriously alive or exhausted, bittersweet or just bitter, triumphant or anticlimactic, they’re so varied and yet so perfectly suited to what they follow.
Egwene has done everything she possibly can and more, and yet the Tower is still crumbling around her, and so this almost-despairing exaustion is perfect, because what more can she do? Alone, nothing. And yet she can’t give up, can’t stop trying.
The White Tower was broken, physically now as well as spiritually. They’d need a strong leader to rebuild. The next few days would be pivotal. It made her more than exhausted to consider the work she’d need to do.
I’ve talked a lot about how Egwene is a hero-by-choice rather than a Chosen One, but I like that she gets to have these moments where…despite all of that, sometimes it’s really fucking hard. She belives in what she is doing, and embraces her role, and has a sense of agency that many heroes lack because she did choose, but that doesn’t mean she can’t be pushed past the limits of her own endurance. It doesn’t mean she is immune to despair or to doubt or to sheer tiredness. So much has been asked of her, and she has taken so much upon herself, and there’s still so much more to do, and she’ll do it, but right now…well, I can’t blame her for wanting just a few moments to rest.
She had protected many. She had resisted and fought. But this day would still mark one of the greatest disasters in the history of the Aes Sedai.
Can’t think of that, she told herself. Have to focus on what to do to fix things…
You can almost see her all but physically dragging herself out of that beckoning despair. She’s done everything, and still it’s not enough.
She has saved many but what will be remembered is the destruction, and oh, how familiar that sounds. It’s Rand after so many battles, after so much death and pain and people who hate him for tearing nations apart because it’s the only way to save the world. It’s Rand as a figure, hated and feared and yet the world’s hope for salvation. Seen as a monster but demanded as a saviour. It’s the duality not just of salvation and destruction but of perception and reality, of achievement and cost.
She fought and was glorious and still today will be remembered as a disaster, and how easy it would be to give in to that, to let it drag her down, but she can’t and so she pulls herself back up because if she doesn’t, then they are all lost.
She would get up soon. She would lead the novices and Aes Sedai on thse upper floors as they cleaned up and assessed the damage. She would be strong and capable. The others would be tempted to fall into despair, and she needed to be positive. For them.
And for herself. In a moment, she will be the Amyrlin again…
But she could take a few minutes. She just needed to rest for a little while…
And remember a girl named Egwene al’Vere…
Oh, Egwene. You can only do so much alone.
She barely noticed when someone picked her up.
NO. NO NO NO NO NO.
She tiredly opened her eyes, and—thought numb of mind—was astonished to find that she was being carried by Gawyn Trakand.
I DO NOT WANT THIS.
“I’ve got you, Egwene,” he said, glancing down. “I’ll protect you.”
DO YOU EVEN KNOW WHAT SHE HAS DONE? DO YOU? ‘I’ll protect you’ IT’S A LITTLE LATE FOR THAT, SHE’S ALREADY SEEN TO THAT HERSELF. And not just protecting herself but the whole damn Tower. That’s why she’s tired, Gawyn, or hadn’t you noticed? Do you think she just…decided to nap through the battle or have you finally figured it out?
And she doesn’t want to be ‘rescued’ but she’s too tired to say anything and I’m so very indignant on her behalf.
“They just left her there, Siuan,” Gawyn said. His voice was so nice to hear.
IS IT THOUGH? He still assumes she was just…left there. That she did nothing. That she was in need of rescue because of course she couldn’t possible be tired from having basically fought the entire damn battle on her own.
“Defenceless in the hallway! Anyone could have come upon her like that. What if the Seanchan had discovered her?”
WHAT IF
THE SEANCHAN
HAD DISCOVERED HER
I can barely breathe I’m laughing so hard at the wall of unintentional irony upon which I am now going to hit my head repeatedly.
Gawyn you idiot.
Seriously, the degree to which I find it frustrating when characters’ achievements go unrecognised by those around them is entirely proportional to the degree to which I love watching those around them realise or see those achievements. It is possible I am projecting just a little bit here, but I hate it when this happens—when a character does something astonishing but no one who is with them sees or knows or realises, and so they all assume that character is less than they truly are.
I destroyed them, she thought with a smile, thoughts slipping away from her. I was a burning warrior, a hero called by the Horn. They won’t dare face me again.
This contrast here, between his complete lack of even the slightest thought that maybe she was involved—he doesn’t even consider it, just as usual goes straight for the option that accords her the least agency or competence possible, because what more would someone want in a boyfriend—and her unspoken response. The knowledge that the Seanchan sure as hell discovered her, and it was to their grief that they did.
His denial of her competence and her own certainty of it, her own quiet triumph that goes unrecognised by her own strongest allies.
But not by those in the Tower; Saerin realised who she was, and the novices she was with know, and Adelorna was with her. They know what she has done. And Egwene herself knows, and holds to that knowledge.
I like that she gets to have that line, too. That she gets to take pride in what she has done, even if parts of it were terrible, even if she is so tired she can barely think, even if the Tower is broken despite all her efforts. I like that she gets to have that kind of confidence and that she doesn’t have to belittle her accomplishments. Because she was fucking awesome, and she should get to say so.
Called by the Horn is an interesting thought for her to have, by the way.
She distantly heard Siuan’s voice. “What’s this? Light, Egwene! Where did you get this? This is the most powerful one in the Tower!”
“What is it, Siuan?”  Bryne’s voice asked.
“Our way out,” Siuan said distantly.
It’s also really the last puzzle piece you should need, to work out what exactly Egwene’s role in all of this was. Seriously, Siuan, if you and all your political and pattern-finding skill can’t put it together, I’m disappointed. Hm, I wonder what Egwene—who has been given forkroot and so can’t channel strongly—would be doing with the most powerful sa’angreal in the Tower, wearing a white dress and on the same floor of the Tower where Gawyn pointed out a woman throwing fire at the Seanchan. Probably just left ‘defenceless in the hallway’ to have a nap. Yep, sounds about right.
No! Egwene thought, clawing through her drowsiness, forcing her eyes open. I’m winning, don’t you see?
But they don’t see. Because for all that these three are the ones who should believe in you the most strongly—and two of them have shown themselves to be exactly that in the past, by helping you become Amyrlin in truth and acknowledging you as such, and by giving you the army and accepting your true authority—they apparently still see a defenceless prisoner in need of rescue.
It’s especially weird coming from Siuan—enough so that it almost seems out of character—because that’s really not so different from how Egwene appeared, to most, when she was with the rebels. At least until the declaration of war, she gave every outward impression of being the puppet child Amyrlin they wanted, naïve and powerless against the Hall and set up to take the fall if it all went wrong. And Siuan knew how much truth there was to that illusion.
Sigh.
Well, as soon as she wakes up I look forward to her giving them an earful.
And breaking up with Gawyn.
A GIRL CAN DREAM, OKAY?
I must say, though, that this chapter has made excellent use of outsider POV, across its whole range. We’ve had those moments of realisation from those who have seen Egwene, and even from Gawyn and Bryne who didn’t recognise her but were still awed by her, and last chapter from Adelorna who almost immediately understood and accepted her authority. And then we’ve had, too, the misperception of her as helpless, by those who found her after the battle had already been won when she’s too tired to do anything more. It’s a great way of showing the effect perception can have, and it also lends it this…kind of bittersweet sense of extraordinary accomplishment and the awe from characters like Saerin, but also the complete ignorance of characters like Gawyn, who don’t even know what an incredible thing she’s done.
It’s very well done, and such an interesting way to play it, even in the times when it’s INCREDIBLY FRUSTRATING.
All in all, a truly excellent battle. I sort of wondered whether, under Sanderson, the battles would continue in the standard of excellence but each in their own entirely unique way, because it’s something I’ve really, really loved about the series so far. And in this book, at least, that standard has continued.
Anyway, back to Saerin, who is also very tired.
There were a frightful number of dead, including over twenty Aes Sedai so far.
Yeah, I think this might have been what Min’s vision was about, back in TSR. I assumed it was the coup, when that happened, but I don’t think the death toll was nearly so high then. That’s impressive manipulation of foreshadowing and deception, if so.
And also, once again we’re seeing the cost of the victory. They’ve won, but not without a high price.
Saerin has definitely taken command of the administrative side of this battle and its aftermath, and seems to be doing a good job of it. I like it when relatively minor characters get a chance to shine this way.
It also feels like the beginning of…exactly what Tower needs, which is others stepping up to help—well, not just to help Egwene, but to help the Tower itself. To help her help the Tower. She cannot do it all herself, but now there are those who are finally following the example she has tried to set, and the unity she has tried so hard to foster. It’s the beginning of the Tower saving itself.
Where under the Light was Elaida?
Yeah, good question.
Also, where has Alviarin been in all of this? We saw Katerine, but Alviarin’s been conspicuously absent. Where was Mesaana?
Nobody had seen anything of the Amyrlin during the battle
On the contrary, Saerin. Many saw her. The Seanchan certainly did, by the light of the fireballs she was throwing in their faces.
Only three novices in Egwene’s group of over sixty had died? And only one sister out of some forty she had gathered? Ten Seanchan channellers captured, over thirty raken blown from the air? Light! That made Saerin’s own efforts seem downright amateur by comparison. And this was the woman Elaida kept trying to insist was simply a novice?
Salvation and destruction, all in one neat report.
Can you forward that report on to Gawyn and Bryne and Siuan, Saerin?
Oh shit is Elaida dead?
“The entire wall burst in, Saerin Sedai.”
Yeah, walls and rooftops are dangerous enemies in this series.
Oh. Okay. No, Elaida is not dead.
She’s on a raken with an a’dam around her neck.
That’s…uh…
Huh.
I’m not completely sure how I feel about that, actually.
On the one hand, there’s a certain sense of balance to both claimants to the Amyrlin Seat being taken against their will from the Tower at the end of the battle, with none realising until afterwards. In that sense, maybe it’s a way of handing the fate of the Tower to the Hall—Elaida has done her damage and Egwene has done what she can to heal it and now the Tower stands shaken and poised to tip one way or the other and it is up to the Aes Sedai themselves to decide whether the Tower will be saved or destroyed.
On the other hand…what a weird way for Elaida to exit that storyline, after so much has been built up there.
I’ll wait and reserve judgement on this until I see what comes of it, but that’s…an interesting development, for sure.
Also I really, really want to be a fly on the wall when Egwene wakes up.
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xtremedespair3d · 5 years
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Anime Spring 2019 Final Impressions + Plans for Summer
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My favorite anime season, Summer, is almost here! As for this Spring season, it feels like this was the most shallow season yet in terms of how many shows I watch. I usually watch over 10 shows total, with one or two every day, but now I only had Tuesdays, Fridays, Saturdays and Sundays to watch anime.
It’s more like I’m going back to the good old days where I watched one or two shows before I started watching like a crapton of shows since around 2016.
Regardless, this season still packed a couple of good titles (and one I really wasn’t fond of) that I can’t wait to talk about!
Before I rank all the anime I watched this season, I’m gonna address something:
In my previous Anime Winter 2019 post, after Kemurikusa 12.1′s release, I added this sentence: “ I don’t know how long this is going to be but I’m sure it could be a weekly release,” which I was hoping to see more of what happens next, well, lately I’ve been obsessed with wanting to see 12.2 because there was no way this was going to be just a one-off short given the cliffhanger, but a little while ago as of the writing/publishing of this post, I noticed this tweet from Tatsuki which I had it in my history, I reread the tweet and I just noticed that “there may not be 12.2″... WHICH I’VE BEEN OBSESSED WITH WANTING TO SEE 12.2 FOR NOTHING, I MIGHT HAVE FORGOTTEN ABOUT THIS TWEET OR I’VE NEVER USED GOOGLE TRANSLATE OTHER THAN THE MICROSOFT TRANSLATION FROM TWITTER... Oh well, I guess Kemurikusa 12.1 really is going to be a one-off short, I wanted to see more Wakaba interacting with Ryou, Ryoku and Riku, oh well, looks like we’re going back in full circle with Kemono Friends 12.1. I had to address this so I wouldn’t constantly update the previous post and nobody would have read it anyways (just like every post I make).
Anyways, sorry for making a long speech that drags the purpose of this post, so let’s get right to my rankings! Starting with my brand new tier list, then I’m going to explain what do their rankings mean:
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1.- Kimetsu no Yaiba: This is it. This is the GOAT of the season. I have become quite the Ufotable fan since the Fate specials with Emiya-san chi no Kyou no Gohan and FGO x Himuro no Tenchi, and now it was the perfect time to keep up with their recent projects, and I did not expect their next big TV project would happen to be a Shonen Jump series.
Not only I would expect the good old exact same animation from Ufotable from Fate, Tales or even Touken Ranbu, but they have delivered something MORE than that, they delivered like really wild new additions to their style, like the water splashes from Tanjiro’s attacks and stuff. They even started doing CG on the characters when they’re like really far from the camera, which it’s a first for Ufotable and I’m VERY impressed, I’m so impressed to the point where I’d really love to see a Ufotable anime with their inhouse CG 100%, I don’t care if it would look good or bad, I just want that to happen.
I was initially disappointed that they didn’t deliver this face (pictured) like I wanted, but later episodes are really bringing the hilarious faces from the manga (I really haven’t read much, but I did see an image in 4chan which compiles the hilarious faces in one image. I read the first three chapters and then chapter 26 just so I can see when does Inosuke’s face reveal happen).
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It’s even better that this is a two-cour series, I’m always really looking forward to watch Kimetsu no Yaiba every Saturday!
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Ufotable continues to be the GOAT! I don’t give a shit about tax fraud and stuff, they just keep going!
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10/10 - Rank: S++ - 100%
2.- Bungou Stray Dogs season 3: After seeing the film, Dead Apple, I was so ready to watch season 3 if this great series. And surprisingly this season only lasted for one-cour compared to the previous seasons (I always thought it was just like one season but with two-cour episodes and they just called it season 1 and season 2).
Anyways, I hope Bones will continue making more Bungou Stray Dogs seasons. Cheers to another great season of Bungou Stray Dogs!
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9.5/10 - Rank: S++ - 97%
3.- Isekai Quartet: This is the perfect isekai crossover I had hoped for, and thank god there’s a second season happening. Now, who are the new characters going to be introduced in that season as teased in the first season finale...? 🤔
9.5/10 - Rank: S+ - 95%
4.- Watanuki-san Chi No: To be honest, I really liked this one a lot than Virtual-san wa Miteiru. There’s just something about the production values(?) that makes this stand out and become way better than Virtual-san wa Miteiru, it’s doesn’t include much over-the-top craziness and stuff like that. Unlike Virtual-san wa Miteiru, this one’s classified as a “drama” (or dorama even) and it’s hard for me to classify this as an anime like Virtual-san wa Miteiru.
Why do I keep bringing Virtual-san wa Miteiru a lot? Well, I think we’ve come to the point where anime with Virtual Youtubers such as this and Watanuki-san Chi No is becoming part of the animation industry’s future. Instead of handdrawing the VTubers (which I would definitely prefer for a VTuber anime 100%), how about just using Unity?
Anyways, let’s go to the topic of Watanuki-san Chi No because I’m dragging this with all the Virtual-san wa Miteiru talk. Though, to be honest, there isn’t much to discuss here. It’s a slice-of-life show with three sisters (Played by Tokino Sora, Sarugakuchou Futaba and Hibiki Ao) and all kinds of random situations happen, that’s about it.
...You know, I think I should rewatch Virtual-san wa Miteiru. I don’t want to disservice how poorly made and wonky it can be, they’re trying to be really wacky as possible (but there are moments that did cringe me out but whatever), this and Watanuki-san Chi No could be one of my Top anime of the year.
By the way, there’s something I forgot to address on Watanuki-san Chi No. Yes, there are torrents, but surprisingly no one has done any subtitles for them and Crunchyroll or any other streaming platform has picked up this series (yet). And everytime I watch an episode of Watanuki-san Chi No, I want to subtitle the series myself.
8.5/10 - Rank: A- - 87%
5.- Attack on Titan season 3 part 2: Seems like the wait was quite worth it, this second part of the third season really delivered some really good plotlines, twists and everything. And season 4 is indeed coming out... and it’s going to be the last.
The planned release for season 4 is, get this, Fall 2020. It’s long ages away and I can’t even process how would WIT Studio be able to adapt the manga’s ending if it’s possible, because Fall 2020 sounds like a good time for the manga to have ended since, depending on when will it be.
I really hope this fourth season could be two-cour, or maybe even more if they can, they’ve come a long way from the long delay for the second part of season 3 only for season 4 to be one-cour to adapt little material, it would be a huge waste if that were to happen. And I really hope we won’t get an anime original ending or something.
Maybe it could be like a Tokyo Ghoul:re situation, where they started doing the anime adaptations when the manga was about to finish (or has already ended?), then the second season came and it adapted the finale. That could defintely work for Attack on Titan, except WIT would definitely adapt the manga properly, unlike Pierrot because they had no idea what to do.
Anyways, we’ve come a really long way to see Attack on Titan end, especially the anime. With the manga and the anime ended, what will it be for the future of Attack on Titan, or even Hajime Isayama himself?
8.5/10 - Rank: A+ - 86%
6.- Fruits Basket 2019: This remake of Fruits Basket, even without reading the manga or seeing the original anime, is definitely quite solid.
Speaking of the original, I started to feel like I wanted to the original just for comparison, but I don’t really feel like watching the original as much as like I did with Kemurikusa. Besides, there are some changes that I’m not too comfortable with in the original, such as minor details like character appearances, and a big one I recently found was Akito’s gender (she’s female in the manga, the original anime made her male), so I don’t need to watch the original and just stick with this one, instead.
Like Kimetsu no Yaiba, this one is going to be two-cours (or seasons?) too, so I’m looking forward to see the ending of the series adapted.
8/10 - Rank: B+ - 82%
7.- Miru Tights: This is one of the shows I legit have mixed feelings on but I don’t know why. I’m trying to find some logical reasons why I shouldn’t make a disservice for this show. Like, this series is supposed to be targeted for Yom and tights fans, which it’s fine, but I’m kind of too biased on stockings than tights, and secondly, there isn’t much of a story that’s supposed to have, all we can do is just watch tights, that’s all. The animation is really quite solid for a newly founded studio and for a 3 minute short series, and they made a pretty good job on recreating Yom’s art style really well.
If what I mentioned sound positive, then why do I feel mixed on Miru Tights? ...I honestly don’t know. 😂 
Maybe I’m on the same field as Virtual-san wa Miteiru, this is not for the faint of heart for normal people and such (I searched on YouTube and there was one akidearest video where, even from the title and description, I can tell that she’s confused. I’m not gonna watch the actual video, so I’ll let you watch and interpret from what you saw).
I’ve been expecting someone to ever say this, and it breaks my heart to say this myself, but... Yom, you’re better off doing only illustrations and never do an anime like this ever again.
At least the one thing I can highlight is that it can be viewed on YouTube with English captions and... uh... I just noticed that episodes 2 to 7 are... Privatized... (As of the publishing of this post, the series is up to episode 8)
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Okay, I’ve always been feeling mixed on Miru Tights for a while now, but now I have found an actual reason to HATE Miru Tights! Way to waste accessibility for Western viewers, TRUSS.
Some people say that it could be for the Blu-Ray release, I don't fucking believe it because they have uploaded these episodes and I already witnessed them all, how come they could privatize these videos for the BD release? And I can't even bother to care to support TRUSS at all.
Anyways, the other and BETTER highlights are that they actually made the Twitter accounts of two of the main characters featured in one episode. Yua’s account, Ren’s account. This is the kind of meta easter eggs I love to see. Things from in-universe that are in real life.
One last thing, TRUSS...
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6/10 - Rank: C - 64%
It definitely deserves these scores!
UPDATE - July 27th:
Now that the series has ended (and a 13th special episode is underway), my impressions on the series remains but I might have slightly changed a bit: This is the most boring anime I’ve ever watched in my life and I can’t stress enough on how TRUSS wasted their YouTube accessibility by privatizing... every episode...
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WELL, I’LL BE DAMNED!
Okay, forget about the whole thing about TRUSS privatizing every episode as a new one comes every week, problem solved! 👍
However, my impressions on Miru Tights still remains, it sucks. Not only I’m not the biggest tights person (as I’m mainly biased to stockings), the anime overall is very boring. It has some decent moments here and there and the animation is great too, but the series didn’t impress me and give me high hopes like I wanted to.
I wish I wasn’t this negative on the series but for some reason I feel conflicted about it.
One last thing to say: Getsuyoubi no Tawawa is way better than this.
UPDATE - July 30th:
I randomly checked TRUSS’ channel and... episodes 2 to 11 are gone once again. Jesus christ, this is unbelieveable...
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Literally as soon as episode 12 went live, all of the episodes were available, but now you just privatized the rest of the series again? I fucking hate you guys so much.
End of update.
And finally...
8.- One-Punch Man season 2: One-Punch Man 2 was destined to be my worst anime of the season, if not of the year, two seasons in a row (Kemono Friends 2 was my worst of Winter), and boy, it really delivered. The moment I heard that they were changing studios from Madhouse to J.C Staff, I always knew things weren’t going to be right and indeed happen.
There’s a lot to talk about what’s wrong with OPM2 and I can’t even process, let me get straight to the point.
For starters, the story of the season is relatively faithful to the manga. The next arc after the Boros starts with King casually walking, finds a monster and then King runs away freaking out that he’s not a real hero and stuff, that’s the first thing I caught on. I really can’t remember what I read from the manga for a long time, other than the Metal Bat vs Garou and, of course, the Miss Blizzard vs Do-S fights, but still, my point remains that story is faithful.
The story being close to the manga should be one of the things why season 2 shouldn’t be bad, but you’re wrong, let’s talk about the most important thing I’ve been looking forward to find out if it turned out to be good or bad: The ANIMATION.
The animation, well, the animation is not My Sister, My Writer-tier, or worse, Marchen Madchen-tier god awful, let’s get that out of the way. But it just doesn’t go in par with season 1′s visual style and everything. Let’s start with the metal textures because, look at this!
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The metal textures just look AWFUL, even worse when they’re in motion, they just don’t blend with everything else. Maybe they tried to emulate Murata’s style with the metal, but they failed miserably.
There are also a couple of moments that had some action but they’re ruined by motion blur, I wouldn’t like to judge their decision on why they’re doing this, I mean, dimming the screen down is one thing, but motion blur? That shit can get really confusing, and the first season never had these kinds of blurs, it’s always been more smear.
There was this one episode from the Metal Bat vs Garou fights that had a giant centipede monster that was fully CGI. Seeing CG in OPM is something I never knew I needed, but it actually looks really well animated and well blended with the background and visuals, this was one of the few decently animated moments from this entire season. (Here’s a GIF of it)
The later episodes definitely have some sakuga, but even so, they couldn’t even come close to redeem myself on being optimistic with this entire season, I just can’t forgive its existence in general.
One last thing to talk about the animation, THE MOST INCRIMINATING THING EVER, was to show this flashback from the first season and LOOK HOW THEY KEPT THE SEASON 1 VISUALS AND STUFF!
Everytime I’m seeing clips of the first season, it’s always so painful to see how awesome they were and then look at season 2, what a big downgrade.
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Voice performances and music are the highlights of this season. Though, in terms of the music... JAM Project’s opening for this season is SO DISAPPOINTING. I seriously expected something to top THE HERO!! or be around the same level of awesomeness as THE HERO!! and the Genos character song, Burning Blue ~蒼炎のソルジャー~ , but no, this opening is just boring. While at times it was stuck in my head, but it shouldn’t be somewhat catchy, I wouldn’t like to judge their direction too much, but come on...
And I think that’s pretty much everything I needed to discuss. Overall, I’m not really hoping for a third season of One-Punch Man, or maybe I do want it but with, you know, Madhouse? Just what kind of excuse was for the change of studio from Madhouse to JC Staff? All Shingo Natsume and Madhouse did recently was the new Boogiepop anime with mediocre character designs. But then there’s also the fact that this Monsters Association arc in the manga is taking forever to finish, so we might not see a third season in like another 4 or 5 years.
For some reason One-Punch Man 2 is still praised by Japanese viewers, I saw a screenshot of a NicoNico stream with over 80% of “I really liked it”, even ONE and Yusuke Murata still praise, which I don’t really mind if they like it, but we, Westerners, hate it to death because it’s just not the same at least in terms of animation. The story is mostly fine but it just cannot be told properly with poor animation. Season 1 may not be a perfect adaptation, as there are some things that doesn’t do the manga justice, especialy this, but it did have heart and some really clean animation that season 2 completely lacks.
At least the good thing to spawn from season 2 is more Miss Blizzard fan arts and started to give Do-S fan arts and cosplay. (I’m a simple person, don’t judge me.)
Another weird thing that this second season spawned is... a video game. Like, really? Why a video game of all things now? Not to mention that it has Boros on it, and this game would most likely cover the first season, which it’s been like 3 and a half years (I wish I could say 4 years but not without doing the math) and we’re already into season 2, which is what Bandai Namco is trying to capitalize.
Anyways, let’s settle this:
Ups:
+1: Story faithful to the manga, performances, soundtrack, etc.
+1: Few moments with decent animation.
Downs:
-98: The god awful animation and tryhard sakuga moments, even some action scenes ruined by motion blur.
Overall:
2/10 - Rank: D - 22%
At least One-Punch Man 2 deserves a bit of high score unlike Kemono Friends 2 which I gave it a perfect 0.
Let’s move on to the hottest titles I’m looking forward this Summer!
(Get it? Hottest, because... it’s Summer... and... it’s really hot... uh...)
1.- Girls’ Frontline short anime - Late July: I really want to watch this so bad and yes, it was supposed to be slated for a Spring release but nothing came of it, and I’m angry, but now we definitely have some more information that it’ll come out in Late July... As for Late July when ,exactly? As of the writing/publishing of this, there’s still no info about this series, hopefully they won’t delay it again until the Fall season with a definitive air date or something. (although, if they were, please make sure it’s going to be on October 4th)
Another interesting thing I just discovered was that I saw a random Japanese person tweet this GIF which kinda looks suspicious... I asked them where did they find it and they gave me the Imgur link, which happened to be posted on... JULY 16TH, 2018. HOW IS THAT EVEN POSSIBLE?!
I don’t know how long this anime has been in development, but for a scene to be leaked as a GIF in Imgur last year is quite something. A scene happened to be leaked but nobody has ever even talked about it, and with how long this has been in the making, only to be announced to Chinese and Japanese streams now really boggles my mind.
Anyways, I really hope I get to watch this Girls’ Frontline anime at long last, at least the one with the story characters like the AR Team and 404, the other one... speaking of which, I don’t think I’ve ever heard about that one either. What if that one is going to be this short series instead of the one with the AR Team and 404? Whatever it ends up being, just give me this Girls’ Frontline short anime series, please. I’ve been waiting so long not to watch it... or if it could ever get downright cancelled.
2.- Lord El-Melloi II Case Files - July 6th: Episode 0 from the Fate New Year in December 2018/January 2019 was relatively solid and I’m definitely looking forward to watch this series. The one thing that’s kind of holding back the interest is that, first off, this is going to be a two-cour series, which it’s cool, but the first cour is going to be entirely anime original, and then the second cour is going to adapt the first volume (or first couple? I can’t remember), like... isn’t that troublesome, especially for the Type-Moon community. At least the author, Makoto Sanda, is supervising the series, but is it really necessary to make an entirely anime original first cour and then the second cour to adapt the volumes? Was there some sort of proper communication or Makoto Sanda really wanted this?
I feel like there’s definitely some Fate anime fatigue going on, people might be getting burned out on these adaptations recently, Fate/Apocrypha and Fate/Extra: Last Encore, neither of which were kind of well-received. I really wouldn’t like to rely too much on opinions from the people I trust or I think way too highly of them, but if that’s what they feel, then I wish to stop talking to them in my entire life.
The thing is, I definitely started to have quite the hatred for fandoms and stuff, not only they could be annoying but I always picture them as hardcore elitists, extremists, etc. (Yes, I have that kind of an outlandish imagination), because I always feel like if I say something like I didn’t have problems with an adaptation, or that I really enjoyed it, I stan it, etc., I feel like I’m gonna get my ass contradicted and I hate when people do that to me. You should learn to respect other people’s opinions and let them have the right to enjoy things you don’t like. That’s why I want to be independent, I want to be alone and have all my interests to myself, instead of being in communities, because people tend to be really hateful on things I don’t care, I don’t have problems with or things I outright love. (I’m very sensitive about my tastes, okay?)
Anyways, I’m still going to watch Lord El-Melloi II Case Files, and then the Fate/Grand Order Babylonia series on Fall and so on. I just love watching Fate anime adaptations regardless of what people think of Apocrypha and Extra: Last Encore (Especially the latter because I have indeed played the original Fate/Extra game, while it did kind of freaked me out with the changes in a negative way, I’ve come to really like Last Encore, I might go so far that it’s an underrated masterpiece for the Fate/Extra players like me, who has high positive opinions on the games, unlike UQXveva sebz ECT Fvgr)
3.- Danmachi season 2 - July 12th: I wish I had seen the film before I start watching season 2. Hell, the film was even on Mexico, but I had to choose John Wick 3 over the Danmachi film.
UPDATE - August 9th:
Long after started watching the season, around the premier day, I had watched the movie which thankfully it got torrented, I thought I had to wait forever for the subs because movies tend to take so long to release, but now I don’t have to worry about it anymore.
End of update.
4.- Okaa-san wa Suki desu ka? - July 12th: I plan on watching this mainly for one thing: Recreating Iida Pochi’s art style faithfully, and from what I’ve seen in the trailers, JC Staff did a very good job, it looks solid. (At least this is one thing I forgive JC Staff for, unlike that piece of shit that is One Punch Man season 2)
So, with this isekai mom series, will we get an Ane Naru Mono adaptation some day?
5.- Fire Force - July 5th: I have never watched Soul Eater but this series is by the same person who did Soul Eater, with David Production doing the adaptation, from what I’ve seen and given that it’s David Production, this is legit giving me Cells at Work! vibes, this is like Cells at Work! but with fire fighters.
(Speaking of Cells at Work!, season 2 babyyy)
6.- Granbelm - July 5th: This little original project seems interesting. Well, probably the main selling point for me is the Re:Zero artist doing the character designs. Since this is an original anime with mecha, I hope the outcomes and everything turns well, because original mecha anime tend to be controversial. Look at Evangelion and even Franxx.
Watching the trailers, for some reason this kind of gives me Princess Principal vibes, but it’s not really like Princess Principal, unless I’m talking about interesting looking original anime with character designs by well-known illustrators. (Speaking of Princess Principal, when will we get updates from the 6 films and who’s going to be the new voice of Ange?)
7.- Dumbbell Nan Kilo Moteru? - July 3rd: I can already feel pain and regret from watching this because I recently decided to quit going to the gym because I was getting bored. 😂
8.- Tejina Senpai/Magical Sempai - July 2nd: I’ve seen some crossover/mash-up fan arts of the heroine and Hotaru Shidare from Dagashi Kashi and I believe that’s quite a lovely selling point. I was feeling 50/50 before but now I’m definitely feeling like doing it.
Why would the English title be called “Magical Sempai”, with Senpai being an M?
Thanks for reading this post, what is your anticipated anime of the season? And make sure you’re well hydrated because the world is fucking burning and I can’t stand a moment without having the AC on.
---
Carrd.
I can’t dividers on Tumblr anymore?! THAT SUCKS!!!
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polinalyapustina · 5 years
Text
Opera Criticism in ‘the Best of All Possible Worlds’ (Part 1)
Memoirs on My First Opera Season
This essay was published in Nemunas magazine on 21st of July 2019, translated into Lithuanian.
I’m now finishing my first opera season as an international opera critic. During this year I wrote about thirty reviews for three publications and started researching for writing two big articles about the problems of the industry. But the more I write about the opera world, the more problematic I find sharing my critical opinion.
Far behind repertory stagnation, gatekeepers, merciless directors, and other serious issues, we are quietly missing the crisis of criticism. And it’s nothing about unprofessional writers or loyalty to singers and opera houses.
It is about two most important components — the opinions and the medium for their distribution.
Here you can read a full version 
Part One: What’s on Us?
When I started to write about opera, I got an additional course in Music Theory from the University of Birmingham. I thought to refresh my knowledge was really important. So I could describe what I’ve seen more confidently. Go, watch, review. That’s an opera criticism, as is. And I’ve adored some perfect examples of this: complex, with numerous details about singing, acting, and conducting, balanced with special terms, and not confusing. And yet, they contained nothing on the background. Nothing, that could affect the industry as a whole.
Critics lacked complex vision. The reviews, sharing something more than a professional opinion about the performance — some conclusions made on the basis of experience and confirmed by what’s just been seen were very rare.
But isn’t it a responsibility only opera critics could take? To watch and to estimate the general progress of the entire industry. Aren’t we those who have both a proper knowledge and an ability to describe and discuss problems in the best way? Why most of us, critics, avoid doing this?
When I see another performance, I always recall some previous operas I’ve seen and find connections. Together they always reveal some common issues. Something bigger than a particular production. And sometimes I do spend half of my article to discuss this notable problem. Though I never judge. I try to ask questions. I try to represent different perspectives as I see them. I can find a topic for a separate article after every performance I’ve seen in my life, but should I? Should I write another big piece, trying to catch attention to this problem out of nowhere, when I have a vivid example illustrating my thoughts? So I find it more accessible for an audience [and accessibility is extremely important] if I include those related topics in my review.
I’m not saying, put your extra thoughts in your every review. I’m saying, show what you have more. In your articles, in your lectures, in your talks.
Don’t you feel like this or don’t you feel like doing this?
You will say, I know you will because I had some talks like this before, that you haven’t noticed any trends besides some obvious. I’ll say — you need to study. You’ll say that you’ve been doing this job for 20 years and my approach doesn’t work for you. I’ll remind you that the world is changing, and the art is reflective.
I’ll ask you to tell me about #metoo in perspective of opera. You’ll say about women in the industry, about those who’s been hurt. I’ll ask if that’s it. You’ll remember some miserable female characters, nothing related to the general progress of the industry though. I’ll agree. I’ll ask about Calixto Bieito. You’ll roll up your eyes. Easy! He’s a monster! There’s always something offensive in his violent productions…
I’ll recall November evening in 2018 when I rushed into Opera Bastille straight from an airport. With the last call, I was making my way through the line of opera critics to my seat in the middle of a row. I was a black oversized sweater, messy hair, tired, carrying my backpack. They were noble, refined, male, fifty plus. They had estimated me. And they were right, I was different.
That was opening night of “Simon Boccanegra”, a new production by Calixto Bieito, featuring Ludovic Tezier and Maria Agresta.
“…In his production, Calixto Bieito decided to add and highlight the character of Maria Fiesco. When you see her in the prologue, Jacopo Fiesco drags a plastic sheet with a girl on it. She is still alive. She seems no more than a victim of his. She is moving but isn’t resisting. […] In the next scene, she is already dead, but stands up and starts her senseless existence on stage almost all the time, half-naked, receiving just anxiety or ignorance from everyone else. Even Simon, after his own death, heads toward her but also abandons her.”
That’s how I later described the most offensive part of this production. My colleagues did the same. And then, they were stuck. As they were stuck during the premiere.
One of the critics questioned loudly during the interval, “Isn’t it disgusting?” “Offensive,” I corrected quietly to myself. My neighbor leaned to me, “Do you know, what to say about it? How to justify your opinion against the big name of the director?” “I do,” that was a promise. “I’m happy you’re here then, we need you to say something,” he left me pop-eyed.
So I would conclude the description of that performance and quite likely the whole review with questions on eternal values in the modern world — in the opera world, expecting if not to start a dialog, then to provoke some thoughts:
“A woman, a lover of the main hero, a mother of his beloved child, a great loss for her father, a symbol of memories. Maria represents all of these virtues in the libretto itself. But here we see her as a victim, before and after death — weak, ignored, with no goal and reason to exist, naked, autopsied and surrounded by rats on the curtain during the interval. What this representation was supposed to mean? Is it the image of a woman we need in contemporary opera? Moreover, how does this support the themes of unity that encapsulate the opera itself?”
No one else asked any questions or did any conclusions in their reviews. They were short. They punctuated: Terrible. Disgusting. Wasted. And then, they returned to describing a beautiful singing.
I wasn’t sad, because I remembered us walking down the stairs after the performance. I was sharing my ideas modestly, my colleagues were promising not to copy. I wouldn’t mind, and yet they wanted to share their own opinions.
Suddenly, one of them asked, “What should we study about that?” I was glad to hear this question. I said, “You should study the modern world.” We laughed, and he asked for something “petite” to start. I suggested #metoo but in art perspective. “And then,” I added, “rotate those terms. And study more.” Short and easy to remember. Not that easy to do.
But I assumed they would find what to say next season. And I had to rotate the perspective already in a month, talking about how weak argumentation could harm feminism on the example of a new production of “Otello” at Bavarian State Opera.
“The character I really feel sorry for is the victim — Desdemona,” — [director Amelie] Niermeyer said. I wonder, why having all the instruments to highlight any shade of Desdemona’s personality, the director decided to show this proud, true, and noble woman as just a victim, deserving pity?
Perhaps, Niermeyer tried to bust the problem, depriving it of “unnecessary details.” Details like a social context and love itself. And what was shown was just darkness with no shades.
Instead of blackface, the director turned the whole opera into black.
In this review, I had to defend a historical and social context, proving that you cannot change the source for the sake of your ill-conceived ideas. I also advocated feminism as a reasonable and relevant idea against what was showing in the performance.
After the first half of a season, I caught myself thinking I was writing on women’s right way too often. I didn’t want to be branded this way. But instead of avoiding the topic, I decided to study more and open my eyes to the bigger picture. Indie opera, local theatres, new approaches. And this worked out perfectly.
There would be many general problems to discuss in my followed reviews: the big topics of the small operas, the importance of the inner match to the role, the external perspective of the directors, acting and dramaturgy, sustainability, national mentality, popularity and status, experiments, and gatekeepers.
Also, many of them would lead to the greatest one — the lack of open communication in the industry. Solving this problem would be the long-run objective of my future research.
But even before reaching this goal, I see clearly — an opera criticism is an essential tool to build these connections, but only if we use it to the full.
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thecoroutfitters · 5 years
Link
How to Create a Strong Thesis Statement
Bad news very first:
You won’t to have A for the writing project if it hasn’t got a thesis statement. It is one of the first items your mentor looks for and a second of the major factors on your grade.
And this also is where most students talk to trouble:
‘What does it really mean to write any compelling thesis statement? ‘
‘Where must put it? ‘
‘What is usually its framework? ‘
‘How should I write it, often times? ‘
Calm down! Good news is actually on its way:
Here is info here to spellout everything on plain French and promote actionable strategies with you technique write solid thesis claims for your academic papers.
Right here we move.
So , just what is a thesis statement?
It’s a sentence in your essay or two all the summary of your papers that explains a core claim you may discuss together with prove throughout each of the right after paragraphs.
Attention, you should!
Usually do not confuse thesis statements with introductions! Some thesis closes your release rather than alternatives it. Hook readers very first, then add your niche, and only then simply state a thesis.
A land. Write a good opening sentence capturing readers’ attention.
A topic. Notify readers within the focus of your own personal essay.
A thesis. State your individual opinion on the topic.
In other words, is it doesn’t heart to your essay. It all explains towards reader what your paper will likely be about.
Precisely why it’s important
Initially, a strong thesis statement has a bearing on your teacher’s feedback on your essay and your final class for it.
Secondly, it makes some sort of paper practical and targeted, simplifying the main writing technique for you: when you figure out the chief idea for yourself and specific it in a very clear, simple, and intelligible thesis assertion, all the subsequent paragraphs on your paper will depend on it.
Because of this, you won’t come to be distracted by the reasoning and consequently avoid the risk of turning your current essay right into gibberish brimming with weak reasons.
And thirdly, it summarizes your issue and reports your position in it. You need a sturdy thesis fact for the target market to understand in case your paper is usually something they will read.
The sun and rain of a thesis statement
Acquire it from four main elements:
The main concept of your documents in a uncomplicated sentence.
Good reason why you support this concept.
A counterargument to your maintain, if there is a person.
A valid little bit of information that will supports your posture.
In case you have all the a number of points, it is best to organize them in a coherent heading or two utilizing transitions in addition to linking thoughts.
Here is one of a thesis statement with necessary sun and wind:
The best way to know your personal statement is normally strong
It’s https://www.letusdothehomework.com/ shorter and educational.
It highlights a clear question with your belief on the dilemma or a edge of the problem you’ll service.
It has a reasonable basis. Even when sharing your special opinion, make sure you back it up with logic or simply facts.
In other words, your own personal thesis should identify the niche , the exact claim , and the fundamental points you’ll easily use in an essay to support typically the claim.
Example:
‘Stress in the fast-food workplace has resulted in serious bodily, psychological, along with emotional trouble for employees. ‘
Topic: stress and anxiety in the fast-food workplace
Claim: led to serious challenges
Key points: natural problems, internal problems, psychological problems
Example:
‘Advertisers target kids when promoting cigarettes, liquor, and adult movies. ‘
Topic: aggressive advertising
Claim: unsuitable targetting children
Main points: smoking, alcohol, along with adult motion pictures
Awareness, please!
A thesis is an interpretation of a subject, not the person itself. Additionally, choose a claim that others could possibly dispute. It should be specific in addition to express a person main notion.
  Further more reading: Tips on how to Tell a very good Thesis Fact from a Weak One
Undertake ALL dissertation types need a thesis announcement?
Hope will be the last to die, correct?
Sorry to help disappoint you but you bet , some sort of thesis announcement is a fundamental element of any type of report, apart from, oftentimes, creative authoring.
However , perhaps it will look varied depending on the variety of paper.
If you are composing a review or perhaps response , your thesis must contain your impression of the piece you are looking at, based on the components of a film, guide, or book and the approach they impacted you when the audience.
If you happen to writing a good literary or perhaps business study , your company’s thesis statement must magnify your main obtaining and the technique you utilized on reach them.
If it is any compare and contrast go , you should point out the actual similarities in addition to differences in the works reviewed in your thesis statement and develop the facts in the body on your paper.
If it is a personal plot or reflectivity , your own thesis fact should handle the main idea you have realized and what you would like to share.
When you publish it completely wrong, and how to switch that
The most frequent mistake the fact that undermines the potency of a thesis statement from the essay is making a detailed thesis rather then an argumentative one.
Detailed is a report that simply names individual but won’t present any specific claim along with major tips.
Example of this:
Maybe you write a essay concerning relevance associated with uniforms for schools.
Your individual descriptive thesis statement would be:
‘This paper is going to discuss no matter whether students ought to wear university uniforms since this issue features two isn’t stable and the disputes on both will be compelling. ‘
Your company argumentative thesis statement can be as follows:
‘Though outfits are explained to to enhance area spirit and unity, educational institutions should not push students to put on them. This particular idea uses the fact that uniforms limit students’ freedom regarding expression, and this is especially supported by the fact that constraining the freedom involving expression is often a violation about human legal rights. ‘
Why the descriptive a single doesn’t work? Because doing so simply duplicates the title to your paper and does not enlighten for the work you may be supposed to do to be a student.
Out of your tender go some recommendations for you to prepare strong thesis statements:
Brainstorm your own personal topic: take a sheet involving paper plus write down anything that comes to your mind on it.
Prohibit it to the specific area.
Make it a matter and (surprise-surprise! ) reply it. Ta da! The answer then is exactly what your current thesis affirmation will be.
Now, everything you should to do is normally tailor your company’s statement towards the type of papers you are given to write together with limit the idea to one or maybe more sentences in length .
Example:
To ease the course of action, you can try on the net thesis announcement generator: produce your theme, claim, and major details there to get your thesis statement, powerful and ready to rock the world.
It’s not only a marker of good educational writing but probably an assist for the intuition of your authoring. A strong thesis statement need to exactly write what you want to inform in your cardstock and be while concise as possible.
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lewiskdavid90 · 7 years
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95% off #Unity Professional Development From A to Z – Build 10 Games – $10
Complete Guide to Design, Build, Monetize and Publish Professional Games Using Unity for iOS & Android.
All Levels,  – 33 hours,  250 lectures 
Average rating 4.1/5 (4.1 (162 ratings) Instead of using a simple lifetime average, Udemy calculates a course’s star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.)
Course requirements:
Mac or PC capable of running Unity3D. A copy of Unity3D 4.5 or higher, available free. Adobe Photoshop, available free.
Course description:
** Updated October-2016 **
Unity Professional 2D Game Development Plus 7 Games Projects!
In this course you are going to design, develop, publish and monetize a complete game with 36 level and different stages with a complete story board using Unity3D UI KIT, the name of this game is “Flaty Box”, This course compatible with Unity 4.x and Unity5.
NOTE: MORE THAN 400$ ASSETS AND RESOURCES COMES WITH THIS COURSE!.
You are going to get 7 Projects worthy over $400 once you register in the course:
Flaty Box Game
Unity StoryBoard UI KIT ($75)
Draw-on-screen (50$)
Stickers 2d (35$)
3 STARS WINING DIALOG (35$)
Android ML App + Course ($199)
Clony Bird Game
Clony Bird Game Manual
This course is unique in its content and the first in its kind; It’s a complete project-based process to build a complete 2D game using Unity3D from A to Z. We start building the game from the ground up with a clear step by step lessons without jumping. We cover everything related to the design and development for this game starting from the design in Photoshop and choosing color palette then moving to development, configuration and integration with the professional UI KIT tools with all different components and screens and dialogs and testing of the game using Unity3D in order to let you develop a professional game with attractive user interface not in weeks or months but within a matter of few hours.
We guide you in details how to design the listing and publish the game on Google Play Store, Apple iOS Store and on Unity Asset Store which is one of the hottest markets on the web.
The Following features are supported in this game :
Supports PC, Mac, Linux, iOS and Android. Responsive UI. Scripting is based on C#. Beautiful graphics & Sound Effects ! Includes Scrollable Grid for stages and levels . Player references (Save,Load,Reset) on local files.
Game Storyboard UI KIT will make you forget the UI part when you are creating 2D/3D game. It’s using the last Unity features like Sprites, Animation with complete storyboard for your game with all required screens and dialogues.
Unity is on the top of the develop-once distribute-many platforms and it is really an awesome one-stop-shop platform and game engine for games, that is why we choose it as development platform.
Course Preparation Team:
Ahmad Naser Baraa Nasser Asma Hammad
Full details Game Design and colors branding trends. Unity3D Development Fundemantals. Design Complete Professional Unity3D Storyboard Game. Build Your Android Version of the game. Build Your IOS Version of the game and XCode Integration. Build And Sell Your Own Unity3d Package to Unity Asset Store. Work with all types of screens (splash, about us, settings, reset, stages, levels, in game, upcomming). Work with all types of dialogs (pause,timeout,win,lose,exit,confirmation,3 stars). Configure game shared preferences storage to store user playing records. Restart the game to factory settings. Publish the game to Google Play Store. Publish the game to Unity Asset Store. Publish the game to Apple IOS Store. Discover the mobile apps monetization methods. Integrate and monetize your game with ads. Get thousands of free app installs and traffic to your games.
Full details Game Developers Game Designers Non-Programmers Beginners Android Developers IOS Developers
Full details
Reviews:
“I am totally confused!! This course lacks structure! It totally has no plan dedicated to the student. It says it will learn coding from zero, I already know how to code, but can only imagine how the complete beginners must have found it. The instructor doesn’t even care to explain the code, it literally just says “we have to do THIS here, and type THIS there” by not clearing any of the concepts. This was all cope-able, at least for me, until today I ran into a section where resources were totally missing, on top of that the course lectures had totally changed, I think there were added a lot of content without any announcement (pretty weird). I don’t mind the instructors English, in fact it’s easier for me to understand English by a non native speaker. I am sorry to leave such a bad review as the instructor seems like a good and well intent guy, but I don’t want fellow students to waste 200$ on this course! I am lucky to have bought it on an offer! Also the tittle says 10 games, there are no 10 games! Also the title says from A-Z, feels like barely A-B. The graphics and feel of the work is very cheap and unprofessional.” (Blin Varfi)
“I love this course Ahmad Naser your the best instructor that im going to fund you even more money, this dude is awesome he gives me a unique course for an ecellent price that took me from not knowing how to send an email to professinal” (Chris jarlesm)
“This course is the best course on udemy with the best instructor. The course has a lot of content and everything is explained very nicely and the instructor is just awesome which makes this course best” (Prabhav Chopra)
  About Instructor:
Ahmad Naser
Hi! I’m Ahmad. I have a degree in Computer Science from Birzeit University and you might call me a bit of computer geek. I’m comfortable with a large range of languages and techniques. After implementing enterprise applications using Salesforce and Siebel CRM for 3 years and with professional experience in building websites, cloud apps, ios apps, unity games, android mobile apps and educational games for 6 years. I decided to share my technical knowledge with people all over the world to benefit from my experience and build their own careers specially because I am a real world example with over 20 successful game on Google Play Store, Asset Store and Apple Store, So your success is mine and I want to help you reach your goals step by step exactly as I do. I’m passionate about teaching people about technologies, so from time to time I gave courses online and in learning centers and teach beginners and professionals on many technologies and development frameworks. One of my greatest goals in life is growing the next generation of software professionals and to keep teaching programming at every opportunity I get. I can’t wait to help you experience the achievement and financial freedom that having a deep understanding of technology brings. So why not start learning to design & develop now by joining our epic Unity 3D professional 2d game development course? See you soon! Ahmad
Instructor Other Courses:
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from Udemy Cupón/ Udemy Coupon/ http://coursetag.com/udemy/coupon/95-off-unity-professional-development-from-a-to-z-build-10-games-10/ from Course Tag https://coursetagcom.tumblr.com/post/156856604448
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