Why the fuck is this called times new roman? No seriously, I want to know, why the FUCK is it named TIMES NEW ROMAN
YEAH SURE THEY PROBABLY USED THIS WAY OF WRITING BACK IN THE ANCIENT ROMAN DAYS DURING THE WHOLE LATIN SPEAKING SHIT BUT WHY THE FUCK IS IT NAMED TIMES NEW
WHAT IS SO TIMES NEW ABOUT IT
JUST NAME IT ROMAN OR ROMAN SERIF WE DON'T NEED FUCKING TIMES NEW AT THE BEGINNING OF IT
i am so glad other fonts are not named like this cause i don't want Space Possibly From This Time Period American Italic Bold 12-spaced on my essay
Further proof that Nino and Felix would get along: They both only needed one episode to get with their girlfriends in a stark contrast to the main couple AND refused to hide hero identities because their relationship is built on trust
The contents and linocuts of Australian artist and fine-press printer Mike Hudson’s (1939-2021) As Dead as the Proverbial… uses the extinct Dodo (Raphus cucullatus), a flightless bird that once inhabited the island of Mauritius, to highlight the fact that in today’s age animals are still going extinct. The book consists of a variety of writings, from encyclopedia entries and magazine articles to the author’s own musings about the fate of the Dodo. In a progressive countdown, we see the bird's life cycle that is also representative of its approach toward extinction, as it progresses from a simple egg on the title page, loses feathers, and eventually becomes a singular feather.
The book’s title references the proverb: ‘as dead as a dodo bird’ and the title on the book's cover is surrounded by the names of Australian animals that are also at risk of extinction and could soon become the object of their own proverb. The endpapers include the names of other endangered Australian species, to further emphasize the potential for not just one animal like the Dodo to go extinct, but also countless others.
As Dead as the Proverbial… was printed in 1989 at Mike Hudson's Wayzgoose Press in Katoomba, Australia in an edition of 75 copies signed by the printers. The text was typeset by Hudson's long-time partner Jadwiga Jarvis (1947-2021) in Monotype Baskerville and Times New Roman, and the pages of endangered species set in a variety of Garamond types, all printed on Mohawk Letterpress paper. The design and linocuts are by Hudson. Our copy is from the collection of our late friend Dennis Bayuzick.
View other books from the collection of Dennis Bayuzick.