#traditional catholic spiritual books

[stjohncapistrano67]

A high middle aged Catholic religious painting of St. Gertrude the Great. Artist unknown. I hope this holds you over until I can post regularly. I'm also reading the book " The Life and Revelations of St. Gertrude the Great.

#traditional catholicism #traditional catholic images #middle ages catholic religious art #middle ages catholism #traditional catholic saints images #traditional catholic saints #st. gertrude the great #traditional catholic saints writers #traditional catholic spiritual writers #traditional catholic spiritual books #the life and revelations of st. gertrude the great

[miyasanchez7]

Catholics do read the Bible. Their approach is different, making the secular world think that the Bible is not integral to the faith. Catholics have a daily reading at churches, chapels, and any Catholic Mass where the clergy reads aloud passages from the Bible. Regardless of our God-centered beliefs and their varying degrees of practices, we all believe in the same God and have put our absolute faith in Him. You can learn more about how Catholics navigate Scripture reading through the book Catholics read the Scriptures by Bramwell...

#Books #Spirituality #Catholics #Bible #Testaments #Tradition #Christian #author #writer #writingcommunity #readersmagnet

[tiredwitchplant]

Everything You Need to Know About Crystals: Amethyst

Amethyst (“The World’s Most Popular Purple Gem”)

Color: Dark Vivid Purple to Pale Lilac

Hardness: 7

Rarity: Easy to Acquire

Type: Quartz

Chakra Association: Third Eye, Crown

Deities: Buddha, Dionysus, Diana, Artemis

Birthstone: February

Astrological Signs: Pisces, Aries and Aquarius

Element: Air

Planet: Jupiter

Origin: USA, Britain, Canada, Brazil, Mexico, Russia, Sri Lanka, Uruguay, East Africa, Siberia, India

Powers: Pride, Sobriety, Peace, Spirit World, Protection, Celibacy, Luck, and Homesickness

Crystals It Works Well With: Ametrine, Citrine, and Moonstone

How It Is Created: Amethyst receives its color beginning at the crystal’s growth. At the first stage, trace amounts of iron are incorporated into the crystal as it starts to grow. After the crystallization starts, gamma rays are emitted by radioactive materials within the host rock and the irradiated iron gives the amethyst its beautiful purple color.

History: One of the earliest references to amethyst is in the Old Testament book of Exodus as it is mentioned that one of the stones in the breastplate of Aaron the High Priest was an amethyst. There is not a clear indication to where the name comes from but it is said that it is derived from the Greek word “amethyst” which means “not drunk”. Despite this, it is associated with the god, Dionysus, because the purple hue of the crystal looks like delicious grape wine. Wine goblets were carved of this stone to prevent drunkenness. There is also a Greek lore involving Dionysus with a young girl named Amethyst. The lore reads:

“Dionysus was angry one day and swore that he would exact his revenge on the next mortal that came by. He created several tigers, informed him of their mission and went his way. As it would happen, a lovely young girl named Amethyst was the next to come by, on her way to pay homage to Artemis and was attacked. Artemis quickly changed the girl into a statue of solid quartz. When Dionysus returned to see what he had wrought, he was overcome with remorse and wept tears of purple wine which flowed over the statue, staining it permanently.”

The color was also in demand throughout history since the color purple is associated with royalty and was worn by royals in Egypt and Europe. In some traditions, Catholic Bishops wear amethyst rings to symbolize their piety and celibacy, and rosaries are still fashioned with this stone.

What It Can Do:

Excellent focal point for meditation and scrying

Used to unlock mysteries and figure out spiritual matters, such as death and rebirth

Helps cleanses, purify and heal the body, spirit, and mind

Balances emotions and prevents nightmares

Useful for spells to help let go of addictions

Uses on the tip of wands for healing and can produce high spiritual energy

Brings a sense of calm and clarity

Helps with decision making

Can open your third eye and connect to the crown chakra

Protects the mind from dark magic

A gateway stone to connecting with the spirit world

Helps with transmitting energies to a specific point

How to Get the Best Out of Amethyst: Wearing it on your person with a bracelet or necklace. Putting amethyst on bare skin invites the stone to release its vibrations directly into the body, amplifying its power.

How to Cleanse and Charge Amethyst:

To cleanse: Leave your Amethyst stone placed under the light of the full Moon for a whole night, that is, about 8 hours

To charge: It can also be recharge via the moon so just leaving it in the moonlight can do double duty.

Crystal Grid:

Protection and Cleansing (Hexagram)

Amethyst

Selenite

Snow Quartz

Hold your crystals in your hands and state your intention for the grid.

Lay the first triangle, placing clearing crystals on each point.

Join up the points and spray the grid with clearing essence.

Lay the light-bringing crystals in an overlocking triangle over the top of the first. Join up the points, starting with the first crystal you laid.

Place your keystone in the center, stating your intention once more.

Sources

#amethyst #witchblr #witch community #witchcraft #astrology #occulltism #paganblr #nature #rocks #minerals #quartz #crystal grid #crystals #crystal witch #witchcraft 101 #baby witch #dionysus #witches of tumblr #witchcraft resources #witch blog #beginner witch #geology #gemstones

[skaldish]

Could you expand upon your ideas around how Venerating a Deity doesn’t mean trying to embody what they represent? I was raised in a church that literally said the word “worship” meant “to try to become like”. So I’m fascinated by how you could worship a deity of a thing and not want to make more of that thing out in the world. I want to learn a new paradigm

Happy to! I love talking about paradigms.

Firstly…

Different religions and denominations conceptualize "worship" differently.

This includes "what you do to worship" but also includes ideas around "what gives worship its value."

"Trying to become like a deity" is something I've seen specifically associated with Evangelism and Fundamentalism (perhaps others, but this is what I know). It's derived from the idea that Christians are warriors of god and that it's their duty to act as his voice and hands on Earth. This is derivative of their doctrinal idea that they need to "save" people by any means necessary. (Teaching people to define who they are through God makes people dependent on God for a core sense of self, which is a huge reason why it's so psychologically awful to leave these denominations. It robs you of everything you are and leaves you with no way of creating yourself anew.

It's one thing to admire a deity and aspire to adopt some of their attributes as a point of personal growth; it's another altogether to teach people that they need to replace their inherent personality with a prescribed ideological construct. I loathe it entirely.)

Now, Catholics don't tend to interpret worship as the act of "trying to be like God." Given what I've observed and what I know of their ideology, worship for them is largely a function of sacrifice. You sacrifice your time, skills, wealth, etc. to God, because giving up things that are difficult to give up is how you show you really mean your devotion.

(I've seen this behavior in Heathens, actually, when they do things like buy top-shelf mead only to pour every last drop of it out on the ground for Odin or similar.)

I also take a lot of issues with this form of worship because I know why it exists: Extortion. The Church learned hundreds of years ago that guilt-tripping people out of their money (in exchange for salvation, an unfalsifiable concept that they neither had to prove nor procure) was an excellent way to get rich and powerful with impunity.

Clearly you caught me on a day I'm feeling extra-spicy towards Christianity. But I bring those two up in detail because I know a lot of my followers come from these backgrounds, and having more points of differentiation is important.

See, the real pitfall here lies in thinking that Christianity represents the "default" for how religions work, when in reality it's the grand exception, given all of human history.

The other religions I know about (with the exception of Judaism) are distinctly polytheistic: Shinto, Hinduism, Buddhism, and various flavors of Paganism. These all have different models of worship because they all have different, culturally-informed philosophies about how divinity works. Religions are inseparable from the cultures that create them for this reason, and why switching religions is a function of adopting a completely new mindset, not just a new set of gods to venerate.

Norse Heathen Worship

Since this is a Heathen blog I'm obligated to talk a bit about this.

How we worship as Norse Heathens is still a matter of debate, but that's because we're still figuring out how to define "worship" within the context of how it operates as a spirituality.

At no point did Norse Heathenry have a governing body, a religious figure, or a holy book to guide practice. Things developed organically, unique to their time-period and location, and stories were (and are) passed down via oral tradition rather than written down.

Many Heathens mistakenly think we're missing religious mandates, hence why they're so bent on trying to find them or devise them. I think this is a mistake.

A religion's architecture derives from the values, worldviews, and agendas of the culture/people behind it. The reason why a Christian's relationship with God looks like a Lord/servant dynamic is because the religion was shaped by lawmakers, and "loyalty towards the law" was a value they wanted to instill in the general population. Christianity was used to shape politics, so politics in turn shaped Christianity.

Norse Heathenry didn't have this function, so rather than reflecting political values, it reflects cultural ones. The stories are allegorical representations of cultural ideas, which themselves are based in the context of animism—the idea that everything operates as an ecosystem, and divinity is inseparable from that ecosystem.

This is all to say that the way Heathens worship is largely a byproduct of how they interface with that ecosystem. How this looks is something we choose based on what we find connection with, as opposed to mandates given to us.

Some people might find this kind of answer unsatisfying because it doesn't lead to any directive on "how to worship," but that might be because we're used to thinking of worship as a "duty," as opposed to what is actually, anthropologically is: A type of enrichment.

How I Worship

The way I go about worship is the same way I go about any kind of social bonding; through collaboration. In my mind, venerating deities is functionally identical to socializing with them, and like any socialization, how that's done varies from deity to deity. Anything I do in my practice—offerings, devotional art, etc—is informed by what I perceive them liking.

(Keep in mind I'm a hard polytheist, and I'm a hard polytheist because it's the only descriptor that could describe how I experience deities; as beings with autonomy divorced from my own will. A soft polytheist would conceptualize this entire thing differently.)

I also personally conceptualize "veneration" "devotion" and "worship" all differently, which is why you'll see me use the word "veneration" to describe what most people call "worship:"

Veneration is the general state of reverence or respect for something we hold spiritually important, such as a spirit, deity, or ancestor.

Devotion is a kind of enthusiastic dedication that emerges from love.

Worship is a ritual activity done as a gift for a god.

But this is just how I understand things for myself. They're not a reflection of how these things are thought of in Norse Heathenry. (In fact, they're mostly a product of the fact I initially learned about worship through observation, rather than experience. But I figured I'd bring it up anyway to provide an additional dimension to your paradigm explorations.)

I'm not sure what else to say so, uh…feel free to follow up with questions in case you want me to dive more into something.

#answered #norse paganism #norse polytheism #norse pagan #norse gods #norse heathenry

[nicklloydnow]

““Dorothy reminds me in so many ways of Toni Morrison,” West said. “You know Toni Morrison is Catholic. Many people do not realize that she is one of the great Catholic writers. Like Flannery O’Connor, she has an incarnational conception of human existence. We Protestants are too individualistic. I think we need to learn from Catholics who are always centered on community.”

(…)

She viewed belief in God as “an intellectual experience that intensifies our perceptions and distances us from an egocentric and predatory life, from ignorance and from the limits of personal satisfactions”—and affirmed her Catholic identity. “I had a moment of crisis on the occasion of Vatican II,” she said. “At the time I had the impression that it was a superficial change, and I suffered greatly from the abolition of Latin, which I saw as the unifying and universal language of the Church.”

Morrison saw a problematic absence of authentic religion in modern art: “It’s not serious—it’s supermarket religion, a spiritual Disneyland of false fear and pleasure.” She lamented that religion is often parodied or simplified, as in “those pretentious bad films in which angels appear as dei ex machina, or of figurative artists who use religious iconography with the sole purpose of creating a scandal.” She admired the work of James Joyce, especially his earlier works, and had a particular affinity for Flannery O’Connor, “a great artist who hasn’t received the attention she deserves.”

What emerges from Morrison’s public discussions of faith is paradoxical Catholicism. Her conception of God is malleable, progressive, and esoteric. She retained a distinct nostalgia for Catholic ritual, and feels the “greatest respect” for those who practice the faith, even if she herself wavered. In a 2015 interview with NPR, Morrison said there was not a “structured” sense of religion in her life at the moment, but “I might be easily seduced to go back to church because I like the controversy as well as the beauty of this particular Pope Francis. He’s very interesting to me.”

Morrison’s Catholic faith—individual and communal, traditional and idiosyncratic—offers a theological structure for her worldview. Her Catholicism illuminates her fiction; in particular, her views of bodies, and the narrative power of stories. An artist, Morrison affirmed, “bears witness.” Her father’s ghost stories, her mother’s spiritual musicality, and her own youthful sense of attraction to Christianity’s “scriptures and its vagueness” led her to conclude it is “a theatrical religion. It says something particularly interesting to black people, and I think it’s part of why they were so available to it. It was the love things that were psychically very important. Nobody could have endured that life in constant rage.” Morrison said it is a sense of “transcending love” that makes “the New Testament . . . so pertinent to black literature—the lamb, the victim, the vulnerable one who does die but nevertheless lives.”

(…)

Morrison is describing a Catholic style of storytelling here, reflected in the various emotional notes of Mass. The religion calls for extremes: solemnity, joy, silence, and exhortation. Such a literary approach is audacious, confident, and necessary, considering Morrison’s broader goals. She rejected the term experimental, clarifying “I am simply trying to recreate something out of an old art form in my books—the something that defines what makes a book ‘black.’”

(…)

Morrison was both storyteller and archivist. Her commitment to history and tradition itself feels Catholic in orientation. She sought to “merge vernacular with the lyric, with the standard, and with the biblical, because it was part of the linguistic heritage of my family, moving up and down the scale, across it, in between it.” When a serious subject came up in family conversation, “it was highly sermonic, highly formalized, biblical in a sense, and easily so. They could move easily into the language of the King James Bible and then back to standard English, and then segue into language that we would call street.”

Language was play and performance; the pivots and turns were “an enhancement for me, not a restriction,” and showed her that “there was an enormous power” in such shifts. Morrison’s attention toward language is inherently religious; by talking about the change from Latin to English Mass as a regrettable shift, she invokes the sense that faith is both content and language; both story and medium.

From her first novel on forward, Morrison appeared intent on forcing us to look at embodied black pain with the full power of language. As a Catholic writer, she wanted us to see the body on the cross; to see its blood, its cuts, its sweat. That corporal sense defines her novel Beloved (1988), perhaps Morrison’s most ambitious, stirring work. “Black people never annihilate evil,” Morrison has said. “They don’t run it out of their neighborhoods, chop it up, or burn it up. They don’t have witch hangings. They accept it. It’s almost like a fourth dimension in their lives.”

(…)

Morrison has said that all of her writing is “about love or its absence.” There must always be one or the other—her characters do not live without ebullience or suffering. “Black women,” Morrison explained, “have held, have been given, you know, the cross. They don’t walk near it. They’re often on it. And they’ve borne that, I think, extremely well.” No character in Morrison’s canon lives the cross as much as Sethe, who even “got a tree on my back” from whipping. Scarred inside and out, she is the living embodiment of bearing witness.

(…)

Morrison’s Catholicism was one of the Passion: of scarred bodies, public execution, and private penance. When Morrison thought of “the infiniteness of time, I get lost in a mixture of dismay and excitement. I sense the order and harmony that suggest an intelligence, and I discover, with a slight shiver, that my own language becomes evangelical.” The more Morrison contemplates the grandness and complexity of life, the more her writing reverts to the Catholic storytelling methods that enthralled her as a child and cultivated her faith. This creates a powerful juxtaposition: a skilled novelist compelled to both abstraction and physicality in her stories. Catholicism, for Morrison, offers a language to connect these differences.

For Morrison, the traits of black language include the “rhythm of a familiar, hand-me-down dignity [that] is pulled along by an accretion of detail displayed in a meandering unremarkableness.” Syntax that is “highly aural” and “parabolic.” The language of Latin Mass—its grandeur, silences, communal participation, coupled with the congregation’s performative resurrection of an ancient tongue—offers a foundation for Morrison’s meticulous appreciation of language.

Her representations of faith—believers, doubters, preachers, heretics, and miracles—are powerful because of her evocative language, and also because she presents them without irony. She took religion seriously. She tended to be self-effacing when describing her own belief, and it feels like an action of humility. In a 2014 interview, she affirmed “I am a Catholic” while explaining her willingness to write with a certain, frank moral clarity in her fiction. Morrison was not being contradictory; she was speaking with nuance. She might have been lapsed in practice, but she was culturally—and therefore socially, morally—Catholic.

The same aesthetics that originally attracted Morrison to Catholicism are revealed in her fiction, despite her wavering of institutional adherence. Her radical approach to the body also makes her the greatest American Catholic writer about race. That one of the finest, most heralded American writers is Catholic—and yet not spoken about as such—demonstrates why the status of lapsed Catholic writers is so essential to understanding American fiction.

A faith charged with sensory detail, performance, and story, Catholicism seeps into these writers’ lives—making it impossible to gauge their moral senses without appreciating how they refract their Catholic pasts. The fiction of lapsed Catholic writers suggests a longing for spiritual meaning and a continued fascination with the language and feeling of faith, absent God or not: a profound struggle that illuminates their stories, and that speaks to their readers.”

#morrison #toni morrison #catholic #catholicism #religion #literature #art #nobel prize

[sisterdivinium]

Genetic engineering, DNA modification, tested it on herself... Why would Jillian go through all this trouble? Adoption would be easier, surrogacy wouldn't be an issue for a woman with so much money, so why this devotion to medical science, to gene manipulation?

This doesn't seem very logical unless we take one step further in examining her characterisation as a sort of Virgin Mary character implied by her clothing and framing during season one: a man is never mentioned in connection to Michael's conception, either as donor or father... Possibly because Michael has no father. Jillian has made him up from scratch or, at least, using only her own genetic material.

This would surely equate to an awesome "medical marvel" and it would accomplish two additional things: first, it would account for just how sick Michael needs to be so that an extremely rare substance that doesn't even belong to this world can be his sole hope in surviving (the result of a miscalculation, an unforeseen mutated gene, some error in Jillian's design, the absence of something); and second, reproduction without the aid of man ("sinless", sexless) not only ties Jillian's character more closely to the theme of the holy mother, it also more strongly makes a Jesus figure out of Michael.

This is significant because it makes him into a designated saviour: Michael, too, "dies", crossing to "the other side" and later returning with the mission of saving humanity, which is the role he is sure he will play during all of season two. This story has been told before, the structure is the same and we all know it. He mirrors Christ in his being born of a woman untouched by man, in going beyond life and back, in being tasked by a higher power to act for others in his sacrifice. It is a destiny clearly written out for him, a classic narrative, a hero's journey neatly set up for Michael to accomplish and all he has to do is follow the script.

And yet, doing everything right, by the book, Michael ultimately fails.

If, according to all of the doubts awakened by the developments in Warrior Nun (is Adriel's realm not Heaven? Is he not an angel? Is Reya God? Is Jesus just as alien as Adriel? Etcetera), the Catholic church's teachings are all twisted, incomplete, when not simply ignorant of all that is true in spiritual, metaphysical matters, then this saviour narrative that constitutes the foundation of the institution itself is doomed — as well as whatever guidance it could supply.

I was discussing with @halobearerhavoc earlier about (among many other intriguing things) how myth informs the show and how it might predict Reya's fall, but also how that event would necessarily depart from how it plays out in the original myth. That is due to the fact that our protagonist here is Ava, a woman, and that this tiny little fact of sex alone forces a shift in how things are presented, in which values are prioritised, in how conflict is treated, escalated or resolved — this applies here as well.

Michael was the textbook redeemer, he was made for this, brought up by Reya with this explicit purpose and with the acquired conviction that he was the key to it all.

Ava, on the other hand, is a product of coincidence, of accident, of the unfathomable. She is already a rupture in tradition — dead and brought back, unknowingly, unwillingly the "usurper" of the halo, inserting herself in the line of bearers at random when she doesn't even seem to have any belief... Ava exists outside of tradition. To Michael's determined "Destiny", she is the one imbued with free will (it isn't out of guilt or duty that she returns to the Cat's Cradle, but through Mary's sympathy, through her own understanding and action). Ava is the unplanned factor, contrasted with Michael who was so planned that his life might have begun inside a Petri dish.

It isn't determinism that will save us, a mantle of glory woven by someone else wanting to place it upon our shoulders regardless of our own wishes; it isn't a decrepit institution or some despotic deity that will define us or what we do; it isn't the heavy, malodorous layers of ancient mould gathered over the endless tomes of Established Tradition or the carefully made calculations of arrogant scientists who think they can predict and explain and control everything.

Salvation cannot be through what Michael represents: an imposed duty, a stagnant, hackneyed story.

A story, we would do well to remember, which was already used to subjugate others, whatever its initial intentions might have been; Jillian certainly didn't predict what would be of her son and surely the primitive Christians didn't see into the future to understand what their devotion and their modes of its transmission would cause, yet it came to happen. The extermination of the Cathars, the persecution of pagans, the burning of "witches", the suppression of indigenous beliefs, activities and lives, to name but a few of the atrocities committed in the name of this one story...

So it cannot be Michael, embodying this narrative so well, that will bring about a fortunate ending to humanity's troubles.

Instead, salvation comes through Ava. She herself might be inhabited by a number of parallels with Christ, but she also carries freedom, an outsider's view which makes the inside so see-through, love, an ability to move outside of what had been previously set for her by someone else (one might even argue that these are the traits that made Christ before the story surrounding him came about)...

The walls built around her needn't contain her — and, phasing as she does, they do not.

Moreover, what would have been the real ending to Reya's plan, had it been followed exactly as it should have? The divinium bomb did hit Ava in the end, but wouldn't it have been worse had she not been interrupted in running up to Michael while he immobilised Adriel during the televised freak circus?

Ava's unpredictability, her impulse, her innate need to act with free will rather than constricted by what others dictate — Ava is the foil to fate itself, the foil to a structure, to a hierarchy that has been festering and rotting from the beginning of time, it should seem.

The hero of this story could only ever be her.

#warrior nun #jillian salvius #michael salvius #ava silva #i had been sitting on this for days #mostly because the initial post was like WAIT IS JILLIAN REALLY LIKE THE VIRGIN MARY and not much more #but i decided to make it into a more organised little essay #COULD you argue that the halo reaching ava was “fate”? yes of course you could #but this reminds me of a post by winterlorn if i'm not mistaken in which the #idea of vincent being the driver who caused the accident ava was in caused displeasure rather than satisfaction #why? because this erodes the very basis of what ava seems to represent #which is being an agent of change unchained to Something Else #so COULD you interpret all that i have exposed in the contrary and say it WAS ava's fate to defy fate? #you could. but in the process you destroy the very nucleus of what ava is #you would also have to almost automatically admit that there is a higher force at play than reya #some more powerful god or whatever #that manipulates everyone (including reya) as puppets #(and his name would be simon HAHA) #analysis and similar #exercises in observation

[sixminutestoriesblog]

marigolds

It's October! For half the hemisphere, the nights are getting longer, the wind is getting colder and the weather is taking on a distinct grey and overcast mood. What better time than now to steal a few last bursts of brilliant, warm sunshine and keep them close against the coming of winter?

Enter October's flower (one of them) - the marigold.

An interesting thing I found while researching this month's flower was that its native to the Americas - and yet some sites list the ancient Greeks and Romans having traditions surrounding the marigold. One of the sites even mentions the flower being introduced to the 'Americas' several sentences after telling me its native to Mexico. I think some of the confusion may come from the fact that there are marigolds of the Tagetes genus, which are the ones I think of when I think of marigolds, that were first mentioned by the Aztecs and are native to the Americas - and there is a flower, Calendula officinalis, called the 'pot marigold' which comes from the same daisy family but is a different genus and seems to originate in southern Europe. To add to the confusion, the Spanish imported the Tagetes marigold from the Americas and from Spain it spread to, particularly, monastery gardens across Europe where it was cultivated into various strains with names like the African or French marigold. The American marigold didn't even have an official genus name until 1753. So, sorting through marigold myths was a lot like playing 'guess which twin it is' for me especially since the majority of the sites I was wandering through either weren't aware of a difference or didn't differentiate. I found one site that marked the difference between them (shout out to growingvale.com). I can understand why. We're only talking flower folklore here, not nuclear codes. My little nitpicky soul though just wasn't happy until it figured out what was going on. I am now going to spew facts at you and try to tell you which flower is which for each of them.

We'll see how I do.

Let's start at the beginning.

Tagetes marigolds were first recorded as being cultivated by the Aztecs, who considered them both medicinal and sacred. That tradition has carried over into Mexico's el Día de los Muertos, the Day of the Dead, which is celebrated either in late October or Early November depending on the region. How much of that is straight from the Aztecs and how much is later European influence via Catholicism is still up for debate but the marigold plays a special part in both. The brightness and strong scent of the marigold flowers are believed to help guide the spirits of the dead to their family and to the offerings left out for them. You watched Disney's Coco (or Fox's The Book of Life), you get it. The Day of the Dead is celebrated outside of Mexico as well, with traditions varying from place to place but right now, we're talking marigolds.

In a half step to the side of that, the Victorians also considered marigolds a funeral flower but in a solemn and grief-filled way that made their cheery color inappropriate for any other kind of bouquet.

In South Asia, the Tagetes marigold has in large part replaced Calendula officinalis marigold while still serving the same purpose. There marigolds are used to create garlands and decorations for weddings, festivals and sacred holidays. Both Buddhism and Hinduism attach spiritual significance to the flowers. In India, giving a garland of marigolds to someone is considered a sign of friendship.

Walking it back to our Calendula officinalis marigold, the common name of 'marigold' is actually a break down of 'Mary's gold'. The golden colored plant was often left on alters and shrines to the Virgin Mary in Catholic countries in the middle ages by people that couldn't afford to leave actual coins. Its bright sunshine color and availability to everyone soon became associated with her.

This is the marigold that the ancient Romans and Greeks used medicinally and that medieval Europe thought was a cure against the plague. This is also the marigold that was woven into garlands for doors and livestock in Ireland to keep away fairy attention.

Both branches of flowers are popular with love superstitions, representing never having to lose a love and as a good luck charm when it comes to love.

And let's round things off with a gardening fact. Marigold are considered excellent companion plants for most vegetable gardens because they repel pests from the big to the very tiny kind. Just check before you plant. Their roots also give off an antibacterial chemical that will wreck havoc on your legumes.

Happy birthday, October babies!

#marigold #marigolds #folklore #superstition #cottagecore #herbalism #herbology #october #birth flower #day of the dead #dia de los muertos #dia de muertos #right up there with #dandelions #as a sunshine flower #flowers #language of flowers #meaning of flowers

[friend-crow]

I sarted following you because of the crows but I got interested in the witchcraft things you post sometimes...

I was raised catholic but currently I don't follow any religion or beliefs so i'm interested in learning different things. Even when I was catholic I never experienced any sort of connection or anything in the church. On the other hand I have always felt very connected to nature and animals, which ended up leading me to becoming a vet.

So seeing this aspect of witchcraft that seems more in tune with nature interests me.

But I know pretty much nothing.

Would you have a book to recommend me so I can start learning?

Hmm... I have a hard time recommending books because there aren't really any that I agree with on all points. Especially if, like me, you're not particularly interested in worshiping gods. Most books on witchcraft are pretty heavy on deities, so if you're interested in a more secular/animistic approach, you end up wading through a lot of material that's not that relevant to you (though you can still find lots of useful ideas in the process). I don't know if that's you, though.

As mentioned, I work within an animistic framework. Animism isn't a religion or a monolith (though some religions are animistic), and the concept of "everything has a spirit" can be taken in a lot of different ways. Some people see it primarily as a way in which everything is interconnected, while others take it in a more literal "everything is a dude and I can talk to them" way. I'm kind of in the middle with "everything is a dude but not always like a sentient dude, at least not in a way that we'd understand, but I respect and try to connect with my fellow dudes" type beliefs. If any of these ideas resonate with you, then you might want to look into animism!

With that said, witchcraft is in and of itself not an inherently spiritual affair. For some people it's really just a means to an end. Many practitioners (myself included) have magical practices which are informed by and intertwined with their spirituality, but I see the two as separate things. You've got your spiritual beliefs, and you've got a set of skills by which to achieve various goals. With this in mind, you might ask yourself if you're primarily interested in doing magic, or feel more drawn to the spiritual side of things. Over the years I've had phases where one or the other took precedence, so it's not like you have to decide now (or ever) -- it's just something to think about.

If you're saying to yourself "I like the sound of animism AND witchcraft" then you might want to look into something like Traditional Witchcraft. This is not without gods, but also emphasizes some useful skills for working with spirits which are not reliant on believing in gods. You are going to run into a lot of pseudohistory (it's damn hard to find a practical guide on how to do magic that doesn't contain pseudohistory). My advice is to leave history to the historians and just focus on the parts about how to do magic. Like I said, you don't have to accept any author's take in its entirety.

I hope this helps!

#ask #anon #animism #witchcraft

[campgender]

read an anonymous ask somebody (who also isn’t a Quaker) got that, after saying they had a limited knowledge of Quakerism, described Quakers as ascetics. which was really upsetting to me because i am both a Friend and a faggot! these two identities & values are not contradictory to me or many other Quakers, & trying to position them as such is super triggering tbh. so for anyone who is interested in learning about the Quaker value of simplicity & how it very strongly differs from asceticism here’s some more info!

(all of this is about FGC / Liberal Friends, other branches of Quakerism differ in many respects)

so! simplicity is one of six commonly cited core Quaker values (if you’ve researched Quakerism at all you’ve probably seen something about SPICES). Quakerism has no doctrines, & these values are descriptive, not prescriptive: they are things that have been observed to become common priorities for Friends, not requirements for being/becoming a Quaker. this is also just one of many acronyms & combinations for Quaker values.

simplicity is historically associated with plain dress, which is probably what the asker was thinking of as “ascetic.” the spiritual reasons behind plain dress, historically & for modern practitioners, are very different, though – unlike the cultural concept of, say, a repentant Catholic dressing in sackcloth, plain dress isn’t about punishing oneself, & it generally doesn’t involve making oneself uncomfortable. plain dress originated as a way to practice equality & resist classism. think the way optimistic policymakers expect school uniforms to function, except without many of the reasons such intentions fail – namely, expensively made clothes & high-end accessories.

Friends who practice plain dress now often do so as a form of resistance to materialism & overconsumption, and/or as a way of removing distractions from their spiritual goals for their relationships with others + the divine. beyond plain dress, some Friends may practice simplicity in their clothing choices by shopping sustainably / “slow fashion,” making & mending their own clothes, or participating in buy nothing exchanges. in my & many others’ opinion, flashy extravagant drag that’s made in traditional DIY methods is more in line with the Quaker value of simplicity than a thousand dollar designer brand boxy black dress in a modest cut.

the value of simplicity isn’t just about clothing & purchases, though – the Faith & Practice book for my region describes simplicity as working to focus on what you feel you are called to be doing & not acting in ways that are counter to that; not being hypocritical in the ways you dedicate your time & energy. & i’m sure there are a vast number of other interpretations that continue to make space for flamboyance & the deep enjoyment of clothing & other objects in a way that still recognizes one’s position within systems of harm + seeks to minimize harm done to others.

#quaker tag #quakerism #quaker #simplicity #mac.txt #ok to reblog if you’re so inclined #reclaimed

[coven-of-genesis]

im a third-generation italian-american looking to get into traditional italian magic. my family are devout catholic, so i wouldn't be able to ask them. where do you recommend i start?

Hello love thank you for the question. I think its great that you want to begin this journey, it will be a bit challenging if your parents are not a fan of witchcraft/magic so here are ways to delve into this subject on your own. Here are some steps to get you started:

How to begin your journey into learning about traditional italian magick

Research Italian Folklore and Folk Magic: Familiarize yourself with the rich folklore and magical traditions of Italy. Look for books, online resources, and academic studies that delve into the topic. Some key areas to explore include the Benandanti, Stregoneria, and the practices of the Mezzadria.

Connect with Italian Folk Magic Communities: Seek out online communities, forums, or social media groups focused on Italian folk magic. Engaging with like-minded individuals who share a passion for Italian traditions can provide valuable insights, resources, and guidance.

Study Italian Catholicism: As your family follows Catholicism, understanding the religious and spiritual practices within this tradition can offer a foundation for exploring Italian magic. Look into saints, rituals, and devotions that are specific to Italy, as they often have intertwining elements with folk magic.

Learn about Saints and Folk Traditions: Italian folk magic often incorporates the veneration of saints and the belief in their intercession. Research saints that are particularly revered in Italian culture, such as Saint Anthony, Saint Lucy, or Saint Joseph. Learn about their stories, symbols, and associated rituals or prayers.

Explore Magical Objects and Practices: Italian folk magic involves the use of certain objects and practices. Look into items like the cornicello (horn-shaped amulet), malocchio (evil eye), or charms known as "cimaruta." Additionally, explore divination practices like reading coffee grounds (tasseography) or playing cards (cartomancy).

Experiment with Kitchen Witchery: Traditional Italian magic often involves practices related to the home and kitchen. Explore herbalism, folk remedies, and the magical properties of Italian culinary ingredients. Experiment with making your own herbal preparations or creating talismans related to food and household items.

Consider Seeking a Mentor: If possible, try to find an experienced practitioner of Italian folk magic who can serve as a mentor. They can provide guidance, teach you specific practices, and help you deepen your understanding of the tradition.

Remember, it's important to approach these practices with respect and a genuine desire to learn. Take your time, be open to new experiences, and trust your intuition as you explore the magical traditions of your Italian heritage.

#ask #question #witchblr #witchcore #witchcraft #witchlife #white witch #beginner witch #witch tips #grimoire #spirituality #book of shadows #italian folk magic #italian folk magick #italian witch #italian witchcraft

[thepastisalreadywritten]

Feast of the Assumption of the Blessed Virgin Mary

Today, August 15, Catholics and many other Christians celebrate the feast of the Assumption of the Blessed Virgin Mary.

This significant feast day recalls the spiritual and physical departure of the mother of Jesus Christ from the earth, when both her soul and her body were taken into the presence of God.

Venerable Pope Pius XII confirmed this belief about the Virgin Mary as the perennial teaching of the Church when he defined it formally as a dogma of Catholic faith in 1950, invoking papal infallibility to proclaim “that the Immaculate Mother of God, the ever-Virgin Mary, having completed the course of her earthly life, was assumed body and soul into heavenly glory.”

His Apostolic Constitution “Munificentissimus Deus” (Most Bountiful God), which defined the dogma, contained the Pontiff's accounts of many longstanding traditions by which the Church has celebrated the Assumption throughout its history.

The constitution also cited testimonies from the early Church fathers on the subject and described the history of theological reflection on many Biblical passages, which are seen as indicating that Mary was assumed into heaven following her death.

Although the bodily assumption of Mary is not explicitly recorded in Scripture, Catholic tradition identifies her with the “woman clothed with the sun” who is described in the 12th chapter of the Book of Revelation.

The passage calls that woman's appearance “a great sign that appeared in heaven, indicating that she is the mother of the Jewish Messiah, has the moon under her feet, and on her head, a crown of twelve stars.”

Accordingly, Catholic iconography of the Western tradition often depicts the Virgin Mary's assumption into heaven in this manner.

Eastern Christians have also traditionally held Mary's assumption into heaven as an essential component of their faith.

Pius XII cited several early Byzantine liturgical texts, as well as the eighth-century Arab Christian theologian St. John of Damascus, in his own authoritative definition of her assumption.

“It was fitting,” St. John of Damascus wrote in a sermon on the assumption, “that she, who had kept her virginity intact in childbirth, should keep her own body free from all corruption even after death and that she, who had carried the creator as a child at her breast, should dwell in the divine tabernacles.”

In Eastern Christian tradition, the same feast is celebrated on the same calendar date, although typically known as the Dormition ("falling asleep") of Mary.

Eastern Catholic celebration of the Dormition is preceded by a two-week period of fasting, which is similar to Lent.

Pius XII, in “Munificentissimus Deus,” mentioned this same fasting period as belonging to the traditional patrimony of Western Christians as well.

The feast of the Assumption is always a Holy Day of Obligation for both Roman and Eastern-rite Catholics on which they are obliged to attend Mass or Divine Liturgy.

#Feast of the Assumption of the Blessed Virgin Mary #Assumption of the Blessed Virgin Mary #Virgin Mary #Dormition of Mary #Dormition

[stjohncapistrano67]

#traditional catholicism #traditional catholic images #middle ages catholism #middle ages catholic religious art #traditional catholic marian devotion #traditional catholic marian images #traditional catholic marian hymns #redemptoris mater #traditional catholic spiritual books #traditional catholic spiritual writers #rev. t.e. bridgett #our lady's dowry #saint raphael at pintrest #saint raphael pins at pinterest

[cruger2984]

THE DESCRIPTION OF THE THREE ARCHANGELS Feast Days: September 29, March 24 (St. Gabriel's traditional feast), May 8 (St. Michael's apparition at Monte Gargano), October 24 (St. Raphael's traditional feast)

"Do you believe because I told you that I saw you under the fig tree? You will see greater things than this. And he said to him, 'Amen, amen, I say to you, you will see heaven opened, and the angels of God ascending and descending on the Son of Man!'" -John 1:47-51

St. Michael. St. Gabriel. St. Raphael. These are the Three Archangels that is been mentioned in the Holy Scriptures, and they are honored by the Roman Catholic Church.

The archangels are spiritual beings of the highest rank created by God before the beginning of the world. They have no material body and are immortal. Their name is given according to the mission have received from God. The word archangel is only used twice in the New Testament: In the 4th chapter of Paul's first letter to the Thessalonians and the Epistle of Jude. 

The archangel Michael, whose name means 'who is like God (or Quis ut Deus?)', was assigned to fight the devil. He was appointed to cast Lucifer out of Paradise, for challenging the sovereignty of God, as according to the Book of Revelation: 'Then war broke out in heaven; Michael and his angels battled against the dragon. The dragon and his angels fought back, but they did not prevail and there was no longer any place for them in heaven.' 

Michael helps us in the daily struggle against Satan, who will be defeated in the Apocalyptic war at the end times. 

In Roman Catholic teachings, Saint Michael has four main roles or offices. His first role is the leader of the Army of God and the leader of heaven's forces in their triumph over the powers of hell. He is viewed as the angelic model for the virtues of the spiritual warrior, with the conflict against evil at times viewed as the battle within. The second and third roles of Michael in Catholic teachings deal with death. In his second role, Michael is the angel of death, carrying the souls of all the deceased to heaven. In this role Michael descends at the hour of death, and gives each soul the chance to redeem itself before passing; thus consternating the devil and his minions. Catholic prayers often refer to this role of Michael. In his third role, he weighs souls on his perfectly balanced scales. For this reason, Michael is often depicted holding scales. In his fourth role, Saint Michael, the special patron of the Chosen People in the Old Testament, is also the guardian of the Church. Roman Catholicism includes traditions such as the Prayer to Saint Michael, which specifically asks for the faithful to be 'defended' by the saint, and the Chaplet of Saint Michael consists of nine salutations, one for each choir of angels. 

The archangel Gabriel, whose name means 'God is my strength or hero of God', received the mission to proclaim God's almighty power. He was sent to announce the birth of Jesus to the Blessed Virgin Mary. In the Gospel of Luke, when Mary objected that she was still virgin, Gabriel replied: 'Nothing is impossible from God.' 

Gabriel has the power to assist us in the most desperate cases, and to protect those who announce the Good News. It is said that Gabriel is the destroyer of the sinful city of Sodom.

It is said that Gabriel played some important roles: he taught Moses in the wilderness to write the Book of Genesis, the revealing of the coming of the Savior to Daniel, his appearance to Joachim and Anne the birth of Mary, and the appearance to Zechariah to announce the birth of John the Baptist. 

In the Gospel of Matthew, Gabriel may have been the unnamed angel, who appeared to St. Joseph in his sleep and instructed Joseph not to divorce Mary quietly, and explained that Mary’s child was conceived by the power of the Holy Spirit and that He would be named Emmanuel, which means God is with us. And in the Gospel of Luke, Gabriel may have been the angel who appeared to the Lord Jesus himself, in the Garden of Gethsemane before His Passion, to strengthen him. 

The archangel Raphael, whose name means 'God has healed', was appointed to cure the sickness of the spirit and of the body, and appeared in the Book of Tobit, and is also identified as the angel who moved the waters of the healing sheep pool.

After getting blinded, God hears both Tobit and Sarah's prayers and Raphael is sent to help them. Tobias is sent to recover money from a relative, and Raphael, in human disguise, offers to accompany him. On the way they catch a fish in the Tigris, and Raphael tells Tobias that the burnt heart and liver can drive out demons and the gall can cure blindness. They arrive in Ecbatana and meet Sarah, and as Raphael has predicted the demon, named Asmodeus, is driven out. Tobias and Sarah are married, Tobias grows wealthy, and they return to Nineveh (Assyria) where Tobit and Anna await them. After revealing his true identity, he said to him: 'I am Raphael, one of the seven angels who enter and serve before the Glory of the Lord.'

Tobit's blindness is cured, and Raphael departs after admonishing Tobit and Tobias to bless God and declare his deeds to the people (the Israelites), to pray and fast, and to give alms. Tobit praises God, who has punished his people with exile but will show them mercy and rebuild the Temple if they turn to him.

Michael is the patron of the military and police forces, Gabriel is the patron of messengers, those who work for broadcasting and telecommunications such as radio and television, postal workers, clerics, diplomats, police dispatchers and stamp collectors, and Raphael is the patron of the blind, of happy meetings, of nurses, of physicians and of travelers. 

#random stuff #catholic #catholic saints #michaelmas #archangels #saint michael #saint gabriel #saint raphael #archangel michael #archangel gabriel #archangel raphael

[tarragonblack1235813213455]

THEOLOGY

ABRAHAMIC RELIGIONS ->

THE THREE MAJOR ABRAHAMIC RELIGIONS are, in order of appearance, JUDAISM, CHRISTIANITY, and ISLAM, but there are other MINOR RELIGIONS.

■JUDAISM is an Abrahamic monotheistic religion based on the covenant shared between God and Abraham.

The holy scriptures of JUDAISM are called the TANAKH, after the first letters of its three parts in the Jewish tradition. T: TORAH, the Teaching of Moses, the first five books. N: NEVI'IM, the books of the prophets. KH: KETUVIM, for the Writings, which include the psalms and literature for the wise.

ORTHODOX JUDAISM is the belief in a strict interpretation of Jewish law, which should be grounded in the Torah. As such, the revelation given to Moses from God on Mount Sinai is made glorious and just.

CONSERVATIVE JUDAISM is the belief in marriage and membership as a Jew. Other characteristics will include support of the Zionist movement and the rejection of the immutability of the "Torah" and the "Talmud" while still having faith in the eternal truth upon which it is based.

REFORM JUDAISM is the belief of the renewal in our living Covenant with God, the people of Israel, humankind, and the earth by acknowledging the holiness present throughout creation – in ourself, in each other, and in the world at large – through practice that will include reflection, study, worship, ritual, and much more.

■CHRISTIANITY is an Abrahamic monotheistic religion centered around the birth, life, death and resurrection of Jesus Christ.

THE BIBLE is the holy scripture of the Christian religion, purporting to tell the history of the Earth from its earliest creation to the spread of Christianity in the first century A.D. Both the Old Testament and the New Testament have undergone changes over the centuries.

□ROMAN CATHOLICISM

Roman catholicism is a branch of Christianity which has its belief about the sacraments, the role of the Bible and tradition, the importance of the Virgin Mary and the saints, and the papacy.

HISTORY OF THE REFORMATION

THE REFORMATION was a reform movement in religious belief that swept through Europe in the 16th century. It caused the creation of a branch of Christianity called PROTESTANTISM, a name used collectively to refer to the many religious groups that separated from the Roman Catholic Church due to their difference in doctrine.

□PROTESTANTISM

Protestantism is a branch of Christianity which will deny the universal authority of the Pope and affirm all of the Reformation principles of justification by faith alone, the priesthood available to any practitioner, and the Bible as the only source of revealed truth.

□QUAKERISM

Quakerism is a branch of Protestantism

Follow your "inner light"

The Bible

Equality for all

God is accessible to everyone

No clergy

No religious ceremonies

No sacraments

LOCATION -> England

WHEN -> 17th Century

Adventism

Anglicanism

Anabaptism

Baptism

Irvingianism

Lutheranism

Methodism

Moravianism

Pentecostalism

Waldensianism

■ISLAM is an Abrahamic monotheistic religion that was revealed to Muhammad, a prophet of Allah, and written down in the Qur'an years later by his followers.

SUNNI

Muhammad did not specifically appoint a successor to lead the Ummah before his death. This sect did, however, approve of the private election of the first companion, Abū Bakr. In addition to the previous mentioned, Umar ibn al-Khaṭṭāb, ʿUthmān ibn ʿAffān, and ʿAlī ibn Abī Ṭālib are also accepted as al-Khulafāʾ ur-Rāshidūn. After this, they believe that Muhammad intended that the Muslim community choose a successor, or caliph, by consensus. A practitioner of this sect will base their religion on the Quran and the Sunnah as understood by the majority of the community under the structure of the four schools of thought. These are HANAFI, MALIKI, SHAFI'I and the HANBALI.

SHI'A

Muhammad's family, the Ahl al-Bayt, including all of his descendants, have distinguished spiritual and political authority over the community. It is believed that Alī ibn Abī Ṭālib was the first of these descendants and the rightful successor to Muhammad. As a result, it was rejected that the first three Rāshidūn caliphs have legitimacy.

------------------------------------------

ETHICAL RELIGIONS ->

THE THREE MAJOR ETHICAL RELIGIONS are BUDDHISM, TAOISM, AND CONFUCIANISM.

■BUDDHISM is an ethical religion that was revealed by Siddhartha Gautama for anyone to gain spiritual enlightenment if that person followed the eight-folded path along with a personal commitment to any noble truth given to him/her through the journey of life in order to reach nirvana.

■TAOISM

■CONFUCIANISM

#theology #religion #monotheism #judaism #christianity #protestantism #islam #ethical religion

[the-trans-folk-witch]

The Planets as Angels and Demons

In my tradition I work with planetary virtues by assigning them to days and hours in which certain works must be performed. As someone who also works in a Catholic context, I've assigned Angels and demons to embody the benefic and malefic aspects of these Planets. To me, an angel is not ruled by a planet, but is the planet itself. This is where anism comes into my practice. I acknowledge western occult classifications of angels and their planets, but I rework them to fit my own revelations instead of that according to old irrelevant wiccan men. That said, the 7 angels vs 7 demons lists across the world are heavily influenced by kabbalah. However my own list pulls from Greek Orthodox traditions and Philippino Catholic traditions based in Manila. I also allow the 3 books of occult philosophy to influence my worldview of these spirits and purposes. The 3 books of occult philosophy state that there is a benefic and malefic side to each planet. To copy this within my practice I assign one angel and one demon to a planet. I come to them not in ceremonial methods, but as folk saints.

The angels and their remedies are as followed:

Uriel- (sun/sunday) "regent of the sun" in folklore. He is known for being renowned, amiable, and acceptable; he adds potency in all good works, equaling a man to kings and princes, elevation to high fortunes, and success in all endeavors- I understand Michael as being the Sun in most traditions but I view micahel as being more war-minded and aligned with Mars. Uriel is historically referred to as regent of the sun and that should not be ignored.

Gabriel- (moon/monday) rendering the bearer grateful, amiable, pleasant, cheerful, and honored; removing malice and ill will, security during travel, increase of riches, bodily health, and the driving away of enemies and other evil things. - dreams, blessed pregnancy, prophecy of futures pertaining to spiritual paths and one's fate. Protector of families.

Michael-(mars/tuesday) potency in war, judgments, and petitions; victory against enemies, justice toward enemies for the sake of justice, not revenge. , and stopping of blood. Michael isncommonlynassociated with the color red and as mars is the" red planet" I saw it as fitting. Mars is described as our "sister planet" due to its similarities with earth. Given michael being so close and dear to humanity I saw this closeness and resemblance as representative of his love for us.

Raphael- (mercury/wednesday) rendering the bearer grateful and fortunate to do what they please, bringing gain, preventing poverty, and helping memory, understanding, and divination. He also encourages occult understanding through travel and reading signs given in nature. The protector of travelers and claims vengeance towards thieves.

Sealtiel- (jupiter/thursday) is often seen as the Patron Saint of prayer and worship for members of the Eastern Orthodox Church and some Catholic traditions. In some Orthodox traditions, he is said to help people interpret dreams, break addictions, protect children, preside over exorcisms, and rule over music in heaven. Orthodox Christians will seek his help if their prayer is suffering from distractions, inattentiveness, or coldness. In Catholic tradition, he is depicted with a thurible. He helps fight addiction, helps one seeking gains and riches, favor and love, peace, concord, appeasement of enemies, confirmation of honors, dignities, and counsels, and dissolving of enchantments. "The undoer of witchcraft" which is a title given to St Michael Archangel in traditions that don't recognize this angel.

Jehudiel- (venus/friday) ending concord, ending strife, procuring a woman's love traditionally but all genders apply. aiding in conception, working against barrenness, and causing spiritual abilities in a generation (or gifting a child with the power of prayer). also known for the dissolving of enchantments or lustful charms of a woman causing peace between men and women, making all kind of animals fruitful, protecting pets, curing melancholy, causing joyfulness, and bringing good fortune.

Barachiel-(saturn/saturday) the ability to bring forth, to make one safe, to make one's prayer powerful, and to cause a success of petitions with princes and powers. Marsilio Ficino and others also associated Saturn with intellectuals, whose minds are more lofty and divine than those of common folk. This is because Saturn is the highest planet in occult cosmology and therefore closest to God. this angel brings creativity, good study habits, focus, peace of mind and strengthens decision making skills to ensure good choices are made. -------

The Demons to be shared below are the traditional names of demons taken from Agrippa's 3 books of occult philosophy. It was common in older orthodox beliefs to associate the demons of the 7 deadly sins with the Planets, but I find the demons of the 7 deadly sins to be less influential and deadly than planetary powers would rival. Sin is on earth and changes as nature does. It's not written in the stars and predestined. Therefore, the 7 most well-known known demons on earth would not be fit to personify a planet. Expect a post on the 7 shortly.

After requesting the aide of these planetary demons, always cleanse the soul by prayer to the corresponding angel. Cursing another is similar to rolling in the mud yourself. Wash your hands as Caesar did. Without furthermore, here are the planetary demons that oppose these angels for matters of harming others:

Sorath(sun/sunday)- causing a man to be a tyrant, proud, ambitious, unsatisfiable, and to have an ill ending. Causes requested illness and can only be remedied by the corresponding angel.

Hasmodai- (moon/monday) rendering a location unfortunate and causing people to flee from it, hindering physicians, orators and all men whatsoever in their office. Blurs the psychic senses, hides works, ruins divination, curses divination tools to never work again.

Barzabel- (mars/Tuesday) hindering of buildings/homes, casting down the powerful from dignitaries, honors, and riches; causing discord, strife and hatred among men and beasts, chasing away bees, pigeons. and fish; hindering mills, rendering misfortune toward hunters and fighters, causing barrenness in men, women, and animals; striking terror into enemies, and compelling enemies to submit. Blighting of crops and all works money flows from.

Taphthartharath - (mercury/wednesday) rendering the bearer ungrateful and unfortunate in activities, encouraging poverty, driving away gains, and inhibiting memory, understanding, and divination. Steals spiritual gifts from others and gives them to the witch, can steal luck and good fortune of others. Hides the works of thieves, and protects stolen property from recovery.

Hismael- (jupiter/thursday) attract the baleful influences of Jupiter, of which Agrippa is curiously silent. However I am here with my own thoughts and experiences. This demon quite literally brings an end to the mind. It decays one's thoughts and happiness. It causes lunacy and mania. The hottest of the demons here.

Kedemel- (venus/friday) encouraging strife, driving away a woman's love, blocking conception, encouraging barrenness, blocking generational gifts and the blessing of ancestors, bringing bad luck, destroying joy, and encouraging melancholy. Ruins families, causes miscarriage, and attracts another's lover to you.

Zazel- (saturn/saturday) according to Agrippa includes the hindering of buildings and plantings i.e. growth, casting a man from honors and dignities, causing discord and quarrels, and dispersing armies. Turns one's men against him and creates jealousy. Ends the life of men.

Call on these spirits at your own risk. Always follow it with proper spiritual hygiene.

#folk witchcraft #traditional witchcraft #transgender witches #beginner witch #folk catholicism #animism #santa muerte #folkloric witchcraft #witchcraft #demons #demonology #angelology #grimoire

[homomenhommes]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … November 29

1764 – Percy Jocelyn (d.1843) was Anglican Bishop of Clogher in the Church of Ireland from 1820 to 1822. He was forced from his position due to claims of homosexual practices.

In 1811, Bishop Percy's brother John Jocelyn's coachman, James Byrne, accused Percy of 'taking indecent familiarities' with him (possibly buggery) and of 'using indecent or obscene conversations with him'. The bishop survived this accusation, instead suing the coachman for libel. Byrne was convicted and was sentenced to two years in jail and also to public flogging. Recanting his allegations at the prompting of the bishop's agent, the floggings were stopped. A public subscription was raised in 1822 after Jocelyn's fall from grace to raise money for Byrne to try to make up for this miscarriage of justice.

On 19 July 1822, Percy Jocelyn was caught in a compromising position with a Grenadier Guardsman, John Moverley, in the back room of The White Lion public house, St Albans Place, off The Haymarket, Westminster. He and Moverley were released on bail, provided by the Earl of Roden and others. Jocelyn broke bail and moved to Scotland where he worked as a butler under an assumed name. He was declared deposed in his absence by the Metropolitan Court of Armagh in October 1822 for "the crimes of immorality, incontinence, Sodomitical practices, habits, and propensities, and neglect of his spiritual, judicial, and ministerial dutie."

A political cartoon of the time

Jocelyn was the most senior British churchman to be involved in a public homosexual scandal in the 19th century. It became a subject of satire and popular ribaldry, resulting in more than a dozen illustrated satirical cartoons, pamphlets, and limericks, such as:

The Devil to prove the Church was a farce Went out to fish for a Bugger. He baited his hook with a Soldier's arse And pulled up the Bishop of Clogher.

The scandal was so great, that in the days following, "it was not safe for a bishop to show himself in the streets of London", according to Charles Manners-Sutton, Archbishop of Canterbury at the time. In August 1822, Robert Stewart, Viscount Castlereagh, who was both the Foreign Secretary and Leader of the House of Commons, had an audience with King George IV saying he was being blackmailed, and that "I am accused of the same crime as the Bishop of Clogher."

1931 – Leo Martello (d.2000) was an American Wiccan priest, gay rights activist, and author. He was a founding member of the Strega Tradition, a form of the modern Pagan new religious movement of Wicca which drew upon his own Italian heritage. During his lifetime he published a number of books on such esoteric subjects as Wicca, astrology, and tarot reading.

Born to a working-class Italian American family in Dudley, Massachusetts, he was raised Roman Catholic although became interested in esotericism as a teenager. He later claimed that when he was 21, relatives initiated him into a tradition of witchcraft inherited from their Sicilian ancestors; this conflicts with other statements that he made, and there is no independent evidence to corroborate his claim.

During the 1950s, he was based in New York City, where he worked as a graphologist and hypnotist. After beginning to publish books on paranormal topics in the early 1960s, he publicly began identifying as Wiccan in 1969, and stated that he was involved in a New York coven.

After the Stonewall riots of 1969, Martello – himself a gay man – involved himself in gay rights activism, becoming a member of the Gay Liberation Front (GLF). Leaving the GLF following an internal schism, he became a founding member of the Gay Activist Alliance (GAA) and authored a regular column, "The Gay Witch", for its newspaper.

In 1970 he founded the Witches International Craft Associates (WICA) as a networking organization for Wiccans, and under its auspices organized a "Witch In" that took place in Central Park at Halloween 1970, despite opposition from the New York City Parks Department. To campaign for the civil rights of Wiccans, he founded the Witches Anti-Defamation League, which was later renamed the Alternative Religions Education Network.

In 1973, he visited England, there being initiated into Gardnerian Wicca by the Gardnerian High Priestess Patricia Crowther. He continued practicing Wicca into the 1990s, when he retreated from public life, eventually succumbing to cancer in 2000.

1968 – Jonathan Knight is an American singer. Knight is part of the boyband New Kids on the Block. The band also includes Donnie Wahlberg, Joey McIntyre, Danny Wood and Jonathan's younger brother Jordan. He is the oldest member of the group and was the first to leave the group in 1994 prior to their official disbanding. The band reunited briefly in 2008.

Jonathan Knight was born in Boston, Massachusetts, to Canadian parents. (His father, an Episcopal priest, is from Meaford, Ontario; his mother is from Dunnville, Ontario.) He is one of six children, including Allison, Sharon, David, Christopher and Jordan.

In the early 1990s, Knight was linked to teen pop singer Tiffany. Both denied dating at the time. In 2009, The National Enquirer published an article from a man claiming to be Knight's ex-boyfriend, and outing him as gay. In a January 2011 interview, singer Tiffany stated that Knight is gay, which Knight then confirmed, saying "I have lived my life very openly and have never hidden the fact that I am gay." n a statement on the NKOTB blog, he added "Apparently the prerequisite to being a gay public figure is to appear on the cover of a magazine with the caption 'I am gay'. I apologize for not doing so if this is what was expected!"

Since 2008, Knight has been in a relationship with Harley Rodriguez, best known for playing Manny Lopez in the Sweet Valley High television series. The two participated in the 26th season of the reality competition series The Amazing Race, which aired on CBS in early 2015, where they placed 9th. On November 15, 2016, while vacationing in Africa, the two became engaged when Knight proposed to Rodriguez. In March 2021, Knight began hosting the HGTV television show Farmhouse Fixer, in which he restores old New England farmhouses for clients.

On August 25, 2022, it was revealed that Knight and Rodriguez had married.

1628 – John Felton, murderer of George Villiers (King James I's lover) was hanged. Villiers was the last in a succession of handsome young favorites on whom the king lavished affection and patronage, although the personal relationship between the two has been much debated. 

1984 – Less than a month after being established as a city, West Hollywood approved a gay rights ordinance.

1990 – US President George H.W. Bush signs an immigration bill ending the gay ban.