#ultimate sense

[spacedace]

You ever think Dick overhears someone say Jason was the most violent Robin and just gets so mad about it?

And it's not even about like, defending Jason's honor or anything. It's purely because he's just so incredibly insulted that people somehow forgot how much of an unhinged ball of rage he was as a child.

Like I'm imagining him storming into the cave and yanking on his now way too small Robin costume and muttering angrily about I'll show you the angriest Robin

Barbara is facepalming about all the nonsense that's about to pop off that inevitably she's gonna have to clean up. Bruce just starts sweating profusely and desperately trying to talk Dick down because he suddenly remembers that time Dick kicked a criminal so hard they ended up in a coma for a week and smiled so brightly while doing it that the other goons there at the time just chose to jump off a three story building into the suspect sludge that filled Gotham harbor rather than face the unhinged ten year old on bright colors and pixie boots.

Duke: But wasn't Dick the nice one?

Tim, who idolized Dick Grayson's Robin like his own chaotic god: Don't ever insult my favorite Robin that way again. Here are my top thirty photos of him reigning deranged chaotic violence upon his enemies. I'd show you more but this album just has the photos from the first month I started following him and Batman around.

Jason: The hundreds of dead assassins and all the shit I've heard about you and Young Justice suddenly make a lot more sense

#batman #batfam #dick grayson #barbara gordon #bruce wayne #duke thomas #tim drake #jason todd #jason was the golden child of all the robins #like cass is the ultimate golden child but juet talking about those that had been robin it was Jason all the way #dick was an unhinged agent of rage and chaos #tim being the way he is in context of Dick being his favorite and the robin he aspired to be like the most makes a lot more sense #i'm just saying

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

#dungeon meshi #dungeon meshi manga spoilers #dungeon meshi meta #kabru of utaya #laios touden #labru #laios x kabru #dunmeshi #og post #kabru is such a big picture thinker. and he evaluates people more than he judges them imo #the hater jokes are funny but the people he judges most harshly arent laios and co. they're people like the island's lord. #but you don't see that as clearly because he isn't interested in the island's lord. he understands him. finds him contemptible but useful. #whereas laios lives in his brain rent free because he WANTS to understand him but doesnt quite. #even though he sees the elves as a major threat to his ultimate goals and dislikes the way they treat short lived races #he still understands and evaluates mithrun as an individual based on his own merits #he's one of the characters who is least judgemental in that sense because while he's always making judgements and evaluations #he's also constantly revising them whenever he gets more information #my beautiful machiavellian prince <3 #it's genuinely a really laudable way of understanding others imo. #the only problem is that because he's driven towards his goals by his PTSD and survivors guilt #he pushes himself into situations (the dungeon and also interpersonally) that trigger him or even just upset him #without regard for what he authentically wants or his own wellbeing.

[babydarkstar]

i just. i just…FUCK. i just really want harrowhark to go sicko mode when she realizes john has the power to resurrect whoever he wants he just chooses not to and even after learning about his own blood daughter he still doesn’t resurrect her he just makes her a construct. i would be alecto-levels of grief-stricken-enraged if my childhood nemesis/guard dog/whipping girl/codependent lesbian situationship that i lobotomized over/suicide-pact soulmate/only friend was suddenly here but not here haunting her own dead body and the only reason she’s present is because she was made into a fascist killing machine for a man with a power kink, and she’s not even happy about it but she’s going through the motions because all she knows of love is to be useful. (forever your sword.) and if i was harrow and i died and then came back to myself after switching bodies with the human cage holding the earth’s soul and realized all of this, i think i too would be accompanying the earth’s soul on her shoulder to go kill a man with eclipse-eyes and criminal levels of nonchalance. y’know. the one who guarded g1deon but not me, lord. the one who was so sure i had never seen that which lies insensate and with stilled mind, lord, who did not realize i was a lock and there was a key in the shape of a girl, lord. the one who looked me dead in the eye and told me i could never have my cavalier back, lord. the cavalier who came back haunted and empty and incomplete by your hand, lord.

i’m so team ‘harrowhark saves gideon for real this time not because she wants her cav but because she wants her other half’ i might lose my mind about it

#the locked tomb #griddlehark #im going crazy if im being honest #like sorry if this doesnt make sense im losing my mind #also i think so much about kiriona’s jealousy when alecto swears her fealty to harrow #and so many people talk about how theres a chance harrow chooses alecto over kiri/gideon #and yeah. she probably will choose alecto. but not as a supplement to gideon #bc once harrow realized the price to pay she never wanted it to happen to gideon #which is why she was so so upset she literally threw up every day for like a month about it #and lobotomized to stop the soul-bleed from being finalized. #she couldnt swallow one more soul as sacrifice for her own life #let alone gideon?????? she said it all in the pool scene ok. and then the iron fence scene #‘i can’t conceive of a universe without you’ #something something abt making gideons life miserable bc she wished she was dead #and would mever forgive herself for it #etc etc etc #ultimately i think harrow wants gideon. not as a cav or a servant. just as herself #one can dream

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

#you’re the wife who played my actor :( #posthumus #asteroid city #imagine youre in love with a playwright and he writes a play before he even meets you about how you cant get over his death which hasnt #happened yet. id go insane too #im going to see it again to see how this informs the whole thing because its driving me crazy #rewatching the performances knowing that they're performing people performing. augh. #remember when bryan cranston accidentally appears in frame. rending my garments #also ‘you cant wake up until you fall asleep’ confused me a bit but then i remembered that the margot robbie scene was supposed to be put o #as a dream sequence and it makes sense now. thanks #aliens are the new fairytale monster symbol of death. the ultimate Unknowable #EDIT okay i read the wikipedia summary got some facts wrong adrien brody is sleeping in the theatre during rehearsals so its not because of #the playwright’s death he’s just like that.

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

#vashwood #trigun #trigun maximum #vash the stampede #nicholas d wolfwood #its done.... after 2 months.... collapses on the ground #theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up #they deserve a little sap too!!! and in the end this is the closest they could get to a first confession #through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their #lives... and the people or things that are tied to them in the long term tend to be something that harms them. #and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time #vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually #ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security #or at least vash does. or at least just for this one moment #a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood #and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just #naturally in wolfwood to give to those that he love #but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to #enjoy and share their company in this manner. to be a little less restrained and love each other freely #ruporas art

[hajihiko]

Welcome to the S.S Awakening, Ryota

#ryota mitarai #Ultimate Impostor #Hajime hinata #mitworai #Sagimita #Sdr2 #Super danganronpa 2 #Danganronpa 2 #Danganronpa #An art #I got a sudden craving for more Vague Spookies so off I went. Posting even though it's the middle of the night lol #When ya gotta get it out ya gotta do it #No one can prove there is anything ghostly going on it's just that. Well. #They're all a bit screwy in the head after everything and when several people freak out over something at night #It makes sense to just. Avoid that happening anymore. No roaming around by yourself at night it's for everyone's sake

[jakeperalta]

you're losing me being written in 2021 surprised me a bit but didn't like totally shock me or make me reevaluate the whole album really. we already have hits different and the great war telling the story of a relationship that hits a breaking point before choosing to try again together and if anything it makes more sense to me as something that informs the backdrop but was written a while before the album was assembled

#like idk given that we know they were literally buying a house together at the start of this year #clearly there was a point of things being more steady and i think midnights being released during that point makes sense #in terms of tracklisting etc. obviously there's lots of turmoil but ultimately it gives the sense of overcoming the worst #as opposed to living it presently #talking #taylor swift

[suchawrathfullamb]

Some say Will and Hannibal would never get married in canon, that would be out of character, or "too domestic". But you see, it's the exact opposite...I wrote a fanfic where they do, and I read a few others that did, too, and you know what all of them get? That it's simply the most natural and obvious thing to do. They're so distrusting of one another, so weary, but so, madly, deeply and irrevocably in love that what else is there to do? Give me something, some kind of security, some form of tangible bond, otherwise I'll go crazy. They're everything to each other, they have nothing left to merge together, it's a desperate plea for ground, for concreteness, it sounds ridiculous because it's backwards, they merged every part of themselves, and yet it's not enough, there's still so much fragility and ephemerality, it's like "okay now what?" and the answer is the most banal and conventional thing you could do: marriage. Bind me to you in any way that's left, bind me to you in a way that I may rest, may absentmindedly fall into stability. Take me, in all the ways you can take me, even the most mundane and trivial."

#do you get me? #like they need marriage to settle down so they can subconsciously fall into a dynamic that forces them to stop running from each other #they're already married in every sense might as well do it literally #also: hannibal's ultimate dream -let him have it #hannigram #nbc hannibal #hannibal #will graham #murder HUSBANDS #hannibal lecter #fanfic #headcanon #meta #analysis

[jjadmanii]

i love that the hunger games is getting the appreciation it deserves but boi some of these takes are truly making me question ppl’s media literacy because ???

#starting with the fact that ppl are calling katniss boring?!??? talking about everyone and anyone BUT HER?! THE MAIN BITCH OF THE SHOW #the hunger games #hunger games #ppl saying the last book doesnt make sense?!? bc the rebels were going to get snow anyway so the death were pointless?!??? #WHICH EXCUSE ME ITS THE FUCKING POINT BUT ALSO KATNISS NEEDED TO GO TO THE CAPITAL BC THAT IS WHAT ULTIMATELY MAKES COIN EXACTLY LIKE SNOW #bc shes willing to sacrifice innocent ppl (katniss’s team) in order to kill katniss- for the bigger purpose (her being fairly ‘elected’) #thg #everlark #katniss everdeen #peeta mellark

[starrysharks]

bunny blast-off!

#zeno's art #ultimate x-calibur #ocs #nova starbridge #optico #this was kind of spontaneous #most of the time when i make an illustration everything about it is in my mind already #but this was just based off a doodle that i decided to finish #i dont like this piece too much. i think i should've gone about the lineart differently - i also think it looks too clean #if that makes sense #i payed a bit of attention to values but the grayscale plan and the end result's grayscales are definitely very different #in the end i dont like this piece but i did like drawing nova's expression and the world behind her with the exaggerated city #i dont want to be too negative on it though... it was fun to draw #i hope everyone likes it. also i dont have a plan for a halloween piece just yet but ill try and find some free time to get one done #im booked and busy next month with studying so dont expect much

[cocolacola]

this is what happened in episodes 1-3 right

#once again #if this makes sense #hellsing #hellsing ultimate #alucard hellsing #seras victoria

[midnightsslut]

actually innocent is very interesting when you consider that she wrote it about witnessing the sort of downfall that she was absolutely terrified of going through herself. he was literally living through her worst fears because of something he did to her. of course she had to write a song reassuring him that this wasn’t the end when she herself very much believed it could be.

#like I always thought the song was too dramatic to be solely about kanye but it makes way more sense now #this is the sort of thing she hoped people would say to her if she went through the same thing #especially since his downfall *was* caused by a lack of self awareness as far as she was concerned #the fact that he ultimately administrated that same downfall for her must have caused a special kind of pain #innocent tv #speak now tv #castles crumbling

[nightswatchdisbandmentera]

Underrated reason why Lyanna as the KotLT just works is because it follows a pattern of deconstruction re the concept of knightly chivalry and honor, from Lyanna herself to her son 15yrs+ later. Lyanna as the KotLT is a gender-swapped version of the ‘knight rescues a helpless maiden from raucous bullies’ trope, but grrm of course puts his spin on it because one Lyanna is not even a knight to begin with and two, she’s a girl. Then knight!Lyanna fights the bullies which is again an adaptation of another trope: the ‘mysterious knight-errant enters the joust and wins then dips’, which is interesting because these types of knights sometimes fall into the black knight trope. And the black knight is, more often than not, not the hero. But the main reason why this is so interesting is Jon. Lyanna “cosplays” a black knight, but her son Jon later becomes an actual black knight. Jon then repeats his mother’s actions by defending Sam in AGoT, which is another subversion of the aforementioned ‘knight rescues a helpless maiden trope’ because the helpless maiden in this case is a helpless…lad…Though Jon and Lyanna acting as agents outside the bounds of knighthood (Lyanna being a northern woman and Jon being a member of the NW) puts them more in line with the traditional black knight (who is usually an anti-hero/villain), the actual essence of their actions puts them closer to the more valiant and honorable white knight according to tradition.

#asoiaf #in my arthuriana feels today 😃 #was gonna add that this trope repeats itself with jaime-brienne which I guess is the more traditional romantic version?? #and brienne looking for sansa as a subversion of the trope #does that count? #anyway this knight errant trope continues when rhaegar-the valiant prince/evil dragon-kidnaps/rescues the maiden #so another performance of romance and chivalry #and that example ALSO leads to jon lmao because it becomes the ultimate manifestation #of the valiant knight/prince/hero trope which is also a deconstruction because jon doesn’t look like it outwardly #or whatever idk hope that makes sense #jon snow #lyanna stark #valyrianscrolls #my stuff

[stinkythehutt]

also. something about palpatine being so adept at seeing into the future that all of his successes feel completely joyless by the time he achieves them because he’s just going through the motions… how fucked up and nihilistic and brutal that would make you…

#teddy talks #anakin is like the opposite of this bc he’s tortured by his future failures #so he lives in constant terror and denial #whereas palpatine is lowkey tortured in a different way though he’d never ever label it as such #but the boredom of it all. the inescapability… #in a sense of course you would long for ultimate power over the force. because you would feel so much just like a meaningless vehicle #of its will otherwise #and anakin would be a PERFECT toy for someone like that. because he is so bewildered. he’s easy to tangle up in knots #i’m just doing some character Thinking #but yeah. of course one in palpatines position might hate the force and feel a need to lash out and dominate it #and he manages his own repressed bewilderment by manufacturing it in anakin to an extreme degree #but. importantly. while also having complete control over the machinations of anakin’s experience #and by crushing the force and all knowledge of it #CHRIST i’m back sorry but all the stuff he does to extend his life. he obviously is terrified of death #and rather than face it he just creates My Apprentice: The Guy Super Fucked Up About People Dying #to punish somebody else for his own horror…. it’s giving projective identification. not to bring freud into this

[hoofpeet]

I'd probably have to read the printed version and web version back to back at some point to note all the differences but... ough

#sorry i'm going to be excited about this comic for the next month #nofna #okay having finished this now-- #and sorry if this doesn't make sense to anyone who's completely unfamiliar with this comic in advance- #the 'popcorn ending' (printed version) is nice to see but i think the web version hits harder. if that makes sense #so i'm kinda tied on which ending i 'prefer'- i think both are good though #also considering i've read the web version a good 4-5 times and the printed version only once- i probably can't make that judgement yet #easy answer- i do like Nutsedge :] so it's nice to see the ending where nothing bad happens to her #but also- NT suddenly becoming a greenie-esque villain out of nowhere felt a little jarring #as well as SV suddenly turning a corner and becoming a 'good guy' (arguable)- considering the first three books are about #/him being too stubborn to change or accept any outside worldviews . Him suddenly coming to his senses felt out of place #<- probably biased because i like characters being bitter to the end and ultimately destroyed by their own hubris #the web version is probably‚ objectively‚ a bit better #but - #(spoilers- if you're planning to drop ~70 bucks on getting these books) #the conceit of SV actually perfecting his style‚ using it once‚ and then immediately getting tooth-brained- was pretty cool #assuming it's meant to parallel him spending months tormented by trying to perfect it while something's still missing- #and then dying before he can narrate it to the audience‚ so that we never know what he figured out. #hard to articulate these thoughts but tl;dr- popcorn ending also had a lot to think about

[ruporas]

pet names

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. Vash overhears a conversation from a nearby table at the restaurant they're seated at, the unnamed character saying, "Honey, can you pass me that?" Their partner says, "Sure thing, angel." The unnamed character begins again, "Say, did you hear the news from earlier?" In response, "Haven't got the chance. Tell me about it?" Vash smiles fondly, listening in as the conversation continues, "You'd never guess, babe! The runner--" Abruptly, the conversation is cut in by a "Needle nogging", Vash's expression changing instantly and no longer smiling. The panel cuts to Wolfwood who smiles lop-sidedly, pointing at Vash's plate and says, "If you're not going to eat that. I'll take it." Vash grabs the plate and holds it away and says, "Mine" while Wolfwood clicks his tongue. He pauses for a moment before asking slowly, "Hey, is there any reason you don't use cute names with me?" Wolfwood lifts a cup of water up to his lips, looking confused. He says, "I do though." Vash cuts in, "Spikey and needle nogging aren't cute!"

Vash continues with a shy expression, "Since we're together now..." he trails off and Wolfwood picks up, taking a sip of water as he says thoughtfully, "Together, huh..." Vash pauses in his sentence with a look of confusion before reaffirming, "We are together, right?" Wolfwood nods, "Right." Vash says, "Right", before continuing, his shy expression returning, "Then you can use stuff like... honey or-" Wolfwood cuts in this time and says casually, "You're not a honey though." A panel cuts of Vash's expression changing again, shocked. He asks, "Huh? Then who is?" Wolfwood says immediately, "Milly." Vash exclaims, "Milly?!" Wolfwood continues, "She's sweet, just like honey." A bubble pops up of Milly smiling as Wolfwood speaks. Vash continues, "Okay, true... What about sweetpea?" Wolfwood responds, "Kids. Kids are sweetpea. And pumpkin too." Vash continues, "Okay... What about baby?" Wolfwood says without hesitation, "Meryl." Vash exclaims again, "Meryl?!" Wolfwood explains," Noisy, like a baby." Vash mutters, "Hey, that's a bit mean..."

Vash continues persistently, "Then what about babe?" Wolfwood shrugs with a grin, "You are not a babe." Vash looks at him, slightly frustrated before exclaiming with flushed cheeks, "Then what am I?!" Wolfwood points at his hair and smiles softly, "I told you. You're the one and only needle nogging." A panel closes in on Vash's widen eyes, cheeks still red, pausing before he ultimately resigns, planting his face into the palms of his hands and muttering, "I give up..." At the same time, Wolfwood sneaks and grabs the plate of food that Vash left unattended, saying in response, "You get up cuaght up about the dumbest things, y'know that?"

The comic then picks up again to a jump in time, after they've left the restaurant. Wolfwood muses to Vash, "You said all that about the names earlier, but I don't hear ya using them for me." Vash looks to him excitably and asks, "Did you want me to?" Wolfwood looks at him with an uncertain expression, "Not really, but I guess I am curious..." Vash beams, "Then let's try some, okay... dear?" He fingerguns Wolfwood with a grin, little hearts surrounding him. Wolfwood just looks at him neutrally and says, "Okay," while thinking to himself, "Cute..." Vash exclaims, "So unenthusiastic!"

The next comic picks up at a different time, but on the same theme of pet names. Vash hugs Wolfwood and says to him, "Thank you, my love." A panel close up of Vash steadily opening his eyes before he sees Wolfwood's reaction up close, his eyes glancing away, cheeks flushed, and the smoke out of his cig forming soft hearts as he mutters, "Sure..." In a smaller, cartoonish style, Vash has a comedically exaggerated expression of shock and widened eyes as he grips Wolfwood by the shoulders while Wolfwood still wears a shy expression. He then nudges his head to the side of Wolfwood's with a close eyed happy smile, hugging him close and says, "So, there WAS one you liked!" Wolfwood, still looking away, but now with an irritated and embarrassed expression, grumbles, "Shut up..."

The final image is a short sequence. Wolfwood is working on something, spacing out as he does, while Vash from off screen calls for him, starting with "Babeeee? Babe? Beautiful? Honey? My love?" All of which gets no reaction from Wolfwood. Vash pauses for a moment before piping up again, "wolfwood?" Wolfwood turns around, finally noticing that Vash was calling for him and asks, "What?" A box at the bottom of the page says, "Unresponsive to anything other than his names." END ID]

#vashwood #vash the stampede #nicholas d wolfwood #trigun #trigun maximum #ULTIMATELY the most convenient is to stick to needle noggin and wolfwood because it just makes the most sense to them. i also think the way #they refer to each other is such a like.. distancing manner at first. #because i think wolfwood DID call vash by his name at first right?? i mean it was spiraling from vash the stampede to vash and then to #spikey in that one town near the beginning of maximum #i dont know how to word it but the fact they call each other these particular monikers that dont get regularly echoed by others #IN PARTICULARLY needle noggin being SO specific to vash from wolfwood really pushes in the special place wolfwood has in vash's life. #wolfwood doesnt get the name wolfwood used for him often too. hes been called priest chapel nicholas nico.... #but vash uses wolfwood out of all of them. kills me every time #its just like the safest name for him. the thing about wolfwood is that it still is universally used for him too. he introduces himself as #nicholas d wolfwood to others as seen from when he first met vash.... regular citizens or kids mightv called him mr wolfwood and stuff... #so it kind of settles itself as a name for the mundane for safety for comfort. #but then they call each other by their first names in vol 10 and i . shatter sfx. needle noggin and wolfwood are so Precious to them for #each other but they're capable of using each other's first names too in such a gentle manner. i mean when vash used nicholas #it was in comforting gesture too. nicholas is who melanie and the kids know and that nicholas is still very much there even pass #the bloodshed. and when ww uses vash so his family knows of vash and his identity and the safety the name vash reflects...