Living the high lie [sic.]
No rules, no instructions
No frontiers or boundaries
As we strive higher
Bypassing the physical
World of self-sufficiency
So many strings attached
We must surely fly by
Taking life for granted
Food, shelter, rest
No transition yet
On lowland farms
Seeking lonely paths
Who am I to tell
And they to listen
Deciding upon change
Breathing pranayama
Periods of years pass
Consuming marijuana
Mastery coming later
Like Ludwig's opera
I only need one pill
To make the world work
Never too late to try
Beings soaring high
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Oedipus Rex after Sophocles
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Winter sunlight II
Of signs, nervousness long since not felt
Youth hostels in chicky neighbourhoods
Sat leant against the railings
Sat controlling a desire.
Nothing had been important in such a long time.
Now the time has come, now it’s here
Walking arm in arm, no longer face to face
The start of a new journey, a different direction
Yet with a non-real destination, just an aimless wander,
Fingers crossed and hands held
Not having had to make a single decision yet
It’s hard to tell, where we would go
When forced to place value on these feelings
This bond. So natural, so un-out-of-the-ordinary.
This is no longer a confession
I’ve made my choice and know what I’ll do
Let’s place my greed to one side
Just for a moment, think
What is possible, what will be needed?
This journey could be long
Fatigue may set in.
[ . . . ]
–––
Part two of a seven part poem (see below for part one)
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Winter sunlight VII
We never even discuss what happened after breakfast
Before we could work that far back
We reach another junction
That’s two now
And we must take stock
I have something to tell you.
Something important
Let’s preface it with some substance
I’ll tell you where we’re going
Because I know you’ll like the surprise
Then it’s out as if it were a passing observation.
I open myself to you
We move from cars to people
Where we wanted to be
Direction is no longer important
We’ll get there
Hopefully once the doors have been opened
Until there there’s a lifetime lived
And we must catch up.
There were deep flecks
But overriding is the timing
Spring, not to mention the location.
–––
Last part of a seven part poem
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Winter sunlight VI
Something carried us blindly through
In the beginning from light to dark
The passage of the houses,
A straight line down the hill
Until we could go no further
But even then we thought nothing of it.
This way looks better.
Where are we going? Wasn’t it a surprise?
What about this day of yours?
What about these children of yours?
The conversation lasts as we walk forwards
Following the same route.
[ . . . ]
–––
Part six of a seven part poem (see below for parts I-V)
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Winter sunlight V
These first words are our reference,
The origin of everything shared
We seek back to find the first signs
Share our secrets and privileged views
And this will be the basis for all.
The pot in which we grow.
Before you know it we’re stood under blossom
The daylight my first
I see the green and brown flecks
Hidden by the dark world which inhabits us
Yet here in the filtered light all becomes clear
[ . . . ]
–––
Part five of a seven part poem (see below for parts I-IV)
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Winter sunlight IV
One step further forward,
And we’re lost once more.
How could I have feared a thing?
We exchange our ideas,
Pull our bodies closer
This path is our currency
All destinations are valued
This way or that
We’ll need to reorient
Pause, recover and dream
Stare into each others eyes,
But then it’ll start again
[ . . . ]
–––
Part four of a seven part poem (see below for parts I-III)
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Winter sunlight III
So out of practice
So long lost
Yet here again
Against the odds
Happy to be so.
Then at some point
Night fell around us
This is where it began
Aimlessly walking around
With overtones of nonchalance,
In the dusk our paths lock
Now we’re on parallel trajectories
We don’t know where we’re going
I didn’t know this would unfold
Milestones measure concessions
Not distances travelled
This is what we should do
Now I must tell you this
[ . . . ]
–––
Part three of a seven part poem
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Winter sunlight I
As if words would crumble away
As if the first were the most important
No longer the first step of a long journey
But the weight of pressure
Having to withhold an entire experience
How can I live up to this?
By moving backwards?
There used to be a way
Then there wasn’t
Now there is
An apparent step back
Disguised as a step forwards
Or vice versa
[ . . . ]
–––
Part one of a seven part poem
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Emerging purpose / Pathways elucidated
Similar to the loop
That sends us the new way
there it is complementary
Without being monotonous
Harmony, joy, passion, love
The bonds of these
Who doesn't jump back down
Yet adapt with professionalism
the happy life peppered with relay
for a buoyant life
When the risk is to drown
Voted for some support
Having begun to find need
technically on command
Is all very well
But to seat the essentials
How to react now
If the army is lost
Add a downward yard
Pick up speed
Is the absence of stops
Mark the way with candles
Hammer it safety pegs
Use a rope and harness
All these reflexes
Precautionary activities
somewhat absent
When those things I prefer
have jostled the brain
Take to meditating
In zones of danger
Adopt, adapt mother Lightness
Find my way into battle
Invite other moments
To escalate their self
Not so hard after all
To keep everything oiled
Embed general instruction
seems to negate the bare
of what risk can there be
if living in a constant state flows
(if/when) force output dipped
A demonstrably success
Trickles down a scale
Not a diminishing feel
In and of itself
But a contributing network
Where it's the reward system
Is what begins to fail
A higher state I achieved
All is bright and well
But when prodded a little
Something reveals a learned chink
Weakly a purpose emerges
Disarming any the day
That to once thought the way
Motivation revealed
Pathways elucidated
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Before psilocybin, there was fluoride
There was one smile this morning, and it came with divine timing. I watched as I circled back and she approached the library door. My heart bled. Maybe they forgot to change their clocks, but most probably it was her. But if she hadn't I would have still been mulling over this bald guy in the hoody.
He later passed under my window, which overlooks the park, on his way back to his hovel. By that time, I was pleasantly daydreaming about how I might have helped her to while away the next three quarters of an hour. He was still frowning.
Not that there's anything wrong with frowning. It's just that there's appropriate attire to go with it. When you're dressed well, then you'll be taken for granted. But wearing anything else, and you'll just stir fear and guilt. Oh, and before I forget: it clashes with direct eye contact.
When you're this sensitive, it's hard to leave the house without picking up some new trauma. Even in close circles, it's compounded by comments like, 'you should see someone' or 'you have so much darkness in your past' and so on and so forth.
The point isn't that stuff from the past still bothers me. It's more about what happened this morning. You see the thing is, the people who most need help aren't the ones who ask for it. It's the one's who think they're perfectly normal.
I have the right to express myself, they tell me. And I say to them there are limitations, but forget to issue a trigger warning and a teachable moment is lost.
He wasn't doing anything wrong, they tell me. And I say to them how the hell could you know that from where you were stood? The business end was pointed our way.
For them, it's like if you get triggered it's your fault. Oh yeah? So why didn't the girl who forgets to change her clocks start smashing the doors and screaming at passers-by?
No, I didn't do anything wrong. That's why she was where she was when I walked on, having seen him, taken a detour and still be approached. She was still smiling, because the library doors were still some way off and time goes in that direction.
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How else do you find form?
My closest brush with death was on the death road. It's embarrassing, but what paradox isn't. I rounded the corner and there was this truck.
I could have stopped, but instead I decided to risk the dust cloud between its wheels and the edge of the precipice. Just like Tom Cruise in Days of Thunder, only I was on a rental mountain bike and this was Bolivia.
Then a midnight dive in a swimming pool about a month or more into this binge portrayed by oh so many close calls. The white flash in my mind was like my first enlightenment.
That first time was in my early teens. I hadn't been practicing meditation for long, and then suddenly everything went white. Like a hit of crack, it was gone and I wanted more.
I tread a narrow path, and now risks are relative. But intense sensation still beckons; emotions and stability are understood in terms of anti-fragility.
Yes, I'm now robust and resilient, striding through the shadows and usurping power. But it's not my fault; I did take those decisions, but mt life was already debased.
So, what does waking up mean? Only discovering one truth at a time. 'You should talk about your problems'. I already did. 'Well, it took me a long time'. Read my books.
This is normal considering what other people did wrong. Nothing's changing it; it's not going away. Just look at us, look at our success, but then look at how we're still unsatisfied and yelling into the void.
The answer's not less trauma; it's more, but of a higher quality. Time causes scenarios to evolve in complexity, and I marvel at the contrived nature, smiling in the knowledge my mind created it all.
Not slowing down on the death road was my best move ever. I wore my blue t-shirt with its yellow affirmation until it fell apart. And then I wore it some more.
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I'm the kind of reader who dissolves into a novel's typeface, tweaks its tesseract and emerges in the writer's space-time, where I proceed to psychoanalyse him/her/them. Mostly it's to find out why, but often it's in vain hope.
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Could go either way
Four seasons in a walk, that's what I'd say. But there's no hope if we allow what's in our hands to lead us astray. This tourist with his smartphone, me with my dog, but then there's this lady, just staring like someone spat in her food.
What's your problem? I communicate in language that is not only politcally incorrect and insulting, but probably also objective, I reassure myself. You see the issue is my dog does these circles because he carried a benign tumour in his gut for who knows how many years and that's just the way it is, and what do you want me to do? Not clean his leash?
I starts with food, moves to money and before you know it you're suffering from traumatic indigestion. It's easy to diagnose: the main symptom is yesterday's ignorance isn't being processed quickly enough to make space for today's, and you lash out.
At any rate, I can circle back, because it's important for me, and if you're just going to approach a man with a dog in the park with your attention fully on your phone screen, I'm not going to take the rap. These leaves are only going to be there until some guy comes along and blows them away and with this diffuse light on a cloudy day, chances are I'll miss this shot otherwise.
On the way in, because of all of that, I smile at a woman on a bicycle, who's not even supposed to be riding where she is, and that's usually already a trigger, and she smiles back and it's clearly wider than recent smiles and it spreads across her face and a human person emerges.
Now I'm home safe, believing the world can be changed one smile at a time, except in case of reproving stares by people believing they will change the world. They're not wrong; they just don't know what kind of change they're catalysing.
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Next stop: Gare de Lyon
This time, this is it. I'm finished with the excuses. I'm done with the reasons. For all these years, I've told myself, 'you can't do it, you work in diplomacy. It has to be hidden; it has to be secret.'
And now, it's all broken anyway. It wasn't a government after all. It wasn't even the enemy within. It's all collapsed but at least I know why: Too many principles; clinging too tightly.
My attention strays, as I wind my way through the Parc des Bastions. I thought I'd silenced this attachment. I thought it was only supposed to alert me of something important.
So, it is important. And I need a dry seat to sit and read this. But there's none, and besides it's perfect with the greens turning brown, and the bark mulch is still fresh and fragrant. My heart races.
I didn't read it right the first time, but now Jojo's found a spot that's appropriate for his morning movement, and if I don't close in straight away I might lose valuable minutes—half-way through—looking for it and tracing the arc he adopts surely just to complicate my life.
No, he's not that way. That's just my machinations telling me 'everyone's out to get me'. As if that were the problem. I pull to a halt alongside one of the plinths in front of the Reformation Wall.
Now I can focus. I can get to the end, knowing it's just the beginning, and if I'm not patient I might just mess it all up. #It's lucky I don't have all the power in the world / So I can't just fuck everything else up. But why would I give up all this up?
Because I've been planning to anyway? No, I'm tired of chasing my tail in self-doubt. I didn't get into this for the wrong reasons, and it was my strength and not my weakness, and that's why it's so perfect.
So why dismantle perfection? I've felt like this before, followed my heart when it pounds like this, and it brought me all the way here, thinking about hopping on that train with the same carelessness with which I'm going to click a mouse button and try to move on with my day.
Because that's what's got to end. I'm tired of binding myself daily with my mouth only to squirrel away the words from my pen.
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