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#vocal music
czardasm · 2 months
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Hard work desk
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mediantriaad · 8 months
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nathanielthecurious · 10 months
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do straight cis people understand that your vocal range has nothing to do with how feminine or masculine your speaking voice is. it doesn't even have that much to do with how high or low your average speaking voice is. discussing voice types with a straight guy i was told "ha, i dont believe you, there's no way that you're a bass" and discussing voice types with other lgbt people i found that i am far from the only person to get remarks like that. like... when somebody has a stereotypical gay/trans voice it's because we're speaking at a relatively high pitch within whatever our range is and/or using inflection that is seen as feminine. it's not because our vocal chords cant sound any more masc lmao
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sjwallin · 4 months
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Exciting way to kick off 2024– I FINALLY finished the 3-movement song cycle I’ve been writing for my wonderful friend Claire Fedoruk (you can hear her lovely voice singing the solo on “Of Roses and Lilies” on my recent SHARDS album)!
I am so proud of this work—I included poems from two of Claire’s favorite poets. All three poems I used are from early 20th-century women, and they are so powerful and deep.
Claire will be debuting this work during her UK music tour starting next month!
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thesobsister · 9 months
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Not enough people are talking about Sheila Chandra, one of the great voices of the '90s. Her involuntary silence for more than a decade makes these albums all the more precious.
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firjii · 1 year
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I stepped into "modern" gaming in 2017. Dragon Age Inquisition was really the first narrative-heavy RPG I ever played and still ranks near the top of my favorite games list. The soundtrack in particular really captivated me - including some of the tavern songs - and reignited my spark for being more active more often in music creation.
The idea with "Rise" was a generally simpler, heavier, rougher version sung by a war-displaced person (maybe a Redcliffe farmer or a traveling merchant surface dwarf) with neither strong political opinions nor a trained musician background who was just lamenting the current state of their life with a tune. They're tired and exasperated but are still clinging to reason through relatable lyrics.
Even the backing track is structured around the concept of people making due when they're a little bit out of their element but are compelled to do something. Maybe the singer can only play a few chords or maybe the person they asked to help them with the song has a fragile instrument that was damaged in an evacuation and can no longer handle the bouncy rhythms heard in more polished tavern music.
This is a weirdly deeply personal track. I hadn't originally planned to officially release it, but I recently found an affordable option for cover licensing and despite the rough edges (I wasn't in the best of health in any sense of the word when I made this), I didn't see the point of hiding this away anymore.
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theartofmany · 3 months
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"- Psalm 50 A Psalm of David" From Youtube channel Trio Mandili: Trio Mandili - Psalm 50 So beautiful...
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thatrandombookworm · 14 days
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Practicing Journey to the Past from Anastasia for class and omg that last note is killing me its crazyyy
It holds for 7 bars (like 15-20 seconds according to my backing track) and it’s the big finish so it’s also the loudest part of the song
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lezet · 2 months
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Lezet / {AN} EeL - "Voces animi" is out !
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Lezet / {AN} EeL - "Voces animi" is out ! This album represents the 3rd full collaboration between Lezet & {AN} EeL This volume is the vox one All Hail ~ Voices Raise Skyward ~ Glottal Rush ~
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myvinylplaylist · 9 months
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Dean Martin: As Matt Helm Sings Songs From "The Silencers" (1966)
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Columbia Pictures
Reprise Records
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18thcenturythirsttrap · 7 months
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Audivi Vocem (Thomas Tallis, c.1505 - 1585) - New York Polyphony
OK, so now I’m spamming all my followers with music that I love... Between 3:08 and 3:11 always sends shivers up my spine. 
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thekingcomposer · 10 months
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The tough part about composing choir music is that audiences want lyrics that are modern and relate to them. So, unless you have connections with a living poet, you are forced to use poems in the public domain that all say stuff like:
WYNNE THAY REDCHIRP SPLITTETH THAY SUMMNER MUOON, ALL HEEAED THAY WARNYNS OF THAY MUOONLAITE
ALSO I AM SEXIST
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iamlisteningto · 1 year
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Sanni Est’s PHOTOPHOBIA
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czardasm · 2 years
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New week begins with more challenges, my week are full of rehearsals for the opera and classes a lot of classes and I'm really excited about this season.
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sjwallin · 11 months
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So I just finished writing and then recording this demo for the second movement of an in-progress 3-movement work for my professional soprano friend. She'll be debuting the whole work in the UK this Spring!! 😲
Anyway, I utterly love how this movement turned out--the original poem I set to music is by Clarissa Scott Delany, a young poet of color and social worker during the Harlem Renaissance. Enjoy this little demo! :)
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tigerden-blog · 1 year
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Experience the vocal Raaga Jayjayanti with Western fusion in @spotify understand clearly at the end of the vocal ,the beauty of Raaga Jayjayanti
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