Thinking about IDW Optimus again and the fandom's aversion to even acknowledging he exists bc he's a cop or whatever and like. Most of the time people literally just replace him in fic with some white bread knockoff archivist/librarian, not even bothering to keep in IDW OP's personality (which just bolsters my theory that the problem isn't him being a cop the problem is that he's too multifaceted but I digress).
And it's annoying because you could totally write IDW Optimus as not a cop while still keeping his canon personality. You just have to realize that the reason IDW OP became a cop in the first place is because his formative experiences when he was young shaped him to basically have two priorities: 1. To help people and 2. To do it by being on the ground actively doing something about the bad things happening to people.
IDW OP would not be a fucking librarian or archivist because even though those are noble pursuits that can help people and change the world, and Optimus is educated/smart enough for the profession, he wouldn't be satisfied just teaching people or spreading information about activism or social-historical studies or whatever. He's a mech of action: he needs to be doing things right now, in front of him, to people he sees/interacts with in his own eyes, improving society with concrete actions rather than indirect action or abstract inspiration.
So basically the alternate job ideas I can think of for IDW Optimus are something like being a firefighter (or any first responder really) or even whatever the equivalent would be to international charity organizations, those ones that send volunteers across the world to do stuff like build housing/infrastructure or distribute food or whatnot. I mean I can't imagine that the equivalents to these things would be exactly the same in IDW Cybertron, so you'd have to get a little creative with it, but these are just some ideas of jobs that would fit IDW Optimus' personality while still filling the niche of "not a cop" for people who are just that opposed to it.
Though I think the revulsion against coptimus is annoying in general tbh because IDW is already a continuity that rejects the idea of easily defined good/evil people or groups. It feels like people really want Optimus to be a good person in a very sanitized and academically approved way, so he has to be nice and squeaky clean but also like, a perfect leftist who knows theory and holds the most progressive opinions on every single issue....
There is no room for the idea that good people join bad institutions, there's no room for the idea that the reason people think cops are good guys who help people is bc of the government propaganda everything is saturated with. Hell there's even later issues of the Optimus Prime series by John Barber where Optimus like, MULTIPLE FUCKING TIMES, is shown in flashbacks grappling with the fact that he as a cop/Zeta's regime that he works for might not actually be improving society like they say they are, and dealing with the fact that he feels more like a lesser evil compared to the Decepticons (perhaps not "lesser" at all).
It's like there's this idea in fandom of like, fictional media and opinions on media having to strictly adhere to progressive ideals at all times. So people just go "cops bad, this character is a cop, therefore they suck" without being willing to engage with the idea of like. IDW OP is born wanting to fight injustice and protect people -> a good way to protect people is to fight the people who are hurting them and committing crimes -> surely following the law is a reliable moral code to guide him in this -> becomes a cop because he's been indoctrinated into a society (much like our own) where he was told that the state/the law exist to protect the people and being a cop means you get to fight bad guys that hurt people. There's really so many interesting concepts there that could be (and CANONICALLY IS) explored about how good, well-intentioned people can be led to harmful actions simply because they have been fed the idea that the things they're doing are good/helpful/noble. Which is especially important for a character like Optimus, I think, who has a cultural icon status as The Irrefutable and Perfect Good, so it's really important actually to use IDW Optimus as an example of how even the most noble people you know have held problematic beliefs or done bad things at some point in their life. You know, because no one is born perfect and ideologically pure, and in fact society is constructed in exactly a manner to make people drink the kool-aid and believe that the systems designed to hurt them/others are just a normal, if flawed, society.
I mean the writing in IDW literally has Optimus deal directly and indirectly with the harm he's done as a cop and how people don't/didn't trust him because of that. I don't know what the fuck else this fandom wants if the source material literally saying "OP realizes that cops suck and he hurt people and earned their disdain by doing the things he did" doesn't stop them from going EW cop bastard sucks and is the worst Optimus. Like the narrative barely stops short of outright saying ACAB and Optimus himself would agree with this sentiment.
At that point, the collective fandom beef with IDW OP isn't because he's a cop and the narrative didn't do enough to condemn that. The problem is literally just that people don't read and don't care
TLDR: Consider the fact that good people can do bad things sometimes especially when living from birth in a corrupt society that thoroughly disguises its vices/oppressive structures as completely normal parts of existence
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since today seems to be the day for tswift hot takes MY taylor swift hot take is that i really don’t think celebrities/pop stars need to be politically active or outspoken beyond using their platforms responsibly. it’s great if they choose to, but it is by no means a profession i would expect to have any authority on political issues and the growing demand for this change in the last decade is to me a bit silly because why are we going to actors from CW shows for updates on geopolitics?
that said! when taylor swift decided to release an entire documentary about her decision to use her voice for political change and titled it MISS AMERICANA of all things, she set a different standard for herself that she clearly wasn’t ready to meet. it’s very fair to expect taylor to make posts on issues like black lives matter and the like (i mention blm specifically bc her silence during the 2020 protests was particularly noticeable), when she frames herself as a committed agent of change.
now, i don’t think she’s a malicious person, but she seems to lack a certain self awareness, particularly when it comes to political issues. because i think her decision to tell people to vote blue was — to her — a monumental one. i am sure it felt huge. but when it’s less than what most celebrities do at a bare minimum, to portray that decision as her entry into activism only to remain largely as apolitical as she has been before opened her up to a lot of well-deserved criticism.
and that brings me to my final point in that i think taylor swift, as someone who is politically unsavvy, has trouble understanding issues in ways that don’t affect her directly. in her song about gay rights, you need to calm down, she spends the first half of the song talking about haters coming at her on the internet, and then later compares that to rampant homophobia. tswift is someone who has very clearly faced a lot of misogynistic narratives throughout her career, but even the misogyny tswift experiences is very different than the misogyny ur average white woman in america experiences, and you can tell when she talks about it. her critiques of sexism almost entirely have to do with reputation, media commentary, and slut-shaming. non-famous women experience that, of course, but things like workplace discrimination, sexual harassment culture, the wage gap, etc. are not things she talks about. she notices how she herself is treated, but struggles pivoting that perspective to the average woman.
tldr: i think a lack of self awareness truly makes tswift oblivious to where this criticism about her apolitical behavior is coming from, and that’s why her documentary was, in many ways, a tone deaf, foolish move.
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At the heart of it, something - maybe the thing - that really hurts me about what became of the animated Young Justice show is the way later seasons are contemptuously cynical-bordering-on-hateful towards the ideals of heroism set out by its own first season.
In Season 1, Superman states that the Justice League of Earth-16 upholds the ideals of Truth, Liberty and Justice. And yet, the thing the characters from Season 2 onwards can be most reliably expected to do is lie.
They lie constantly, for ill-justified, often-selfish reasons, with the intent to control and manipulate their peers (and civilians), in ways that betray and endanger people who trust them. And when confronted they refuse to hold themselves accountable, at best giving lip-service apologies that are rendered meaningless by them continuing the same behaviours in later episodes/ seasons.
That is mind-numbingly awful. The S2+ iterations of these characters have not only failed to embody their own series’ stated ideals of heroism, but have so consistently acted antithetically to them that, if placed into almost any other hero story (or even their own first season), they would at best be tragic dire-warning fallen heroes, and at worst be insidious Justice Lord-style villains.
Not only that but later seasons seem almost personally vindictive towards the specific ideals and aspirations of the individual characters:
The Dick Grayson of Season 1 was openly afraid to become someone who would sacrifice others for the sake of the mission. And yet the Nightwing of S2 onwards is forcibly re-written as a compulsively dishonest manipulator who pointlessly conceals information and concocts callous sacrifice-plans by default. (‘Dick Grayson is a pathological liar’ becoming a fandom meme.)
The Bruce Wayne of Season 1 openly admitted that he didn’t want Dick to become too like him, and was invested in the emotional wellbeing of the proteges. And yet the Batman of S2 onwards is rewritten to actively enable Nightwing becoming exactly that; an approving co-conspirator who praises him for the ‘respect’ he now commands.
The Kaldur’ahm of Season 1 was concerned that he behaved too much like a soldier to be an effective leader, while worrying about the possible damage he might do by forcing that mantle onto Robin too soon. And yet the Kaldur of S2 onwards is rewritten to be unfit for every leadership position the show arbitrarily hands him, specifically because he consistently enables Nightwing to use him as a soldier in plans that go against every principle the Team once stood for.
The M’gann M’orzz of Season 1 was terrified of creating a situation where her powers would hurt the people she cares about. And yet the Miss Martian of S2 onwards is re-written to intentionally misuse and abuse her powers; violating Conner’s boundaries, manipulating him, Garfield, Artemis and others, and destroying the minds of people she has decided are her enemies.
The Conner Kent of Season 1 wanted to know what it meant to be Superman while not wanting to be treated as a weapon. And yet the Superboy of S2 onwards is never given a meaningful personal or professional relationship with Superman on screen, while being used as a pawn and a tool by teammates who constantly lie to him, with the writing putting the burden on him to accept and forgive this mistreatment. (The show itself being unable to fully pretend that his and Miss Martian’s rewritten relationship isn’t abusive).
The Artemis Crock of Season 1 was desperate to become her own hero and define herself by something other than her criminal family. And yet the Tigress of S2 onwards is forcibly narratively separated from her ‘new family’ and defined primarily by her relationship to her biological family and brother-in-law, while being narratively punished for and written to regret every show of agency that doesn’t involve retiring from heroism to become a subservient trad-wife to either Wally or Red Arrow (because Greg Weisman is a misogynist).
The Wally West of Season 1 was a character who questioned the objectivity of others and learned to appreciate that the value of heroism was helping people. And yet the Kid Flash of S2 onwards is rewritten to be a jaded cynic who decides heroism isn’t worth it (in order to remove him from the narrative), is rudely dismissed by Nightwing when he attempts to question the plan, has his cynicism validated when he is killed in a twist to hurt the audience, and after which is only grieved in superficial ways as the others use his death to justify actions he would never have stood for.
The Zatanna Zatara of Season 1 was insecure about living up to her father’s legacy, especially after losing him to the Helmet of Fate. And yet the Zatanna of S2 onwards is never allowed to heal from that loss or grow into a magician in her own right, instead being relegated to a support character who is arbitrarily handed whatever magical abilities are needed to solve plot problems, uses her powers to manipulate others, and is primarily defined as either Nightwing’s ex-lover or by her Father (because, again, misogynist).
The Roy Harper of Season 1 was a proud character driven to prove his worthiness for League membership, only to be shaken by the reveal that he was a Cadmus sleeper agent. And yet, the Red Arrow of S2 onwards is never allowed a satisfying on-screen arc about identity or self; instead being used first as a prop to introduce Arsenal and then as a surrogate-Wally for Nightwing and strong-male-provider for Tigress to fall into the arms of (oh right, the misogyny).
Even the Team as a unit, the bonds between them, the themes of trust and communication, and everything they worked to achieve in Season 1 is systematically torn apart and undone across Invasion and Outsiders in a way that feels almost intentionally cruel.
I’ve heard people compare Young Justice to Dreamwork’s Voltron, and while that is a fair comparison, I think Young Justice is actually worse. Voltron managed to sustain itself for 3 seasons before gradually falling apart over another 4, and - while it was tragic in the loss of its theme, abandoning of stakes, failure to conclude character arcs and weakening of cast bonds - it never felt like the Paladins were intentionally hypocritical to the point of being toxic for one another, or like they were a threat to the fundamental ideals of the Lion corps.
Meanwhile the core cast of Young Justice have been so consistently re-written to betray each other’s trust and their own explicitly stated values while never taking ownership of or changing their behaviour (no matter how many times they are confronted over it or see it hurt others) that eventually you stop wanting them to succeed and start wanting them to fail just for there to be some accountability. And when that doesn’t happen (because the showrunners and executives don’t see a problem with selfish, dishonest, unjust behaviour) you almost start wanting them to die, if only because death would be a kinder fate than being forced to exist as a corrupted parody of everything they never wanted to become.
And if Earth-16 is a world where fundamental heroic ideals like compassion, honesty, respect and accountability are sneered at as childish things that cannot survive into adulthood? If this is their reimagining of Dick Grayson - a character who in many stories is so meant to embody the ideals of heroism that any world in which he is a good person is worth saving? Then, frankly, Darkseid can have this one and good riddance.
This is what I mean when I say that Young Justice only truly has one season. Season 1 is a very distinctive and separate product to the rest: a sum total of its entire production and executive team. To me, it was the last breath of a golden age of DC TV-animation, with heavy creative input from DC/Cartoon Network old-guard members like Jay Oliva and Michael Chang (a pair of directors who were prominently involved in the Teen Titans animated series, and who together directed over 75% of YJS1 - each individually handling more episodes than any of the writers, including Greg Weisman).
And then a change came and we see those old-guard creatives disappear from the credits of S2 onwards.
It feels like the new production/executive teams hated what Young Justice Season 1 was. It’s kind of an open secret that multiple Cartoon Network shows were cancelled around that time due to a combination of poor toy sales (partially resulting from the low quality/ limited variety of official merchandise) and for having too much ‘four quadrants appeal’, especially when it came to drawing in unexpected numbers of older female viewers. (There’s this deeply stupid marketing idea that shows which attract an audience outside of their intended demographic are “internally competing” with and drawing profit/ sales away from shows aimed at those other demographics). That might also explain why Oliva, Chang and other old-guard members dropped from the production, since Teen Titans seems to have been one of the other shows under fire. This is just speculation but it wouldn’t surprise me to find out that Young Justice Season 1 was up for cancellation and - instead of just dropping the show and launching a new one - the decision was made to cancel it in all but name; gutting everything that actually made it what it was and repurposing the brand identity and visual aesthetic to take advantage of an established audience.
We never really got a genuine narrative continuation of Season 1. What we got was a series of In Name Only sequels, designed to sell merchandise, subscriptions and comics, by new production/executive teams that wanted the show to be anything other than itself. And, in repurposing the title to sell a set of antithetical stories as sequels, those later seasons destroyed any future possibility to actually see that original story continued or concluded.
This is why I haven’t watched Season 4, why I won’t be using any of it in my own fandom stuff (and why I’m low-key kind of offended by its premise). It’s existence is creatively bankrupt; I’ve talked about it here but the showrunners and production/executive teams have so thoroughly dissembled every piece of narrative mechanics that there simply isn’t a story or stakes to carry it. And the claims that Phantoms was going to return to the original team or that ‘this has always been their story’ are blatantly exploitative. This is a show that has had nothing but condescending cynicism-bordering-on-hatred for its own starting point. Its second and third season have done everything they could to deny these characters their arcs, undercut their values and walk back everything they once worked to achieve. If the showrunners and new production teams had ever sincerely cared about this story, its themes or its stated ideals of heroism then they would never have re-written them in such a fundamentally contemptuous way. We would never have been given Invasion and we certainly wouldn’t have been given Outsiders. So for Phantoms to try to crawl back; to make one final grasp at profit by pretending to care about characters and a season it has done nothing but cynically undermine and misrepresent… it’s emblematic of the kind of bald-faced dishonesty and manipulativeness that has destroyed this show from the inside out.
From a narrative perspective, Young Justice only has one season: the original Oliva-Chang directed season, by a production/executive team that genuinely seemed to care about who its heroes were, understood the ideals they stood for, and made a sincere effort to tell a good story.
But it has been followed by a corrupted, soulless parody of everything it never wanted to become: full of hypocritical, unjust strangers-wearing-familiar-faces, written to unapologetically do things that they know to be wrong in service of a product which is contemptuously cynical-bordering-on-hateful towards the ideals of truth, liberty and justice.
A show that now hates everything it used to stand for.
And it just about makes you want to cry.
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The Gang React to You Petting Their Hair
Lucifer
"I am only going to say this once: stop."
You get one warning. One. If you do not cease and desist, he is throwing you out of his study, so help him Diavolo's Dad. No, he does not like it. No, not even a little bit. You really aren't going to stop? You're just a glutton for punishment, aren't you?
....You're very lucky he's too busy to hurl you bodily from this room. He'll just endure it for now.
Mammon
"Hah?! What's the big idea?! This is the revered hair of THE Great Mammon, I'll have you know. So that'll be 100 Grimm a touch, thanks! ....Hey, no, wait, why'd you stop?"
Once he's done turning bright red and clearing his throat, he'll try to capitalize on this whim of yours by offering you a discount on hair touches. A very poorly-planned scheme, because you're not going to pay to do something he'll start begging you to keep up as soon as you stop.
Oh, so Mammon is willing to let you touch his high-value hair for free? You're so honored. What a good boy you are, Mammon. (You can expect a bit more sputtering and some denials that he is anything like a good boy, but bro's into it big time. If he had a tail, it would be wagging.)
Leviathan
*shrieks in confused, touch-starved otaku*
Wait, no, he didn't say to stop! What's with these mixed signals? Petting his hair then stopping just because he shrieks a little bit? Did you want to touch his hair or not? Is it greasy? Oh god, when did he last bathe? ...It was only the other day. You have no reason to be disgusted. You're just a bigoted normie who assumes all otaku are crusty and gross!
Ahhhh?!?!?!?! Again?! Fine! Just don't change your mind again, because that's super confusing! And yeah, obviously he's blushing, you're petting his head and it feels nice and kind of tickles! ....Mm.... You know, once he's settled into it, it's really relaxing, actually...
Fast forward an hour or two and he's probably conked out with his head in your lap, drunk on affection and mostly asleep.
Satan
"What exactly do you think you're doing?"
It feels weird. Why are you doing that? Wait, you're petting him? Like he's....a cat? Hmm. Interesting. He'll allow it. But you should do it properly. None of this mussing his hair around with wild abandon. You have to be gentle and use small movements. Maybe use your knuckles? Gently though. There, that's it.
So this is what it feels like. Admittedly, he probably wouldn't take kindly to this if anybody else was doing it, no matter how well they imitated proper cat-petting technique. But you're a special exception, so in the future, if you feel the need to do this, just let him know. And for the love of all things unholy, don't breathe a word about this to his brothers.
Asmodeus
"Oh, you like my hair? Isn't it soft? I'll show you the conditioner I use."
Asmo loves having his hair played with! Or brushed, or combed, or tugged (just not too hard, please!) His hair is silky smooth thanks to a mixture of his natural good looks and his shampoo/conditioner combination. He'll let you borrow them if you're interested. Your hair will look amazing! And it'll feel even better!
This is cozy. He'll just settle in and let you do this as long as you want. Careful you don't get too handsy; he knows how irresistible he is.
...Well, maybe if you're a little handsy he'll let it slide, but just because it's you.
Beelzebub
"Are you....petting me?"
Kind of weird, but it feels nice, so he isn't complaining. It's a little bit embarrassing, just because it makes him feel a little bit like a puppy, but then again, who doesn't like puppies? He'll be able to continue to go about his day not minding you petting his hair now and again. The only awkward part is how damn tall he is. You might need to keep a step stool handy.
Belphegor
"Nnngh, knock it off...! ... ... ...I changed my mind, do it again."
His initial reaction to being woken up to you stroking his head is annoyance, because dammit, he was sleeping. But once he shakes the cobwebs out of his brain, he'll realize that it actually felt really good and he could absolutely fall asleep under these circumstances.
He'll wait a little while, hoping you'll give it another try of your own accord, but if you don't, he'll eventually cave and grumpily ask you to do it again.
Diavolo
"Hahaha... That's enough, now."
He isn't actually a fan. Maybe it's the fact that he's a prince and has been acting as an autocrat more or less for centuries, but being stroked like an adored pet feels really degrading. Of course, he won't hold it against you, but seriously, stop.
Barbatos
"Are you finished playing around quite yet?"
Another one who isn't into this at all. He's more than happy to spend his free time petting you, if that's what you're interested in, but he is a petter, not a pettee. Read into this what you will.
Solomon
"You're so forward!"
Solomon likes it very much. Too much, possibly. Are you flirting with him? There's something incredibly intimate about touching someone's hair, don't you think? No, please, continue.
Simeon
"Um, what are you doing? ...As long as you're enjoying yourself, I guess!"
Simeon is more bewildered by this than most. Like, are you trying to scratch an itch for him? Is this one of those "viral memes" he's heard so much about? Well, it feels nice, and it isn't as if it's hurting anybody. He'll indulge you for now.
A little to your left, please. Ahhhh, that's the spot...
Luke
"Hehe, that tickles... Hey! Is this a Chihuahua joke?!"
It feels kind of nice, but as soon as he takes a second to think about it, he realizes that you're treating him at best like a little kid, and at worst, like a dog, and he isn't having any of that. He'll scold you for treating a Celestial being so casually, remind you that he's actually a lot older than you, technically, so who's the real baby, and secretly pine for more pets for the rest of his life.
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