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#where's the sequel i was promised
alicornze7 · 2 months
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it is currently 12:30 pm and I have an exam tomorrow
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The story of how i ship ragapom/hj
I'm getting wrecked by midterm exams so expect fewer posts from me
Pls ignore the hand I linearted it before realizing it looked wrong when it was already too late
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bisupergirl · 1 year
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just reread kara's story in dc's nuclear winter special and i will never not be anguished that this wasn't expanded into a full elseworlds tale for kara... i deserve to see milf kara and her daughter fight to survive in the nuclear wasteland
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ophanim-vesper · 5 months
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me happy that we're getting a new Moon Studios game:
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me, secretly sobbing, because we probably won't get another Ori game, ever:
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mfshipbracket · 1 year
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Are there any ships in bracket that you ship yourselves?
i think i like the majority of the ones frm the og bracket LOL it made some choices easier cuz i knew in my heart who’d sweep the whole thing (nihilism voter /j.) but overall i wasn’t too upset cuz well . i ship almost all of these hfkskdksjfnd
my personal top 5 are huntlow (i am a huntlow fanartist), msr, horishima, maleigh, & percabeth. if i started listing every ship here i personally really love then i may as well direct to the entire bracket 🫡
oh and of course broppy. i wouldn’t have made broppy the icon if i didn’t like broppy. i had like a whole 6 months where the only movies i watched on rotation were trolls, pacific rim, penelope, cars, and your name 🥹
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andiwriteordie · 1 year
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elmax/elumax and a hint of byler soulmate au coming at you tonight!
i have been wanting to do an el character study for a while but have been a little nervous to, just because i wanna do her justice! but then this little idea hit me yesterday, and i was busy for most of the day and couldn’t write it all... so i finished it up today. 😊 i hope you enjoy reading it as much as i enjoyed writing it!
(also, happy 50th stranger things fic to me! 🥳)
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alabaster-moon · 8 months
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don't you love it when the bookstore person roasts you for getting bl smut manga... and then the damn manga has no smut in it.
plz.
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phalar-aluve · 8 months
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Dhenvod's final canon (to my FR variant world) run is a tactician playthrough with that mod to play with EVERYONE in the party, so it's like an actual dnd game. but only once larian's like "Alright! We're done with updates :)"
Of course with my cute little edits due to a certain someone getting shafted with their endings so damn often.
i'm so fucking unhealthy about this fucking game.
i have a cumulative total of 75k words about this game.
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lovenpeace-pkmn · 8 months
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🎧
youtube
//top ten songs for when you're stuck inside doing housework and slowly losing it and you've kinda given up hope for yourself but you're clinging to the idea that even if there can't be a happy ending for you maybe there can be one for the people you care about, maybe they can at least build a brighter future from the ashes of what you could've been
//(ask game)
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snickerdoodlles · 2 years
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what would Wik thirst tweets look like pls help I’m trying to make Kim suffer
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the-desolated-quill · 11 months
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Why does Transformers, a franchise aimed primarily at children, have to be so needlessly complicated?
I remember when it used to be about two robot armies fighting over a magic cube.
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cupidquinn-moved · 1 year
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Anyway, I don’t trust that new Joker movie that may or may not end up being a musical not to heavily romanticize Jarley in the most pretentious of ways and like? Hey. Fucking hey. Harley’s been predominately separated from Joker since around 2000. C’mon. Fuuuuuuuuuck off.
Also I didn’t see the Joker movie because it looked...try hard af. 
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orcelito · 1 year
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least favorite thing about the dedicated structure of Sentido. i cant just write 10k words of gratuitous fluff and flirting. and that is a SHAME.
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burntoutdaydreamer · 6 months
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Weird Brain Hacks That Help Me Write
I'm a consistently inconsistent writer/aspiring novelist, member of the burnt-out-gifted-kid-to-adult-ADHD-diagnosis-pipeline, recently unemployed overachiever, and person who's sick of hearing the conventional neurotypical advice to dealing with writer's block (i.e. "write every single day," or "there's no such thing as writer's block- if you're struggling to write, just write" Like F*CK THAT. Thank you, Brenda, why don't you go and tell someone with diabetes to just start producing more insulin?)
I've yet to get to a point in my life where I'm able to consistently write at the pace I want to, but I've come a long way from where I was a few years ago. In the past five years I've written two drafts of a 130,000 word fantasy novel (currently working on the third) and I'm about 50,000 words in on the sequel. I've hit a bit of a snag recently, but now that I've suddenly got a lot of time on my hands, I'm hoping to revamp things and return to the basics that have gotten me to this point and I thought I might share.
1) My first draft stays between me and God
I find that I and a lot of other writers unfortunately have gotten it into our heads that first drafts are supposed to resemble the finished product and that revisions are only for fixing minor mistakes. Therefore, if our first draft sucks that must mean we suck as writers and having to rewrite things from scratch means that means our first draft is a failure.
I'm here to say that is one of the most detrimental mentalities you can have as a writer.
Ever try drawing a circle? You know how when you try to free-hand draw a perfect circle in one go, it never turns out right? Whereas if you scribble, say, ten circles on top of one another really quickly and then erase the messy lines until it looks like you drew a circle with a singular line, it ends up looking pretty decent?
Yeah. That's what the drafting process is.
Your first draft is supposed to suck. I don't care who you are, but you're never going to write a perfect first draft, especially if you're inexperienced. The purpose of the first draft is to lay down a semi-workable foundation. A really loose, messy sketch if you will. Get it all down on paper, even if it turns out to be the most cliche, cringe-inducing writing you've ever done. You can work out those kinks in the later drafts. The hardest part of the first draft is the most crucial part: getting started. Don't stress yourself out and make it even harder than it already is.
If that means making a promise to yourself that no one other than you will ever read your first draft unless it's over your cold, dead body, so be it.
2) Tell perfectionism to screw off by writing with a pen
I used to exclusively write with pencil until I realized I was spending more time erasing instead of writing.
Writing with a pen keeps me from editing while I right. Like, sometimes I'll have to cross something out or make notes in the margins, but unlike erasing and rewriting, this leaves the page looking like a disaster zone and that's a good thing.
If my writing looks like a complete mess on paper, that helps me move past the perfectionist paralysis and just focus on getting words down on the page. Somehow seeing a page full of chicken scratch makes me less worried about making my writing all perfect and pretty- and that helps me get on with my main goal of fleshing out ideas and getting words on a page.
3) It's okay to leave things blank when you can't think of the right word
My writing, especially my first draft, is often filled with ___ and .... and (insert name here) and red text that reads like stage directions because I can't think of what is supposed to go there or the correct way to write it.
I found it helps to treat my writing like I do multiple choice tests. Can't think of the right answer? Just skip it. Circle it, come back to it later, but don't let one tricky question stall you to the point where you run out of brain power or run out of time to answer the other questions.
If I'm on a role, I'm not gonna waste it by trying to remember that exact word that I need or figure out the right transition into the next scene or paragraph. I'm just going to leave it blank, mark to myself that I'll need to fix the problem later, and move on.
Trust me. This helps me sooooo much with staying on a roll.
4) Write Out of Order
This may not be for everyone, but it works wonders for me.
Sure, the story your writing may need to progress chronologically, but does that mean you need to write it chronologically? No. It just needs to be written.
I generally don't do this as much for editing, but for writing, so long as you're making progress, it doesn't matter if it's in the right order. Can't think of how to structure Chapter 2, but you have a pretty good idea of how your story's going to end? Write the ending then. You'll have to go back and write Chapter 2 eventually, but if you're feeling more motivated to write a completely different part of the book, who's to say you can't do that?
When I'm working on a project, I start off with a single document that I title "Scrap for (Project Title)" and then just write whatever comes to mind, in whatever order. Once I've gotten enough to work with, then I start outlining my plot and predicting how many chapters I'm going to need. Then, I create separate google docs for each individual chapter and work on them in whatever order I feel like, often leaving several partially complete as I jump from one to the other. Then, as each one gets finished, I copy and paste the chapter into the full manuscript document. This means that the official "draft" could have Chapters 1 and 9, but completely be missing Chapters 2-8, and that's fine. It's not like anyone will ever know once I finish it.
Sorry for the absurdly long post. Hopes this helps someone. Maybe I'll share more tricks in the future.
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nightprompts · 1 year
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&. 𝐦𝐨𝐫𝐞 𝐬𝐦𝐮𝐭 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.
(  happy sunday! here's another assortment of smut / nsfw dialogue prompts but with more explicit language. a dirtier sequel to my other, more subtle, smut prompt list. please do not interact if you are under eighteen. )
❛ you can't expect me to do all the work. i want to see what that pretty mouth of yours can do. ❜
❛ you're mine, and i take care of what belongs to me. ❜
❛ i want to fuck you so badly. ❜
❛ i want you to fuck me so badly. ❜
❛ do you really think you’re in a position to give orders? ❜
❛ please. make me feel good. no one else can like you. ❜
❛ you can call me whatever you want, baby. ❜
❛ be good, and i'll fuck you / let you fuck me. ❜
❛ we're going to fuck right here? what if someone sees us? ❜
❛ that really does make you hard. i can feel you pulsing inside me. ❜
❛ do whatever you want with me, i'm yours. ❜
❛ your body was made for mine. ❜
❛ you keep your hands where they are or i'll tie them up. ❜
❛ you want gentle? wrong fucking address. ❜
❛ have a little trust in yourself, i know you can take it. ❜
❛ it's my thigh or nothing. i'm not helping you get off. ❜
❛ i'm waiting for your permission to let me have my way with you. ❜
❛ i don't care if someone sees us. i need you, now. ❜
❛ i can see you enjoy having the upper hand for once. ❜
❛ you're such a fucking tease, you know that? ❜
❛ let me come in you, please. i want to fill you up. ❜
❛ come in me. i need you to fill me up. ❜
❛ now, i'll ask again, are you going to be good for me? ❜
❛ we both know how much you're going to enjoy this. ❜
❛ i'm sorry, what was that? i can’t hear you over all that noise you’re making. ❜
❛ you can take my clothes off for me. ❜
❛ begging is a good look for you. ❜
❛ i'll take good care of you, i promise. ❜
❛ i'd say you need someone to put you in your place. ❜
❛ so good for me. look how much you came. ❜
❛ i can take care of you. you won't need anyone but me. ❜
❛ it made them hard to see me bleed. just like it's making you hard. ❜
❛ you're mine. you've always been mine. ❜
❛ i want to see how pretty you look with your lips around my dick / strap. ❜
❛ i'm simply enjoying the view. it's not every day i get to fuck someone so pretty. ❜
❛ you're so good for me, so fucking good around me, fucking made for me. ❜
❛ you came so fast, i barely even touched you. ❜
❛ do what you want, but you'd better make it good or i'll kill you. ❜
❛ as much as i'd love to have you choking on me, i'm impatient and there's something else i want more. ❜
❛ missed my touch that much, did you? ❜
❛ someone's needy. ❜
❛ you taste like heaven. ❜
❛ i need to come. please, i'll do anything. ❜
❛ i'm going to put that mouth of yours to good use. ❜
❛ you're fucking gorgeous like that, spread out like a good boy / girl who just wants to be eaten. ❜
❛ you'll be begging for me by the time i'm through with you. ❜
❛ let me stay like this in you for a little bit. ❜
❛ look at that pretty expression. i always knew you could make one. ❜
❛ was it good for you too? it's never been like that before. you've never been like this before. ❜
❛ is that how you usually get out of these situations? by fucking your way out of them? ❜
❛ i love that no one else has seen you like this, that no one else has felt you before, been inside you. they don't get to have you, but i do. ❜
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fuckyeahgoodomens · 10 months
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ABSOLUTELY DELICIOUS S2 BTS VIDEO! :)❤ 🐍😊
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David: Good Omens 2 will be once more unto the breach...
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Michael: The kind of world that Neil and Terry Pratchett created here. It's... it seems to be expanding out into the world in all kinds of unexpected and and truly joyful ways.
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Douglas Mackinnon (the directior): If Season one was a comedy about the End of the World, Season Two is a comedy about the beginning of everything else.
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Miranda Richardson (demon Shax): The Bromance is continuing.
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Doon Mackichan (Archangel Michael): What a cast, is all I can say, incredible, incredible cast.
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Liz Carr (angel Saraqael): But of course a script of Good Omens is a whole different thing because anything can happen.
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Shelley Con (Prince of Hell Beelzebub): There's always a smirk somewhere around the corner in a Good Omens script.
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Quelin Sepulveda (angel Muriel): I had no idea what to expect, where this character was gonna go...
Liz: I feel quite honored that when they were thinking of the realms of sarcasm they thought of me.
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Gloria Obianyo (angel Uriel): Seven-year-old me is like, 'Oh my God! This is the stuff of dreams!'
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Maggie Service (human Maggie): A whole Fantastical Universe of joy that we just get to playing and you'll get to watch.
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Tim Downie (Mr Brown): I am immeasurably, immeasurably excited.
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Jon Hamm (Archangel Gabriel / Jim): You know I was very pleased when when I was brought back to be a part of that story.
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Neil Gaiman: Ppeople are excited and I'm working so hard to tell them absolutely nothing. I'm very lucky because Michael Sheen and David Tennant love Crowley and Aziraphale. I think the first moment that I saw David and Michael acting together... all of a sudden there was Crowley and there was Aziraphale, it was like seeing two friends who I hadn't seen for years.
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David: There's something about the way Neil sees the mundane that is extraordinary and there's something about the way things filter through his imagination and of course in this world it also sprinkled with the imagination of Terry Pratchett and those two together created this cocktail that is it's unlike anything you've seen anywhere else and yet it feels utterly familiar.
Michael: And they both have a sense of the absurdity of what it is to be a human.
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Rob Wilkins: When you've got David and Michael in front of the camera David and Michael evaporate and you have Crowley in Aziraphale and that relationship it needed it needed interrogating more and of course we all know that Terry and Neil had conversations about what the sequel would be and Neil has taken that and he's blown it up in a way that the viewers are just going to love so what would Terry think? Terry would pat Neil on the back and he would push Good Omens forward, he would break a bottle of champagne over its bows and be absolutely delighted and I know that, I'm the one person on Earth who's been entrusted to know that for certain and I promise you Terry would be absolutely delighted.
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David: We've got some cast members coming back, returning but playing different parts which is a lovely little addition to things isn't it, so Miranda Richardson is back not playing the same role as Season One, she's now Shax, my replacement - Crowley's replacement on Earth.
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Neil: Shelley Conn came in as Beelzebub and it feels in a weird way kind of like a Doctor Who Regeneration. We have a new demon called Furfur played by Rheece Shearsmith who was our Shakespeare in Season One.
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David: Nina and Maggie were two of the Sisters in Season One, The nunnery of Doom, and now they are two characters imaginatively called Nina and Maggie.
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Maggie: In season one really it was just me and the nuns, it was the nun gang, so to actually get to meet Aziraphale and Crowley... I hadn't been prepared for how delightful Aziraphale is.
Neil: Season Two begins about threem four years after the events of Season One.
Michael: Aziraphale and Crowley now are, you know, out on their own, they're.. they're a team to themselves.
Neil: Everything changes when Aziraphale gets an unexpected visitor.
Michael: A familiar face comes along with a mystery that needs solving and as Aziraphale and Crowley attempt to solve that mystery they realize that there are much more terrifying things ahead than they've had to deal with in the past. That involves having to go back through history as well to get clues as to what might be going on.
David: When we go back into these stories set within Aziraphale and Crowley's personal history there are moments within those stories where where their relationships sort of pivots or develops in some way. Himself and Aziraphale I think rely on each other even more in season two than they did in Season One because they are by necessity and by circumstance they're a they're a double act that nobody else can join.
Michael: It's extraordinary to see how important these characters and this story have become to a lot of people and how much people enjoy expressing themselves through art, through fan fiction.
David: I went to a Comic-Con and the amount of Crowleys and Aziraphales that I saw everywhere, the cosplaying just took off, and always in twos, which was joyous because of course the characters in my mind only exist in relation to each other. They are the Ying and the Yang.
Michael: It's such a... I think it's such a compliment and I think Neil feels the same way as well.
Maggie: Always clever Neil Gaiman, isn't he?
Nina: Yeah yeah, you'd have to sort of admit that at some point, yeah-
Maggie: He's quite good at his job.
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augustinewrites · 1 year
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cw: jjk manga spoilers (up to 221), blood, sword fights heh + note: it's finally here, and somehow it's worse than shibuya!
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“is he gonna be mad?”
“satoru?” you snort lightly, taking another bite of your frozen yogurt. “he’s just going to ask if you won. he might try to take the sequel of that new book set you got as punishment— but i’ll see what i can do.” 
across the table, megumi huffs, leaning back into the plush booth. you’d picked him up early from school today, the reason being yet another suspension. his second since he’d started the school year. you suppose that’s the reason for his sullen disposition and existential crisis. 
“am i a bad person?”
you glance up at him in acknowledgement, but take a moment before answering. he stirs the frozen yogurt around in its cup, looking rather glum.
there’s a delicate way of going about these types of things. children (especially teenagers) are complicated creatures. they’re still at their most malleable, your words and actions shaping their very future.
“i don’t think you’re a bad person, megumi,” you answer softly, setting your spoon down. 
“but i…i keep doing bad stuff,” he argues dejectedly. “and— and i was mean to tsumiki—”
“hey. no one’s born wanting to do bad things,” you tell him. “and when they do…it’s usually more complicated than we think. there are bad situations where sometimes we have to do bad things. even if we don’t want to. even if we’re not proud of them.” 
“but how do you know that i’m not?” he asks again, and your heart aches. 
“because i know you,” you smile. “i’ve known you for eight years, megumi. yeah, i think you could afford to try using your words instead of your fists once in a while, and be a little nicer to your sister…but i know everything you do comes from a good place.”
megumi doesn’t reply, staring out the window with that pensive frown of his. all you can do is wonder if you and satoru have done right by him. if you’re doing right by him now. (such is the life of a parent, you suppose.)
all you can do is hope. 
“hey,” you grin, holding your hand out to him. “promise me something?”
_____
you stumble backwards, narrowly avoiding being gutted by a sword. gasping, your fingers fumble with the hem of your shirt, the material sliced right above the small, almost imperceptible bump of your stomach. 
your megumi would never hurt you. your megumi, your sweet, gentle boy who still muttered the song about bunny ears as he tied his shoes. who always offered his sister the last bite of cake, even though you knew he wanted it for himself. who cried the first time his shikigami were injured in battle. 
but this isn’t megumi.
you barely dodge the blade again, ducking and sending your demon dogs out to slow him down as you sprint down the alley. your heart shatters at the sound of a high-pitched whine, but you can’t stop, you can’t look back—
“going somewhere?”
you skid to a stop in front of him, staggering back as quickly as you can. 
megumi— no, sukuna stands in front of you now, holding a sword you’d taught his vessel how to make, how to use. 
“please,” you beg, thinking of tsumiki’s body a few blocks away. thinking of gojo in the prison realm. you can’t lose anyone else today. “please let him go.”
“i don’t think so,” he grins, sick and twisted as he slowly makes his way towards you. “if only he’d unlocked his full potential sooner. if only you had.” 
“he’s just a child.” you say, voice trembling. you look around. there’s no use in running. he’s gotten much too strong.
but you’re not ready to die either.
he wasn’t patient, lunging first and taking the offense. it’s a struggle to meet him at every swing, deflecting blows that send tremors down the sword’s point of impact and reverberate through your arms. 
playing defence is the smart move. you’d wait for an opening or a drop in his own defence. then your goal would be to disarm him and attempt to grant yourself an advantage. 
(in theory, at least.)
when your swords lock once more, he forces them to the side, kicking you square in the chest. the impact knocks you onto your back. before you can get up, he’s on top of you, driving his sword into your shoulder.
the pain is so blinding, so white-hot and tortuous that you almost immediately pass out when he pulls it free and tosses it out of your reach. 
sukuna is in your face now, lips peeled back into a smirk as he laughs, the top of his finger slowly dragging down your face.
“putting you down now would be letting this brat off too easy. doing it slowly, however—”
“get off her.”
your heart skips a beat. that voice. 
there’s a flash of recognition in megumi’s eyes. just a for a second. 
“satoru?” 
“is that any way to treat the person who washed your underwear for almost ten years?” he tsks, hands in his pockets as he steps into the alley, quite literally kicking the king of curses off of you.
he sweeps you off the floor as gently as possible, your stomach flipping at the familiar sensation of being teleported.
you’re not in the alley anymore, you’re up on the roof of a building. as soon as satoru sets you on your feet, you look up, studying his face. the eyes you love so much stare back at you. 
the emotions you’d kept bottled up since he’d been gone pour out at once. proof of your heartache, anger, pain, and loneliness spilling over your lash line.
suddenly there’s too much space between you and you tentatively take a step forward. 
“it’s you,” you breathe. “it’s really you.” 
he says your name softly, and arms you’d longed for envelop you. you feel safe, if only for a moment.
“you need to get to ieiri,” he whispers, a hand cupping your cheek gently. “go. i’ll stop him.”
you both close your eyes, as if the words hurt.
_____
“promise me you’ll always be good.” 
megumi sighs, but places his hand in yours, squeezing it tightly.
“i’ll see what i can do.”
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