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signalburst · 2 days

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Shōgun Historical Shallow-Dive: Part 1

Does everybody else's heart hurt? Good! Let's get learning. These characters and the people that inspired them all deserve their own post, but here's a quick one if you're wondering what happened. This is a shallow-dive because the history is extremely complicated, and a condensed version of just the events leading up to Sekigahara (the battle depicted in the finale) take up entire volumes of history. I'll do my best to answer questions about what happened to our three protagonists, in the show, as well as real life 🙇

One note: given I'm not a professional historian, I've got no obligation to not have biases and favourites. I've tried to keep most of them out of this, but if you want to punish yourself by trying to keep track of who's who in the Azuchi-Momoyama period, this book is the best English-language overview.

What happened to Toranaga (Tokugawa Ieyasu)?

Gif: @yocalio

I am not as strong as I might be, but I have long known and practiced patience. And if my descendants wish to be as I am, they must study patience. - from The Legacy of Ieyasu Tokugawa

In the book, Toranaga reveals that it had been his aspiration to be Shōgun from the very beginning. That was what drove his alliance with the Taiko, that was what drove his feigned alliance with the Heir.

History follows a very similar path. I re-read some chapters on the battle of Sekigahara last night, and there is no easy way to explain it, but: the result of Sekigahara (an enormous, two-day battle with 200,000 samurai and ashigaru warriors in the field) was an enormous victory for Tokugawa, Toranaga's real-life counterpart.

Years - sometimes decades - of scheming by Tokugawa had made Ishido/Ishida's Western Alliance completely fragmented. In the months leading up to the period displayed in the show, Toranaga was calling in a lifetime of marriage alliances, diplomatic advantage, defensive pacts and childhood friends who'd risen to high status. Re-reading the sources, the names of all the lords of all the important fiefs and castles makes my head spin, let alone the ones that turned out to be pivotal to Toranga/Tokugawa's victory. But it was a resounding victory, and by both the numbers and the disposition of forces, he should have lost.

Historians have a consensus that if the 'Western forces' of the Heir had have fought together with a unified command structure, they would have won, easily. But they didn't - orders from Ishido/Ishida were ignored, Toranaga/Tokugawa endured onslaughts, and the Regents' opposing armies eventually fractured and melted away. This was a last-of-an-era battle. Families were fighting on either side, every single unit that could be brought to bear was on the field. It is no exaggeration to say Sekigahara is one of the few, unambiguous battles upon which the beginning of a historical era came down to.

Toranaga/Tokugawa triumphed because he spent decades building unity of purpose and strong alliances, simultaneously sowing division amongst the Regents, who ultimately balked at being commanded by a bureaucrat like Ishido/Ishida. Whilst there was no one decisive moment of an extremely bloody, rainy, two-day battle, the fact that Ishido/Ishida's forces refused to be told what to do by someone of lower status was the main theme of their defeat. A crucial army stationed on the hill stayed still, refusing to commit to either side, until Toranaga/Tokugawa fired muskets into their ranks. They made up their mind, and attacked Ishido/Ishida's Western army. Ishido/Ishida's one trick of firing a flare to commit the reserve army didn't work. The commander ignored it. Instead of being there to fight for something, Ishido/Ishida's coalition was there to oppose someone. They all had different reasons. And ultimately, the man that brought them together didn't command enough respect to command a battle.

As our show Toranaga said, the Regents fell upon each other. He might have been a bit optimistic about how and why this would happen (they fell over each other in retreat, and it took two days of horrific combat), but it happened. Tokugawa Ieyasu was famous for richly rewarding former enemies, and most of those he defeated kept their heads. This reputation is a strong incentive for leaving the field when things start going Tokugawa's way.

The two exceptions were Ishido/Ishida, and Kiyama/Konishi, both beheaded in Osaka (Ishido, bizarrely, was upbeat about his fate, until seconds before the sword came down). Killing Ishida was the obvious move, as the man schemed and bitched so much he caused a civil war. Killing Konishi was more calculated - it opened up his trade-hub in Kyushu to being ruled by a fervent Buddhist daimyo and ally of Tokugawa.

Toranaga/Tokugawa forces soon captured Osaka Castle after the battle of Sekigahara, and with it, the Heir.

Toranaga/Tokugawa 'reluctantly' accepted the Imperial appointment of Shōgun three years later, in 1603. In 1605, he abidcated, passing the title to his most malleable and competent son, Hidetada. He was the real power behind the throne and ruled until his death in 1616.

The year before he died, he was able to fully secure his legacy. The Heir (in real life, Toyotomi Hideyori) had begun to gather daimyo to Osaka castle who were opposed to Tokugawa. Tokugawa used the flimsiest of pretexts - the opening of a shrine - to order the Heir out of the castle. He refused, Tokugawa forces besieged the castle - twice. The first one was called off because cannon fire nearly killed Ochiba no kata, and she pushed her son to sue for peace. By the second siege, there would be no peace: the Tokugawa forces defeated all oppoosition, and secured the legacy.

Toranaga/Tokugawa's descendants would rule for 250 years of internal peace and external lock-down of the country from barbarians (and Christians), except for limited trade.

The big question: did Toranaga/Tokugawa really want to be Shōgun from the start? History tells us, rather unambiguously, yes - before the campaign, he was writing his 100 Articles for ruling Japan, which would be instrumental for his family holding on to power and preventing internal strife. His plan may well have gone back to his formative, teenage years. At the very least, it is highly likely it was solidified when Toranaga/Tokugawa was a vassal of the Dictator Koroda/Oda Nobunaga - the man Mariko/Hosokawa Gracia's father assassinated, who was brutal even by the standards of the day. We don't have time for him, the Taiko, and Mariko's father today - but my opinion is that the motherfucker firmly deserved to be assassinated, and the only amazing thing is that the inspiration for Mariko's father was able to hold off for so long.

But that killing set off a chain of events that would lead to Toranaga/Tokugawa becoming sole ruler of a unified Japan. So much of history is contingent on individual actors and random events. It didn't have to happen. It was extremely unlikely. But, through patience (and by my reckoning, a lot of luck), he made the world he wanted to see. Whether that was worth the price in lives is for the reader to decide.

But by all accounts, Toranaga/Tokugawa died very satisfied in the knowledge that his legacy was secure, his realm was unified, and, finally, at peace.

What happened to Mariko (Hosokowa Gracia)?

Gif: @yocalio

As is probably obvious, Mariko's purpose was fulfilled before the conclusion of the show. As is also probably obvious, her historical counterpart - Hosokowa Gracia - did not have an affair with an English sea pilot (😢). She did, however, change Japanese history, and tipped the balance of noble support towards Toranaga/Tokugawa. Her death had meaning.

The framing of her marriage to Buntaro and exile after her father's successful assassination of a brutal dictator is almost exactly correct. She was one of the most desirable, valued and accomplished young noblewomen of the day. The stain of the name Akechi would haunt her for the rest of her life. Real life Buntaro, Hosokowa Tadaoki, genuinely sent her away for two years to save her life. The Hosokowa family even went so far as to pretend that she had died, to save her from the Taiko's vengeance. Whilst her marriage was an unhappy one (though not, as far as is known, abusive), she was beloved by the head of the Hosokowa clan, the show's Hiromatsu. They went to extraordinary lengths to keep her safe.

Her main comfort in her life was her faith. It's perhaps here that we get the strongest through-line from Hosokowa Gracia to Mariko - unafraid, intelligent, and fierce.

She first came to learn about Christianity from her Christian maid, who extolled the virtue of the faith, and the opportunities for intellectual stimulation theological discussion could bring. In 1587 (five years after her father assassinated the dictator, three years after she returned from exile), she decided to take action on it. She snuck out of Osaka Castle and visited the main church in Osaka - she had lively conversations with the elderly Father-Visitor, and was an excellent pupil of both Portuguese and Latin theological texts. I don't know if you guys have ever tried to read those things, but even in translation, they are torturous. This woman was extremely intelligent.

As a noble woman of the Taiko's court, she knew he was about to issue an edict outlawing Christianity. Being the (excuse the language) absolute fucking badass that she was, she had her maid (baptismal name Maria) baptise her before the edict was issued, transforming from Hosokowa Tama to Hosokowa Gracia. Even though she had to keep her faith a secret due to the Taiko's edict, she found a way to hold on to it. She had a special sake cup made with the Hosokowa mon emblazed on the lip, which, on very close inspection, was actually a Christian cross.

During this time of her religious conversion and education, a primary source from a Jesuit priest says that 'I have never disputed with a woman of such clear judgement, and such definite knowledge.' She was known for being fiercely intelligent, and this is commented on in many European letters and journals that have remained from the Catholic church's time in Japan.

Her relationship with her husband - like Buntaro, a senior retainer of Toranaga/Tokugawa - was frosty. They never reconciled after her father's (Akechi Mitsuhide) rebellion, but her husband did recall her from exile when it was safe to do so, and she lived to serve a very similar purpose to Mariko in the book and show. By virtue of not being an interpreter, she was less close to Toranaga/Tokugawa than in the book and show, but she was still dedicated to her clan and her clan's overlord, as will become clear.

Just as in the show, Hosokowa Gracia agonized at the thought of seppuku putting her soul in mortal danger. But she perceived her duty to be to ensure death before being captured or otherwise dishonoured.

To put it bluntly, Ishido (Ishida in real life) fucked up. Before any military manouvers had begun, he went to seize hostages of friends and enemies alike throughout Osaka castle. His forces tried to forcibly seize Hosokowa Gracia from the family quarters. She gave orders for her senior retainer to kill her, her daughter, and set fire to their section of Osaka Castle, so that none could be taken and subjected to dishonour. She arranged with this samurai to stand on one side of a shoji screen, facing him. He stabbed her through the heart with a naginata. She died, satisfied in the knowledge that:

...the death was not suicide, and her soul would doubtless be spared from the torments of Hell.

Although not doing this directly on the orders of Toranaga/Tokugawa, it's highly likely she knew that she was making a statement (many of the other hostages went quietly). This furthered his cause immensely. Inspired by Hosokowa Gracia, families streamed out of Osaka Castle and other Regent-held castles by any method they could. Her example ignited a firestorm of controversy surrounding the gall of a jumped-up bureaucrat (a reputation Ishido/Ishida would never escape) forcing the death of one of the era's pre-eminent noblewomen. Although her husband was relatively unbothered by her death, her father-in-law - the book/show's Hiromatsu - was furious. Because of Hosokowa Gracia and his granddaughter's death, he immediately fortified his border castle.

He defied a large [Ishido/Ishida] army of 15,000 men with only 500 men of his own.

Many of [Ishido/Ishida's] commanders held [Hosokowa Fujitaka/Hiromatsu] in such high regard that they went through the bare motions of laying siege. On a regular basis, gunners 'accidentally' forgot to load their cannon with iron shot, and so Tanabe Castle's walls reverberated daily to the harmless booming of blank gundpowder explosions. [Ishido/Ishida's] military offensive had launched to a disastrous start.

The siege only ended because of an imperial decree (it's a long story - Fujitaka/Hiromatsu knew an oral tradition special imperial poem that risked dying with him, nobody could refuse the Emperor). More than this, any chance Ishido/Ishida had of convincing skilled and respected generals to commit to his side ended with Fujitaka/Hiromatsu's defiance. Such was the respect that he commanded, and such was the rage he felt at the death of his daughter-in-law, that he worked tirelessly to gather support for Toranaga/Tokugawa, despite his advanced years.

Mariko/Hosokowa Gracia's contribution was an inflection point to what many samurai, busho and daimyo were suspecting - that Ishido/Ishida was a snake bitch who couldn't be trusted (I believe that's the correct historical term). Her actions galvanized resistance against him, and continued to spread the wildfire that would seal his defeat on the battlefield of Sekigahara: 'Why are we taking orders from him?'

Importantly, Hosokowa Gracia's remains were gathered by a Catholic priest, and given a Christian burial in Osaka. From everything we know of her, this would have been very meaningful indeed. Just as with Mariko in the show's depiction, Hosokowa Gracia's death was not senseless or without meaning. It meant something, and continues to resonate through the centuries.

What happened to John Blackthorne (William Adams)?

Gif by @cinematic-gif-archive

The short answer: imagine an alien landed in America. It was smart enough to avoid death. It ended up chief special advisor to Obama, and they became bros. That is William Adams's life.

First things first: Blackthorne stays in Japan. 'Old Rich Blackthorne' scenes are basically fever dreams. I was worried when the episode opened with a flash-forward to an old man living in Tudor comfort. This would be a huge change from both the book, and history. The novel ends with Toranaga confirming that his plan is for Blackthorne to never leave Japan. Blackthorne finds his place there. In history, the same is true of William Adams.

In episode 10, the 'is this a flash-forward?/is this a dream?' question is answered halfway through the episode. Blackthorne drops Mariko's cross over the side with Fuji's family ashes. As soon as that's done, the aged visions of Blackthorne disappear.

For those who are more textual than visual: the episode is titled A Dream of a Dream (a play on the title of the Taiko's death poem). Concussed, grief-stricken Blackthorne is dreaming of the dream he used to have - returning to England with riches and glory, his family name secure, with every comfort Queen Elizabeth the First can offer a pirate-explorer like Sir Francis Drake or Sir Walter Raleigh. But as soon as he lets go of Mariko's cross into the water (earlier, actually, when he sincerely attempted seppuku to try and save the people of Ajiro) that dream stopped appearing. The dream he had of exploiting Japan for riches and glory was gone, replaced with the reality of the life he is left to build.

In the show and the book, Toranaga is explicit about never letting Anjin-sama/Blackthorne leave Japan. If he builds new ships, Toranaga will burn them again. He needs Blackthorne's knowledge, expertise, and - in a bizarre twist of fate - friendship. We leave him hauling his wreck from the harbour, ready to salvage the keel and spars, to build a new ship in Japan.

So how does this marry up with history? Extremely accurately. As far as we know, the historical William Adams was slightly less of a pirate/privateer than the book/show's John Blackthorne. His hatred of Catholicism was more driven by their fervent desire to kill him, which they kept up for nearly a decade. His interest in exploration, in the show and in the historical, was genuine.

The show's story very closely follows what actually happened in real life (again, sans romance... although he does have love in his life, which we'll get to). His crew were initially imprisoned, he was summoned by Toranaga/Tokugawa, and met with him many times to discuss his knowledge of the outside world, trade, and Christianity's impact in Asia. The Jesuits did pester the Council of Regents, and Toranaga/Tokugawa in particular, to execute him. Toranaga/Tokugawa refused, saying this barbarian had done nothing to harm Japan or its people. The Jesuits would not forget this.

He did train elements of Toranaga/Tokogawa's army in how to work the cannon his ship possessed - a skill he possessed, but no one else was willing to offer. He actually followed Toranaga/Tokugawa to several battles. Recent primary source evidence has revealed it was highly likely he was actually at the Battle of Sekigahara, which is a very recent development in the historiography of his life. It is just bananas insane, but it demonstrates just how useful (and likeable) Blackthorne/Adams was to Toranaga/Tokugawa.

I've read two biographies of William Adams, and he was very, very like the Blackthorne portrayed by Cosmo Jarvis. Other Europeans in Japan complained that he was arrogant and dismissive - historians see this as Adams adapting to his station in Japanese society, and being extremely frustrated with European manners and bearing in Japan.

Once Toranaga/Tokugawa became shōgun, Adams - already a samurai - was made hatamoto, and forbidden from leaving Japan. He was granted many generous cuckoos (250 of them!), an estate in Edo, a fief at the entrance to Edo bay, and rose to become Toranaga/Tokugawa's chief trade advisor. During Toranaga/Tokugawa's remaining life, he built two Western-style ships (which Tokugawa came aboard and was very pleased with - that's nice!), and took over piloting duties of Portuguese and Spanish ships making landfall in Edo, pissing off the Catholics to no end.

On Ieyasu Tokugawa's death in 1616, his holdings and fief were confirmed by the new shōgun, Ieyasu Hidetada. But his relationship with the court wouldn't be the same. My reading of the sources leads me to believe that James Clavell was right here: Toranaga/Tokugawa Ieyasu genuinely liked Blackthorne/William Adams, and wanted him around.

As more and more Europeans arrived in Japan, including the English and the Dutch, Adams served as translator for them, and - for the Enlgish - fixer whenever they did something barbaric and rude that would warrant execution. He seemed to view spending time with the (no joke) drunken, whoring, disgusting-smelling English trading factory members as an extreme annoyance. He seemed happiest at sea, and at his mansion in Edo, where he married the daughter of a merchant in 1613. Whilst her name is lost to the historical record, they had two children, Joseph and Susanna.

He wasn't a deadbeat dad - he wrote to his wife back in England, explaining that he could not return. She was a firebrand, and eventually extracted a form of life insurance from the Dutch company that had contracted Adams's piloting services. Partly she was able to do this because of a proclamation issued by Toranaga/Ieyasu Tokugawa: 'William Adams was dead the day he was made samurai, and Miura Anjin - the pilot of the fief of Miura - was born.' That sounds like a badass quote I've made up, but that's one of the English translations of Tokugawa's proclamation.

Adams kept up his maritime adventures, charting the Japanese coast, going on several trading missions to Southeast Asia (sailing to Thailand and meeting with the King of Siam, furthering his amazing ability to charm and dazzle). He struck up firm friendships with members of Tokugawa's court, fellow Japanese merchants in Edo, and the much more polite Dutch traders, despite the tensions that had grown between their two countries.

There's an important aspect of his legacy that endured for centuries. Toranaga/Tokugawa, suspicious of what he had learned of Catholic conversion and invasion of other Asian states, was already disposed to be wary of the Church. The Church in Japan would not let Adams rest, attempting to kill him, convert him, bribe him, and offer him passage home in 1614 on a Portuguese ship. In the same year Portuguese priests claimed that only Spanish miners had the skills to open up the mineral wealth of Japan. Adams warned the shōgun, again, that this was the Catholic way - first the priests, then the conquistadores.

Influenced by these reports and counsel, and because the Jesuits legitimately were conspiring to do the shit Adams accused them of (always a tough charge to defend), Toranaga/Tokugawa Ieyasu expelled all Portuguese priests in 1614, and demanded all Japanese Christians recant. Apart from this leading to the Dutch being the only nation allowed to conduct trade with Japan, this was the end of Japanese Christianity, until the country was forced open in 1855. Christianity never took root in the same way it would in places like Brazil and the Philippines. Was William Adams the only factor in this development? No. Was he a factor? Yes.

He died in 1620, after twenty contented years in Japan and Asia. His will stipulated that his estates and belongings be split evenly between his family in England and Japan. One of Adams's colleagues recorded that Ieyasu Hidetada transferred lordship of Adams's fief to his Japanese son, Joseph, as well as his katana and wakizashi. His line fell out of the historical record, but memory of and monuments to the Anjin remain in Japan.

Faring Well

Shōgun, the book, was fiction, written by a man fascinated by Japanese history, driven by a desire to bring it to the world. He was overwhelmingly successful. It was an excellent start, and even fired up some fascinating academic discussion at the time that I'd definitely recommend. The 2024 adaptation, in my view, changes many of the elements that have aged poorly, were flat-out wrong to begin with, and - like all great adaptations - adds to the work, rather than cheapening it.

Despite being based on real people, the fictional characters created for the show - Blackthorne, Toranga, and especially Mariko - feel real. That is an amazing achievement.

I hope this opens up an interest in Japanese history for some viewers. Being able to visit the places where these events took place is a truly awesome experience. Like all history, it's for individuals to judge what they think of the players.

Hiroyuki Sanada said that he admires Tokugawa Ieyasu because of his ability to bring forth 250 years of peace out of nearly 500 years of chaos. Was Ieyasu motivated by altruism, or self-interest? Does it even matter?

Anna Sawai saw in Hosokowa Gracia a moving, powerful woman, deeply committed to her faith, and to doing what she believed was right in the context of her time. As a person without faith myself, I found this portrayal of genuine belief extremely moving. The demonstration of her convictions was one of the most amazing performances I've ever seen.

And as for the English pilot, Cosmo Jarvis said he wanted to capture the restlessness of Adams, his slow transformation and growth, and the unique qualities that allowed the man to survive and thrive in an extremely deadly time. One thing he nailed that I think even James Clavell messed up was how deepy strange William Adams was. Not weird, not insane, but just a very singular individual. Biographers talk about his aloof, detached, self-aware nature being misconstrued as arrogance by Europeans who encountered him in Japan. Part of it was his annoyance at their inability to learn how to be in Japan; part of it was that he was simply built very differently. In embodying this, I think Cosmo Jarvis succeeded amazingly.

From what we can find in the historical record, William Adams and Hosokowa Gracia may not be 'great' in the sense that Tokugawa Ieyasu was 'great'. They did not build an era. To borrow a phrase from one of my favourite historical writers, whilst they may not be 'great' people, they were good people. That is vanishingly rare in the history we celebrate, and I think, for that reason alone, it's important to remember them, and the things they lived and died for.

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llannasvsp · 4 months

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"Basing all of Lloyd's trauma with his dad based on the one incident of him getting thrown through a wall is weird."

I don't think this is the exact quote, but it's been on my mind a lot since someone commented it under one of my posts. I want to make a quick disclaimer: I am not intending this to be rude, to belittle anyone's opinions, or to start any fights or discourse. I just want to elaborate on why myself and so many other people use that moment as a jumping point for Lloyd's post SoG daddy issues.

The quick version of Lloyd and Garmadon's relationship timeline is as follows: destined hero of the world must fight his evil father. Neither of them want to fight, but both must because it's foretold. Garmadon is redeemed by his son, and they build a relationship, making up for lost time. Garmadon must sacrifice himself, leaving Lloyd (at Lloyd's own hands), and was thought to be gone forever. A few years later, the blackest part of Garmadon's soul was brought back from the grave with the soul purpose of making Lloyd suffer.

Okay, that wasn't quick. But the point is, Lloyd and Garmadon don't have a traditional father/son relationship.

In Legacy of the Green Ninja, Garmadon was posessed by the Overlord. Lloyd was able to purify Garmadon's heart when defeating the Overlord, giving their relationship as father and son a new beginning. Lloyd had saved his father and he had forgiven him for the things that weren't his fault.

In Sons of Garmadon, we see Lloyd wrestling with that moment the entirety of the episode "True Potential". The fact that he was able to cleanse his father's soul was eating away at him. He wanted to believe he could do it again. He so desperately wanted his father back that it caused him to act irrationally. He manipulated his friends and hurt the people he loved because they wouldn't let him bring his father back to the light.

Then the fight at Kryptarium happens. Lloyd pleads with Garmadon to change; to see who he is deep inside. Even as he is ragdolled by his father, he begs for him to stop.

"You wouldn't hurt me; your son." "I have no son." - Lloyd and Garmadon; SoG (True Potential)

Lloyd had been beaten and thrown around (and was definitely bleeding and bruised at this point) and was still unwilling to give up on the fact that his father was really gone.

Then Garmadon throws him through the walls. Lloyd couldn't move, he could barely breathe, and he would have have died had the ninja not saved him.

This moment is when Lloyd's view of his father shifted. He no longer saw a man that could be saved; he saw the man who had hurt him, who had destroyed the good person his father was.

"I'll never place my trust in that of which is only a mere twisted shadow of the good man my father once was." - Lloyd, Splinter in the Blind Man's Eye

In his own words, Lloyd describes Garmadon as a "twisted shadow". This is not the man he saved all those years ago. This is a monster. A man who had no remorse for almost taking his sons' life. A man who tried to kill him again after Harumi's death.

And while we, the audience can see the shift in Garmadon's emotions after March of the Oni, we have to realize that it would be harder for Lloyd to see that shift. Garmadon almost took his life. Of course he would be unwilling to trust him in Crystalized.

To close this out, I'll get back to the main point. It's true that not all of his daddy issues came from being thrown through the Kryptarium walls. However, this is where the definite shift in Lloyd's perception of Garmadon takes place, therefore, it is a good basis for his trauma.

#in defense of crystalized lloyd #can you tell i care a lot about lloyd??#because i sure can't #have i finally said all i need to say about lloyd and his trauma?#but this is it for a while #i think...#probably not #ninjago #lloyd garmadon #garmadon #ninjago textpost

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orqheuss · 1 year

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Orqheus(s)' Masterlist!

🔥 - Smut, 🌸 - Fluff, 🩸 - Angst, 🎭 - Comedy, 🎀 - Hurt/Comfort, 💗 - Romantic,✨ - Platonic (💥 - gore/blood, 💀 - main character death)

All fics are cross-posted on Ao3 and Tumblr

If there's a particular headcanon you'd like to see, please message me! I am open to requests!

PLEASE DO NOT REPOST MY WORK WITHOUT TAGGING ME.

If you'd like to be added to a tag list for a fic (or for all my fics, if you're feeling spicy) please comment on the fic or message me!

Any trigger warnings present are posted on each fic.

Hogwarts Legacy

I do not own the characters depicted, nor do I condone J.K. Rowling's actions.

One-Shots

The Shadow trio (Ominis x Sebastian x MC)

May I feel said he (🔥🌸) - Tumblr x Studying in the Room of Requirement can get quite tedious, especially with NEWTS around the corner. What is one to do when you're trapped between your two bored, ravenous, and incorrigibly competitive boyfriends? (Inspired by the poem "may i feel said he" by E. E. Cummings) A Fish to Water (🎭✨) - Tumblr x Becoming an animagus is not an easy feat. As much as you love your two best friends, sometimes its more fun to play a prank and take the absolute piss out of them. How would they react if they found out your animagus form was a little bit...fishy? Seven new ways that you can eat your young (🔥) - Tumblr x Slytherin's are known for their end of the year parties. On the eve of their graduation, though, Ominis hears something that makes his blood boil with jealousy. (Inspired by the song "Eat Your Young" by Hozier) Mallowsweet Bliss (🌸🎭✨) - Tumblr x “Oh, you lovely, hopelessly naive thing. Yes, mallowsweet has a great smell, but it also has an even better taste when eaten, and an absolutely enchanting effect on the mind when you smoke it.” AKA, the three of you get incredibly stoned on your stash of mallowsweet. My darling, my sweetheart, I am in your sway (🌸💗) - Tumblr x The Founder's ball only comes around once a year, and with your graduation fast approaching, you knew two things. One, you knew absolutely nothing about ballroom dancing, and two, you were irrevocably in love with both of your best friends and wanted to go with both of them. Was there a way to kill two birds with one stone? Not yet corpses (still, we rot) (🎀✨/💗💥) - Tumblr x Tremors were wracking through the entirety of Hogwarts, and you were nowhere to be found. Little did Ominis and Sebastian know, the repository had been opened, and you were the only thing standing between the wizarding world continuing to thrive or falling to ruin at their very feet. Mingle our ashes and bury us together (🩸✨/💗) - Tumblr x After everything that had happened in your fifth year, your mind was becoming too much for you to bear on your own. After a rather dreadful conversation with yourself, you knew there was only one way to stop your personal torment. (TW! Attempted Suicide) Insatiable Gravity (🔥🌸🎭) - Tumblr x When it rains, it pours, and when your trapped in the downpour with your two best friends, the only option is the inn down the road. The bad news? There's only one room left, and in that room is only one bed. Stamped on these lifeless things (🩸💥💀) - Coming eventually There was so much pain in the world. You could see it eating away at the ones you loved most, and you wanted nothing more than to take that ache from their hearts and let it become yours. Isadora Morganach was right, why must we watch the ones we care for suffer when we have the power to help? If only you could make them see that, too. (Inspired by the poem "Ozymandias" by Percy Blythe Shelley) Too much labor (🩸💥) - Coming eventually Being a woman in the 19th century was hard enough. After Fig saves you from a life of endless obedience at the hands of a man you didn't even love, you come to Hogwarts and find that life unfortunately isn't much different than it was in your muggle home. You are determined to change your fate, no matter the cost. If they wanted to see a monster, you would be sure to give them one. (Inspired by the song "Labour" by Paris Paloma)

Ominis x MC

In the pursuit of knowledge (🔥🌸) - Tumblr x When you and Ominis are alone in the Undercroft, it isn't uncommon for some secrets to come to light. After revealing that you've never been kissed, were there some sparks flying between the two of you, or was it just the firewhiskey talking? How could I fear any hurricane (🎀💗) - Tumblr x After almost severely injuring Ominis during a duel in Defense Against the Dark Arts, you retreat into yourself far out of the reach of your closest friend. There's only one thing Ominis can think of to do to bring you out of your turbulent mind. (Inspired by the song "Francesca" by Hozier) In any version of reality - Soulmate!AU (🌸💗) - Tumblr x Ominis was sure that he didn't have a soulmate. That is, of course, until he hears you sing one winter night in the desolate music room and is transported through the past to the first time your souls ever met. (Inspired by the song "Epic iii" by the Hadestown 2017 Original Soundtrack) Clumsy Love (🌸💗) - Tumblr x A relaxing day in the Room of Requirement takes a turn that you never expected. Not that you were complaining, though. Who doesn't love a little bit of dancing? If only your heart would stop trying to pound its way out of your chest whenever a certain blond Slytherin was near. I would know him blind (🔥💗) - Tumblr x You'd been with Ominis for some time, and as much as you loved your intimate times together, you wondered what it would be like to be in his shoes for a change. Your darling husband is more than happy to help you satiate your curiosity. Snake Charmer - Greek Mythology!AU (🌸🎭-ish) - Tumblr x Why was everyone so interested in the new girl? Ominis Gaunt was about to find out.

Ominis Gaunt and the Sallow's

Free and young and we can feel none of it (🎀✨) - Tumblr x Ominis knew that he had to leave his family home. The abuse would only get worse if he stayed. One winter night, he fled to the only place he felt safe, and into the arms of an unlikely friend.

Sebastian x MC

A duel most desirable (🔥) - Tumblr x Emotions are running high, and a friendly duel between you and your best friend, whom you're completely and entirely infatuated with, takes a very...steamy turn. Anything to make you smile (🌸💗) - Tumblr x Sebastian, remembering you lamenting about not being able to experience going to Hogwarts as a first year, decides to take you on a romantic boat ride so you could enjoy the journey from Hogsmeade like he did as an eleven year old. Too bad he forgot one crucial thing: he was terrified of the Black Lake.

Chapter Fics

The Shadow trio (Sebastian x Ominis x MC)

Life is not a paragraph, and death, I think, is no parenthesis (🩸💗💥) - Ao3 1 2 3 4 5 6 7 8 (All fic titles in this series come from various E. E. Cummings' poems) Victor Rookwood kidnapped you, in broad daylight, on the streets of Hogsmeade, and Sebastian is willing to do anything to get you back. Will he and Ominis be able to find you before it's too late? (TW! Graphic depictions of torture)

For whatever we lose (like a you, or a me) (🩸💗💥) - Tumblr x The Scriptorium called your name, and who were you to ignore its song? At least, that's what you told yourself as Sebastian pushed you and Ominis deeper and deeper into the mausoleum. (Pre Parenthesis!Universe)

Awake, chaos: we have napped (🩸🎀💗💥) - Ao3 x After everything that happened to you that night in the poacher camp, it was only normal for you to have nightmares. After a particularly rough one, will your partners be able to pick up the pieces? (Post Parenthesis!Universe) (TW! mentions of attempted rape/non-con)

I like my body when it is with your body (🔥🌸💗) - Tumblr x Sebastian believes that he doesn't deserve to be happy after everything he's done. His partners don't agree, and are hellbent on proving him wrong the best, and most effective, way they know how. (Post Parenthesis!Universe)

I carry your heart with me (I carry it in my heart) (🔥🌸💗) - Tumblr 1 2 3 The finale of "Life is not a paragraph, and death, I think, is no parenthesis." It is a beautiful day to get married, and you couldn't ask for better partners. (Post Parenthesis!Universe)

The sun does not weep for Icarus (🩸✨/💗💥💀) - Tumblr 1 2 3 4 The arrival of the Daily Prophet brings the news of Sebastian Sallow's fate after the events of his fifth year. Ominis and his new friend can't help but feel guilty for their decisions. (TW! Child abuse, suicide)

Even the iron still fears the rot (🩸💗💥) - Tumblr 1 2 3 4 5 6 It was supposed to be a normal trip to Hogsmeade. But, when Sebastian and Ominis are kidnapped by poachers determined to seek revenge against the one who killed their fearless leader, will you be able to save them in time? (TW! Graphic depictions of torture)

Ominis x MC

How to ask for help - 5+1 Times (🌸💗) - Tumblr 1 2 3 4 5 6 The five times you helped Ominis, and the one time he helped you. Ouroboros (🩸🎀💗💥💀) - Coming eventually Ophelia Wyrd was just that: weird. Born a seer to two muggle parents, it isn't much of a shock when a mysterious but friendly man named Eleazar Fig comes to bring her into a world of witches and wizards. Now a wielder of an ancient magic completely unknown to the new and dangerous universe she has become immersed in, can she find her footing in time to save two boys who would do anything for the ones they love?

Headcanons

Sebastian x MC

Sebastian Sallow headcanons

Misc

HL boys as things my students have said Sebastian and Ominis wand headcanons

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jewishvitya · 5 days

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I posted this with my art but I'm putting it on its own.

Things I imagine in YOI pre-canon. These are personal headcanons and interpretations.

With Viktor, I imagine his family being high achieving, and Viktor having a lot of expectations on him. And he matches then successfully. But this means his parents think he's doing well, even in moments where emotionally he isn't. They look at achievements rather than looking at him. It's not intentional neglect, they just don't have the awareness of mental wellbeing. He has a bed and food and he's doing well in school and skating, so everything must be okay. It's fine when he's fine, it's lonely when he's not. And it's the first environment that teaches him to match himself to what's expected and wanted of him, fulfilling a role rather than just being.

When he's older, he quietly creates distance. Not cutting them off, but not reaching out. They don't mind. They follow news, and they can show off his success.

When he's young, Viktor loves having fans and being known and admired. Af first he doesn't see downsides to it. And then something happens, as simple as "did you see him throwing the flower at Christophe Giacometti? He was flirting, how cute" - and Viktor realizes his fans will draw their own conclusions and won't believe him if he tries to say they're wrong.

So he starts adjusting his approach. Building a persona, and building walls. Charming smiles that get him anything he wants. Practicing the skill of giving people what they expect. Being what they expect. And then flipping it on its head and surprising them.

If you're focusing on matching and subverting expectations, you're not necessarily being yourself. Any personal exploration of identity is hidden and alone. But on the ice, when he's performing, he can be honest. He can be seen. Because they're going to take it as fake. Think of how Minako reacted to Stammi Vicino - Viktor's earnest plea for someone to stay by his side, well, he's too charming for this to tug at the heartstrings. So he can play with stories that he won't share with anyone any other way, and he knows they'll take it as pretend.

The walls he builds don't allow him to be truly close to people. He has good relationships with other skaters, but emotionally keeps them at arm's length. He doesn't notice he's isolating. Chris and he have fun joke-flirting, but when Viktor steps away from the ice Chris doesn't seem to realize he needs this, isn't close enough to know what he's struggling with. He talks like Viktor is taking away the motivation he's entitled to by choosing to coach Yuuri. His rinkmates see him on good and bad days so they know when he struggles, and Yakov is the only person close to knowing him deeply, but even he doesn't take it seriously when Viktor burns out, so that is still limited.

For Yuri, I think his mother was going through a lot to let his grandfather take care of him. He has a lot of responsibility in that setting, and it all starts when he's so young.

I think, with Viktor being present in his life consistently from such a young age, Viktor is one of the people he sees as family. He absolutely looks up to him, just like he absolutely looks up to Yuuri. And I think he resents the emotional distance Viktor maintains.

He's not very attentive to people in general, but he's the one that explains to us how Viktor feels early in the show. When Viktor left to Japan so suddenly, I think Yura felt abandoned beyond just Viktor forgetting to choreograph a program for him. If it was just the program - he did end up getting Agape, he could have just asked for that, but he tried to get Viktor to go back. I feel like he hates that Viktor went to look for a way to get his spark back somewhere else, instead of staying and finding a way out of his slump with his rinkmates. If what Viktor needs is to coach someone, why isn't Yuri good enough? He's a talented skater and he sees himself as continuing Viktor's legacy, but Viktor chose someone else for that role.

And Viktor did choose Yuuri to continue his legacy. Because Yuuri skates so beautifully, because Yuuri has so much love for Viktor's skating, because Yuuri has drive and ambition and pride and skill and he finds joy in skating, and Viktor wants to nurture all of that into the performance Yuuri deserves to show.

And along the way, he learns how to connect with people as himself. His relationships with Yuuri and Yuuri's family open doors for him to better and deeper relationships with Yuri and Chris and anyone else he wants to be close to.

About Yuuri, there's very little I can say because we know so much. So I'll just share a lighthearted headcanon a few friends and I came up with as a story idea and I just adopted.

I don't share the fanon that Phichit got him into pole dancing. In my mind, he either started himself, or it was Chris - unintentionally. I think they're friends, because of how Yuuri reacted to him in the show, like he's used to him. And I like to think Chris kept saying things that made Yuuri feel competitive. Talking about how it's great for core strength, "but it's probably not your thing." Sent pictures of himself performing difficult moves, and got pictures back because Yuuri was trying to match him or do more difficult things than him. And meanwhile Chris thinks they're showing off to each other for fun. It's how Chris knew Yuuri can keep up with him at the banquet.

#riki babbles #yoi #yoi thoughts

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ilgaksu · 2 months

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i will now be referring to this situation as weimargate, because i must laugh or i will dissolve into the void.

aka i have had a VERY weird experience of it in fandom lately, and it has escalated to memes in lieu of interpretative dance*, but also i want to talk about it because i think, in more general terms, it's relevant for discussion about how fandom is evolving.

(*as illustrated by @difeisheng because i am personally intimidated by photoshop. interpretative dance would've only had me to blame.)

so. hi! if you don't know me, i am an ao3 writer who goes by the pen name ilgaksu. i have 179 fics on my ao3 account, and of those, 46 of these are for DMBJ or grave robber's chronicles. i've been writing in this fandom for roughly three years, which means according to the laws of mathematics and my own inability to stop posting about my favourite blorbos, that's a new fic every 3.39 weeks. i have not counted chapter updates in this count, but given several have multiple chapters, i think we can see there's....a lot. one ongoing series is currently sitting at about 200k, word-count wise. i like to write, overall, about disability, reclamation, legacy and memory. i also overuse semi-colons.

i am also a very private person at this point in my fandom career. this will be the first post i've made in a while talking about myself where i have allowed there to be reblogs on it. this isn't intended as an affront to anyone else in fandom. my ask box is open, sans anon, and in the last few years, i chose to reply to every comment i could to make sure i still get to engage about the characters i love without compromising my own desire for privacy about my personal life. i choose to work under an explicit persona - because we all do on the internet but i have made mine obvious and enunciated and almost a brand - because i think there is something freeing about allowing myself that experience. it's allowed me to write work that i relate to deeply without having to divulge my life to be analysed by strangers on the internet. generally, i like to post my silly little stories, talk to people about them, and then go about my day offline.

anyway, so this week, i seriously considered walking away wholesale from my current fandom, and i'd actually like to talk about why, and talk about me as a person as opposed to the narrative of persona that i've crafted.

because the reality of a persona is that a real, living person is required to animate it. if i am the person who is small and human and anxious to even speak about this, then i am also the reason the operation is running. it's a one-man show. as much as i want my work to speak for itself without my need to justify its meaning or worth, without my experiences, research and choices about my time, the work would not exist. that's just fact. it's fact for every writer and artist and podficcer and person who labours out of love you see. i also deliberately consider myself a writer as opposed to a content creator, because i believe that label mimics a wider culture i have no interest in - that of someone creating a consumable, ownable object. my fanfiction is a hobby. it cannot be owned by other people. unlike my original work, where it can be bought, there is no formal, explicit contract between me and the reader. there is, however, in fandom, an implicit social contract of equality and collaboration, where we are all equals. i am fundamentally no better than someone who never writes fic and never wants to and never will. i reject the idea of superiority among fans because i do not engage in subculture to mimic the dominant culture, the one that tells me stories are something only certain people are allowed to see themselves in, or even tell to others; that production is the only means of social capital and intrinsic worth.

i am aware, also, that by being private the way i am, i end up sacrificing some experiences that i could have by being more accessible, but i want to reiterate that i have never gone out of my way to conceal my tumblr, nor ignored people who contacted me directly to talk about my fic. in fact, if you show up to talk about my fic, i will probably be so thrilled i'll never let you leave - especially since, when it comes to a majority of it - i spend a lot of time on research, something i enjoy, and deliberately cite my research in the notes because i want to share it as part of the experience of my writing. clearly, i want ideas i have come up with to be enjoyed and loved and shared, because otherwise why would i take the risk of putting them out online, where i then cannot control how they're received or transformed?

however, since about a year ago, i've maintained a policy of works based on my own that i've had outlined clearly in my profile on ao3 here:

as someone who is playing in someone else's sandbox for free myself, my only request is if when you use an idea, usually a headcanon, which is one i created, which you can as much and in whatever way you want because that is the nature of collaborative fandom and the reason i love it so much, you cite that i was the originator of the idea. and secondly, that you let me know. this is a personal request based on how writing can be a very lonely project, even in fandom. you put your work out into the world, with no sense of who it will reach and if it will mean anything to them, and you have to work on the faith that even if it doesn't, the work itself was worthwhile. but you hope it will, because everyone hopes it will.

all of this is outlining so it's understandable to people that read this how i was completely off my face bewildered when i found out a headcanon of mine had reached the level of fanon popularity where it's been mistaken for canon, and has been for over a year at the very least, and i had literally no idea this had happened.

which, frankly, was both hilarious, in a very bizarre way, and completely, deeply sucked.

i know this is my idea because of how distinctive it is, and how much it contravenes canon - namely, that a character, hei xiazi, was a medical student in berlin during the weimar republic. i know it's mine because the timeline with the canon we're told by the actual writer of the source material doesn't match up, which i was aware of and chose to retcon. it was designed and fitted to a personal interpretation of canon material i had been working on for years, and involved a lot of time and research and intense love for the era, the character, and the ways a story about being alone in a foreign country had intertwined with my own personal life. ever since i wrote it, i assumed that the one or two people who had used it with credit were the only ones who had, and because they had honoured my request i was honestly completely thrilled. i still am that those fics exist. that's because it was collaborative.

i want to be clear: nothing about the situation as it stands has been collaborative. a writer being the last to know about the commonality of their own idea in a small fandom is not collaborative. and while it might not bother everyone, it's bothered me to the point i've had serious consideration for several days about whether i should walk away from the fandom.

but ilgaksu, surely you should be flattered that people liked the idea so much?

yes. this was never about the use of the idea. it's about the way this idea has been isolated and used with an assumption that i would have no interest in knowing, or that i would even need to know. i'm not sure what has caused this - whether the persona element of my work has led people to believe i would not have any emotions about finding this out, but i am not, actually, a persona. i am the person who uses it. and as the person who uses it, this is how it felt to find this out. it felt, and still feels uncomfortable, hurtful and isolating to find out your idea has been so beloved but that nobody considered whether you would like to know. it feels like the collaborative element of fandom has been severed from you, specifically, and that your fanwork has been treated as entirely other from you as a fan. i hope nobody else making work feels like this, and i've been told this situation is so strange as to ensure that's hopefully not the case, but i think this is an ongoing issue more widely - the idea that writers are separate from fan culture, and their works are products as opposed to the shared results of a hobby.

do i think this was deliberate? not at all. do i think this was intended to be hurtful? not even in the slightest. but i want to be clear how personal this feels.

i don't have an answer for this situation. the cat is out of the bag, ilgaksu knows about the fanon, and hei xiazi is, despite all canon, going to medical school in 1920s germany. expressing my discomfort with how this has gone down feels important to me anyway, and it's also important to me that i do it in this very detailed way so that people who were unaware do not feel personally at fault, or feel like by me expressing this i am taking this idea back from them. i always wanted this idea to be loved and to be shared.

i also always hoped this idea would find people who wanted and needed a story about someone a long way from home following an ambition, and how much fear and hope and desire goes into the decision to do something like that, and what it means to be a disabled person in a foreign country, and what it means to be queer in a foreign country, and overall what it means to be a stranger in a strange land. i want to be clear that while i wrote this for me, i also wrote it for everyone who has also lived that. i want my work to feel like someone is holding your hand, not that they're at a distance and disregarding you, the reader, and the relationship we have together during the time you read my work.

i hope in future that if you use my headcanons and are aware of that being the case, you let me know. i don't have to read the work itself if you find that intimidating. i will not go out of my way to find it. whatever you've done with the idea, i will fundamentally see it as a compliment and evidence of an exchange between us as a fandom. but i want to know because otherwise, all i see is you taking something i loved and wanted to share and enjoying it with a door firmly shut between us. i am too old to care if i'm not invited to a party, but if the party is themed around a concept i put so much thought and love - for the source material, the people who were going to read it and myself - i can't help but care. it's hard to feel like a vending machine, even if the process of making the fic is so joyful for me that i won't stop until the joy is gone. it hasn't gone yet, but this week it's been dented a bit.

anyway - if you got to the end of this, thank you. please be considerate of how much this has taken for me to express, regardless of your own feelings on it, and how unusual it is for me to make a post that is able to be shared. if you use the idea in future, you do so with my blessing, which was always there. if you want primary sources, places to start, or anything like that - fashion, language, visuals - i want to be clear you can ask me and i will be beyond thrilled to help. i always have been and i'm concerned that because of this that hasn't been clear. but i also feel like if i don't state this experience in this way at this time, and how it was experienced by me, odds are i will now forever look over my shoulder and wonder if this will happen again, and i love writing for this fandom so much that i will not allow something like that to dim that love. i know you love these characters so much too - it's why you're here. i actually used to make a lot more meta posts like this, about fan culture, and i've been considering if i will again - just less personal and less anxiety-inducing to post next time. until and beyond then, i just hope we can all consider things like this in future - that i can treat you with the same grace - and understand the pressures and anxieties of writers in fandom at this point in time especially. a lot of us have hearts far more made of glass about the things we love, like our work, than can be immediately apparent.

anyway, i'm going back into hiding now.

your friendly local cryptid fanwriter,

ao3 user ilgaksu <3

#personal #fandom #okay to reblog

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grainjew · 4 months

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On Gallifreyan Vestigial Gender

[this is the revised and expanded version of some rambling i initially did in my cowriter's discord DMs. i tried cite sources where i could, but a lot of this has been marinating in my brain since half-absorbing posts twenty pages deep into peoples' dw tags 3 years ago, and also i spend way too much time on the wiki, so please excuse anything i can't quite source, which is most of it. huge thanks to @oriigami for being my original conversation partner and contributing extremely to the concepts here, and to @bird-of-paradox and @waywren, neither of whom I am being allowed to @, for bothering me into not leaving it as unreadable discord screenshots]

There's this tendency among queer Doctor Who fans to look at Time Lord society, with its alienness and regeneration, and ask, frustrated, "Why do they even have gender?"

I sympathize with this extremely. I've been the one asking this question plenty in the past, and I do think it's a bit silly, and even sillier that the genders are "man" and "woman" and there are apparently two of them. But I also think that the section of canon most insistent about the Gallifreyan gender binary, the 7th Doctor novels from the 90s, also has the potential to be the most interesting about it.

Now, this is not to say that the text of those novels isn't weird about gender in a flawed, written by (as far as I know) cis people in the 90s way. But I think that you can extrapolate and queer what's there in very interesting ways, often because it's so flawed in the first place: Gallifrey, too, is an extremely flawed society. Decadent, degenerate, and rotten to the core, as the show put it.

So, VNAs Gallifrey: living Houses and their female Housekeepers, cultural and literal planet-wide sterility, Loom birth, rigid overcomplicated bureaucracy, the enduring legacy of the pre-Rassilon Pythian regime. The gender binary as presented here goes something like

women: chaos/magic/psychic powers/superstition/the house (scary)/biological childbirth/fertility men: cold rationality/order/science/bureaucracy/loom-birth/sterility

The Pythia and the Lord President. Magic and science. The House and the Web of Time.

Obviously a lot of this is classic gender binary stuff. But let's put the exasperated question of "Why must we do the gender binary like this?" aside for a moment and think about Gallifreyan society instead.

Pythia-ruled and Time Lord-ruled Gallifrey have a lot of the same problems in the end, just wearing different faces: they're both very much totalitarian states that believe themselves to be above everyone else. But while the Time Lords observe and micromanage the Web of Time from their Panopticon, maintaining its integrity to their standards, the Pythians didn't have time travel, so this preoccupation with control manifested--as far as I know; this is the bit in the meta where I admit I haven't actually read Time's Crucible yet--as keeping the entirety of society in one psychic hivemind, leaving nobody any privacy, plus a lot of future-reading and prophecy and whatnot.

The main relics of that societal layout into post-Rassilon Gallifreyan society are the Matrix, which has every single dead Time Lord's brain in it and does their prophecies for them, just couched in a little bit more science than Pythian magic, the Houses, which are alive all around you and in which you're constantly being watched by the Housekeeper through her mirrors, and, of course, the gender binary.

The Pythia was always a woman. Women were the ones with vast psychic powers, with magic; women were the ones in charge. Pythian Gallifrey was a heavily gendered society. This is because Gallifreyans are a kind of bug /shot with the "irrelevant to the point at hand" gun.

And so, when Rassilon rebelled, he was very much playing the part of "opposite gender with opposite worldview." The Pythia had female magic and superstition; he had male science and technology. His most trusted Founders were either all or mostly men, depending on the version of events you prefer. (Personally I have my doubts about the Other.) Rassilon built his new society as a man, among men, in opposition to the matriarchs before him.

Gallifrey, despite the invention (or theft, depending on the story) of regeneration allowing people to trans their gender randomly and sometimes unintentionally, never left the gender binary behind.

The whole point of modern Gallifreyan society is that they're still stuck in that exact same moment Rassilon took over (and the Pythia cursed them to sterility, if thats the version you're going with). You could easily make an argument for this being some cycle of abuse type situation; Rassilon and co overthrew the Pythia and immediately did exactly what she was doing to them to the wider universe. I tend to read it as a regeneration: it's the same society, really. It just died and was reborn, and now it looks and sounds different.

The downside of trying to translate a discord conversation into a proper meta post is that sometimes making a coherent transition between thoughts is impossible. So to introduce the next bit of this post, I'm going to hand you off for a moment to this post about the 8th Doctor's "I'm not sure I've ever even been a man" quote from Interference. As op of that post says, the Doctor is genderqueer even by Gallifreyan standards- he's being questioned in that scene by another Gallifreyan, who doesn't understand his experience of gender.

The EDAs are full of "Eight is nonbinary" quotes, of course. Every queer fan who's ever engaged with them has a collection (and if anyone knows where that one google doc compilation that was going around awhile back went I'd be in your debt, because I'd love to know if my collection is missing any), but almost all those quotes refer to his genderqueerness in human terms, as observed by human companions, or in response to human assumptions. Except that one. Not only is Gallifrey's gender binary alive and well in a society where people can literally change their gender when they die, but the Doctor doesn't fit inside it.

All this to say that being a renegade Time Lord is a nonbinary thing to do. Especially the Doctor, with all sorts of weird Other Timeless nonsense in their biodata. Women stay on Gallifrey (or Karn!) and do magic and watch you. Men stay on Gallifrey and do science and watch other people. Renegades go out and do whatever they please. But I'm getting ahead of myself.

So. Gallifrey has a gender binary. It's vestigial, a remnant of an earlier iteration of society with a much sharper male-female divide, and it doesn't make logical sense for it to exist. So: How does it manifest? And what function does its continued existence serve in the interests of the status quo and ruling class?

Let's take a look at 7th Doctor novel Lungbarrow.

Lungbarrow introduces us to (among many other things) the living Houses of the Time Lord Families, and to the family structures within: the patriarchal figure of the Kithriarch, the always-female Housekeeper, bound in her ritual marriage to the House itself, and hordes of petty squabbling Cousins.

Kithriarch is already an interesting title. It's obviously a gender neutral version of matriarch or patriarch, but the role itself seems to be almost entirely a male sort of thing in opposition to the feminine Housekeeper.

The Housekeeper, meanwhile, seems to be in a direct conceptual and societal line of descent from the Pythian priestesses: she can see anything within her domain, she has a psychic connection to the House, from whom she cannot hide anything, she can command the wooden Drudge servants and other House subsystems, she prioritizes the House above all where the Kithriarch is supposed to prioritize the Family. Women are frightening and powerful psychics. They know everything you want to keep secret, and prioritize the collective.

(There's also something here about how Lungbarrow presents duelling dualities--the Doctor and the Master, the CIA head and the Lord President, the Kithriarch and the Housekeeper, the masculine and the feminine--but I haven't quite tied it into the rest of this yet.) (Although while we're mentioning the Master. He's girlcoded by Gallifreyan standards and the Rani is boycoded by the same. I will not be expanding on this at this time just trust me.)

I think Housekeepers and women who want to be Housekeepers try to keep their self-image as women strong enough that they never regenerate into a male body (whatever a '"male body" means, of course, but I'm not sure Time Lords have gotten that far in their queer theory yet). I also think that there are more female Kithriarchs than male Housekeepers, because Housekeeper is much more heavily ritualized role in keeping with the Pythia's more ritualized general vibe, but I do think female Kithriarchs are still few and far between.

I also think that these are probably the most explicitly gendered occupations on Gallifrey, although of course you'll see some drift. Most women are out there getting the same scientific, military, and bureaucratic positions as men. But there's this lingering specter of gender roles, a Pythia-shaped hole that exists around the concept of womanhood. As my cowriter put it when we were talking about this, an "ideal of womanhood. not ‘ideal’ as in desirable, [but] ‘ideal’ as in the quintessential image of the thing."

This is further amplified by the continued existence of the Pythians in the form of the Sisterhood of Karn, living in their perfectly functional all-women magic society just out of sight. Their presence at the edge of the Gallifreyan consciousness must haunt the Time Lords, as any imperialist power is haunted by its own past and its own ultimate impotence.

Because that's the other thing. Gender roles are, to quote my cowriter again, "stupid and antiquated and historically potent tools of authoritarianism." Of course the Time Lords have them. Have you seen them?

They're tools of control, of conformity, of idealizing the past. Of conservatism. Consider, to once more quote my cowriter, "the weird traditionalist psychosis of having gender roles in a society that can’t bear children."

The ideal woman on Gallifrey is still the Pythia, millenia or even billenia on. And the ideal man is still the Lord President Rassilon.

[thank you for your time! if you liked this please consider checking out my fic Something Old, which is about lungbarrow, the adventuress of henrietta street, and the gallifreyan concept of marriage, and in the writing of which i initially articulated most of the thoughts in this post. i've previously characterized it as a fic that's actually a meta post. and please don't be too mean to me for anything i got wrong in here! i'm just a little guy]

#zephflix original #meta tag #doctor who #gallifrey #gender stuff #a house isnt a home without invasive psychic contact -gallifreyan proverb i just made up #also i bet the shobogans have great whatever the gallifreyan equivalent of gay bars are

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lazykim12 · 1 month

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Redemption Au! Eli Shane! (and I’m officially back 😭🙏)

. . .

Okay…so i usually disappear after a while after posting sometimes depending, but i kinda lost motivation with anything and been focused on other things in life and i guess i kinda lost interest in posting for a while…But im back! And determined to finish this Au storyline! If I can call it that- but! I’m planning on finishing Eli and some other info about the Au before I officially make a fanfic about it! Maybe…I’m not sure! But I will dive deeper into that as I’m thinking of maybe doing a comic instead! I thought I had made up my mind but apparently not😭 but after this I’m going to actually post fan art and other things!

Oh and I will think about doing FNAF or other fan arts for others so only time will tell I guess-

Anyways here’s Eli!

Eli is slightly different to his counterpart but there isn’t much! (Other than being a bit more stronger and better trained-)

He still is a bubbly, dorky Guy who loves puns..though sometimes twist takes that title and is more dorky than him- but Eli is still the same, but he’s doing a lot better in this Au! He’s a bit more of a thinker during his plans and because of Au Blakk’s training, he is even harder to defeat (depending on the enemy) he is very good in combat training due to Blakk and with a bit of the incredible’s master training, he’s well more experienced compared to his Cannon Counter part!

Still clumsy though sometimes, like his dad😭

LORE

Eli grew up in what he considered a happy life!

Well sort of..he had faded memories of slightly meeting blakk but they blurred since he was nearly about to become a toddler during that time. His relationship with his mom was…complicated, at times she was sweet and caring but as he grew up, he could feel her neglect towards him, and could often see her on the couch passed out from her drinking…So at age 5, he remembered his father divorcing his mom. He doesn’t remember much from that day, but he could remember his mother just not caring and leaving through the door..

He sometimes misses her..

And sometimes he doesn’t.

Growing up, he was raised pretty constantly by his father, even if there were some days he didn’t see Will, will always made sure to make up for that time, never wanting to be away for too long in his child’s life..he’d even put off weeks of being a Shane to spend time with Eli, so for most of Eli’s childhood, will Shane was never really absent or gone for too long!

And even if he was Eli always was patient.

Eli doesn’t remember much about his other family, the only other family he’s ever been around or interacted with is his uncle and aunts from his mom side, and his grandma, but never from his father’s side..expect uncle jimmo once or twice.

. . .

Already Will began to break 2 rules of the Shane code, and was beginning, in his family’s mind..Bringing shame into the family, which is also why Will cut communication with them a long time ago.

To Will’s family and the Shane code book, He broke one of the very first rules ever made, ‘never disrespect your legacy.’

A rule placed for the Shane’s of upcoming years to never not do your work, whatever you had to do was important and no distractions were allowed.

So will shane cutting off his days to spend time with his family, friends, putting the Shane work aside, broke the rule and made his uncle, mother and father and other relatives despise him more.

The second rule he broke was put at the last, and was always reminded of each Shane who would soon step up and take the Bandoleer and blaster for themselves.

‘Be loyal to your training’

By putting this rule, the Shane family for ages have always trained their children, whoever would take the place of the Shane role, would have to train hard, or everyday, and their children too.

It was a custom once the child turned 6, they would begin Shane children, it was a must, so they would be more conscious and remember things better.

. . .

Will easily broke this rule, and he didn’t feel bad, yet a bit guilty about it, but if given the choice again, he would gladly

Do it again.

Once Eli turned 6, he never trained him, he made sure he had a playful childhood, and this caused anger through the Shane family, as arguments went back and forth sometimes between some relatives.

Will Shane made SURE Eli focused on school, friends, playing, everything expect the Shane stuff, he didn’t want to make Eli feel like he needed to be successful or be proven worthy, he was only a child, he shouldn't have had to carry that burden..especially the one will carried so long ago when he was a child himself.

. . .

Eli had a fun childhood in his opinion, and the time he was told more about Slugterra finally was when he was 10 years old, since his time was nearing, but Will wanted to take a slow approach, he didn’t want to pressure Eli or make him think that ‘oh! I have to be a Shane!..I have to work had to prove myself to my dad and focus on only this..”

Will made sure to give Eli other ideas, so he didn’t think he had to be a Shane.

. . .

Eli felt comfortable enough with deciding to become a Shane, not due to over pressure, wanting to prove to his father, but because he wanted to help people.

He made the choice himself rather than being forced or the role being pushed upon him..

. . .

HOW HE IS LIKE-

Eli is bubbly and all about just like his cannon self, Loves puns, but he is more serious in a way due to blakk, not in a bad or cold way, just so he takes things with more consideration, is more quick and clever, and is a fair and well fighter.

He thinks and usually half his plans work really well due to blakk’s thinking passing onto him sometimes during training.

(He’s still his dad son though..😅)

Will slip up and be a bit clumsy at times, but he’s a pretty advanced slugslinger and fighter. Is more advanced in a way compared to his counter part. Still a dorky guy, Trixie makes sure he doesn’t do anything stupid still, while kord and Eli prank each other and go into full warzone …

He has a good heart, and it’s more motivated to grow with blakk’s training, and with his childhood, especially with the way Will raised him. Will always made sure to teach him a lot about compassion, how to give instead of take and to Procter everything in Slugterra, the slugs, the people, everyone, safe others from bad ones, still show remorse and kindness.

He cares deeply about blakk (sees him as an uncle/father figure sometimes)

He’s genuinely more brightful! Though after his dad is saved he feels a lot better, though some final battle happens kinda scars him a little but he is doing fine!

(He also got the mouth scar from some training from blakk, proud of his scar like twist, just a bit disappointed he didn’t get it from an actual slug slinging duel.💀)

Ahsuhsiahejwj SOO THATS ELI’S LORE FOR NOW- Sorry for the long disappearances, I’ll try better this month and April hopefully 🙏 alright see yall next time, peace!

#eli shane #bajoterra #slugterra #digital arwork #digital aritst #alternative universe #will shane #art #other characters #other characters mentioned #dr blakk #Small bits of trauma maybe.#he’s just a little silly #(:

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dostoyevsky-official · 2 years

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gorbachev’s funeral was a solemn affair kept purposefully small by an outsized police presence, ordered there by a regime that wants to distance itself as much as possible from his legacy but which cannot forsake something as momentous as the last general secretary of the ussr. at the same time, those in power hate the people who embrace gorbachev and what he stood for. therefore you have “elements of a state funeral,” a ridiculous amount of police, riot police, plainclothes police, military police, elaborate ways of making sure as few people show up as possible (gorbachev was supposed to lie in state until 2pm, but this was suddenly moved to noon; the burial was closed to the public, but it was actually open). one person was arrested for holding up an anti-war sign. surprisingly, many complained about putin snubbing the funeral due to “scheduling conflicts.” good riddance! who among those present really wanted to see him?

it was something of a quiet protest action against him and the war, even without posters. a pensioner at novodevichy cemetery told me as much: “this is the only way i can protest against what’s going on without getting arrested, and they know it. i couldn’t not take the opportunity.” but what is a protest if it’s sanctioned, quiet, and cordoned off?

at 9:30 am, crowds began to gather at the house of the unions in the city center, where all former soviet leaders were displayed in state. it was both larger than i’d expected and much smaller than i’d hoped for from moscow. from a city of 12 million, there were perhaps a few thousand people all together, many with red carnations. there were several gate systems to the memorial manned by cops who had orders not to let in more than 50 people at a time (i overheard one say so on his walkie-talkie). as with the the funeral procession later on, there was a good showing by the post-soviet generation and those who would’ve been too young to remember much of anything from the gorbachev years; there was also a fair amount of pensioners. the crowd moved fast—the cops didn’t want to let anyone linger for too long in any place—and after three security checkpoints and five gates, i was in the luxurious hall of pillars, though made austere for gorbachev. after seconds of looking at a man who embodied the twentieth century like few others, i was urged to move on as fast as possible. on the way out, a couple behind me, a man and a woman in their 50s, started crying. they were not the only ones.

across the street, a large “we will fulfill our mission” poster, written with the propaganda Zs and Vs, hangs on the scaffolding of the new bolshoi theatre, as if to put a period on what had already ended months, if not years ago. the crowds only became bigger when i left at half past ten. on my way to novodevichy cemetery, i ran into gennady zyuganov, head of russia’s communist party, and asked for a photo—why not. a smaller crowd of CPRF, left front, and other “left” parties gathered for some event near red square. later, i learned that he gave a speech celebrating the end of wwii with the victory over japan. zyuganov said that we must continue the fight and cleanse the earth of nazis, as russia is doing now. this, too, is part of gorby’s legacy, the shattered pieces of a massive, unfinished political project.

a few hours passed before gorbachev’s procession arrived to novodevichy, where the crowd was a bit thinner. i stood next to a young law student in his junior year who skipped his first day of classes to pay respects, chatting with him to pass the time. “how excellent that so many young people showed up,” he said. maybe a third of those gathered was under 30. “if we are here together, it means russia still has a future.” the police moved us around from time to time to “make space.” after finding my way to him again, i noticed he had two carnations instead of four: he gave two to a journalism student and exchanged numbers. a pensioner: “is she your sister? no? watch over her, keep each other safe.”

the procession was headed by a downcast dmitry muratov, a massive portrait of gorbachev in his hands: one nobel peace laureate parting with the other. among those present for the funeral service were ambassadors, including john sullivan from the US, the south korean, french, and german ambassadors, and suzanne massie, a historian who served as advisor to reagan and allegedly introduced him to the russian idiom “trust, but verify,” with pavel palazhchenko, gorbachev’s long-time translator.

after the service, a 21-gun salute, the crowds thronging to the burial by raisa gorbachev’s grave. alexei venediktov (editor-in-chief of the now-dissolved echo of moscow, another glasnost creation) recently talked about how he went to novodevichy with gorbachev around 2010. gorbachev started crying, telling him that all he wanted now was to be buried with raisa. the love he had for her was immense. out of all the biographies and gorbachev/perestroika studies i’ve read, it’s only taubman’s that covers how profoundly he loved her with the space that such a deep, lasting relationship merited.

during the burial: “who do you think is next,” from one pensioner to another, two strangers. “well... you know.” “yes, let’s hope it happens soon.”

a last opportunity to pay respects at a grave heaped, heaped, heaped on with roses and carnations, and then the throngs dissolved. it was the best of who and what you could see in moscow, or, russia’s conscience—what’s left of it—on public display. i have no doubt everyone at the memorial and the cemetery was anti-war. the palpable depression of this crowd was alleviated only by the reinforcing mutual presence of everyone there, a silent solidarity drawn from an organization that hasn’t been seen on the streets since march. you understand what people feel from what’s not said—the looks—the tears—the efforts of men and women in their 80s and 90s to stand for hours, so long as they could say farewell.

the possibility of such organization, reluctantly allowed for the funeral and which was widely admissible in years passed, was the legacy with which we parted today. the defining feature of gorbachev’s rule was openness, glasnost, a gust of fresh air blowing through a hot, humid room, more than economic ideas that were a halfway house for the conditions the soviet state found itself in, and which he didn’t fully understand. yet he opened windows and doors. he returned memory to the people, he allowed memorial to form, he brought sakharov from exile, and yes, he then turned off his microphone during the congress of people’s deputies. gorbachev was a complicated, flawed individual who rose through the ranks of a bloody, ruthless bureaucracy to lead an imperial superpower whose continued survival was his overarching political imperative. he couldn’t have been gandhi. at one point, he nearly killed yeltsin with nothing more than a prolonged party criticism session; he was, directly or indirectly, responsible for the deaths of those on the imperial periphery.

but what could have been instead? nothing is precisely inevitable. had andropov been healthier, the soviet union could’ve been held together to this day by sheer force, or perhaps by prolonged conflict in azerbaijan, or mass-scale repression in the baltics. set in this context, gorbachev leashed the security institutions of the ussr, but didn’t properly dispose of them. thirty years later, his failure is zyuganov’s gleeful speech on denazification, the descent into a fascist society waging genocidal war. his success was thirty years of lost opportunity.

where do we go from here? the feeling of helplessness predominates, resonating through the said and unsaid perception of what could have been and what we have had. the crowd goes home, the opposition stays in jail, the war continues.

#here's the writeup people/mutuals wanted #lithuanian anon: consider this an answer #gorbachev

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achillean-knight · 4 months

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✨ Guess who's in a drawing mood again ✨

Anyways, I wanted to design a post-scoop Mike... without the mask, bc I've been playing AND watching Hades again and remembered 2 characters who are skeletal/undead looking and got HELLA inspo for a post-scoop Mike with no Foxy mask.

This is also a good chance for me to ramble my ideas and thoughts about my Mike design, seeing as my choice in design for the original concept probably has raised some brows.

Rambling under the cut to keep this short for casual scrollers :D

The original concept with the mask was just, honestly, to let me not draw Mike's undead lookin' ass but after thinking on it more, I have an idea in my universe as to WHY he'd wear it again.

He's gone round to different Fazbear locations to work the nightshift, and I like the idea that in Fazbears Fright, he was a key component in helping the souls move on (Happiest day). After he let his brother's soul free from Golden Freddy, he felt content to wear his mask again, now lifting the heavy burdens of his past.

Plus, it saves him having to stare at himself in mirrors constantly.

He was also, I must add, told to continue wearing his mask because he ended up working at the Pizzaplex (somehow lol) and to conceal himself, he wears his mask to not arouse suspicion from people. Kids constantly ask him where Foxy is, though, if they see him.

Mike wears layer of clothing. His first layer on his torso is a long-sleeved turtleneck, next a hoodie, then a raincoat that he wears when he's working. (adorned with a "security" badge even though he isn't a security guard there) For pants, he wears baggy tracksuit pants and boots that reach up to the middle of his thigh. He also wears gloves because he hates looking at his rotten skin.

Before his mask, post-scooped Mike would apply bandaids and bandages to conceal any damage left by Ennard.

He pushes his hair back in his post-scooped years, because his hair falling in his face while wearing his mask irritates him alot

Mike wears so much deodorant to try and mask the smell of his skin- but god he smells like a teen smoker who drenched himself in deodorant at school to mask the smell of cigarettes, but everyone knows he smokes because of the fuck ton of deodorant he wears 💀(he doesn't smoke)

Mike's pretty old by the time of the Pizzaplex- but he doesn't particularly look old, due to being scooped around his 20's.

He is immortal as he cannot find the will to move on while his families legacy continues.

He didn't experience the fire at the Pizzaria Sim Location, someone else was there (who? idk.)

Mike's below 6'0" but above 5'5" soooo, have fun guessing his height hee hee

He's still Bri'ish in my AU >:) All the Aftons are, I love their accents too much

He was besties with the Bonnie Bully when he was younger, and went separate ways from the two who wore the Freddy and Chica masks.

#michael afton #body horror #I think?#five nights at freddy's #fnaf #five nights at freddy's au #fnaf au #my art #my fnaf au art

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veliseraptor · 1 year

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So that latest Zelkam art of the core transfer has been sucking my brain out of my head all night. And now I can't stop thinking of how much JC's inherited that he never wanted or knew: Zidian (mother), the core (brother), Jin Ling (sister), Suibian (brother x2). I'd include the Jiang name and clan if I wanted to include his father. And it hurts me. He's left with so many remnants of his loved ones and yet how hollow does he feel? How unloved? Answers surely depend on post/canon timeline but idk. I'm just wrecked. *dies quietly*

I have a lot of Feelings about the ways in which Jiang Cheng really does just keep getting handed inheritances he doesn't want to have. People keep giving him things (in a material and metaphorical sense), but it doesn't seem like the give him things as an uncomplicated gift but as this enormous, weighty thing that comes with an immense price. "Here, take my life," people keep saying to Jiang Cheng, "take this and my death with it." And the hideous irony of the core transfer is that that's true even when Jiang Cheng himself tries to give his own life for the people he loves, only with the result that Wei Wuxian turns right around and gives up his own to "fix" it.

But yeah! His mother bequeaths him Zidian in the process of sending him away while she dies. Wei Wuxian dies and leaves him with a flute and a sword he doesn't want. Jin Ling...it's not that he doesn't want Jin Ling, he always would have wanted to be in his life, but not like this. oh I know I'm going to do the thing I do and quote my own fic

You, me, and a-Cheng, said a-jie’s voice in his ear. We must stay together, and never separate.

He’d never learned how to let go, but he’d been the one left behind anyway.

for someone who is in a lot of ways defined by the way that he holds on to the past, for better or worse (and I don't think it's all bad! his success rebuilding Jiang Sect is I think owed in part to his drive to never let what happened to it before to happen again), he does keep end up being the one left, and left holding mementos and reminders that are just a constant chafing reminder of what he lost.

it really adds something fun and spicy too to the bit during the second siege of the Burial Mounds, both in the novel and in CQL:

Jin Ling had never seen so many fierce corpses before, much less at such a close distance. He could feel his scalp tingle, and clenched Suihua's hilt. Yet, suddenly, his fist was peeled open, and a cold object was stuffed inside. He looked down in surprise. "Jiujiu?"

Jiang Cheng propped himself up with Sandu, which had lost its spiritual energy. His figure wavered slightly. "Try losing Zidian, just see what happens!"

[...] When Jin Ling saw that all of the people his age had rushed over, he couldn't hold himself back either. When Jiang Cheng was distracted, he stuffed Zidian back into his hand and sprinted toward the front... (Chapter 80, trans. Exiled Rebels)

The way it's acted here in particular it feels very much like Jin Ling at least has a sense of how loaded this gesture is, whatever Jiang Cheng says about giving it back. Here he is! Continuing the chain of just passing down things as a legacy that in no way substitute for the person they stand for.

just to set those screenshots alongside this:

there's something I think to Jiang Cheng that's not just incredibly painful in all the obvious ways about the core transfer, but specifically in the way that it's related to a sacrifice he very deliberately made - and now he finds out that not only was that sacrifice ultimately utterly pointless, or worse than pointless, the person he originally made it for made it so. It's this "oh, you can sacrifice yourself for me but I can't do the same for you?" that's so bitter to feel, both because I do think there's some amount of "why do you always, always get to come out of things the hero" but more than that, "why did you do this when I made my decisions specifically to protect you; does my desire to protect you not matter? doesn't it mean anything?"

Jiang Cheng standing with his hands full of memorials going "I don't want these," because what he actually wanted was his family, but the world kept taking them away, and apparently in at least one case his family actively didn't get the memo.

#conversating #apprenticedmagician #been a while since jiang cheng feelings but here we still are!#jiang cheng #the sad queer cultivators show

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groenendaelfic · 9 days

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I have quite literally not stopped thinking about the basket baby snippet since you posted it! I'm happy to wait but can I be cheeky and ask for any more tidbits, how ever tiny, about the basket baby fic? Like baby name reveal, another snippet, chapter 2 outline...anything at all please I will give you my first born child! (I am amypond on ao3 btw - happy for you to publish this ask)

ah basket baby! Thank you for not forgetting, and of course you can always ask. I love basket baby. One day it will even be born. Why oh why can't I write fic full time, I would be so much more productive and efficient 😅

For a few very foolish seconds Simon considers naming the baby Wilhelm.

He loves Wilhelm and he misses him, can't imagine what he must have been going through this past year, alone safe for the very much not amused Royal Court, no doubt at some estate hidden away in the countryside, not even allowed the familiarity of his own rooms.

He also hates Wilhelm. For not finding a way to tell him, to have them be together, because surely, surely it can't be that impossible, can it?

Except of course it can. Simon's mom was accosted by Royal Court lawyers at work, and that was them being nice. It is exactly that impossible.

Tears spring to his eyes. He can't name the baby Wilhelm. It'd hurt to much. It'll hurt anyway, holding the baby in his arms, knowing it's the only part of Wilhelm he'll ever get to hold again.

He already loves the child more than his own life, and the more he looks at the tiny, scrunched up face getting ready to cry, the more he can see Wilhelm reflected in it.

He shifts his grip, pulls the baby closer and hums a melody he hopes is soothing. He can't name the baby Wilhelm. The baby is not Wilhelm, and it deserves better, deserves its own name. One which isn't a constant reminder of its unreachable parent.

Not that he'd be allowed. No matter how popular the name Wilhelm in all its forms has remained in Sweden ever since Wilhelm was born. The Royal Court would not allow it, and Simon can't risk angering them before the baby isn't officially his and he has the paperwork to prove it.

So not Wilhelm then, he thinks, as the baby bursts into tears. Simon would give anything to be able to cry along, to crumble and break, but he's a father now and his child comes first, even if he has no clue what to do.

He just put on a fresh diaper with the patient help of his mom and it can't be time for another bottle.

"He can sense that you're upset," his mom explains when he asks, and oh doesn't that suck.

He doesn't put the baby back in its basket however, nor does he hand it to his mom. Instead he cuddles it closer and starts humming again.

His precious, precious child. His and Wilhelm's.

A tear rolls down his face. He's hurt and angry and scared, hating the Royal Court and the world and everything for being so absolutely, thoroughly unfair.

Everything except his baby, who is innocent and beautiful and perfect.

It didn't ask to be born, and certainly not into a family like this, to a legacy like this. The monarchy is not its only legacy however, and suddenly Simon knows what he's going to call it.

Not a Swedish name. Nothing to tie it to the long line of ancestors who want nothing to do with it. Not Carl or Magnus or Gustav. Not Erik either, or at least not as a first name.

Something Spanish. Something to ensure his child will never consider itself an unwanted royal bastard too embarrassing to be acknowledged.

Something powerful. A reminder that he is also part Venezuelan, and that that is something to be proud of.

Yes. He'll name the baby after his maternal grandmother. There is no person living or dead he can think of who is stronger or more determined in the face of hardship than his abuela.

It will make her happy, it will make him happy, and if royals can do it, then he can do it, too. Only better and with less toxicity, less historical baggage to weigh it down.

He'll make sure no one will ever compare his precious baby boy to anyone. Will ensure he'll get to pave his own path however he wants. He loves his child, his and Wilhelm's, and whatever he can do to keep it safe he will.

"Alejandro," he tells his mother, and because he can't ignore Wilhelm's one single request adds, "Alejandro Erik Eriksson."

For a moment he considers using the Spanish version for Erik as well, if only out of spite, but that wouldn't be fair to Wilhelm. That, and it would remind him too much of his mom's favorite singer.

His mother bites her lip and nods.

It's the right choice. The only choice, and Simon can only hope little Alejandro will think so, too.

#basket baby #ask me anything #young royals #wilmon #fic snippet #young royals fic

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cienie-isengardu · 6 months

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Your latest post has finally spurred me into asking you this. Based on his bio, his intros with Liu Kang, and everything else you brought up, what do you think about Tomas being the traitor instead of Bi-Han? Or, if NRS really wanted to go all out with the 3D era references in MK1, both Bi-Han and Tomas being traitors, and being the New Era Noob-Smoke? Or Sub-Smoke, rather, due to Bi-Han being Sub-Zero.

Tomas being the traitor for sure would create more surprising plot twist than what we got with not-so-subtly choice of Bi-Han, as Sub-Zero’s betrayal was hinted in his and Scorpion’s biographies way before the full story mode was revealed:

[...] Under his leadership, the Lin Kuei will come out of the shadows and fight for its place as one of Earthrealm’s great nations.

and

But Sub-Zero's unprecedented moves to cast off Lin Kuei's traditional duties have frozen Scorpion’s enthusiasm. He fears that he may one day have to battle his brother for control of the Lin Kuei's legacy.

A hint also supported by the earliest officially shared Liu Kang vs Sub Zero intro dialogues, especially the “Your actions cost lives, Bi-Han!” and “Earthrealm isn't yours to rule”.

So, in all fairness, the most surprising choice of the Lin Kuei subplot wasn’t Bi-Han’s betrayal per se but rather showing us mainly the already tense relationship between brothers, which in my opinion didn’t fully use the emotional impact the shattered brotherhood could otherwise have had. Of course, the game's storyline is a specific medium and with such a big cast, there is limited space to explore in depth characters’ psyche and thus some plots feel rushed to fit the greater scheme of things. Granted, the storyline and intro dialogues provided us enough nuances to know the conflict between Lin Kuei brothers is not so one-dimensional, even if so far only Bi-Han’s desire for freedom and independence is flashed out, while Scorpion & Smoke’s desire to uphold tradition seems to be solely the “good guys” thing. And don’t get me wrong, characters who have a strong moral sense are cool and inspiring on their own, but Kuai Liang and Tomas through the story mode have never given any real counterargument why the tradition should be upheld in the first place or how it benefit the clan, besides it was their father’s teaching.

(And I do find the “Lin Kuei only serves” mindset disturbing, when one remembers the clan members are trained from childhood to fight, to kill, and if needed to die for Earthrealm and doesn’t that resemble the Umgadi system whose members are denied any ties to family as their main purpose is to serve the Royal Family? There is a huge difference between an adult person choosing on their own to dedicate their life to service in greater good - a very admirable trait! - and teaching children they are destined to be someone’s servants, because it’s the great “honor” and “tradition” that must be upheld. Just saying.)

Now, Bi-Han as the traitor (more or less) makes sense within the provided storyline, especially if we add the expanded knowledge about his motives and goals coming from intro dialogues. In contrast, Tomas is pretty much sidelined through the course of story mode and really, if not for the direct ties to adoptive brothers and intro dialogues, he could as well not be in the story at all.

If the story played as it played, I fear Smoke’s choice to betray would not have that big impact, unless the truth about Liu Kang’s role as Keeper of Time came out (and with that his part in Smoke’s family death) or Shang Tsung managed to play on his desire to be seen as a true Lin Kuei while he is constantly denied the respect and omitted by other characters. Bi-Han is just a tip of the iceberg in that regard (and yet not once he denied Tomas right to consider himself the son of the late grandmaster or even his or Kuai Liang’s brother). In all fairness, Liu Kang contributes a lot to how Tomas is treated, as Fire Lord, despite the close relationship to Lin Kuei and being implied to be responsible for orphaning Tomas, literally did not acknowledge him in any meaningful way through the whole story mode. He has never called Smoke by his name, nor called him alongside the Sub-Zero and Scorpion (chapter 1 & 2) and despite Tomas’ fulfilling his duty to Earthrealm and helping in direct way to established Shirai Ruy, his deeds are still omitted in favor of Kuai Liang.

Frankly, despite being one of Grandmaster’s sons, Smoke is never taken into account when it comes to holding any title within Lin Kuei, as Kuai Liang is treated as obviously choice, both as the next Grandmaster of Lin Kuei (after Bi-Han) and the new leader of Shirai Ryu (and let’s not forget Scorpion was the strategist/leader during battle, even if technically this was his first war and there were more experienced characters, including Ermac/king Jerrod.) Kuai Liang is a great warrior, no question about that, but it really feels like Tomas is acknowledged only by his adoptive brothers.

So, if played right, Shang Tsung (or even Bi-Han?) could talk Tomas into joining “the Liu Kang’s opposition”, as he holds resentment for Fire Lord over the death of his family (though that one works best AFTER the big revelation). Intro dialogues also provided information there was a time he did not consider being adopted into Grandmaster’s family as anything good, which of course is understandable, considering it was Grandmaster's men who killed Tomas’ mother and sister for a simple accidental trespassing on Lin Kuei land.

Not to mention he was not adopted because of compassion per se, but because of Grandmaster’s guilt. Considering how Tomas went from disliking the man and/or situation he was forced into to almost blindly holding to “tradition this”, “traditions that” mindset, I wonder if we should consider him as a potential victim of Stockholm Syndrome?

Also, what is interesting, Smoke looked up to Bi-Han ("And to think I once idolized you."). Granted, we don’t know how young Sub-Zero acted back then, besides being cold to Tomas, as intro dialogue pointed out, but I think there is something to say about Tomas idolizing the one brother that openly challenged their Father’s ideas. We have of course only evidence of Bi-Han’s criticizing Lin Kuei old politics in current story mode however as Sub-Zero’s “frustrations ran deep” it is possible he was outspoken about the issue before. So it makes sense to assume the idolizing happened back in the days when Tomas (most likely) resented the man that decided to adopt him after his men murdered his mother and twin sister over a trivial matter - and maybe Sub-Zero’s headbutting with Father was what impressed Tomas the most? As in, however cold Bi-Han was, at least he didn’t pretend everything was okay?

Smoke’s BIO gives him the LOYALTY as a main theme

- and despite what happened between the brothers, he still hope for reunion with Bi-Han and refuses to give up his estranged brother to anyone outside Shirai Ryu for judgment, so we can’t say he and Bi-Han had never been on good terms.

Frankly, the visual side of story mode adds a lot to this feeling, as with exception of like two scenes (awaiting for Liu Kang/meeting room and joining Kuai Liang and Bi-Han after Sub-Zero’s fight with Nitara and Ermac), Smoke is the one standing at Bi-Han’s right side, not Kuai Liang - the de facto second-in-line of succession.

I won’t lie, this is pretty surprising detail - and who knows, maybe Smoke is supposed to have soome importance after all and/or is the middle child, thus occupying the more symbolic (prestige) place, the same as Bi-Han was usually placed at Liu Kang’s right side, implying his higher status as Grandmaster.

I, for one, would love to see Tomas either betraying Liu Kang on his own or joining Bi-Han, so we could have a new take on the Noob-Smoke team, this time without Smoke being cyberized and cut from memories but also challenging Keeper of Time's choices by characters that weren't the main villains in previous timeline(s). My heart would be bleeding for Kuai Liang as his friendship with Tomas is a great part of Lin Kuei lore but then Tomas, story wise, had valid reasons to resent Liu Kang (death of family, never being acknowledged). I wouldn’t cross out the possibility of Smoke joining Bi-Han in later events (or pretending to join to spy on him, because you know, Tomas is the master of stealth, so he should be good at that stuff) but I fear NRS is not gonna give him any meaningful focus anytime soon. Johnny was joking how Tomas “got the wholesome sidekick thing down cold.” but looking at MK1’s story mode this is not a joke, just a truth.

#mortal kombat #tomas vrbada #smoke #sub zero #bi han #kuai liang #liu kang #my replies #i'm really here for the possible variants of lin kuei relationships #i want kuai liang & tomas friendship as bad as i want noob-smoke #i'm not picky

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