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#wonderland characters are hard
keepingeahalive · 11 months
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Frabjous Day! Callooh! Callay!
Call them girlfriends. Call them sisters. Call them whatever you want. They don’t do labels.
Lizzie, Kitty, Maddie
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[ID: A full hand-drawing of Madeline Hatter, Kitty Cheshire, and Lizzie Hearts with flag/ribbons flowing from out of a hat.
Maddie is a petite British-Indian teenage person with light tan skin, medium length turquoise hair with mint green and fuschia streaks, and large teal eyes. She is wearing a dark cream bodice with short puffy dark pink sleeves; turquoise gloves with white lace; a small top hat in the shape of a teacup and saucer; a dark teal mismatched necklace; and gold earrings in the shape of spoons.
Kitty is a petite British-Chinese cat person with pale skin, pale blue-gray and violet hair pulled up into two long pigtails, sharp green eyes, mint green eyeshadow, and a large wide grin. She is wearing a purple dress with a white, lavender spotted bodice; short black puffy sleeves; a brown-gray fur collar; black arm bands with brown-gray fur at the wrists; violet leggings with purple zigzag stripes, white shoes with fur trim at the ankle; and a cat-ear hat.
Lizzie is a petite white British teenage person with beige skin, long black hair with two red streaks styled in an updo, full white face makeup, dark turquoise eyes, and a red heart over her left eye. She is wearing tight-fitting yellow dress with a red Tudor collar, two red symmetrical hearts on the bodice, a black skirt, two dark yellow flared layer skirts resembling playing cards, and tiny red earrings in the shape of hearts.
Maddie hangs upside down from the top, her arms spread out and a joyous look on her face. She holds a large magenta top hat from which three large ribbons slip out. Kitty appears lounging on the middle ribbon. Her legs dangle in the air behind her. Her face leans into the back of her left hand. She grins widely down at Lizzie. Lizzie stand behind the bottom ribbon holding three cards in her hand. She looks up at Kitty with a small smile.
The top ribbon depicts the Agender Flag; the hat Maddie is holding depicts the Anthrosexual Flag. The middle ribbon depicts the Demigirl Flag; Kitty’s cat-ear hat depicts the Graysexual Flag. The bottom ribbon depicts the Bi-gender Flag; the cards in Lizzie’s hand depict the Polysexual Flag. END ID]
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egophiliac · 2 months
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You can’t pick Lilia for this. But who is your other favorite short character in Twst?
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I like the angry little king boy 🌹
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fyodors-fancy-teacup · 2 months
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I saw a post of a bat wing corset on Twitter/X and I had to draw Lilia wearing that, but here we are. I ended up designing an outfit for him.
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lowcallyfruity · 4 months
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Hey guys 😁😁😁😁😁
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krenenbaker · 6 months
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Trick or Treat~!
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Pairing: Che'nya x Floyd (could be read platonically or romantically)
Summary: It's finally Halloween night, but Floyd is in a bit of a slump. However, the arrival of a curious companion may just make the Halloween party a bit more interesting for him.
Notes: This is my first attempt at something following a prompt - specifically, "Trick or Treat" for the 2023 TWST Rarepair Halloween event. I'm trying to get more comfortable/practiced with writing prose (which is why this wasn't posted on the 30th... oops), and only vaguely ended up following the prompt. I'm fairly happy with how this little piece turned out, though!
Tags: @dove-da-birb, @azulashengrottospiano, @inkybloom-luv, @eynnwwyjth, @officialdaydreamer00 (please let me know if you'd like to be included or excluded from future writing of mine, or only want to be included in specific types of creations)
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Floyd wanted to take a break. 
It was Halloween, and all he had done the entire week was work, work, work. Getting costumes ready, decorating, helping with their dorm's presentation, plus cooking and serving at the Lounge, all on top of normal classes? 
Sure, it was fun, especially getting to show off Octavinelle's cool setup, and 'taking care of' those misbehaving visitors. But now? Everything felt draining and boring, and Floyd simply wanted to leave, which sucked because the actual Halloween party had just started!  
Maybe he should just ditch and go back to his dorm; being in a funk when everyone else is having fun around you is not enjoyable.  He slumped down on a bench and unwrapped a sweet he had picked up earlier, before wrapping it up again. Ugh, not even in the mood for that candy he wanted only a few minutes ago. 
As he shoved the sweet back into his pocket and was about to get up from the bench to leave, Floyd heard a rustle behind him. Someone was quietly humming, and… laughing? The sound gradually moved to his side, towards the empty side of the bench.  
“Trick or treat~”
Floyd turned to face the voice. "Listen, man, I'm not in the mood to—” he froze, staring at the figure beside him. “Hang on a second, where's your body!?"
A toothy smile came to the face of the head that currently floated beside Floyd. "Oh, it's here.... or maybe it's there." A pair of hands materialized on either side of this boy's head, followed by the rest of his body. 
“I'm just kidding. Mind if I take a seat? I’d like to rest up before I keep purrowling around and startling people.”
Floyd blinked, then raised an eyebrow. “Uh, go for it.” 
This guy was... weird, and it was hard to tell if he'd be annoying, or interesting. "You don't go here, do ya? At least, I’ve never seen you before. And you’re no ghost, either.”
The cat-like boy shook his head, his jewellery jingling softly. "I'm just passing through for the festivities and collecting treats. Scaring some people, too. That’s loads of fun. And it's always nice to see my friends let loose." 
Floyd had a vague memory surface. "Ohh... you must be that RSA boy who's friends with Sea Turtle and Goldfishie." 
"'Sea Turtle' and 'Goldfishie', hey? Those are good names for my green and red friends. Cats are known for liking fish." He leaned forward, his grin growing. “Artemiy Artemiyevich Pinker. It’s a pleasure to meet you.”
Floyd nodded, “Floyd Leech. It's nice to meet you, too.” He looked curiously at the boy beside him, taking in his shaggy hair, piercings, and impish smile.
"You're not what I expected.” Floyd smiled, "But you seem fun, Catfish. I didn't think Goldfishie would get along with someone so... interesting."
Che'nya's eyes lit up slightly. "Catfish? Heh heh heh, most people call me Che'nya, but I guess that works. And I’ve heard some… interesting stories about you, too."
He stretched his legs out in front of him, leaning back with his arms behind his head as he sighed. "But yeah, I don't think Riddle could shake me if he tried." 
"I'm almost jealous." Floyd tipped his head slightly. "Most of the time, Goldfishie likes to swim away before I can play with him."
Che'nya laughed, "Well, if you're wondering, he 'swam off' that way." He pointed off to the side. “Just don’t be rough with him. I don’t like people mistreating my friends.”
Floyd looked off into the crowd where he had pointed, and let out a small laugh. “Alright, good to know. Maybe I’ll find him later, if I feel like it”, he smiled and sat back. “And Goldfishie’s stronger than he looks, but I guess you’d know that.”
Che’nya nodded, then leaned closer with a mischievous glint in his eye. "You know, I bet we could do something that would really surprise him.” 
Floyd turned slightly towards Che’nya, and flashed a smile. “Yeah, we probably could. I think we should talk more in the future, Catfish. You seem pretty fun.” 
Che’nya grinned, “You seem pretty fun, too.”
"Well,” he stretched his arms above his head. “I think I’m going to go and find some more treats… and play some more tricks tonight. I'll catch you around, Floyd." 
With a haunting giggle echoing in his ears, Floyd watched as the boy beside him faded into nothingness, just the same way he had arrived. 
What a weird guy.
Floyd unwrapped the candy he had pocketed earlier, then popped it into his mouth. Maybe this party was worth staying at after all.
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hisui-dreamer · 1 year
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a world without you
Pairing: Leona Kingscholar x gn!reader
Synopsis: When Leona hears the Shroud brothers' plan, he thinks back to his herbivore, and how their existence has changed so much for him.
Tags: spoilers up to Ch 6!!!, established relationship, angst but fluff, drama, bot proofread
Word count: 878
Notes: this can be read as my view of leona's character, so please accept my leona brainrot <3 just some thoughts I had when I read ch 6. also leona might be a little ooc but it's his internal thoughts so I like to think he's more emotional :3
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"It needs to reset before we can start a new game."
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Shocked expressions were exchanged across the room as the implications of the younger Shroud's plan slowly settled on everyone's mind.
Leona couldn't help but think that, if the opportunity had been given to him a year ago, he'd likely have accepted whatever the robot kid was going for.
Leona always felt that he had been cheated in life. Ever since he was young, he was constantly compared to his older brother, who was seen as the epitome of success in their family, the perfect heir to the throne. Everyone would constantly praise his brother's achievements while dismissing his own accomplishments as trivial. It didn't matter that he was working hard to prove himself, that he could wield such powerful magic as a child.
He often wondered why he had to be born, if he was only meant to stay in another person's shadow to make them seem brighter in contrast.
No matter how hard he studied, how mature he acted, or how strong his magic was, it was all pointless. The ghostly whispers of the palace staff continued, and the judging remarks from the council intensified.
He was born as the second prince.
And he was destined to forever be just that—second.
When it finally clicked for him, he stopped trying. Why make an effort in anything, when time and time again, he had given his all only to end up with nothing? They say the definition of insanity is doing the same thing over and over, yet expecting different results. Despite what others might say, Leona was incredibly brilliant, with a sharp mind fit to be a wise ruler. He knew, without a doubt, that it was pointless to continue down the road of insanity.
Instead, he continued down the path of sloth, eventually finding everything, the entire world, pointless. He found himself skipping classes and taking naps whenever he could, hiding away from the world where he would never be able to stand under the sun, but at least comforted by the serene embrace of his dreams.
He had wanted to turn the world to sand and start over.
It had been a wild thought, but here the Shrouds were, proposing an entire reset of the world.
Leona's mind raced as he contemplated the consequences of such an ordeal. Indeed, he had always dreamed of a world where everyone had an equal chance to succeed, where people were not judged based on their social status, birth order, or magical ability. A world where he was no longer burdened by the expectations of his family, where he was free to be who he truly was, a world where everyone was given a fair chance to succeed, and where no one was left behind.
And yet, without realising it, the thought of starting over in a new world had left his mind ever since you came into his life. You were everything he had ever wished for but never deserved in a partner—kind, caring, and endlessly supportive, always by his side despite his crude demeanour and harsh words. You showed him that there was meaning to living, opening his eyes to the people around him. He had friends who cared about him, incredible talent that could bring great changes, and most importantly, you, his dearest herbivore who shone like a beacon in the shadowed depths of his heart.
For the first time in his life, he felt truly content with what he had, despite all the flaws and problems that persisted.
He had never cared about resetting the world and losing everything he had to start anew. But it was a different story now.
What would happen to the people he cared about in this new world? What if he never met you? What if everything he had ever known and loved was erased? And what of the memories that he made at NRC with you, with Savanaclaw, and everyone else?
Leona's thoughts drifted to his memories of you, your fierce eyes staring directly into his, determined to befriend him; the quiet evenings you had spent together under the starry sky sharing stories and enjoying each other's company; the way you would instinctively lean into him for comfort; the dazzling smile that graced your face when you spotted him in a crowd.
He made up his mind then.
He didn't want, no, he wouldn't risk losing you. Your presence had given him the joy he had never experienced, the hope for a better day tomorrow, and he wouldn't give that up for anything. He would continue to work towards a fairer world, but he would do so without resetting everything that he had come to cherish.
He had learned to appreciate the people in his life. He had found happiness, despite the unfairness of the world. He knew that he had found something precious in this unfair world—someone who cherished him wholeheartedly for whatever he may be.
No, he doesn't want to reset the world.
"I'll grant you one thing. The world totally sucks as it is. But I don't think your new one would be any more to my taste. So I'm going to stick with this one. It's less of a pain."
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cerealmonster15 · 2 months
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idisil on the brain babes
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princeofbriar · 8 months
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Frozen Prince!Reader 👀
Listeeeen: I've never watched Frozen but the idea of a Reader who is based on Elsa inspired me.
You're beautiful, agonizingly so. Attracting attention wherever you go, seemingly oblivious to the stares of the students you pass. Or perhaps you're just unaffected by them. Uncaring and indifferent to people who mean nothing to you. Yet it draws them in like moths to a flame. But you’re also hard to reach. Some claim you’re an ice prince, frozen heart untouchable, and some believe you’re just reserved. Whatever it is, you’re terribly isolated from the general populace. Maybe a resident ‘fixer’ can bring you out of your shell? 👀 (cough yuu cough)
Ace is stupid obsessed with you. You're his upperclassman by a year, but tries to be casual with you like he is with everyone. It's hard to do so when you're crushing hard on someone. Deuce is similarly afflicted, but he’s not so bullheaded about approaching you like Ace. Maybe you just want to be left alone…
Yuu is at least known by everyone, but he’s not been able to get to know you. He usually jus grinds himself in situations where he gets to know people, but when it comes to approaching you he has no idea where to start. Does he just say hi?
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mushkirbs · 7 days
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Damn bro in twst
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He would get along great with Grim and acedeuce (no, he wouldn't, maybe for like the first five seconds)
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sankatsuka · 3 months
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Backlit Lens Flare and CYBERPUNK DEAD BOY Discussion - Reigniting The Passion Lost to Peer Pressure
Everyone wants to have a place to belong, where the hard work we pour into the things we love will be seen and appreciated by people. But what happens when you decide you will never find this place and resign yourself to a life of solitude, only to be proven wrong by a group of people who insist on your wholehearted hard work? And it only later dawns on you that you will someday have to part ways and you will lose the miraculous place you finally found.
This is what I like to think Rui Kamishiro encapsulates - the battle between being yourself and wanting a place to belong. How easy it is to get swayed from what you love when you think you've found this place and start to subconsciously dedicate your passion to this place instead, to the point that if you're not aware enough, you can forget the feelings in your original passion (resulting in the hesitation and doubt in Curtain Call). After all, nobody is the same, and if you focus too much of your passion on them, that passion becomes about them and not yourself. Ultimately, it is how not acknowledging a healthy boundary with people who are different from you can affect your passion (Shiho as a character is very integral to this).
Warnings:
I believe the entire WxS plot is meant to be misdirection.
Personal interpretation of Rui and several characters by inferring from text.
I believe Rui is a flawed person with no bad intentions, so there will be criticism of his character here. I really suggest turning away if it upsets you.
Spoilers for all WxS unit stories up till Backlit Lens Flare (as well as for Saki, Shiho, Akito, Mafuyu and Mizuki's characters up to their most recent stories)
Edit (11/2/2024): Made multiple edits as always, but biggest change is talking more about the foils in CYBERPUNK DEAD BOY and Kitty's message. Edit (12/2/2024): Compulsory mention of Rui's mom and how he was set up for failure from way back then. Edit (12/2/2024): Expansion on the parallels between Rui and Mafuyu - what it is that makes them the CYBERPUNK DEAD BOY and Jackpot Sad Girl. And a summary on how three commission parallels supports this interpretation of CYBERPUNK DEAD BOY about Rui's characters. Edit (13/2/2024): Lets add a bit more about how Resonate with You criticizes Rui's actions in Curtain Call. AND MANJI ALSO BEING A SLANG MEANING EXCITEMENT, STILL APPLIES TO TSUKASA IDC!!
Rui's character in the story starts off as someone who has thrown the part of himself who wants to have fun making things with people after being repeatedly let down by them. The early times with Wonderlands x Showtime helped him remember that desire from childhood to find a place that accepts that desire, that he criticizes Tsukasa for not appreciating WxS - for not realizing the best shows can't be accomplished without friends.
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"--The best shows can't be done alone."
Following the fallout, Tsukasa and WxS' continued insistence and appreciation of him makes him start to see them as a place he can finally belong to. The place he's searched for for so long since childhood. That when he saw Tsukasa get hurt, he became swayed from doing the things he wanted to do for the first time and he hadn't even noticed it - because Tsukasa might leave him like his classmates had, so he has to hold back so as to not disappoint him further. This resulted in Tsukasa and Ruis second argument, with Tsukasa being angry at Rui for lying and holding back - which I later argue is the exact same feelings in his FUZAKERUNA in CYBERPUNK DEAD BOY.
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"This is surprising. I didn't think I'd ever feel this way." "Being afraid of losing your place, and then being unable to face the actors who seriously respond to you - this is a failing as a director."
However, this entire ordeal ended in Rui acknowledging his weakness, putting the whole deal behind them and moving on with the show, as KAITO advised. (Spoiler: it isn't weird at all to say that this happens again, with how he deals with it so indifferently like this.)
And then in Curtain Call, he becomes painfully aware that everyone may leave someday for their dreams--
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"Someday, the day we will have to depart will come... For both me, and everyone."
Doesn't this just seem like a repeat of Halloween in a different way? He's scared they'll all leave him alone. One can say that Curtain Call ignited the exact same fear of being left alone and losing your place that Rui felt in Halloween - and his reaction feels exactly the same too: acknowledge it, put it behind you and move on to doing what is best for the best shows. After all, Rui lives for the best shows, because it is what makes him most happy - albeit Backlit Lens Flare suggests how he doesn't actually fully remember the joy and passion for shows he had as a child (discussed later). The best way to put it is - Rui feels like a walking corpse of his childhood.
Normally, when you realize this possibility of parting in the future, you talk to your friends about this (see: Saki Focus 3, Get Over It). But Rui refrains from talking to the people he should be talking to (WxS) and proceeds to go for the most obvious decision for his dream by joining Arklands. Only after Asahi turns him away does he go for the next obvious option he sees - the reckless decision that he would do everything in his power to achieve everyone's dreams together. And he can so confidently chase it because he's smart, only to be put down in Backlit Lens Flare lol.
Rui has really just been powering his way through the things he finds unpleasant, as KAITO had told him to in Halloween, ignoring the bad parts and doing everything for the sake for the best shows. You can really, really argue that KAITO's advice in Halloween seems very, very morally ambiguous now lol. He doesn't think ahead of what is the best choice and what would make him happiest - it's as if he's avoiding the very line of thought of how he would do post-WxS. Compared to Shiho in Focus 1, 'Resonate With You', who shows how she has thought it through and is happy enough just spending time with Leo/need for leisure - Rui doesn't even reach this line of thought of what happens next.
I think that he avoids thinking properly about these stuff because he wouldn't have a proper answer to it. Can he really trust Asahi when many other people have disappointed him after showing some interest before this? On the other hand, he's argued with Tsukasa twice and everyone is still enthusiastic - WxS is the only place he's ever felt secure.
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"There were a few people who saw my ideas and said, 'it would be interesting if we could do it'." "But even those people gradually became reluctant with the more new ideas I brought to them."
It may generally be underestimated in the story just how much Rui doesn't inherently trust people and actors.
Even CYBERPUNK DEAD BOY begins with 'Nobody's listening anyway. Music's all just fashion, players leaving the field after devouring dead sounds one night.' which can be interpreted as people who became reluctant after they spent too long around Rui as he says to KAITO above, innit.
And then, Backlit Lens Flare happens and Rui encounters ??? (Sakaki). Sakaki immediately identifies the problem with Bakuno's acting, pinpointing it to the directors instead of the actor. Rui was not able to.
Remember, the freelance option isn't permanent - there's the possibility someone may be recruited away (It's a story for another day that he is only really worried about Tsukasa instead of the whole WxS but doesn't realize this). Rui paying attention to their growths first of all before his own is testament to how he's trying to make sure they quickly grow so they can achieve their dreams together:
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"...It seems it became good stimulation for both of them right away." "...I also need to more proactively study from this opportunity."
So even now, Rui is more worried about WxS over himself. He prioritizes making sure they are getting something out of the freelancing gig over himself. Only after watching them was he stimulated to do his best too - and here comes the question, where did his drive to be proactive for his own passion go to?
Sakaki's ingenuity finally pops this question to Rui's mind. Had Rui's brain not been filled with the worry of losing his place, he may have been able to think more clearly and just as quickly reach the same conclusion as Sakaki. If he had been filled with thoughts of what was satisfying for himself instead of how he could stay with everyone, he may have been able to create a much better film (see: Shiho Focus 3, Stick to Your Faith). In fact, why is he even so bothered about falling behind Sakaki, when Rui isn't even an adult or a professional director himself?
It's not normal to be bothered about that: Nene was never hard on herself for not being as good as Kazamatsuri, because it's a given she's far away. But she does get upset with herself when she realizes she had looked down on Sakurako and naively seen her as an equal. You only react that way with people you see as equals if you're secure.
Perhaps, the passionate person Rui used to be would have admired Sakaki and want to learn from him out of a pure love for shows instead. And not be so bothered about how he was falling behind professionals.
We see Rui fail twice in the story: not figuring out the problem with the scene, and not thinking ahead of personalizing the script like Ohara had. (There is a third time too: how Tsukasa and WxS seem so moved by Bakuno's performance that Rui played no part in - meaning there are others who could easily replace him - if the emotions in this discussion hold true). And it's no wonder it would have him start questioning and blaming his obsession with WxS for it - if he had not been preoccupied with them, he may have avoided his failures altogether, and even if he did, he wouldn't have been this upset.
It's like a hit to his ego. Is how he's acting and behaving really the same boy who loved shows and would do anything for a show that would satisfy him?
Right now, it's as if Rui is trying hard to protect his position as a talented genius that surpasses everyone so WxS will need him for their dreams and want him around. No one can replace him; only he can achieve their dreams for them.
But Sakaki and Ohara prove him wrong.
The closing lines of Backlit Lens Flare, where he focuses on his own feelings towards directing instead of anything WxS learned, implies this self-realization of how he had been behaving. Rui is finally focused on himself.
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"I'm disappointed that I didnt come up with this method, but strangely enough, I feel refreshed." "Directing... really is interesting."
FIRST UP. WHY DID YOU NEED TO COME UP WITH THE METHOD. SECONDLY, WHY ARE YOU REFRESHED. It makes sense to me as someone who's been carried away a lot: when you realize you lost sight of your original intentions and began worrying more about so many unnecessary things, you feel bitter at your mistake but relieved and refreshed you've finally been woken up.
To me, all of these feel like they're pointing to Rui being afraid of losing his place in WxS. So he has to be capable of solving everything, achieving everyone's dreams, so they will need him for it and they can keep staying this way. Before this, it seemed like a normal human emotion he had just never experienced before, but now, it's starting to show it's actually detrimenting his passion.
This is what I believe the theme of trends are playing into in CYBERPUNK DEAD BOY - doing anything you can to make sure there will be people to hear and appreciate your music, and the spite in realizing you've lost yourself in that pursuit. Money is the artificial love you receive by catering to people so they would stay and listen to you. It's heartless, but following his character, it seems the crowd he's referring to is WxS. Because they have their strong individualistic dreams and just won't simply stay with him as he wants them to, he has to keep worrying about keeping up with them (Tsukasa mainly):
But still, here, there, everywhere, loners, manji, Gen Z, even monkeys want it.
Loners=Rui Manji (a sign of good things to come)=Tsukasa (being surrounded by good luck charms; kanji 天 being associated with heaven; inviting Rui to WxS) (edit: manji is also a slang for excitement, which Tsukasa literally is for Rui) Gen Z=Nene (digital age, playing video games) Monkey=Emu (in Rui's picnic card and Emu in Sky's Edge)
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(In NY2, Emu ended up drawing tons of big luck omikuji, and Tsukasa is surrounded by monkeys in Island Panic - so you can suggest their roles are reversed. But the robot monkey Tsukasa in picnic suggests Tsukasa isn't a real monkey.)
Curtain Call and Backlit Lens Flare together show how not addressing and expressing fears properly and simply moving on changes nothing. Self-awareness and powering through is useless advice - anyone who's had troubles with lovers, friends and family know you need to talk and accomodate each other. Or not, is it even feeling loved and cared anymore, isn't it just about control then?
In Resonate with You, Shiho makes Leo/need think through their choice to join her into becoming a professional, rather than accepting them right off the bat. She knows from her prior experience working with people that half-hearted musicians would only fail, suffer and drop out. It is only by Leo/need wholeheartedly declaring their intentions of facing music sincerely and seriously that Shiho is convinced that they can all do it together for sure. This is such a contrast to Rui in Curtain Call where he decides on his own that he will find a way for WxS to achieve their dream together, while barely thinking at all. And he winds up focusing so much on making sure WxS stays together. You need to think it through, face the future seriously and talk properly. NOT JUST LEAVE IT THERE!!
Or else you'll lose sight of your original motivation from focusing too much on things that don't really matter as much to you: you'll just end up half-hearted.
Further proof that Backlit Lens Flare is Rui's realization of his half-heartedness since Curtain Call, is that Tsukasa gets angry at him in CYBERPUNK DEAD BOY like he does in Halloween. It isn't even a desperate shout to save someone - it's like a look of pure judgmental disappointment, as if they've been through this already. Stop lying.
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He already shouted in anger in Halloween. If that didn't reach Rui, then there was no point in being all angry anymore.
Rui was repeating Halloween, trying so hard to protect the place he belongs to and forgot what he himself truly wants. From there, the lyrics in the entire CYBERPUNK DEAD BOY are self-explanatory: what happened to the things you wanted to sing? (I was so happy with the lyrics because it was exactly what I was thinking in Curtain Call but no one seemed to care).
One thing you can never take away from Rui is that he is a very, very passionate guy. He loves what he does that he would spend every waking hour of his day working on it. Even if he's become a shell of his former self, his body is still naturally drawn to shows (Samsa Kanade reference heh). And Rui himself believes himself to be purely passionate too. So when he realizes that passion has been thoroughly dirtied, it makes sense he's as angry as he is in CYBERPUNK DEAD BOY.
In Anni 2, Rui says he didn't know what he wanted to do like Mafuyu, but then he corrects himself to say he THOUGHT he knew.
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"Actually, in the past, I didn't know what I wanted to do." "No... I should say that I thought I knew, but I actually didn't know at all."
For a brief moment, Rui thought he was just like Mafuyu with nothing to call his own. Until he quickly remembers that he did indeed have something he wanted to do, but claims to have been mistaken.
Why did you briefly relate to a girl who felt like she had nothing she wanted to do like everyone else, if that isn't a sign of his current state of mind - feeling like he has no dreams like WxS, and having to keep up with them so that he can feel like he belongs (discussed later in the parallels with Cinema). His lost passion became more evident at this point of the story.
If you 'thought you knew', then that means it was once a genuine feeling too. Even if you're alone, doing what you love is still fun - Shiho in her Focus 3, 'That Day, The Sky Was Far Away' demonstrates this. Although she had been let down by the bandmates, she was still fine alone because music made her feel better. And she even inspired Mihane because of her enthusiasm. After all, what you love to do should make you happy to some extent.
In comparison, Rui seems to have forgotten that shows were actually fun in middle school (probably because Stick to Your Faith never happened for him). When he approached Mizuki, he was standoffish and didn't think to introduce Mizuki to the fun of shows even when they expressed some interest in it. Probably because he couldn't even remember it himself. But being able to make that decision suggests he did still have some semblance of emotions that felt like shows were fun. Once again, a walking corpse of his chiildhood.
In the end, it's like he already lost this original joy for shows since middle school, and then grew even more confused about what made him happiest with the new joy he experienced after finding a place in WxS. He hasn't been able to wholeheartedly enjoy his passion because he's been continuously rejected, and he thought he was having fun when WxS accepted him - but in the end, that fun was from finally finding a place.
Update: Tetrad gives more implications of how Rui had gone astray post-Curtain Call. Tsukasa and Rui sing together, "We're facing the same direction", but Rui appears troubled. It's like Rui can't declare that he is chasing his dreams as confidently as the rest of WxS. Deep down, a part of him probably knew this even before Backlit Lens Flare happened but was afraid of facing it.
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I would further go on to associate CYBERPUNK DEAD BOY to both Kitty and Cinema which its imagery resembles. The card set takes place in Shibuya where Kitty takes place in, and Cinema uses the same director's cut + Tsukasa's trained card directly mentions Cinema on the billboard.
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There's also the naming that is clearly based on Jackpot Sad Girl - which I think just goes to highlight how both Rui and Mafuyu have the power through it mindset that it lands them dead and sad respectively: people need to reconcile their differences with others to truly love and feel alive (Rui) and people can't endure stress for too long without getting depressed (Mafuyu). Both ignored their human needs and thus this is where they wound up.
The parallel with Kitty feels like it's also within the overall messaging - how facing things can lead to losing yourself even more when you aren't mentally prepared and have no clear-cut answer (sounds similar to what Rui carelessly did in Curtain Call, doesn't it?). In Mafuyu's case, she seemed about ready to change herself again to please her mother, and in Mizuki's case, opening up to Niigo would make them more sensitive to what they say and probably even change themselves so as to not be left alone. Mizuki has even expressed this sentiment once by dressing as a boy in middle school, when they already knew they loved cute things since childhood and was even reaffirmed by their sister.
In Our Survival and Escape, the point is made that it's BECAUSE Mizuki never opened up to Niigo that they were able to protect their heart. Compare this to Rui, who bore everything about himself to WxS by not holding back with his performances and past and thus gained their unconditional acceptance. As a result, he becomes swayed by them when he realizes that things would come to an end and becomes preoccupied with stopping it even at the cost of himself - his passion. If Mizuki had similarly put their utmost trust in Niigo like this, it wouldn't be surprising either if they quickly get swayed to stop expressing themselves too if one of them ever expressed dismay (hinting that they would leave).
Thus, in order to find the answer to real love, you have to protect your heart first, even if it means running away and distancing yourself from others (Kitty). But unlike Mizuki, Rui was taught from childhood to simply not care about what people say, so he has never been aware of just how much words can affect you (compare the advice Mizuki's sister and Rui's mom gave them: completely different). This winds him up in CYBERPUNK DEAD BOY, where he's unknowingly adjusting himself for WxS to not leave him.
As for Cinema, both songs capture how Akito and Rui's struggles and fears at the time feel like the exact same - being left behind and losing your place because you weren't enough, to the point of losing who you really are (Akito pushing himself to be passionate to match everyone else, Rui falling into the trap of peer pressure to match everyone else. What they envy in 'everyone else' is how they want things that Akito and Rui don't feel like they really care about and view as meaningless. But in truth, they don't care about it only because they're more concerned about belonging - they've always had it deep down in them.).
But in Akito's case, VIVID BAD SQUAD directly reaches out for him when he pushes himself far too much and forces himself to suffer to make up for his lack of talent. That's why Akito is reassured that even at his weakest and most pathetic, there will be people there who refuse to leave him alone. So Cinema feels like Akito freely lamenting on how he's different from the people, that he can't keep up with them, but with VBS by his side, he feels like it's fine to find and pursue who he truly is.
On the other hand, CYBERPUNK DEAD BOY feels like Rui's suppressed spite from having to keep up with WxS in order to not be left alone. Because everyone else will betray him, it has to be and can only be WxS who've endured him until now. It's the first time he found people who would stay, so he's desperate not to lose them that he would subconsciously change himself so he can keep matching their needs. And the realization makes him spiteful, because he's lost what was fun for him from that need to change for others to stay. And he's left to stay lost to the very end, because the only way right now for him to be himself and stop worrying is by others matching him instead, but there is no way to 100% control people - compared to Akito who found his answer by coming to terms with the impossibility to control yourself to be someone else. Because VBS was there to accept him as he was when he was trying so hard to be someone else.
Rui will probably eventually realize he has to just accept he's lost his passion from the fear of being alone and stop lamenting controlling everything around him, once he gets tired of it and reaches his limit like Akito in Stray Bad Dogs.
Suddenly everyone started up onto a nonsense scenario (Whatever you do, wherever you look, there's a traffic of influencers.)
It's just like a movie, exactly like a movie. (But still, here, there, everywhere, loners, manji, Gen Z, even monkeys want it.)
No matter where you go, there's a story. (Just give me a punchline, its meaning can be whatever.)
Cinema and CYBERPUNK DEAD BOY are like the perspectives of two boys who feel like outsiders to the world, but one is actively trying change himself to belong somewhere and the other finds himself suddenly facing peer pressure when he used to not care about belonging somewhere. It's even contrasted in Akito's customer service front and Rui's indifference to school terrorism that they are foils of one another in a society. And probably why Akito hates Rui too - for taking any means necessary to achieve what he wants without a care for people, when Akito has spent his life working hard to be equals to people in order to belong.
[More similarities in lyrics, in no particular order (CYBERPUNK DEAD BOY in brackets):
Traffic’s already jammed up now. Oh well, nothing I can do about that anyway (Whatever you do, wherever you look, there's a traffic of influencers.)
“It wasn’t supposed to be like this.” "What was it supposed to be like then?" (What happened to things you wanted to sing about?)
Back then I'm sure it was there. The thing that I envisioned was there. When was it that I... (There must have been something you wanted to sing about.)
What are you playing at? Who are you trying to be? There's no way you could be that, right? (At this rate this will never end. What you want definitely isn't money.)]
Maybe it's coincidence, but the lyrics in Cinema also reference Curtain Call very early on:
Someday it'll be bye-bye when the end comes, so Smile for the curtain call and applause.
Cinema is accepting of it and faces it head-on. Rui still avoids it.
And Cinema also captured what happened in Backlit Lens Flare with Bakuno. Something Rui couldn't figure out on his own without Sakaki and Emu:
If you're not suited for the role, Then just rewrite the script!
This is as if implying Akito realizes early on that people are all different, and there may come a time you have to part because of your differences. So you don't have to keep worrying about fitting in - try your best to be yourself instead and smile when it all ends.
This is something that Rui hasn't faced at all, so it's pretty meta that he hadn't thought of matching the actor's individualities. It seems he's lived with the belief that directors have to adjust themselves according to the level they believe the actors are on and actors have to work their hardest to live up to the director's wishes at all times - because the director knows best. Instead of truly understanding their actors for who they are as individuals and what they individually need.
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"I always try to cast actors in a way that brings out their strengths." "That's why I always get you to play the role of a type that is easiest for you to match."
And this becomes a regret for Rui in the same story - realizing that he hadn't thought enough about what Tsukasa really wanted and needed.
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"...I feel a little regretful that I hadn't thought that far."
Nene's surprise at Rui's words further imply that this isn't how he normally is. That he wouldn't be thinking so much about people and their personal needs.
It isn't therefore surprising that he agrees with and commits to the mindset that he has to power through his emotions without speaking to anyone. He expects that from his actors, and applying it to real life, it means that your role and scenario have already been decided from birth and what was left was living up to it. It's frighteningly similar to the lyrics in Engeki, which I wasn't even thinking about. Except it wasn't forced on him but rather something Rui decided on his own, with no harmful intent from the people who fed that mindset. Even before KAITO - it was his mother who unknowingly instilled this in him:
"People are people, I am myself. If you take care of what you like, someday you'll be able to make friends too. Like how I met your dad." (i.e. don't bother with the painful things around you, just keep doing what you do and keep going until you get there.)
And hence why this commission is full of firey anger. The story tramples on the way Rui has lived until now, proving him wrong when he thought he finally found his answer by powering through his fear of losing WxS. How it made him realize that he had at some point been driven by something petty like being with friends forever and lost the passionate part of him, the one who would do anything to satisfy himself. He's realized he's no longer having fun like the child he used to be, evident from the lyrics that start off with how he no longer has anything he wants to convey.
"Now let's all laugh. Aren't views more important than art? A terrible price for the virus. So what will you do? Is that really fine?" The lyrics are as if Rui is finally realizing that everything he's been doing, making people smile up until now, has been just for views (for WxS to stay around), and it finally makes him question, is this what he really wants??? Where did all the passion, fun and self-satisfaction that he thought he was making shows for went to???
(This is a more literal translation, the popular TL translates it as Then what do we do? Was that how it was supposed to go?)
I don't know if it's clear now - but in conclusion, CYBERPUNK DEAD BOY feels very much like Rui realizing how he was more focused on protecting his place over enjoying what he does. The first lines of the song do seem to be screaming a spitefulness in not being able to just do what you enjoy: "No one wants to listen (...), I don't have anything I want to convey (...)"
That's why CYBERPUNK DEAD BOY is an ironic name, appearing on the director's cut to imply they're filming a movie of Rui's life. How Rui had been living dead against his own self - falling victim to peer pressure (trends) to protect his place in WxS. Until Sakaki reminds him of the heights his true self wanted to reach and reignites the passionate fire for theatre inside him.
In summary, to simplify it, CYBERPUNK DEAD BOY's parallels come together to tell a complete story about Rui Kamishiro (biased but idc): 1) Jackpot Sad Girl: The unhealthiness of Rui and Mafuyu's mindset of powering through what they think they want without properly talking to people. 2) Kitty: How putting your trust in people can sway your heart and steer you away from what you truly want, something Mizuki knows and thus avoids but not Rui. 3) Cinema: A combination of Jackpot Sad Girl and Kitty - how a person with Rui's mindset is left feeling angry and confused when realizing he has lost himself from having his heart unexpectedly swayed by people. This is foiled by a complete opposite like Akito who has lived a life with no reason to truly call his own and is bitterly aware of how it is all because his life has always been completely defined by other people.
(Man, I LOVE the Cinema foils so much. Akito and Rui are such perfect opposites I LOVE THEM.)
And finally, from the end of CYBERPUNK DEAD BOY:
Devoid of soul, music remains silent Unheard lyrics conceal their essence; without playback, music loses its meaning. Thus, modern music is pronounced deceased.
YES. YES. DEVOID OF SOUL AS I SAID, HOW RUI KAMISHIRO FEELS LIKE A WALKING CORPSE OF HIS CHILDHOOD. PLAYBACK!!! LOOK BACK AT YOUR PAST AND FIND YOURSELF!!! REMEMBER THE JOY AND PASSION YOU CAN'T GIVE UP RUI-KUN!!! Stop trying to keep people around, face solitude and be brave: what's most important is to be yourself!
Backlit Lens Flare felt like a reawakening for Rui, and it's why it's one of the best stories alongside Pandemonium for me. If Tsukasa is completely avoidant, then Rui is full of blatant lies. But of course because the writers will never clearly describe the emotions in WxS stories, I can't confirm this is the intended interpretation. It's just my own personal interpretation that I enjoy best and makes most emotional sense to my personal experiences.
But my opinions are bound to change because there are soooo many ways of seeing things. For now, this is what I think of Rui Kamishiro in Backlit Lens Flare and CYBERPUNK DEAD BOY.
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egophiliac · 10 months
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redesigning my headcanon for Sebek's parents, based on important new information (SCALES)
(you can't see it but they're both wearing crocs)
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siphoklansan · 1 year
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300 Followers Milestone Celebration🎉
Introducing…
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꧁𝐀𝐧𝐚𝐧 𝐀𝐭𝐭𝐡𝐚𝐤𝗼𝐫𝐧𝗺𝐞𝐭𝐡𝐚꧂
อนันต์ อัฏฐกรเมธา
“A young man from a fallen kingdom, his name strikes fear into many hearts.”
Height : 186 cm.
Birthday : October 8th
Age: 18
Homeland : East of Scalding Sands
Best Subject : Astrology
Club: Magical Shift club
Talents: Knowledgeable in astrology and fortune telling, Skilled with archery
Hobby: Crochet, Weaving silk
Likes: Animals, chrysanthemum tea, supernaturals
Dislikes: Misunderstandings
Favorite Food: Street Food
Least Favorite food: pomegranates
꧁𝐔𝐧𝐢𝐪𝐮𝐞 𝐌𝐚𝐠𝐢𝐜 & 𝐀𝐛𝐢𝐥𝐢𝐭𝐢𝐞𝐬꧂
"𝐄𝐭𝐞𝐫𝐧𝐚𝐥 𝐁𝐚𝐭𝐭𝐥𝐞" The ability to reverse a person’s (or multiple) movements and objects’ movement/form. The length of how far back he can reverse is unknown, but he usually only goes back to 10 seconds. The longer he reverses, the more stamina it takes.
𝐓𝐡𝐢𝐜𝐤 𝐒𝐤𝐢𝐧 : Warriors are adorned with talisman (tattoos) , giving wearers resistance to black magic and blot. And also some resistance to normal physical damage (ex. a normal blade, a bullet)
𝐒𝐤𝐢𝐥𝐥𝐞𝐝 : Anan is from a blood line directly from The King of Yakshas. He has an enormous amount of mana, making him a very powerful mage both in magical and physical terms.
꧁𝐅𝐮𝐧 𝐅𝐚𝐜𝐭𝐬 𝐀𝐛𝗼𝐮𝐭 𝐀𝐧𝐚𝐧꧂
His last name : “Atthakornmetha” means a philosopher with skills as if they posses eight arms. Strange, right?
Anan is inspired by a character from a literature called Ramakien (รามเกียรต์). It is a Thai version of Ramayana (just in case this rings a bell to anyone). The character Anan is inspired by is….*drumroll please!* Thotsakan! Bro is the antagonist of the story and has TWENTY ARMS AND TEN FACES…WHAT-
Thotsakan has the ability to remove his heart. He stores it in a box far away from him, so he’s technically immortal. But if he’s near the box, the heart returns to him so he’s not immortal anymore. I initially planned this to be Anan’s Unique Magic, but man, it’s too op like😭 Bro can rival Malleus and I don’t want to make a very OP character. Weaknesses are good!
Adding on to the previous paragraph, the information about Thotsakan’s ability will have something to do with his backstory…stay tuned >:-)
My best friend helped me design Anan. She’s amazing at art and very creative too!
My sister also helped me with some headcanons for him AND his unique magic!<3
I have a lot to work on with Anan, at first, his personality is similar to Malleus. It was difficult to put my finger on something unique for him.
Screaming crying throwing up on whether or not I should create a new dorm for my OCs or shove them into one of the seven dorms. Thing is I already designed a unique dorm uniform for them </3 so for now, Anan will be wearing an orange vest. I’ll edit this post later if I changed my mind!
꧁𝐀𝐛𝗼𝐮𝐭 𝐀𝐧𝐚𝐧꧂
Anan really likes animals, especially small and cute ones like rabbits and hamsters. But animals occasionally run away from him. They’re scared of my boi :(
Anan is the type of friend to always look out for you. When you bend down near a table, his hand will cover the edge of the table so you don’t get hurt. Bro always saves a seat for you during lunch time. Bro remembers your birthday too.
He…has an RBF. He’s very friendly, but he just looks intimidating/angry all the time.
He’s also the type to carry a small pouch around with essential items inside. Your lips are chapped? Say no more, he got chu. Need some mints? Here you go, m’lord/lady. Your nails are dirty? Here’s a nail clipper-
Anan is not afraid to show affection. He will show you that he cares, public or private. He’s always there if you need something, and not in a suffocating way either. Despite his intimidating aura (and looks) if you manage (somehow) to relax and let your guard down, he doesn’t seem so intimidating anymore. And it’s quite relaxing.
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THANK YOU SO MUCH FOR 300+ FOLLOWERS💗 I’m so happy I get to share my art on tumblr, in a wonderful community and have people enjoying my silly little art! I’d love to interact with everybody so don’t be shy to ask some questions or barge into my askbox! Thank you again~
Lmk if you have any questions or headcanons about Anan, I’d love to hear them🫶
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clearcloudlesssky · 4 months
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so uh i saw the meme on twitter
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zjmaeve · 7 months
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*CRIES* (in a happy way) I LOVE HIM SO MUCH, IMMA JUST- 💍
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therosefrontier · 2 months
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TWST Family Lore: Heartslabyul Part 2
Continued from Heartslabyul part 1, because I forgot doing the whole dorm at once would make this huge... Again, spoiler warning for JP server content! But there isn't anything too story-specific for the events here.
Cater Diamond
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And now, following our freshmen duo and their positive relationship with their families, we get to move on to Cater! Whose relationship with them is, uh, mixed at best? Anyways, we have mention of his father and mother, and he has two older sisters of unknown exact age, as well. His father is a banker for a large company, and we learn that because of his job, the family moved frequently, about once every two years, to branches all around the world (Halloween vignette). Cater's homeland is stated in his profile to be the Shaftlands, so that's probably where his family is from and it might be where they are living currently, but he seems to have lived in other countries, as well. This alone appears to have had a negative impact on Cater…with him moving so often, he felt that he was never able to make meaningful connections with anyone, so he stopped trying, instead going for quantity over quality. We also get a little story in Silver's Halloween vignette, when he remembers finally meeting a friend at school only to find out right afterwards that they were going to be moving in a month. He mentions in his birthday boy vignette as well that he "never knew" when they were going to move again, and given the one-month thing, it seems normal that it was on pretty short notice. He talks about this impact on him to his Pop Music clubmates in his Halloween vignette, saying that he met many people from around the world, but the common thread was that "I would always leave, and they would always stay."
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(image credit: NightCrow)
Cater talks about his situation in a positive light, saying that it was better that he had all these connections through Magicam and could just socialize casually, on his own terms, but at the end of the vignette, the story goes a little different. Cater watches Lilia have a very family-like moment with the rest of the Diasomnia crew and feels a sense of isolation and maybe jealousy...earlier, Lilia told him he was wise for acting as he did, but Cater sees this and feels that Lilia cannot know the way he feels, because he does have these kinds of bonds, which Cater thinks he can never truly have.
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But Cater's relationship with loneliness is, again, is a whole essay in itself! Back to Cater's family!
He talks some about his sisters in his birthday boy vignette, in which he describes how he felt pressed in between the two of them (seemed described a little differently in official vs. fan translations? As the official has him saying "give a guy some space" whereas the original may have been more along the lines of 'squished between them', to reference Mystery Shop), and also, how they'd give him a bunch of "cute" things as a birthday present which was more on lines of what they liked than what he liked. But, he does say that they're better about it now and will actually ask him what he wants. He also assures they didn't mean anything by it.
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(translation by Otome Ayui!)
But of course, there's more! Multiple other mentions of his sisters seem to involve them asking him to do stuff...
Will do things like go shopping and leave him with the bags, or get a random craving for ice cream and ask him to go get it (birthday jacket vignette). Cater says they can be "pretty demanding," but he amends this story by saying that they will also treat him to stuff while they're out, like pocket money, food, or clothes.
Asked him for a Scalding Sands body scrub that had been "all over Magicam" since he was there for Fireworks Fest (Silk Adorned voicelines)
Cater would cook for them, making pancakes from a store-bought mix (although this might not have been a request; he could have just wanted to) (Apprentice Chef vignette)
At the start of book 4 (chapter 3), when everyone is going home for winter break, Cater says that "going home is kind of a drag for me, too," talking of how he knows his sisters will "run me ragged," so he makes a weak bid to go to Trey's house instead. When Trey lightheartedly counters that his family would put him to work too, Cater backs out of the idea.
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Cater's not wanting to go home slides its way in a couple of other mentions, too... in his dorm uniform voicelines, he asks the MC if they're homesick and gets the question thrown back at him, to which he says that he isn't, citing his "annoying" older sisters as the cause. In slight contrast, in his New Year's voicelines, he says that it’s “not too bad to work during the holiday seasons once in a while” because “sure, it’s fun to go back home, but it eventually gets boring.” So this time, it's just 'boring' and not a family issue, but honestly, with Cater, the shifting story doesn't feel out of place. And definitely, it's up for interpretation...he doesn't seem to hate his sisters, but he doesn't really want to be with them, either.
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Now, back to the birthday boy vignette! We get another little story, the reason why Cater doesn't like sweets so much: his mother and older sisters got really into making homemade sweets all the time, and they would feed them to him until he was sick of them. Even if he didn't want any, he felt like he had to eat it because they'd be sad if he didn't.
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And then, there's his lab vignette... Cater describes the relationship his family as a whole has with "cute" things: “in the Diamond household, everything's judged by one simple question: ‘But is it cute?’ Day in and day out, no matter what I did, if it wasn't cute, it didn't cut the mustard! Drawings, handicrafts, store-bought sweets, you name it!” And thus, the instinct to make it cute was "burned" into Cater's brain.
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So, you could say that "trendiness" runs in the family. But also, this does...raise some questions, I'd think? Again, it really is up for interpretation, but Cater specifically saying "no matter what I did" seems to suggest that he felt like the stuff he bought and things he did, including his own drawings and crafts, would be dismissed if they weren't "cute." Like the reason the instinct is burned into him is because that's what he had to do to earn attention. It also feels a little telling that this is the Cater-tries-to-hide-his-sadness vignette, in which one of the mandrakes he grows in the lab, which are supposed to reflect on the mage growing them, turns out gloomy, and he tries hard to deny that this means anything. But as for what all this says about his relationship to his family...I'd guess that perhaps, he feels a little invisible with them. It's not like he doesn't care about them, or that they don't care about him, necessarily (neglect but not on purpose?), but he doesn't seem to feel like his own wants are ever really seen, and the disconnect is to the point that home is not really a place he wants to be. Maybe, one day, he'll open up more about this, but with Cater, I don't think it'll come easy. But who knows...
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TREY CLOVER
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And now, Trey's family! He lives with his father and mother, and he has two younger siblings, a sister and brother. His sister is four years younger than him (platinum vignette), but we don't now how old his brother is. His parents run a patisserie bearing their name: Clover Patisserie. They are bakers, and likewise, Trey grew up learning how to cook from them, and in his apprentice chef vignette, he seems to imply that his siblings know their way around the kitchen, too. Also, we do have canon[?] designs for Trey's parents! We get art in the appendix of the last volume of the Heartslabyul manga:
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(thanks to Honeyworks on Twitter for the image!)
The illustration is credited to Yana Toboso, whose notes, as run through Google Translate (I do not know Japanese...), describes Trey's mom as an "active woman with short cut, tall" and his dad as having "mild droopy eyes." In this appendix, we also get ages for Trey, Chenya, and Riddle at the time of the incident (that is, the big backstory as seen in book 1 of Trey inviting Riddle to try a tart at the patisserie but then they lose track of time and Riddle gets caught...that whole thing...). Trey is almost ten, Chenya is nine, and Riddle is eight, which seems to suggest that this happened in fall, in between Trey and Riddle's birthdays (Riddle on 8/24 and Trey on 10/25). Trey describes the event in more detail in his dorm vignette: he says that Riddle's mom "stormed" into his house and lectured his "whole entire family for five hours straight." (which is an insane amount of time...how did she come up with that many things to say!?) Also, to clarify, there seems to be a serious translation discrepancy with this? Because in the official English Trey says that it was his parents who lectured him for that time, but that doesn't even make sense in context... The quote I used is pulled from Mystery Shop's translation, and YuuRei has a good post on this, too. Anyways, the scene is also referenced in chapter 17 of the manga with Trey's flashback:
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Which is...quite devastating, but anyways! As far as I can see, we don't really have much indication of what Trey's parents felt about all of this, but in the manga at least, they appear to be pretty stressed...maybe even cowed by Rosehearts's laying into them like that, and who can blame them?
But, moving aside to happier times! Continuing with Trey's parents, we get a little mention of what they were like as teachers through his apprentice chef vignette. Trey is doing the Culinary Crucible to better learn how to teach cooking to his dormmates, and he comes to a realization: his parents would watch him cook, but sometimes, they wouldn't correct him when he did something wrong until after he failed, because that way, through failure, he would remember, and he would learn. That was what Trey was not doing with his dormmates: he would always step in to fix things rather than let them have that experience.
Trey also talks of his really beginning cooking days in his platinum vignette: when he was four, he helped his parents bake a fairy cake after his sister was born, which they ate with family and neighbors, that being a Queendom of Roses tradition. Trey says that looking back at the pictures, the cake was pretty terrible, but he was excited about helping and thought the cake tasted great at the time, and all the adults complimented him on it, too. After that day, he would join his parents in the kitchen to help bake cakes, although he said he really just made a mess of flour and probably was a "huge bother" for his parents. That said, from the sounds of it, it seems implied that they were pretty patient with him, though?
Trey gives a different food-related story in his birthday boy vignette: his favorite food is candied violets, and he had one for the first time when he was "really young," before he started elementary school. He was amazed at the idea of flowers being edible, and his parents tell him that he "drove them nuts" via repeatedly trying to eat random flowers and weeds after that. Trey has no memory of this. But he does remember snacking on violets at home that were meant for cakes and his parents getting on his case about it. Eventually, they started setting some aside from him, and now, they send some to him at school in the occasional care package.
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(image credit: NightCrow)
Trey also mentions his parents in one of his Silk Adorned card voicelines, saying that they love trying out new ingredients, and that perhaps, they should take a family trip to the Scalding Sands one day. Also, in both his birthday jacket vignette and his outdoor wear voicelines, he mentions that he's gone on camping trips with his family before, during summer vacation.
In Trey's Halloween vignette, we get a little story involving all of his family: he once tried half-rimmed glasses similar to the shape Azul wears, to mixed results. His mother and little sister said that they didn't like the glasses because they made him look "angry," and his dad and little brother said that he looked cool in them... because the glasses made him look like a "movie villain." Therefore, Trey rejected the glasses. He has also considered getting contacts, but similarly, his sister says he looks "sinister" without them.
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(image credit: Songstress Studios)
Trey has several mentions of his siblings: they seem to have spent a lot of time together growing up, although also, it seems Trey did a lot of looking after them and taking care of them, too.
It was Trey's "job" to make sure his younger siblings brushed their teeth properly, as them being exposed to sweets so much via the patisserie made it a necessity (school uniform vignette)
Trey would make his siblings' costumes for Halloween. He says he's "not great" at it, but he can sew basic things (Halloween voicelines)
Trey would bake his siblings' cakes for their birthdays (birthday boy voicelines). He also mentions in Ace's school uniform vignette that his siblings would often "pester" him to bake for them, and he says in his birthday boy vignette that he would usually cook dinners for the family back at home, since his parents were busy with the patisserie. His brother and sister would ask for his hamburger steak all the time.
Trey helps his siblings with their homework when he's home (Winter Break Calendar 2023)
Trey and his siblings would often play with fireworks together (Silk Adorned vignette)
Once, Trey took his little brother to a Spelldrive game to fulfill his Starsending wish (Starsending voicelines)
In one of his labwear voicelines, Trey says "you all remind me of my younger siblings. They're always running around and giving me a hard time.” So, it does seem that they certainly tire him out. Again, going back to book 4, chapter 3, as mentioned in Cater's part, Trey responds to Cater's request by saying he's welcome to come to his house, but his family would run him "just as ragged." (but, if he was serious about that, that would suggest that Trey knew that his parents wouldn't mind Cater coming over!) It appears that, with the patisserie family business, it can be an 'all hands on deck' kind of affair, with Trey at least helping out with running things. There's also a little mention in Ace's school uniform vignette, in which Trey says that he's used to carrying heavy things because of shopping for ingredients for the patisserie.
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Which is all rather interesting to me, really… both Trey and Cater describe their family as 'running them ragged' in some way and relying on them to do stuff, but with very different tones. For Trey, the 'older brother' instincts are so ingrained in him that he doesn't seem to think twice about it much of the time, such as we see in his school uniform vignette, in which he acts on those same instincts with his peers, Ace and Deuce, in insuring that their teeth are clean, and Deuce notes that he has that "kind older brother" vibe and has a "knack for looking after everyone." Which is interesting in that Trey doesn't really seem to be trying to volunteer for everything, and he certainly isn't trying to stand out, but he will take on everything in pursuit of keeping this ship running smoothly, all the same.
That said, he does seem to have a very positive relationship with his family! Although their busy lives might have led to a bit of a he-raised-his-siblings kind of dynamic. Trey seems to be usually very relaxed when talking about them, thinking back on the stories with a kind of fondness. We don't quite have too much to go on yet when it comes to actually deducing the personalities of his siblings as individuals, but from the general mentions, they do seem quite energetic, for sure! And perhaps, much like so much of the Heartslabyul dorm, will instinctively rely on Trey without a second thought...
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RIDDLE ROSEHEARTS
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And now, last on the Heartslabyul roster...Riddle. The ever-infamous family of Riddle. A lot of what we know comes from Book 1 of the main story: he's an only child, and both of his parents are medical mages—famous ones, too. Trey says that where they're from, everyone knew their names. Riddle's father is mentioned, but we hear little of his involvement in Riddle's life—the main player on this stage is his mother, who rigorously trained Riddle up to follow in her steps.
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In chapter 18 of book 1, Trey first describes what it was like for Riddle: his mother mapped out his schedule to the minute, "from the moment Riddle woke up to when his head hit the pillow at the end of the night," and in the flashback sequence in chapter 25, Riddle describes it in much the same way: "my day was planned, down to the minute." Riddle's mom tailor-made an education program for him and appears to have implemented it herself, and Riddle, in an effort to please his parents, followed every rule they made. He became a prodigy, mastering his signature spell by age ten.
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Riddle's mom was very strict with his diet, as well—she kept to very healthy foods, limited Riddle to under 600 calories per meal, and absconded sugar entirely. And thus comes the point of conflict...in the story, Riddle, who was eight at the time, was invited by Trey and Chenya to come outside to play during his one hour of independent study time (in which he was supposed to be studying alone in his room), and then, he started playing with them in secret every day, and it became his favorite part of his day. Then, one day, Trey invites Riddle to try a tart at the patisserie, and they lose track of time...and then, Riddle's mother finds him. She was furious, both at his skipping independent study time and his eating a "mountain of sugar." And then, as mentioned in Trey's section, she goes on to lecture Trey's family for five whole hours.
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In this scene with Riddle and his mom, Riddle tries hard to apologize, but she cuts him off, telling him to be quiet, and then forbidding him with playing with Trey and Chenya ever again, and also taking away his independent study time in favor of keeping closer watch on him. In Trey's dorm uniform vignette, he describes Riddle's mom as being "impossible to deal with once she flew off the handle." And so, Riddle was left to just strive to follow the rules she set down, believing that she must be right, for "she was the most accomplished mother in the city, and therefore, the most correct," and he didn't want to lose anything, not again... He also quotes her in chapter 22, saying that "a man who cannot follow rules is a man who cannot achieve anything."
In book 4, chapter 3, we see that Riddle is feeling some dread over going back home for the winter break, but he also does resolve to try to talk to his mother, not that he's confident she will listen. We don't have any mention of how that talk actually went.
Interestingly enough, we don't seem to have that many mentions from Riddle about his family outside of the main story in his voicelines and vignettes, compared to some of the others. He does talk some about his upbringing in his birthday boy vignette: his parents both raised him to take up the mantle and be a medical mage like them one day, which he describes as being a "highly demanding profession." He said that they would tell him over and over "When you grow up, you'll be just like us, Riddle!" Before NRC, Riddle never questioned this path for him, but now, he says that he has developed some interest in law, so he may actually pursue that instead.
In one of his suitor suit voicelines, Riddle mentions that wearing this makes him think of the parties he used to attend with his parents. He also gives a mention in his halloween vignette that his mother taught him social dancing, so it seems like the three of them did go to formal social functions from time to time.
He also mentions his parents in another suitor suit voiceline, talking about how he reads that the Queen of Hearts had an amicable marriage, and he wishes he could share that secret to his parents, which would suggest that their marriage is not doing that great, actually.
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Anyhow, social functions aside, it seems like Riddle probably has not had any "real" vacations with his family, or just fun gatherings/outings in general. In one of his Masquerade voicelines, he says "I'm not very accustomed to festivals...especially not ones in other countries. It's difficult to know how to participate and have fun.” And this comes up a lot, it seems, in the 'Lost in the Book' Stitch event, where Riddle is quite unfamiliar with the concept of a vacation at the beach. In one of his beachwear voicelines, he says “Having dinner with everyone while gazing at a sunset on the beach like this… This must be what it means to go on vacation. This is the first time I’ve experienced anything like this.” (Mystery Shop's translation)
In book 6, we get another brief mention of Riddle's mother: upon being invited by Ortho and Idia to play video games to pass the time, Riddle says that his mother told him that video games are "addictive and can hurt academic performance." They had neither a gaming console nor a TV at home. Riddle hasn't read much, if any, fiction aside from classic literature either, from the looks of it. It comes up in the second Halloween event, Spectral Soiree: Ruggie and Ortho, whom Riddle is traveling with, get excited over the prospect of this being like a treasure hunt, with so many tropes coming to life, and they quickly find out that Riddle is wholly unfamiliar with what they are talking about. He says that he has "no exposure" to comic books and video games like the rest of them.
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He then goes on to say that he is missing out on absolutely nothing, has read many things, and was reading medical dictionaries by the time he was "Ortho's age." Whether that Ortho's real or perceived age is unclear, as literally, he might be about six? I think Idia finished building him when he was twelve? But Riddle may not know that—obviously, Ortho being what he is gives him a great kickstart in mental development, besides being given memories of the original Ortho, so as far as perceived age goes, he's akin to the freshmen. But saying all that to say! I also wouldn't be surprised if Riddle really was being handed a medical dictionary at age six, honestly.
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So, in a general sense, you could conclude that Riddle has a great unfamiliarity with the concept of "fun," which gives a bit of a picture as to his parents and his mother specifically. It was as if everything had to have some sense of necessity; it wasn't enough for something to just be enjoyable. Riddle was put to a strict standard of performance, and in turn, he expects the same of others, in a way he seems to have to take some effort to unlearn. In his dorm vignette, for instance, we see him helping Cater, who was struggling in his practical magic class, with his studying. At first, he makes this insanely long study guide (300 pages), and he gets annoyed when Cater says that this is far too much for him to read, because this is exactly what he is used to doing, thinking that if you don't want to do something, you should just force yourself to (which I imagine is the philosophy his own childhood education took). But then, after a talk with Trey, he realizes that he can't expect everyone to learn like he does, so instead, he makes a plan to teach Cater through pictures and Magicam hashtags so that he could remember them, and it works! And then he goes right back to giving Cater a bunch of textbooks at the end, but hey, it's a start :)
That said, Riddle's development is easily a whole essay on its own! The takeaway here with his parents is that both of them put a lot of expectations on him and are probably very success-driven themselves. In a way, it 'worked' for them, because they are very successful and famous, but their general happiness may be another story. Again, we get little of Riddle's dad specifically except that his relationship with his mom is not great, but with his mom, we get the impression that she is just...very high-strung and obsessive? Her rigorous training of Riddle goes beyond just wanting him to have a good education—she obsesses over his progress in a way that seems to invoke that if anything goes in a way other than what she envisions, Riddle would be hopelessly failed. It's "care" in the worst kind of way... I think that she really does believe that everything she does is for him and his wellbeing, but doing things like that, it becomes a whole lot about herself too, I'd think. Riddle is an extension of her, and therefore, he must be perfect. We know little of what she is like outside of her relationship with Riddle, but it doesn't seem hard to believe that she would have some measure of that strictness and my-way-is-the-only-way attitude with everyone else in her life, although it may be comparatively muted, as it is with some people who will treat their children with a special kind of possessiveness, even if only subconsciously. I do wonder if anyone else ever got the equivalent of the five-hour tirade she gave to the Clover family, but of course, that's all speculation. The silver lining is that it didn't work for Riddle like she wanted it to...he's still his own person, and after he finally came to the point of admitting, at the end of book 1, that he was wrong, and that by extension, the things his mother did to him were wrong (although not so outright), he has become in a better position to grow and move on, although unfortunately, he still has to go back home at the end of the day, and his mom has not changed. It could be a difficult road for a long time yet... but still, I like to think that Riddle is on a better path now, and that, if he ever does become a parent one day, he'll be a better one than his own parents were.
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keepingeahalive · 11 months
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Lizzie Hearts Headcanons
Her full name is Princess Elizabeth Bicycle Hearts.
Her official title is Princess of Hearts, but she prefers to be “Queen and King, best of both hearts!”
Her favorite tea is cardamum. 
She likes to use nonce words in her speech.
Lizzie has her own Itsy shop where she sells her dresses.
She was mad at Daring for cheating on her with Duchess, but she realizes that they never made anything official. They didn’t communicate well about their dating situation other than keeping it a secret. After cooling down, she wanted to talk to him. But he ran away from her because he was afraid she was going to chop off his head. They’re on good terms now, and she still has some feelings for him, but they both agree that they’re better as friends and fellow Royals. 
She, like the rest of the Wonderland refugees, has a close relationship with the Mad Hatter. Having been her guardian for several years, he developed a fatherly relationship with her and Kitty. Lizzie plans to knight him when she becomes Queen. 
The Mad Hatter and Lizzie’s mother have a complicated relationship. She once planned to have him executed for “murdering the time”, but she has since pardoned him because he took Lizzie in. He is now set for execution again, this time for “murdering the space”. Lizzie plans to pardon him for this as well.
Do not mistake her for the Red Queen’s daughter. Then she really will cut off your head.
She loves botany and horticulture. She personally tended to the gardens outside her castle in Wonderland (to make sure all her roses were red) and the Wonderland Grove to stay closer to home. She also tends to the Garden of Live Flowers. 
She’s constantly losing her voice from yelling so much. She has Maddie or Kitty on speed dial for when she needs tea, because putting tea in a thermos would be blasphemy.
She hates Duchess’s trumpeter swan, Pirouette. She may be a morning person, but she doesn’t appreciate being woken up when everyone else is still asleep. She doesn’t say anything for Duchess’s sake, but she is this close to turning that swan into a croquet mallet.
Lizzie has a little brother named Timmy, and he would annoy her to no end. After fleeing Wonderland and leaving him behind, she found herself missing his annoyances, and chasing him around the castle. 
She once built an entire house of cards out of the Card Soldiers when she was nine. Unfortunately, a strong gust of wind blew them away. They were all found eventually.
She had a childhood crush on Alistair. 
Of the three who took refuge in Ever After with the Mad Hatter, Lizzie had the most trouble adapting to her new environment. She felt guilty for leaving her family and kingdom behind. She sometimes has nightmares about her home’s suffering and her loved ones blaming her for leaving them. 
She has a musical side to her that she never shows people. She can play the dulcimer, the calliope, the glass harmonica, and the hurdy-gurdy.
She takes competition very seriously, especially croquet. It is Wonderland’s official sport, and she will not see anything less that perfection and victory from her family’s sport. 
She and her mother are the owners of the vorpal sword. The original White Knight used it to defeat the Jabberwocky the first time and left it in the Queen of Hearts’s care. It is now only used for knighting ceremonies and slicing cakes.
@janellemeap
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