🪞 Fallen angel... who do you see staring back from the Mirror? 🪞
(ID: Kirby series fanart of Galacta Knight and my personal interpretation of his Mirror World counterpart. GK hovers above facing slightly to our left, his feathery wings spread wide, shaded in lilac and tipped with gilded wing talons, a swallow-like tail visible. He holds his shield forward in his left hand (our right) and his lance to the side in his right (our left), a single magenta eye leering at the viewer through the visor of his mask. A halo of heart spears floats and shines angelically behind his horns. Below him, M!GK hovers in the same pose but flipped horizontally and without the halo. Visually, M!GK has mostly the same features as GK, with his color palette being darker and less saturated (dusty purple body, dark gray armor, gray mask, maroon lance, rose-gold horns and weapons accents). His eyes are not visible in the shadow of his mask, but there are signs of erosion running down the metal surface in rusty orange lines, almost like tear tracks. Instead of feathery wings, M!GK has wings composed of jagged shards of pink crystal, glittering and lit from within by a luminous glow. A few pale feathers can still be seen peeking out from his back. END ID.)
Hey, so... what if... I went a little insane for a minute? What if I just... concepted a character... for the sequel... to an AU... I've told no one about... and haven't even finished writing yet? What if I then... pulled the salt shaker labeled "ANGST" out of the pantry and just... unscrewed the cap all over this poor lad? Oh, and Galacta Knight's here, too, I guess.
Sketch started 02/21/24, render started 03/01/24, finished 03/06/24.
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Hey so I’ve wanted to interact with this community a bit more but I’m pretty anxious so instead of talking to people like a normal person I’ve decided to interact with y’all via drawing your characters/sonas! So yeah if you send me your interns I wanna draw something with them! Idk if it will be one big drawing with a bunch of them or individual drawings (kinda just depends on my motivation/if I have any good ideas) and I can’t guarantee I’ll draw everyone depending on how many people send in their lads but we’ll see I guess!
All I need is a colored full body ref of your intern (preferably digital cause color picking from traditional refs is PAIN but I will do it if you don’t have a digital ref, just don’t expect super accurate colors) a brief description of their personality (or if you’ve written a bunch about them before fee free to link it, the more I know about them the easier it is to draw them in character) and maybe their height in case I draw them together (either exact height or compared to canon characters ex: they’re a little shorter than Ada). You can reblog this post with your intern or, if you don’t wanna reblog, just send them in as an ask or something. As long as I can see them it works!
So yeah, don’t know how far I’ll go with this but at very least I’ll draw a few lads! You guys have a lot of cool interns so I’m looking forward to drawing them!
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oh. so. this dream and this vision and this exchange after and everything that has been building to here.
All that rage, all that desperation, Imogen's knowledge that Liliana's judgement is flawed and searching for any reason to understand, searching for a way to bring her out of it. Bring her back.
"Show me" and she does and.
Its- beautiful, its wonderful. Its the unmaking of the world and of history and it feels- so good. For a moment Imogen feels something she hasn't for YEARS. A life and a possibility and a future full of peace she hasnt had for ages, hasnt even bothered hoping for. For a moment, Imogen sees it, but more importantly- she feels it- the freedom, the peace, the dream. Stronger than any vision. She sees it. She feels it.
And she wakes up, and she- unknowingly, perfectly, mirrors her own mothers words, looks around, asks- did you see it? Did you all see that? (I wish you all could see what I could see-)
They didn't- of course they didn't. They saw Liliana, too far gone, spouting nonsense, they saw her reach out, they saw the refusal to listen to reason. They did not see the vision. (They couldn't have. Even if they'd seen it- would they have understood? How could they? No beautiful vision would have captured the thing that left the awe in Imogen's lungs- the peace. The freedom. The finality of, finally, finally, being free of this gift that has only been a curse.)
They didn't see the vision. They saw their friend, tapped on the forehead after hopeless pleas. They've been seeing their friend make further and further excuses for someone they know is a danger, someone siding with people they are working so hard against. That has hurt them. They've seen the way she can't quite denounce Liliana. They've hedged around it: If she's not on our side, will you be okay- You know if she's not on our side, we'll have to-
They've been watching. They're seeing plenty. They did not see the vision. They couldn't have.
They saw a fruitless conversation. They saw their friend rebuffed by someone she loves. They saw her wake up with a strange kind of light in her eyes and- say.
What if its not so bad? (The world ending. Half of the world being eaten. Innocent lives lost. Our loved ones cut down for a fever dream and delusions of power and grandeur. Us, cut down, for some stupid plot for a moon and petty revenge against the gods and a desire to end the world.) They've been watching her, make halfhearted arguments, sidle away. Make increasingly desperate excuses. Ask: What if.
(Its so easy to ask, what if. Its so dangerous. Sometimes the if is used to hide away lives and lives of collateral, of blood red loss. Sometimes the if has already been answered and paid for, and the act of asking is its own form of violence, all over again.)
"Well Imogen, I wish my family didn't have to die for her brighter tomorrow."
And the way Imogen collapses, a little- presses her face into her hands and crumples under the weight of the reminder, like voices piling in after weeks of being in blissful quiet in a forest. Like reality breaking in after a beautiful dream. "You're right. I'm sorry. You're right."
"I swear, I wanna see this through, I do."
"She just presented this vision of- it didn't seem so bad."
And the Bells try to help, to be kind. They say: We understand why this must be hard for you. She's someone you love, its hard to deal with them thinking a different way. What did you see?
They are trying so hard, to reason through it, to balance their own hurt with kindness and sound arguments to lead her back. They want so badly, to lead her back. Have her back.
The problem however, is not the soundness of the argument, is not the reason or the logic- but the overwhelming allure of that sensation- of that promise- of the hope- of the ideal. Of a mirage that already drew Liliana in. That is pulling Imogen's gaze, despite. Despite, despite, despite.
Hope is such a tricky thing to kill.
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benny was also like incredibly abusive to yes man and kept him trapped in that shitty side room. it’s no wonder yes man genuinely loves the courier regardless of if they make decisions he likes or not after being liberated from benny. courier must be an angel to him
I think incredibly abusive is a bit much.
Like Benny was not kind to Yes-Man but he was not particularly cruel. If Yea-Man was let out of the room then anyone could’ve asked him anything and outed the plan, leading to him and Benny being exiled at best or killed (permanently in Yes-Mans case) at worse. Yeah, it was Benny’s fault he was like this but it was probably the only fail safe to keep House’s systems from tapping into Yes-Man, by giving him no code to reject commands the only way to influence him would be in person. House can’t do that.
Also liberated makes it sound like you are treating Yes-Man like an equal when you’re just treating him slightly better than most would treat a personalized Mr. Handy bot. Benny isn’t nice to him, didn’t give him a real name, but he definitely loved Yes-Man, more like a science project but that was his thing y’know? Robots with personalities like him that aren’t common in the Mojave and are considered odd. Benny already did a lot more than someone who’d just mistreat his creation by allowing him to be passive-aggressive in the first place. He let Yes-Man think which a big step from most AI programs in the Mojave.
I think the issue is Yes-Man genuinely appreciates the Courier for getting the plan in motion but that wasn’t a lack of Benny. He had completely different circumstances than the Courier that didn’t allow him to be as bold. Yes-Man learns to love the Courier because they come to rule Vegas and he sees them as competent and the next logical leader now that Benny is no longer his primary overseer.
Honestly the Courier and Yes-Man are closer to a exclusive business partnership by the end of the independent route if we go by the general answers. The Courier can be as nice or as mean to Yes-Man as they want and Yes-Man does not see the Courier as flawless or an angel just the next logical step in a plan. Of course, depending on what you do or headcanon, their relationship can be much more complex than that but on a even ground between all of the options, Yes-Man and the Courier are means to an end to each other.
A popular theory before New Vegas had the current fandom it did and developer commentary was that Yes-Man was going to betray you at the end of the independent route. Lying that he’d just upgrade himself to only listen to you so you wouldn’t stop him. Some people still follow it despite it being debunked while other love the idea he genuinely only wants to listen to you.
It’s all up to interpretation my dear. I personally don’t think Benny was cruel to Yes-Man not more than he is to another Chairman. He’s a robot, of course, to Benny and that has its own connotations on how he was treated but I digress. The Courier is far from an angel or saint to anyone but I do like the idea that there’s a fondness from Yes-Man. Lee so how they can be so illogically efficient rather than what they’ve done fore him.
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