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#(I don't feel comfortable)
inkskinned · 9 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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pseudophan · 5 months
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anthony is dead: the funeral roast (paid content)
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mssoapart · 3 months
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uh… apparently I have a type.
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Some fresh stuff.
And this style of coloring is pain.
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sandflakedraws · 3 months
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the song came on my shuffle and would not leave me alone until i penned this i'm so sorry
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crabsnpersimmons · 1 month
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"Slow down, Sunshine. You're not falling behind and you are loved for more than what you do for others."
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poorly-drawn-mdzs · 15 days
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This was home.
[First] Prev <–-> Next
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ruporas · 1 year
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can’t talk about it
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#Theyre both thoroughly exhausted tired individuals -- vash having to fight this lonely battle for over a hundred years and getting dragged#back into inevitable situation with knives after a 2 years hiatus of being a gunslinger. they both need so much Rest and comfort in this#department... .SIGHS. BUT I JUST THINK ABOUT WOLFWOOD . AND HOW... LITTLE He has existed on no man's land. how majority of his years being#alive is being used as a weapon and to kill when him at his very core is the most giving and selfless individual ever#badlands rumble inspired me a bit but i do think wolfwood gets dragged into occasional tasks from the eye of michael while on his duty of#guiding vash -- or i think that one chapter where we got to see other members of eom -- there's like a clear division within the eom too#i think.... so i figured similarly to vash but not to the same amount -- there are people that look for wolfwood too. but most of the time#it's probably wolfwood that has to look for someone else and take them out. i feel like it happens ever so occasionally.#evidentially these two don't talk enough canonically but they always know how to express things properly to affirm that they're okay#they have the worst time ever sharing burdens - can't willingly burden the other and has neeever asked for help or reprieve in their#desperate situations... vw is a huge case of right person wrong time syndrome so they just. in the time they get to spend together -- even#if romantically - they don't have enough time to heal to get over that kind of hurdle. They've just never asked for help in all the years#they've been alive -- they don't even know how to and its just aughhhsgskg#and well! they don't even need to ask! because they'll be there for each other anyway at the end of the day -- company and presence alone.#ruporas art
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florencemtrash · 3 months
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The Shadowsinger & The Inkbird: Chapter Ten
Azriel x Day Court Librarian Reader
Summary: Y/n's clairvoyance is a gift from the Mother, but it feels more like a curse. With the power to gain knowledge through touch alone, Y/n holes herself up in The Alcove and hopes her powers and parentage will remain a secret. But things will change after the Summer Solstice ball and a chance encounter with a certain Shadowsinger.
Warnings: Mentions of cannon-typical violence. Azriel and Y/n have a late night conversation. Fluff and other stuff.
The Shadowsinger & The Inkbird: Masterlist
Masterlist of Masterlists
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“Gwyn says hi by the way.” 
Azriel choked on his coffee, bitter flavor rising in his throat. Nesta sauntered into the kitchen, cool eyes glaring at the back of his head. Your familiar silhouette was nowhere to be found. 
Not here. His shadows whispered. With Rhys.
“Calm down you idiot.” Nesta’s voice dripped with unrestrained contempt as she poured herself a cup and sat. His tan skin glistened with sweat after his morning training session, inky tattoos splashing across his bare chest and trailing over his shoulders, down his back, and up to his neck. In the cloudy afternoon light it was difficult to tell where his shadows ended and where his tattoos began. 
“Y/n’s not here. You’ll have to walk around half-naked some other time.” 
Azriel winced. “That isn’t what—”
Nesta brushed him off with a wave of her hand, eyes narrowing over her mug. Azriel felt like a bug pinned down under a microscope. A crushed butterfly about to hang.
“How is Gwyn doing?” he asked gingerly, casually. 
“She’s fine. Believe it or not, the world did not end when you broke up with her.”
Again he flinched. “I’m sorry, Nes,” he whispered rather pathetically. 
“I’m not the one you need to apologize to. But you already know that.” 
There seemed to be no shortage of people he needed to apologize to: Elain, Mor, Emerie, Gwyn, even Lucien — especially Lucien. His cheeks burned to think of the absolute mess of things he’d made. Feyre had been the quickest to forgive him for the debacle with Elain and Gwyn. But as Cassian had mentioned at dinner, there was a reason everyone was staying away from the River House, and the reason was him. 
Two years ago he’d challenged Lucien Vanserra to a blood duel for Elain’s hand. It had felt so right at the time, so obvious: three sisters for three brothers. But it was only when their deaths had loomed over her head with shocking reality that Elain realized what a horrible mistake she’d made. The mistake they’d made together. 
“Call it off,” she’d commanded him, blocking Lucien’s bloody, heaving body. The son of Autumn’s sword had been kicked away, scraping across the rock with an eerie scream and disappearing over the cliff edge. But Elain had stayed, soft brown eyes begging, “Do this and I will never forgive you. What we did… it wasn’t right. It was a mistake.”
A mistake, she’d called it. Years of silent longing and bare bone brushes of their hands in dark hallways. All a mistake. Those words had haunted him. They’d chased him into Gwyn’s kind arms where he once again mistook the friendship he felt towards her as love and broke her heart in the process. Add that to his lackluster response to Mor’s coming out and… well he had a lot of work ahead of him. 
He hoped he would be forgiven in time, but that didn’t mean he’d twiddle his thumbs until that day came. He scoured Prythian’s publishers for new releases of adventure, mystery, and romance books — the raunchier the better — and they showed up every month at Cagniv Library like clockwork. The priestesses still thought it was part of a trade bargain with the Day Court. He’d sent Elain and Lucien plenty of letters and gifts, but either they weren’t being opened or they weren’t bothering to respond. He wouldn’t blame them either way. As for Mor and Emerie, they were gone with the wind, too busy infiltrating lands and enjoying an extended honeymoon on the continent to bother with him. 
That cold stillness in Nesta’s eyes transformed into pity. It was hard not to be reminded of her own failures when she looked at him. Seeing him angry. Watching him crawl into the darkest corners of himself and burn every bridge he crossed had been a shock to Nesta’s system. A plunge into freezing waters that brought pain and clarity. 
She sighed, rubbing her temples. “Just give them time, Az. They’ll come around. If they did it for me, they’ll do it for you.” “I think our situations are rather different.” 
“I don’t.” 
“You didn’t try to kill anyone.”
She grimaced. “I came close.”  
He stayed silent for a long while. He washed his cup. He dried it. He put it in the cupboard. 
“Can you—can you please not tell Y/n?” he begged. His voice was small and quiet. He’d been a fool in the past and made terrible decisions in the name of love. Mor, Elain, and Gwyn. They’d all lived more in his mind than in his heart — people he could never fully grasp, and therefore never lose. They’d been safe. Easy. 
It didn’t feel that way with you. You felt solid and warm, even if he’d only touched you once. You felt more real to him than anyone else. You felt like someone he could actually have. Which meant he could lose you before you’d even become his to lose. 
“You can’t keep her in the dark forever. Not about your history, not about the bond. If you’re going to learn anything from your brothers, learn that.”  
“I know,” he whispered. “I just want to get it right this time.” He had to get it right this time. “I want her to fall in love with me because she wants me, not out of some sense of obligation. I want…” I want to be worthy of her.  
Nesta shook her head, a laugh escaping despite her best attempts to stifle it. Azriel looked at her like she’d gone mad.
She giggled again. “It’s funny. For a male as handsome and desirable as you, you have the worst fucking luck with women. The Mother must have a twisted sense of humor.” 
Maybe she did. But Azriel was still enough of a romantic to hope that he had learned from his mistakes, and that his bad luck would end with you. 
You shoved the notebook off Rhysand’s desk, loose papers flying out like uncoordinated doves. 
“I told you notetaking was a futile effort.” The High Lord didn’t even look at you, too busy searching for invisible dirt beneath his manicured fingernails.
You groaned and dropped your head against the book he’d handed you two hours before. 
Rhysand had to smile at your frustration. It was a wholly different experience teaching you magic compared to teaching Feyre. With Feyre, her greatest barrier had been her lack of knowledge (and her hatred of him at the time). She’d been thrust into the world of fae without preparation, but it had left her malleable and adaptable. It was like teaching a newborn how to walk — a mind that could absorb more because it knew so little.
But you knew too much. You could spout off magical theory at the drop of a hat. You were a pedagogical master with a thousand mnemonics to your name. You were the first to wake in all of Velaris, making your way to the Library before bodies could fill the streets, and you only returned when the crowds had either turned in for the night or gone out to drink until daybreak. You swallowed every history book on the Night Court, Clairvoyants, daemati, and death gods until you felt untethered from the earth — until your mind began to float outside your body, buzzing with thoughts that never went away. 
But none of that mattered. Your power was an immovable object that couldn’t be controlled by logic or studying. 
You shoved against that power now.
“Good,” Rhysand nodded, leaning against the window, “You’re getting better at it.” 
He lingered in your mind, hovering over the depths of your emotions and memories like a bird ready to break water. It had taken some time before you felt comfortable with the intrusion. Your first lesson together, Rhysand’s presence in your mind had made it impossible to focus. Panic had seized your mind and your body until you could do nothing more than brace your hands and feet against the chair’s leather upholstery. You could have sworn you saw a head of silver hair to your left. The gentle pitter patter of rain had sounded like dripping blood. 
It wasn’t like that anymore. Henna had left you with a useful skill — you could wind your consciousness around Rhysand and keep him there, suspended in that indescribable space where your thoughts lay so he could do no more damage than you permitted him. 
Through your mind he felt the narrowing of your power. You imagined it like a blanket wrapped around your body, suffocating but familiar. It was this power that laced your skin and made contact with others so hard. You imagined the fabric shortening, creeping up your arms and legs, curling around your torso and squeezing like a snake. Inch by inch you tightened it around you, burying it within your chest instead of carrying it openly like a wound. 
You held a music book between your hands — Nyx’s to be exact. The little Lordling showcased a certain aptitude for the piano his father could only dream of, and being as young and protected as he was, the worst kind of emotion imbued within its pages was agitation. You could hear one of the ballads written within it as clearly as if Nyx was sitting beside you plucking out the melody. 
Tighter. Tighter. Tighter. You swallowed your power. Pulled what was outside inwards. Slowly but surely the music faded away until the book was as all books should be — silent. 
Sweat beaded your brow. This was the most difficult part — not tuning out the music, but keeping the volume at zero. 
Rhysand checked his watch. Waited. Checked it again. 
You lasted thirty minutes before your power burst out along your skin once more like a thousand prickling needles. You shuddered, half-disappointed, half-grateful that you could hear the melody again.
Rhysand clapped his hands, slow and proud. The grandfather clock in the corner of the room was dangerously close to five bells. Rhysand nodded. 
“Perfect timing. We’re done for today.” 
“I can go for longer,” you pleaded. 
“I know you can.” Rhysand pushed off the wall, polished leather boots gleaming. He was wearing his Illyrian leathers this time, the scent of wind still clinging to his skin after a visit to the northern war camps.
Old Illyria lasted thousands of years. The clans used to flow up and down the Steppes, following the tundrabeast that lay claim to those mountainous regions and were said to speak for their god Ramiel — Starbreaker, Night Herder — after whom the mountain is named. They don’t move with the cold winds anymore, even if they’ve kept their names: Ironcrest, Bloodborn, Windhaven, Seawhip, Hawkseed, Timberbane, and a dozen others. And they don’t make sacrifices, although the Blood Rite might be a close—
Rhysand rapped his knuckles on the desk to grab your attention and splayed his fingers wide. “I also know that the moment I dismiss you, you’ll scamper off to the Library to work until you can’t see straight.” 
You shifted in your seat. “I like it there.”
“That’s besides the point. If you keep going at this pace you’ll burn out. Then you won’t be able to help anyone. Don’t think I haven’t noticed.” 
Your eyes widened ever so slightly. You hadn’t thought he’d noticed. “I know what it feels like to burn out and it’s not going to happen anytime soon. I promise.” 
Rhysand suppressed the urgent need to roll his eyes as you gathered your things and walked out the door. “And here I thought I worked too much,” he muttered beneath his breath. 
You carried Henna’s journal tucked within your new Librarian robes — black with ivory detailing and wide sleeves that narrowed at the wrists. You kept a hand on it during late nights at the Library. You ate with it propped open, black splotches swimming across the page like worms. You slept with it beneath your pillow. 
But alas, it would seem the book was going to make you work to wring meaning out of every odd symbol.
You were muttering to yourself as you walked back and forth in front of the fireplace. You’d effectively commandeered one of the reading rooms on the seventh floor, leaving the library only when required for Rhysand’s lessons. Helion’s most recent letter lay open on the table with Cherp’s resting just beneath it. A map hung crooked on the wall, four athenaeums circled in bleeding red ink alongside a list of books that had gone missing — the ones that people knew about at least. 
The Alcove, Ares House, Folkmen’s Bard, and most recently, Argot’s.
 Three Librarians dead. Their throats slit. Blood dribbling down their burgundy robes as they’d sat hunched over their desks. The week before it had been two from Ares House caught swaying from the third floor balcony. 
No one has any idea how it happened. The wards were never set off. Nothing in the Library was disrupted. I tell you this only because you deserve to know what’s happened to your people. Continue your training. Continue your research. Do whatever you need to do. But leave the court business to me, dear. I’ll write to you again when I can.
~ Helion 
“It doesn’t make sense,” you mumbled, drumming your fingers against your hip where the book remained silent. “None of this makes sense.” 
You’d used every ounce of Rhysand’s training on the book. You’d imagined your power sliding over it like water, fire, needles shooting through cowhide, a hammerstrike, every metaphor imaginable. You’d glared at it with an intensity that would have disintegrated a lesser object. 
When that failed, you had moved onto solving the murders and thefts at your father’s court. You couldn’t content yourself with sitting in one of the cushy, high-backed chairs in Rhysand’s office sipping imported tea in porcelain cups while athenaeums were on lockdown. 
The pattern was shockingly simple — Koschei was going after books that could be traced back to him. Books that might give his enemies the upper hand: folktales alluding to him and his siblings, translated texts from old Bauldish that might have proved useful in deciphering Henna’s book, secondary accounts of the age before High Lords ruled. 
If you were Koschei you’d go after Godswoods next — the collection of athenaeums dedicated to religion. Then on to The Gallows — the athenaeum on death and dying. The two were intricately tied to one another, but people tended to write books on dying before coming up with explanations for what comes after. You’d spent a great deal of time there following your mother’s death, and you could picture it now — solemn black bookshelves looping around a circular room that tapered up into a point like a blade pointed to the sky. 
You finished writing your letter to Helion, along with the list of books you wanted pulled from the archives. Cagniv Library may have been a glowing beacon in the Night Court, and a place of sanctuary for the priestesses, but it was nothing like you were used to.
You held the paper out in front of you, Helion’s glimmering pen tucked behind your sharp ears, and blew. The black letters lifted off the page and faded away like a breath in cold air. The message was already writing itself back into existence in Helion’s office.
“It doesn’t make sense.” 
You scribbled out another note, this one for yourself with another pen. You ripped it to pieces and fed it to the fire. 
What was Koschei looking for now? Was he still looking for the book that now rested against your hip, or had he turned to some other prize? And why kill the Librarians and set all of Day Court on high alert? 
Henna had been careful. She’d stayed hidden until she was forced to tear down the Alcove to get the book. Whoever was causing the killings now was either a showman or a fool. They left bodies hanging from rafters. They carved smiles into throats. They let the Librarians know what they were stealing whether they meant to or not. They left patterns scattered among wreckage for someone like you to figure out. 
It all felt… juvenile for lack of a better word. Someone young. Someone who wanted to prove themselves in a loud way. Someone whose ego hadn’t been tested yet and wasn’t listening to Koschei’s commands in their entirety. 
Azriel. 
You couldn’t help but think of him. 
Azriel was nothing like that. 
He wasn’t loud. He didn’t vy for attention. He didn’t seek the light in a room. His confidence was quiet and true. His kindness took the shape of the shadows that lingered by your ankles. It took the shape of the robes you wore now. He was the only one who’d seen them at The Alcove. He was the only one who could have requested the court seamstress to make a copy and leave it hanging in your closet.
No. Azriel was nothing like that.
Azriel’s eyes lit up like embers when you slid through the front door, weary but bright-eyed and cradling your journals against your chest. The shadows he’d left behind with you slithered across the floor like mist. 
She’s been in the Library all day. Working. The shadows whispered in his ear. She thought about you. 
Azriel smiled. He’d thought about you as well. “I was wondering where you’d gone.” 
You gasped, closing the door louder than you intended. You’d developed a talent for sneaking in and out of the River House unnoticed to the point where Cassian considered hiding bells in your pockets. Nyx had tried to do it as a joke, but you’d caught him giggling too loudly in your bedroom. 
You brightened immediately, a broad smile appearing on your face. Azriel felt his heart leap, then quiet as he caught the scent of parchment paper. 
“I thought you weren’t supposed to be back until tomorrow?” You whispered, tip-toeing through the dimly lit hallway to where Azriel was in the sitting room. You sank into the couch with a groan. The hardwood desks at the Library had not been kind to you. 
He shrugged and brushed back his wind-thickened hair, shifting to face you better. A crumb-coated plate lay on the table and he still wore his leathers. He must have just arrived home. 
“I flew as quick as I could. I wanted to be home.” With you. 
He’d gotten so used to the feeling of you sleeping across the hallway that he’d flown the last three days without sleep. It was worth it to see you again. From the looks of it, you’d not fared well in his absence either. Your eyes had that glassy, half-there sheen: a perfect mixture of exhaustion and mind-crackling clarity. 
“And how were the Mortal Lands?” You tucked your knees beneath you and leaned against your hand, fighting the sleep that seemed to grapple for you now that Azriel was home. His wings were spread wide and you resisted the urge to close the last few inches between you and the talon that glimmered in the faelight like obsidian glass.
You’d never been that far south. You’d never had reason to. But Azriel flew far and wide. The Continent was now Mor’s domain, but the secret goings of Prythian and the Mortal Lands belonged to him and him alone. The Spymaster of the Night Court. The Shadowsinger.
Azriel shook his head. “Quiet. Koschei hasn’t touched them yet as far as I can tell, and the Mortal Queens don’t care. They seem to think that they can handle Koschei because he’s agreed to bargains with them in the past.” 
You made a noise of disapproval. “Like they handled Hybern? The only reason they’re still standing is because fae fought their war.” 
The scattering of human armies that had arrived on that battlefield had belonged to no crown. They’d either fought for the bloodlust or the money. You could respect them for that. 
Azriel tipped his head to the side, following the curling of his shadows around his shoulders. “But they are still standing. They don’t know what we sacrificed to keep them safe. That’s the problem with humans. They forget too quickly and get complacent” 
“It would seem we have the opposite problem. We can’t help but remember everything,” you said, with no small amount of bitterness. 
He wanted to keep you talking. He wanted your thoughts. Wanted to fall asleep to the sound of your voice after three weeks of silence. You weren’t aware of it, but the bond had felt thin the further he’d traveled away from you. Like a tightrope stretched to its snapping point. Now that he was back, and you were here, his heart didn’t feel like such a strenuous burden.
He smiled. “I think that’s just you. I know plenty of fae who are forgetful and empty-minded.” He leaned back, stretching his wings out to the side, and winced. They were whipped raw and tender from the flight. 
Without thinking you got up and moved to the fireplace, feeding wood to the flames until it crackled happily. There was a reason Cassian and Azriel loved to bath their wings in sunlight every chance they got. The heat helped the soreness and eased the wind’s rough edge. 
It also drove color into your cheeks and set your hair alight in a soft golden haze. You were a marvel. An angel with a halo to match and Azriel drank in the sight. 
“Like who?”
“Cassian.” 
You smirked and chucked the last of the wood into the flame’s gaping mouth. 
Cass was far from empty-minded, but after decades of being feared as the Lord of Bloodshed he was grateful that people loved him enough to be just a little mean. He gave and received friendly blows like kisses on the cheek and smiled all the wider for it. To threaten his life was the same as saying I love you. It must be why the Mother had made Nesta his mate. She said I love you to him all hours of the day. 
Azriel asked you what you were thinking, and when you told him he felt some of that pain slide off his shoulders like rain. He threw his head back and laughed until his chest started to hurt again and you thought about how rare that sound must be, and how much you loved it. 
“How are the others? Rhysand told me Feyre’s sister is down there along with your friends.” 
Azriel sobered up quickly and cleared his throat. “Yes. Elain, Lucien, Jurian, and Vassa.”
His voice caught on two names: Elain and Lucien, and it didn't escape your notice. He sounded... nervous.
“And? Are they alright?”
He rolled his shoulders and looked out the window to the inky black sky. Vassa would be sleeping now in her human form, and if she was lucky, she’d wake up in the morning still within the manor’s grey stone walls. Safe. Home. 
He shook his head gravely. “They’re nothing short of terrified. Koschei has Vassa under a spell that would normally keep her tied to his lake. He let her go during the war against Hybern and he’s been allowing her to stay, but… everyone’s just holding their breath and trying to prepare for the day he’ll take her back.”
You shivered and wrapped one of the spare blankets around your shoulders. You couldn’t imagine a life where every waking moment held the risk of being torn away from everything you held dear. The anticipation would have broken you more than the act itself. 
“I’ve heard of her. The firebird.” You murmured softly. You imagined a creature with glowing eyes, blue-red feathers streaking behind like ribbons set on fire. Azriel narrowed his eyes in confusion, and you explained, “Ares House records all wartime information. I read the reports. We’re very thorough.”
Azriel smiled. “I would expect nothing less.”
Silence passed in comfort, and you couldn’t stop thinking about Vassa.
“Do you think they’d be able to stop it if Koschei did make her go back?” 
“I don’t know, Y/n.” And it was driving him mad to have Koschei hanging around like a forgotten word at the end of his tongue.
“I hate this,” you spat out, “The not knowing. I hate it.” 
Azriel stared at you, hazel eyes silently begging you to continue. Shadows curled around your body, gently tugging you closer to him until your knees were a whisper away from touching. 
You both sighed softly into the quiet air. Even the River House seemed to be at rest for the night. The usual background hum of cooking and cleaning were absent. It was just you and the Shadowsinger. 
“How are things going? With the book?” 
You slipped your hand through the slit in your robes and pulled it out. The gold chain rustled, glowing faintly from your touch. 
“It’s going.” You shoved the book back out of sight. You couldn’t even stand to look at it after the hours you’d spent agonizing over its pages. “Rhysand’s been teaching me to contain my power better. I can actually touch some things now.” 
But not him. Still not him. And it was killing you. 
Azriel gave another one of his small smiles. The ones that never failed to make the world a smaller, more manageable place. “That’s good.”
“I just… this may sound silly but, I’m not used to things being this hard. With my powers a lot of things just sort of came naturally for me. But now people are dying and I’m just sitting here on this very expensive couch and I can’t do the thing I was brought here to do and I… I don’t like feeling this useless.” 
“Hey, hey, hey,” Azriel murmured. He closed the space between you even more, shadows hovering over your face in silent permission. When you didn’t pull away they brushed back the strands of hair that had fallen over your face with a cool, silky touch. 
Azriel was all calm darkness and you imagined that if you reached out to touch his chest your hand might just slip through him like he wasn’t there at all. He seemed too good to be real. 
But he was real, and he was sitting close enough that you could feel the warmth of his breath fan your cheeks. 
“You’re not useless. Never believe that. Not even for a second. And even if you were useless, it wouldn’t matter. You’re worth more than the things you can do, remember?”
“I remember.” Your voice was quiet and thick. 
You rested your cheek in the crook of your arm as you gazed at him wearily. 
Azriel kept his hands out in the open, one hand reaching across the couch cushions before stopping mere inches away from yours. His shadows closed the remaining distance, slipping in between your fingers to mimic Azriel’s touch. 
“Did you uncover any more secrets of mine while I was gone?” Azriel asked as your eyelids began to droop. 
“I confess I forgot to look. But maybe now that you’re here, I’ll start again,” you mumbled into the encroaching dark.
“I look forward to it,” were the last words that filtered through your ears before you fell asleep to the untranslatable whispers of shadows. 
Nyx bounded down the stairs, leaping the last six steps before landing soundlessly on the floor with a soft bend of his knees — just like Azriel had taught him. Feyre gave a proud nod before ruffling his ebony hair and Rhysand beamed. 
Let me. Feyre adjusted the wrappings around Rhys’s chest that kept Velaria’s plump body swaddled and comfortable. Her pink lips opened in a yawn that had both mates sighing. 
“Uncle Az!” Nyx raced forward towards the sitting room and then froze, mouth opened in a surprised oh.
Azriel slept like the dead on the floor, chest rising and falling with the beat of his gentle breath. You lay stretched out on the couch, one arm propped beneath your head and the other dangling over your waist and off the cushions. Your fingers swayed an inch above Azriel’s chest, shadows swimming over his torso and creeping up your arms so that even in sleep you were connected to one another. 
Feyre gasped softly at the picture. The sunlight blanketing the both of you in peach fuzz. The faint uptick of Azriel’s lips and the smoothness of his brow. The way you looked like you were bleeding into him. The black of his shadows and your robes. 
Rhysand rubbed Nyx’s shoulder and kissed Feyre’s cheek.
Let them sleep, Nyx. We’ll get breakfast at Huth’s today.
Nyx let his parents lead him towards the door without protest. He’d never seen Uncle Az sleep so soundly in his life. 
<- Previous Chapter Next Chapter ->
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Author's Note:
Yeah... this slow burn is burning... but I just love it so much and I love writing all the sweet little moments they have and their conversations with one another and I hope you're enjoying it as well.
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inkskinned · 1 year
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oh you know it's all latestage capitalism but the thing is. how are you supposed to be a person inside of this. a person trying to be a better version of yourself.
oh, you started working young, which was kind of hard, but it's just the way stuff works sometimes. and it was 2008 and your family couldn't afford heat. but it's fine, you grow a spine and get used to the professional world and besides it was the suburbs we're talking about here, like, your life could have been actually hard, so what if your father lost his job and you can't afford to move or turn the lights back on. and once you start making money, it's good. you keep doing that. because now they're relying on you. so you have to do that.
oh you were in thousands of dollars of debt at 17 years old so that you could go to school, because you have to go to school if you want to get a "real" job. you even did it "right", you worked parttime and attended community college before you transferred to a public school. you were under so many merit scholarships.
which is fine. you pick yourself up and you say like, okay. i graduated college. i'm holding down a job. i'm doing the Adult Thing, which looks and acts like this, according to all the books i've read. you start with the shitty job and then you climb that corporate ladder.
but the shitty job doesn't cover rent and you stretch yourself too-thin so you get sick. good luck with that. the shitty job no longer pays for your meals. everyone asks why you don't just move, but there's nowhere to move to. and with what money are you going to be moving? and then the loans come back, because they were never going to forgive them, because you were 17 and trying to do the right thing, which was stupid. people are now saying you shouldn't have even gone to school.
which is fine. but because you have no other option, so you do the shitty job, and you apply every day for like 5 new ones, and despite the fact everyone says "there's no one who wants to work!" it's actually just that nobody is fucking hiring so you can either work for 13 dollars an hour in the shitty place you know (where at least you have a passingly friendly relationship with the manager) or you can start from scratch again with a different 13 dollars an hour without knowing how much abuse from the new job you'll be taking.
and if you quit you lose your insurance. if you quit you lose your housing. if you quit, you'll be another burnout kid. the lazy ones. these assholes, look at them!
and you come home to a family dinner and you hear from your father the same old thing. how he worked hard at his job and yes it sucked for a while but he was able to provide for the family and then the house and the dog and the rest of barbie's dream vacation. how the insurance did cover some of it. how you just really need to start speaking up more in manager conversations so they know you're a go-getter. you want to tell him - did you know we're actually doing more now hourly than any previous generation? - but you can't remember where you heard that statistic, and you're far too tired for the fucking argument. and then he starts in on his usual bit. where's the house? where's your kids? where's your ambition.
the same job the same money the same hours doesn't do it anymore. the same nose-to-the-grindstone now just shreds your face off. there's no such thing as upwards mobility, not really. and as far as you're aware, the money certainly is not trickling. you do the soulless stupid shit you signed up for because you fucking have to or else you literally risk your life (food, the apartment, the insurance), but it's not getting you anything. you download the stupid "save more" app and you budget and you do every right thing and then the price of eggs is 7 dollars and you say - oh great! another thing i have to fucking worry about now!
and you go to your stupid job and everyone in your father's generation just tells you to be better about being an adult. they have their homes and their savings account and their bailout and they say. well have you tried not drinking starbucks. well your generation just spends too much on clothing. well you might just be too addicted to travelling. and you - because you need the job - you bite your tongue and don't say i am being held prisoner and you're suggesting i stop pacing my cell if i don't like the scenery and you don't say what the fuck do you think i've been doing with my money and you don't say i haven't spent a cent on something nice in literally forever much less coffee you arrogant asshole. you open and close your bank app and check your loans and check your credit score and check fucking zillow and ziprecruiter and apartments.com just one time more. and still they give you that demeaning little grin and say - see, what you need is -
what you need is for your meds to stop being so fucking expensive. what you need is for the housing bubble to explode into dust. what you need is for billionaires to choke on their wealth. what you need is actual help. what you will get is more economic advice from people who are older-and-wiser.
and above you, almost in a glimmer, you can see the wedged smile of your debt getting toothier, wider.
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lionheartedmusings · 1 month
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hi everyone! i talked about my new "dream job" very briefly a few times, but turns out you really shouldn't count your chickens before they hatch. i debated not saying anything multiple times, and frankly perhaps i should've kept quiet, but i refuse to let this situation eat me up and i feel like the community also deserves some transparency on some things that realistically, you'll never get unless people speak up. i want to preface this by stating very, very clearly that everyone that i met in the studio on a personal level is incredibly talented, passionate, and kind. all of them deserve much, much better than the way they get treated. i applied to be a writer for quackity studios / qsmp and got an email back on the 18th of january. i interviewed for the position on the 23rd of january, and entered trial period on the 28th after signing an "nda".
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early during trial period, i asked one of my supervisors about payment and was told they weren't responsible for that and didn't know, but would get back to me as soon as they knew which never ended up happening (i do not blame them at all, they’re incredibly busy people). i should've pressed further, but as someone in a very, very sensitive financial situation and someone who loves the qsmp and admires the talent of everyone who poured their heart and soul into the project, i chose to wait and expect the best. i was officially welcomed into the studio on the 10th of february, and while i waited to be contacted regarding a contract or payment, i had to once again ask (even after i was already working) about payment. i was redirected to "the" head admin as it was him who handled payment, and had to wait days for him to log on so i could add him as a discord friend and ask about my salary. during that conversation, which took almost a week from start to finish, i was asked multiple times if i'd worked professionally as a writer or freelancer (to which the answer was no) before finally being offered between 200-250 dollars (which i later found out shakes out to 170€) per month. i had to ask how i was being paid, and of my own accord provide him with my paypal email in hopes of a response as he never made it clear to whom i should send it. i was incredibly lucky compared to so many members of that team, because i did get paid for my work over that month, even if it felt like i had to beg for compensation that had been promised to me before. it was an awful salary, but i was desperate and so excited to be a part of the team that i accepted the conditions. after léa's tweets, the response "jay" posted, and quackity's emergency stream, i heard once from a supervisor that things were on hold but we'd be informed of any changes. to this day, there has not been any communication either publicly on the discord server or privately, even though i asked a supervisor privately for any possible updates on anything. there's been absolute radio silence. i want to add that i do not in any way blame my supervisors for any of their lack of communication, as they've been nothing but kind and caring towards me and i imagine they'd say something if they could. i have nothing but the utmost respect for them. a few days ago (and i apologize for not being precise with the date but i wasn't checking these things closely as i had no reason to) i noticed that my access to just about everything on the server apart from the announcement channel had been removed, and the only role i retained was the main "writer" one. upon checking, the other writers on the team still retain all of their previous roles. for some reason i do not know nor understand, my access got removed without any sort of word, communication, dm, anything. anything i've ever learnt about this situation, i learnt in the middle of the night live on twitch.tv while i waited to see if i still had a job or not. the only reason i can find for my access being removed and not the other writers is the fact that i'm friends with pomme's admin. i do not know if that is why, it's merely my own speculation, but it's the only link i can see that would lead to that decision. i hope i'm wrong, but hope hasn't gotten me very far in this yet. yesterday, i quit.
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i only applied in the first place because i love the qsmp. i love this community, i love this project, and i genuinely and wholeheartedly wanted to help build it as well as be able to in some way support myself while being creative. i'm not making this post because i hate quackity and want to see anything burn — i'm just exhausted, and stressed, and losing sleep over a business that ultimately does not care for the people that made it a reality. i could not in good conscience not say something, because while i was very lucky that my time there was short and while i made friends there that i believe i will take with me for the rest of my life, i've never been someone who can sit and watch others be mistreated so blatantly and just ignore it. i honestly and sincerely hope that moving forward, things change, but after what i've seen i have very little hope left in me. this isn't just about the exploitation of people, or just about not providing people with payment for their work — it's about treating other human beings who are killing themselves and working themselves to the bone with the very minimum of care and respect. it's about people who made the qsmp what it is being discarded and disrespected constantly, and who live in fear and anxiety. these people deserve to be treated well, and that lack of respect hasn't changed regardless of any "announcements" made. my heart and full and complete support goes out to everyone who is dealing with these very unfortunate circumstances and treatment (my dms are always open if you ever want to reach out), to léa for being so incredibly brave and putting herself in the line of fire for the tens of people still in the studio, to all the actors and the twitter teams for the absolute silence they've received as payment for their hard work over almost a year, and to pomme's admin who despite what's going around on twitter has not received any contact from anyone in the studio yet, and deserves so so much better.
it’s my most sincere hope that qsmp thrives and conditions change, because everyone there deserves that. everyone there deserves to be treated like gold because they’re some of the best people i’ve ever met. i wish it didn’t feel like we have to put ourselves in the line of fire publicly for any sort of response because clearly staying silent hasn’t helped anything.
please, support the people who spoke out and support the people still in the project. they're the ones who made the qsmp the qsmp. they're the ones you should be standing with first and foremost.
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spidertams · 1 year
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I won't let go of your hand
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veddabredda · 3 months
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Make your own!
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I'm re-posting this outside of reblogs so more people see this:
I made a bunch more inrepid hero button badges, and the link is to a pdf file of an A4 printable version! If you print it in actual size they correlate to the standard 25mm, 38mm, 45mm and 58mm button sizes, so if you have access to a button maker (check with your library) you can print them yourself and make them!
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beanghostprincess · 6 months
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i'm aware that due to luffy's more cheerful personality and looks, a lot of people might find it weird to picture him in sexual situations. especially since most of us see him as aroace (as if aroace people couldn't have sex or be in love but, y'know, that's for another time) and it's completely understandable to not feel comfortable around sexual stuff if you don't like it with this specific character. however, being uncomfortable around that type of content and infantilizing luffy's character to the point that you consider it problematic or wrong to put him in romantic/sexual situations is too much and you should let people enjoy characters however the fuck they want. if you don't like something just scroll and ignore it, but don't try to make everyone follow your own moral compass and likes because we're all different and luffy is just a fictional character.
people often forget he's the captain of a pirate crew. he's mature and has critical thinking and if seeing a cheerful/cute character instantly makes you assume he deserves to be "protected" from sex/romance, you are: infantilizing his personality (that may or may not be neurodivergent coded, but that's another story), villainizing sex and romance instead of just seeing those as something you don't personally enjoy but should let other people consume, and using being aroace as a shield from the real world and a stereotype instead of actually being inclusive and truly seeing him as aroaspec. friendly reminder that aroaspec people can have sex and be in romantic relationships because it's a spectrum. that's the whole thing about it. it's understandable to not be comfortable around sexual situations with a character you don't perceive as sexually active, but that doesn't mean it's wrong to write him that way. let people do whatever they want with their idea of luffy and have fun!
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lover-of-mine · 8 months
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I'm here to argue my case about how Eddie fell first and has in fact been semi-aware of his feelings since season 3 and it's currently dealing with the way he thinks he'll have to be the best man on Buck's wedding. So sit down, buckle up, grab your delusional drink of choice (today I'm drinking my delusional tea lol), and let's go.
Okay, given season 6 information, we know Buck and Eddie are roughly the same age and we know Eddie was pursued by Bobby and Bobby wanted a partner for Buck (unrelated but Bobby so hoped the military guy would balance out Buck and for a while there he ended up with two very impulsive firefighters and he definitely had a few what the hell have I done moments lol) so it's kinda safe to assume that Buck was one of the selling points of the 118 because Buck is a very competent firefighter and they would be on the same shift. So Eddie went in with the expectation of someone his age he could befriend. I'm making some assumptions but the internet tells me the academy takes a year, we know Eddie still doesn't have a permanent childcare plan, so this man is interacting outside of the academy exclusively with his 7 yo, his abuela, and tia for a year, so I think that the idea of having a friend his own age was appealing to him. Especially after the army and Shannon leaving him. So much so that with his sharp edges, you can actually read things like "I'd go lower" or "you're in the wrong light, man" as attempts to create a bond, very awkward I haven't tried to make friends in forever attempts but attempts nonetheless because he's trying to be helpful. Buck is being Buck, but even Eddie says I hear you're a good guy, so dude is trying to understand what's happening, what's setting Buck off, and while he matches Buck's energy after the gym conversation, he actually continues to try and bond with Buck with the thing that actually works and the "you're badass under pressure" that is still another attempt to get through to Buck. I have various theories about the way Eddie keeps trying to start something, the one I like the most and the most painful one is about how Eddie has had the weight of the world on his shoulders forever. And he had to grow up really fast, and then there is Buck annoying him about nicknames and discussing his body fat percentage, and with all that really carefree energy season 1 and beginning of season 2 Buck had that he probably wanted to know what it felt like. But Buck is Buck and Buck also wanted a friend so dude imprinted on Eddie like a baby duck. But Eddie doesn't mind, like before Bobby comes in to say who got the spot on the calendar, Eddie looks amused by Buck not annoyed. But up until now, that's casual. They're coworkers.
Then we have the earthquake. We know Christopher is Eddie's whole world and he's very careful about the people he lets into their life, considering the earthquake happened on Maddie's first day on the floor and she must've had some sort of training before that, it's safe to assume that Eddie didn't mention Chris at the firehouse for at least a few weeks and he is very hesitant to tell Buck about him, but again Buck is Buck and he switches into reassurance mode and that's when Eddie actually lets him in. I actually would love it if we had an explanation as to why Buck drove Eddie to Chris' school after the shift, but it's something that he went from being hesitant to even mention he existed to introducing Buck to him. But then we have the moment Buck becomes his ride-or-die, you imprinted on me but now I'm hanging on to you, with the whole going to the hospital with him because of abuela and also the way that Buck clears Chris staying at the firehouse before Eddie thinks to do it.
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This moment right here it's what gets Eddie. He's ready to apologize and justify and he doesn't have to because Buck stepped up to do something simply because he realized Eddie needed help and he could do something about it. Eddie is doing everything alone and he needs help but he doesn't know how or who to ask for it and Buck just steps in and does it before he needs to ask. And then there's Carla. Buck tricks him into showing up and literally hands him the solution to his problems because Buck knows Eddie wouldn't accept it if Buck had said what that was about beforehand, but at no point does Buck make it seem like Eddie is a bad parent for needing help. And I think with the whole thing with his parents trying to take Chris from him, that really does something.
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I really like to use the second gif here as a major example of Eddie's heart eyes for Buck, but the first one, when he realizes who Carla is and what she can give him completely changes his demeanor. He was ready to be polite, was probably trying to figure out a way out without saying he was still married, but instead, Buck does something that not only makes Eddie's life easier but makes Christopher's exponentially better. And right then, Eddie is done for. I'm not saying he fell in love with Buck here, I'm just saying right here is when Eddie goes you're stuck with me now dude, and let his guard down with Buck, as much as this Eddie can at least. That's when something starts for him. You can't change my mind on this one. But for now, there's the Shannon of it all, because Eddie does love Shannon but their relationship is beyond complicated. 
But Buck is still constant through Shannon and I think that's important, actually, because Eddie is having trouble trusting Shannon and I feel like having Buck around helps him not go straight to the worst-case scenario all the time. I don't have a point in mentioning this, it's just a clear show of how much Eddie already trusts Buck, but to have Buck go with him to take Chris to see Santa is so wild. Who takes their best friend to see Santa with their kid? Like, what?? But Isn't it interesting that Eddie decides to propose again after Buck asks when is the wedding? I find that fascinating really. Then Shannon dies, Buck almost dies, dude goes into move past it mode but the seed is there. Forever thinking about the wistful shot of Eddie saying almost after Hen says things are back to the way they should be. Something else about the finale it's that it's the first in the list of irrationality moments from Eddie regarding Buck. Eddie is a firefighter, he's objectively stronger than Chimney, so the logical thing to be done is to have Eddie helping lift the truck and Chim treating Buck. But no, at that moment he's a medic who's there to hold Buck's hand. He's just holding Buck's hand. He could've left Buck with Hen and go help lift the truck. But no, he's staying by Buck's side.
But season 3 is when things HAPPEN. We start out strong with the sheer excitement on Eddie's face that Buck is going back to work. Then the way Eddie just hands Christopher over to Buck without a single worry. "Oh, you're falling apart? Here's a kid, he will help" and just goes. We focus a lot on Buck's reaction to them finding Chris because it is what the show wants us to focus, this is the moment Buck looks at Chris and goes "shit I really love that kid" but Eddie looking back at Buck as he holds Chris is interesting. Eddie just went through 30 seconds (actually it's 1 minute 4 seconds from the moment Eddie notices Buck to Eddie having Chris in his arms not that it matters) of the worst possible moments in a parent's life and I guess, since Buck didn't have Chris, and Buck was too shaken to explain what had happened, he assumed Buck lost Chris during the first wave and he's looking back because he's shocked he saved not only himself but Chris from the wave, but from his focus to shift to Buck like that it's interesting. Even more, considering the way he barges into the loft to hand Chris over again. "There's nobody in this world I trust with my son more than you" I'm sorry, there's no platonic explanation for the wording of this, okay? This is a man who looked at his honest to god wife, the mother of his child, and said "I can forgive you, I'm just not sure I can trust you" and trust is always the thing Eddie struggles with. To trust someone with Christopher is Eddie's ultimate show of love because it's what makes sense with his character, he is loyal until it kills him but nothing goes above Christopher. Also, Mr. Kids are signs hands over his own child to someone and I'm not supposed to look at that and go "huh wonder what he's feeling"? And there's the lawsuit of it all. Eddie gets that mad because he misses Buck and has no idea what to do with it. Because he got used to being a priority to Buck and he cannot handle the idea that maybe he's not. He's struggling, Chris is struggling and he needs Buck to do the thing he does where he fixes the problem without Eddie having to ask. But Buck has no real responsibility to Eddie or Chris, you can't really expect your best friend to base his life decisions on what's best for you. But it is the expectation Eddie has. He needs Buck to consider him. He needs Buck to be there for him no matter what. And at this point, when he's screaming at Buck as if they are a divorced couple, he's aware of something. He's definitely aware of something he doesn't want to look too closely at. 
Because being left by Buck leaves him completely off balance. And since Eddie is famous for not dealing with the shit he's feeling, things keep escalating because anger it's easier. Anger he can deal with. But in the end, he just wants Buck back so he forgives him the second he lets Buck speak. Because he wants the Buck that looks right through him, he wants what they have back. And he doesn't hesitate once he does. There are definitely some lingering feelings about how he kept pushing Shannon away and then she died and he "lost" time he could've had if he had let her in after he sought her out, so when Buck apologizes he just goes let's go team and moves on because tomorrow isn't promised to anyone. 
But I think there's something important to take into consideration, that it's Eddie's therapy session. He talks about not feeling anything, good or bad, and the his feelings are boxed thing and how he doesn't know what to do with them and yes, that comes back into play later, but it is important that Eddie doesn't name his feelings and he consistently tries to box them and move past them instead of feeling them, and it gets to a point where he's doing this even to positive things. So he is not looking too closely as to why missing Buck throws him off balance. He's all let's go back to the way things were and they do. Forever seeking for a heterosexual explanation to the kitchen scene in 3x09 but I also do think there are different types of tension between them there. Because while Buck is teasingly trying to get Eddie to admit on what had happened and how Buck's absence was a trigger for Eddie's fight club era in his flirty way of his, Eddie is trying to make him stop talking in a real "man don't make me look at what happened too closely" because he doesn't know what he'll find. Or if he's ready to find it. Considering the whole widower who never processed a big emotion in a healthy way he has going on there. But Buck is a really steady presence in Eddie's life, and Buck does his best to not put them in the lawsuit situation again, he's around, he's helping Eddie with parenting issues and then we have the well.
The well is a pivotal moment. Not just because of the sheer amount of Buck in Eddie's I need to keep fighting montage and the way Buck is acting above the ground, but because of the way Eddie changes his will after that and chooses to hide the fact that he did. Eddie has parents who are more than willing to raise Christopher, he has sisters, he has a lot of blood relatives that he could assign as Chris' guardians if something happens, but he chooses Buck. He chooses a firefighter, who is not only a firefighter, it's also his partner so if Eddie ends up in a life-threatening situation, Buck will probably be there too, so it's not the biggest safeguard. Buck is also single and without kids of his own. He also has known Buck for what? 2 years at that point? Eddie's lawyer probably stared at Eddie in disbelief when Eddie explained the situation. But the real thing about the will is that Eddie doesn't talk about it. Dude had some revelations while under all that mud because the only reason he wouldn't tell Buck is if he couldn't tell Buck without talking about himself. That's the only explanation for why he would hide it. Because Buck would ask why him, why now, like he did when Eddie did finally tell him, but right then Eddie can't shift the focus back to Buck. But there's a very subtle change in the way Eddie acts around Buck after the well. And again, sure, you can play off Eddie's reaction to when Buck wants to do something dangerous as he needs Buck to stay alive, but you can't really apply that logic to the way Eddie acts about Abby. Like, Eddie is petty to girls who want Buck, that's a fact. And Eddie is petty about Abby, but he also gets unsure about his place in Buck's life when he sees Buck's reaction to seeing Abby. And they focus on Eddie there. We get Eddie's reaction to that interaction. That means something.
We get Eddie legit feeling insecure about his place in Buck's life over the fact that Abby is there. And Eddie knows Abby as this entity, the one that got away, the person responsible for Buck being the way he is, because that's the way Abby is talked about, and sure, if I was in Eddie's shoes, only seeing the damage someone did to my best friend and then have them risking their life because of whatever lingering feelings are still there, I would also reserve myself the right to hate them, but it's more than that. Like, the way he backs away from the both of them once Buck goes into protector mode.
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"Abby, His fiancée's Abby." *stomps away*. Absolutely insane interactions happen there that paint Buck as still hung up on Abby, even more after the whole thing with Red, but if you look at it with the right lenses, it paints Eddie as jealous of the way Buck is willing to put himself in danger to keep someone who broke him happy.
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Every reaction from Eddie in the train wreck feels so calculated to give this idea that he's unsure of his place in Buck's life. His face when he realizes who he's talking to, his hand hovering over Buck's shoulder like he wants to comfort him but doesn't know if he can, the way he looks at Buck after Abby and Sam are in the ambulance. He's completely off balance at the sight of the ghost of Buck's great lost love and I'm supposed to believe that man is just experiencing platonic friendship feelings about his best friend? Come on. 
Season 4 is complicated. Because of the Ana and Taylor of it all. They do have the easy banter, Eddie being someone Buck can rely on during the whole mess with his parents, a few scenes of Buck completely comfortable in Eddie's space and Eddie just moving around him like he's meant to be there, but we know the Ana of it all happens because of external pressure. Eddie thinks he needs to date, so he grabs onto the first woman he can. The way his whole body relaxes when he realizes Christopher is with Buck is actually insane. But even though he's dating, he's holding on to Buck in a way. Absolutely obsessed with how much he hates Taylor. Dude legit looks like he's fantasizing about running her over with the fire engine while watching Buck and Taylor interact making Buck ignore him. 
But then Eddie gets shot. Say whatever the fuck you want Eddie reached for Buck. He thought he was dying. And he reached for Buck.
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Eddie's been aware of something he doesn't want to look at too closely since the lawsuit that became harder to ignore after the well that he became fully aware of when he got shot. I know that what we have now says Eddie doesn't remember the shooting but wouldn't it be beautiful if he lied because he can't say what he remembers because everything he remembers is about Buck? The dramatic effect of I'm lying to you because I realized I loved you then but I can't tell you that now? Ugh. Anyway, Eddie got shot, things fell into place when he hit the ground, terrible place to have an oh! moment though. Dude just got shot, he's bleeding out, and the thing he gathers the rest of his energy is to ask if Buck is hurt. Sure, you can look at that as I think I'm dying so one of us has to make it home to Chris, but the possibility of it being an I love you I need to know you're okay before this kills me it's there. But he doesn't die. And when he wakes up Buck tells him it would've been better if he had been shot. You can see it on Eddie's face that he kept rehearsing what he was going to say about the will. Something else is the way that Ali takes Buck home after the truck so it would honestly make sense if Ana took Eddie home but he probably asked Buck to do it. That scene feels like an aborted love confession. "You act like you're expendable but you're wrong" the way he's saying you're not spare parts, you're not less important, you matter so much to me. Eddie knows Buck, he knows Buck associates love with pain. He wouldn't actually say something after he almost died, but it feels like he's working up to something. Sure he needs to break up with Ana, but there's time before he heals and can just, do something about it. But then Taylor fucking Kelly is in his welcome home party. He knew Buck and Taylor were working up to something. He knows Taylor being there means it happened. A violent reminder that Buck is straight (debatable) and doesn't feel the same (also debatable). So back to safety, he goes. 
I need to know who decided that having this particular look when they are literally talking about how Eddie is about to meet Ana's whole family was the way to go.
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Also, can you believe Eddie needed Buck's approval to break up with the girlfriend he didn't even want to date anyway?
Season 5 is complicated because of Eddie's PTSD, 5A has a lot of Eddie pulling away because of the way he knew when the dam broke it wouldn't be pretty and he didn't want to take down anyone with him. But even when we see Eddie out of the job, we see him making an effort to include Buck and Taylor so Buck would know that he really did mean the whole "you're stuck with us" thing. I can talk about 5x11 to 5x14 and the implications of it to buddie for days, really, (you can read this for some of those thoughts), but the thing here I guess, it's a lot about how when the box exploded, the feelings are all over the place, Eddie sits back and lets Buck in. He talks about the way he's feeling in a way we don't really see Eddie do all that often and he leans on Buck through his recovery and the process of finding out how to not feel like there's no hope for himself and how to feel comfortable in his own skin again. And it's a lot about Buck and the way Buck is constant. Eddie feels like Buck is this steady presence in his life that can and does help Eddie move forward.
But the thing is, the shooting happened, Eddie realized things, Taylor Kelly (derogatory) happened, Taylor Kelly (derogatory) took herself out of the running, Eddie now has the tools to deal with his own emotions, he's single, Buck's single, they're having dinner with Chris at Buck's loft and Eddie is asking Buck about things Chris kept from him, but Eddie is in a fantasy bubble where he can pretend he has the things he wants without actually asking for anything to change. I mean, post therapy Eddie is better with his feelings, but he's still Eddie. He was in his little I have time bubble. That was violently popped. Because Buck died. And he had to save him. "Do more" is such a desperate thing for a first responder and former combat medic to scream at a team of doctors. He knows they always do the best they can. He did the best he could, but there's only so far he can go. The way he follows the gurney hurts me in so many ways. Some real don't go where I can't follow bullshit.
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This is a man who watched Buck almost die multiple times. But this is also a man who never contemplated the possibility of Buck actually dying. The thing that drives me crazy about Eddie and everything surrounding Buck's death is that he can't look at it. He can't take his eyes off him, but once he's out of his sight he can't look at him again. He spends the whole time not looking at Buck. He looks away every time someone mentions it. Even when he's in the room with Chris he's not looking. 3 minutes 17 seconds. Look, this number bothers me. Bobby said they were 3 minutes out from the hospital and that it took 3 minutes to start compressions. So Buck was dead for 6 minutes. The rescue took 3 minutes. And Eddie counted. That's the only explanation for this particular number. He counted how long it took to get Buck to Chim and Hen and in the ambulance ready to go.
But Eddie was living comfortably in his bubble, I don't think he was at peace with it, but I do think he accepted it. But Buck wakes up, Buck seeks him out to help deal with the trauma. They look like a family, they act like a family, maybe it's not hopeless after all. Maybe Buck can feel the same and they can talk about it once Buck is not feeling so raw over his own death. Buck is just there all the time, something like that can't be one-sided, can it? But then Buck pulls the rug from under him. I made a very long post about the cemetery, you can read that one if you want, but the thing about that conversation is that it is a reminder that they are not on the same page. Because Buck throws him off balance again, considering the way Eddie was trying his hardest to be there for Buck just for Buck to say he's getting what he wants from a random woman he met a few days before. And it makes Eddie back away so he won't end up hurting his own feelings more. I think at this point Eddie has accepted the fact that he's going to have to be Buck's best man and is trying to find a way to be okay with it. So he's retreating to familiarity again. It explains why he's trying to recreate what he had with Shannon because he loved Shannon, so maybe if he found that again he wouldn't have to cut Buck off to move on. Because he needs Buck on some level but there is a limit on how much he can take while Buck goes around looking for something he already has.
And yes I talked and talked and talked but why does this mean Eddie fell first? Well, Buck will never figure it out on his own. The thing about Buck is that Buck doesn’t know what healthy love is. He thinks love is work, but in a it’s bleeding himself dry for someone way. He thinks love is pain. Eddie is safety. Eddie is home. He never knew home as a place where he can find love.
This is all for today. If you read this I love you. Also the doc I typed it out says it has over 4.3k words so this is long as fuck congratulations for sticking through it 🩷
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elitadream · 7 months
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It has been mentioned before, and with good reason: the reunion was a scene I was especially looking forward to draw. 🥺❤️‍🩹
As you can see, a small segment is still missing! I'm keeping it for the next post. 🎆
(A follow-up to this scene taking place in my body swap AU)
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hitlikehammers · 2 months
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feels like home
rating: t ♥️ cw: coming out, softness, recovering from the upside down ♥️ tags: pre-relationship, post-s4, fluff, hurt/comfort, Eddie is having many feelings, the main one being that Steve feels like home, platonic stobbin, supportive platonic soulmates coming out so Eddie feels safe to do the same, injury recovery, still-so-soft
for @steddielovemonth day seventeen: Love is about a hand reaching out to you so you don't get lost (@yournowheregirl)
this definitely takes place chronologically after this one so: have some of these codependent lovebirds as they start to figure their big feelings out ♥️
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It’s weird, and probably unhealthy, that his hospital room—like this—feels kinda like home.
But he thinks it’s okay, to be fair, because it’s not like he thinks this place is home; the smell of antiseptic is still pretty sharp in the air even as he’s gotten disconnected from one machine, drip, or monitor every day until he’s largely free to toddle to the bathroom on his own as long as there’s someone to watch and make sure he doesn’t fall. Wayne’s there for that when he can be, which explains the home associations, but: the rest of the time, in fact—kinda more often than it isn’t?
It’s Steve.
And Eddie struck a deal with himself—no digging in to the fluttery-gooey-warm-chest-squeezy feelings while he’s laid up in a bed—but when he walks around even under supervision, it’s…feeling like he’s cheating.
Plus the feelings are getting kinda…kinda loud.
Because Steve is always there, sometimes he ever stays when Wayne comes, at least for a while. He leaves to keep an eye on the Party, leaves to check up on Max, hits the community hub: but it’s…it’s such a blip of time, honestly, in comparison to being here, with Eddie.
And when he’s gone, it doesn’t…it doesn’t feel at all like home, it feels kinda fucking horrible, so.
Eddie doesn’t even actually have to dig in to that train of thought. It’s pretty fucking clear as-is.
He’s surfacing from kind of, like, a light doze, not even a full on nap, and he’s gentle with the coming-to of it because he can kinda, like, feel Steve’s presence at his side and he’s talking really low anyway, even if he couldn’t, so Eddie definitely knows it’s him, and he could have guessed the other visitor pretty easy even if it wasn’t her voice that was the first to bleed through with actual words:
“She’s,” Robin makes a little stifled whine; “you’ve seen her.”
“Not my type but,” Steve’s saying from next to Eddie; “ I see your point, yeah.”
“She’s like a,” Robin’s voice goes kinda hazy, a little dreamy; “like a fairy creature, or! Or like a prairie woman with those, those hats—“
“A prairie woman who likes boobi—“
“Stop!” Robin hisses low, and Eddie can feel her knock his mattress a little, she must lean over like she wants to enforce her will somehow: “stop stop stop—“
“If you can’t say it you probably shouldn’t be touchin—“ Steve’s saying and god, his voice is so bitching, and Eddie think he kinda fucking lov—
Oh. Oh, well. Shit.
“I’m not touching!” Robin moans, but kinda frantic with it; “the problem is I am not touching!”
And Eddie, too, is not touching the thought he just had about those four fucking letters that are, that, that are—
“Also it’s a gross, immature word,” Robin’s going on and…oh.
Oh.
Okay, so like: even if he’s just kinda in that liminal space of awareness, they have to know he’s more awake than not; his two remaining monitors are different even when he’s calm and just resting, but as the words themselves sink in, now? His heartbeat’s betraying the hell out of him for the staccato it’s pinging on the screen as he processes it: Robin’s showing her cards, though Eddie’d always figured she might be a bird of his feather, but, like—
“Is it though?” Steve’s murmuring low and so, so judgmental; “seems more immature to not say it at all,” and he, he fucking tsks at her, then, and, and—
And then—
Then Steve’s saying words that make no sense at all, like: sure they’re words. In English. Eddie’s very sure of it. So that means he should definitely comprehend them. But…
“You should listen to me, Robs, seriously. I do still like boobies, too. I have insights.”
And Eddie—Eddie’s eyes fly open, he thinks out of shock? That makes the most sense, like he’s startled into full-wakefulness, that tracks as he blinks up at the water-stainer ceiling with his heart in his throat as he tries to find sense in those words, fails, tries again, fucking fails, all as the Corsican Twins cackle over word choice, good god, and then—
“Hey.”
Steve’s grabbing his hand at the wrist and covering it so gently, fucking…cradles it and stories his thumb over the insistent tap of his pulse and meets his eyes, so wide and honest and earnest and if Eddie’s heart wasn’t already primed toward racing it sure as shit would have started just with those eyes on him, and that touch on him, and:
“You okay, man?” and it’s so simple, and Eddie doesn’t fucking know what’s happening on his face, what kind of of shock or terror or something deeper still is seeping from his expression but Steve’s studying him, watching for long seconds that stretch for-fucking-everbefore his jaw squares and his head tiles, something resolute shining through in him and he moves so slowly, lifts Eddie’s hand in his so slowly and Eddie doesn’t even wholly clock what’s happening, let alone that it’s real, as Steve fucking pauses their hands by his lips, so Eddie can feel his breath so warm and he watches, then, waits, and Eddie doesn’t think through what it means when he nods, like it’s not actually a legitimate thought, exactly, he just knows that, that—
Whatever’s happening, and however terrified he thinks he is: he can trust Steve.
Because somehow: Steve’s home.
It’s still fucking earth-shattering when Steve does lean, when his lips brush against the heel of Eddie’s palm, still scrape-covered, and then he reaches just as slow again for Eddie’s cheek to cup, to fucking cradle that, too, and Jesus H. Goddamn Christ—
“You’re safe, Eddie,” is all he says and maybe, maybe Eddie’s reading into it way beyond what he should, but like, it doesn’t feel like Steve’s telling him he’s safe maybe from the lingering threads of a nightmare, or that he’s safe from the government, from the cops, or from the Upside Down coming for them because they all know it’s still fucking coming but Eddie has felt scared of it once, yet, not like this, not here, with—
But Steve’s tone doesn’t just hold that: it’s bigger. He means…
They had to know he wasn’t really asleep, and so, Eddie, Eddie thinks Steve means…
Yeah.
Fuck.
“You’re outta water,” Steve’s saying and Eddie didn’t even notice he’d been reading to pour Eddie a glass from the ever-present pitcher at his bedside then he’s standing, his hand leaving and fuck all if Eddie doesn’t lean into it before he can think twice but Steve just smiles, soft, as he walks out the door.
“We talked about it.”
He turns to Robin almost violently, head kinda snapping her direction with the speed and force he moves with.
“We weren’t gonna hide it from you, but like,” she mashes her lips together, Eddie can see she’s trying to find a way forward with the least possible rambling, but the clearest possible throughway so she can get what she needs to say out, before Steve comes back.
“You shouldn’t feel like you have to,” she hums a little; “be that, you know, open? With us, if you don’t want to,” her eyes are so big and sincere, and Eddie’s pulse is steadying if only slowing by a fraction, but she does help put him at ease, even as she trips a little over the rest: “if you had any thing that was, y’know, kinda private or, something,” she nods to herself and plays with the hem of her shirt: “yeah.”
Eddie nods to himself, and…he can’t, he can’t not ask her, not in this window, because she said they’d talked and if this wasn’t part of it she loves Steve fierce and he could be still a little fresh off death’s door, she’ll still tell him to fuck off if she needs to, so at least there’s that, at least he knows, like, he won’t be allowed to step where he’s not welcome, and—
“I’m,” and fuck, his voice is a mess, he does need a fucking drink but in the absence of one at hand, he clears his throat hard and accepts that consequences of it burning like hell; “he, umm,” Eddie bits his lip and gestures toward the empty door, eyes Robin kinda pitifully: “he said—“
Robin, thank fuck: Robin is merciful, has to see where he’s going, here, and she points to the doorway indicative of who isn’t in it, yet:
“Very both,” she says simply, then point to herself: “very…”
“Boobies?” Eddie suggests and Robin, she just groans.
“Not you too,” and…okay, shit, umm, well—
Eddie… maybe Eddie can be brave. Like, in small doses.
“Actually, ah, I,” he stumbled but then he makes himself take a breath, makes himself try:
“No, not me too,” he says in a rush and looks up at her through his lashes, so fucking vulnerable: “like, very specifically not, me too.��
And she smiles at him so warm and…like, almost welcoming, which is weird but feels, nice? And she pats his arm kinda affectionately and, just—
“Did you decide to take me up on my wisdom so we can actually accept she’s almost definitely into you, and move on to planning your wedding?” Steve slides back in and shuts the door behind him, getting to pouring Eddie some water before he even sits the fuck down.
His fingers brush Eddie’s as he passes it off and, it probably shouldn’t make Eddie all tingly, Steve did kinda kiss his hand? Like, a little?
But that don’t mean shit: Eddie’s all pins and needles and, like, sparkles.
“He’s the only help you’ve got here, Buckley,” Eddie screws his courage up one more time because…because Steve needs to know, too; Eddie wouldn’t put Robin in the position of not knowing whether she can tell her platonic soulmate something, make her keep a secret even by implication but so much bigger that that is, are—
All the things he doesn’t want to poke at, or dig up and examine, that he’s dodging on the excuse of convalescence: all those things taken into account: he trusts Steve. He feels…so much for Steve already, and he feels weirdly sure that whatever happens next, those feelings are only gonna find ways to grow, so—
Steve has to know, not just because Eddie thinks he suspects it, but because Eddie tells him—because it’s….’cause it’s Steve.
“Feels like it’d be foolish not to take the man up on the offer when he’s definitely the expert in the room,” Eddie pushes on, awkward but determined; “seeing as I don’t, umm, know about,” and his eyes flicker to Robin for a second, before they land on Steve to finish:
“About boobies.”
And Steve does say anything, doesn’t look any way save how he’d looked before: calm, and mostly-relaxed, and right next to Eddie, and Eddie’s eyes drop from Steve’s face and find the collar of his shirt, the peak of hair from in between and, shit, shit, he’s talking about tits and then there’s Steve’s chest hair and holy fucking wow he is staring:
“Umm, I mean,” and fucking fuck, now he’s talking—
“Like, not that kind, at least,” and then he forces his eyes down to the sheets over his lap and considers if it’s possible to dissolve into cotton if it’s startchy and uncomfortable as shit, and you happen to be mortified enough to sink into the fucking threads.
But then; then there’s Steve.
Because of fucking course there’s Steve.
And Steve?
Steve takes his cup from him when he could easily have leaned to put it down himself, but then Steve replaces the cup in Eddie’s grip with his own warm hand, like a tether, like a lifeline, like a…
Like a promise.
And when the conversation turns toward strategizing Robin’s approach for Vickie, Eddie’s, he, he just…
He’s home, y’know?
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tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson
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