So I noticed something in Harrow the Ninth. In chapter two, when John is trying to console Harrow over having lost Gideon, he puts his hands on her shoulders, and he says "Gideon Nav did not die for nothing."
Harrow feels "a hot whistle of pain run down
[her] temporal bone," which is, we know now, Harrow having a stroke as her skull alters her brain so that she hears him say 'Ortus Nigenad' instead. And she replies to him in kind, using Ortus' name. So the interesting bit is John's reaction, look:
He had his hands on her shoulders the whole time. Physical touch negates lyctoral blindness, and she had a stroke while he was touching her. That look on his face. Is he working out an emotionally taxing anagram, or is he taking a good look at her and working out what the hell just happened? Then he says Gideon's name again, like he's running a test, and Harrow has another stroke. That's exactly the same test Mercy performed to figure out what Harrow did to her brain in chapter twenty-nine.
He knows. He's known about the lobotomy since chapter two. He thinks she did it to forget her grief and guilt, and he thinks he understands.
Which means when he 'notices' the lobotomy in this scene:
He's not really noticing it for the first time at all. He's calling attention to it. He's just told Harrow that she didn't open the Tomb, that she's wrong about the events of her own life, and then he deliberately 'discovers' and points out her brain damage to seal the deal.
John Gaius uses: Gaslight! It's super effective.
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Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
No wonder Mizu gets mad after this, lol
So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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Okay, Part 2! Time to get into that tasty, tasty Steve/Nancy comparison. For that, I don't think I'm really getting into any new ground, I feel like people have said this before, but it's worth stating again.
Steve having unrequited feelings for Nancy is a bad choice to compare to Will having unrequited feelings for Mike because he's a little busy basically being a perfect El parallel.
Look, okay, Nancy and Mike were automatically attracted (whether you think it was real romantic attraction or just attraction to the idea of being with them) to Steve and El respectively because they were impressive. El, of course, was "Superman landing on Mike's doorstep" and Steve had all the "King Steve" shit going on.
But Nancy and Mike both had preexisting history with a Byers boy. Mike and Will have been best friends since kindergarten, and Nancy knew Jonathan through them.
Shit happens, Nancy and Mike both lose their best friend, a lot of drama happens that basically leads to a rift between our respective pairs, but Steve and El both face down a Demogorgon to save a Wheeler (and some other people) aaaand a relationship still manages to happen despite all the shit going down. Kind of hard to ignore getting saved from a monster by a pretty person, right?
But there's still something...unspoken, between the Wheelers and the Byerses, even when the Wheelers are dating their superheroes. And when push comes to shove, when it really comes down to it...Mike and Nancy can't even honestly say "I love you", and this causes the two pairs to split up.
And...while they're split up...Steve and El both sort of...rise from the ashes of their former selves. Form new identities. But also...sort of their old ones.
Steve had lost his superpower, the thing that attracted Nancy to him in the first place. He was no longer King Steve.
For fuck's sake, he was being bullied. By some loser with blond hair. Oh, how the mighty have fallen.
And on top of all that, the girl he loved most couldn't even love him back.
They parted, on terrible terms, and while they were apart, Nancy found her comfort, comfort Steve could never provide, in Jonathan.
But, while he was alone, he reclaimed his old superpower. He was king again, and he'd found something new to fight for.
He didn't ever really need Nancy to fulfill him. He just needed to be his own hero.
And El?
El had lost her superpower, the thing that attracted Mike to her in the first place. She was no longer Superman.
And for fuck's sake, she was being bullied. By some loser with blond hair. Oh, how the mighty have fallen.
On top of all that, the boy she loved most couldn't even love her back.
They parted, on terrible terms, and while they were apart, Mike found his comfort, comfort El could never provide, in Will.
But, while she was alone, she reclaimed her old superpower. She was Superman again, and she'd found something new to fight for.
She didn't ever really need Mike to fulfill her. She just needed to be her own hero.
Steve and El both ended Season 4 with their relationships with Wheelers still sort of up in the air, but Nancy still ran to Jonathan while Robin comforted Steve, and El and Mike weren't talking while Mike and Will are.
And both Steve and El--in very different contexts--end the season mostly focused on, not their romantic prospects, but their best friends.
And I really think that's where their focus is going to stay.
Oh, and one last assurance--something that's been said SO many times before but bears repeating again--is this:
It's kind of hard to miss what' the story is saying's going on when the writers are saying "This is what constitutes romance," and then having Will and Mike follow the exact trail they set out, step by step by step. Not just Will, Will and Mike. It's not one-sided.
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