September 1932: Louisiana State Capitol at Baton Rouge. Tower lights at night. Gov. O.K. Allen. Weiss, Dreyfous & Seiferth, client. Large-format negative by Gottscho-Schleisner.
Eat-In car, early drive-in restaurant, Los Angeles,
1935 John Gutmann
* * * *
From Here
Jeanne Lohmann
for all that has been, thanks
for all that shall be, yes
- Dag Hammerskjold, Markings
No one who looks back is fit, the gospel says,
for the kingdom. Renouncing my small hope
of getting in, disqualified by all that turns me round
in thanks for grace or chance that led me here,
I can't see where's the harm. So far I've not
been changed to salt and am no pillar in the road,
so far the winter breaks to sounds of streams ahead.
The past is iron and roses, health and sickness
as in a marriage vow. I'm pledged to all that was,
and to this moment's breath, the next.
But I could not run away from them because the sound was all round me and inside me, like my heart pounding in huge iron beats, like my arteries clamping like cymbals, like my head knocked against granite and a hammer striking the vein on my temple. Explosions of sounds without respite which made my cells burst, and the echoes of the cracking and breaking in me rolled into echoes, struck me again and again until my nerves were twisting and curling inside me, and then snapped and tore at the pain, until my flesh contracted and shrivelled with pain, and the blood spilled out of my ears and I could not bear anymore...
[Hanfu · 漢服]Chinese Warring States period(475–221 BC) Chu (state) Hanfu Based On Chu (state) lacquer figure
【Historical Artifact Reference】:
Lacquered wood figurines unearthed from Chu State Tomb in Shayang Tumbun Chu Tombs/沙洋塌冢楚墓出土漆俑
Collar cloth and robe unearthed from china Mashan Chu Tomb N19
【Histoty Note】Warring States Period·Chu (state) Noble Women Fashion
Many people may wonder why this set of clothing and hairstyles are so similar to Japan, but the fact is this kind of clothing and hairstyle existed in China at least 1,000 years earlier than Japan.
During the China Warring States Period, it was popular for aristocratic men and women to wear robes.
Lacquered wood figurines and robe with similar images have been unearthed from the Shayang Tumbun Chu Tombs and the Chu Tombs at Mashan, many of which adopted the "three-dimensional structure" technique.
For example, a roughly rectangular piece is caulked at the intersection of the robe's sides, skirt sides and sleeve armpits. At the same time, the lower edge line of the top and the upper edge line of the lower skirt are incrementally extended, and then sewn into one body. It is called "Ming three-dimensional structure".
Its ingenuity is that while the outer contour of the garment remains unchanged, it effectively expands the inner space of the garment body, making it convenient for people to wrap the garment from the front to the back when wearing it, without damaging the original collar and garment forms.
The attire of aristocratic women from the Chu state in this set was restored based on the lacquered wooden figurines of the Chu tomb in Shayang. Their foreheads and temples hair are fluffy, and they have a hanging bun at the back of their heads. They wear robes that are connected up and down, and are decorated with brocade inlays at the seams.
The wearing method is the "layering method", two robes are stacked together in advance and then worn as a whole. This allows the collar edge of the lining to be show parallel to the collar edge of the outer garment, and a section of the lining to be show behind the lapel.The brocade edge is decorated with a wide belt and fixed with double belt hooks.
This "layered" wearing method shows the layers and details of Chu people's clothing, and can also show the graceful beauty of the body.
In addition, many creative clothing styles and fabric patterns emerged during the Spring and Autumn Period and the Warring States Period, bringing with them the unique atmosphere, mysterious imagination and ultimate romance of that era, becoming our inexhaustible source of art.
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Recreation Work by : @裝束复原
Weibo 🔗:https://weibo.com/1656910125/NhBx1oi5n
Auch wenn ich letztes Jahr für die ersten zwei Folgen etwas zögerlich war, was Fahrrad-Ava und Fenchelsaft-Joel angeht, gehören die beiden offensichtlich jetzt zu meinen absoluten Lieblingen und sind von ihrer ersten Szene an iconic. Naja, Ava vielleicht ab nächster Folge, wenn sie nicht mehr nur mit Fahrrädern spricht. Obwohl ich Fahrräder menschlichem Kontakt vielleicht auch vorziehen würde.
"Wo will er denn schon wieder hin? Er ist nie da." - "Ja, vielleicht solltest du dir ein Beispiel an ihm nehmen."
Meine Lieblingstrope bei Schloss Einstein ist übrigens forced proximity, allerdings nicht auf die romantische Art. Mitbewohner*innen, die sich eigentlich nicht so wirklich leiden können, die aber die witzigste Dynamik zusammen haben und am Ende irgendwie ungewollt zu ride-or-die Freunden werden? Peak Schloss Einstein experience für mich. I'm talking Phillip, Bruno und Elias oder Hubertus, Dominik und Nils/David. Und jetzt eben auch Joel, Colin und Noah my loves <3
Joyces imaginärer Kleinkrieg mit Noah killt mich jedes Mal. She is out there training and plotting her revenge, meanwhile hat Noah in seiner Freizeit keinen einzigen Gedanken mehr an Joyce verschwendet. (Mich würd's nichtmal wundern, wenn Noah zu dem Zeitpunkt ihren Namen gar nicht kennt lmao)
Colin mit seiner Herzchenbrille als foreshadowing, dass er sich in der Staffel verlieben wird gehört auch wieder zu meinen Lieblingsdetails :') mit 'nem happy end wäre's aber noch besser @ kika
guckt euch an, wie glücklich er da noch ist. noah, was hast du mit ihm gemacht </3
Dafür bekommen wir zumindest noch einen wholesome Colin x Julia Moment: "Danke" - "Immer für dich da"
(Ja, ich werde jede Folge Colin und Julias Freundschaft erwähnen, they have my whole heart)
Mastiff in sleep wear for an outfit-design meme. Ta-da: boring military-esque skivvies for the fantasy super-soldier! My girlfriend requested this, lol.
feat. 2 itty bitty Jacks too, because… of course she's lookin'! >:3c