I personally like Thunder's prosthetic. Explained it to my friend (who does use a mobility device, a cane and wheelchair, and listens to me rant and infodump about BB) and they agreed, it's important to know that not every person needs what someone wants to give them. It's another example of "bad ableist person does a thing that hurts a disabled person because they are bad and ableist".
Clear Sky got Jagged Peak killed and would have killed Sunlit Frost! He would absolutely force his disabled son to be "normal" and present it like a privilege. "I wouldn't do this for anyone else, it's special, why don't you want to be helped?"
Thunder Storm should toss it in Clear Sky's face. (I would say toss it into the river but we do not pollute waterways in this house)
Thank you for telling me this, and tell your friend I'm thanking them too! If they have anything else to add please forward what they have to say
Since BB!DOTC tackles some of the heaviest topics in the entire series because its canon equivalent is so dark, I think very carefully about what I do here and how I show it. I take feedback on its sensitive aspects very seriously. If I'm understanding the criticism properly, it's that I should avoid stigmatizing prosthetics by making sure Thunder Storm's not the only one with it-- which he's not! And I'll add even more.
I don't want to avoid something only because it's uncomfortable if the topic is important, and my portrayal is respectful. Ableism IS uncomfortable! There are some situations where a prosthetic is not wanted! I think the rejection of this particular one is both a good opportunity to show a type of ableism and ALSO is very fitting for the characters.
In BB!Clear Sky's mind, the villain, he's fixing an old mistake. He can't admit that he got Jagged Peak killed or take REAL accountability for it (though he will, occasionally, apologize insincerely), but deep in his bones, he knows what he did was cruel. He'll never tell anyone this because he doesn't really cognate it himself, but Thunder Storm NEEDS to take his gift.
If Thunder doesn't take it, it blows a hole in his newest story. You see, throwing Jagged Peak out was All That Could Have Been Done back then. It was a Tragedy and he simply Made A Hard Choice. He regrets it very much, But You Have To Understand.
But now? Now? Well, behold. Look at what he's accomplished since the tragic death of his little brother. His cats are well-fed, cared for, and stable enough to make such incredible advancements. If only Jagged Peak had been able to hold on longer, if only he could be here now, I could fix him.
Just like I can (MAKE YOU JUST LIKE ME) fix you.
"Everything I've ever done is for Jagged Peak. For Fluttering Wing. For you." Thunder Sky is SPECIAL, but if he rejects any gift, tries to turn down the "privileges" offered to him, in an instant that becomes ungratefulness and arrogance. He both forces him to be special, and then leverages it against him if it's rejected. "Spoiled brat, doesn't appreciate what I've worked so hard to give him."
It all goes back to him and his own guilt. He can NEVER be wrong. He can't accept his family doesn't have to be "normal" or reflect his own ability. He won't see himself as a bully, let alone a murderer. It was never about his son's comfort or finding out what Thunder Storm wants or needs, it was about his own ego.
...All that said I'm still taking feedback if there's anything else I should keep in mind, or if anyone has a counter point, especially if you also have experience here.
(In the interest of having a link trail for posterity, here's the critique/call for feedback this is in response to)
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Idk if this is going to make any sense, but I always feel like there's something missing when I read thoughts about sskk and it really is the impact Kyouka has on them.
Like, a lot of it is "look at the impact Atsushi and Akutagawa have on each other" and "they are so similar at their cores" which is true! And essential for any bsd partner dynamic! But Kyouka also has commonalities - she has Atsushi's general wonder, simple wants and joys, and desire to be helpful and kind, but also Akutagawa's laser focused objectivity, initial lack of questioning orders, and straightforward ruthlessness when required.
But a lot of the external influence on sskk I see mentioned is Dazai and Chuuya's... which I get, because they're the previous double black, but also Chuuya is very minorly involved by proxy only, and while Dazai undeniably is at the heart of sskk conflict (and it's good to analyze in depth!!!), I feel it's understated how much it was actually Kyouka who kickstarted the development between them - Atsushi was brand-new to the Agency, but saving Kyouka cemented his mindset of proving his worth and also gave him someone to look out for - his position became less fragile from that point on and more permanent. Her mix of kindness and darkness also forces Atsushi in the Guild arc to reassess the idea that people are either "good" or "bad". (He's working on this still, but his judgements are becoming much more nuanced than at the beginning.) And as for Akutagawa... I have a lot of thoughts on their dynamic and how I really don't think there's a whole lot of bad blood there anymore after my all-time favourite scene where they fight in Cannibalism arc - but all I will say is that he legitimately thought what he was doing would make her strong enough to survive, and both Kyouka and Atsushi telling him this is wrong, that people can't live being beaten down like that forces him to reassess his own situation in the Hawthorne and Mitchell fight. (He still has a ways to go, but I seriously hope he eventually realizes that his treatment by Dazai was horribly unnecessary and cruel.)
But what's great is that Atsushi and Akutagawa influence her development too! I don't even need to get into Atsushi's: he believes in her potential and sees her as the young girl she is - not a weapon but a person. She starts off pretty much attached to him and only him, but as time goes on, she starts to adopt a more positive mindset and becomes more confident making decisions as a result of his faith in her. With Akutagawa, she is, like Atsushi, forced to reassess others, especially after he tells her he's glad for her having found that will to live. Kyouka is unable to continue fighting him after that, and I get the sense she saw him as a person there, instead of only the man who harmed her. I also find it really interesting that she has no shame or concern about her mindset aligning much more closely with his, to the point where she'll work with him if necessary.
This is a bit of a mess but really it's one long-winded ramble on how I loved these three working together in Dead Apple and would love to see them working and fighting alongside each other again. I know, I know, this is probably not going to happen because it's supposed to be about sskk as a duo but consider:
They are a trio in my heart.
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Reading through the wolrds surely most accurate source, Death Note fan wiki, I have accumulated a list of Wammys kid letters that are confirmed in some source to have an individual associated:
A- First successor of L, dead by suicide, mentioned in Death Note: Another Note
B- Beyond Birthday, number two of the first known successors behind A and a main character of Death Note: Another Note
D- Shown on L's mailing list in L: Change The World film
E- Shown on L's mailing list in L: Change The World film
F- Appears in the opening of L: Change The World film on a massion for L, dies via helicopter attack*
G- Shown on L's mailing list in L: Change The World film
H- Sends L an email informing him of F's death in L: Change The World
I- Shown on L's mailing list in L: Change The World film
J- Appears in the game L: The Prologue To Death Note, the game is unavailable in English so little is know of them, presumably a Wammys kid based on name, a separate J appears in the second episode of Death Note: A New Generation, she is not out right stated to be a Wammys kid, but she is assumed to be
K- Antagonist of L: Change The World book and film
L- If you do not know who L is why are you here, also Linda is a child who appears briefly in the manga and is responsible for the drawings of Near and Mello (I belive that is only presumed but I may be wrong, I can not remember where it was said)
M- Mello, second successor of generation four and a main antagonist of Death Note's main series and Matt, unranked member of generation four appearing as Mello's comrade in both anime amd manga
N- Near, successor of L and number one of generation four, appears in half the places L dose
P- Shown on L's mailing list in L: Change The World film
Q- Shown on L's mailing list in L: Change The World film
R- Shown on L's mailing list in L: Change The World film, their letter is greyed out, presumably indicating they are dead**
T- Shown on L's mailing list in L: Change The World film, their letter is greyed out, presumably indicating they are dead
V- Shown on L's mailing list in L: Change The World film, their letter is greyed out, presumably indicating they are dead
X- Alluded to in Death Note: Another Note as helping in a detective war with L
Y- Alluded to in Death Note: Another Note as helping in a detective war with L
Z- Alluded to in Death Note: Another Note as helping in a detective war with L
Unused letters- C, O, S, T, U, W***, possibly J as both instances of the usage are for individuals only presumed to be successors
Letters with known duplicates- L and M, J(?)
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Conclusion:
1. L: Change The World introduced a shit ton of Wammys lore for apparently shits and giggles.
2. Alot less dead Wammys kids than I expected. (Only 9/24, that's only over a third. Maybe 10/24 if you count Watari.)
3. I can understand not finding a U or V, but how the hell were there no genius orphans with S or C names??
4. It is impossible for a Death Note title to not have a : in it.
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Notes:
I got this information from the fan wiki and my brain. If it is wrong I'd like to know. I'd also love to hear of any more orphans the fan wiki or I missed.
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*I can verify that that happened. I remember it vividly. Only known Wammys kid to die from a helicopter.
**A greyed name implies death as B's name was also greyed out. However, this also implies L could readily email B whenever he wanted, which is extremely funny.
***W is often totoed as Watari's letter. However, I am not considering him a Wammys kid but this may mean some of the letters shown do not indicate successors but rather other Wammys higher ups.
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What if Hua Cheng had memorialized the temple?
I don’t think he did, canonically. I imagine that was a memory he wasn’t keen to linger on, especially not to such an extent as to record it, to hover over the details in his mind and commit it to physical imagery. But I could see where he might - maybe catharsis, so that night can exist somewhere outside of his head. Maybe twisting, spiteful justice, so the world won’t be allowed to forget what it did to his god. Maybe just desperation, to record every shard of Xie Lian that he has in an effort not to lose a single piece while he searches.
It wouldn’t be graphic; I think it would be something more stylized, more symbolic. Xie Lian is tied to his own altar. He has replaced the divine statue that should be there instead, the god made present the way he was for Hua Cheng once, the way he was for all of his people once. He is surrounded by blades, but they aren’t piercing him yet. Hua Cheng can’t do that to him even in paint. Bai Wuxiang is not featured, because Hua Cheng would not force any version of Xie Lian into that monster’s presence, but there is a ghost fire hovering near. There is a small, crushed flower on the ground at the foot of the altar, like it was dropped from the Flower Crowned Prince’s hand moments before. The entire tableau holds its breath in the anticipation of something horrific.
It’s painted in a shadowed corner, with a cloth hung in front of it. Not out of shame, or even because of Hua Cheng’s own trauma - out of respect for the prince’s privacy, unwillingness to make a moment of such incredible, painful vulnerability a spectacle to anyone else without the prince’s say-so.
That doesn’t stop Mu Qing from finding it.
Mu Qing, who was already horrified, Mu Qing, who was looking for Xie Lian to drag him out of the caves immediately because he’d seen a statue that suggested things he would rather not think about in regards to his former prince… Mu Qing brushes the curtain aside in that tucked-away corner and stops.
A hundred blades are pointed at His Highness. A hundred faces leer and sob and stare. And Xie Lian sits at the center of it all, head lowered, waiting for the slaughter.
Is it so unreasonable that Mu Qing takes it for a threat? Is it so unreasonable of Mu Qing to drag Feng Xin to what he’s found, for the both of them to slip an arm around each of the prince’s own and pull him away from wherever that altar is somewhere in the complicated network of twisted, obscene worship? That thing painted on the wall - it can’t have ever happened. They would know. Mu Qing and Feng Xin, who spent every day of their early lives with the prince, beside the prince, trailing along behind the prince… they would know. They would have been there; they would have prevented it. This is the fantasy of a ghost king who laid ruin to thirty-three heavenly officials and found his thirst still unslaked.
(Mu Qing does not consider the eight hundred years of Xie Lian’s life he knows nothing about. Feng Xin does not consider the eight hundred years of Xie Lian’s life he knows nothing about. It’s a habit they’ve grown skilled at, over eight hundred years.)
They don’t explain to Xie Lian, so Xie Lian has no opportunity to explain to them what they saw. And Mu Qing isn’t wrong, when he concludes that Xie Lian has been stalked and watched and hunted since he was seventeen. He isn’t wrong. He just doesn’t know, yet, what direction the threat is coming from. There’s no time for anyone to tell him, or Feng Xin, who tied the restraints and provided the sword.
They’ll find out. Masks are made to be removed.
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