recontextualizing this story through the lens of buck/eddie and what it means for them, is like. it's so interesting because recently, i got an anon that asked me (paraphrasing) if i thought 9-1-1 would actually "go there" with buck and eddie as individuals, and that three main characters discovering their queerness would be "too much" for the general audience. and, like, not withstanding that it's actually true to life — that queer people can and do naturally gravitate toward each other even when we aren't out / passing / aware of our sexualities at the time — it's also just like. the belief (or disbelief) that 911 wouldn't "go there" with their stories also comes with this inherent assumption that there's only one way to tell a queer discovery story.
like. when michael came out in season 1, he was already at the end of his journey. he had already walked through the self-hate and forced closeting and came out on the other side to self acceptance. when we meet michael, he is a queer man, a gay man (because the word is important), who has already stepped into self actualization and is ready to live his truth. this is not the story 911 is telling with buck.
and then with eddie, you have this character that is introduced with the idea of being perfect, as ryan said, of having it all together, only for the audience to realize he's not. only for the audience to realize that he's broken and cracked on the inside and that a lot of it stems from war. but most of it? most of it doesn't. most of it stems from his father, and from how he was raised. raised to shut it down, to swallow things whole even if they hurt, even if they make him bleed. he was told to keep it all quiet, repress repress repress. and so. i know this is an unpopular opinion, but to that end, i don't think an explicit queer discovery storyline is necessary for him, in the sense that, subtextually, i think it's already happened. season 5 was very much eddie's unrepression arc. we dug deep into the things that make eddie diaz, eddie diaz. and a lot of that was war. violence. chaos."warzones are my thing." but if that was all that his arc was meant to be, why have it end with a conversation with his father? they could have played that arc out in so many different ways.
for one, they could have had mills still be alive. they could have had her and eddie reconnect. they could have had her and eddie have a conversation where she shoulders some of the weight that eddie's been putting on himself and have him settle into the peace of the realization that he's not alone in this specific thing, that he never has been, that other people survived what he did and that he can find solace in them. but the writers didn't do that. they took it back to his childhood, to the root of where eddie diaz began and they said, this is where you need to go. this is what you need to address before you can heal and move on. so that conversation with his dad that culminated in him choosing wellness, in him choosing happiness, in him choosing safety in his body for himself has very much always read to me as queer acceptance even if not explicit (due to the assumed barriers that were placed on that story at the time).
eddie has always been with women, eddie has always liked being with women, so i'd be shocked if he's ever even thought about the nuances of his sexuality. but his unrepression in season 5, to me, has always made him open to the possibility of falling into whatever comes next, whatever that looks like.
this is also not the story they're telling with buck.
(as a side note, i'd just like to say that queer subtext is still queer existence. subtext is how our stories have been told for generations, well before we were able to take up space on the page, and subtext is still a wholly valid and beautiful way of telling a queer story. please don't forget that).
so then, finally, we get to buck, and he's so very new at this. so very green he may as well be a blade of grass on a country club golf course. and so, despite the fact that there have already been two queer storylines prior, this is the first time in 9-1-1 (and tv!) history, that we have ever gotten to see an unplanned queer character discover who he is at this intimate, detailed level. we get to see buck's story unfold in real time, we get to learn about who this actualized version of himself is, as he is realizing it, and we get to know and dissect the layers and nuances, the ebbs and flows of his sexuality as he's taking himself apart and seeing what's underneath.
friends. this is the story they've always needed to tell.
and so, when i think about buck and eddie, and i think about their progression toward a romantic relationship and what that would look like, realistically and in the eyes of the audience, buck has really always been the missing key. we've talked about it before — who he is, who he was, has in no way been ready for eddie on multiple levels. whether it was because of his insecurity, his lack of place in the world, etc, buck has always been (for lack of a better word) too immature for eddie. eddie is a single father. he doesn't have time to play games, and though he will always love and reassure buck when he needs it, he doesn't have time to heal buck for him. nor should he. so buck was the only one who canonically, canonically, needed to be yanked from point a to point z.
and. it's like everyone's said, even before the season began — buck has been on a hamster wheel, buck has been stuck in a rut, yadda yadda yadda, which means that, as far as the audience was concerned, what always was for buck (women) is what always would have been. and there was nothing in canon, nothing concrete to disprove them from believing so. so we needed him to fall into something, not just radical, but sometime new.
and when i think about buck, and when i think about eddie, and when i think about their stories both as individuals and together, buck has, realistically, been the only real stopping point. at least with eddie, when the time is right and buck/eddie go canon, we, the audience, can go back in time and we can look at the way he came into himself and settled into his identity as a person, as a man, and say, like, oh okay, this is the moment. you know? we don't need the writers to take our hands and guide us through the same processes buck is experiencing because eddie's already had his ah moment, he's already experienced the moment where he decides that his life and his needs and his joy and his liberation are just as beautiful and valuable and worthy like everyone else's.
so when people ask, like, "would 9-1-1 really go there with three queer discovery arcs?" it's just like. well yes. they already have. we've already there. in fact, we're well into the third and final act. buck, eddie, and the audience, are almost ready — as in, actively ready — for each other. and yes, sure, even after the meat of this arc has passed, there will still be some things buck and eddie need to learn — specifically, they will need to learn that, not only do they have feelings for each other, but that feelings for each other is actually an option — but. for all intents and purposes, this is the crescendo before the final chord. this is it. and the thought that we've been here, that we've witnessed these three beautiful queer storylines unfold with these three beautiful characters (two of which are gentle, loving, present men of color) makes me entirely too emotional for words. tbh.
260 notes
·
View notes
forgive me if i lose tubbo character analysis points (rolls eyes heavily) over this or something but i honestly dont think the date was very ooc or that the frubbo romance is going to be played as something that makes qtubbo better. obviously qtubbo gained a lot of trust issues and lost a lot of hope in others + started to strongly believe that love only hurts after purgatory and the funeral. and hes an extremely defeatist guy at heart
but he also makes exceptions because no matter how much he tries to disconnect himself he still cares so so much about others. he has such a weird fucked up view of love and justifies seeing sunny as an exception by saying they wont hurt each other because their love is unconditional and yet he also claims empanada isnt safe when bagi is around because the eye workers will use that connection to their advantage And Yet he constantly looks after and takes care of sunny anyways. even though hes already mourning her before theyve even died. even though by his own logic it may be safer for sunny to not be with him
and like.. he says dont get attached empathy makes you weak but he tries to ruin fit & pacs date so they dont abandon him. he still jokes around with them and has happy moments with them bc ultimately theyre his friends and even if they dont Really understand what hes going through or what would help him they want to be there for him and make him happy and they Do make him happy. bc qtubbo doesnt spend all of his time with his friends whining and groaning about how theyre going to leave him some day and despite being suicidal and defeatist and at times a fucking jerk that isnt his whole personality
depressed people Have happy days. they have ups and peaks in their life and yeah actually many of them do manage to have nice relationships and theres a lot of depressed people out there who are fully capable of just. not being complete downers to be around all the time (cough a lot of comedians have depression cough). if anything i would argue it isnt just in character but realistic for qtubbo to be able to just. have a normal date where hes a bit of a loser and manages to get through an actual confession
and its not like hes going all in oh we're dating and we're going to get married now bc he doesnt even consider themselves boyfriends and he turns down sunny claiming fred as another parent. he just had a happy day and it boosted his mood a little. i dont think fred is really on his list of trusted people and in fact i feel like him just being very silly and awkward during the date is a Part of him not fully trusting fred or wanting to be super serious around/with her. i think to qtubbo fred symbolizes sure some pain from the whole funeral situation but also still a lot of happier simpler times and ultimately a time where tubbo was happier and openly hopeful
if anything, tubbos relationship with fred is another form of escapism for him. of course it isnt going to make him better. he literally brought fred to him and sunnys island where they plan to live far away from everyone to avoid their problems. its all a fantasy for him, and one that he isnt even allowing himself to fully jump into but will joke about and dance around the subject of nonetheless
200 notes
·
View notes
You ever think about how Ryne probably got a more honest yet closed-off Thancred while Minfilia got a more disingenuine yet open Thancred?
Like, the Thancred Minfilia knew and grew up with was the one we saw in arr, the flirty, teasing and sassy but friendly man who was clearly not very honest seeing as no one- not even Minfilia- noticed how worn out he was from his constant work. Even just by hw he's noticably more prickly and. not quite rude but. more outwardly cynical? He's always been kinda cynical, but in arr his teasing and banter hides it well, which never disappears but is more. natural? genuine? now. Krile directly points out that he's much more brusque than she expected of him based on how Minfilia described him.
And sure, you could attribute that behaviour to his grief and stress (which is certainly a part of it) but considering he acts much the same in ew, when he's finally moved on and come to terms with everything (and is also post-shb character development), I think it's safe to say that this is the most honest we've seen Thancred be.
But this is all Ryne has known him to be. She's never seen Thancred be flirtatious or as social and friendly as he is in arr, she's only seen him be brusque and cynical but still teasing and kind. But he's also far more closed off from her (and others) bc of That Whole Deal going on. Urianger has told her more about Thancred's true feelings than Thancred himself has. and even that's not a lot, for Urianger is not only not a mind reader and doesn't know everything that goes on on Thancred's head, but also is reluctant to share more than is necessary since it's not his place to divulge these things (and also he himself is not free from the folly of emotional self-isolation).
With Minfilia though, he's open enough that she's never doubted that he cared for and loved her even when he couldn't spend much time with her, and she felt comfortable enough to admonish him when he did his usual self-destructive behaviour (you know, becoming an alchoholic at 17 and All That Entails)
Just. food for thought
156 notes
·
View notes
Character Ask Meme
Lyney 14, 15 and 23
[Character Analysis Ask Meme]
Would Lyney be honest with you?
With his outgoing and fun personality, it oftentimes is easy to get caught within his flow. Lyney is the charming sort, after all, that one may very well forget that he is subject to the same struggles as the rest. Get to know him well enough, though, and you will quickly realize that this is not a fact he wishes others to know. More than a desire, he needs to be seen as someone in control, as someone without weakness. That’s his role as the big brother. And if that means lying, avoiding, and omitting the truth to accomplish it, then as an accomplished performer he will do as he must.
Does Lyney prefer to pursue or be pursued?
With a penchant for flair and dramatics, it’s clear to see Lyney prefers to pursue the people he’s interested in. Really, it’s one of the things he goes all out. With a trick up his sleeve, he won’t hesitate to dazzle you with flowers pulled from nowhere and fireworks from his tophat. He wants you to be enchanted. He wants you to be impressed! You are, aren’t you? You like it, don’t you? So focused on charming you that he often loses sight of much else. Fun fact, should you attempt to turn the tables, however, you can expect his mask of self-confidence to fall to reveal a rather flustered expression beneath.
Headcanons under the cut!
Headcanons
Self-focused - If there’s one thing that’s true about Lyney, it is that he is a very busy person. As a person with multiple masks and roles, his thoughts are often preoccupied with House missions, performances, new tricks, and things of the like. So, much to the dismay of others, it’s easy for things to become buried under the multitude of other tasks he needs to take care of. How often the simple things become forgotten—where he last left his wallet, tea time with his siblings, the sale on picture books at the bookstore. During those times, he really can’t help but appreciate his siblings and their ability to keep him on track. Really, he doesn’t know what he’d do without them!
Relationship-focused - It doesn’t hit you at first, but it doesn’t take you very long to notice how hard Lyney tries for your relationship. Normally this would be a good thing, but it is different with Lyney. Every day he tries to charm you. Every day he attempts to enchant you. You tell him he doesn’t need to try so hard, but that only seems to light a fire beneath him to do even more. You see it in his eyes. He needs to know you are still in awe of him, that you like him as much as he does you. And then it sinks in, doesn’t it? He doesn’t trust you. He doesn’t trust your feelings for him. You’re not sure if he ever will.
79 notes
·
View notes
i feel u on 1920s hate. when everyone is like ‘finally women are free of ~restrictive~ corsets’ and its like . first of all. didnt need to be. second. how do u think the curvier women were achieving the 1920s silhouette. quickly.
Exactly. I mean, yeah, it’s not their fault at all that people were saying things like that, or that it’s reached a fever pitch in recent years. Great material gains WERE being made for women, and I’m absolutely not discounting that. But much in the way that people tend to throughout history, though, they firmly believed that everything they were doing was the best and most progressive that it had ever been. And that idea has been hugely amplified in later years
I think it also has a lot to do with the fact that the 1920s were, in many ways, the beginning of a world that looks familiar to us now. Widespread film technology, continued rise of electricity, clothing-ways that seem familiar to us today in contrast to what came before (for example the advent of bras and panties, although people tend to forget there was usually also a girdle involved),  Air travel, cars becoming more popular, etc. because it seems less foreign, we accept all too readily the idea that it was better in all respects than everything earlier
(And ignore all the ways in which it would still have been foreign. Like… The 1920s were not actually the Proto – 2020s, guys. It owed for more to its immediate predecessors re: era mentality and technology and even fashion than some people would like to admit)
I don’t actually hate the 1920s – that would be pointless and reductive, since it’s an entire decade that happened over countless countries, demographics, cultural groups, etc. I think I’m with you, though, in hating the way it’s been put up on a pedestal as the perfect progressive era that was unilaterally better for women in particular
(Also, I read a book from the 1951 about the history of undergarments, and this mindset is in FULL force even three decades later.The guy finds ways to inaccurately rag on the Victorians even in chapters that aren’t about that time period, and concludes with a stirring statement that they are now living in the perfect time for underwear and that everything is so much better and more progressive than it ever has been in the past. The fact that this man- Cecil Willett Cunnington -was considered one of the highest authorities on dress history for a long time probably explains the current state of the discipline, In terms of “you can say basically whatever you want and people will believe you”)
75 notes
·
View notes
1st sentence ask - "It's gameday so you better not knot me"
Zhenya blushes when he says it, but with the way Sid's been following him around all morning, from the weights room to video review and even into the trainer's despite Zhenya's protests, he thinks it needs to be said.
The team is already on tenterhooks, watching them like hawks—with Zhenya's heat approaching like a freight train and the way Sid's been haunting his footsteps, they're ready to pull the plug on the whole experiment if it looks like it's going to negatively impact the on-ice product, and Zhenya thinks both of them missing a game because Sid pinned him down and tied them together would definitely qualify.
"Hmm," Sid says, crowding into Zhenya's space; he's shorter, but the width of his body makes Zhenya feel small, even younger than he is, like he wants to curl up in the protective crush of Sid's arms and let Sid do whatever he wants.
Omega instincts are a real bitch, but Zhenya's made it to the NHL on nothing more than will and grit, and he's determined that he won't be.
Sid's voice is hypnotic when he puts his lips to Zhenya's year and murmurs, "I think you don't mean a word of that," and Zhenya shivers, because it's true.
first line ask game!
49 notes
·
View notes