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#But it really felt good to write this
starry-bi-sky · 20 days
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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send-me-a-puffalope · 1 month
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just watched the new ghostbusters movie with my friend and truly, awkward teenage lesbians will both end and save the world.
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ghost-proofbaby · 3 months
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OH SAY LESS 14 WITH ASTARION PLEASE
so this is my first time publicly writing and posting astarion, so please be gentle. higher word count solely because i felt the need to add lore because, ya know, first time writing him! also, i changed the line just a tiny bit to better fit the character and scene. ALSO, uh... this is a little fade to black. i'm sorry. it just got too long.
14. "Oh, you're hard to please."
warnings: foreplay, sorta fade to black smut (it's there if you squint your eyes), an ungodly amount of pet names, mentions of past sexual abuse and healing from it, technical game spoilers, not edited, 18+ so minors do not interact
pairings: astarion x afab!reader (no pronouns used)
wc: 4.4k+
join the smutty party! send me one of these smut dialogue prompts with a character
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How long had it been since Astarion had actually enjoyed sex? Craved it, even? 
If he recalls correctly, it had to have started to become tainted well over a century ago. Somewhere between the first and the third victim, when he’d realized how every single beautiful soul he had entrapped were simply being lured to their own death. And then, the sour taste left in his mouth only became more pungent the longer it went on, the more he came to the realization of just how used he felt. His body was no longer his own – it technically hadn’t been his from the very second he’d emerged from his own grave, and Cazador had been waiting for him – and everything about the act became an old rehearsed dance that he’d grit his teeth through. A chore, something to make his stomach churn, something to regret. A means to an end. 
Plainly put, it had been a while. 
But then you happened. You, who hadn’t blinked an eye when the first time you met him, he’d literally threatened you with a gods damned blade to your throat. You, who had repeatedly trusted him, even when it had been an objectively stupid thing to do. You, who had always offered him the utmost patience and genuine understanding, to the point in which if he thought about it too hard, he’d probably cry. You, who had led your group of misfits with brain worms right into victory, with plenty of personal demons defeated along the way. 
Personal demons including Cazador. 
Maybe that’s when things changed for Astarion. He’d already fallen for you before your group had reached Baldur’s Gate, he’d already gotten to know your body intimately before ever laying eyes on that ridiculously oversized brain you somehow made look easy to defeat. But that had been different, hadn’t it? He hadn’t really wanted to do that (not meant as an offense to you – certainly not after all was said and done), but had thought he needed to. To gain your trust, to gain your protection. And in the end, it turned out he never needed to do such a thing. You’d never said it outloud, probably at risk of making him feel even more regret after you’d learned all his secrets and darkest corners, but he knew. 
And knowing that you didn’t view him as something purely sexual, as a means to an end, as an item to use – well, it had the opposite effect of his request to no longer be viewed in that light. 
“What are you doing?” he says as he quickly looks up from his current book he’d been pursuing the moment you’d entered the room. He hardly cared for the words on the page – he just needed a way to pass the hours until you were available again. 
It was a hard habit to kick. Being so codependent on you, even with the end of the world resolved and the gift of safety being handed over to him on a silver platter. 
“We received mail,” you’re grinning wickedly as you hold up an embellished envelope, delicate fingers pinching the parchment as if it were the greatest gift to ever exist. He’d argue the real gift at hand was the last three months – time spent with you, in a place he can call home. But nothing could impede on your good mood as you throw yourself down on the mattress beside him, “From Withers, of all people!” 
His brows shoot up for just a moment before his face twists up with something akin to distrust, “Withers? What in the Hells does that sack of dust and bones wan-” 
“A reunion,” you cut him off, the look on your face warning enough against his attempt at an insult. “He’s reaching out to all of us to bring us together for a celebration, to check in on everyone, let us see each other again. Apparently, we were the easiest of the bunch to find.”
Astarion quickly lets out a tut as he snaps the book shut and discards it on the bedside table closest to him, “Well, we certainly need to fix that. Soon enough all of those little shits are going to end up on our doorstep, preaching about the power of friendship and how they want to check in on us.” 
You snort at that, laying flat on your back with your hair wildly spread out in a makeshift halo behind you. The sight causes something to stir within him, his gut twisting as he watches the way your knees knock together before slowly falling apart, your legs settling down as flat as the rest of your body.
He hadn’t taken you since that night at his grave. Before the epic final battle, before the two of you had made the decision to settle down somewhere for some well-earned peace and quiet. 
The moonlight dances past the open curtains, and his breath catches in his throat at the way the blue shadows dance across your skin. It almost reminds him of the first time he’d seen you fight. It hadn’t just been the blood splattered across your cheeks that had really gotten the better of his curiosity (even if that’s what he had told you when you asked), it had been the sunlight. Those rays of gold that had mingled with your own aura of warmth after you had helped the tieflings for the first time. 
You put the sun to shame, truly. And he missed it – Gods, did he miss it – but he was content to bask in the peace of night for a few months more before he finally cut you loose from the leash to begin your next phase of adventures to find him a cure. You had promised him you would, had already dedicated plenty of free time to research, and all you really needed was his word to begin. 
He’s selfish. The two of you can find a way for him to walk in the sun once more another day; all he wants right now is to bury himself in your warmth, to slot his body between your thighs, to hear every breathy gasp and the way you’d practically sing his name-
“Star?” you’re looking up at him from an awkward angle, eyes owlish and chin tilted painfully far back as you clearly await an answer to a question he’d been too lost in a daydream to overhear, “Did you hear me?” 
He clears his throat and adjusts the pillows behind his back, keeping him propped up as he admires you, “Of course I did, darling.” 
“Then what did I just say?”
“Something about how we’re absolutely not going to this reunion, yes?” 
Your smile is nothing but patient as you flip onto your stomach. He watches the way your shorts ride up your thighs, how the top of the soft fabric bunches at your waist. His fingers practically twitch with the need to weasel their way under it, to press his cold fingertips into warm flesh and hear you preen. 
Whenever you’re ready, you had whispered to him one night shortly after saving the world. Just tell me when, and I’m yours. 
He was ready. Insatiably ready, really. 
“Very funny. I said we should go, though. It’d be nice to see everyone again, wouldn’t it? All our friends?” 
You’re still talking about this damned reunion. Astarion has half the mind to figure out a way to summon the insufferable skeleton right here, right now, and drive a dagger into his bones until he’s truly nothing but dust. Solely for the distraction. 
“Your friends, my dear,” he corrects gently, “We both know they’re only overly fond of one of us in this relationship, and it certainly isn’t the one that they repeatedly threatened to stake.” 
The furrow of your brows is impossibly cute – he knows that look of determination. It’s the same one you wore when he mentioned it was likely that the two of you would never find a cure to his condition. 
“Our friends,” you insist, “Karlach adores you, Star. And Wyll has always been proud of you, whether he told you as much or not.”
“And what of Gale?” 
Your lips twitch at that, “Gale… certainly wouldn’t stake you on sight.”
“Ah, yes,” he flourishes, trying to keep his eyes from wandering anywhere but where your hands press into your cheeks as you prop your face up to speak to him, “Not staking me. The ultimate sign of kinship.” 
Focusing is a losing battle when you roll your eyes, and he finds his mind overtaken with insatiable lust again. Imaginative ways that he could have your eyes rolling for him under different circumstances. 
“You’re not getting out of this. They are your friends just as well as mine – so argue all you want, but we’re going to the reunion.” 
“Are you sure there’s no other way I might be able to…” he pauses with intent, finally lifting one of his docile hands to your cheek, letting his finger graze the skin with a feather light touch before it travels back into the mess of your hair, “Persuade you otherwise?” 
You almost fall for it, too. Your eyes flutter shut, your head tilts into his touch as if you were starved for the connection. But even with the lack of sexual intimacy, you both know there hasn’t been a day that has gone by in the last three months where Astarion hasn’t found a way to get his hands on you.
Holding your own, resting his cheek on your shoulder, spinning you like a child in the kitchen – he had quite the sudden arsenal of romantic gestures that didn’t involve old wounds. It had been awkward here and there, some of them landing and some of them leaving you both looking like fools, but he was trying.
Almost as hard as he was currently trying to not jump your bones. 
When you recognize the innuendo for what it is, however, you harden immediately. Your shoulders set, a frown settles, and your eyes open with set determination he knows he can’t falter without speaking plainly to you. 
“No.”
“No?”
You’re quick to lift yourself up onto your knees, putting distance between yourself and his hands, “The days of weaponizing sex are over. I don’t even want to joke about that.” 
And, oh, he’s finding himself in quite the mood tonight, because as soon as you’re retracting, he’s following. As you settle on the haunches of your calves, he’s lifting up from his reclined position, leaning forward so that his face is breaths away from yours. 
“I mean it,” you warn, narrowing your eyes and holding up a finger in that small space between you two. 
He tests his luck, wasting no time in snapping his fangs just millimeters from your skin. You both know he wouldn’t actually bite you, but it still humors him to see the way you whip your hand out of his reach. 
“Were you not the one who insisted that we ask before we bite?” you snap, and his smile only worsens. Like a cheshire cat, like a child never scorned by the world – he’s radiant and basking in the moment. 
He lets out a small hmph before saying, “You’re no fun, my dear. Come on – just play with me for a moment, won’t you?” 
Your face softens at his teasing tone, and he can see the way he’s withering away your defenses one by one. There was once a time where he’d done it with malicious intent, but this time around, it’s with nothing but good intentions. 
If you asked him, he’d go as far as to swear it on his own grave. 
“I’m sorry,” you apologize as if you’d done something wrong, and it makes more than half of his own playfulness drain from his face in absolute displeasure. Before he can so much as open his mouth to scold you about unnecessary apologies, you’re continuing on, “I just… After everything we’ve been through, it’s not something I find particularly joyous to joke about.”
What a rare thing, to have found someone to bare your soul and all your burdens to, and watch them offer to help you shoulder the weight without second thought or regret. 
He’s never met someone like you in all his years, and he might never again. 
“And if I told you I wasn’t joking?” he asks slowly, carefully, trying to choose each word with the utmost care, “I’m not weaponizing – I’m offering.” 
Whenever you’re ready. Just tell me when, and I’m yours.
He was ready. Very, desperately, sorely ready. 
The topic of the reunion is all but forgotten as you process his words, nose twitching as you decipher all that’s he laying out before you. “I want more than an offer.” 
“Excuse me?” 
He can’t help the small laugh that leaves him as he sits up properly, leaning into your space fully now with one hand pressing into the mattress just beside one of your thighs. He can feel the heat radiating from you, smell your blood rushing to your head as you try to be sensible. It’s a pitiful excuse for an internal war; all he has to do is close that conveniently small distance between your lips with his own, and you’ll have lost all sense of logic. 
“You’re…” you trail off, searching his eyes as if he holds the answer you’re currently looking for, “You’re sacred to me, Astarion. You must know that. And it will take much more than some joking offer to convince me to have sex with you when I know-”
“I’m not joking,” he’s nearly whining, letting his forehead fall forward to press to yours, “Gods, I am not joking about this. Cross my heart and hope to die again.” 
If he has to beg, he will. 
He’s spent two hundred years in an insufferable position of pure misery, pure shit, and the realization that he’s finally free has everything clicking into place. Proof of the change exists solely in the fact that he could have resorted to his tired old seduction routine from his life before to get what he wanted, but instead, he’s trying to just communicate. 
It was a novel moment. 
But he could appreciate it later, when the crotch of his pants wasn’t becoming increasingly uncomfortably tight and he wasn’t watching you closer than prey. When his stomach wasn’t so tight with desire and anticipation, just waiting for your word to indulge. 
“Do I need to beg?” he sighs, his lips brushing against yours ever so slightly from proximity. He catches the shiver that runs up your spine. “We both know I’m not particularly fond of it, but if I have to get on my knees for you- well, actually, that’s the entire point of what I’m asking.” 
You laugh at that, and his gut twists again, because it’s the most beautiful sound he’s ever had the opportunity to hear. Something more breath than any vocality, something sharp and spelling out the loss of words on your tongue. 
Your silence is enough for him to push it all a step further. Forehead still leaning against yours, he properly presses his lips to yours this time, slotting them between softer than a feather’s caress. Finding home as he can physically feel himself steal your breath away. His fangs just barely nip your bottom lip, unintentionally but still eliciting a delicious reaction of a gasp that makes him graze you a second time just to feel the way you’re leaning into him more, becoming absolute putty in his hands. Pliable for his taking, and Gods, he wants to take you. 
Something snaps. 
All hesitation has vanished as he grabs at your hips quickly, making use of the way your brain has gone blank from a simple kiss in order to lay you out below him. He moves you with ease, incredible speed in slotting himself between your legs before he’s caging your entire body in with his own. The squeak that leaves your lips from his manhandling affects him even more than your gasps had, a low growl shaking his chest as he kisses you deeper. Tasting, begging, searching – he wants this, but he needs to know that you want this just as badly. 
Your hands find purchase on each of his shoulders, squeezing tightly as if needing something to tether yourself to. You pull him in closer for a second, eagerly returning the kiss, almost feverish in the way you drink him in. But the next, you’re pushing him away, a game of want and sensibility still clouding your judgment impossibly. 
You always were stubborn about things like morals. And, well, it wasn’t very moral to just jump right into sex with your traumatized boyfriend who had explicitly said not to view him in terms of sex, was it? 
It was Astarion’s own damn fault. 
He could have just acted like a normal person, initiated a normal conversation in which he renegotiated his boundaries. But you’ve been on his mind all day, and he’s long since proven since the very day that you met him that he has little to none impulse control. 
“My, my,” he murmurs, pulling back from the kiss, eyes wild, looking at you with even more hunger than he had the first night you’d given him a taste of your blood in camp, “You’re just an impossible thing to please, aren’t you? Do you want me near, do you want me far? Tell me, my love, what do you want?” 
He settles all his weight onto one of his forearms as the other slowly brings his hand to your side, caressing over the soft fabric of your shirt – a shirt he’s quickly realizing is actually his own. He recognizes those flowy sleeves, that lacing across the chest, the off-white tone that had seen better days. Given all its wear and tear, he’s almost sure that it’s one of his shirts he had grown most comfortable wearing during the nights of your adventures against the Netherbrain. 
It’s cute. A sort of domesticity that he can ponder over later, when your legs aren’t hanging on his hips and your breaths aren’t coming out staccato as he hovers just out of reach from you. 
“I want whatever you want,” you whisper. Your eyes flutter open, looking at him with pupils so dilated they could swallow him whole. 
“Let me be very clear, then,” he hums, cold fingers creeping their way to the hem of the shirt, slipping beneath with practiced ease to find the smooth skin of your hips below. They dance and skitter up, up, up until he’s brushing against your ribs, “I want you. I want that warm cunt of yours, I want to feel every gasp and breath as your walls squeeze around me. I want to fuck you until you’re unable to walk on your own two legs, until you can only remember my name. I want to watch you come undone, my dear, and for it to be my own undoing.”
Your lips quiver in anticipation, and he feels your thighs tighten their hold on him, “Such pretty words. And… and no ulterior motives? No sense of obligation?” 
“None at all,” he smiles, a predator closing in on his prey, “I’m choosing this. If you want it, if you’ll have me, then I’m ready, pet.” 
Pet. The nickname rolls off his tongue, and he can imagine your walls fluttering just as your eyes do. 
Your hands lift from his shoulders to bury in his hair instead. One cradling the back of his head, the other resting on the nape of his neck as you toy with a snowy curl. It unfurls him further, has him humming lowly as he dips down to recapture your lips and bring you into him even closer. Closer. He needs all and any space between the two of you to become nonexistent. To feel every inch of your skin pressed to his, to allow you to physically curl up into his chest just as you had his mind all those moons ago, to make a home in a room with your name on it already somewhere between his third and fourth rib. 
“Do you really have to doubt if I’ll have you, my love?” you mutter against his mouth, smile breaking the kiss momentarily before he’s back with a vengeance. You don’t care – you’re apparently in a chatty mood, dodging his kiss to get your last words in, “There’s been a space in my heart for you since the moment I first met yo-”
“Yes, yes, very romantic,” he interrupts urgently, suddenly tugging your shirt up, “But, truth be told, love? I’m hoping there’s a space between your legs for me at this moment.” 
You snort, eyes pinched shut as you attempt to shake your head at the ridiculousness of the words that just left his mouth. At any other moment, you might point out how the outrageous comment is just another defense mechanism, veering him away from having to acknowledge the gentle sentiment behind your own words, but now’s not the time. When you open your mouth, probably to say something exactly along those lines, he rolls his hips down against yours, pinning your lower half deep into the mattress. You feel just how hard he is through his trousers – it’s impossible to miss, but he’s deliberating being sure that you feel it as he lets the tips of his fangs sink into your bottom lip. 
The resolve of fighting against his wishes is quickly dissolved. One thing after another, and Astarion has you bare beneath him before any other distractions or annoying conversation can send the two of you further off track. Your, his, shirt is tossed to one side of the room. Your parents fly to the other side of the bed. Only once he has the entire spanse of your body nude and vulnerable to him does he take the time to pause, to look down at you with absolute adoration. 
“Gods, you’re beautiful.” 
He’s said those words to you a million times before. Consistently greeting you with them, muttering them in the dead of night, whispering them as he kisses you awake. But they never lose their weight. And certainly not now, as he’s looking down at you like it’s the first time he’s ever seen that freckle on your chest or the curve of your stomach barren before him. 
“Please, if you’re comfortable with it…” you start, voice laced with desperation, but he shakes his head. 
He’s full of interruptions tonight, “Consider me comfortable with anything unless stated otherwise for this moment, my sweet.” 
“Take off your clothes, Astarion.”
His giddy smile should annoy you. That smug satisfaction in finally, finally getting his way as he undresses himself at almost twice the speed that he had stripped you. And yet he knows you’re enjoying yourself just as much as he is. You’re reveling in drinking in the bare caricatures of his body, every inch and every curve exposed to you just as you are to him. And when his cool skin meets yours again, his body sinking right into that space between your thighs that you’ve granted to him, you let out a short gasp that reminds him that you want this just as badly as he does.
You’ve waited just as long as he has. 
It almost mirrors that night on his grave. The slow descent of his body against yours, the way he slides a leg up to spread your own even further for him as he crawls his way back home to your lips. Unlike that night, however, he isn’t taking quite as much care, his movements far faster and far more needy. 
He’s been waiting long enough. He’s denied himself long enough. 
It really doesn’t matter when the last time he had enjoyed sex had been, because all that he cares about is that here and now, in this moment with you, there’s not a trace of imperfections to taint his enjoyment. 
Cazador is dead. The brain has long since been defeated. You are both safe. 
As he sinks into your heat, the only thing on his mind is that contentment, overwhelmed with the feel and smell of just you. 
He’ll never be a slave again. Never be viewed as something to simply be used and disregarded again, if you have any say. And one day, some day, he’ll even feel the warmth of the sun again. Thanks to you.
But until that day, the warmth of your love is enough.
When you sigh his name out so delicately, jaw all but unhinging itself in bliss as your back arches in reaction to his touches, he knows he’s made the right choice. 
And he supposes he lied, in a way, earlier. 
You’re not that hard to please – not when it comes to him, at least. Not when it’s his hands trailing along your skin, not when it’s his lips and fangs nipping at every opportunity. And certainly not when it’s his name that’s being chanted like a prayer from your lips in time with every thrust, every stroke, every single movement with the sole purpose of making both of you come undone. 
Astarion no longer questions when the last time he enjoyed sex was in the aftermath of it all. With you, pressed into his side, sweaty forehead nuzzling his chest, the only thing he cares about is the next time he’ll be able to do so. 
“We’re still going to that reunion,” you murmur, half asleep, fading away from him quickly to fall into blissful unconsciousness. 
He almost doesn’t breathe in fear of disturbing you. He’ll waste the night away, laying here, still as a statue for your comfort. 
It’s no surprise when he refuses to put up a fight, instead his hand simply drawing soft stars across the back of your bare shoulder blades as he sighs, “Yes, dear. We will. Now sleep.”
“I love you.” 
The words tumble from your lips so carelessly, so easily and without hesitation, he nearly shakes you awake to hear them once more. Again and again, he needs to hear them, to be reassured that you feel for him as ardently as he does you. 
But he has the rest of your forever to hear them. So he lets you sleep, sending you away with a simple press of his lips to your temples as your breathing evens.
“And I love you, my dearest sun.”
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crown-ov-horns · 4 days
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Crowley in Good Omens (1.03)
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fearandhatred · 13 days
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i was thinking about this line from my fic:
But the fall had hurt, too. Because the wind had cut into his useless wings like knives, his skin and grace peeling away under the friction, and he had been looking right up at the multicoloured and unreachable expanse of sky just to see it fade from his eyes into dull greys.
and i came up with this. i hope the vision came through
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august-writing · 1 month
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"Not I," I said, "I love you."
Yet when blood was on your face I knew you not.
"Would you follow me, my child? Even in the dark?"
But when the light blew dim I fled.
You told me of the future, and of a joy to come 
You loved me and you taught me
"I know your heart, my child."
When you were weak and weary where was I to comfort?
When you cried out for the Father I hid my face.
I saw you. I saw your eyes and anguish.
O how it pierced me. How could I abandon you?
"Not I," I said, "I love you." But how could it be true?
I turned and left my lover.
Weak and twisted is the heart that claimed to live for you
How can it be, how can I live? I wish to love you.
Yet it is a dead heart that saw your face among the crowd.
A light flew across the distance. On the wings of your suffering.
O how it pierced me. My eyes have opened.
I don't deserve to be here, to sing and see the dawn
Lord let me live and love you
How I was meant to all along
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yellowocaballero · 8 months
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Reading 'Solo Leveling' (a webtoon/webnovel about a guy who uses a game-like interface to level up and fight monsters and become ridiculously OP and the coolest and hottest guy in the whole wide world) really proves something to me that I've thought about.
The goal of a story is to achieve what it wants to achieve. Different genres have different certain marks the story should achieve. If it doesn't hit those marks, it's not a good example of the genre. In a lot of was it's not even a good story - it doesn't entertain the audience in the way that they want to be entertained. A romance novel isn't a bad story because it doesn't feature great action scenes, but neither is it a bad story because it doesn't delve deep into the sociopolitical implications of neocolonialism. Does it make the reader feel happy? Is it cathartic? Is there a happy ending? Then it's a good romance story - even if you think stories shouldn't need happy endings.
The 'satisfaction' of stories like Solo Leveling is the fact that is very entertaining to watch a guy be super powerful and mow down bad guys and have everybody around him go "WHOAH that's a cool guy". Maybe it's cool because you're projecting, or maybe you like great action scenes, or because you like 'underdog gets powerful' stories. It's a power fantasy. That is the goal of Solo Leveling, and so long as I'm going "WHOAH COOL", then it's a good story. And Solo Leveling is the example of the power fantasy video game dungeon OP protag. It does those elements, it executes them competently, it's a good story.
This is the third of these types of stories I've read more than 5 chapters of. The first was Omniscent Reader's Viewpoint. And baby. This is no ORV.
ORV a big reaction to Solo Levelling in a lot of ways, since Solo Levelling was very genre defining and influential, and it's hard to write these OP stories without having a relationship to Solo Leveling. It's like the most popular webtoon out there. The OP hero, the gaming interface and rules, the gods fucking you up, power fantasy - they're all checked off by ORV. It doesn't subvert them much. You watch kdj pull one over on a shmuck and you're like HEY YA BABY and you watch him utterly decimate some schmuck and you're like WHOAH COOL. You like ORV, basically, for the same reasons you like Solo Leveling. They're the same genre and in a lot of ways the same story.
But ORV has driven me nuts and after a while Solo Leveling has gotten boring. Because ORV has a fantastic supporting cast that puts the MC's OPness in relative perspective. Because there's cool action scenes with different teams, of different dynamics, giving freshness to each chapter. Because you get to see kdj slowly implement some nuts gambit of the course of the entire arc and when we finally hit the end point where it all comes together it's FUCK YEAH. I'm leaving out the actual depth here. But ORV and Solo Leveling do the same thing, except ORV has a great deal of other story elements that build into the main 'point' and escalate the satisfaction, joy, and intensity of those points. You don't read these OP hero novels for the supporting cast. You read it to watch a dude be cool. But ORV's supporting cast - and, like, the fact that they're actual characters, even the women - gives us a lot of other smaller 'hey yeah!' moments, gives it buildup, makes the OP moments meaningful, and gives a grand climax and huge satisfaction when kdj does what the SL guy did by himself. And the supporting cast is only one example of this. A story is a good story if it accomplishes its point, but a story like SL will never really deliver its promises nearly as well as ORV could. Not because ORV is deep and has """themes""" or fucked up shit like that. The 'WHOAH COOL's are just better. Because ORV knows why stories are good and what makes a good story.
Anyway I'm fucking begging you I have tears in my eyes this is why your fic needs more than the hot ship of the day I promise it won't detract from the ship it will make the ship BETTER but you have to get WHY you like these homosexuals so much and it's NOT just because they're CUTE sometimes there's OTHER REASONS THAT ARE IMPORTANT LIKE THE WOMAN YOU'VE BOOTED AND -
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jessepinwheel · 1 year
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my very serious writing advice for people who are trying to write more morally complex characters is to stop caring about their morality and focus instead on their individual motivations
it’s hard to articulate exactly what I mean, but the essence of it is basically: when a character does a murder, not only do I not care about whether they’re justified in doing so, it’s straight-up irrelevant. a character’s moral standing from some nebulous universal standard has no bearing on the plot or their interactions with other characters and has no use in the story for me as a writer. what does matter is why the character thought they were justified and then if it comes up to other characters, what they think about it.
you can obviously think about your characters’ morality but it’s not your job as a writer to interpret your stories for your readers and tell them how to judge your characters. your readers can see the evidence for themselves and draw their own conclusions. your job is just to understand why a character is motivated to act in a certain way and have it make sense
focusing on character motivations is a much more versatile framework than trying to give them specific personality traits or moral alignments, and frankly more useful to understand why a character would do a certain thing instead of just what they do. that way when something fucked up happens and your character starts acting differently, there’s an actual logical reason for it that isn’t you forcing characters to do things because it’s what’s required to make the plot go
when you write your characters with the understanding that people are not static and they act differently under different circumstances, complexity in character and morality follows naturally.
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petite-phthora · 8 months
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This yours?
[DP x DC fic]
[Love at first... murder? - part 12]
<< Prev | Next >>
Part 1
Ao3
---
Somewhere else, in a seemingly abandoned building on the outskirts of the city, a figure shrouded in darkness and wearing a dark cloak plots.
In front of them is a whiteboard. It’s covered in pictures, sticky notes, and illegible texts. Some of the notes thrown about that are legible are ‘fight…’, ‘draw blood.’, and ‘DEATH!!!’.
There’s a crude stick figure drawn in the corner of the board, it’s impaled. Other small doodles can also be found all around the board.
Most of the information and pictures are connected by red strings, like you see in movies.
In the middle is a picture of 2 people sitting on a motorcycle, the arms of the person sitting in the back are around the waist of the person sitting in the front. The picture has some arrows pointing towards it and the people in the picture are very obviously circled.
Though the face of the person driving the motorcycle is obscured by their helmet, the other person seems to be heavily blushing and grinning broadly.
“Yes… yes! That’s it! I know what to do…” They seem to be speaking to themselves.
Quickly, the person scribbles down a barely legible ‘sacrifice!!‘.
They start cackling.
“Mwuahaha!”
It’s an evil laugh they’ve been working on for quite a while now, and they’re pretty proud of it.
However, the effect is slightly ruined when a fly enters their mouth, cutting off their cackling with choking as they gasp for air, grasping at their throat.
A few good thumps against their chest, with some coughing out their lungs, helps them dislodge the fly from their throat and they spit it out on the ground. They take a few deep breaths before straightening up again.
“Curse you” the person exclaims, angrily waving their fist at the fly as it flies away.
---
Bruce’s face gives off nothing as he stares at the streets down below. He’s dressed as Batman, crouched at the edge of a building with Damian by his side as Robin. Spoiler, Black Bat, Nightwing, and Red Robin are further back on the rooftop.
They watch in silence as another group of the Joker’s goons passes by. They’ve been all over the city, wandering around, not doing anything obviously illegal.
They don’t stay in one place and they don’t seem to have much of a purpose. No attacks… No stealing… No smuggling or transport of goods… No, instead they’re inspecting every single inch of the city.
They don’t seem to have any weapons on them. All they’re carrying on them are some flashlights. While most don’t give anything away with their body language or expressions, some seem to give off a bit of anxious energy.
Spoiler claimed she even saw some of them climb down into the sewers earlier and then climbing out again sometime later somewhere else, but this time ‘dejected and stinky’.
One thing seems clear to the Bats.
They’re searching for something… or someone.
“This basically confirms that not even the Joker’s henchmen know where he is. He’s missing.”
“I’m not sure if this is a good thing or a bad thing”
“Good… thing?”
“It’s… something. That’s for sure.”
“We don’t know if he’s really missing. For all we know it could be a trap. What if the Joker is hiding, pretending to be missing to have us bring our guard down? Besides, how could he be missing? He’s the Joker. No one’s just gonna kidnap him”
“For all we know he could be lying dead in a ditch somewhere”
“I highly doubt that”
“Everyone, focus” Bruce speaks up, having them draw their attention to him.
“It’s unclear whether the Joker is simply hiding away or missing. Instead of focusing on the why, we need to focus on the where. Missing or not, we need to find him and get him back to Arkham. Oracle, have you managed to find out anything from the footage yet?”
“Nope, still nothing. All the files from the moment he enters Crime Alley are wiped and any attempt at recovering them only brings back corrupted files.”
 “We need Red Hood. Where is he?” Bruce asks.
“He still has his phone on silent and he has removed the trackers and cams. We haven’t placed any new ones on him yet”
“Let’s visit him on his turf then. And keep an eye out for anything suspicious in the meantime. Oracle, try recovering the missing files. If that doesn’t work, go back to the breakout footage. Perhaps he left some kind of clues about his plans or whereabouts behind there.” Bruce states.
“Roger that.”
---
Red Hood has his arms by his sides as he gazes down upon the street below from the rooftop of a random apartment building in Crime Alley.
He’s lucky to have avoided the Bats so far. But he doubts his luck will last for long.
Red Hood stiffens as he suddenly feels something clamp down on his arm. As a reflex, his other hand has already drawn his gun.
He slowly raises the arm he felt something clamp down on and looks at it, only to make eye contact with a girl with black hair and blue eyes who has sunk her teeth into his arm and is now hanging off of it.
The teeth are sharp, as the girl seems to have some small fangs. They’ve gone through his jacket and sunken into his skin.
It doesn’t really hurt all that badly though, probably hasn’t even drawn much blood, and that’s one of the only reasons Jason hasn’t flung the kid off of him yet. Another reason is the fact that it’s a kid.
They both stare at each other for several seconds.
As Jason takes her appearance in, he notices that she seems rather familiar. In fact, she looks like a more feminine version of Danny, or if Danny had a twin.
The person hanging off of his arm looks younger than Danny though, probably a teenager around 13 or 14, if he had to make a guess.
Slowly, he puts his gun away and takes out his phone with his other hand, watching the random girl’s eyes follow his movements. He raises it level with her face and snaps a picture, quickly sending it to Danny and ignoring the girl’s curious gaze while she’s still hanging onto his arm by her fucking teeth.
---
Meanwhile, Danny checks his phone to see Red Hood sent him a message. He opens it and is greeted by a picture of Ellie in human form biting down on Red Hood’s arm with the caption ‘this yours???’
---
Taglist:
@i-always-say-yea   @uraniumwizard    @why-must-i-be-like-this   @griffinthing
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13eyond13 · 3 months
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love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world
#im talking about griffith btw#guts i feel i get intuitively - maybe because i have some personality traits in common with him#and we get more about his life concretely told to us in canon. so he is a bit easier to pin down as a character and feel attached to for me#but whenever i was reading the manga i just kept wanting more insight about griffith's actions and feelings#like ok yeah its fun to have mysterious antagonists and suspense /tension etc but its also fun to feel like you deeply understand them too#and i felt like that was a bit missing from him for me in canon#so reading about him in analysis and fics is the most fun for me rn#he always felt kinda half unreal to me- which maybe was the point of him - but i wanted a bit more about his childhood or something?#and wished we had more stuff explicitly from his pov in the story to read or explanation about his transformation or wtv#and now he's so much more closed off to me even than he was in the golden age. i keep waiting for him to explain stuff and he does not#ANYWAYS all this rambling to say some people out there are very good at interpreting him and making his like. insecurities#more obvious to me bc i didnt really get that side of him from canon intuitively well#also im really enjoying reading the first few berserk fics ive read#there may not be a ton of them out there but there is def writing talent in the fandom#i'll share some recs once i'm done sifting through most of what's out there to read#also (not to tie everything back to death note but it IS my home fandom after all)#i feel griffith is obvs the more light-like character here and L maybe a bit guts-like? but unlike berserk in death note#light is the one you get to know best and L is the mysterious / unreal one you don't get a lot of concrete insight into#and in the DN fandom I can read the more mysterious character intuitively but had to warm up to the less mysterious one instead#and the mystery of L makes sense to me and doesnt bug me as much due to like - he HAS to hide a lot about himself or else he will die lol#so some similarities there but also some opposite feels as well#berserk spoilers#p
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vickdoom · 3 months
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me and the pathetic loser I pulled by being a pathetic loser myself.
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In your lights out!au when Eddie wakes up, how did Frank feel? Was he happy? Relieved? Were they a thing before everyone went to sleep, or did they realize they had feelings for each other afterwards?
I hope this hasn't been asked before! I'm just really curious
i'm thinking that before everything went dark, they were getting there. nothing was said aloud, but they were both having Mutual Feelings and Charged Moments that neither could ignore
just because i think it'd interesting if when Eddie wakes up, it's like no time at all passed. he walked Frank home just last "night". but it's been years for Frank - they have to reestablish where they had been with the added facets how time has worn on Frank. among other things
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saintmachina · 2 months
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noah's unnamed wife's pov while her husband builds the ark
She picks the splinters out of his palms at night.
She lights a fire, filling the air with the smell of burning tinder and bubbling fat drippings, and she kneels at her husband's side.
Noah sits, his eyes glazed over with wretched awe as he ponders what his God has asked of him, and his wife diligently removes the shards of cypress wood from his calloused hands. She washes the dust from his feet and scrubs the pitch from his rough-hewn clothes while he picks at his dinner, pushing lentils around without ever taking a bite.
It's as though the divine is a sort of wasting sickness gnawing away at his bones, taking him further and further from her with each passing day.
It is not easy, loving one whose mind is licked by sacred fire, and it's no simple thing, trying to cleave to a man who is already split down the middle in two. One half of him is here, with her, in their marriage bed, breathing in the throes of deep animal sleep, instinctively reaching for her in the dark. The other half of him is forever marooned on that mountainside where he heard God speak for the first time.
The earth will be consumed in a great flood, Noah says, crushed under a great purifying weight so that it may be washed clean.
Most days, he seems to believe it.
During the sunlit hours, when he is busy at work on his ark, she weaves and grinds grain and rubs salve into the skinned knees of her children. Oftentimes, there is no moment to pause to consider the fate of the world. But some days, when the sun dips low on the horizon and her back aches from a long day of labor, she surveys the long arch of creation.
She marks the brutalities of her species, the sins of all the neighboring cities, the black rot hidden in own heart.
But then she sees her youngest smile, or she breathes in the scent of petrichor, or she dips her blistered feet into the coolness of a narrow stream, and she wonders if perhaps, there is not much on earth still worth saving.
Perhaps, verdant life will take root even in the deepest waters of death.
And perhaps, she muses in the quietest part of her heart, God is speaking to her as well.
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cozy-the-overlord · 10 months
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Seeing people complain about the Speak Now vault tracks being too teenagery …. gee, you’d almost think a teenager wrote them /s
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suchawrathfullamb · 3 months
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My partner saw me making faces at my phone while reading fanfic and was like what is it?? It was the graphic het sex in the Dracula AU. Love that fic but MAN. I was not ready for that, it scarred me. I still think about it to this day.
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keirawantstocry · 3 months
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Morning crew in prison, smoking, lighting one cigarette with another, maybe even shotgunning🤭
I just saw ctubbo fanart of him smoking and was like, qtubbo would also smoke, he just has the vibe
Also, disclaimer: Don't smoke, please. It's not healthy
TIA ARE YOU AWARE UR A DAMN GENIUSSSS
(do not smoke it is bad for your lungs kids!!)
i had a lot of fun writing this and shout out to anyone who understand the little reference i put in there
-
Prison made them all more dramatic. That was clear to see by the scene in front of them. Fit was pulling out a pack of cigarettes from his pocket while Pac pulled out a lighter. Fit pulled one out carefully with his fingers before placing the pack gently on the cell floor. Flick, flick, flick and the flame burst to life in Pac’s hand. He held it out silently for Fit to catch on his cigarette. Fit took a deep inhale, his eyes drifting close before he let it out in a breath. The smoke drifted between the two men for a moment before dissipating on its journey to the ceiling. Tubbo felt like a silent observer in a film theater. 
Pac gently pulled the cigarette from Fit’s fingers, ignoring the soft frown that crossed his face. He held it up to his lips with two fingers and took a long drag before blowing it out into the other man’s face who had no visible reaction. The energy in the room was strangely grim for their crew. 
“Have you ever smoked?” Pac asked, breaking the silence. Both Fit and Pac’s eyes drifted over, just like the smoke in the air, to stare through Tubbo’s soul. 
He gulped. “Once or twice.” 
Pac held the cigarette out to him silently, a flash of his typical grin on his face. “Ah, or,” he trailed off and brought himself close up into Tubbo’s personal space. Using the hand not currently holding the cigarette he clasped Tubbo’s jaw, before bringing the cigarette up to his lips and taking a hit. Tubbo understood immediately. He had distant fuzzy memories of watching two other men do the exact same thing when they thought he wasn’t watching. Letting his mouth drop open, he accepted the kiss. Accepted the harsh sting of smoke and adrenaline shot straight through his bones. Pac leaned back and Tubbo blew the smoke out into his face. The man coughed a bit but he was laughing. 
The air felt lighter as if it was taking hits with them. It was still a prison. They were still worried about their children and what exactly the Federation had planned but at least they had each other.
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