this is my roman empire. and after all these years, i finally have to say something.
GRUNT-WHIMPER??? GRUNT-WHIMPER!!!!???
ANNABETH GIRL ARE YOU OKAY??
forget her just standing there gasping for air. forget her very audible sigh. forget the fact that annabeth initiates 80% of their kisses and literally has to restrain herself from kissing him in front of all of New Rome in MoA. i could go on and on about how many times percy calls her beautiful and attractive (let’s not forget how his heart races and his skin tingles at her touch) and all his boyfriend-ly thoughts about her, but lets focus on annabeth for a sec. BECAUSE ANNABETH CHASE IS GRUNT-WHIMPERING??
our girl was feeling ALL the things in this scene. she’s so weak in the knees for him that she can’t even hide it in front of piper. also percy must be a fantastic kisser? BECAUSE GRUNT-WHIMPER??
do not EVER tell me percy and annabeth don’t have romantic feelings for each other. do not EVER tell me it’s purely platonic. if you’re someone who thinks “nah i can’t see them getting married and having kids cause i don’t think they feel that way about each other” you clearly did not read about the grunt-whimper (well, you can hc whatever you want. i respect all opinions. but i do think you need to re-consider and account for the grunt-whimper)
BECAUSE GRUNT-WHIMPER?? ONE GOOD KISS FROM PERCY IS MAKING ANNABETH CHASE GRUNT-WHIMPER?? IS THAT RICK’S “CHILD-APPROPRIATE” WAY OF SAYING SHE MOANED?? HE SHOULD HAVE JUST SAID SHE MOANED. GRUNT-WHIMPER IS SO MUCH WORSE. THAT GOES SO FAR BEYOND A MOAN. A MOAN IS TAME COMPARED TO A GRUNT-WHIMPER.
GUYS I-
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so my younger cousin is flying in to visit from brazil on sunday, and will be staying here for like, the entirety of july. which, don't get me wrong, is super cool! i love the kid! but it felt like a super weird move, considering his parents are the SUPER strict and borderline helicopter parents. even the smallest prank/roughousing with him/his little sister would lead to a strict talking to from his parents, he couldn't ever do anything without their clear permission, that sort of stuff. so letting him fly at alone at 16 to a whole different country and stay there for a whole month seemed WILDLY out of character. additionally, it just felt like a super last-minute trip. it's not like we have any plans to do when he gets here, and the flight itself and stuff only got booked like, midway through june.
and i was talking to my mom about it, kind of trying to nudge some answers out of her, and after a while she went, "yeah, i think they're sending him over here to get away for his boyfriend. see if the distance breaks them off." which, first of all, surprised me because last i checked, they didn't KNOW he had a boyfriend. literally everyone in the family did EXCEPT for them because while that entire side of the family being semi-conservative, his parents (mostly his dad) are EXTREMELY old-fashioned. so clearly something already went wrong. and considering the only reason the rest of the family knew is because one person found out and it spread like wildfire, i have a sneaking suspicion he wasn't the one to tell them, either.
and second of all. they're sending him HERE. to try to make him forget his homosexuality. i couldn't do anything but just wordlessly gesture to the multiple pride flags scattered around my room, then to myself, because really? he has like two other cousins in the us and they're sending him to me? honey i am about to introduce this kid to queer scenes you have never even heard of. he'll be returning home with labels only shrimp can perceive
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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