what are the wolf thoughts. sharing is caring.
the thoughts were this,,,, and dilf twi,,,,, combined,,,, so tbh i dont think i really need to say anything for legal reasons 😁 so instead have my very incoherent thoughts on semi-feral (furry)! protective (territorial)! twi‼️
content warning/s.. this is me rambling. written with afab/fem reader in mind (BUT i think i kept it vague, so its more of a gn reader), possessiveness/territorial nonsense, not written with linked universe in mind, y'all remember the citrus scale? i do. (ending dips into lime territory)
i like to imagine that link kept some of his more inhumane traits after the events of twilight princess were all said and done. whether it be a parting gift from the twilight, or a side effect that came along with being a wolf, link never did enough investigating to find out what stayed, what left, or why.
his nose was better, so he could catch whenever a crop was bound to rot or flourish, so good for his stomach.
his eyes were better, so he could catch whenever the kids were making a fuss about something, so good for his mental well-being.
his ears were better, so he could hear whenever his herd were riling themselves up from the other side of the village, so good for his pockets.
all-in-all, he didn't really care to get rid of the side effects if they were going to be such a benefit to his work life— and even better for his personal and love life.
alongside rotting crops and his own post-work stench (yes, he is very self-ware, kudos to midna), link can smell a change you. whether it be a change in your emotions (pheromones were a tricky thing) or wherever you had wandered off after a particularly bad disagreement between the two of you— as rare as that was.
(he's been more ill-tempered as of late. seldom to you, more often to the adult villagers. always over something stupid like to little on an order of food and winter clothes not being thick enough.)
(something, something, the wolf has yet to fully leave him behaviorally, he guesses.)
it was a particularly bad spell between the two of you. link doesn't even remember what it was about and he wasn't keen on doing so. it was late and all he wanted was to apologize so you would return home, he could take being kicked to the couch if it meant you were in the vicinity.
his nose leads him to a darker part of the forest. the trees felt like they moved everytime you turned your back to them, working with the monsters to further trap you inside the woods.
bulbins always had a nasty smell; especially when it muddled and ruined yours.
it's a blur to link, really. it was like he was black out drunk, except rather than alcohol, something else ran through his veins.
there's the catching of your scent, the sprint to the forest, the blackout, and then there's you.
(you. you. you. youyouyouyouyouyouyouyouperfectyouwonderfulyouthereasonhestillbreathesyouyouyouyouyouyouyouyouyouyouyou—)
you're staring up at him with those big doe eyes of yours when he feels some semblance of himself again. he feels less like an animal and more like a person when he sees the way you're sitting against the tree, trembling, but not from fear.
he wipes away the stray bulbin blood as he checks you over for injuries, biting back gags of disgust and the urge to clean you then and there (mark. bite. claim. mark, bite, claim. matematematematemate—).
the way he feels is visceral when he sees your bruising skin, scrapes, and gashes.
it's suffocating when he pulls you into his arms, his tight grip making it hard to take a comfortable exhale. his face is buried against the side of your neck, a spot he's been more and more keen on paying attention to since he's returned home from his adventure.
his breathing grows heavy as he finally drops from his squat to kneel before you, hands traveling wherever they can reach after they pull you into his lap. they're heavy and would be overwhelming if you weren't used to the behavior.
his teeth make an appearance just as his hands make a dive beneath your clothes. he nips and nibbles the expanse of your skin while his hands squeeze whatever handfuls of flesh he's able to reach, the warmth and give of it working to further ground him.
(you were here, with him. alive. you loved him. you wouldn't be letting him handle you like this if you didn't love him. all he wanted was you. his spouse. his better half. the flame to his melting candle. the furnace that kept his home warm.)
(his mate.)
"link," you call when his nips turns into full on biting-and-sucking while his squeeze evolve into gropes and— goddesses, your voice is so angelic when you speak, he stops everything to stare up at you. the blues of his eyes barely visible with the way his pupils expand.
"i want to go home."
and home is where he takes you, hands gripping your thighs as he locks your legs around his hips and carries you home, lips pressing kisses to that spot on your neck that he can't get enough of, canines occasionally reintroducing themselves when he starts to feel greedy again.
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Hey so I have a question-
Is Rachel even contributing to LO's art anymore? Like, at all?
CAUTION: MILD FASTPASS SPOILERS AHEAD !!!
I've talked at length about the 'tells' of each assistant and artist, and while it doesn't guarantee that I can tell exactly who drew each panel, there's one thing there's been a lot less of in the most recent episodes that have caught my attention - things that I know Rachel would typically contribute.
And most of it comes down to her lineart.
The shading was always her, no doubt about that, you could tell with how consistently awful it is, how she would take actual decent flats from her assistants and proceed to butcher them with muddied shading.
AmyKim89's flats vs. after Rachel's gotten her hands on them:
(seriously Rachel why tf did you darken Persephone's legs here, it looked so much better before ??)
But there was also her lineart which, at first, I didn't realize who was drawing it. It didn't show up super often in LO but it was always very noticeable when it did so I knew it had to be someone on the team doing it:
The thickness of the lines and the extra little strokes added in along the knuckles and bends, that wasn't something that was really common in LO at this point... at least it hasn't been since S1:
And when comparing it to the lineart she used to do in The Doctor Pepper/Foxglove Show:
(look at the mouth in The Doctor Foxglove Show vs. Hera in the pilot version of LO, they're literally the same)
So yeah, it was certainly the revelation to discover that that one instance of "weirdly detailed lineart" wasn't one of her assistants having a little extra fun, it was Rachel herself. It was already so uncommon for her to contribute all the way back in S2 that her contributions seemed to be more of the exception rather than the norm.
And since seeing the art that's been in the newest FP episodes following the return of the series... is Rachel even drawing at all anymore? Because lately the lineart has felt very thin, in a way that I can't tell if it's her assistants just doing all the lineart now or if she's trying to emulate S1 LO more by using less lineart. But S1 didn't have thin lineart, it had very thick lineart, BUT only being used where necessary to emphasis shadows and depth.
Now the lineart feels very... dinky? Especially when you look at the eyelashes.
That said, there are moments from S1 that had similarly 'dinky' lineart, so take this with grains of salt. It still didn't feel as dinky though as it does today where the lines are practically non-existent in how thin they are.
There are also times when you can tell they're really trying to emulate that S1 look, the pieces are there but they aren't being put together very well:
So yeah at this point I wouldn't even be shocked if all Rachel's doing at this point is scripting and roughs. And considering there are definitely times where she'll just draw without knowing what to write, the 'scripting' is also practically non-existent. It's just her leaving her roughs off to the last second for her assistants to whip out with very little time to pay attention to what's being submitted.
Once again it's Rachel fundamentally missing the point of the criticism that's being made of her work. She's trying to forcefully emulate something that she didn't even have a process behind. I can attest as someone who's been trying to do studies of her past work to recreate it as faithfully as possible through Rekindled, it's very difficult to achieve the 'old LO' look because 'old LO' was literally just Rachel slapping down brush strokes until they looked good, there was no specific process or guidelines that she followed, she just made things look textured and colorful. Everything else was basically up to her figuring out what actually looked good, with panels often having their own vibes separate from others in isolation of one another.
Now she's trying to replicate that look while missing the point entirely that it's not something she can really replicate anymore. Though we do get the odd panel that's way closer to the point, those panels have one thing that she's clearly not putting into the comic as a whole anymore - love and effort.
(fr this panel is so gorgeous but I feel like at this point it was more sheer luck because of how rare it is to see panels like these nowadays, this feels like an accident LOL)
Case in point, this honorable mention towards Persephone's outfit which is literally just a color-swapped version of the sketch that Rachel posted to Blue Sky that got meme'd to death in the ULO sub:
Did you catch that though? The weird dark patch over her boob and the gap in the lineart of her cleavage?
That's because they copy pasted the first panel and then erased out the hands, but missed the part of the hand shading that was overlapping the breast and the gap in the lineart.
I shit you not, Rachel coming up with memes on Blue Sky that she's scraped out of shows she watched 20 years ago is basically the full extent of her writing at this point.
Haha take a thing and make it bigger! So funnyyyy!
(seriously Rachel's 'humor' feels like it's stuck in 2010)
Yep, you're really earning that #1 NYT Bestseller label that you haven't even gotten since Volume 3, Rachel. Put your hand down, there are no high fives for you here.
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