#I don't have a Definite plot but I've got directions to go

[blackbird-brewster]

Meta: Jemily Queerbaiting

With the huge influx of posts saying 'Jemily is gonna be canon', I really appreciated seeing this post because OP was completely correct. I didn't want to write an entire dissertation as a reply, so I'm making my own post with my personal opinion on this. (All sources are noted in footnotes)

Before I began this rant, for anyone who thinks this is anti-Jemily. It is not. I have shipped Jemily for 18 friggin years and that's never going to change. This post is specifically my thoughts about queer baiting.

First off, I need to note that the showrunners (and the cast members who use social media) KNOW what a huge queer following this show has and that's why we got pansexual Tara Lewis in S16 [1]. Which, in itself, was SOOOOOOO important!!! Our first canonically queer main in SIXTEEN seasons was a middle-aged Black woman!!! That's phenomenal. (The fact it was horrible rep, because they instantly ruined her relationships once her queerness served it's plot point is a whole other post entirely)

In my opinion, the 'big Jemily moment' Paget posted about on Twitter [2] (and AJ hinted at during a recent IG live) is simply queerbaiting to get people to watch S17. I know a lot of you are newer to the fandom and I love your enthusiasm, I really do, ship and let ship, but listen, let's be real, Jemily is not going to be made canon. The showrunners aren't going to suddenly say (after 17 seasons) 'Surprise, Jemily is endgame'. This show has never cared about queer rep and now that CBS/Paramount have already ticked their queer rep box with Tara, they won't be in any rush to add any other characters to it.

Please buckle in, I've got a lot of thoughts on this matter --

What is Queerbaiting?

If you aren't aware of what queerbaiting is, here's a good definition:

Historically, queerbaiting has carried two meanings: the first is an act of aggressive heterosexuality to shut down queer subtext on screen while still teasing and catering to the queer audience in advertising, public relations, and fan engagement strategies; the second is an existing homoerotic tension between two characters played up on screen while met with derision by the professionals behind the scenes. [3]

The Medium article quoted here is from 2017, a time when parasocial relationships were really starting to take over social media. In 2024, actors are now only a mention or tag away online, they have direct conversations with fans, and this process has allowed for an even deeper form of queerbaiting.

Oftentimes online, actors are asked directly about certain ships and while some ignore these questions (usually to avoid breaking their contracts or other repercussions), others (looking at you, Paget) choose to instead tease fans about queer ships. She's done this for years upon years and if I've learned anything in the past twenty-years of existing in fandom spaces it's this -- don't hold your breath. In it's original meaning, for something to be deemed as queerbaiting there had to be malicious, or at least, purposeful intent to string queer fans along by teasing them with suggestive content about the ship in question, while knowing this ship will never come to fruition in canon.

The thing to remember is, Paget and AJ aren't the only ones who know about Jemily shippers -- the network and showrunners are well aware of this ship too. When networks/showrunners figure out they have a strong sapphic fanbase, they love to use that to their advantage to get more viewers and higher ratings. Queerbaiting is a goldmine to keep fans watching long running shows, look at Rizzoli and Isles, Supergirl, and OUAT for examples of this.

Jemily and Queerbaiting:

Ever since Emily joined the BAU in S2 (2006), there have always been fans who ship JJ/Emily (shoutout to the old LJ forums!). Way before celebs were just a tweet away from fans, back when all our fics began with disclaimers so we wouldn't get sued by networks, we went to great lengths to keep our fanworks far removed from actors/showrunners attention.

As far as Jemily goes, this reply from Paget in a 2009 interview with TVGuide.com [4] (which has now been deleted from their site unfortunately, but there are quotes on Tumblr still [4.a]) confirmed some fans' worst fear -- the actors had found our fanworks online.

TVGuide.com: Of course, a band of fans want her to hook up with Hotch.

Brewster: I know! I didn't realize that fans make these videos on YouTube? A.J. Cook sent me a hilarious one that made it look like Prentiss and J.J. were having a secret lesbian affair. You know, when Hotch was blown up in the SUV, we shot this scene where he's in the hospital and I'm standing next to him, looking at his bleeding ear. Our director came in and said, "Paget, you're looking at Hotch like you're in love with him. It looks really weird." So now, every day, Thomas [Gibson] and I flutter our eyelids at each other.

This was the first time I recall anyone acknowledging Jemily shippers publicly and at the time (Jan 2009), the show was still in Season Four (just before CBS fired both AJ and Paget [5]). Paget genuinely said it's 'hilarious' that fans shipped JJ/Emily. Even now, I'll see people say 'We know Paget and AJ have seen Jemily fanvids, so they obviously ship it too' -- but those same people rarely acknowledge the full context of the original answer. Paget not only thought JJ/Emily were 'hilarious', but then she doubled down and turned her reply back to how she and Thomas liked to play up the chemistry between Emily/Hotch.

While no one can say for sure which video it was that AJ sent Paget, just knowing they were watching JJ/Emily fanvids sent a bit of a shockwave through the femslash side of the fandom. To some it felt like an invasion of privacy, fanworks are by fans for fans -- knowing the cast were poking around in fandom spaces added an extra layer of worry around what we fans were posting online. Fifteen years ago, it used to be quite taboo for actors to outwardly discuss shipping or other fanon for whatever show they were in, and we fans were usually comfortably removed from the actors altogether.

Of course, now it's the norm for fans and actors/showrunners to co-exist online and interact with one another. This connection has opened new ways for shows to queerbait their fans. Pretty much every show has some form of social media account now and there is no doubt that the people running those accounts keep up with the most popular ships and hashtags. Not to mention that actors are constantly barraged with questions about whether they ship their character with x,y,z, or whether they think a ship should be made canon, etc. These interactions only serve to benefit the shows themselves, because whether the conversation is for or against a certain ship, it's all just free publicity (Why do you think CM now has a TikTok account?)

Every time AJ or Paget say anything about Jemily, the queer side of the fandom loses their minds. But this has been going on for YEARS now and every single time, it turns out to be nothing but social media hype and queerbaiting. Remember this AJ post? [6] Or what about the notorious reply by Paget to a fan, where she talks about how she and AJ held hands under the table 'for the shippers' [7] I've seen this cycle over and over again, so perhaps I am cynical, but I'm not getting my hopes up that Jemily will ever seriously be canon.

It's widely known now, after both Kirsten [8] and Paget [9] have talked about it, that there was an early idea where Prentiss was supposed to be queer, but that was ultimately scraped before it ever made it on screen. For context, please remember, this show has been airing for nearly twenty years. It began in 2005, during the highly conservative Bush administration. Queer people didn't have rights in the US, we couldn't get married, we were rarely protected under discrimination laws, and we could even be fired for simply being queer (in some states). Diverse queer representation on screen was extremely limited to things like 'The L Word' and 'Queer as Folk' (both aired on Showtime, so they were behind a paywall. And as far as tLw goes, that show was extremely male-gaze focused and is horrible in nearly all regards if you try to rewatch it now). As far as prime time shows went, queer rep was even more rare. Which is why Emily wasn't queer from the get-go.

Yes, things have changed since 2006 in terms of queer rep on TV. We have a myriad of queer identities represented in TV and film nowadays, which is why I think it's so easy for newer fans to say 'lf she was supposed to be gay anyway, they should just make Emily queer in canon!' I know this is what fuels most fans' demands for Emily being confirmed queer, and I get it, I DO. I would be all for it! However, I do not, in one hundred years, actually believe that is going to happen after they already canonically queer confirmed Tara in S16. The fact we even got ONE queer character is ground-breaking for this show.

It's also worth noting, that in the time between Paget's departure in 2012 and her return in 2016, she became very active on Twitter. This was when more and more fans began asking her about Jemily and after Kirsten's AfterEllen interview, fans also pushed for Paget to address the possibility of Emily being gay. 'Pushed' is actually an understatement for some of the outright harassment she would receive. (AJ received some of this harassment too, but less so because she doesn't use social media ass often) Back then, neither of them replied to these things directly. Yet, no matter what either woman posted, the replies were full of Jemily stans begging for her acknowledgement. (Did you know 'stan' is literally a term coined for stalker fans?) I remember one time AJ's friend was missing and she posted info on her IG about it, you know what the replies were? People asking her about Jemily. It was genuinely sickening.

Within this context, it was no surprise to fans when Emily came back in S12 , she and JJ's friendship was seemingly erased. The two women were rarely on screen together in the late seasons, plus the writers saw fit to even give Emily not only one (Mark in London, but two, on-screen boyfriends for the first time in the entire series. I personally do not think these changes to Emily's character were coincidence, I saw the hellscape of what people would say to AJ and Paget online and I fully believe that upon Paget's return to the show, the showrunners purposely tried to distance JJ and Emily to dissuade the more abusive side of the fanbase.

Can I prove that, no. But it is the only reason I can think of as to why Emily S12+ seemingly didn't care about JJ anymore, despite their deep and meaningful friendship. I mean, they both CROSSED THE WORLD to go rescue each other in prior canon -- but when Emily comes back, they acted like they barely knew each other. This was even more prevalent in S16, when JJ's main storylines all revolved around Will, and Emily barely looked at JJ in the entirety of ten episodes. (Remember how Prentiss didn't even hug JJ after bomb, but she did go hug Luke?)

So, do Paget and AJ earnestly ship Jemily, or are they continuing the long tradition of queerbaiting us? Who fucking knows, not me. But based on the history of this fandom, I think I can make a safe bet. (Interestingly, if you search all of Paget's twitter for the word 'Jemily' [10] she only has 3 direct tweets mentioning the ship. I don't think it's a coincidence that two are within the past few months since they started filming S17 (the other one was a RT of Kirsten (who tagged something Jemily)

This is all to say --

Just because Paget and AJ have publicly talked about Jemily,, this doesn't mean it's ever going to happen on screen. And you know what, THAT'S OKAY!! There has been this constant outcry (after Tara became queer confirmed) of 'Do Emily next' or 'Why wasn't it Emily with a girlfriend!?' and 'Jemily needs to be canon in S17!' -- as if people believe their ships aren't worth anything unless they are canon.

That couldn't be further from the truth! Fandom is built on headcanons and fan interpretations and rare pairs and all types of shippers. Your ship does NOT need to be canon for you to enjoy it. I will ship Jemily forever, no matter what. I don't think there will be some magical queer plot in S17, at best, we might actually get to see Emily/JJ on screen together again and after the train wreck that was S16 -- I'll take whatever I can get.

And hey -- if I am completely wrong, if Erica Messer pulls a Korrasami out of her hat, I will be ecstatic. I will be happy to be proved wrong, but at the same time, I'm not going to lose sleep over it and I'm DEFINITELY not going to go hound the actors about it on social media.

Sources:

[1] 2022 Digital Spy article about the importance of Tara's coming out

[2] 04/18/24 Paget Tweet

[3] 2017 Queerbaiting article from medium.com

[4] 2009 Broken TVGuide link

[4.a] Tumblr quote from the above TVGuide Interview

[5] 2010 Kirsten interview screenrant.com

[6] 2019 AJ Instagram Post

[7] 2020 Paget video on Twitter (via @karasluthqr)

[8] 2015 Kirsten interview AfterEllen.com

[9] 2016 Paget Interview CriminalMindsFans.com

[10] @PagetPaget search 'Jemily'

#criminal minds #emily prentiss #jennifer jareau #paget brewster #aj cook #cm commentary #queerbaiting #cm meta #criminal minds evolution #cm evolution #my writing #long post

[reborrowing]

dust prince, part one

poll story! they were kind of a trend when tumblr first added the poll feature so now that the concept is dying I thought I'd give it a shot. we'll see how well I stay on top of this. (there may be some weirdness because I'm still not sure if I want "you" to be just the rogue or both adventurers. For today? Rogue.)

rough sketch of the you's

part 2 -

In the middle of a long and lonely road sits a tavern. It's been here longer than any one person can remember, some even say it's older than the kingdom that now claims these grounds.

You are a fragment of a heroic party, a once-refined rogue shadowing a proud barbarian as you limp back towards society. You're both relieved to see this shabby, familiar tavern as you make your way through the sparsely populated wetlands. While the two of you have put yourselves in much more dangerous situations, passing through the area in such small numbers has been unpleasant at best.

But inside, the tavern is warm and blessedly dry. A silver-haired halfling at the counter greets you, while an invisible set of hands continues working behind her. You dimly recognize her as the owner and remember she makes some fairly impressive potions, if you had the coin to burn. For now, you take the cheapest meal that’ll satisfy you and sit near the fire to bicker over what to do next, as if the two of you hadn’t already exhausted the topic over the last few days.

You’ve worked together for years as part of the same party but the de facto leader recently decided to retire. Your party continued to work without her, until this last job, where the other two bastards abandoned you mid-quest when they got offered a more lucrative opportunity. Now you’re left to either find replacements out here in the middle of nowhere or slink back home with nothing to show for your efforts.

The barbarian is sizing up the handful of other patrons present, discussing their potential with all the subtlety of a flaming brick through a window. It’s getting you both looks and you doubt any of them will want to work with the two of you at all. You’re about to interrupt and say so to your companion when the hairs on the back of your neck stand on end. Your well-honed senses were trying to get your conscious mind to pay attention to something important.

You look up to see shifting dust in the rafters just as something falls off one of the beams. You lean to get out of the way before you even identify the object. It lands in your soup with a yelp, splattering broth across the table.

It thrashes for a few seconds, trying to find its bearings. If the small scream wasn't enough to confirm it, you're now definitely sure this thing is alive, though you don't recognize what it is. As you look down at it, you would almost swear it's a sprite of some sort, though without their distinctive glow.

It's about the size of a mouse with the face of a person. He's too drenched and frantic for you to notice much else. He stares back at you with fear in his eyes as he pulls himself onto a sinking piece of bread.

taglist @da3dm @mottinthemainpot @whumpsday

#my writing #I don't have a Definite plot but I've got directions to go #lemme practice pants writing for a minute #also I should name these people huh #temp oc tag: rogue #temp oc tag: barbarian #temp oc tag: shana? #dust prince #may change title? I really hate names man #and oh my god im anxious about whether or not the choices are stupid isn't that weird? #like if I just write what we're doing that's fine but do the choices look ok?? am I stupid??? i hope not

[last-words-ofashootingstar]

Cornflower Blue

SPOOKTOBER SPECIAL

❥Yandere Outlaw Song Mingi x fem reader

➯a/n: this is my darkest fic yet imo, be sure to read the contents and take care of yourself! also im super proud of this, it took like three months tbh and i still didn't get to fit in everything i wanted to. enjoy some yandere minki 💙

✃The moonlight seeps in through the sheer curtains and paints your skin in a haze of blue. The bruise on your temple like a water color bloom.

♫ "You love me 'till you wear me out, then you love me more." -Cornflower Blue, Flower Face ♫"Love's never been more than pain, so Baby, show me how bad you hurt." -Dog Days, Ethel Cain ♫"My Babe would never fret about what my hands and my body done- if The Lord don't forgive me, I'd still have my Baby." -Work Song, Hozier ♫"I just wanted to be yours. Can I be yours? Just tell me I'm yours." - Strangers, Ethel Cain ♫

✫彡wordcount: 14k

♡'･ᴗ･'♡(ಡ‸ಡ) (>ᴗ•) genre: plot heavy smut, yandere, angst

ಠ_ಠwarning/content: GOOD LORD WHAT HAVE I DONE ??? wild west au, HEAVY yandere themes, murder, reader near death experience, mingi is CRAZY, bribery, manipulation, threatening, gun violence/shoot-out, injuries, invasion of privacy, 'off-screen' death of main characters, kidnapping, NSFW; multiple sex scenes, masterbation, unprotected(BOO), first time, head(reader receiving), size difference, spit, breeding kink, overstim, biiiiiig dick mingi (i'm a sucker😞), praise, dirty talk, soft sex turned rough, extreme possessiveness

not edited, definitely grammatical errors 🥲

⁂taglist: @stvrfir3 @tunaasan @marievllr-abg @nini4m @senpai-of-doom

MATURE UNDER CUT MDNI

"Ellis~" Your sing song tone echoes out through the alleyway, crates of stored food blocking your view. "Oh, my! Is that a corn snake?" You yelled out dramatically, crouching down behind a crate.

"Where?!" The young boys voice gets closer by the second until he runs up to you and you snatch him up.

"Wraa! I got you!" He laughs loudly, an heart-full sound that rings out in the dead town. Everyone has gone besides very few to a new market up North. "I've caught you, and I'll eat you up!" You pull him up as he yells and laughs and swing him around as you twirl to the main road. "I'll have ye for supper," you laugh with your best witch-like voice.

"No, I'm not tasty!"

"No? Well... I guess I shouldn't do this then!" You playfully nom at his sweatered shoulder, tickling his ribs.

"Auntie, please, I'll do it! I'll sweep!"

You stand up like nothing ever happened and smile, "great, Miss Carmen will be most pleased." You had recruited multiple of the youngsters left behind to help you maintain the vacant homes while the market took place, and some off them were less than happy to have been roped in. "Would you like me to carry you?"

"Ye' , please!" His smile is missing a tooth, and it makes you chuckle.

You place him over your hip and begin the short walk, planning out the rest of the days chores in your head when he screams, "horsie!"

You follow the path his chubby fingers points to, and find a large figure riding in past the town sign on a similarly large white horse. His face is obscured by his large droopy hat, but that isn't what makes you suspicious at first.

The man riding into town has multiple guns on his figure.

You scramble to the side of the dirt path and hold Ellis' head to your shoulder, looking up at the stranger as he slows his horse to come to a stop right infront of you.

   "Hello, Si-"

  "Auntie, I'm scared." Despite your best efforts, the young boy had caught a glimpse of the towering and dangerous-looking man, shivering in your hold.

     You crouch down and set him down carefully, rubbing his back for a moment before you turn him in the direction you want him to go, "run off to the schoolhouse, tell Maria to come and cook up our guest a meal. You can do that, right?"

     He rubs his eyes and peeks at the man before looking back to you, nodding eagerly. "Go on and get, then." You pat his shoulder and watch him run before turning to the man.

       "Room and board, Sir?" You speak formally to the hidden man.

    "Yes." He speaks simply, swinging his leg and jumping down from the horse.

    He's no less intimidating now that he's technically level with you. He looms over you like a shadow and places a chill in your bones. "Is this place a ghost town?" He has an accent that you can't place, but you lock onto it anyhow because it's quite clear he isn't from around here. You look away from him, trying to hide your nerves at the fact that he's the first real stranger you've ever met.

    "No, Sir. Most are away to sell our spring crops." He hums shortly in response, watching you closely from under the shadow his hat casts over his eyes as you grab his horses reigns. You can feel the way his eyes bore into your every move as you begin waking, "follow me, then."

    It's a silent and most awkward walk down the deserted main street, and you can still feel his gaze burning into your back as you lead his horse into the stables.

"So, where are you from, stranger?"

     "Away." Your feeble attempt at small talk is shut down by the man immediately as he stands in the large doorway, broad shoulders nearly touching its sides.

"Very well," you step back out of the horse's temporary home, and are put in the shadow his large frame casts. "Uhm, my name is (Y/n)," you extend your hand, trying to remember your manners despite the fear in your gut.

     He takes your hand, roughly. You can't tell if he means to- or if he's just that strong. "Mingi."

     His hand is cold. It shocks you. You pull away from his grip and push past him, head lowered. You've quickly found that you don't enjoy strangers. "Miss Maria can help you get settled, show you around if you like. Nothin' much to do 'round here besides drink or play ball." You ramble on as you head to the bar, just down the road. You don't have to look behind you to know he's following. You can feel his gaze locked in on your back, that same feeling you get when men at the bar have one too many or that time when a wild boar almost got you.

      The bar isn't anything special, though nothing in the town is really. He looks around, silently. A few wooden booths and rickety tables. A pool table. A small island that separates the main floor and the bartenders area. Beyond that, he can see a kitchen. He almost thought his luck had run out when he rode into the seemingly deserted town, and then he saw you twirling the young boy into the main road.

     He nods his head, maybe subconsciously, to say he's pleased enough to stay. "Up this way," your voice echoes in the empty space, and you touch his arm ever so lightly to get his attention. The staircase is hidden by the corner, and he has to crouch to ascend them. When he does, he's pleasantly surprised.

     The room has a homey, lived in feel to it. Well, most of it. It's a large space, walls decorated with dried flowers and boxed in dead insects, chalk drawings of all kinds of things on the dark oak walls. There's a slanted shelf that's adorned with carved wooden trinkets and toys, most of which have a small layer of dust if he looks hard enough. A large open window is on the back wall, facing the town, and a dresser that fits perfectly under it. The bed on the left side of the dresser is messy, a large fur blanket that's bundled up to expose pristine white sheets.

     The part that doesn't look as lived in is on the right side of the dresser. An fresh lantern candle placed neatly on the made bed, dark red sheets and grey comforter.

     "I hope you don't mind a roommate... I'm not here for the most part, I won't be in your hair." You're shuffling around quickly, hiding a few things that he didn't get to inspect into the left side of the dresser. "You can," you gulp, clearly uncomfortable with the silent man, "you can put your things away in these drawers if you like."

He stands, like a scarecrow, holding his rucksack tightly. When he moves, you flinch, sliding closer to what he now placed together is your bed. He chooses to ignore that, sitting down on the other bed and feeling the soft fabric. "You own this place?"

You're taken aback by his unprovoked speaking, gathering you thoughts as you sit across from him on your own bed. "Uh, no. A man named Louis owns this and the bar."

"Hm. And you?"

"I work down in the bar, bartending and such. So he lets me stay."

A small smirk plays at his lips, hidden by his hat as he looks around again. You've clearly lived here a long while. There's more to your story than just working downstairs. "Kind of him."

    "Very. You may be able to thank him for his hospitality, he gets back in a few days." You pause for a moment before you ask tentatively, "how long will you be staying?"

     He stands and turns his back to you as he takes off his hat, beginning to unpack his bag. "Few weeks maybe."

    "Ah," you draw quietly, anxiety growing in your gut. The very few visitors you could remember stayed for only days, if that. Even then, they weren't total strangers. They were people that others in town knew from the market or city.

    "Hope you don't mind a roommate," he turns back around and tosses a look your way as he starts to fold his clothing into the unoccupied drawers. And if the air wasn't gone from your lungs by now, it is now. This stranger, Mingi, is the most handsome being you've ever laid your eyes upon.

     His eyebrows are softly arched, beautifully curved nose and lips. And his eyes- oh, his eyes. You swear you could get lost in them. And it seems you do, staring at the man despite the fact your intuition is telling you to look away. "Handsome, I know."

    A heat flushes your face and you force yourself to look away as he smirks your way, "w-well, you know, uh- let me go and fetch Miss Maria, you must be famished!"

     With that, you're down the stairs and out the bar. He watches as you speed walk away through the window, blissfully unaware that he's opened up your drawers to have a deeper look into his roommate.

༄

You dodged the handsome stranger until you no longer could, the sun was setting and there were no more excuses to be found to avoid going back home. He wasn't in the room when you returned, but the bathroom door was closed and you could see the flickering of a candle from the cracks.

    You lit a few candles on the dresser before the sun fully set, taking some deep breaths as you heard him moving around. You remove your boots, a groan of relief settling behind your lips as you wiggle your toes.

    As you're unfolding your night gown, the door to the bathroom creaks open. "Hello, Miss," he greets, much warmer than his earlier aura.

     "Mingi," you greet back with a small smile, "have you found your way around well?" You shift your weight uncomfortably as he tilts his head at you, as if he's trying to read you.

    "Mhm, this ghost town isn't as bad as I thought," he sits down on his bed, rolling his head with a groan.

     "Very good, maybe when the other return you'll find it even better." You can't wait for the day. His presence makes you... uneasy, is the best way to put it. You know he could easily over power you and the others. Elderly, young, and women who don't have a single idea of self defense. Maybe that was stupid on your towns part- but you needed all of the hands on deck to sell the bountiful harvest.

      You excuse yourself and lock the bathroom door behind you, double checking before you begin to remove your day clothes. As you change, you start to wonder if maybe Mingi was just uncomfortable around strangers as well. He's seemed to have warmed up quite a bit to you. You'll have to ask Maria in the morning about their encounter.

     Perhaps he won't be as bad as you expected- "Oh, dear me!" You stumble as you re-enter the room, covering your eyes with your hands. "Uhm, Mingi?"

    "I'm just cleaning my wound," he chuckles, watching you with a glint in his eyes.

      You peek through your fingers, keeping your hands to your face to hide.

    Indeed, he's shirtless. Your eyes hadn't played a trick on you.

      You swallow the gathering wetness in your mouth as you peer at his naked torso. He's slim, toned in all the right places. His arms are something of a dream to you, and you have to force yourself to look away from them as sinful thoughts begin growing in your mind.

    Instead, you take a look at the wound he referred to.  A shallow gash going from his hip around and around to his back. The edges of it are already scarring, leaving only the middle of it as a wound.

You slowly approach the end of his bed, hands resting on the metal bed frame. "May I ask?"

"Every man his enemies. Mine happen to be good with throwing knives."

"Is that why you carry all those weapons?" The question has been nagging you. He has so many. And you don't like them. You don't like that they are in your home. He's left them on his side of the dresser.

"Perhaps." He groans as he tries to reach around and clean the part of the cut that stretches onto his back. "Would... would you be so kind, (Y/n)?"

It's your turn to be the silent type. You move to sit beside him, taking the damp rag and jar of salve with shaking hands. You haven't been this close to him until now. You haven't been this close to any man, really.

He smells shockingly good.

He shivers as you begin cleaning up his wound, and you apologize under your breath.

Unbeknownst to you, that was not a shiver of pain.

He's always been the nosy type. He couldn't help himself but try to get to know you through your belongings while you were gone. And he struck a pot of gold when he found your diary.

The entries dated back seven years. And he read through all seven of them. With every word, he became more and more infatuated with you. And your touch on his body solidified that infatuation. It felt right. Your innocent, helping touch turned his infatuation into something more sinister.

So, no. It was not a shiver of pain.

"There you go," you can't help but stroke the large expanse of his back once you've finished, it's a work of art. Thankfully, he doesn't seem to notice.

But, oh, does he. He has to bite his lip to hold back a moan, looking down at his lap. His member twitching to life from the smallest, most pure of your touches. "Thank you kindly." He forces out, breathily.

You're in your own bed much to quickly for his liking, hiding under your blanket. "Goodnight, Mingi. I shall see you in the morning."

༄

     "Hello, stranger," you smile at him as steps out of the building, earning one back. "Slept well, I hope?"

    "Very, thank you." He takes a seat on the steps of the bar next to you and watches the sun grow higher in the sky. "May I ask you a personal question, (Y/n)?"

     "I suppose so," you shift slightly, toying with the strings on your boots. While your knees are pulled up to the step just below your bottom, his feet stretch all the way off of the steps and onto the dirt.

    "Where is your family?"

    "I'm sorry?"

   "Well... it's just, you're a beautiful young woman. Don't you have a husband and a couple of rug-rats?"

    "Rug-rats," you repeated with a chuckle, shaking your head. "No, no rug-rats."

"And a husband?"

"The closest I have to a husband is Castle... my mutt." You look to him with a bigger smile, your nerves and anxiety around him unwinding. When he laughs, you feel a flutter in your stomach that makes them disappear completely.

You turn back to the sun as it rises, trying to convince yourself that the heat you feel on your cheeks is from the warmness of it. "Why do you ask?"

He hums, leaning back on his elbows and allowing his eyes to flick up and down as they observe you. "Wanted to know my chances."

"Oh!" You look back at him, his eyes shining with that glint once more, "the cow boy is a flirt? I see."

"I'm not a cowboy."

"No?" You lean back and join him, crossing your legs. Maria had told you just earlier that he was strange, that she sensed a darkness about him. But you only felt warmth and light. "What are you then, Mingi?"

"An outlaw." The smirk on his lips makes you think he's joking, and you let out a laugh.

If only you knew that Mingi was being truthful.

༄

      The wagons roll into town the next morning, bright and early. You're still asleep when the first one comes, but the happy hollering from Maria wakes you and Mingi both with a start.

    He's dazed and confused, rolling around and glaring at at ceiling above him. While you, well you nearly jump out of your skin to run downstairs.

     Still in your nightgown and soft socks, you almost slip and fall as you jump off of the last stair and slide into the main area. "Lou!" You collide into him and sway happily as the older man lifts you up in his arms.

"There's my girl! You been holdin' us down?" He sets you down carefully and inspects you, making sure you've been kept safe in his time away.

"You know I have," you give him a wide and toothy smile, "how was the new market?"

"Oh, it was wonderful, dear! Next time I should take you both with me, so many new things," he reaches into his satchel, handing his wife something small and shiney.

Mingi, in his own sleep clothes- a loose pair of pants, slowly descends the stairs, silent as a mouse as he watches the three of you.

Miss Maria, the older woman with a scarf permanently affixed to her head, looks down at the ring with a teary smile. "Oh, Louis, you shouldn't have." You lift yourself up and sit on one of the tables, watching the two kiss with a small smile.

"Why shouldn't I? A man is meant to spoil his wife, isn't that what I always say? Besides, we made quite the profit this time around." His wrinkled hand cups her cheek, and you can't help but coo at their affection.

"Y'all are too stinkin' cute." Maria looks away bashfully, admiring the ring on her hand. While Louis turns to you with a smile, which fades as quickly as it came.

"And who is this?" His hand is on his belt, twitching at his pistol as he spots Mingi coming up behind you. You turn, and then back, moving his hand away from his weapon.

"That's Mingi, he got here a few days ago. A traveler." You don't know if that last part is necessarily true. Mingi never did tell you why he was passing by your isolated town. "He's quite alright."

"He's half naked- and so are you! Young lady-"

"Lou!" Maria is flabbergasted by what he seems to be implying, while you don't seem to see the innuendo. Of course you are? You just awoke.

Mingi stays silent, and simply extends his hand to Louis. When he doesn't take it, he puts it back to his side, joining you at the table. It seems to you that Mingi is indeed weary of strangers. He seems only comfortable with you. Yesterday, he followed you around almost like a lost dog. Insisting that he wanted to help you with your daily chores.

His eyes flick down to your chest. Sure, he's seen you in your nightgown. But that was in the moon or candle light. The sunlight from the many bar windows exposes just how sheer it is. He can see your nipples if he looks hard enough. And, oh, he's looking.

And Louis notices, ears flushing red with anger as the strange traveler looks you up and down. "Alright, dear, go get dressed."

"Oh, but I wish to hear of the market! Unc-"

"Now, (Y/n)."

With a sigh, you slide off of the table, patting Mingis exposed shoulder as you pass him. He goes to follow you back upstairs when Louis grips his wrist. Hard.

Maria is fiddling with her new ring, almost cowering behind her husband as she feels Mingis aura once again. She can't seem to pinpoint why. But she doesn't like this man one bit. He's done nothing to her, to anyone for that matter. But she feels an evilness seep from his gaze.

"Have a seat, Mingi." Louis doesn't seem to like him either. Maybe because of his silent demeanor or the way he was ogling you.

He does so, with a bored expression, plopping down on one of the wooden booths. Louis slides into the booth seat across from him, waving Maria off. She doesn't need to be told twice. She doesn't want to be near that man for one second more than necessary.

Alone in the seating area, the two men stare silently at one another. As if sizing each other up.

Louis is the first one to break, reaching into his pocket. A rusted old locket is slid across the scratched table top, and Mingi catches it before it falls into his lap.

As he opens it up, he sees a picture of two people in either of the slots. One, a woman with a wide smile. The other, a man looking down at the baby held to his chest. Their features seem... familiar.

"Her parents."

He looks up slowly, and sees the older man leaning back, "I'm sorry?"

"Those are her parents. My little sister and her husband. Died seven years ago. Train crash. Hit a cow on the tracks. Hate those damned things. They can't slow down quick enough to avoid hittin' something."

It's silent again, save for the sounds of Maria cooking up a storm in the back of the kitchen.

He looks down at the pictures again. Seven years ago... that's when your diary entries start. But you never mentioned the crash. Did you just decide to forget about it? Move on?

Louis can almost see the cogs turning in his brain as he looks at the worn photo. Before Mingi can ask, Louis is answering. "I seen the way you looked at my little girl. The same way I look at my Maria. So Imma tell you," he points to the locket, "I made a promise the day that train crashed. You know what that promise was?"

"No."

"That I'd gut anyone who ever laid an evil finger on that girl."

"Maria!" They hear you coming back down, and Louis snatches up the locket from Mingis hands as he stands. You stop briefly and look at them, but move on when you see Louis smiling down at him. "Have you seen my vest?" Your voice grows distant as you join your Aunt in the kitchen, unaware that the smile was followed by a threat.

"Don't make me gut you, boy."

༄

"You're so soft," you mutter as you brush the white mare with your fingers, stood just outside of her stable. She neighs loudly at you. "Oh, I know. So many strange horses, you must be frightened."

The once empty stable house was now filled again, everyone was back in town by high-noon. She seems like her owner, and like you. She doesn't like strangers. She nearly kicked the short door down when you approached with a handful of hay.

A few minutes later, she's letting you pet her. You're stood on a stool, bent over the edge of the door to dust the dirt off of her white coat. "You're a sweet girl, huh?" You smile at the animal, receiving more neighs in response.

"Who you talking to?"

The abrupt interruption makes you stumble, nearly falling off of the wobbly stool. You steady yourself on the door and look back, throwing a smile his way when you see it's Mingi. "Your horse."

He joins your side at the door, holding his hand out to his mare. "You know she can't talk back, right?"

"Don't mean she can't listen."

He smiles at your response. You really are a kind soul, giving affection to an animal that can't give you anything in return.

"Busy, Miss (Y/n)?"

You shake your head. Nobody has come by the bar yet, and you don't think anyone will for a while. They're all spending time with their families.

"How about a ride, then?" He's opening up the door before you can respond, making your upper body follow it, legs outstretched to stay on the stool.

"Oh- I don't... I don't know how."

He keeps putting the saddle on the horse despite your words, a smile playing at his lips. By the way your smiling as well, he knows you want to. "I can teach you. Are you afraid?"

     "I must admit... a bit."

    "Don't worry, I won't let you fall."

    "Really?"

    "Mhm."

      You hop down from the stool and move it out of the way as Mingi walks the mare out of her stable, following close behind him with a wide smile. You get a few strange looks from townspeople as you and the towering stranger stop in the middle of the main dirt road.

     One pair of eyes watches you even closer. Louis stands from his rocking chair on the porch of the bar, staring dumbfounded as Mingi picks you up and helps you onto the animal. Jaw dropped as he hops up and sits in the saddle right behind you, hands guiding yours to hold the reigns. Before he can even get off of the porch, the both of you are galloping out of town.

     The cool October air against your face as you slowly gain speed feels freeing, like it's washing your very soul. Your nerves are still shaking a bit, and you lean your back into Mingis chest, holding onto the reigns tightly. You jump ever so slightly when one of his hands rests over your stomach, gently holding you.

     "Don't worry," he says, "I've been riding since I was a child."

And so, you don't worry. You let the freeing feeling wash over you, relaxing into him and letting the mare take you where ever she pleases. Which just so happens to be the furthest you can ever remember being from town. You nearly forget that Mingi is even with you until you feel his hand move away from your stomach.

He grabs the reigns, his hand over yours as he pull her head back carefully, slowing her to a stop in the middle of a field. He pulls your hands back with his and settles them in your lap, atop of your bundled up skirts.

She lowers her head and starts chewing on some of the green grass. You look up at the sky, clear and bright.

"Not so scary, right?" Mingi speaks up gently, his hands never leaving your own as he looks up at the baby blue with you.

"Not at all, though maybe it's because you did all of the work," you let out a small laugh, turning your hands palms up and letting him weave his fingers into yours, enveloping you in warmth. "Is this what your life is like?"

The endless expanse of nature staring back at you, birds chirping their lovely songs.

"For the most part." He doesn't want to tell you about the other parts of his life. The bloody and harsh parts. You don't need to hear about that. Not when you're so pure and soft in comparison.

"I like it. I can see why you don't settle, cowboy."

"I'm not a cowboy."

A grin on both your faces, a comfortable silence overcomes you for a moment. He leans and slowly, almost nervously, rests his forehead on your shoulder. When you don't make a move to lean away, he absolutely melts into you. His heart beating loudly in his ears, he's shocked you haven't looked back to look for a marching band with how loud it is.

"I think I may stay a little while longer," he whispers tenderly into your back.

"I think I may like that."

You revel in each others touch for a few more moments before he moves, scooting back away from your backside. "Let's stretch our legs." Before you can complain, he's jumped off the horse and is holding out his arms for you. Deciding 'why not', you lean over and let him essentially pull you off her back.

You stretch your arms over your head as you wander, smiling back at him.

Oh, he could get addicted to that smile.

Directed at him, and him alone.

He watches with a flicker in his eyes as you start gathering wild flowers, folding up the rim of his hat to get a better look. You start braiding them together, fingers working nimbly. The song of nature overcoming you as you work, and he admires from a few feet away.

You look like an angel, the sun beaming down on you and shining from behind you like a halo as you turn and face him. "Crouch down, big boy," you tease him softly, a heat creeping up your face as you see him blushing.

He leans down, letting you affix the flowers around his hat. When he comes back up, he does a small twirl, "how do I look?"

"Pretty!" It slips your lips before you have the chance to think, and it makes him blush all the harder.

"Let me see," he takes his hat off, short hair wild and blowing with the breeze.

He pulls the hat over your head in the next second, and the large accessory falls over your eyes. He laughs, hand over his mouth as you tilt your head up and peek at him from under the rim. "How do I look?"

"Like a doll," he exclaims breathlessly, eyes not leaving you for a single second as he takes in the sight of you in his hat. The wind blowing your loose hairs and skirts. A shy smile stretching your lips as you look away, admiring the sky as he admires you.

"Oh, hush."

"It's only true." He comes behind you, wrapping his arms around your shoulders loosely.

You have to remember how to breath as he looks over your shoulder at you, shit-eating-smirk on his lips. "Doll~"

"We should head back!" You squeal, ducking out of his arms as heat overwhelms your body. He only laughs, and the melodic sound echoes in the field.

"Alright then, up you get," he hoists you back onto the saddle, hands lingering on your exposed thighs as your skirt pools around your hips while he hooks his boot into the stirrup.

And you're off again, this time slowly. Like he knows that you crave to spend time with him as much as he does you.

༄

It's a few days later when he awakes in the night. The moon his only source of light. His breaths uneven and heavy.

Why did he have to wake up? That dream was ethereal, it nearly made him ascend to the heavens.

He groans as he flips onto his stomach, not a atom of shock in his being as he feels his hardness pressing into the mattress. Not after he just experienced the wettest dream of his life.

You looked like a Goddess below him, head tossed to the side and exposing all of the marks he left on your neck. The bed rocked in time with the yells of his names that left your bruised lips. Over and over. Louder and louder. Your eyes rolled back, your chest rising and falling as you tried desperately to keep up with his pace.

He's certain that's your rightful place, taking his cock and calling his name, soul intertwined with his. "Fuck..." Just six days and you have him wrapped around your little finger. He's never felt like this. You must be the one.

    He can't help but look over at your bed across the room as his hand travels into his pants. His eyes nearly flutter shut, but he forces them open once again.

You're a restless sleeper, he's discovered. Your torso is pressed into the mattress while your hips are rotated slightly up, one leg hiked up and making your nightgown slip past the round of your ass.

God, your subconscious must know what he's doing.

That's the only 'reasonable' conclusion Mingis lustful mind can come to as you moan in your sleep, rolling onto your back and spread your legs to get comfortable. It takes every fiber of self control in him not to pounce on you and take you right there.

He's content to fuck himself silly for the moment, and he's almost ashamed at how fast his release comes- but he can't help it. You look so fucking delectable and he hasn't touched himself since before he rolled into town.

He bites into his pillow with a growl, eyes never leaving your peaceful form until he's overstimulated himself into oblivion. His arm sore and cock even sorer, he finally lets up, breathing heavily into the quiet night.

As he slinks to the bathroom and cleans himself up, he wonders what it would be like to feel your body close to him after such a release. Well-

Why not find out?

He leans over your bed with tears in his eyes, gently grabbing your arm and calling out to you.

"Min?" The nickname that you utter while half asleep almost has him ready to go again, but he pushes it away as you sit up groggily and look at him with concern written on your face.

"I don't feel too well, Doll... Can I sleep with you? Keep me warm?"

You feel his head with the back of your hand, a frown on your face as you feel his heated flesh- unknowing of the true cause.

"Mh, come on, big boy," you scoot to the wall that your beds on and lift your fur blanket, a sleepy smile on your features as he dives into the bed. The metal frame creaks under both of your weight but neither of you pay it any mind.

He melts into your body heat, wrapping his arms around your waist and keeping you close.

It's so much better than he imagined.

༄

That's the best sleep you've ever had. You felt so safe and warm. And Mingi doesn't feel any different, he hasn't had a restful sleep like that since he was only a boy. You seem to have kept his reoccurring nightmares of his past away.

All the damage he's done and all the pain he's endured, wiped away as you rested your head on his shoulder.

Your legs are tangled together, arms wrapped around one another. Your head in his neck and his chin resting gently on top of it. Soft, gentle breaths as the both of you wake.

Rain beats down on the roof, creating a soft and steady melody.

Neither of you can tell how much time has elapsed, but it doesn't seem like it's ever enough. So when you finally sit up, a pout forms on his features.

You feel his forehead, a smile on yours. "No fever."

"Hm, maybe a night bug." He sits up and swings his legs over the bed, facing into the room to hide his growing blush as the memories of his dream flood his mind.

He feels the bed shift under your weight as you crawl up behind him. "I had a dream last night," you whisper as you gently rub up his back.

"Mh?"

"Mhm." Your heart flutters as you muster up the courage to continue speaking, "a dream of you and I."

"Oh, do tell."

And tell, you do.

"Well... it began with you and I, sat in the bar. A few too many drinks in our bodies. A few kisses... A few touches... and then we came up here." His breath hitches in his throat, surely he's still dreaming. This is an elaborate trick of the brain. "Mingi?"

"Y-yes?" He wants to both explode with joy and collapse with embarrassment.

"Will you touch me? Will you kiss me? I'm sorry if that's wildly inappropriate- oh it is, I'm so ter-"

Your rambling is cut off as his lips collide with yours ever so softly. One of his hands cups your cheek, the other finds purchase on the small of your back.

He slowly pushes his weight onto you, laying you down on your back as your lips meld together. A curse falls past his lips as you ghost your fingertips over his abs.

He kisses down your jaw, savoring every inch of your skin until he reaches your covered breasts. He looks up, and the look in his eyes makes the heat in your belly grow ten-fold. "Can I see you?"

With the slightest nod of your head, he's slipped the straps of your nightgown down and tugged it down past your chest. His mind is racing. His heart is about to beat out of his chest. "You're the most beautiful thing I've ever seen." He whispers, voice rough and barely heard over the storm raging outside.

His calloused hands trail down your chest, ghosting over the pebbled flesh on your breast and down to your skirt. You can't help the gasp that escapes you when he lifts it up, letting your entire nightdress rest in a bunch on your stomach. He's already panting, and he hasn't even touched you.

You're just so beautiful. You're a Goddess in his eyes.

He smiles up at you as he lowers himself, your legs spread by his wide shoulders. "I'm going to make you cum your brains out, Doll~"

Before you can even question what he means, his tongue is darting out and swiping up the length of your cunt. "Ah!" Your back is arched off the bed at the simple motion, and it solidifies his theory that you're a virgin. Your keening at the littlest bit of attention, your poor neglected pussy is begging for more.

You slap your hand over your mouth at the noise, looking shocked that it even came from you. He can't help the chuckle that vibrates in his throat- that is, before his taste buds register the most delicious, mind blowing juice he's ever had the pleasure of putting in his mouth. "Oh, fuck..." Then he's just as flustered as you are, diving back in between your thighs like a man starved.

     The little noises that manage to slip past your hand urge him on even more than the way that your wetness just keeps coming and coming and coming as he slurps it all up. His tongue darts and licks and rolls all over you, and you can't even register all of the pleasure you're getting from it- it feels that good.

     He slips his arms under your thighs and grips them tightly to ground himself as he allows himself to drown in you. He lets his instincts do all of the work, enjoying himself more than he ever has. His nose nudges against your clit as he slurps noisily.

     The way you taste. The way you smell. The way you sound. The way you feel.

     All of it. All of you. He's going mad with lust. With love. He's going to explode, he truly believes it. And then you call his name.

      "Mingi—"

    So sweet and desperate, absolute music to his red hot ears as he sucks the bundle of nerves above your sopping wet heat. He doesn't even register that you've cum all over his chin until youre tugging at his hair roughly and forcing him away from your throbbing pussy.

     He moans out loud as you harshly pull him away, jaw dropped as he pants. "You taste so good, Doll," he slurs drunkenly. Your essence has gotten him drunker than any alcohol ever could.

     You're panting even heavier, chest rising and falling quickly as you tremble in the aftershocks of your first orgasm that's come from another person. 

     He rubs his finger tips over your thighs gently, luring you back down to Earth as he gawks at you. You swear that there's hearts in his shining eyes.

     "W-" your attempt at words comes out as jumbled whine, and you let yourself fall back into the pillow.

     "It's okay, Baby," he coos, licking his lips as he sits up, folding his legs under him and pulling your limp hips into his lap.

     The new nickname makes your cunt twitch, and he catches it. "Oh, you like that, hm?" His index and middle finger spread you wide, and he purses his lips- spitting directly onto your sensitive hole. "C'mon, talk to me, pretty Baby."

      "G-god!" You cry out embarrassedly, forever thankful for the angry storm outside that hides your sounds from any neighbors. "Yes, I do, I really do," you draw out, grabbing the sides of his thighs as he teases your entrance. You're still hyper sensitive, twitching with every small movement he makes.

    And he absolutely revels in it.

    "Yeah? I bet no one ever made you feel that good before," he smirks, letting another wad of spit hit your hole.

     "Nuh-uh," you shake your head, peering up at him, and your next words make it hard for him to keep his composure. "Stay. Stay here and- and fuck me."

     Little do you know, after that first night- he lost any plans he had of ever leaving.

"I will never leave you," and he means it. He has no plans of ever letting you go. And he's about to let you know that.

       He slides you back off his lap and lays over you, holding your head with one hand as the other guides his leaking tip into you. "Oh, ngh," you whine, holding onto his biceps tightly. He bites his lips as he feels your walls for the first time. So warm and tight around him. So soft. "M-min, be gentle," you whimper, leaning up and hiding in his chest.

     "Don't worry, Doll, we'll go slow" he strokes your head gently, slowly -oh, so slowly- sinking into your tight core. "Such a pretty little thing, so fuckin' tight f'me," he growls, and again as the noise makes you clench around him. "Gonna have to stretch your little pussy out before I can even move, you've got me in a fucking vice, Baby."

       "Mingi, d-don't talk like that, it's dirty," you pant into his chest, the warm air making goosebumps form.

     "Well, look at you," he nearly purrs, pulling your head back from his chest gently, "look." You blink a few times, taking in the sinful scene.

    Your legs spread around his slowly moving hips. His thick monster of a cock gradually disappearing into your stretched folds.

     "Can't not be dirty while we're breaking in this cute little cunt," he says matter-of-factly, looking down at said cunt while it clenches around the half of his cock that's he's managed to sink in. A lewd moan leaves his parted lips, looking back to you as you whimper and fidget. "Hey, hey," he coos, cupping your face in his palms. "Half way there, Doll. How's it feel?"

     "Like you're gonna split me in half," you ramble out, looking up at him with the softest eyes he's ever seen. "Please, c-can we take a break? You're jus' so big..."

     "Of course, sweet girl," he leans down, careful to keep his hips locked despite how badly he just want to slam into your welcoming heat, and kisses you. Stroking your cheek bones with his thumbs. "You feel so good, like heaven." 

    The praise makes your rapidly beating heart skip a beat. "Mingi?"

    "Yes," he moans in response, looking deep into your eyes.

    "I think I'm falling in love with you." The sudden confession makes his cock twitch, his heart jumping into his throat. "Is that silly?"

     He takes a moment to gather his thoughts, which are admittedly a chaotic mess.

    "If it is, we would be silly together."

     "You mean-"

    "Yes."

    You grip his shoulders and lean up, pressing your lips to his in an act of pure desire. The both of you get lost in each other, tongues darting out and lapping at one another like a lifeline.

    Sufficiently covered in each others spit, you pull back. "Keep going, I want to take all of you." You have a newfound confidence after your short trade of admissions, demanding that he go on and fuck you.

      A few more moments of excruciating stretching pass when you suddenly feel his pelvis flush with your clit, both of you panting like wild animals as you feel each other completely.

     "Holy shit, Baby," he sneers, resting his face in the crook of your neck, taking in deep breaths of your scent to keep himself from jack hammering into you. You are truly the best thing to ever happen to him, and your cunt molding into the shape of him is just a bonus.

      There are no words that you can find in your brain. All if it is wiped away as you feel his rock hard cock stretching you out, filling you wall to wall. When he breaths out, a content sigh into your neck, you feel the veins on his length pressing into your gummy walls. "Hah~" Is all you can manage, thoughts turned into mush as he begins to slowly pull back out- just an fraction of an inch. Before sliding back in quickly. "Fuck!"

     "Doll, please, please," he whimpers, holding onto your waist tightly as he rolls his hips, "please say you're ready, I don't know how long I can take it."

    "Y-" the second the first syllable is utter from your lips, he's already pulled out half way, "yes!" He thrust back in, steady and slow at first.

Words are lost between you - minds absolutely flooding with hormones as he begins thrusting harder, faster. Moans, groans, loud whimpers. The slapping of your skin is so loud that even the rain pounding at the window can't drown it out.

He's stuffing you beyond your wildest imagination. His cock was made to stretch you so deliciously, and your pussy was made to take it.

It's his dream coming to life, quite literally, as your eyes roll back to the depths of your head and you're squeezing him tighter than before. It's almost impossible for him to keep thrusting, but he finds a way.

He grips your hips tight and is making you bounce on his cock effortlessly, all the while pounding his hips into yours. He's so deep inside of you, it feels like he can feel the same coil in your gut that you do. And it's about shatter.

He slips a hand down and begins swirling his fingers over your clit, pushing you off the edge roughly, making you cream over his member with a broken yell of his name. He leans in, all of his weight on you as fucks you through it harshly. His lips right next to your ear.

"You. Are. Mine."

And with that, a warmth like no other spreads inside of you.

༄

Nearly two months passed like they were nothing, days seemed to fly with you by his side.

     He felt he finally had a place where he belonged.

    He found himself work cleaning peoples guns in the bar, even selling and trading some.

    He had a bed to go to at the end of the day. After that first time together, you both rearranged the room. Pushing your beds together under the window and putting the dresser on the wall.

     He had the other half of his soul. You. He knew everything there was to know about you, and you knew everything there was to know about him. Well- all he was willing to tell. Sometimes, there was a dark glint in his eyes that made you feel like you didn't know the full story of the man you shared your life with. But all doubt faded away when he smiled at you.

     All was well- more than well. It was perfect.

      Until a group of strangers rode into town. Strangers to the town. But strangers to Mingi, they were not.

     He walked into the bar and Mingis heart stopped. He saw all of his hard work to get you, to settle, to make a life- all of it- vanish. It disappeared.

     "Fuck me," he groans, keeping his head low and cursing himself for not wearing his hat today. He hopes that he'll go unnoticed. But that hope is squashed when the man slides into the booth across from him.

     "Well, slap my ass and call me Pamela. Song Mingi!" The rowdy man immediately catches Louis' attention from behind the bar.

     "Why are you here, Buck?" Mingi keeps his tone low, hostile.

   "You know why I'm here. You want in?" The man, Buck, has a smirk playing mischievously on his lips.

     "No. You, and whoever else you drug into this town are leaving. This town is off limits."

     Buck lets out a shrill chuckle, "says who?"

     "Says me. This is my town. Get the fuck out before I shoot you." Mingi growls, placing his pistol on the table, finger twitching at the trigger.

      That gets Louis' full attention, his hand immediately unlocking the safety on his gun as he makes his way over. "Mingi, who's your friend?" He hates to admit, but he's grown fond of Mingi over these long winter days.

     "He's leaving. Ain't that right?" Mingi tilts his head at Buck, who takes a look around. Multiple patrons of the bar have their hands on their guns, ready to draw.

     He isn't stupid. Mingi is apart of these people now and they'll protect him.

    "Yeah, that's right." He slides out of the booth, giving Mingi a seemingly innocent smile. But Mingi knows him all too well. "I'm glad you finally found yourself a nice girl to settle down with."

      With that finally threatening congratulations, he's back out the bar the way he came. Mingi watches from the window with wide eyes as he joins the posse of men outside. As soon as they start wandering away, looking into shops and other such buildings Mingi has come to be so fond of, he snaps into action.

    He runs up the stairs, nearly bumping his head. They've been casing the town, that's the only way he'd know about you.

      "Mingi!" Louis follows after him, slowed by age.

     He finds him reaching under the bed, staring bamboozled as he places gun after gun after gun into the mattress. "Mingi!"

      He ignores the panicking man, loading all of them up. "Son!" His head snaps up, tears threatening his waterline.

      "Louis, they're going to raid the town."

"What...?"

"I don't have time to explain, I have to go- go get (Y/n). You need to gather everyone who knows how to shoot. I n-"

"Boy, I don't care much for nonsense."

"Listen to me, Louis!" He clearly panicked, an expression he's never seen from him before. "What reason do I have to lie? This is my home too! This is my home and my woman, and I'll be damned if I let Buckey fuck-face and his thugs ruin it!" In his panic, Mingi doesn't notice the ring that falls from his bag as he gets out more ammunition.

Louis bends down next to Mingi and picks it up, puzzle pieces falling together in his mind.

Mingi snatches it back and shoves it in the bag.

"You're gonna propose to my little girl?"

"Not if we all die," Mingi responds shortly, shoving an armful of guns into Louis.

   They share a look.

    It seems Mingi made a similar promise to himself about you.

"Go and fetch her, don't raise any suspicion. If the townspeople know what's coming, it'll start a panic."

Mingi gives him a short nod. To say yes, sir. To say thank you.

He keeps his head down, hat covering his face as he weaves his way to the very back of the town. Trying his damnedest to avoid everyone from his past.

When he successfully makes it to the river, he spots you and is filled with relief.

    You hum quietly to yourself, bundled up in his large poncho to protect yourself from the frigid January weather as you clean your clothes.

    The harsh winds whip your loose hairs around, makes the clothes on the line flap loudly.

"(Y/n)!"

"Hey, Darlin-" He pulls you up, holding you close to his side as he drags you away, "what're you doing?"

"Just keep your head down, when we get back to the bar, go to our room, lock yourself in the bathroom. Okay?"

"Min, you're scarin' me..."

"Do you understand?" He asks firmly, stopping at the edge of town, turning you to face him.

He looks deadly serious. You haven't seen this kind of look since the first day you met. So you nod, committing what he said to memory.

"I love you," he kisses you deeply, shortly.

And then he drags you through town, and into the bar. But he pushes you right behind him when you walk in.

Buck has Miss Maria and Louis tied up, pushed to the floor. The few patrons are gone, and the yelling outside tells him Louis' plan to keep things calm has failed. Multiple men are rummaging around the bar, cleaning out the register. He can't hear any noise above them, and he's thankful that the entrance to your small home is so well hidden by the corner. 

     He feels you grip the back of his leather jacket, and he's about to turn and tell you to run when he feels you get ripped away.

     Your scream echos in the building as one of Bucks men tears you away, and Mingi has to stop himself from shooting the man the second he puts his hands on you. Doing that will just get you all killed.

He's deadly silent as he watches the man toss you to the floor. His gun was drawn the second you got tore away, and he's itching to use it.

You try to scramble away, but Buck comes up behind you and places his boot on your back, shoving you back down with a thud. Maria is sobbing uncontrollably into her hands, Louis' jaw is locked in anger as he looks away.

He bends down, putting more pressure on your spine. He grips your hair and turns your face to the side. "Well, well," he smirks, "you're even prettier up close, ain't you?"

Everyone stops in their tracks as you spit in his face. "Fuck you!" One of the men closest to you has a gun to your head in the next second, but you refuse to break.

"Feisty, I like that," he shoves your head to the floor, hitting it against it roughly. Mingi is seeing red as the world around him resumes, men ransacking the bar and chortling at your family. His family.

      "Buck."

   "Oh?" He turns, leaving you on the floor, "got something to say, pansy?"

     "Yeah." His eyes flick to yours as you push yourself up dizzily, and over to one of the booths before Buck even realizes he's looked away. "You need a key for the safe. I gonna give it to you, and youre gonna take it and leave."

     "Is that so? That's what's gonna happen?"

   "That's what's gonna happen."

   "You really lost your guts, aye? Found a nice girl and a cozy town and decided you're too good for this life, I see."

    Mingi slips his pistol back into its holster on his hip, sauntering over to the bar with all eyes on him. He stands infront of Maria and Louis, shielding them from what's about to come. "You see it how it is, then." He lifts up the pot of dying chrysanthemums in the middle of the wooden island and scoops up the key. His eyes spot you curling up under the booth he glanced at. Thank goodness you got the message.

      Cause shit is about to hit the fan.

    He tosses the key to Buck, and as his hands raise up to catch it-

     He puts a bullet in his brain.

     You can't help the scream that rips past your lips, covering your ears and hiding your face in your knees.

    As the men behind the bar start shooting at him, he ducks, shielding the older couple as the men infront of them begin firing. But he's too quick. Only one of them gets close, grazing his shoulder and stunning him briefly. He drops his pistol and takes the larger gun off of his back, propping it up over the island blindly and spraying the rest of the men in a hail of bullets.

     And then all is silent.

    With a heavy heart, you look up from your lap. The building is covered in blood, light seeps in from the holes in the walls caused by stray bullets. Maria is crying silently. Louis is looking at Mingi in shock as he falls onto his backside, holding his bleeding shoulder. 

     "What the hell was that, boy?"

     "That was me saving your ass."

༄

    Mingi and Louis, with the help of a few good samaritans, cleared the bodies out of the bar and drug them to the outskirts of town. Leaving them for the coyotes and bears. If it were up to him, Mingi would have hung them up as an example.

     Maria, seemingly in shock, scrubs the floor with a blank face as you fix up the register and dig out all of the bars belongings from the bandits bags.

     You feel a roll of papers at the bottom of one of the bag. A silent hum of amusement leaves you as you see what it is. They kept their own wanted posters. Proud of what they've done. You flip through them. Maybe out of morbid curiosity of who your boyfriend just gunned down.  And then you get to one who you know wasn't a victim.

     Because he was the gunner.

    Mingis face in a sketch stares up at you.

    WANTED.

    DO NOT APPROACH. ALERT THE AUTHORITIES.

 DANGEROUS FUGITIVE. SONG MINGI.

    The door to the bar swings open.

   The world spins around you as you look up from the drawing. And come face to face with it, brought to life.

    "Mingi..."

    "Are you okay, Doll?"

   You can't seem to find any words that describe the way your heart is breaking. Louis approaches you first, his own heart stopping as he sees what's held in your trembling hands. He tears it from you, glaring down like it's a hallucination.

    "Who are you?" Is all you can manage to whisper, backing away with a grip on your uncles sleeve as Mingi steps forward.

     "What is that?" He nods to the paper, although deep down he has an idea of what it is.

   Maria snaps out of her trance, joining your side, a gasp leaving her lips as she looks back and forth from the paper to Mingi.

     "You get out of here, you never show your face in this town again," Louis grips the man's collar and pulls him to his level, "You're lucky my girls are watching or I'd hold true to my promise."

     Mingi shoves him away and grabs the paper from Maria, his worst thoughts come true as he sees himself staring back at him.

     "Wh..." He trails of in a whisper, heart breaking into a million pieces as you look at him fearfully. Like you did the first time you met. He thought he'd never have to see that look again. "(Y/n), please, hear me out."

     Maria holds you to her chest as he approaches. "I knew I sensed evil in you, boy." She bares her teeth at him as she seethes, like a wild mother bear.

"Leave," your voice trembles, raw with all of the emotions that are flooding you. You lean further into your aunts arms as he reaches out for you. "You lied to me! I never want to see you again! I ought to turn you in!"

    "You have to believe me, I'm not like that anymore. Baby, listen! I only did what I had to to survive, you don't understand. I'm not like them!" He fights against Louis as he drags him to the door. "Please, I love you!" He's thrown off the porch, only getting a glimpse of you as you crumble to the floor before the door is slammed in his face.

༄

Mingi drapes his mare's reigns over a poll, trudging through the snow until he's at a familiar door.

He doesn't bother knocking. He barges in and stares down at the man at the desk.

"Mingi, long time no s-"

"I have a job for you." He slaps down a wad of cash, "more where this came from when you're done."

The man sighs, but takes the cash, thumbing through it. "And why don't you do it?"

Mingi ignores the question. "Louis and Maria Donelley. Shoot them, make it quick. (Y/n) (L/n). Tie her up on the tracks."

He hesitates for a moment. But in the end, "More where this came from, huh?"

༄

     It's been three days since Mingi has gone away. Rather, since he was forced away by his past and your reaction to it.

     You've slept for most of that time. Cried the rest. You barely eat. Barely talk. You hardly even move off your side of the once-shared bed.

    Maria, Louis, all of your friends tried to comfort you. Telling you that he was just a fling. That the one for you will come around and make all of the pain Mingi left disappear.

     They don't know that Mingi was the one.

     He made you so happy. Happier than you'd ever been. He made everything seem... right.

     "Hey, Dear," Louis knocks at the wall, slowly coming ascending into the room.

     "I don't want the soup, Uncle Lou..."

     "Auntie!" Ellis comes barreling past Louis and jumps onto the bed, hugging you tightly.

     "Ellis? Hey, Buddy!" You force a smile as you hug him back, sitting up with a groan and holding the child in your lap. "How you been?"

      Ellis goes on and on about what the new teacher from the city is teaching his class, a big smile on his face. Louis sees the smile pulling at your lips in the slightest, and he excuses himself silently.

     He, admittedly, is a very good distraction from your pain.

You spend quite a few hours playing with him, catching up on the things that are going on in town. He drops the ball onto the jacks and giggles loudly as it rolls away, under the bed. "I'll get it, set us up another round."

You bend down and feel around for it blinding, heart skipping a beat as you feel Mingis bag. You haven't found the courage to touch any of his things, even if to throw them away.

You move away from it and grip the ball, rolling it back to Ellis. "El, I'm feeling a bit tired, why don't you come back tomorrow."

"Aw... okay! I'll bring Violet and we can play outside!"

"See you then, Kiddo," you ruffle his hair as he passes you to leave.

It was a nice break from your sorrows while it lasted.

You crawl back into your half of the bed as the sun sets in the window above it, pulling Mingis pillow into your arms as you sob yourself to sleep once again.

Deep into the night, you feel the bed dip. You open your eyes with the littlest inkling of hope that Mingi has returned despite your harsh words his way.

But you're only met with a stranger.

You open your mouth to scream, but only get a small squeak out before you are met with a hit on the head.

༄

You awake as your body is tossed into the air, a loud groan leaving you as you collide with something hard. Through your blurry vision, you can see the moon high above you.

You look to the side, and you put two and two together that you're in a wooden cart as you see the stranger from above your bed riding on a horse that's got you attached to it. "Hey-" You croak out, getting his attention.

"Morning!" He yells, making you wince. You have a splitting headache. "Just in time for the show," he mumbles under his breath, pulling the horse to a stop.

You can hear him shuffling around in the snow, and you try to sit up before you realize you can't. Your entire body is tied in a thick rope.

The back of the cart opens up, and you try -you try so hard- to shimmy away as he reaches in and grabs your foot. But to no avail.

      He pulls you from the cart and lets you fall into the snow. It wets the back of your nightgown and hair, soaks your thin socks and makes you shiver. You don't think you've ever been this scared. Even during the shootout, Mingi was there to protect you.

      You watch with a fresh set of tears brewing in your eyes as you watch the man double knot some ropes onto the tracks. "Oh my God..."

      He ignores as you begin to beg for your life, telling him all sorts of things about you to try and make him sympathetic. "- and his name is Louis, he took me in when my parents died! Uncle Lou and Aunt Maria, please! She'd die of heartbreak!" He scoffs, knowing she's already dead. So is Uncle Lou.

    He followed Mingis request and made it quick.

       He pulls you by your binds to the tracks, the metal on the tracks is the coldest thing you've ever felt and it makes you yelp. You cry out in the night as he begins tying the ropes on the tracks to the ropes on your body.

    "Please, why are you doing this?!" Your voice shook with pure horror, tugging at the ropes that were wrapped around your entire body and tied to the tracks by the bandit. He crouched down at your feet and smirked, his simple answer making you cry all the harder.

     "Why not?"

   All of your pleas and prayers fall to deaf ears as the man turns away and to his cart, rummaging in his chest. The tracks begins to shake and you begin to except your fate. You turn your head to the side and watch the pebbles rumble, your sobs visible in puffs of air as you exhale into the harsh winter air.

    A loud thud and a groan makes you look back, and you see a tall figure on a familiar white horse.

    "Mingi!" He drops the crowbar he used to whack the man as he rode past.

    He looks back at you briefly- his face hidden by his droopy hat. But you can tell he's pissed. His jaw clenched and shoulders tense before a gunshot rings out and he ducks and rolls off of Mare, slapping her to make her run away as he draws his own gun.

    Between the rattling of the tracks and the thrumming of your heart, you can barely force yourself to watch as he approaches the man bravely, your eyes flicking from them to the horizon repeatedly. A sob of his name makes him pause for a split second before he comes back to his body.

    "Too close," Mingi scowls at the man, using his gun to smack his hand and make him drop his, kicking it away as he scrambles for it.

    "Aye, man, I did what yo-"

    "Too close."

    "Just give me my mon-"

       His gun smokes by his side in the next second as the man drops to the desert floor dead. He takes a moment to bask in the way the blood pools in the pure white snow before the steam whistle catches his attention.

      "Mingi, please!" He drops everything and runs to the tracks, crawling over your body and looking at your binds frantically. "Mingi, oh my God, please- I'm so sorry! Please untie me, hurry," you babble on in a panic as the train appears just over the horizon, sobs wracking you body under his as he tugs at the ropes.

     Your horror breaks his heart, but he knows it's necessary. He knows he has a knife strapped to his back, but he plays the panic card and 'forgets' as he forces a false worry onto his face. He won't let anything happen to his Doll, but you're too caught up in your fight or flight to remember that.

    "I got you, I got you," he murmurs as he pulls the ropes on one of your sides undone, taking his sweet time with the other as he watches the train grow ever closer- the conductor blaring the horn.

     Your free hand grasps at him, clawing at his leather jacket, eyes wide and soaked with tears as you stare down your death as it barrels towards you. Just a few feet away.

    Mingi yanks you up and falls to the ground besides the tracks with you on top of him, hands roughly holding you to his chest as his hat blows away with the wind that the train creates. You willingly slump into him, sobbing into his warm chest as the tracks rattle loudly besides you, drowning out your cries.

     He relishes in the way you cling to him well after the train passes, not daring move away from your savior as you cry your heart out and ramble on to him about how you're so sorry and how you never would have really turned him in and on and on until he silences you with a tender hug.

    He knows all of this. His Doll would never betray him. But it's best that he get a subconscious message through your thick, naive, skull early on.

   The message being: the attempt to leave him has failed miserably. Why even try to leave when he's so clearly your fate?

༄

Mingi locks the bar door behind him as he carries you into the building. He kicks off his boots. He knows you hate the mess.

    It was silent the entire way back to town.

And it remains that was as he carries you up the stairs and to bed. He doesn't even acknowledge you as he gets you some clean, dry clothes.

"Mingi..."

He sighs, shoulders dropping.

"I'm s-"

"I thought you hated me?"

"Min... I was just- just in shock! Why didn't you tell me you were... an outlaw?"

He kneels at the bed and slips your socks off, replacing them with a warm, thick pair.

The moonlight seeps in through the sheer curtains and paints your skin in a haze of blue. The bruise on your temple like a water color bloom.

"Because I was afraid." He bites his lip as it trembles. That's the plain truth. He was afraid you'd leave if you found out all the things he'd done. But now that you know, he still doesn't plan on letting you leave. "Please forgive me, Doll."

He lowers his head into your lap and smirks as he feels your hand rest on his hair.

"Come back home, Mingi."

"Really?" He looks up with the most puppy like gaze you've ever seen.

You nod, wiping your tears away, "I don't care what the others have to say. We can leave this place if we have to, I just need to be with you, M-" His lips collide onto yours as he pounces on you, pushing you onto the bed and nipping at your lips like he's starved. And he is, because-

"I missed you so fucking much, Doll," he growls into your lips, melting into you as you wrap your arms around him. It feels like it's the first time in forever, and it is to him.

"I love you, Mingi," you whisper as you look up at him, chasing after him as he sits up on his knees.

     He lifts your ruined nightgown, looking down at you as if you're a work of art as he tosses it away. "I love you," he whispers back, cupping your breast in his warm, big hands. "I love you so much it hurts."

You lay back with a moan, arching into his touch. Your mind is so fried from this weeks events, all you want to do is disappear into him.

     And you let it be know. "Take your clothes off." You tug at his buckled belt with an utterance, licking your lips at the sight of his happy trail. "Show me how much you missed me. Show me how much you love me."

     Your sultry words have him undressing in a hurry,  slamming his pistol down on the nightstand he made and kissing you deeply as he removes his belt, heart beating rapidly as you cup his cheeks to bring him closer.

     You're the closest to heaven he's ever been. Kissing down his neck and stroking his back. He doesn't know how or why this infatuation grew into something wild and untamable. And frankly, he doesn't care.

       You are quickly working to undress his top half while he kicks his pants away, letting his larger gun clatter to the floor. You no longer care if he leaves them out. You just want him home.

      "I was so worried about you, Baby," he pants, "I know I hurt you. I'm so sorry," he places kiss after kiss after kiss on your face, rubbing your thighs as he slides between them. "I love you. I adore you. I want you. I'm yours. You're mine." Every statement is accompanied by a kiss.

      "I'm so sorry, Min," you look deep into his eyes as he rubs his member on your wetness, "you're my one and only. I don't care what you've done to get here. As long as I have you in my arms. As long as I'm in yours."

     He hugs you tightly, forehead against yours as he slips inside of you. "I will never leave you," he moans out, settling deep inside of you as you pant and whine.

    You've taken him quite a few times at this point, but never like this.

    He always takes his time sinking into you, reveling in the slow stretch.

    But not tonight. Not after what you've been through. He needs to feel you, and now.

     He needs to feel your emotional connection on a physical plane. And so do you. That's why you don't stop him or push him away as he lowers into you quickly.

     You ground yourself by wrapping your arms under his and gripping his shoulders, careful of his healing wound.

     His chest against yours, heart beats drumming together as you try to disappear into each others being.

    Affectionate touches are left all over the both of your bodies. Tender kisses and promises of love.

    "You're all I ever wanted," you whisper into his chest as he starts a languid pace. "I want to be yours, tell me I'm yours."

"You're mine, Doll, all mine." He speaks ever so softly, cradling your head to his chest. He can't believe how lucky he's gotten.

"Make me believe you, show me I'm yours."

And he does.

     God knows how or why Song Mingi has so much stamina, but no amount of time passed stops him from pounding into you, he stops when he thinks you've had enough.

     He's made you cum seven times through the night, and with the sun beginning to rise out the window, he's still at it.

     Its been hours, and his pace hasn't slowed one bit. If anything, your pants and whines stir him on and he almost hammers into you. The quick in and out rhythm makes him moan. Your heat encasing him as the cold winter air seeps in through the walls that makes him want to bury himself in your body and never leave.

    He knows he's big. He's so big and you're small compared to him. But he doesn't care when he's balls deep in your sore and swollen pussy. He makes you take it to the base and chuckles deeply when you try and crawl away.

    "Min- can't take it," you sob, but that doesn't stop him.

    He grips your hips roughly and pulls your clit flush to his pelvis, holding you there as you squeal out, banging your fists onto your shared bed.

     "Fuck you can't, your pussy was made for me to stretch out." His next thrust sends your hips into the mattress, finally able to rest your exhausted body as he plunges into you from behind.

      Each rough thrust wipes away every thought from your mind until it's all Mingi.

   Mingi is so deep.

   Mingi is so thick.

   Mingi fucks you so good.

   Mingi treats you so good.

   Mingi loves you.

   Mingi.

   Mingi.

      "Mingi!" You moan out loudly into the pillows as you seize up, eyes rolling into the back of your head as you cum all over him. Vision dark and blurry, drooling all over the place, barely conscious after your eighth orgasm around his massive girth.

     He's panting and growling into your ear, continuing to thrust. He's relentless. He's really out to break you.

      "Please," you slur, wracking your slush of a brain for a way to get him to cum. You love him, and you love fucking him. But he just won't stop until he cums. And he won't cum until you essentially force him. He's so hell bent on making you get there, he forgets about himself, like he's outside of his own body. And he's extra determined after almost losing you. Your usual tricks haven't worked. So you pull out the big guns. "Please, Min... put a baby in me." Oh, you know him all too well. He's made multiple comments about how good you are with children. How pretty you'd look with that pregnancy glow, your belly round with his baby.

    "F-fuck, Doll," it seems as if that is enough to satisfy his hunger, slamming his tip into your womb and filling you with his warm and sticky seed so much that it splashes back on him and makes a mess of his lower stomach.

Still buried deep inside of you, uncaring of the mess, he lays ontop of your back gently and wraps his arms around your shoulders, his head next to yours. You shaking breaths and trembling legs calmed by his warmth over your entire body.

     "Holy fucking shit," you whimper, making him chuckle quietly.

     He places a gently kiss to your shoulder, "I didn't go to hard, did I?"

    "You did... but I liked it."

    He smiles as he rests his head, hands rubbing up your arms and to your hands, intertwining yours fingers. "I love you." He states. Loud and proud. "I want to spend the rest of my life with you. I want to share everything with you and I don't want to keep anything from you. I want you all to myself. Will you marry me?"

    The words almost get lost in translation on their way to your endorphin flooded mind, and your silence makes him nervous. That is until- he sees the giant smile spreading on your lips. "Yes."

"Oh, thank goodness," he sighs a breath of relief followed by a soft laugh.

    "But you'd better get me a ring," you joke, groaning out as he slowly pulls out of your abused core. There's a smirk on his lips that you can't quite place as he gently turns you on your back and helps you get comfortable.

     He reaches under the bed and grabs his bag. "You didn't-"

    "I did," he has his signature shit-eating-grin on his face as he takes it out. A dainty, pretty, thing. Much like he sees you.

      He cuddles into your side, fur blanket draped over your lower halves. Calloused and rough hands take yours. Gently and loving with you. Their past of violence is lost as he slides the ring onto your finger tenderly.

     "Mrs. Song."

༄

#ateez #ateez smut #smut fic #yandere ateez #ateez mingi #song mingi #yandere mingi #mingi smau #mingi smut #ateez smau

[sendothetaurus]

How to write good dialogue

Almost every story needs dialogue - obvious right? Well, this post is about the not-so-obvious sides of conversations. I've struggled a LOT with snappy and realistic speech, so I've made it my mission to collect some handy directives. Here is what I found:

Contents

Information Dumps

Setup And Payoff

Characterization Through Dialogue

Three Simple Questions

Four-Sides Model

Depth

About Answers

Sources And Credits

⮮ Let's go! (^▽^) ⮯

Information Dumps

Everybody knows them, everybody hates reading them. But how do we avoid them? Something really clicked for me when I understood context. If your character talks about something that happened in the past, they don't need to explain what happened. They were there. Here's an example:

"It would be nice if we at least got a B for that paper. Since I will go to college next year, I feel that this is important to me."

The speaker and the listener should be aware of the exposition (regarding their last year at high school). During dialogue, these conditions go without saying.

Setup And Payoff

Instead of dumping everything at once, let the reader guess what's happening. This is done by mentioning something that is not answered right away. Also dropping hints can increase tension.

Scene 1 "Why do you always carry that with you?" she asked and pointed at the box cutter. Her friend eyed her with suspicion. "For cutting." "Yeah, but why?" "Might come in handy sometime." Scene 2 An ice cold shiver ran down her spine as her fingers felt around the bag, searching for the familiar shape. There was nothing. The other tossed the thing onto the floor between them. "Care to elaborate?" She couldn't have known. "How could you!"

Someone definitely has a secret here that they don't want uncovered. It makes the reader speculate: Does she carry the knife to defend herself or does she plan on hurting someone with it?

Characterization Through Dialogue

The general rule of thumb is: Show not tell. If a character is shy, self-absorbed or chaotic, make them act like it. Also, readers take part in the characterization of your protagonists. Make them guess why a character acts a certain way.

"C- can I have your pen?" She twirled her thumbs and looked at the ground. "What the hell, no!" Disgusted, he brushed off his hands on the front of his jeans. "I'mma better disinfect that."

Notice how the girl is stuttering and the boy has a loose tongue. Mannerisms help identifying traits in a character. Everyone has a distinct way to speak (e.g. relaxed, polite, malignly) which makes it easier to tell them apart. Sometimes there is a difference between speech and behavior. This can be quite useful to highlight conflict inside a character.

Three Simple Questions

Who wants what from who?

Why now?

What happens if they don't get it?

These questions ensure plot consistency. For question 3 the only other outcome is conflict. Conversations thrive off of conflict and it is of benefit to have a supplicant and potential provider for a solution. It's basically intention versus obstacle.

1. She wants to be his wife. He doesn't want a marriage. 2. She is pregnant. 3. She needs to provide for a baby all on her own.

Tadaa, a conflict ensues.

Four-Sides Model

The four-sides model is a theory on communication. It assumes that a message has four distinct ways of being conveyed:

Facts -> data, facts, truth and relevance

Self-Disclosure -> explicit and implicit information about the own mindset; likes, dislikes, opinions

Relationship -> information about whether the person is liked or detested; approval and disapproval; "I assume you have [this] opinion of me"; body language

Want -> a direct attempt to influence the behavior of another person; advice, desire or instruction

Since this is highly technical stuff, I'll provide you with an example:

Customer: "I always drink my coffee black." 1. Fact: The coffee I drink is black. 2. Self-Disclosure: I like black coffee. 3. Relationship (POV of the waiter): Did I do something wrong? OR It's their fault! They ordered the wrong thing! 4. Want: Bring me black coffee.

Controlling the message through sender and receiver gives a new level of influence to an author. The relationship-level is the bottleneck in a conversation that holds the most potential for misunderstandings. I'm trying to be aware of it when I write subtext (see below).

Depth

On the nose dialogue is what we want to avoid at all costs. For this reason subtext is created in stories. Read this:

Scene 1 A: "I like you." B: "Nah, I don't like you back. You're so annoying." A: "Ouch, that hurts. I'm not sure if I heard that right." B: "We were never friends. Go away."

This is not how conversations work. Thankfully, dialogue like this is not entirely useless. It conveys what the characters really want to say. The challenge is to think of a way to not say the thing but keep a similar meaning.

The true meaning behind the dialogue is called subtext (scene 1). If I don't know how to continue after a certain line, I write down the subtext first before I decide on how to paraphrase it.

Finally, I add a fitting description of expression and body language if needed. I try to keep it short and simple.

Check this out:

Scene 2 She tucked her hair behind her ear. "I need a ride home later. Are you free?" -> I like you. "Sorry, all seats' re taken," he said without looking at her. -> Nah, I don't like you back. You're so annoying. "Uhm, okay. But I'm small. You could fit me in the footwell, honestly." -> Ouch, that hurts. I'm not sure if I heard that right. He leaned forward as if he had the urge to stand. "Ha, funny. But no, I'm not planning on doing something illegal tonight." -> We were never friends. Go away.

A character's action depends on their own intention and the other's response. I feel it is easier to keep track of what's happening behind the curtains when it's written alongside the dialogue.

Simultaneously, you can keep habits and traits in check. Does the the character apply all criticism to themselves? Are they disregarding or constantly marginalizing others? Do they worry only for themselves or solely for others? Subtext truly is the most powerful tool in conversation-writing.

About Answers

Did you know that you don't have to answer every single question? In fact, there are two other ways to show an emotion without telling it.

The first one is called sidestepping. The character ignores the posed question and carries on with an entirely different topic.

A: "Do you still love me?" B: "We should get going."

It's very obvious, right? By sidestepping the question, we can assume that the character is uncomfortable or angry with the other person.

The other way to answer is actually a bit paradoxical. Through silence, a great variety of emotions can be displayed. It is recommended to refrain from actually describing silence with words like "he remained silent", "he refused to say anything", "he never responded".

- The laptop hummed. - The birds chirped in the trees. - She felt her legs going numb from sitting in an uncomfortable position. - His eyes wandered around, searching the parking lot for a familiar face.

It feels more natural to explain the things that grab our attention when we sit in silence.

This is it, folks. That's all I could find on the topic - for now. If there's anything missing, I'd love to hear it.

‧͙⁺˚*･༓☾ Anyway, thanks for reading, I hope this helped ☽༓･*˚⁺‧͙

My sources are this and this video as well as this article.

Also a big thank you to @zoropookie for helping me with the colors ⸜(｡˃ ᵕ ˂ )⸝♡

#writing dialogue #writing tips #writing #writing advice

[lowkeycasanova]

catching up

plot: you run into Vinnie after breaking up 3 years ago

masterlist

——————————————————————

Take out bag in hand from the pick up counter, focused on nothing and no one as you walked through the restaurant as you ordered an Uber to go back to the Airbnb.

But there he was, and he recognized you as you walked past each other. You didn’t even realize.

“Y/N?”

You nearly tripped over your own two feet and almost bumped into someone upon hearing your name called. You step aside and with a confused expression, you turn around to the direction of the voice.

“Vinnie.” You breathed out.

Before you could even process what was happening, he walked up and pulled you into a hug. Closing your eyes, you hugged him back.

“I can’t believe it’s you.” He said and pulled away. “You look amazing.”

“Yeah, so do you.”

He’s definitely filled out since the last time you saw him. He had more muscle, he grew out his hair, it was also more of his natural color, his previously bare hands were covered in tattoos and you knew he had more, and you swore he got a tad bit taller.

“God, it’s been a while.”

You pursed your lips. “Three years…”

*Flashback*

"What do you mean you're going to LA?" you asked him in disbelief.

"I just think this would be a good opportunity for me."

"You make random videos for fun. It's not a job."

"Not yet, but who knows, I could make a career out of this."

"Since when do you wanna be some entertainer? You've never mentioned anything like that." you argued back. "But that wasn't the plan. We're supposed to be going to college together. I was so happy when we both got accepted, but now you spring this on me a month before school starts?"

He sighed. "I know. I'm sorry, but having contacts out there could help push my modeling. And maybe I could get into acting. I've always wanted to try that."

"Again, you never mentioned that."

"Well maybe I kept my mouth shut because there would be no opportunity like that for me here in Seattle!" He raised his voice in frustration. "And now, I have it and I wanna take it."

You felt the tears forming in your eyes and tried to keep yourself together. Part of the reason was that you were just such a perfectionist, planning for things in the future, and when they don't go as planned, you don't know what to do.

Also, to you, it wasn't wise of him to just up and go. Sure, having one million followers was impressive, but, so what? Plus, he didn't have that much money. He's just hoping it all works out.

Vinnie left two days after his 18th birthday. You couldn't believe he actually got on that plane. No, you didn't like it, but you accepted it for what it was.

"So, how's school going?" Vinnie asked.

You two had moved over to the side of the entrance doors and leaned against the wall so you wouldn't be in other people's way.

"Um...you know, going into my last year. It's exciting."

"Still interior design?" he asked.

You nodded.

"So, what brought you to LA?"

"Um, just took a trip with a friend before school starts up again."

If Vinnie was disappointed that you didn't reach out to him upon arriving, he didn't show it.

"What would your major have been? If you stayed?"

"Mathematics and physics. But I'd probably still be an electrician on the side with my dad."

Talking about his what ifs made the memories come back.

*Flashback*

Just hung up the phone after talking to Vinnie. You sigh in disappointment.

He called to let you know that he wouldn't be able to come to the annual homecoming game on campus due to some photoshoot he had to do.

You tried to not let it affect you. It was just a football game. And Vinnie was seemingly starting to do the things he really wanted, so you wanted to be supportive of that.

It was then when you felt a shift in the relationship.

Putting on a happy face the day of the game, you ended up dressing up with your friends, decked out in purple and white, while sending pictures and videos to Vinnie.

He came back and visited for a few days before going back to LA. You were so consumed with school and wanted to focus on that.

There was one moment when you were up late doing homework. You began thinking about what it would be like if you finished up your first semester at the University of Washington and then transferred to Cal State or some school out there to be closer to Vinnie.

It was when you were reviewing the transfer requirements at UCLA when you thought, what the hell am I doing?, then exited out the website.

That wasn't what you wanted.

Vinnie was started to blow up at this point. It was hard to miss. And it was evident that you two started to talk less. You tried to make the effort. He'd been a bad texter at certain times but it was never frequent. You hated the possibility that he was somehow ignoring you but it only got worse when you'd see him in the media out with his new friends at restaurants and rumored to be dating this girl or that girl.

You wondered how he had time to talk to them and not you.

It got to a point where you'd drop everything when Vinnie did get back to you.

One day you got a call from him.

"I don't know if I wanna do this, Y/N. I just wanna come back."

Had he told you this a few weeks earlier, you'd would have no problem convincing him.

"Vinnie...you've only been out there for a short amount of time. As much as I'd want you to come back, I think you should stay a little longer. And if things still continue to not work out, I already know your parents would let you move back in. Stay and do the best you can."

He didn't say anything, only sighed on the other end.

You continued. "And to be honest, we should both be doing our own things individually."

"...what do you mean?"

You bit the bullet and told him that it would be best to break up. Thinking about it, but didn't want to say it because the two of you had grown so close. But y'all needed to do your own thing right now. You perceived the call from him as him holding back from striving to do his best in LA because he was tied down to a girl in another state. Vinnie obviously didn't want it, but he knew it was inevitable.

As you two continued to talk, a black car drove up and parked in front of the restaurant.

“Oh shit.” You said and looked down at your phone. “That’s my Uber. I gotta go. And I don't wanna gold you up from whoever is waiting for you inside."

“Oh.” He said and you could tell he was trying to hide his disappointment. "I'm the first one here. Just coming with friends. But sure, of course. Hey, maybe we could, hang out or something tomorrow. If…you want to.” And he nervously scratched the back of his neck.

You raised a brow. “Are you sure?”

“Yeah. I’d love for you to meet my friends and see the house.”

He hoped he didn’t come off as bragging with that last part.

"Yeah, sure, I'll come."

He smiled. "Alright, cool." and he pulled you into a tight hug.

***

When you got back to the Airbnb, you told your friend about your run in with Vinnie and the invitation to go to his house. You'd known her while you were dating him, so she knew the story.

"Are you sure that's a good idea?" she asked.

You shrugged. "I don't see why not."

"Okay as your friend, I don't think you should go. I mean sure it'll be nice for a second, until we go back to Seattle and he stays here and you're back to where you started."

This was definitely going to open up old emotions. Oh well.

The next afternoon, Vinnie picked you up. He said he hoped you hadn't changed your mind.

When you arrived at the house, you noticed quite a few cars in the driveway and felt hesitant.

"I didn't know you had so much company. I could've came another day."

He chuckled when he realized why you said that. "These belong to me and my buddy Jett."

“Oh.” You smiled.

“We buy them and try to fix ‘em up.”

Vinnie opened the door up for you, allowing you to go in first. You smiled at how beautiful and lively it was. He told you his roommates were his best friends, but he also had other friends come over a lot.

You stood beside Vinnie and he introduced you. He wanted to have everyone’s attention. They stopped what they were doing to come and meet you. You didn't know where to look, trying to greet them. His friend, Jack, told you that Vinnie had mentioned you'd be here.

Vinnie told you to make yourself at home and you got comfortable on the couch in the living room, admiring all the instruments that were there. His friends Josh and Adam are sitting on the spot across from you. You started to get to know them, laughing as they're pretty funny.

Vinnie makes his way over, silently observing you, happy that you seem to be getting along with everyone. He always loved that about you.

"You guys better not be talking about me." Vinnie's voice catches you off guard.

"Oh we definitely were." you answer back. The boys laugh and someone else comes and grabs their attention for a moment.

"Hey, can I talk to you for a minute?" Vinnie asks, his fingertips barely grazing your shoulder.

"Yeah, sure."

You got up and follow his lead. He gives you a tour of the house on the way up to his room.

"Nice picture." you said, referring to the big frame that had his head and his cat's heat photoshopped onto it.

Speaking of Hera, she came up and purred against your leg like she'd known you forever.

"Oh thanks." he laughed while simultaneously trying to make the cords from his gaming setup look less chaotic. "My mom got that for me as a Christmas gift."

Maria.

You had gotten close with his family too. You two spent time at each other's houses a lot due to not being able to go to the same high school. After the breakup, his parents and younger brother still followed you on social media, but you hadn't spoke to them in person. It hurt that you had also lost your second family.

He motioned for you to sit on the bed next to him and you did. He seemed like he was trying to get his words together.

"Honestly, to start it off, I wanna tell you what went down as far as moving out here."

He looked at you, as if asking for permission to continue. You nodded.

"Um...I know that you felt this disconnect between us and you said it would be best for us to do things on our own. You were right. I was being distant...but it wasn't because I didn't love you anymore, I was just going through a really rough time. I mean, I was in two houses over the course of four months and before I moved into Hype, I almost didn't have a place to stay. I was nearly broke because I wasn't making money off my content yet. And I just...didn't know what I was doing or where I was going with my life at the time."

Your face fell as he told you this. You felt so bad. Guilty even. That the break up was while he was going through all this stress. Like a final nail in the coffin.

"It's not your fault." he said as he noticed your expression and put a hand on your shoulder. You just looked at your hands in your lap. " I don't blame you at all.

"I should have really asked you if you were doing okay."

"I would've lied about it. I didn't tell my parents, you, or my friends. I just kept everything inside and I distanced myself from you, my audience, some of my friends, and I started saying rash things online. Just becoming someone that I wasn't. I realize now I shouldn't have done that. I should have talked to somebody, anybody about it. So that's my fault.

"I'm really sorry. And I'm sorry for how things were handled between us."

"Don't be. I think I needed to go through that. If not, I probably wouldn't be where I am today."

You felt tears forming in your eyes and wrapped your arms around him and he embraced you back.

"You deserved to know. Thanks for hearing me out."

"Of course. I'm so proud of you."

You two eventually pulled away and he ran a hand through his hair.

"Hey listen, I'm not saying we jump right back into something, but....I broke your trust, and I'll like to earn it back, If you let me."

"So, what are you saying?" you ask, searching his face as if it had the answers.

"I just wanna be in your life again. As your friend. I want to get to know you now, and for you to get to know me now. And see where it goes from there."

You looked at him in silence, feeling butterflies as he was looking at you.

"Okay." you said, almost in a whisper.

"Yeah?" he begins to smile and you nod.

He pulls you into him again. "Thank you. I won't mess this up."

#vinniehacker #vhackerr #vinnie hacker #vinnie x reader #vinnie hacker imagine #vinnie x y/n #vinnie imagines

[lollytea]

Unfortunately due to TOH being cut short by Disney a lot of character arcs and more storyline could not be fully fleshed out and finished as Dana had to wrap up everybody’s story in just a few episodes

I'm fully aware that Disney's intervention is responsible for a lot of the plotlines getting suffocated. Which is why I don't think it's fair to go harassing crew members with "why didn't THIS happen??" and all that, because nobody really knows what they endured working on those final episodes and how much they had to cut and rewrite. But from things Dana has said, it was likely a very stressful and exhausting experience. So I don't like to make assumptions about the crew being incompetent. Nobody knows how the season WOULD have turned out if they had been granted full creative freedom and breathing room to develop it to their hearts content.

However, me not directing personal ire towards the crew doesn't mean that I think that the show is immune to criticism. Its flawed. It might not be entirely the crew's fault but that doesn't mean we can't talk about how it's flawed. If anything, I think acknowledging and dissecting its weaknesses is a good learning opportunity for what we should consider when creating our own stories.

Season 3 is a bit of a mess. There's good stuff. There's some less than good stuff. I think ultimately, as a story about Luz, King and Eda, it knocks it out of the park. When they were left with no other option, they decided to prioritize the writing of their three protagonists and I think that was the correct choice.

But I've been thinking about the three specials and how they stand on their own, quality wise, and honestly, there's valid criticism to be said that is completely unrelated to the shortening.

Bear in mind that the crew has known since Follies that the show was getting cut short and they needed to start wrapping up loose ends. So it's not like they started writing Thanks to Them believing it was the first of 20+ more episodes. They knew that they were going to be writing a 40 minute special. So the execution had to be tight, concise and satisfying, right?

Well...it was....weird. Definitely fun. Good for fan service. The main hook was the witch kids navigating the human world in their dorky witchy way. And initially, that was enough. But once the novelty of that wears off and we focus on the plot of the special, what do we have left?

Thanks to Them is very guilty of lore baiting. Dropping in stuff that they know damn well that they're never going to elaborate on, leaving the audience with a feeling of intrigue that is never going to be satiated.

I personally think that is just bad writing. They knew they didn't have a full season 3 and rather than rewrite the means of which the hexsquads finds answers, they still made the choice to drop in what are most likely vague ideas from the initial draft.

I think, if they had no intention of developing it in future specials, there was no point to that scene of Masha telling the Wittebane story. It was just...filler. To stretch out the running time. Which is....kind of precious. Only 40 minutes. If you're obsessive enough about lore, you already knew the story from the Hollow Mind paintings. That scene was for casual viewers. Which is useless, because there's no point in casual viewers learning about Evelyn and Caleb because it never went anywhere.

Also. I personally think that if there was any value to learning the Wittebane lore without making it plot relevant, it would be for the sake of character development. We wanted to know how the kids would react to this knowledge.

Well how did they react?

*Shrug* They seemed a little unnerved but they kinda forgot about it the second they got off the hayride.

So what was the point of all that? What was the point?

Is it because we wanted "Goodbye, Evelyn," to be more of gut punch?

Was it worth it? Was "Goodbye, Evelyn" worth it? We know fucking nothing about Evelyn.

I think the rebus was a stupid and lazy means for the kids to discover Titan's blood. You introduce this mysterious object that was hidden under the floorboards and then you just use it as a plot device.

When the kids uncover the rebus and find the secret code inside, the viewer is not thinking about how it can be used as a means to an end (finding blood) The viewer is thinking "what the fuck is that thing and how did it get there and how did Flapjack know it was there?"

Questions that will not be answered <333

ALL IM SAYING is that I'm sure the crew could have come up with another way for the kids to have a Titan's blood treasure hunt. Maybe they could have dug a little more into the history of Gravesfield and follow leads on weird things happening on this one spot in the graveyard (which turns out to be because there's magical energy there, revealed when Luz realizes she can use glyphs)

I just think that if you're gonna leave the mystery box a mystery, you shouldn't have included it.

And I know. Its subtle storytelling. There's elements of what could have been a far more complex story and they're leaving hints of it here and there.

Well the thing about that is I think the hints are very unsatisfying and weaken the episode's plot significantly.

Also I don't think they should get to just pick and choose what parts of the lore are subtle and what parts are ham-fisted.

YES we are going to be reminded like three times that Flapjack is being secretive and hiding things from Hunter.

NO we are never going to get a payoff for that because he gets shanked and dies first.

BUT!! BUT!! If you squint, its IMPLIED that Flapjack belonged to Evelyn and blah blah blah

You don't get to rub things in the audience face and then choose to be all subtle about it at the last minute. Pick one or the other.

Anyway....I think they could have written Thanks to Them as more of an intriguing and suspenseful horror mystery where they spend forty minutes gathering clues and everything finally clicks together at the very end. That's not what we got.

We got a very weak attempt on the Hexsquad's part to be little detectives, but like a minute of screen time was devoted to them dicking around in a library, a costume shop, and a zoo.

I don't think we can blame the shortening for this.

#very sorry i got distracted and went on a little rant about ttt #this was unrelated to your ask i just tend to go on tangents #i needed to unload it somewhere tho

[chaos0pikachu]

Filmmaking? In My BL? - The Horror Influences of Dead Friend Forever

Okay off the bat I'ma say that this isn't me definitively saying these specific films or tv series are what inspired 100% DFF. I simply do not know what stuff the screenwriters were pulling from influence wise when writing the script, nor what the director was pulling from when directing the series, with 100% flawless certainty.

Rather, this is a chance to talk more about horror, from films, comics, visuals, and sub-genres and how these various mediums are what I see in the fabric of DFF's horror makeup. Also, general point, this post will be discussing minor spoilers of: Scream, DFF, and Girl from Nowhere. So like, be aware~~

This post is partially inspired by an ask from @italianpersonwithashippersheart in which the anon had mentioned Scream.

I couldn't really respond to this in detail before cause I hadn't watched the series, but I have now and I can say that the show is very thoroughly nothing at all like Scream. I'm not confident in much - other than my inability to reach the top shelf at the market - but I am confident in saying that lol

But this got me thinking, what type of horror IS DFF? I've seen a lot of folks say it's a slasher, and I both agree and disagree.

Horror as a genre is vast with sub-genres, it's probably one of the most universal and popular genres globally, and every culture has their own horror legends, cult classics, mainstays and shlock.

So that's what I'm going to talk about in this post, the slasher genre, why I don't think DFF 100% can be boxed into that sub-genre, what type of horror I think DFF is, and the influences I see in DFF's filmmaking and thematics.

So if we start anywhere, we gotta start with Scream (1996) since that's a comparison I've seen being made a lot.

The main reason I disagree in the comparisons to Scream is that Scream is considered a work of satire first and foremost. Through the power of capitalism and franchising, it's also consider a "whodunit" series.

“Scream” is the first movie of its kind to execute a satire genre within a horror movie, which is one of the most iconic and memorable elements of the film. The original movie makes many references to other well-known horror films and mocks them, while simultaneously leading the same plot points. [...] Although the following films in the “Scream” franchise do not follow as much of the same mockery of horror films, they are still considered to be satirical because of their use of mockery toward the movie franchise. “Scream 2” mocks film sequels and “Scream 3” mocks film trilogies." (source)

[sidenote one of my favorite examples of satirical meta horror is Wes Craven's New Nightmare]

DFF isn't satirizing anything in horror, it's almost entirely self-serious. Sure there's a couple of moments of hilarity - dick biting, and scooter snatchin' - but overall the show plays things pretty straight (gay sex notwithstanding). I've seen some folks claim it's subverting horror tropes, but I don't see that either (would be interested in discussing that tho cause I'm curious).

I get why people make this comparison though, Scream is a 27 yr old franchise, and probably the most relevant slasher franchise currently. The new Halloween movies were...cute but aside from the first Halloween (2018) the rest of the reboot franchise had diminishing returns; each film made less than the previous, and received lower critical scores.

However, Scream has actually grown as a franchise in the States in terms of box office draw. That said, Scream is actually not a huge earner overseas, Scream IV (2023) earned more than 60% of it's box office revenue domestically. In Thailand, according to reports, it only earned about 300,000 (compared to other international territories like Brazil where it earned around 4,600,000).

So I don't think DFF is pulling much from Scream in terms of setting, tone, or story. I do think the show most resembles Scream in directorial style, specifically in the imagery of the Killer's design and in the slow-crawl mask reveals that have happened so far.

[very obviously spoilers for all the scream films watch at your own risk etc, gif by @my-rose-tinted-glasses]

So what is a slasher film or story?

"A slasher movie is a horror sub-genre that involves the murdering of a number of people by a psychopathic killer, typically via a knife or bladed tool (such as a scythe).

In general, the horror genre is known for its fear, violence and terror. It will typically feature a menacing villain, whether it be a monster or a supernatural evil spirit, for example." (source)

Other common but not inherent secondary characteristics of a slasher story will include: young adults as central characters, sex (typically as a means of punishment "sex gets you killed"), the killer is motivated by revenge, lots of gore and/or violent kills and a "final girl".

I point out common but not inherent because the main tenants of a slasher story is the overall body count, female protagonist and a mysterious (typically masked) killer.

For example, in Scream (96) Ghostface is motivated by revenge, however in Halloween (1978), Texas Chainsaw (1974), Prom Night (2008), You're Next (2011) and Wrong Turn (2003) the killers are not.

If there is a western horror franchise or film that the setting of DFF more closely aligns with, it's Friday the 13th (2009). Which was a sequel/reboot to the original Friday the 13th (1980) starring Tumblr's own Jared Padalecki as one of the leads (that was an interesting year as Jensen Ackles also starred in a remake of a classic 80s horror film My Blood Valentine).

In Friday (09) the bulk of the story takes place at a mansion styled cabin in the woods near Crystal Lake owned by one of the characters rich parents. Jason eventually hunts down each of the characters, killing them in various ways, and they even find his home with a shrine to his mother there. There's also like, a lot of sex and nudity in Friday (09) none of it fun or sexy as it's pretty, unfortunately, misogynistic.

Being in an isolated area, like the cabin in the woods in DFF and Friday (09) is also not a requirement within the slasher sub-genre.

Many slasher films, especially American classics during the genres 80s peak, actually take place more often in suburbia rather than in isolated locations like the woods. Which reflected real world anxieties from predominately white communities and a turn towards more conservative politics of that era in America.

"Those same well-kept neighborhoods and quiet backyards of my childhood were also the battlegrounds of the ’80s horror movie, a radical pivot in the genre’s history. The decade’s opening years were bracketed by the kidnappings of Etan Patz (which inspired the Missing Kids on a Milk Carton program) and Adam Walsh (which inspired his father John Walsh to later create the TV show "America’s Most Wanted"). Combined with the conservative turn in crime and punishment law brought on by the Reagan administration, horror appeared to turn from the supernatural curses of the decade before ("The Exorcist," "The Omen") to a homegrown product of our own sins. Michael Myers, Jason Voorhees and Freddy Krueger are psychotic loons but also human beings who come not from afar but from down the street. The possibility that one of them could be lurking just beyond the sliding back door of a sleepover birthday seems too darkly delicious to pass up, a fictional killer standing in for a warning your parents and society gave you about “stranger danger,” real-life evil lurking in the dark." (source)

Isolated settings, while can be a setting in slashers are more often found in psychological horror films: The Strangers (2008), When A Stranger Calls (1979, 2006), Hush (2016). Also the Evil Dead (1981, 1987, 2013).

[The latter has it's own interesting history of wanting to be psychological body horror, to horror comedy cult classic, back to psychological body horror. Honestly if any franchise has influenced the "horror set in a cabin in the woods" it's Evil Dead, which is paid major homage to in Cabin in the Woods (2011).]

Sooooo is DFF a slasher?

Hm, for me, yes and no. Slashers require a high body count and pretty gory deaths. So far we've only had 3 deaths, only two of which were even committed by the killer themselves and not even by their own hand (ie directly).

For me, the slasher elements of DFF exist in the directorial styling of the film, meant invoke a classic slasher film but that's not where the true horror of the story exists.

I'm a big slasher fan, so I'm not trying to discount the sub-genre at all, lots of slasher films are good, and when done well, they're truly scary. But they also tend to be straight forward in design, the fear comes from the feature of being stalked by an unseeable and unstoppable force infiltrating what should be a safe space (your home, your school, your neighborhood, your camp grounds etc).

Which is why slasher films are also the most common horror sub-genre to be parodied (Scary Movie franchise) or made into horror comedies like Freaky (2020), The Final Girls (2015), Happy Death Day (2017), and Totally Killer (2023).

[sidenote slashers have this in common with the zombie sub-genre of horror as zombie films in America have also tended in recent years to be horror comedies or horror action like: Little Monsters (2019), Cooties (2014), Zombieland (2009), Pride Prejudice and Zombies (2016)]

I'd argue that DFF is much more in line with psychological horror than slasher horror. Because it is anything but straightforward and also has a strong emphasis on relationships and isolation as does most psychological horror.

Films like: It Comes At Night (2017), Us (2019), Perfect Blue (1997), A Tale of Two Sisters (2004), The Forgotten (2017), Dark Water (2002) all have similar elements in terms of tone as DFF.

The isolated setting, the allure of the mundane normality being a veneer for the violence lurking beneath the surface, the existence of the paranormal, the use of drugs to increase fear, the unsettling paranoia, and slow burn crawl towards all the characters being unteathered from themselves, the growing distrust between them and their loved ones, the plot twists and turns, the emphasis on human relationships and the horror that comes from those.

The backstory with Non is what pushed the show past slasher horror to psychological horror for me. Because Non's "downfall" as it were, feels more akin to the slow burn psych horror rooted in a lot of Japanese, Thai films/tv shows, and modern A24 style horror films.

The horror of Midsommar (2019) doesn't come from jump scares, or violence, but in slowly watching the protagonist grow more and more unteathered, mistreated, gaslit, more and more with each passing moment, slowly inducted into a horrific cult and being able to do nothing to stop her descent.

A big influence I saw in DFF was Girl from Nowhere (2018); the school setting, the crimes committed by a group of students against a singular student, class exploration, structural violence, the exploration of retribution are all topics explored in the first season of Girl from Nowhere.

Even the series trailer for GFN and the pre-release trailer for DFF are similar in production design and tone:

Titled "BFF" the two-part finale from season 01, is about a high school reunion, where a group of now established adults come back together for a party (their reunion) only to be confronted by their past via Nanno (the shows protagonist for lack of a better term).

Through Nanno we learn about the chars past misdeeds in high school - bullying, physical assault, stealing, the works - and their current crimes as adults. As more and more layers of the truth, lies, and betrayal are revealed, the friend group begins to crack, fracture and turn against each other, growing more and more paranoid and angry.

Nanno tells the group that they've also all been drugged with poison and there's only one vial of antidote left, the "friends" all horrifically murder each other in order to get the antidote. In the end, no one survives. EXCEPT, it was all a mass hallucinate and the group wakes up, remembering everything, and quietly leave one-by-one. No longer friends, no longer not-friends, everyone forever changed by the experience.

It's an unsettling ending that leaves things open ended. This group of friends were responsible for the bullying and death of Nanno (she's fine she's like immortal or something I'm pretty sure GFN was partially influenced by Tomie by Junji Ito) and they simply refused to acknowledge what they did to her, nor talk about her, eventually forgetting she existed until forced too through a traumatic retribution by Nanno herself.

[Nanno from Girl from Nowhere, Tomie from Junji Ito's Tomie series]

DFF has a lot in common, from my perspective, with GFN in terms of tone, themes and even parts of it's story.

Nanno isn't doling out "justice" she doles out retributions, punishments, sometimes they're outright torturous. Whether the recipients "deserve" these punishments or not, is really up to the viewer. The show does a good job of showcasing a wide variety of characters who are unrepentant, sympathetic, and somewhere in between. The fears it plays upon are more slow burn, it boils the characters rather than setting them on fire like slashers do.

DFF is similar in this aspect, it boils the characters. Watching Non's story, you already know at the start it's nothing good. We know from the first flashback something bad has happened to Non, but it's not really something, it's many things - so many things - that have led to whatever tragedy the main group must pay for.

It's these compounding factors one after another that brings Non to a boil, and the same thing happens with Tan/New. The horror of DFF is more about getting under the skin, causing the characters discomfort by forcing them to confront the sins they've committed (is there anything more horrific than being seen? Especially if you ugly?).

I mentioned Junji Ito in reference to Girl from Nowhere, to say Ito has been influential on horror feels like an understatement. His series Tomie has been adapted into 7 different Japanese films, he's won 3 Eisner awards (the highest award you can win in America for comics publishing), along with a slew of awards in Japan, his series Uzumaki has been referenced in super popular anime like Jujustu Kaisen.

A big factor of Ito's work is body horror and psychological horror. His work unsettles, and is very visceral. Since Uzumaki was referenced in DFF I think rather than being influenced by specifically Uzumaki (which DFF doesn't have much in common with in regards to general story) I'd argue the show is more influenced by Ito's desire to unsettle.

[from Uzumaki], 1998]

Also potentially to take symbols of piety, faith and protection (the temple, the cross at the chars high school) and turn them into places of horror for the characters.

Like Ito did with the spiral motifs in Uzumaki, said Ito in an interview:

"The "spiral pattern" is not normally associated with horror fiction. Usually spiral patterns mark character’s cheeks in Japanese comedy cartoons, representing an effect of warmth. However, I thought it could be used in horror if I drew it a different way." (source)

[I am also begging y'all to check out Junji Ito's book Cat Diary it's hilarious, even more so b/c his style of art is so rooted in horror]

I think DFF is actually very Thai in it's exploration of what's unsettling and horrific to youth culture in Thailand currently. The feeling of haplessness, judgement, an inability to exert control over one's circumstances, mental health, consent, bullying, these were themes and topics explored in both seasons of GFN but also some of these were explored in The Whole Truth (2021) a Thai horror/mystery film.

There's a scene in The Whole Truth in which one of the protagonists school friends secretly films their younger sister getting undressed without her knowledge, and when caught, the classmate threatens to release the clip publicly and claim the sister is "a slut". One of the protagonists is also bullied at school - including by this disgusting classmate who they still consider "a friend" - but puts up with it in order to be in a friend group at all (this bullied char also has a physical disability which contributes to their mistreatment at school).

I think DFF is exploring a lot of these same topics but most of the characters are just gay this time around.

Okay I'm losing steam here a bit, this has gotten very long, but overall I'd argue that DFF is much more psychological horror than a slasher, in terms of it's tone, and story. Whilst invoking slasher imagery in it's directorial style.

That said it's much more in line with Thai and Japanese horror than American horror in regards to it's themes. If the series was going to be boiled down just to the basics, I'd quantify it as psychological horror mystery.

And those are my thoughts on DFF and horror, I guess lol I'm not 100% satisfied with this but god damn I'm tired this took forever lmao if y'all made it this far, bless and stay safe out there cause the ship wars are wildin out in these parts.

Check out other posts in the series:

Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes? | Trends in BL (Sorta): Genre Trends

[like these posts? drop me a couple pennies on ko-fi]

#dff the series #dff spoilers #dff meta #dead friend forever #dead friend forever the series #chaos pikachu metas #pikachu's bl film series #fuckin a this is long #almost ran through my entire final fantasy soundtracks playlist #and that's a lot of freaking final fantasy games

[oodlyenough]

apollo justice: ace attorney thoughts

over the weekend I finished playing AA4 so I wanted to try to put my thoughts in order. much to think about etc

spoilers for the whole game obv, but i haven't played AA5 or AA6 yet so any mention of those are speculation lol

I had heard some pretty mixed reactions to AA4 and I had a lot of reservations going in. It's also probably the AA game I've played that I've been the most spoiled for, which is a shame but probably an unavoidable consequence of waiting for the port while engaging with the fandom. I don't usually like being spoiled but I think knowing the broad strokes of what to expect actually helped here. I can imagine an AU where I blitzed through the first trilogy and onto 4 with no idea of what was coming and being... very upset and disappointed by the direction it took. Having several months to brace for things like Phoenix's disbarment, the 7 year gap, Trucy, etc definitely softened those blows and made me more amenable to them than I would've been otherwise.

Cases

For the most part I thought the puzzle solving was good and the pacing was solid. The puzzles were mostly challenging enough to be satisfying to solve but not so challenging as to be infuriating, and I don't think I needed a walkthrough at all. 4-1 is one of the best tutorial cases in the franchise so far (though I'd give the edge to 3-1) and 4-4 was a really cool finale. The middle two cases tbh I also found fairly charming, and there's usually a least one case in the middle that seems to drag forever, so that was a pleasant surprise. I played Investigations 1 right before this, and I thought both the puzzles and pacing in that game were frankly horrible, so AA4 won a lot of points just with that.

I did think Turnabout Corner and Serenade would be more relevant in the grand scheme of things. The half-spoilers I knew had me expecting a much bigger web of conspriacy than we ended up with -- I expected it to be more than coincidence that Phoenix got hit by a car, more than coincidence that the Borginian egg coccoons are related to poison etc ... like... I fully assumed this was going to tie into the atroquinine plot. But I guess not ... ? Lol

Characters

The new main cast are all very likable, despite my initial reluctance to have a new main cast to begin with. Klavier was an interesting change of pace as prosecutor, in that he wasn't particularly antagonistic outside of the court, nor was he particularly preoccupied with winning, but he was still fun and challenging enough to face off against. Trucy was fun and delightfully bonkers as all assistants should be. Apollo's longsuffering exasperation was hilarious. Ema is the BEST I loved having her as the detective I wish she was there all the time.

I loved Beanix, for the most part. I can see why he rubs some people the wrong way, and tbh I'm glad his last canon outing isn't ... this. But I didn't find him wildly out of character, or at least, when he was feeling "out of character" vs the trilogy it made sense given the intervening events. I also thought it was fun to see him from the outside and see what a galaxybrain 5d chess master he is. I do wish we'd gotten to see more genuine moments of him with Trucy.

Kristoph was fun as a villain, though I have to say fandom led me to believe he was much more of a mastermind puppeteer than he seemed to be in reality. I was expecting a whole decade worth of conspiracies! Instead he fucked up once and struggled to fix it for seven years, lol. I also found the Kristoph/Phoenix relationship a) very fascinating, b) not really what I'd been led to believe by fandom (shocker). I like the canon more though -- I like that instead of being a retread of the Dollie betrayal-from-someone-you-love it was two guys who hate each other being forced to play nice as part of their own schemes.

Criticism

I think it's fairly obvious AA4 was meant to be a soft reboot of the series, to pivot away from the trilogy cast and set up our new heroes in Apollo, Trucy, and I guess Klavier. I think this is probably the entire explanation behind Maya and Edgeworth (and others but lbr those are the big two)'s conspicuous absence... but that doesn't make their absence any less conspicuous. I can squint and forgive neither of them being there when Phoenix is accused of murder, even though I find that insane. I can squint around Maya maybe being off in Kurain during the Enigmar trial, even though I think they could've used a line of dialogue to explain it. But then we started playing past-Phoenix for huge portions of investigation and that started to fall apart for me. Sure, maybe he's pushing his friends away because he's depressed, or maybe he wants to keep Maya out of things because he thinks it's dangerous, or whatever -- you could at least throw in a line or two saying as much. Not mentioning them at all and setting AA4 so closely after AA3, where Phoenix fell through a bridge to save Maya and Edgeworth chartered a private jet, just feels ridiculous.

I also think, at the end of the day, the story here was focused on and pivoting around Phoenix. The core question of the game is "what the hell happened to/is up with Phoenix Wright?" I love Phoenix, so that alone isn't a negative -- except that I think it meant Apollo, Klavier and even Trucy felt underwritten. Trucy and Klavier have such personal stakes in the unfolding events with the Gramaryes and Kristoph, but we only spend a little time and hints on how that might influence Trucy, who mostly falls into the AA weird girl pattern of brushing off major trauma instantly. (Maya got this a lot too in the original trilogy.)

Klavier ... I like Klavier, but they did not do much with him. How did he feel about Kristoph going to jail? He doesn't seem to hold it against Apollo, which is uh, noble, but perhaps not believable. He says he values honesty and truth but do we know why?

Apollo, likable as he was, felt like a passenger in his "own" game, rather than a major character. He doesn't even solve much of the stuff happening in the big overarching mystery -- he is Phoenix's avatar in court, presenting evidence and clues Phoenix left for him. Unlike Trucy and Klavier, who I am pretty sure take a back seat from now on, I guess Apollo still has two more games to try and flesh himself out ... lol but I also know fan reception of those two is not great, so my expectations there are minimal.

Overall

A really solid game that I enjoyed playing, though I can see why it's controversial and not some people's favourite, if they really loved the trilogy. I think it's debatable whether this was the best/only way to continue the series after AA3. And I am excited to read and write a billion 7 year gap fics now.

#ace attorney #aa4 spoilers #oodly plays AA #apollo justice: ace attorney

[gayboysteve]

Genuinely why do people think Steve can't be a fully actualized person and a love interest at the same time? Do you guys just passively consume media without, like, paying attention? Steve has been his own fully developed person since season two. We don't need to know ever detail of his life to know who he is as a person. We know the moral fiber of his character and the strength of his will. We know he loves passionately and will do anything to help. We know he's a catty bitch that doesn't get along with his dad.

Not... everything has to be shown to us for Steve to be a real fleshed out character. There are definitely places where things fall flat (letting him even feel pain after his many beatings or torture of being eaten) but being a love interest is not one of the things where the Duffers have fucked up on him. Besides Nancy, he has the most character development out of the teens and he has an actual character arc that's been percolating since season one.

You don't need to ship Stancy or like it. That's not necessary. I personally wasn't a shipper until recently (though I never hated it like some people, I've just always focused more on the Steve and the kids or Steve and Robin) and I have to say it makes a lot of sense in the scheme of things for the love triangle to be reignited. Steve and Jonathan are not just contenders for Nancy's love, they both represent something for her journey and her picking one of them will be indicative of the path she's taking. Steve's speech about learning to crawl forward wasn't just about him, that was a display of what Steve's character can offer to Nancy's character as a romantic partner. The ability to learn to MOVE ON. TO CRAWL FORWARD.

Nancy as we know is still trapped in her grief from Barb and while Jonathan has helped her get justice from that tragedy he never helped her move PAST the pain of it. One represents moving forward, and Jonathan sadly this last season, represented regression.

Personally, I think it's Jonathan more than anyone that needs to not be in a relationship. It hasn't ever seemed to make him happy. I don't think Jonathan will ever be happy until he's allowed to get away from his family a little bit. The parentification Joyce did to him really fucked that boy up and he needs, in my opinion, to focus on himself more than anyone.

Nancy has expressly stated before that she doesn't want to be alone! Steve has expressly stated he wants love and romance and a family! They're still young they can work out their future later, why can't they find some happiness in coming back together stronger and more fully self actualized? More mature and developed? I think it actually makes for a very fitting end from a narrative standpoint which is, honestly, what convinced me to switch over to the ship in the first place.

Neither Steve nor Nancy have ever been reduced to just love interests. Even in season one when Steve is explicitly introduced as only a love interest, he actually has his own character arc going on. All following seasons Steve and Nancy (whether dating, broken up, or flirting) have all had plots not related to their romance. No one is being reduced to just a romantic interest. Unfortunately, poor Jonathan is the one that got that treatment. He's the one that needs to have something devoted to just him; something that isn't just being a brother or a boyfriend. Giving him a friend was a step in the right direction. Let's give him a dream now and not just something that we hear from Joyce. A real dream from Jonathan's mouth. Because all we've heard from him are the things he DOESN'T want for the future.

Also Stoncy supremacy anyway. Let all three fuck nasty.

(Let's not bring up the whole six nuggets things. I highly doubt Steve is actually going to expect six children from his future partner. It was a reference to the party. It was him lightening the mood and trying to bring some levity to a serious, and frankly, terrifying, situation. It was him trying to make Nancy laugh while laying his heart on the line. He's not expect six literal children.)

#steve harrington #nancy wheeler #jonathan byers #stancy #stoncy #stranger things

[normal-thoughts-official]

i don't think i've ever said this about choices before but wow this really was the ladies' chapter and i for one am thrilled. we didn't get a lot of imtura as usual but what we did get I was very happy with. i've said this before but i'm loving seeing imtura growing more confident (more than she was in book 1, even) and stepping into the leadership role she was always perfect for but never confident enough to really take. of course she was the wraith's captain but i think this is the first time we're seeing imtura really plan in detail what they're going to do, take charge of the group. she's not asking and she's not apologetic but not imposing either, listening to ideas and adjusting accordingly. she's a great leader and it's so nice to see her really grow into that role, especially since her main conflict in book 2 has been about feeling like she's not good enough to be anything other than the brawns. she has 100% been the brains of the team these last few chapters, and she doesn't even seem to realize she's doing it. it's great to see. i'm also liking seeing her slowly repair her dynamic with mal. i've written before about how mal and imtura have always been the only ones who get each other in the group, and how falling out must have been devastating to both of them. and now we're starting to see them slowly fall back into their groove, teasing each other but still with a lot of respect, and slowly starting to get over the hurt they both put on each other. although i wish it was being addressed more directly, i'm still loving it. and of course, their consistent reminders that her most important value is equality - you share the wealth, share the food, take care of each other. that's the kind of leader she is, in direct opposition of her mother who wished to centralize everything and institute hierarchy. imtura is an orc to the bone, free and strong but caring and believing in equality, and i love seeing that being consitently shown these last few chapters. also, her dancing scene was so fucking sweet

valax is simply the love of my life. and we got TWO separate chances to make out with her. the world is a beautiful place. but more than that, we are getting to know her better, and reconcile the valax we first met with the valax we saw at ironbreach. i like how they're not at odds, and although there's the obvious, well, brainwashing aspect, she is violent because she's kind and cares about her people. by which i mean lines like this:

it's not at all unlike what MC is doing. as much as everyone MC kills or incapacitates or whatever is some faceless rando, they're still essentialy waging war for what they believe in. and i like that. as i've said before, my favorite thing about blades 2 is how it's been unraveling all of the myths from book 1, showing the other side. history is written by the victors and all that, and i think book 2 is really showing how it's important to question those nationalistic myths where everything on your side is good, the other is bad, etc. and valax telling us about how the Light Realm fucked the Shadow Realm over adds to that, which makes valax an important part of the plot not only as a villain or potential love interest but also as an important source of information about the worldbuilding and what the other side is like. at the same time, we got to see her being conflicted - admitting that she's naive, starting to question the state of the army, betraying MC but also apologizing for it - and just overall a complex person/villain. we got more backstory, more of her motivations, more glimpses of Shadow Realm history, truly we got everything from valax this chapter

i also love how her betrayal was not only inevitable but also due to a fundamental flaw in nia's plan: assuming valax would choose self-preservation over completing her mission and helping her people. it'd be a safe bet to make with pretty much anyone else, but we've seen enough of valax to know that it definitely doesn't apply to her - she has never lived for herself, she doesn't exist for herself, and so she was always going to bid her time until she could go through the pain to complete the mission. that might be the most fundamental part of her character, and it is both shown very well and given even more important narrative weight in this scene

and at the risk of sounding like a hater, this was the first chapter where i truly felt like they were going somewhere interesting with nia's arc. i have a lot of sympathy for her book 1 arc - realizing she has been groomed, trying to reclaim her faith - but she still has always kind of felt one dimensional to me. this chapter was the first time we got to see more of nia; we even had it be implied that at least part of her always being cheery and put-together is a facade. more than just turning her back on the temple this is the first time she is turning her back on the shitty parts of what they taught her - that she doesn't matter, that she lives only for the light, that she can't have needs and desires of her own. all in all, she needs catharsis, and if it's the shadow form that gives her that, then cheers! but regardless of how you feel about shadow!nia i think we can agree that it's giving us more and better glimpses into nia as a character who feels a lot of pain and immense pressure to be good while also trying to figure out which parts of her upbringing she needs to unlearn and which she gets to keep, deal with the grief of losing MC and watching her friend group fall apart, and trying to be a rock for them through it all, then immediately dealing with another world-shattering threat while also trying to hide a part of her for a good portion of it. i've seen a lot f people complain about how no one noticed shadow!nia before and MC was forced to keep that secret but i think it's a good analogy to how there are parts of nia that no one sees, that she tried so hard to suppress they were bound to take over her eventually. nia is more than a bubbly born sexy yesterday sweet girl and i'm delighted to see that being acknowledged

so, yeah. the ladies' chapter. loved it

#playchoices #blades of light and shadow #bolas #bolas2 spoilers #not described #imtura tal kaelen #valax #princess valax #nia ellarious #meta #sorta #choices book club

[jonayariley]

My Thoughts on Homestuck^2

I say this as someone who has been fairly critical of the Epilogues and Homestuck^2 - I think that HS2 (or Homestuck: Beyond Canon as it's properly called now) has the potential to be something positive again. I was really excited for HS2 at first (after not super loving the direction the Epilogues went in) but got really burned out on it. But I'll say a few things on why I think this can work:

Greater transparency in terms of what's going on with it. I think that James Roach and crew are in a position to be really up-front about what's going on and what's to come, and I think they've done that. James has always struck me as being a pretty even-keeled guy, and having worked with him in the past on both Friendsim 2 stuff and when he presents at SAHCon, yeah - definitely a solid choice in terms of organization and being willing to communicate.

I think there's a lot of room to bring the plot around. I'll admit I wasn't a huge fan of everything that was happening in HS2 (weird pacing, focus on Vriska stuff, weird cucking plotline, out of character stuff) - but I really think there's a way to judo throw that shit around into something good. My take has always been "meat and candy are two divergent, slightly-unreal timelines and there's something else going on here" and some of what I saw in the last couple upd8s seems to confirm this. Personally I think that could work well, and the theme of collapsing reality in on itself could work. The fact that the new upd8 starts off with some stuff I thought they'd forgotten about bodes well.

Writing so far is good - feels balanced, good character writing. It feels Homestuck-y but also it feels like its own thing, which I think is a good thing. Also, solid choices for writers - seeing @floralmarsupial on the list alone has me very excited about what's to come!

Art is good too! Very nice balance of styles and some really solid panel work! Nice use of limited motion in classic Homestuck style combined with a good combination of Act 6 bean style and sprite style.

So far, reactions seem to be pretty positive. In the past, some people were profoundly NOT NORMAL about HS2 - going so far as to harass and attack the folks working on it. I can't express how profoundly not okay this is! So far, I see folks being pretty positive about it overall, and I think that's good. The folks who don't like it are not liking it in a normal, not-harassing-the-crew way, which is good.

I trust the team involved - I've worked with several of the people involved on my own projects (Chumi, Kim, James) and I have a tremendous amount of respect for the other folks involved. Like, this is a solid core to build a team around. Kim doing art direction is a good thing.

On a related note, hearing that this is a truly independent thing with creative control in the hands of the current team is a big thing. I have good reason to believe that this is 100% genuine, and that the direction "Homestuck community involvement" is going in is a positive one. It's a process, but it seems to be moving in a positive direction.

Good community involvement, less adversarial feeling - James has been reaching out to the community at large in a way that feels much more open than HS2 was doing before. HS2 got to the point where it felt like it had this contentious relationship with the fandom where it wasn't just challenging readers within the context of the text, but challenging them as readers and fans of the work (if that makes sense).

There seems to be a real commitment to doing this thing in a way that isn't exploiting the artists, writers, and other creatives involved. To working with people in a fair and open way and allowing them to guide the creative vision of the work. And tbh that's one of the most positive signs I've seen from this whole process.

Remains to be seen how things shake out in the long term - especially with stuff like the upd8-to-upd8 pacing (something I felt like was really broken in HS2) and how some of the more contentious aspects are handled.

But I feel hopeful about this, and I would absolutely not have said that two or three years ago. Like, ngl - the whole thing with Jade/Rose/Kanaya hit me hard enough to make a whole divergent post-canon AU

(read Negotiated Consent and its sequels Ways of Being and This Sudden State of Mind, btw - I'm still quite happy with them)

but I've had time to think on this a lot and time to become significantly more involved in well-known Homestuck stuff (specifically Friendsim 2 and co-directing Stuck at Home Con) and, like... idk I feel like the annoyance got replaced with a kind of "I really wish things could be better" bittersweet feeling, because at the end of the day this whole thing is important to me, and there's a lot of folks in this fandom who aren't shit-ass individuals who harass creators, and I think the relationship between author(s) and work can be something good and positive.

So yeah, I would describe myself as "cautiously optimistic" about this whole situation. Homestuck is a work with a lot of baggage - both textually and in terms of fandom/creation history. I don't think that can just be wiped away, but also I do believe it can move in a better direction, and there's clearly still a lot of folks who would like to see that happen.

And yeah, I guess in my heart I'm still one of those people too.

#homestuck #homestuck 2 #homestuck beyond canon #positive #james roach #post canon #upd8 #homestuck upd8

[acourtofthought]

I wonder if SJM was trying to throw us off.

Many believe Gwyn's father is from Spring because of the Rite being mentioned. But we don't know whether Sangravah has their own Rite which is still a possibility.

Or the focus is on her grandfather being from Autumn and because she had a crackling energy which would suggest fire.

And she probably does have a dash of fire in there but I got to thinking..... Why would SJM write Gwyn's main background as being from two courts that we're already heavily saturated with?

We don't need another major connection to Autumn, we have Lucien, Eris, and their mother.

We don't need a connection to Spring, we have Lucien and Elain.

I'm guessing an Elucien book would deal with both those courts in some way and Day as well.

As far as other main characters who might have a pov, Mor has a good friendship with Viviane and has visited there, was preparing to head there in the novella. We're told her relationship to it's possible future High Lady is their bridge between courts and Lucien had an unnamed contact from Winter, mentioned in book 1. Emerie is noted as having possible recent Dawn Court ancestry, Lucien is friends with Nuan (also of Dawn Court). The only court that SJMs MMC / FMC's (ones who might have a POV) are lacking a personal connection with is Summer. Something that would give them reason to fully trust the court and a reason for future leads to end up there.

Of course we've got Amren’s relationship to Varian but I don't think Amren is getting a POV or will heavily feature in an Elucien or Gwynriel book so what reason would those pairings or even Mor / Emerie (if that's the direction she's headed) have to go to summer unless Gwyn's father is / was from Summer Court.

There's definitely imagery associated with Gwyn that fits in with the Summer Court by the sea.

And a few possibilities for future plots:

I've always thought Gwyn would retrieve Narben so having it in the sea off the coast of the Summer Court could be a possibility. Amren talks of hearing the information from a fleeing nymph and Gwyn is part nymph through her grandmother..

Also, Amren and Feyre were once rescued by water wraiths while in the Summer Court (if wraiths and nymphs are in fact one in the same), could this be when she heard the information from a "fleeing nymph"?

I realize the issue with the excerpt above is that it appears the wraiths only spoke to Feyre however I don't think SJM knew she'd create Gwyn's character or that Narben would be a missing item when she wrote ACOMAF. But just as she retconned the events of Sangravah to flesh out Gwyn's story, it's possible she's tweaking how the scene in the Summer Court happened.

And if Gwyn has water as an affinity (a power found in Summer) and it's exposed to that bit of fire she's got in her background, it could explain the crackling sound Nesta heard from Gwyn:

By the end of the series, I think SJM plans on having the courts at peace with one another but at this time, many of those relationships are still somewhat strained, especially when it comes to the Night Court.

Making it so her main characters have heritage from or connections to each of the courts in Prythian not only opens the door to mending those relationships but provides SJM a reason to revisit other courts which we've either only had small glimpses of or no glimpses of at all.

#gwyneth berdara #gwynriel #acotar theory #lucien vanserra #elain archeron #mor acotar #summer court

[aihoshiino]

A character I wish got more attention was the crow girl. Like we saw she got a role in the movie and that’s it nothing else. Haven’t seen her be cryptic or anything.

I wanna know what your thoughts are on this, especially since she supposed to play as the twins!!

I'm super curious about her! I think it's kind of weird that her inclusion in the movie ended up being so Nothing when it was presented as such a big deal but I guess we'll see more of her if we ever get to the scenes of baby AQRB. Though wtf does it even imply about her existence in the world that they were able to hire her.

As a feature of the story, I don't necessarily disagree with the fandom consensus that she's mostly an exposition dispenser but tbh I don't mind it THAT much. There's been some capital I Implications from hour zero that AQRB's reincarnation was no accident or coincidence so I think having a supernatural character who is in the loop end up guiding them along in certain directions for unknown purposes is pretty interesting. I also think there's some really juicy thematic Vibes in the idea of there being a dubiously antagonistic force who, rather than lying, manipulates and beats the twins around with painful truths they don't want to acknowledge.

As a CHARACTER... I definitely think she suffers a lot from Akasaka's reliance on mystery box storytelling. She was definitely just introduced to be spooky and weird and to imply greater secrets about her existence but none of that has really resolved into anything meaningful or even that engaging about her, because she's just held together with exposition glue and mystery tape. Not that I dislike her or anything! It's just a case of like, wow the guy writing you really isn't sure what to do with you lol

In fact, I have a secret suspicion that Akasaka changed his mind on who and what she was supposed to be partway through the manga?? Like, the corvid associations and general spookiness had pretty much everyone I know going "so she's Yatagarasu? OK" from basically hour zero only for him to hit us with the Tsukuyomi steel chair out of nowhere!!! I don't think she was even associated with the moon imagery wise at all until the heavy handed mention of it just prior to her name getting dropped so I really do think Akasaka just. Initially wrote her as Yatagarasu and then changed his mind HAHA

On an unrelated note, I've been playing Okami again and one of the plot coupons in that game is a sword named Tsukuyomi and every time it got name dropped I went

#oshi no ko #oshi no posting #onk asks #onk spoilers

[mayfieldss]

Not who we were - Marc Spector

Pairing: Marc Spector x Significant other!reader

Warnings: mentions of death, murder, blood, and a plot that doesn't make sense as it was written at 1am.

Summary: When you find out who Marc really is, he hopes you'll still love him despite it all.

"I've made some mistakes, no, I'm not gonna lie, I've seen the world fall apart right in front of my eyes. I'm a victim of myself in disguise" - Em Beihold

"This is gonna be hard to explain." Marc's hands, white-gloved within his suit, hold yours as he helps you to your feet.

"Marc?" Your voice comes uneven before you're tearing your hands from his, eyes wider than Marc had yet to ever see them.

"Yeah, it's me." It comes as a sigh, his suit falling away to reveal the man you know. "I know this looks crazy, and sure, I don't think there's anything else to call it, but you gotta trust that I didn't have a choice."

There's more than one dead body surrounding you, and with his words, you can't find yourself to be calm. You'd watched him kill each and every one, and you had nothing close to an idea why, and somehow that makes it worse.

"They're...all dead." There's a shake to your voice, and you take multiple involuntary steps backward, wishing only to get away from the scene and perhaps wake up from the nightmare at hand.

"I know, but—"

"You killed them." You can't let him speak. You don't want to hear an excuse for all you've witnessed, and yet Marc tries to finish his sentence still.

"Look, you know me. You know I wouldn't do this without reason. I've got a job to do here, and I'm not proud of it—" he continues though you don't hear the rest. It's too hard to process, and it's most definitely not the time to explain such things in depth, with the blood from strangers that lie before you seeping into your shoes. But he talks and he talks, Egyptian gods and the possible deaths of many others weighing against the man you love had he not complete this mission he's on. How he never intended you to get caught up in the mess he's made.

But you don't understand it, and you only hear the key points, or at least some of them. The rest you find yourself blocking out in favour of a small panic attack.

"Honey, look, I know it's a lot, but we gotta go, like now." Marc's got a hand on the small of your back, the other on your shoulder as he leads you away to what he would claim to be safety, and you don't know when he got this close to you.

"Marc, please don't touch me." Separating from him is hard, but you push him back, making your own way through the streets, though you don't know where you're headed. "I don't know what's going on, and your bullshit explanation has done nothing to plead your case, but I need to be as far from you as possible right now."

"I agree, you do, but I need you not to hate me first." Marc's right on your heels as you move, and somehow you find yourself still following his directions when he ushers you this way and that. When you reach a secluded ally you pause, turning back to face the man you thought you once knew.

"How long? How long have you been doing this?"

The look in Marc's eyes says enough, yet he answers you anyway. "Way before I met you." He sounds sad, down further than you've ever seen him as he continues. "When we met, I wanted to stop. And I tried, but there were some things I've had to wrap up, loose ends that I need to tie. But I wanted to get out, I did." Marc seems to pause, as if he can hear someone else, something else other than the quiet of the ally. His face contorts in what seems to be anger for no longer than a second, before his eyes are back on you, the soft and devastated expression taking over again.

"I thought I had you figured out." You can hear the disbelief in your voice, the sound of it enough to break a piece of Marc away. He's tough, and he's been through more than one person can bear, yet he finds this might be one of the worst feelings he's yet to encounter. He watches your eyes, scanning them for some sign of the love you'd once held for him and he finds it there, though he sees it fading.

"How can I ever believe a word you say?"

"I never lied, not outside of this, everything about us was real." He's sincere, and he hasn't felt this vulnerable in years, yet Marc can feel you slipping away. "Everything I kept from you was to keep you safe. I needed to keep you safe." He takes a step forward, placing his hands on your shoulders. They're bare and cold, the night air reaching out to your skin.

Marc had been through this before, and his methods had always been based around pushing people away, but there was something about you that made things different. And when Khonshu told him to let you go, he couldn't bring himself to do it. Now he might be losing you just like the god had wanted, though this time it's not under Marc's control.

"Please, I need you to trust me. I know how it looks, and I know how hard this will make things for us, for you, but I need you to trust me."

Your eyes are glassy, and you're looking right through him as if you don't know him at all. Yet you nod, the action pulling the weight from Marc's chest for now. He slides a hand down your arm, slipping his hand into your own as he leads you back through the streets to the place you'd once called home with him.

You're silent the whole way, and Marc doesn't make any attempts to force words from you. Instead, he walks with the silence, as if it's an old friend of yours and an enemy of his. The front door is old, the paint peeling and the doorknob creaking as Marc leads you inside, and somehow that's the first time he's noticed the deteriorating state of the place. It hadn't mattered before, when the structure of his relationship with you had been so strong, he didn't need anything else.

"Do you want some water? coffee?" He's acting like Steven, he thinks, but he's sure he's still in control here. He knows he is.

"I just need to sleep." You sound tired, and he believes you, watching as you shuffle to the bedroom, eyes blank as you move. He doesn't follow, setting up a bed on the couch for the night. He knows you well enough to expect you need space, and right now he's willing to give it. Had this just been a regular fight, Marc would have tucked himself into bed with you no matter your protests and pulled you in for a hug until you forgave him, at least for the night. He knows it's not right to do that now.

The couch isn't comfortable, but he doubts you're getting much better sleep than he is. Not after all you'd seen that day. He tries to drift off and an hour or three passes before he finds that he actually can. He has no dreams, no nightmares, and the peace is a relief. When he wakes the next morning it all comes back, a tidal wave of shame and concern overtaking him as he recalls the way you'd looked at him, spoken to him. You were a skeleton of the person he once held dear.

He moves quickly about the apartment when he wakes, making coffee as quietly as he can, and moving to the room he's supposed to share with you, peeking inside. It's dark, and the curtains are still drawn despite the late hour, but Marc sees it. His eyes find the empty bed, the broken lamp on the floor, fallen from the bedside table. The picture frame that holds Marc's favourite photo, you and him, together now seen through broken glass. It wasn't done by you, and at the sight of your shoes still beside the bed, he knows it's all wrong.

Marc had never cursed quite like he did then, the anger that harbours itself deep within him curling out into the open. He shouts to Khonshu, to Steven, and to whoever will listen as he wonders where you are, rushing out the door before any kind of protest or plan can be made. He knows what's happened, though he doesn't know how he slept through it, and he knows it's his fault.

You were seen with him last night, and he'd shown just how much he cared for you. That was the perfect advertisement for leverage. But by some form of luck, It's not hard to find you, or your kidnappers, and whilst Marc is seeing red beyond that of proper thought, he is capable of locking his eyes with yours, a silent communication, and a promise.

There's a knife to your throat, held by one man, and a gun pointed to your head by another, and Marc knows the killers just don't understand. Because what comes next is a violent, fast-paced frenzy. You don't know how he does it, but the second the knife falls from your throat, you're ducking down for cover and hoping that a gunshot won't ring out by your second captor. But it all goes by so fast, and when you do hear a bullet fire, you don't feel it pierce your skin. Your eyes lock on the shooter, ears ringing from the sound as you watch bullet after bullet fired at the man you love. You do still love Marc, despite it all, and perhaps that's why the scream that leaves you is so devastatingly loud.

Marc thinks you're hurt the second he hears it, heart-stopping for mere moments before he's finishing off the gunman and racing to your side with not a scratch in sight. Your eyes are wide and when he's within arms reach you're grasping at him, hands running over his armour as it falls away to reveal Marc himself, t-shirt and jeans in near the same condition as the day before.

"Hey, I need you to calm down for me." Marc's voice is steady, and you don't understand how he's still alive. "Are you hurt?"

Your brows furrow as you watch his features before your eyes drift back to his torso, where you swear the bullets hit him. "You were shot, like ten times."

His hands run over your arms, pushing you back from him so he can check you for wounds. "I had amour and a little help from someone more powerful than a pistol, you, however, did not. So, I need you to tell me, did they hurt you?"

All you can do is shake your head in response, eyes scanning his face with the worry that he holds for you all the same. You can't remember why you hated Marc before, and with all the violence that unfolded over the last 24 hours, you can't find yourself being bothered by it. So instead, you leap forward into him, a hug so tight that Marc gasps from the grip.

You find yourself crying, and the morning sunlight falls on the both of you, highlighting the tear stains that appear on Marc's shoulder. He's hardly holding it together himself, the touch enough to release all the tension in his bones. He squeezes you tight, your arms around his neck as he kneels on the harsh ground, enough to keep him steady.

"I'm sorry, I'm so sorry."

You don't respond, but you don't have to. He can feel you, and with every shaky breath you take, he knows he's forgiven. Somehow, somewhere deep inside you, you found it in yourself to do it. Forgive him for the lies, for the harm, and whilst the trust will take time to build back, he has your body clinging to his, your heartbeat in time with his own.

AN: i don't particularly like this fic, and it doesn't make much sense plotwise at all, but I haven't posted in so long, and it's all I have.

MARVEL TAGLIST: @mellowladyangel @5kyyy @avyannadawn

MOON KNIGHT TAGLIST: empty

MARC SPECTOR TAGLIST: empty

#marc spector #moon knight #marc spector fanfiction #marc spector fic #moonknight #khonshu #steven grant #marc spector moon knight #marc spector fanfic #marc spector x reader #marc spector imagine #marc spector x you #marc spector x y/n #marc spector x gender neutral reader #marc spector x fem!reader #marc spector imagines #marc spector drabble #marc spector angst #marc spector fluff #moon knight fanfic #moon knight fanfiction #moon knight x reader #moon knight fic #moon knight show #marvel #marvel fanfiction #marvel fic #marvel imagine #mcu fanfiction #marvel moon knight

[diabolikpersonals]

Heyyy, just an interesting question I had, do you think diabloic lovers could’ve been more popular and better if it wasn’t a “romance” thing, for me I feel like it would’ve been wayyy better if they were to choose the healing from trauma route for the franchise, esp since it would’ve made sense since the vampires had traumatic childhoods. Not only that the “romance” isn’t even romance it’s straight up (TW: SA, abuse and manipulation) and it’s hella weird that most of the characters are minors. Sorry for blubbering so much but just a thought I had 😭😭😭

You and I just aren't members of the target audience, anon, but dialovers is plenty popular because it's a dark romance. I get that the eng-speaking fandom isn't all that active, and things are especially quiet because we're in the middle of a long hiatus, but it's a fairly popular otome game series with lots of dedicated fans, u know? And the thing everybody knows it for, and the thing that the fans are always talking about, are its dark romantic fantasy sexy vampire stuff. Getting preyed on by a hot vampire guy is a pretty normal & common fantasy to have, imo. so I don't think it needs to change to become more popular or anything, in fact I think it'd become less popular fsdghfh

But I hear you, because I'm not part of the target audience either (opposite end of the spectrum, personally...!) and I'm mostly into it for plot n character analysis. (I know that sounds so pretentious but I can't help being a nerd about this stuff ok.......I definitely have my ships too) I've definitely felt, as I was playing and reading, that this is an amazing story that is kind of held back because it's an otome game and the law requires them to stick blood-sucking scenes into almost every single chapter.

I'd argue that dialovers already is steering itself in a direction where it's focusing more on character-driven plot and less on romance. A lot of people complained about LE for this exact reason. Personally, I like it...! I know it's because I'm not the target audience but when I'm playing these games, getting through the bloodsucking scenes is such a chore, especially when I'm like "GUYS there's a demon war going on!!!" lmao. I thought this was an unpopular perspective to have in this fandom, but I've met some people who share the same opinions as me, and I think both parties can be satisfied (and I'm putting this in bold because I'm so so serious) if dialovers released a series of light novels.

This is my newest thing I'm campaigning for bc I think it would be the perfect supplementary material for dialovers. The best blood-sucking scenes are gonna be in the game, since they've got the visuals and the voice acting. Novels aren't structured like the games, so while they'll definitely still have blood-sucking scenes in them (duh), they won't have to interrupt important plot points to have 5 or 6 unnecessary ones. It's a retelling so you can take the scenes from the games and describe them in way more detail! Dialovers as a tighter story! More insight into how the characters act, and what they're thinking and feeling! Intimate scenes described in prose! Cool new art for the covers! And rejet makes money without the need for voice acting, so it can be done during the hiatus! Everybody's happy, right??? rejet pls hear my pitch.......

#text #im so wordy today sry

[peach-fiz]

I actually didn't even bother watching the second season of Loki because of the cheap marketing and inconsistent storytelling.

It just felt like the plot was lifted off somewhere it would have made sense, and a character with a similar ego was replaced with Loki and goes through an arc that might have made sense for a blank slate character, but not someone who already has a backstory.

Loki doesn't even feel like Loki after three episodes in S1. The whole point of having a show like that just seems to be about the TVA and Sylvie.

Also the whole genderfluid thing. They 'confirmed' it in the promo and had a line in the script that went completely against anything they just said.

I knew at once that the writers, directors and other parts of production were really just pulling it in different directions and it would probably sound like a jazz trumpeter and a metal guitarist trying to improvise after knowing each other for 15 minutes.

I've been meaning to watch it just so I can have educated opinions on all of it but it's just,, so hard to get into. I definitely agree the marketing was cheap, they did with the 80s McDonald's like they did DB Cooper!Loki and made it centric to the advertising because McDonalds was also getting something out of it which is kinda ass seeing as realistically Loki Laufeyson would burn 6 of them down before he ate in one 😭

I personally don't like either of the major ships in the show but the forced Sylki shit in season 1 really got to me. Like not only did she completely replace him as the main character in HIS show, she's also a variant of him who he wants to make out with and overall it just reads as lazy writing and it's extremely disappointing that Mike Waldron has been put in charge of Multiverse of Madness and The Kang Dynasty since, due to the popularity of the Loki TV show. I was talking to my boyfriend about this last night but it kinda reminds me of the complaints people had ab the last Indiana Jones movie but opposite? Like everyone complained his best friend's daughter was gonna replace him bc she's a Mary Sue and she rlly isnt, she's more reminiscent of Marion in Raiders of the Lost Ark she just doesn't wanna fuck him. But the difference is Indy is a character who's majorly blank for little boys to project themselves onto. Which is great!! It works for those kind of movies, but they're not character development centric like the individual mcu movies tend to be. Loki is characterized in a way that he's drowning in identity issues and family problems and he experiences growth in every installment whether it be positive or negative. It doesn't make sense to take the formula of an Indidna Jones movie where he meets up with a woman who's typically a love interest and has her own issues that are only slightly touched on because that's not the focus, and they go do the plot.

Sylvie is not an Indy Girl, they straight up are trying to replace Loki with Sylvie. And you can tell the character wasn't supposed to have as much importance as she does in the show bc the character was worked on more after the actress they chose was buddies with a producer ( and this is no hate to the actress I'm sure she's delightful everything I've seen her in in terms of interviews has been lovely ).

I also absolutely agree they should've just made a tva mini series to introduce the tva rather than bringing back a dead character who soon will not make much sense anyway because Tom Hiddleston is getting older (and also he deserves to branch out in his career).

The genderfluid thing was a cash grab and it sucks ass, they just want money for acknowledging things already canon in the comics, same with confirming him as bisexual.

My boyfriend is actually writing a fic on ao3 called Find Me that's rlly good if you want Loki content that isn't related to the show.

(YES this is shameless promotion sshhhhshshsh) but fr the loki TV show makes me more confident in my screenwriting bc t h a t got put on disney plus. I'm also working on a Loki show rewrite in my spare time!!

#kid loki #loki (marvel) #loki and thor #loki laufeyson #anti loki show #anti lokius #lokius #anti sylki #tom hiddleston #screenwriting #fic rec #loki fic #logyn #logyn fanfic #mike waldron #peachy rants #long post