Watching a deleted scene from The Godfather that I've seen a few times and I just noticed that while Connie and Carlo are fighting again in front of everyone, including Vito, that Tom is completely ignoring the chaos around him and continuing to eat his dinner just as he does in California when Jack Woltz starts ranting at him about Johnny Fontane. Also see the Chinese takeout scene before the meeting with Sollozzo, where Tom is visibly the most anxious of them all and deals with it by cramming his mouth full of food.
I feel like eating is Tom's first response to any form of stress.
2 notes
·
View notes
the vibe im getting from FHJY is that this is the season where they really lean into the high school aspect. that probably sounds bonkers since its called Fantasy High, but like. hear me out.
Freshman year, they come at high school from the "John Hughes" "80s teen movie trope" vibe, which is to say different from the real-world experience of high school.
it works great! operating in that frame of reference makes everything flow really well, and hits all the high-school-related-media notes in a very satisfying way while putting its own spin on it and not getting bogged down by the actual slog that is high school in reality.
there's still a lot of more modern inspo, but it stays in the kinda expectation-suspension-tropey area of how 80s movie high school works.
Sophomore year is spring break! I believe in you! They're not at school! They're on an adventure!
They lean into being a teenager and coming-of-age themes a lot (obvs), but the only big reference point to the institution of high school is that it'll be worth 60% of their grade.
A huge point, to be sure, and the exact kind of objectively unfair but somehow not against the rules shit that happens in high school, but not the main driving force of the season.
arthur aguefort also does a bunch of wack shit but it's more fantasy than it is high school although its a lot of both.
they lean into adventuring as a set career path much more, with the school giving money for hirelings and offering a basic incentive for other students to go, so that's a loose connection to the real-world career counseling high schools have, but again, not the main thing.
VERY Important though: we are now very much in the present. The viral shrimp party, livestreaming Kalina, online banking, the epic of Gorgug building a cell tower? this isn't john hughes 80s town anymore, this is now. (at least in Solace).
Junior year
almost everything in the trailer is about academia
we've got the cool doodles-in-the-margins style art and intro
in the interviews and BTS (so far), the cast have talked a lot about what they were like in high school (not the 80s)
and the precedent that The Seven set where the MacGuffin was getting their GED? It's time.
we're getting into what is actually hell about high school - the institution itself. the arbitrary standards that academia in the US holds, and how it leaves behind, punishes, and fails its students in its extremely important role of preparing them for life as an adult.
i could talk about this all day, but personally for me the quote from the trailer that shot me back to my junior year of high school was "You have perfect grades, and it still might not be enough for you to graduate"
riz's arc this season is shaping up to punch me in the academia trauma and personally i can't wait for the catharsis
Brennan has shown time and time again that he Gets and wants to tell stories about the ways in which the US education system affects, hurts, shapes, traumatizes, changes people, and how they survive and recover from it and make their own lives. I for one am so so ready to see that reflected with the bad kids.
349 notes
·
View notes
Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!
We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.
Or maybe, just maybe, he understood.
Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?
Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.
But years later, on his deathbed, did he regret that choice?
Is that why he gave the farmer the letter?
Is that why they went back home?
When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.
The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.
Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.
And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.
People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.
But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?
Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?
And if so, what happens when the farmer comes back?
153 notes
·
View notes
this is sort of pathetic, but when you were younger, you were sort of puzzled by the cartoon representations of fathers: how a kid would be outside with a mitt, waiting to play catch.
it's not that your father never played catch with you, but you also didn't like when he did. something about a hard ball coming quickly towards your face doesn't seem exciting. not that you'd ever say you don't trust him. you trust him, right?
it's not like he never tried to teach you anything. or never tried to parent. on rare days, a strange person would walk in your father's skin. bright, happy, magnificent. this version of your father was so cheerful and charismatic that you would do anything to keep him. and this is the version of your father that would laugh and gently coax you try again. this is the version of your father that would break down the small elements of a problem and point them out so you have an easier time with them.
as a kid, those days happened more often. but somewhere around 11, you started being too much of a person, and he was often cross about it. when he'd try to sit you down to learn something, you spent the whole time with your shoulders around your ears, nervous, uncertain. terrified because you didn't immediately understand how to navigate something. worried you will run out of his goodwill and then you will have the Other Father back, and you will have ruined a good day for your entire family. something about you being visibly afraid - it just made him angry. he would accuse you of not wanting to learn and storm away.
on tv, it's not like there's a lot of versions of men-who-are-mostly-fathers. they can be good dads, but usually their stories are not told in the household. so it's normal that your father is there, but he's never around. you know he was in the house, somewhere, it's just not that you guys ever... "hung out". he just seemed to get kind of bored of you, annoyed you weren't made in his perfect image. frustrated with how much energy it took to raise a kid. over time, you kind of adopt a bittersweet band around your throat - he knows nothing about me. he says at least i never abandoned my family.
and it's technically - technically - true. he was there for you. sometimes he even made an effort and made it to the big moments; the graduations and the dance recitals. he grins and tells everyone that he taught you. it almost erases the days in between, where he complains because you need a ride to school. the weeks that go by where he doesn't actually ever speak to you. the times you say i am struggling and he says figure it out on your own. i can't help you.
and that's fine! that's all fine. you can call him if you are having a problem with your car. or if you need a ride to the hospital. he loves playing hero, he just doesn't like the actual work that comes with being a father. and you've kind of made your peace with that; because you had to, because you don't want to live your life like he does; the whole world at a managed distance, a little rotating and controlled orb he can witness and take credit for but never truly love.
as an adult, you are rewatching some dumb cartoon - and again, the child standing in the rain, with a mitt, waiting for their father to come play catch. as an adult, there's this strange creeping dread - this little thing? this little thing, and their dad can't even show up for that? oh god, holyshit, it's not about the mitt, is it. oh god, holyshit, your father spent most of your life leaving you hanging.
3K notes
·
View notes
You know, I feel like other trans people might get this, but it's honestly kind of refreshing when a cis person has, like, undeniable tboy/tgirl/whatever swag. It's like when you come across somebody who speaks the same language as you and you only find out when they start speaking it, too.
371 notes
·
View notes
The tags left under my review of first ep of WG by @italianpersonwithashippersheart inspired me to write about what I immediately thought about Dee: this boy is inexperienced when it comes to sex (although I don't think he's a "novice" in this matter) and he draws on all his knowledge - despite this that he's a doctor 😭 - from, um, pop culture? 😂 His behavior indicates that he's under the influence of a mixture of music videos of modern female rappers, old-fashioned porn watched secretly during his adolescence years and BL series (he wiped the food off my mouth = clearly it's love), because if not, the poor guy has watched hair metal bands from 80's, because of the way he draped himself over the door in this scene
honey, you're not the hot girl from the Whitesnake MV! 😭
Dee is inexperienced, or very naive with a touch of delulu, and despite everything, childish in these matters (sorry, I will insist on this 😘). Because Kao somehow managed to flawlessly point out the loopholes in Dee's reasoning, tried to help him and warned him many times, and he also leads a conscious love life himself - and they're both of a similar age!
How clueless Dee is when it comes to matters of sex is proven by the fact that what he took away from the whole conversation with Ter was not that he didn't like him "like that" and that Ter was straight, but that he, Dee, was vanilla 😭
That's why I'm curious whether Dee will be shown as someone who has had sexual partners before but still has no actual experience, or whether he "saved himself for Ter for 8 years". And how his "sexual journey" will unfold with the right partner 😚
75 notes
·
View notes
the juppet !! i just realised he is jerma posing i swear that was unintentional...... i spent so long digging thru muppet concept art and looking at old puppet designs just to end up doing a rly simple drawing but. i love joehills!! i have only been watching them for like 4 years but their videos r so special to me :3
68 notes
·
View notes
y'all have gotta learn to act normal about other people's characters
just bc you think they're hot doesn't mean the person who made them wants to know if, or how, you'd fuck them. i feel like that's common sense. it doesn't make it OK now just because it's not a real person you're sexualizing. you don't know what they mean to the person who made them, and if you do, well what the fuck, then.
323 notes
·
View notes
FUCK!!! it's finally done. after a whole day
COD CHARACTERS, but they're B U G S
cw insects!! if you get hibbie jibbies from buggo art or just bugs in general, u can scroll💗
and for those who wanna see the art, it looks better if you click on it and zoom in on it or something :)
the worms in my brain bothered me last night to draw cod characters but they're bugs and this morning i started IMMEDIATELY
at the cost of my fingers, wrists, and hands 🕊
the amount of tags on this one.
85 notes
·
View notes
As summer turned to Autumn and the days got colder and shorter, Phoenix and Dawn found themselves shifting focus to their careers.
They both earned big promotions that led to higher stress and longer hours.
With less time to see each other during the week, they made the most of what small pockets of time they could… like their 15 minutes over coffee in the mornings.
Phoenix, who has been working for the San Myshuno Human Rights Commission, is now heading the Department for Housing and Community Development.
At first, he was excited and had big plans for the future of the city. Unfortunately, it seems the more power he is given to make a positive impact, the more he runs into roadblocks and red tape.
The stress and frustration started taking a toll.
To cope with the stress, he began spending more time in Mt. Komorebi where he’d go snowboarding with his friends the way he used to before Kiyoshi ever presented the idea of climbing the mountain.
Nothing like the rush of flying down the slopes and landing massive jumps to get your mind off things, I suppose.
Meanwhile, Dawn has been working for the Dreamer Foundation as an Event Planner. She organizes many of their fundraising events, and they’ve been doing so well that she’s started putting together more prestigious events for their larger donors. This, of course, comes with its own kind of stress and frustration.
Rather than take off for the mountains though, she felt like she needed to make time to slow down and breathe. So, she started getting into wellness activities like yoga and meditation.
Oh! Also, Atlas and Asher started coming over every Sunday to join them for dinner...
...and to watch the latest season of Somnium.
All four of them are now fully invested in the series.
(how could they not be with a genius creator like @rebouks)
Prev // Next
97 notes
·
View notes