i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
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Sometimes I feel bad about not being motivated to write, but then I remember I had three exams this week, spent four hours doing job training modules on proper lab animal handling, and am two weeks out from finals. If I've learned anything from those 29 goddamn modules, it's that animals under stress try to conserve energy, and writing takes a lot of energy. My stupid brain doesn't want to do words because it's making space to watch for imaginary wolves
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/vent incoming.
This . . . is Berk. A bit trampled, and busted, and covered in ice, but it's home. It's our home. Those who attacked us are relentless and crazy. But those who stopped them? Oh, even more so! We may be small in numbers, but we stand for something bigger than anything the world can pit against us. We are the voice of peace. And bit by bit, we will change this world. - Hiccup in HTTYD2
And this here kinda summarizes why I want to pretend the 3rd movie doesn't exist, because it just undid everything the first 2 movies (and tv shows) had established before :))))
"We will show the world dragons and people can co-exist, and we've been successful in defending our homes and lifestyle! No evil tyrants will bring us down! Oh what was that? An evil dude is after us again? Welp I guess we were wrong all along, time for the dragons to skedaddle into a small hiding hole then!"
:)))))))))))))))))))
/vent end.
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Dan talking abt how tiktok is “the downfall of humanity” gave very millennial😭. Girl don’t act like you weren’t on tumblr in its peak years and don’t scroll on twitter every day (arguably worse). It’s just a pet peeve of mine when people say that because thats literally what gen x/boomers said about everything on the internet. MySpace was the true start of the downfall of humanity imo. Everything else just followed along! 👺
well he is a millenial 😔
i think he's trying to be conscious of everything that comes along with tiktok--safety concerns, privacy concerns, as well as the erasure of the creator and the platforming of The Algorithm.
he doesn't deny there's good content there, he even says in the video if his fyp gave him this content continually, he would use it. but he's all too aware of the advertising and prevalence of the algorithm. and, he's concerned about the amount of time people (cough, phil, cough) put into it.
i think they're valid concerns. i think having good-faith criticism about the things you choose to spend your time on are important. not that having guilt all the time is good, but something doesn't have to be 'perfect' in order for you to interact with it. (see youtube, twitter, and even here with tumblr)
i'll be honest, i'm a gen z who doesn't use tiktok. there's good tiktoks out there, but i prefer a different type of slop (everything is slop don't lie to yourself).
like if it really bothers you that much i suggest you sit with that discomfort and figure out why.
a lot of people older than gen z shit on tiktok because they think it's turning the frogs gay--it's just a title of something they can blame their hatred of everything different from them on, and their disgust for the youth who dare to not live by their morals. it's not about tiktok itself. whereas dan is seeing the flaws and faults of the app and the culture. you don't have to agree with him, but his opinion on it shouldn't ruin your day. he's just a guy.
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