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Fun Fact: Goku fights smarter. Vegeta fights harder.
As a martial artist, Goku's developed and cultivated his skills over the course of his life, mastering a variety of creative techniques and, more importantly, honing his mind. A quick-thinking and analytical counter-fighter, Goku prides himself on a creative and clever dismantling of his adversary's capabilities.
This is where Goku excels as a fighter. He's a formidable martial artist in his own right but when pressured, he falls back on a generally high understanding of violence and a creative mind for opening solutions. He reads his opponent's style and abilities, finds its weaknesses, and exploits them.
This, incidentally, is part of what what made Majin Buu such an insurmountable hurdle for him.
Majin Buu is a taffy monster made of magic who defies even this universe's conventional physics. He has no fighting style; He just does things, and his infinitely regenerative body and supreme liquid flexibility leaves no weaknesses to exploit.
He cannot be fought the way Goku fights.
For his own style, Goku has one particular signature technique and a couple other moves he's picked up from others. His mainstay is the Kamehameha. But he's innovated a wide variety of ways in which the Kamehameha can be used, based on the needs of his situation.
Goku's used the technique in a variety of ways, such as using it for propulsion instead of as an attack.
Bending it around the opponent's defense for a surprise attack.
Making stationary torpedos that he can fire at will to startle and disorient his adversary.
The coolest attack in Dragon Ball history YES I SAID IT. Learning to teleport? Cool. Kamehameha? Cool. Teleporting in while charging the Kamehameha in order to throw it directly under your opponent's guard before he even has an instant to react? Top-tier.
Point is, this is who Goku is as a fighter. Brilliant and innovative, bringing a great deal of cleverness and creativity to his fights. He breaks down his opponent's technique and adapts himself to the needs of the situation at hand.
Vegeta is also highly observant and analytical. Do not mistake me for calling him stupid. He makes plans of his own, and his greatest asset is his ability to follow everything happening on the field at once. It is next to impossible to get the drop on this man.
Vegeta pays attention.
Vegeta is always paying attention. He splits his focus incredibly well and quickly interprets what he's seeing and hearing with a critical eye. He misses nothing.
He is. Always. Paying attention. The one time someone actually managed to get the drop on him - and I cannot stress this enough - it was a person Vegeta did not know existed because he had not been a part of this battle up to this point.
Am I saying that Yajirobe's cowardice saved the world by not revealing his presence to Vegeta until this fateful moment? Yes. Yes, I am saying that. We literally have a counter-example from someone Vegeta did know and account for to contrast it with.
Vegeta is always paying attention. Unless he doesn't know you exist.
So. Yeah. Vegeta is incredibly brilliant and observant. But what he's not is a martial artist. Vegeta, instead, is a soldier. He's comfortable in the realm that overwhelming power creates.
Vegeta hits hard.
He hits very hard.
He hits very, very, VERY hard.
In fact, Vegeta hits harder than Goku does. That's not to say that Vegeta is stronger than Goku; Vegeta and Goku go back and forth on who's stronger in the given moment over the course of the series. But Vegeta's attacks are stronger than Goku's.
To understand what that means, you need to understand that certain kinds of ki attacks have a multiplying effects on their user's strength. Attacks such as the Kamehameha or the Makankosappo, which concentrate ki before firing it, produce a much greater level of ki than their user's standard power output.
When charging a Kamehameha, Goku's battle power reading on the Scouter rises dramatically. This is the secret of techniques like the Kamehameha: they concentrate ki into a point before releasing it all at once, like pulling the pin on a grenade.
As concentration moves go, the Kamehameha isn't actually that great. The versatility and creativity that Goku brings to it is what makes it so formidable. Pound for pound, it kinda sucks. Piccolo's Makankosappo here makes the Kamehameha look like noob shit.
This kind of ability is non-standard among ki attacks, which are typically like throwing long-range punches. In fact, it's super-rare among the Planet Trade to be able to do this. Raditz had never even heard of a move like this.
Vegeta had. He knew of exactly one.
I am so sorry to do this to you but we're going to have to talk about battle power numbers here for a moment. Vegeta's clocked at 18,000 BP as of his battle with Goku on Earth; it's brought up a few times in the Namek arc.
Goku, iconically, is OVER 9000 8000!!!
At the moment Vegeta and Goku's attacks meet, Goku is channeling the Kaio-ken x3 which is exactly what it sounds like. He's inflated the ki inside his body to 300% capacity. The drawback is that his body is now an overinflated balloon ready to pop at any moment from all this swelled and bloated ki inside of him. But the gain is that he's outputting 300% power.
At this point in time, Vegeta has a battle power of 18,000. Goku, formerly >8,000 is now >>>24,000. Goku, further, is using the Super Kamehameha rather than the regular one he used against Raditz, which brings with it a higher level of power multiplication.
Nonetheless, the Galick Gun is winning against the Super Kamehameha. Goku is forced to resort to a x4 Kaio-ken - which does leave his body utterly destroyed and incapable of continuing the fight - in order to have enough power to overcome a superior magnification from a weaker opponent.
We see another direct comparison between the two in the Cell arc. That killer Warp Kamehameha fired point-blank into Cell when he least suspects it, which hits him dead-on and unloads its absolute maximum power into him? It does this.
Brutal. If Cell didn't have both Frieza's ability to survive ludicrous levels of harm and Piccolo's regeneration, it would have been over right here. Meanwhile, a glancing blow from Vegeta's Final Flash left him looking like this.
Despite Vegeta being far less powerful than Goku was when he fired that move, the effect is about the same - With implication that if Vegeta hadn't pulled the Final Flash back at the last second to avoid destroying the Earth, he would have erased Cell completely.
Goku's shot hit Cell point-blank and full-on to do about as much damage, albeit with deadlier aim in terms of killing a humanoid being.
This is the distinction between Goku and Vegeta as fighters. Vegeta is very smart, and Goku is very strong. Neither of them is lacking in intelligence or power. But they are philosophically very different fighters.
Pound for pound, Vegeta's moves hit harder than Goku's. He is the unparalleled master in taking the power he has and channeling it into as much destructive force as humanly possible.
On the flipside of that coin, when backed into a corner, Vegeta falls back on outputting as much direct force as he can. Goku gets to thinking his way around the problem at hand and devising a creative answer.
Goku is a surgical scalpel. Vegeta is a warhammer.
Hi, and happy Bharani season to all :) I've been working on this analysis for days not necessarily because it took long to write, but moreso because I could write endlessly on Venus Nakshatras & it took me a lot of time to organize the stream of info I'd written in a more adequate manner. I hope this piece is enjoyed & informative to someone 🩷
In this piece I'm going to be diving into Venus's themes of dancing along the line between pain & pleasure, and the artistry and beauty that is born from the merging of these two extremes.
The song 'Glory Box' by Portishead is the song that inspired me to write my first song and take it truly seriously.
It's just such a sensual, classy, sexy, beautiful masterpiece. Though beyond that, the meaning portrayed in the song & music video speaks to my soul so vividly. I always was enchanted by this track, but seeing the music video brought it all together for me and the meaning just 'clicked'.
'I'm so tired, of playing
playing with this bow and arrow
I'm gonna give my heart away
leave it to the other girls to play
for I've been a temptress too long
just give me a reason to love you
give me a reason to be a woman...
I just wanna be a woman'
youtube
Everything about this song, this video just screams Purvashadha & Venus. Even the line 'playing with this bow & arrow' lol- sidereal Sagittarius much? I wouldn't be surprised if Purvashadha is directly connected to Cupid.
I'm going to go a bit freeform in my interpretation of the song & video, but I think I've got the 'right' grasp of the idea portrayed:
The music video depicts people in a vintage style office setting & old fashioned, very professional 'uptight' attire. It is boring and in a sense drab, but we see life in the subtle expressions & communication. There is flirtation, but it is secretive. There is an an expectation to be professional, to be 'proper'.
There are clips of Old Hollywood-esque people having drinks, enjoying themselves. We get sporadic visuals of the singer (Beth Gibbons, Purvashadha Sun, likely Uttarashadha Moon; Uttarashadha being prominent in music), dressed beautifully & glamorously performing on the tv, looking almost pained in her beauty & artistic display of emotion.
This song speaks to the desperation to be free and sensual as a woman, or just as a soulful human being in a world where there are responsibilities and expectations to keep up an image, 'play the game' in society. The desire to 'be a woman' and express your feminine energy authentically, dress up, be emotional & sensuous, indulge in pleasure and break free from social/circumstantial limitations. However, the pain and friction between two worlds almost makes the longing and lust for the person/life you desire even more intoxicating.
Venusian desire & artistry is so intense, in the corporate world Venus ruled individuals often find themselves needing to reign in their passion, and even punishing themselves for it.
I think I first started listening to this song when I heard it in a reel that was again, extremely Venusian! I would credit it, but I think this just was a circulating video & I have no clue who the originator was. The dude (Gene Kelly) has Purvashadha Moon & Purvaphalguni ascendant. Just look at the suave-ness of Venus men lol :
There's so much more I could write about this specific song and the nature of Venus, but ima try to stick with the 'k.i.s.s' (keep it simple, stupid!) principle.
I always thought that this song & message is such a perfect piece of art to demonstrate Venusian nature, but I will note that Beth's Uttarashadha Moon definitely intertwines in terms of the message this song communicates. Uttarashadha being the height of the Sun (a 'masculine' energy) is very on par with the experience of wanting to be feminine in masculine dominated fields/with traditionally masculine expectations upon you. We could see this as almost like a conflict of interest between Beth Gibbon's Purvashadha (Venusian, feminine, romantic, beautiful) Sun and her Uttarashadha (ambitious, masculine, stoic) Moon.
𝓥𝓮𝓷𝓾𝓼𝓲𝓪𝓷 '𝓑𝓸𝓻𝓮𝓭𝓸𝓶' & 𝓛𝓸𝓷𝓰𝓲𝓷𝓰
You can often tell when a Venusian is behind a song or art piece because the vocal tone, writing style and or colour choice emanates this distinct attitude: sexy, raunchy, articulate... & often kinda bored or reflecting an unhappiness with the way the modern/current state of the world is. Especially in Purvashadha Nakshatra, there is often an intense idealisation of the past and 'old times', reflecting Venus Nakshatra patterns of longing for things they can't yet have and shaping their world view around that desire. This definitely speaks to the way Tropical Earth signs (especially Capricorn) are seen being drawn to old, vintage & prestigious relics of the past. This is in part due to Ketuvian Nakshatras residing within Tropical Earth signs, but it is also Venus Nakshatras' placement. Venusian elitism is possibly best observed in idealisation of the past- something so exclusive that nobody can actually go back to it & mainstream society often disregards it.
Venusians can exist in this state of boredom and embody this energy, this aura that almost reads 'impress me, peasant' lol. Feed me grapes & fine wine while I lay adorned in jewellery on a velvet chair- then we'll talk.
This is where Venusian Nakshatras classic pickiness, elitism & in some cases classism (and all the other isms lmao) comes in.
I once read that men can be attracted to women who look bored, disinterested or detached, because they take it as a challenge to be the one to impress her and light her up- very Venusian. It kinda explains (some) men's misguided efforts to impress women who are very clearly not interested. We see this in nature too- peacocks (and other birds), for example lol; the male peacock flamboyantly attempting to impress the female, and more often than not she is disinterested- female peacocks are a tough crowd man.
You can always spot Venusians by their expression & overall demeanour- they leave you feeling like 'I admire you, but I'm kinda scared of you and feel like you're judging me at the same time' lol. The irony lies in the fact that while yes, Venusians can be extremely critical of others, their 'judgy' expression often has more to do with the fact that they're always judging themselves. Harshly critiquing themselves like a piece of art. Venusians can find it veryy hard to feel they are 'good enough', the same way an artist never feels the painting is truly done.
Sophia Loren, Purvashadha Asc | Blake Lively, Purvaphalguni Moon | Donna Summer, Purvashadha Sun & Purvaphalguni Asc
daddy Ted Danson, Purvashadha Sun | Audrey Hepburn, Bharani Sun | Johnny Depp, Purvashadha Moon
admittedly, Audrey & Johnny boi come across a little softer to me due to their other placements, but they still definitely have the look/energy. My Bharani mama was a master of this look, & I always thought she looked a little like Donna Summer.
While Venus women embody this choosiness & unapproachability, Venus men can take on that role of wanting to be the ones to impress the woman they've set their sights on, 'wow' her.
However, that being said, Venusian men are also often very picky themselves. Venusian men and women alike are seldom impressed by aesthetic beauty alone and place a lot of importance on internal value. They often crave exoticism & uniqueness in women. Venus in our charts represents what we value & find beautiful. In a way there is more value in something or someone who is rare.
When Venusian men do find a girl they really like, they can be extremely persistent and there are a lot of cases where Venusian men will successfully initiate a relationship with a woman who wasn't initially interested by genuinely winning her over with his dedication, adoration & direct pursuit of her.
In terms of aesthetic appearance, Venusians (again, men & women) tend to have a preference for natural beauty in some way too. Femininity often refers to an energy of being flowing & receptive rather than performative or immensely exuberant. It's not uncommon to see Venus women forgoing 'performative' femininity and embracing raw female beauty. No makeup, allowing body hair to grow, messy hair, not being afraid to look 'beautifully dishevelled'- yet never necessarily unkempt. Imperfectly perfect, like a piece of art.
This is why Mars Nakshatras tend to be the women most prominent in the world of makeup and glamour. The curation and forceful manipulation of the body to look a certain way is 'masculine' in a sense. Like the way mankind manipulates & curates nature. Although there are two sides to this coin, as Venus Nakshatras can also grapple with the 'beauty is pain' idea and go to great, sometimes sadistic, masochistic lengths to achieve their ideal.
Venusians, but Bharani natives especially have a reputation for rarely smiling fully, always holding a mildly restrained expression (one of Bharani's translations literally being 'the Star of Restraint'. The Mona Lisa famously depicts this Bharani-esque expression; painted of course by Bharani Sun, Leonardo Da Vinci. It is often remarked that the painting itself isn't particularly outstanding in terms of beauty, but what makes it so charming is the mysterious aura emanated through means of the 'drab' yet earthy, sensual colour pallet & demure, vaguely amused expression. Others have remarked that the drab colour scheme brought special attention to the Mona Lisa's face, inviting us to engage with her.
Off the topic of Venusians; but Leonardo Da Vinci is also Shatabisha Moon conjunct Jupiter - Shatabisha natives, in true sidereal Aquarian fashion often receive praise for being 'ahead of their time' as Leo was indeed.
𝓥𝓮𝓷𝓾𝓼, 𝓟𝓪𝓲𝓷 & 𝓟𝓵𝓮𝓪𝓼𝓾𝓻𝓮, 𝓕𝓸𝓻𝓫𝓲𝓭𝓭𝓮𝓷 𝓛𝓸𝓿𝓮
Purvashadha is said to embody a state of wishing to return to the 'Garden of Eden', where we are one, we are divinely connected in pure bliss, beauty and pleasure. This further explains the Venusian life of oscillating between/existing with the realms of pain & pleasure.
Bharani experiences these themes through its association with 'delayed gratification' & later rewards. Bharani will work hard and go through a lot of pain to reap pleasures later on. Bharani being ruled by Lord Yama, the Vedic God of Death draws a connection between Bharani & facing your karma in your next incarnation.
Purvaphalguni experiences the conflict between pain & pleasure through the realisation that nothing can be 'perfect' and the frustration of knowing that some things are just out of their control. Purvaphalguni experiences the 'royal' quality of the Sun combined with the the sensuality of Venus- these people often take their happiness into their own hands, but run into struggles when they realise they can control themselves but they can't control other people's mistakes & external circumstances that may put a wrench in their ideals.
Purvashadha experiences the pain/pleasure theme through pining for something, shooting for the stars with some usually highly ambitious goal, and then realising all of the obstacles in the way of attaining that goal. However, Purvashadha translating to 'the invincible one' and also having the elephant tusk as a symbol (strong, unbreakable) shows how when Venusians persist in pursuit of their desires, they ultimately are successful and attain that Venusian dream life.
In my mind desire, is a result of the friction created between pain and pleasure. This is why forbidden love is so beautiful yet hurts so badly. Almost every Venusian I've ever met has some intense story of forbidden love- falling madly in love with a cartoon character that doesn't technically exist, falling in love with teachers, falling in love with someone who's dead, falling in love with someone who's an inappropriate choice due to their age, status, culture, professional role, etc.
Perhaps the most infamous story of forbidden love, is Romeo & Juliet. I had to check, & William Shakespeare is most likely (almost definitely considering the range of birth times proposed) a Bharani Sun native. (Side note that he looks kinda like Leonardo, lol)
Amidst these intense themes of romance, tragedy and longing, Venusians are very good at playing a role in their life and showing up to that role, often very ambitiously. However within them is always this gnawing desire to just- be wild and free with their passions without the pretence, without the pressure. This can sometimes express through random outbursts of frustration.
The elitism of Venus can even be somewhat of a defense mechanism. in Venus Nakshatras there is such a deep desire to experience true intimacy and bliss with another human being; that to protect this very human vulnerability they will often design some sort of system to decide who is worthy & who isn't- eg. 'I will only befriend/associate with people who enjoy this type of music'. That way there is always guaranteed common ground & allyship between them and those whom they let in, somewhat protecting their heartspace. In this way, Venusians are 'warriors of the heart' in a sense.
This longing and desperation to be united and feel that oneness, but knowing it may not be possible is often the drive for the art of Venusians in some way or another. The pure angst, the passion.
A lot of Venusians I've observed can develop an almost nihilistic worldview, or can even seem very 'boring' or overly structured on the surface- but ironically, the reason they have this view & demeanour is because they are at their core so idealistic and full of passion that it hurts. It feels easier to just close off the heart-space all together and in some cases express their passion in a strange, or abstract (or in darker cases, violent) manner because society isn't built around beauty & pleasure as much as Venusians tend wish.
This aching to feel alive & dance between pain vs pleasure can be seen in Venusian Nakshatras' tendency to self harm or self sabotage. Venusians can do wild and even dangerous things just to feel ALIVE. To Venusians, pain is worth it if it means there could be a pleasurable outcome.
More on Venusian boredom: one of Purvashadha's symbols is a hand held fan, often a symbol of gracefulness and high society, sometimes used to convey boredom (think of the classic imagery of the beautiful women with unenthused expressions on their faces watching a riveting piano recital).
𝓥𝓮𝓷𝓾𝓼 𝓶𝓮𝓷 𝓵𝓸𝓸𝓴𝓲𝓷𝓰 ~𝓹𝓪𝓲𝓷𝓮𝓭~
(Refer to image below)
Venusians often look PAINED lol, the women too but especially the men. Venus men have this distinct look. A lot of the time they can be womanizers or at least pleasure seeking, but also kinda sad and troubled (more of Venus' pain/pleasure themes. In a lot of stories of Venus men, they may be womanisers in lifestyle yet always have 'that one woman' who they really can't get past and regard as their 'soulmate'.
Johnny Galecki , Bharani Sun & Purvashadha Moon - particularly in his famous role as Leonard Hofstadter in the Big Bang Theory. He pines after his love interest, Penny for yearsss, getting shot down but always persisting- eventually he 'won her over' and even got married. (Bharani's delayed gratification & Purvashadha's romantic ambition).
Johnny Depp (what's with these J names?? There's this meme that boys with 'J names' are trouble, I wonder if there's any cosmic connection with Venus Nakshatras lol) Purvashadha Moon - famous for his intense relationships with women (and substances), somewhat of a womaniser as well
Jim Morrison, Bharani Moon - stunning artist & musician of course, also a womanizer who often slept with women on the road, indulging in substances.
Charlie Sheen, Purvaphalguni Sun - in real life & in the show 'Two and a Half Men' where he quite literally plays himself, he is an infamous womaniser with a penchant for substances, partying and destructive forms of pleasure.
My partner was originally in this collage lmao because I kid you not his Purvashadha lookin self fits this collage perfectly (he's got the Jim Morrison beard and the whole shabang), but he wouldn't enjoy being on tumblr so eh.
It's worth noting that a lot of Sun men who are considered attractive to women often have Venus ruled Nakshatras through their chart also. Sun influence without Venus can make men seem very dry and not very understanding of female emotions or psychology, therefore somewhat unpleasant for women to be around.
Bottom line is Venusians, love women! Venus men love women, Venus women love women.
Anyway, as always this was toooo long and like I earlier mentioned, this is the tip of the iceberg on what I could yap about in regards to Venus Nakshatras and their influence on their natives and our world in a general sense.
Thankyou for reading :) 🩷
ps. I'm very wary of talking about planets and the whole feminine/masculine thing because I really don't want to give the impression that there is a certain polarity that is more or less ideal for a gender. It's not as though if you're a woman with Mars or Sun Nakshatras you simply are not feminine, neither does it mean a woman necessarily should be traditionally feminine. be yourself lovely people ✌️
I’m obsessed with all the fan art that is blessing my dash, zero complaints, but like just wondering……..has anyone drawn Fabian with his neck tatt yet???
i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice
artists have "draw this in your style", i think fic authors should start doing "write this in your style" where a ton of people write the same prompt but all do their own lil interpretations and characterizations and fun dialogue bits etc
🪞 Fallen angel... who do you see staring back from the Mirror? 🪞
(ID: Kirby series fanart of Galacta Knight and my personal interpretation of his Mirror World counterpart. GK hovers above facing slightly to our left, his feathery wings spread wide, shaded in lilac and tipped with gilded wing talons, a swallow-like tail visible. He holds his shield forward in his left hand (our right) and his lance to the side in his right (our left), a single magenta eye leering at the viewer through the visor of his mask. A halo of heart spears floats and shines angelically behind his horns. Below him, M!GK hovers in the same pose but flipped horizontally and without the halo. Visually, M!GK has mostly the same features as GK, with his color palette being darker and less saturated (dusty purple body, dark gray armor, gray mask, maroon lance, rose-gold horns and weapons accents). His eyes are not visible in the shadow of his mask, but there are signs of erosion running down the metal surface in rusty orange lines, almost like tear tracks. Instead of feathery wings, M!GK has wings composed of jagged shards of pink crystal, glittering and lit from within by a luminous glow. A few pale feathers can still be seen peeking out from his back. END ID.)
Hey, so... what if... I went a little insane for a minute? What if I just... concepted a character... for the sequel... to an AU... I've told no one about... and haven't even finished writing yet? What if I then... pulled the salt shaker labeled "ANGST" out of the pantry and just... unscrewed the cap all over this poor lad? Oh, and Galacta Knight's here, too, I guess.
Sketch started 02/21/24, render started 03/01/24, finished 03/06/24.
Guys, please, Tango doesn't consider himself a builder in the same way Michelangelo might not consider himself a painter* (see tags). You can accept you're very good at two things, and still consider yourself better at one over the other. It's not negative talk when he calls himself a redstone guy.
hot take but taking every hearsay or rumor or book in a fictional universe for fact is bad understanding of the world as the story presents it, actually
Idk it seems ciscentered, trans excluding to treat “male mice” like a coherent thing — rather than some construct we assign to them like how we assign it with amab people — and then further to conflate 2 male mice together as being yaoi and gay… it reinforces being “male” (amab) as a biological thing not something to do with gender and identity.
Hmmm... I can't seem to see things from your perspective. Is the only issue that it says "mouse yaoi real"?
I reblogged because it's incredibly cool that it happened! It helps dissolve our rigid ideas of sex, in my opinion. One of the biggest trans-exclusionary arguments in my current culture is "women are women because they can bear children," which ties into the ever-present homophobic argument of "homosexuality is wrong because it cannot produce offspring."
The ramifications for this sort of thing are still "up in the air," so to speak, since experiments with mice cannot always be replicated in humans. But the ability to create a viable offspring from a same-sex pair of mammalian model organisms is still a big break-through, especially because of the implications of creating an egg with two X chromosomes from a male skin cell with only one X chromosome! As the CNN article itself explains,
"The proof-of-concept research, the culmination of years of pain-staking lab work, could expand the possibilities for future fertility treatments, including for same-sex couples, and perhaps help prevent the extinction of endangered animals. "
The ability to create viable offspring from "male" cells is a direct wound to the idea that "male" is a rigid characteristic. If I allow myself to daydream, I can ponder other possibilities: could you turn "male" skin cells into other cells? Could a trans woman one day have her own cells used to grow a uterus? Growing entire organs is a wholly different feat, compared to creating a single gamete, with difficulties such as incorporating it into a pre-existing organism (eg, even if you could grow a uterus, could you get it connected to the circulatory system?). It's a far-off daydream, thanks to the current culture's fear of research that questions it's rigid ideas of sex and gender. But it's a daydream that comes closer to being reality when science achieves breakthroughs like this!
I am being overly hopeful. Science is very slow to make progress in regards to sex. Progress is discouraged and poorly funded, and can even be destroyed, such as with the Hirshfield Institution. But seeing science make progress like this, despite the hostile culture, gives me hope in itself.
It's unfortunate that our current vocabulary is inadequate and rife with bias that assumes everything is cisgender, heterosexual, and perisex. In our efforts to understand the unbiased nature of sex, it's important to examine our views for these issues. Does "mouse yaoi real" contribute to cis-centric, trans-exclusionary biases? I dunno. No. Yeah. Sure. It doesn't matter. Or maybe it does.
Anyways, the science is really really really really cool. I have other thoughts on the matter, but my vocabulary feels inadequate to verbalize them, and instead I am just taking a moment here to talk about the science a little, explain how it can be utilized as a step towards trans healthcare, and emphasize the importance of celebrating these things.
You have the right to like your Angbang intense.
You have the right to like your Angbang fucked up.
You have the right to like your Angbang unhinged.
You have the right to like your Angbang harmful.
But you also have a right to like your Angbang fluffy, too.
You are not woobifying them if you like it soft or write a fic where they say they love each other or kiss or high five or take a bite from the same sandwich or whatever. You have a different interpretation, that’s all.
You’re not committing some horrid unforgivable atrocity against your fandom. You’re not an “annoying fan” if you want your ships happy, even if other people dislike you for it, the same way you are not an “annoying fan” if you like your ships intense and other people dislike you for it.
You’re not a mean person for having an opinion that the majority dislikes. You’re an individual human being who has an opinion and your opinion is worth JUST as much as every other opinion in your fandom. Because that’s how opinions work.
You’re not disregarding canon any more than people who bend it to fit their other non-canon ships or headcanons or other interpretations of this ship or their interpretation of any other ship or anything else that JRRT or Christopher or the Tolkien estate disagree with.
We all see a piece of media and interpret it differently. It doesn’t make any of us better or worse for it. Ship and let ship.
You know I understand and honestly agree with the majority of the criticism of Jackson's Hobbit trilogy but god damn if they aren't still really entertaining to watch the extending editions
why are you feeling mixed about the magnus protocol thing?
hi there! mostly because tma was super special to me (still is!) and I'm worried that I'm gonna be disappointed by new content but it's just a personal thing and maybe I'll be proven wrong!