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hel-the-growl · 1 year

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Cultural Annotations on New Gods: Yang Jian -Part 1-

This is the companion piece to my long-ass thread about the same topic on twitter.

Light Chaser really outdid themselves with the visuals and research this time, and with Yang Jian out in NA theaters, it's totally worth seeing on the big screen.

There were so many historical references packed into this movie, I thought I'd do a deep dive into the characters, motifs and lore associated with Investiture of the Gods scene by scene.

Background

Yang Jian is the second instalment of the New Gods series of animated films (after Nezha Reborn), that are loosely based on the 16th-century Chinese novel Investiture of the Gods (IOTG). IOTG shares some canon with other Chinese classics like Journey to the West, Classic of Mountains and Seas, Lotus Lantern etc. so there may be crossovers.

The character Yang Jian, better known as the god Erlang, is a figure widely regarded as heaven's greatest warrior deity. He is recognized for having a third truth-seeing eye, and in IOTG, helped bring about the fall of the Shang Dynasty in 1046 BC.

The movie however, takes place during the Wei, Jin and Northern and Southern dynasties circa 5th century AD, some 1500 years after events of IOTG. We first meet Yang Jian as a rather lethargic but free-spirited individual, 12 years after losing his powers during a great disaster involving the three realms, scraping by as a bounty hunter.

A rough timeline

c. 1075-1066 BC: Yang Jian is born

c. 1060-1050 BC: Yang Jian cleaves Peach Mountain

1046 BC: Battle of Muye (Conclusion of Investiture of the Gods)

c. 9 BC-23 AD: Erlang defeats Sun Wukong (Journey to the West, Chapter 7 - Havoc in Heaven)

c. 405 AD: Disaster of the Three Realms; Yang Chan is trapped under Mount Hua

c. 417 AD: New Gods: Yang Jian

c. 1920s - c. 1930s: Nezha Reborn

Breakdown

Yang Jian’s crew all have backstories. In Journey to the West, Kang Anyu (康安裕) and Yao Gonglin (姚公麟) are two of Erlang’s six brothers of Plum Mountain, both supreme government officials in charge of military affairs. Maybe we’ll get to find out about the other four’s whereabouts in later instalments?

Xiaotian is Erlang’s dog sidekick who helps him subdue evil spirits and never leaves his side. The movie’s version of Xiaotian seems to be inspired by ancient paintings depicting her as a white hound.

The wanted bulletin printer seems to be inspired by a Hu Shi Ren You (虎噬人卣), a tiger-shaped Ancient Chinese wine vessel.

In Chinese mythology, Penglai is a legendary island for immortals. It has been reimagined to be the equivalent of the CBD of the divine realm.

The dice used in the casino are 18-sided Xing Jiu Ling (行酒令) from the Han Dynasty. It has the numbers 1 to 16, along with the characters for "wine" and "arrogance" engraved in gold and silver. The rat is the first animal of the Chinese Zodiac.

Shunfeng’er (顺风耳), who now goes by Old Gao and works at the casino, was usually accompanied by Qianliyan (千里眼). They are two temple guards whose names translate to “all-hearing” and “all-seeing” that could hear and see things from thousands of miles away.

Light Chaser is serious about its monkey business. The way casino monkey grabbed Yang Jian’s tally with his foot, the big ape miming and even in Nezha Reborn where the little monkey imitated Yunxiang.

Fun fact: The monkey is voiced by Yang Tianxiang, the same actor who voiced Li Yunxiang (Nezha) in Nezha Reborn.

Refresher - Primordial Spirit, known in Chinese as yuanshen (元神), is is a concept in Daoism defined to be a level of existence surpassing that of physical existence. In the New Gods universe, they manifest as giant glowing avatars.

New Gods also has a recurring theme of lost Astras - In Nezha Reborn, Wukong’s staff is nowhere to be found and Yunxiang has only recovered Nezha’s Sky Ribbon so far. Among Erlang’s many Astras, three are mentioned in the movie.

Yang Jian’s headdress is designed to resemble his signature trident, the "three-pointed, double-edged lance". Hence when casino monkey asked him where his weapon was, he clinked the headdress.

This weapon was later shown in a flashback:

Another one of his Astras is a golden bow with silver bullets. According to the director, it was melted into his harmonica (although this was probably retconned as in the teaser for the sequel, it was his mother who gave it to him as a child). The harmonica not only has the powers of his bow, but is also the ignition key for his ship.

The third weapon featured is his mountain-cleaving axe (开山斧). It is the axe he used to split Peach Mountain in half to save Yaoji. He is shown wielding the same axe in the opening montage 1500 years earlier and it is currently wedged inside the Lotus Peak of Mount Hua from the events of 12 years ago. Needless to say it is a powerful Astra with earth-shattering capabilities.

The Four Diablo Brothers - Mo Lihong, Mo Liqing, Mo Lihai, and Mo Lishou - were initially antagonists in IOTG, having launched an attack on the Western Foothills. This led to the introduction of Yang Jian, who helped defeat the brothers.

By the conclusion of the novel, they were enshrined as the Four Heavenly Kings - Vaiśravaṇa, king of yakṣas (多闻天王; Duowen Tianwang), Virūḍhaka, king of kumbhāṇḍas (增长天王; Zengzhang Tianwang), Dhṛtarāṣṭra, king of gandharvas (持国天王; Chiguo Tianwang) and Virūpākṣa, king of nāgas (广目天王; Guangmu Tianwang). In the movie, only Mo Liqing was addressed by his title when Shen Gongbao met him inside the lighthouse.

There's a PSA on the noticeboard with a picture of Nezha pissing. It reads "no urinating or defecating here." This might be a piss (pun intended) at the 2019 animation Ne Zha from a rival studio, and its hilarious promo. The shade 💀

Further supporting my theory that White Snake and New Gods are from the same universe, Precious Jade from White Snake is recruiting!!! And medicine boy plugging his illegal business lol.

Jinxia Cave (金霞洞), lit. Gold Sunset Cave is Yuding’s HQ. It is located on Jade Spring Mountain in the Divine realm.

The little disciple playing the flute is a tribute to the 1963 ink animation “The Bamboo Flute” (牧笛) produced by Shanghai Animation Film Studio.

Yuding is one of the many disciples of Yuanshi Tianzun, one of the highest deities of Daoism known as the Primeval Lord of Heaven. Yuding is ranked 10th among the “12 golden disciples”, and among his peers are Jiang Ziya (the main character of IOTG who led the battle against Shang), Taiyi Zhenren (Nezha’s master) and Shen Gongbao etc. They are all practitioners of Chan Daoism, also known as Kunlun Sect, founded by Laozi and Yuanshi Tianzun.

In the tale of the Magic Lotus Lantern, Chenxiang was the son of Yang Chan AKA Goddess San Shengmu AKA the holy mother of Mount Hua AKA Erlang’s sister, and a mortal scholar named Liu Yanchang. This parallels the Yang siblings’ own origin story as the children of a goddess and a mortal.

Chenxiang literally means Agarwood. It is a revered wood valued for its use in incense and traditionally burned during meditation.

The place on Jade Spring Mountain where Yuding sealed the sect brother’s Dharmakaya (the embodiment of the truth itself, a transcendence of the physical and spiritual bodies) is based on the travertine pools in and around Jiuzhaigou, Sichuan. Notably, a scene from Journey to the West, a story associated with Erlang, was once filmed at one of the waterfalls here. I’ve been here and yes, it looks exactly like this irl.

Part 2｜Part 3｜Part 4

#erlang shen #new gods #new gods: yang jian #yang jian #新神榜 #二郎神 #杨戬 #新神榜：杨戬 #xin shen bang #jttw #investiture of the gods #lotus lantern #light chaser #xsb #still laughing at the nezha shade

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wlwcatalogue · 4 months

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Some WLW (?) Jdrama & Kdrama recommendations!

Jdramas and Kdramas have a (not-entirely-unearned) reputation for being very straight, but here are a few which are either canonically F/F or which prominently feature a female-female pair-- please enjoy! For those who enjoy following series in real time, Chaser Game W and She Loves to Cook, and She Loves to Eat S2 are both airing this January 2024 :)

As with my post on anime with yuri subtext, since subtext is so subjective, this list only includes series which I’ve actually watched, and so is by no means intended to be comprehensive. Also, it doesn't include any webseries, since those probably deserve a post of their own.

At-a-glance list:

Miss Sherlock (8 episodes, 2018) (subtext)

Night Light (20 episodes, 2016) (subtext)

Tokusatsu Gagaga (7 episodes, 2019) (subtext)

Painter of the Wind (20 episodes, 2008) (canon?)

She Loves to Cook, and She Loves to Eat (10 15-minute episodes and counting, 2022~) (canon)

Sono Toki, Heart wa Nusumareta (5 episodes, 1992) (canon)

Chaser Game W (10? 30-minute episodes, 2024) (canon)

Doctor X (7 seasons and counting, 2012~) (subtext)

Bonus: SKY Castle (20 episodes, 2018) (subtext)

Summaries under the cut!

1. Miss Sherlock / ミス・シャーロック (8 episodes, 2018) (subtext) – MyDramaList | AsianWiki

The elevator pitch for this show is simple: it’s Sherlock Holmes, but where Holmes and Watson – here named “Sherlock” and Tachibana Wato, and played by Takeuchi Yuko and Kanjiya Shihori, respectively – are both female, and the cases are all set in modern Tokyo. As with other adaptations, mystery-solving and the budding relationship between the two leads takes centre stage, but Miss Sherlock manages to carve out an identity all its own.

There’s a calm beauty to its visuals, which favour sunlight and urban greenery, and the show’s focus on former doctor Wato as she tries out new jobs and goes to therapy means that there’s a surprisingly high number of slice-of-life scenes. It’s also subtly more female-focused than the source material; Sherlock’s gossipy but good-natured landlady Ms. Hatano (Ito Ran) is as much a member of the household as Sherlock and Wato, and the cases often revolve around female characters. But more than anything, it’s just really fun to watch Sherlock and Wato’s relationship bloom as they snip and snipe and are utterly unable to stay out of each other’s space (literally – the body language and blocking is *chef’s kiss*). Their relationship is the heart of the show – watch this one until the end, you won’t regret it!

(CW: psychological abuse, manipulation, and genre-typical murder, violence, and gore)

2. Night Light / 불야성 (20 episodes, 2016) (subtext) - MyDramaList | AsianWiki

(Note: spoilers for the mid-season twist, but it’s impossible to allude to a good portion of the F/F subtext without doing so, and I think knowing the twist ahead of time doesn’t make it any less enjoyable.)

Night Light is a rather odd show. It’s simple enough on the face of it, a story about successful but ruthless CEO Seo Yi-kyung (an icy Lee Yo-won) who tries to mold the younger Lee Se-jin (a puppy-eyed Uee) in her own ambitious image, only for her protege to develop the conscience she never had and move to stop her dastardly plans… but upon watching it’s a totally different creature, thanks to the alchemic reactions of some delightfully contradictory acting choices (Uee’s performance convinces viewers less of Se-jin’s supposed latent desire for power and money, and more of a deep love and devotion for the CEO) and the unintentionally (?) inneundo-laden script (“If I like something once, I never forget it– whether it’s a dress… or a person,” declares the CEO less than ten minutes into the first episode while gazing intently at Se-jin).

Honestly, it’s a wonder this series ever got made, but you certainly won’t see me complaining! The first part is full of boss/subordinate goodness; Se-jin is unable to resist the CEO’s magnetic pull despite her hot-and-cold behaviour, while the CEO cannot bring herself to push Se-jin away completely. And then, when Se-jin makes her mind up to stop the CEO, it morphs into a corporate take on a (subtextual) lovers-on-opposite-sides situation, where it is precisely Se-jin’s feelings for the CEO that motivate her to stop her. In short, it’s a workplace GL fan’s dream.

Note: If you do watch it, skip the corporate politicking cutscenes with the old men, you’ll thank me later. Also, there’s a prominent male character who is the CEO’s ex and who works closely with Se-jin in the second half, but don’t worry, all the M/F romance is in the past (and doesn’t get much screentime)– he and Se-jin aren’t interested in each other at all.

3. Tokusatsu Gagaga / トクサツガガガ (7 episodes, 2019) (subtext) - MyDramaList | AsianWiki

Nakamura Kano (Koshiba Fuka) lives and breathes tokusatsu shows (think Power Rangers, if you’re not familiar), but keeps it a secret from her work colleagues to avoid being shunned or laughed at. And yet she yearns for connection, so when she sees a woman on the subway bearing a keychain from her favourite show (Yoshida Hisami, played by Kurashina Kana), she is determined to find her again.

Although ostensibly about being a tokusatsu fan as an adult, this show is rife with queer subtext, and not in the usual way. It deals with the difficulties of staying in the closet (regarding being an adult tokusatsu fan), the desire to connect with other queer people adult tokusatsu fans and how one might do so through hints and signals, parental disapproval arising from gendered and social expectations (that tokusatsu shows are for boys, and magical girl shows for girls), intersectionality and finding comradeship with other minorities people who are excluded due to their interests, and even generational gaps wherein younger queers fans may underestimate the obstacles that still exist. Although all that might sound a bit stressful, it isn’t actually! Difficult incidents are handled with sympathy and a dash of wry humour, and the show never loses sight of the fact that it – above all else – is a story about finding queer community in the face of a heteronormative hostile world, told with warmth and the nuance of lived experience.

4. Painter of the Wind / 바람의 화원 (20 episodes, 2008) (canon?) - MyDramaList | AsianWiki

Adapting the novel of the same name by Lee Jung-myung, Painter of the Wind takes as its protagonist a gender-bent version of real-life Joseon-era painter Shin Yun-bok (Moon Geun-young), whose paintings are used to weave a tale of artistry, political intrigue, and romance, and more than anything else to offer modern-day viewers a glimpse of everyday life in 18th-century Korea.

While it may sound like Dickinson’s boring cousin, apart from having a common preoccupation with reframing historical works, another similarity the two shows share is that Painter of the Wind is also very gay. Starting from the first episode, Yun-bok meets and becomes fascinated by the courtesan Jung-hyang (Moon Chae-won), who despite her initial aloofness is drawn to Yun-bok’s intellect and sensitive demeanour. It’s a real meeting of the minds, their witty repartee in early episodes reminiscent of Twelfth Night’s Viola and Olivia, and their relationship isn’t siloed off from the main plot either: Yun-bok’s infatuation quickly starts causing issues with her academic career, and the two eventually have to contend with Jung-hyang’s precarious position as a courtesan as well.

Unfortunately, all this is undermined in the back half of the show, which tries to gaslight viewers into thinking that Yun-bok’s feelings for Jung-hyang were purely platonic all along and that she totally has romantic feelings for her much older male mentor— but hey, at least it’s an open ending. Despite everything, though, I can’t think of another serious historical TV show which features such a prominent F/F narrative for its main character, even nearly two decades later. (Let me know if you have any others! And no, Gentleman Jack doesn’t count, it’s not exactly traditional in style!)

(CW: period-typical sexism)

5. She Loves to Cook, and She Loves to Eat / 作りたい女と食べたい女 (10 15-minute episodes and counting, 2022~) (canon) - MyDramaList

Based on Yuzaki Sakaomi’s manga of the same name, this simple but sweet show follows home-cooking extraordinaire Nomoto Yuki (Higa Manami), who yearns to cook large-scale dishes but doesn’t eat enough to justify making them. Luckily for her, her neighbour Kasuga Totoko (Nishino Emi) has a massive appetite!

It’s always lovely to see more grounded stories about working women, especially when they’re as cute as this one. Though it touches upon some slightly more serious issues, such as with regard to gendered expectations surrounding food and cooking, it’s primarily a feel-good slice-of-life show about two women getting to know each other by cooking and eating delicious food together.

Side note: if you’ve started it and think the show doesn’t look cosy enough, stick it out for a few more episodes, the production values improve after the first part! Also, the series was renewed for a second season with double the episode count (for a total of 20 episodes) which will start airing on January 29th this year, so this is the perfect time to jump in!

6. Sono Toki, Heart wa Nusumareta / その時、ハートは盗まれた (5 episodes, 1992) (canon) - MyDramaList

Sono Heart, as it’s nicknamed, starts off as a typical heteronormative high school romance: bumbling protagonist Shiina Hiroko (Isshiki Sae) is desperate to get closer to her crush Katase Masato (Kimura Takuya), star of the school basketball team and all-round nice dude. However, a spanner in the works comes slouching along in the form of female classmate Aso Saki (Uchida Yuki, in her debut role), a mischievous, short-haired personification of trouble who Katase turns out to have feelings for. One day, Hiroko gets into a fight with Saki, and they end up having to stay together after school as punishment. But that afternoon gives them the opportunity to bond over a heart-to-heart conversation, and things seem to improve… until, just before leaving, Saki kisses Hiroko. And then everything changes.

Or rather, everything changes eventually. What’s great about this show is that it doesn’t take shortcuts: Hiroko doesn’t instantly fall in love with Saki. Instead, what you get is a surprisingly layered portrait of a high school girl whose coming to terms with queerness is merely a natural extension of reckoning with her burgeoning sexuality. And, because Saki is self-destructive in her depression and makes a game of belittling, worrying, and infuriating anyone who cares about her, it’s really a story about what it means to love another person rather than a romantic ideal. A word of warning, though: Katase is actually quite a large character, as he and Hiroko end up becoming friends. Also, the ending is very abrupt and inconclusive, though rest assured that it doesn’t try to roll back Hiroko’s feelings, or pair either girl off with a guy.

(CW: self-harm, attempted suicide, bullying, homophobia, underage drinking)

7. Chaser Game W: Power Harassment Boss Is My Ex-Girlfriend / チェイサーゲームW: パワハラ上司は私の元カノ (10? 30-minute episodes, 2024) (canon) - MyDramaList | AsianWiki

Probably jumping the gun here as only two episodes have aired as of writing, but I feel honour-bound to recommend this as it’d probably appeal to a lot of people, if only they knew about it! Chaser Game W is a standalone spin-off of Chaser Game, itself an adaptation of a manga of the same name by Matsuyama Hiroshi and Matsushima Yukitarou, but you don’t need to know anything going in.

Protagonist Harumoto Itsuki (former Keyakizaka46 captain Sugai Yuuka) has been assigned a new job: her company has been asked by a Chinese conglomerate to develop a game adaptation of a GL manhua, and she’s been tapped as the project leader. However, what appears to be an exciting prospect soon becomes a terrifying one, as the person sent by the client to supervise turns out to be her ex-girlfriend from university (Lin Dongyu, played by Japanese actress Nakamura Yurika), who is now married to a Chinese man (played by a Japanese actor) and has a child, but remains hell-bent on exacting revenge on Itsuki for their bad breakup. This is a romantic (melo)drama rather than a psychological thriller, though, so you won’t be watching Itsuki getting terrorised the entire time. While she is understandably upset by her ex’s current behaviour, Itsuki can’t forget about their happy days together, and Dongyu herself veers between being a sneering bully and craving Itsuki’s affection.

Do note that the show isn’t without its flaws: it’s very Japanese about the Chinese thing, which is to say it’s filled with comments which range from somewhat offensive to borderline racist, and the script will probably give you a headache if you know even the slightest thing about game development. Your mileage might vary on the ex too, as she can be really quite nasty to Itsuki and her teammates. But if you can overlook those issues, this is a rare prize indeed: a TV drama focusing on a canonical F/F pair, who are specifically exes, and in a workplace setting.

(CW: bullying)

8. Doctor X / ドクターX (7 seasons and counting, 2012~) (subtext) - MyDramaList | AsianWiki

To be very honest, I was in two minds about including Doctor X on this list. It is, with a few notable exceptions, misogynistic and reductive in its depictions of women (especially in the first two seasons), gives too much screentime to objectively awful and subjectively annoying men, doesn’t respect the work done by medical personnel apart from surgeons, and on the technical front is formulaic, repetitive, and often lazy in its writing and presentation. Unfortunately, the dynamic between the genius surgeon protagonist Daimon Michiko (Yonekura Ryoko) and her anaesthesiologist wife partner friend Jounouchi Hiromi (Uchida Yuki) is almost unparalleled in its excellence.

The premise of the series is basic indeed: Daimon Michiko is a freelance surgeon with a healthy disrespect of rules and authority and, unluckily for her detractors, a cast-iron guarantee that she will succeed in any surgery, no matter how difficult. She’s initially portrayed as a lone wolf who’s dismissive of the entire hospital system and anyone who’s part of it— but her interest is piqued by the anaesthesiologist Jounouchi, who is skilled beyond her peers and chafes against the idiocy of her colleagues. For all its flaws, the first season – which is more serious and edgy in tone compared to the others, and isn’t an ensemble cast like the post-S3 seasons – is a fantastic depiction of two people being perfectly matched in skill, intellect, and outlook, and how they come together despite one being standoffish (Jounouchi) and the other not being used to reaching out to or even respecting other people (Daimon).

The seasons after that sadly ditch the emphasis on Jounouchi being Daimon’s professional equal, but in exchange offer up another rare and unexpected gift: two women in their late thirties / early forties who are partners both at work and in private. Jounouchi is Daimon’s designated anaesthesiologist, assisting with nearly every surgery, and she spends so much time at Daimon’s agency-office-slash-house you’d think she’d moved in. Also, after a point they just start being wonderfully dorky and comfortable with each other, while still being consummate professionals in the operating theatre. Although the show is very much focused on Daimon Michiko as its sole protagonist, Jounouchi is undoubtedly the character most significant to her – even more than Daimon’s father figure, the head of the freelance agency – and this is highlighted in the story from time to time. They are very, very good. I just wish the series was better.

Note: If you’re curious, I would recommend watching the very first episode in full– by the end you should know if you’re invested enough to continue, otherwise drop it and live in the happy knowledge that you dodged a bullet. If you aren’t so lucky, I’d advise skipping the surgery segments when they start to bore, and in general to skip liberally. Also, season 4 is not worth watching as a whole, except for the last two episodes, which absolutely should not be missed. Sigh. I can’t speak to seasons 6 and 7, due to having paused mid-S6.

Side note: If you’ve watched Doctor X already and liked it (or at least like Daimon and Jounouchi), but haven’t tried Miss Sherlock yet, definitely give that a go because there seems to be a big overlap in the fandoms. Maybe it’s because they both feature a genius protagonist, have the two largest female characters being work partners, and domestic vibes…?

(CW: sexism, genre-typical gore)

Bonus: SKY Castle / SKY 캐슬 (20 episodes, 2018) (subtext) - MyDramaList | AsianWiki

(Note: slight spoilers for the early episodes, but it’s necessary in order to give a more accurate recommendation regarding the F/F subtext, especially as the show is not primarily focused on any one relationship.)

This one’s a bonus because unlike the others on this list, there’s no close relationship between two female characters which could be interpreted in a romantic light. That’s not too surprising as the show is all about the women of a several super-wealthy families trying to get their children into the top Korean universities (equivalent to the Ivy League) whilst supporting their husbands in the rat race: a decidedly heteronormative premise, albeit one that’s executed in an award-winning manner.

So why am I listing it? Well, it’s because somehow, in this series about heteronormative and highly gendered nuclear families, it features possibly the most erotically-charged dynamic I have seen, even taking season 1 of Killing Eve into account. (Though it takes some time to get there, so if you try it out, please watch at least the first four episodes before making a decision!)

That honour goes to the problematic gem that is the relationship between the main character Han Seo-jin (Yum Jung-ah), who is willing to do whatever it takes to get her daughter into Seoul’s top medical school, and star tutor Kim Joo-young (Kim Seo-hyung), who is known for her 100% success rate. It starts off with a mild push-and-pull, when Han Seo-jin wants Coach Kim to take on her daughter, but is wary of the shady rumours surrounding her; the tutor stands firm, and Han eventually has to swallow her pride and accept the risks. Where it really comes into its own, though, is when Coach Kim starts to pose a legitimate threat to everything Han cares for: her daughter, her marriage (or rather, what her husband can give her), her position in the world. It becomes increasingly clear that Han should just walk away, and indeed she tries to do so many a time, only to bend in the end because the coach is key to fulfilling her dearest wish– and so to Han, for all she rages and resents and fears, Coach Kim is nothing less than temptation itself. This is the beating core of the show, and even as the plotting disintegrates and falls into melodrama in the second half, their scenes together still crackle with delicious tension every time. Watch it.

(CW: suicide, psychological abuse, child abuse, bullying, murder)

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