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#My favorite thing to write :)
homosociallyyours · 6 months
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Oh but at least i wrote the cutest flirting scene today, made me giggle a lot
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onlyseokmins · 1 year
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The sexual tension 🤌🏼
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quietwingsinthesky · 1 year
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Snarky back and forths my beloved
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hansoeii · 9 months
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Do you think of me?
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mrtequilasunset · 9 months
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Unprovoked
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dynamic-power · 4 months
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The four of them are sitting in Robin's living room watching a movie when Robin's mom pops her head in and says that the pizza had arrived. Steve and Robin stand from the couch immediately, pushing and shoving at each other to get to the kitchen first. Nancy and Eddie stay behind, heads tilted together as they talk and giggle in hushed tones.
By the time Nance and Ed have made it to the kitchen, Robin and Steve have made it back to the couch. Robin's mom joins them after a moment, sitting in one of the chairs they've pulled in from the dining table to seat all five of them.
As Robin reaches over to try and pluck a piece of pepperoni from Steve's pizza, Steve catches Robin's mom watching them with a fond smile and twinkling eyes.
Steve knows that look. That's the look of a mother who thinks Steve is the perfect boyfriend to their daughter.
He spots a flash of curls before the couch sinks down beside him. He can divert Robin's mom's attention and show her that he and Robin really are just friends. Nancy won't mind. She'll understand and play along, so he lets his hand drift out to grip her thigh. "Hey, baby, do you think -"
Only his palm doesn't land on the cotton of Nancy's skirt. It touches rough denim instead.
He should snatch his hand back, should apologize and explain, but as his eyes meet the wide, startled gaze of Eddie, he freezes.
Eddie's eyes flash up to Robin, then to her mom, and Steve realizes that Eddie has understood. A warm palm slides onto his and dexterous fingers flip his hand over and twine with his own. "Think what, sweetheart?"
Gooseflesh rushes up his arm as Eddie's rough thumb begins to stroke his hand, and he swallows down a potentially embarrassing noise. "Um. Do you think your uncle would mind if you stayed with me tonight?"
Eddie smiles at him, wide and bright and disarming. "No, I don't think he'd mind. Parents out of town again?"
Robin's mom has diverted her gaze back to the TV, but Robin and Nancy are now staring at them with wide eyes. He ignores them. "Yeah."
"Big, spooky house too much for you?" Before Steve can reply, Eddie shifts closer to him and settles against Steve's side. "I'll protect you, sweetheart."
They watch the rest of the movie that way. Steve finds it a little odd to finish eating using his wrong hand, but for some reason, he can't bring himself to let go of Eddie.
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jomeimei421 · 1 month
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Felt a bit nostalgic watching RT shut down…Here are the og faves again for old times sake 💙
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krazieka2 · 1 month
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I've played the Fire Emblem Husbando Dating Simulator Games
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corvidcall · 2 years
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None Of You Know What Haiku Are
I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.
If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?
Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!
First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.
For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.
In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).
Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?
Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.
(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)
Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.
Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.
Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:
古池や 蛙飛び込む 水の音 (Furu ike ya kawazu tobikomu mizu no oto) (The old pond — A frog jumps in The sound of the water.)
You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.
English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.
Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.
Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)
The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel
We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.
"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:
meteor shower . . . a gentle wave wets our sandals
When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.
"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?
I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards
a year at most . . . we pretend to watch the hummingbirds
Sources: (x) (x) (x) (x) (x) (x)
Further reading:
Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine
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deadsetobsessions · 2 months
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This is based off of that one tiktok from @sorruna where it’s the audio from Spider-Man: Into the Spider-verse.
——
Dick Grayson was a sneaky, intelligent little shit.
He was also dumb. These things are not mutually exclusive.
To this day, one of his best kept secrets- one of the many, many that he had now- was something he’d take to his grave.
Or to Jason’s grave, at least.
Dick sat down and began telling the story to ears that would never truly hear it.
——
Batman’s voice rumbled behind him as Dick, in his Robin suit, stood blankly on top of a roof.
“I know you snuck out last night, Robin.”
Dick froze, train of thought about his dinner derailed. Holy busted, Batman! Quick! Play dumb!
“Who’s Robin?” He asked, the years of performing in front of a large crowd coming to save his ass.
Not that dumb!
Batman sent him a dry look, reprimand already poised on his lips. Dick, however, was nothing but a good performer. Nay, a dedicated performer.
Quick! Do something out of character! He shouted at himself, panicking visibly. He stepped backwards, an idea appearing in his head. In his defense, it sounded like an amazing idea at the time. He had no idea it would blow up into a Justice League issue. If he had known… Dick would have lied better, probably. There was no way he was going to let B bench him for weeks!
“Who the fuck are you?!” He yelped. Dick apologized mentally to Alfred and his parents. Batman paused, stunned.
“That’s my question. Who are you?!” Bruce asked, immediately hostile. His son doesn’t curse. Well, not in any normal way anyways. Dick quickly backpedaled by yelling at him with a heavy Vlax dialect, missing his parents terribly as he screamed stranger danger in rudimentary Romany. After this, he was going to have to convince Bruce to get him a language tutor. He refused to forget one of the only ties he had left to his parents.
“Wait, wait- you’re my son.” Bruce replied back, in perfect Romany. He looked more convinced but still skeptical.
“My dad is a circus performer! Not a flying rat!” Dick screeched back. He couldn’t help but feel touched about Bruce seeing him like a son.
“Oy! Keep it down out there, you assholes! Some of us like our sleep, damn!” A random Gothamite screamed out of their window.
“Yo, shut the fuck up! The vigilantes are helping to keep the rent low, motherfucker!” Another Gothamite shouted back.
….
Needless to say, Bruce quickly brought Dick back to the cave- with precautions to make sure he didn’t figure out where the Cave was if Dick was actually someone else.
——
“You would have loved it, Little Wing. B was running around like a headless chicken. The memory loss protocol was actually made because of me, you know.” Dick chuckled, sniffling as he talked to the carved gravestone.
It did not reply.
——
The blood tests came back. Yeppers, Dick sarcastically thought, who woulda thought I’m me?
Reinforcements were called in.
Meaning, Batgirl.
“Watch him while I contact Justice League Dark.”
“You think it’s magic?” Barbara asked.
“Yes. There was no one else near our vicinity that could affect Dick like this. He has no head wounds.”
“Eesh. Okay, go. I’ll watch him.”
Bruce disappeared in his zeta tube, looking harried. So, to everyone that’s not a Bat, he looked absolutely terrifying.
“What did you get yourself into now, Boy Wonder?” Barbara sighed. Dick was careful to keep any signs of recognition out of his face.
“Stop calling me that! Where are my parents?!” He asked back. Barbara coughed and looked uncomfortably away.
That’s right, Babs. I’m pulling out the orphan card. Feel bad. Dick hid his feral grin.
“They’re… uh, busy.” Busy being dead, Barbara thought, immediately wincing at her own thoughts. Apparently, Dick thought the excuse was lame too, and he sent her an incredulous look.
“Would you like refreshments, Master Dick?”
“What?”
Alfred held out some cookies on a platter, giving Babs a quelling look as she tried to reach for his share.
“Oh, wow, these are really good!” Dick said as he shoveled cookies into his mouth. He tried to replicate the reaction he had when he tried these for the first time, and from Alfred’s satisfied look, Dick nailed it.
——
“Robin doesn’t remember who he is.” Batman rumbled as he all but dragged Zatanna and Constantine by the scuff of their jackets towards the zeta tubes.
“Hey, wait-”
“We have no time.” Batman snarled, tossing the two magic users into the zeta. He punched in the destination.
When they got there, he glared at the two magic users until they got into the cave.
“Damn, Bats. Really living up to your name, huh?”
“Not bad,” Zatanna said as she looked around.
“Robin,” Batman- Bruce- reminded them. He did a quick glance over to check on his kids, and found them satisfactorily uninjured. Though, Barbara was looking worse for wear. Bruce quickly found out why as she stalked to him.
“You deal with him.” She muttered. “I’m going home.”
Bruce blinked and nodded. “Get home safe.”
Zatanna and Constantine followed Batman as he walked towards Robin. It was odd to see the normally laughing child frown.
“It’s you! The kidnapper! Where are my parents?!”
Bruce winced which, for him, was akin to a full body flinch and recoil. No wonder Barbara was so tired.
“Fix it.”
“Don’t get your knickers in a twist, Batsy.” Constantine grumbled.
“Well help, Batman. Though… I’m not sure if he should be doing that.”
Bruce sharply turned his head back to where Dick was. Emphasis on was. Because now, he’s halfway up the giant dinosaur the Robin had insisted they keep.
“Robin, get down from there!”
“Stranger Danger!” Dick hollered back.
Batman- Bruce Wayne- sighed.
“That’s high level magic,” Zatanna hummed. “I can’t feel anything, but I know for sure that he won’t die. Magic like that either dissipates naturally or…”
“Lasts forever,” Constantine finished.
Bruce groaned, shooting off a grappling line and swooping upwards to catch Dick as he fell from the giant dinosaur.
——
“I pretended to get my memories back later,” Dick chuckled. “And pretended to forget the whole thing. Bruce was so relieved that I stopped knocking things over and trying to do cartwheels in high places that he totally forgot I snuck out.”
Dick patted the headstone.
“But between you and me? I’m pretty sure Alfred knew. I think B pissed him off that week.”
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julijbee · 3 months
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girlbossing too close to the sun.
#art#ive literally just been treating this game as a library simuator#i walk from bookseller to bookseller opening up all of their books#vivecs sermons are either a highlight or the point at which i stop reading#ive been trying to convince the ordinators that imitation is the highest form of flattery but it hasnt been working#let me wear your helmets please theyre so funny..#posting morrowind in 2024 isnt a cry for help but youre not wrong to be concerned.#morrowind#almalexia#vivec#im going to explain the chitin armor give me a moment#so the bonewalker nerevar on the shrines is adorable and it was only after drawing it however many times that i realized#it looked relatively close to a modified chitin armor#and so i modified chitin armor a few times and this was probably the cutest result#i also know i drew almalexia relatively pristine and untouched by years and vivec not so much but my thought process was#vivecs role as if not a favorite then the most accessible divine or the most “hands on” in a manner of speaking#acting in ways visible to the general population or actions explicitly brought to their attention#like not that almalexia isnt doing anything she is#but the dissemination of information regarding that is very different etc etc etc#anyways to a certain extent a god is the face on a shrine or in art or upon a statue or carving#but vivecs presence is interwoven with the geography of vvardenfell especially and his actions and writings with pubished materials#and the arts and culture and customs etc etc etc#so to me the face of a god you know and feel a commonality with or a god that walks alongside you is a face you would recognize#and vivec is already otherworldly looking enough#the simple mark of the years on his skin in some way grounding him in reality felt more right#that and i think the ways in which he and almalexia care about outward appearance are slightly different- they prioritize different things#and the ways they present outward power and their embodiment of their respective attributes share some similarities as they both have that#important preoccupation with physical power and physical strength to a certain degree#oh my god nobody read this i am yapping so bad.#tes
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ilostyou · 20 days
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things we don't talk about enough: the change in the black dog from magic fabric to tragic fabric of our dreaming etc etc etc
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libraryofgage · 10 months
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Decided to combine 4 and 12 of the prompt list! Something about these two prompts was giving me major Addams Family vibes, so I rolled with it lol
If there are any other prompts you want to see written, lemme know!
4. “You know I’d do anything to have you stay by my side, right? Anything.”  
12. “I’m going to have so much fun with you.”
Wherein the Munsons are branches on the Addams Family tree, and Steve finds himself the object of Eddie Munson's flirtations and devotion.
---
When the Munsons move in next door, Steve sits his brother down in the living room and says, "Don't bother them, Dustin. Wait, like, three days before asking for their life stories."
Dustin looks offended, to say the least. "I wasn't gonna ask for their life stories, Steve. I was gonna ask where they got all the bats and birds that hang out on their roof."
Honestly, Steve would love the answer to that, too, but that seems to be encroaching on the "life story" territory, considering the sheer number of flying creatures the Munsons brought with them. He'd been outside getting the mail when the Munson kids, a boy his own age and a girl Dustin's age, had opened a tiny cat carrier, and a veritable storm of black wings and feathers and screeching had somehow come streaming out of it.
The girl was watching them with a smile, and the boy turned around like he'd felt Steve staring. Their gazes met, and Steve's awkward wave was returned with the boy's eyes raking over him before winking with a grin.
"Look, ju-"
Steve's words are cut off by a banging on the door, the person knocking out a beat that he can't follow. He shoots Dustin a look to stay put before he opens the door to find the Munson boy on the other side. He's got that same playful grin and a plate of pitch-black...something in his hands.
"Uh, hi?"
Somehow, the boy's grin gets wider, and he shoves the plate into Steve's hands. "Heeeellooo, big boy," he says, his voice almost lowering into a purr that makes heat flood Steve's cheeks. "Wayne wanted me to drop off some of his famous arsenic and chocolate chip cookies. You know, since we're neighbors and all."
"Wayne? Arsenic?" Steve mumbles, looking down at the cookies warily.
"Our uncle," the boy says, leaning on the doorway and crossing his arms as he looks Steve up and down again. "Don't worry, it won't kill you. Yet. That's a friend of the family privilege, at least, and you just ain't there yet."
It must be a joke, and Steve lets out a strained laugh. He balances the plate in one hand and holds his other one out. "Right, well, uh, nice to meet you. I'm Steve. You'll probably meet my brother, Dustin, later."
The boy takes his hand, but instead of shaking it, he brings it up to his lips. Then he turns Steve's hand over, brushing his lips across the meat of his palm before nipping. Steve jerks, yanking his hand back and holding it close to his chest, his heart beating erratically as the boy says, "I'm Eddie, my sister's name is El, and I'm going to have so much fun with you, Stevie."
And with that, Eddie turns on his heel and saunters back to the Munson home, which had been painted pitch-black (just like the cookies) at some point. Steve doesn't move from the open door, feeling a faint tingling in his palm, until he hears Dustin shout that he's going to let all the cold air out.
The arsenic and chocolate chip cookies had not, in fact, killed either of them. And, despite their burnt-to-coal appearance, they were soft and chewy. It had immediately put the Munsons in Dustin's good graces, which he happily proclaimed while Steve's head and heart were still reeling from Eddie's introduction.
In the following weeks, Eddie kept popping up whenever Steve left the house. He never overstepped, though. He'd appear at a distance, wait for Steve to wave or say hi, and then approach with that big grin with canine teeth that looked a little sharper than they should. Sometimes he'd offer more baked goods from Wayne (always with some schtick to them: eye of newt brownies, hag's breath toffee, cyanide and cherry pie). On one notable occasion, he'd offered a baseball bat with nails stuck through the end.
"El let out a demodog the other day, so you probably ought to be careful. I'd hate for you to get hurt by something that wasn't me," Eddie had said as Steve confusedly took the bat.
He blinked when he had processed the words and looked up. "You would hurt me?" Steve asked.
Eddie had leaned close, his ringed fingers ghosting over Steve's side and inching closer to his waist, and whispered, "It wouldn't just hurt, Stevie." His words had sent a shiver down Steve's spine, his mouth suddenly dry as Eddie pulled away.
And their interactions had escalated from there. With every meeting, Eddie strayed closer, lingered longer, spoke softer, and Steve couldn't escape the growing devotion and fascination in his eyes. At some point, Steve knew, things were bound to boil over.
So, he definitely wasn't surprised when they did at the neighborhood's annual Fourth of July cookout. Eddie had waited until El and Dustin were distracted by their other friends, checked to make sure Wayne was sufficiently busy with helping at the grill, and then kidnapped Steve to a hidden corner of the Byers's yard.
Which brings Steve to the present, the Byers's house casting a long shadow over him and Eddie so nobody notices them. The sound of other kids screeching with delight and parents discussing summer camps fades when Eddie leans in closer.
"You know I'd do anything to have you stay by my side, right? Anything?" Eddie asks, tilting Steve's chin up as he crowds him against the wall.
Steve presses back against the cool brick, silently holding Eddie's gaze. There's a stark seriousness to his words, and Steve can't help his curiosity about just what anything encompasses. "Would you kill for me?" he asks, his voice soft.
Eddie practically lights up, a feral grin pulling at his lips. "Gladly, sweetheart," he purrs.
"Would you die for me?"
"I'd tear out my heart and present it on a fucking silver platter for you. In fact, I can do it right now, if you'd like." A knife appears in his hand from seemingly nowhere, and Eddie brings it to his own chest only for Steve to stop him by grabbing his wrist.
"Then, what about living for me?" Steve asks, carefully taking the knife from Eddie and smoothly returning it to the holder tucked into his jeans.
Eddie leans in until their noses brush, his hand cupping Steve's jaw. "I wouldn't even dream of dying without your permission, Stevie," he whispers.
And Steve would fucking love to meet the person who could withstand Eddie Munson's attention and flirting and gifts and care and sheer devotion without falling head-over-heels for him. Steve would want to put that person in a jar, study them, see if their indifference is something he could mass produce. He's sure Eddie would be thrilled to help him do it, too.
"I have one request," Steve whispers back, reaching up and pushing his hand into Eddie's hair, warmth rushing through him when Eddie leans into the touch.
"Anything. Say the word, and I wouldn't hesitate to crawl through hot coals and broken glass." Steve has zero doubts Eddie would; in fact, he knows Eddie would be ecstatic to do it, if only for the chance to make Steve smile.
"I want one of the bats. And Dustin wants a demodog, but you better make sure it doesn't hurt him, or I'll make you listen to bubblegum pop and watch a Disney marathon."
Steve can feel the shudder that goes through Eddie, his eyes revealing a mix of horror, pride, and love at Steve's words. "You, Stevie, have perfected the art of making threats. Consider your two requests granted and me sufficiently...threatened," Eddie breathes, somehow managing to press even closer.
And Steve can't make either of them wait a second longer. With a grin that can easily rival Eddie's, Steve kisses him and begins to think of names for his bat.
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chaosinterlude · 1 year
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“lucifer is sadistic and mean!! he’s so serious and scary!!”
meanwhile,
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he’s just a silly man who wishes for a domestic life with his partner and dog <3
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cassettemoon · 1 year
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Brothers and fathers and sons
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mostmagical · 6 months
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was in desperate need of some serotonin today, so here's some quick post-reveal bed-sharing
Words: 1K+ Summary:
Marinette wakes up to a bump in the night. It’s her boyfriend (and not in the way you’d think).
Thump.
The sound tore Marinette from her sleep. She shot straight up in bed, frantically scanning the area for danger. With a start, she realized she wasn’t in her room. Memories were returning slowly as she recalled deciding with Adrien to spend the night at his for once, both too tired after the long day to trek the extra few blocks to hers.
She gasped— Adrien. Her hand patted down the area to her immediate left, seeking his warmth where she was used to finding it. A steady rhythm from her heart beat against her rib cage as she turned to see his side of the bed empty.
“Oof,” a soft sigh breathed from the floor.
Marinette was leaning over the edge in a flash, finding her boyfriend rubbing his eyes as he slowly sat up.
“Adrien!” she gasped. “What happened? What are you doing?”
His eyes flickered to hers, bright even in the dark, and he chuckled. “I think” —his hand moved to massage his side, low by his hip— “it was a well-timed kick to my side.”
Her heart dropped in her chest. “What?”
He laughed again, pulling himself back onto the bed and taking her into his arms. “What kind of dream were you having, Buginette?” he asked. “Must have been pretty intense.”
“Wait, wait, wait,” she said, pushing against his chest so she could continue looking into his face. Mirth danced through his green eyes. “Are you implying that I kicked you out of the bed?” she asked disbelievingly. “Why are you so calm about it?”
“Oh. It’s not the first time.”
“What?”
Adrien shrugged. “Well, usually, when we’re at your place, I just kinda end up pushed against the wall? The loft has that nice built-in baby gate, lucky for me. This is the first time I’ve actually fallen out.”
Her jaw dropped open. This was mortifying information to receive in the middle of the night. “Adrien,” she said sternly, taking his shoulders in her hands and staring intensely into his eyes. “Why didn’t you tell me I kick you every night?”
“It’s not every night,” he replied dismissively. She gave him a look. “Okay, it is most nights, but still! Not every night!”
“I don’t care how often it is!” She shook his shoulders, his body pliantly rocking back and forth with her movements. “Why wouldn’t you tell me so I can stop? I must be ruining your sleep!”
“I don’t mind.” He smiled, the picture of innocence. “I think it’s cute.”
Marinette wanted to growl, but she knew it wouldn’t be nearly as intimidating as she wanted it to with the red she could feel all over her face. She groaned, dragging her hands down her cheeks until the skin stretched. “What’s wrong with you?”
Again, Adrien gathered her in his arms, this time with Marinette accepting the embrace. She curled up against his chest as she felt him press a delicate kiss to the crown of her head. “It’s an honor to be your punching bag,” he joked.
“Adrien,” she groaned, thunking her head against his shoulder, “shut up.”
“Sorry.”
“Wait, no, that makes me feel worse,” she hastened to say. “I need to apologize to you! I’m sorry.”
He chuckled again, his warm breath tickling her forehead as it passed through her hair. “Like I said, I really, really don’t mind.”
“Why don’t you mind?” She pouted, tilting her head up to look at him. “Doesn’t it wake you up?”
“Sometimes, yeah, but–” He sighed as he seemed to look for the right words. His mouth tilted in a half-smile. “I like knowing you’re still there with me.”
All the embarrassment drained out of her as she noticed his tone change. “Do you think I would go somewhere?”
“Technically, no,” he answered honestly, “but sometimes… in the back of my mind…”
She frowned. “You get anxious.”
He took in a breath. “Yeah, I guess so.”
Marinette wrapped her arms around his midsection, pressing her face into his worn cotton t-shirt. He smelled of citrus and the fresh linen scent of her Maman’s favorite laundry detergent, making her smile. He smelled of home.
“I’d never leave you, Adrien,” she murmured.
“I know.”
“Especially not in the middle of the night.”
He laughed. “I know.” His arms tightened around her as he laid their bodies back down against the pillows. “We’re a package deal. A bonded pair.”
“Exactly,” she huffed. Leaning up on one arm, she poked him in the chest. “But you really should have told me I was kicking you in my sleep. I feel like a jerk.”
“A cute jerk.”
“Stop calling it cute!”
He waggled his eyebrows as he grinned at her. “It’s not my fault that everything you do is cute.”
She growled frustratedly. She wanted to be angry, but instead she pressed a kiss on the tip of his nose. “You’re so annoying.”
“Annoying and cute?”
Rolling her eyes, she leaned back onto his chest. “Yes,” she huffed.
Adrien laughed again, the sound reverberating in her eardrum. She loved the quiet moments like this where she could hear everything— his laugh, his breaths, his heart beating in his chest. The arm wrapped around his middle tugged him closer, and in response he squeezed her tighter against him.
“Seriously,” she mumbled, “wake me up next time. I don’t want to kick you out of bed.”
“It’s really not a big deal,” he whispered back. She opened her mouth in protest, but he spoke again before she could, “Sometimes it’s just a little nudge. Like this:” His foot connected with her shin under the blankets, gently pushing against her with featherlight pressure.
“Oh.”
“See? Nothing.”
“But–”
“And the kicking,” he interrupted, knowing exactly what she was going to say, as always, “I don’t mind, because I can always tell when you’re having a dream. And I like knowing that.” His thumb was brushing over the exposed skin on her shoulder, lulling her back towards sleep.
Against the siren song, she shook her head. “Still, if you ever want to wake me up– even just to talk, I want you to wake me up,” she whispered.
“Now, I know that’s sleep-Marinette talking.”
She would have rolled her eyes if she thought he could see it. “Ha ha,” she said sarcastically. “I mean it. I’d gladly lose a couple hours’ sleep for you.” She turned her head to press a kiss to his chest, right over his heart. “Especially knowing you would for me.”
“I would. Anytime.”
“I know.”
“Okay,” he mumbled into her hair, his lips brushing her scalp, “I’ll try not to let you attack me inexorably again.” She heard him breathe deeply, his chest expanding beneath her head.
“You’re lucky I’m so tired right now, kitty cat,” she mumbled, her eyes sliding shut.
“Yeah, I really am. I love you."
"Love you too..." she managed before sleep pulled her back in, warm in Adrien’s arms.
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