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#Norwegian Crafts
happywebdesign · 10 months
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https://vessel-magazine.no/
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woolmaiden · 1 year
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Working on the second mitten and I’m a little over halfway done! If you look closely at the finished mitten, you can see the warping from my stitches being too tight from short floats. A woman on YouTube gave the advice to turn the mitten inside out while knitting so that the floats have to travel farther thus making it harder to accidentally make them too tight. It’s been working like a charm. I will never go back to knitting color work right side out if I can help it. My poor mother is going to have one lopsided mitten and one good mitten.
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wyrmscraft · 4 months
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Made two Norwegian/viking themed pillow cases for my mum and couldn’t wait for tomorrow to give them to her. She practically shrieked with laughter when she opened then up because she loved then so much.
(Yes, I also made the embroidered Mama and Papa pillows and the quilt underneath too. ✌️)
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bogkeep · 11 months
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this may be something i might change my mind about later, but i don't actually Hate artificially generated aesthetic pictures that are like "fungus themed couch" "art noveau inspired camera" "stained glass bathtub" "gothic style platic chairs" or "really fancy sky" tbh. like i think there's lots of room for playing around with ideas and concepts using - applying some good faith here - public domain source photos or otherwise ethically/consensually acquired images. what DOES drive me up the wall is that every time i come across a set of pictures like that there's NO mention that it's artificially created. sometimes there's no source listed at all, which is really common for ~*Aesthetic Pictures*~ anyway. what's worse is when it's like, [Name Of Creator, Name of Collection, 2023] as if it's a legitimate art exhibit, with no mention of the program used to create the pics. that's actually pretty upsetting - the underhandedness of it all. ugh.
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lumiii-nescent · 1 month
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First rosemaling | acrylic on wood
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ruthscraftroomuk · 4 months
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Visit here to find out how to make these little Nisse - https://www.canr.msu.edu/resources/crafts-around-the-world-series-europe-norwegian-gnome-nisse
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cyanide-the-spider · 1 year
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A little work in progress. Something I like to do with most every project is find a technique to work on. If it's a small technique like a new stitch that doesn't affect the overall piece and the commissioner doesn't mind experimental, that's one thing. But if it's a technique that could affect the entirety of the piece that I haven't got down, I use it on something for me. Magic loop is new to me, and a keen eye can see the laddering on either side of the cuff as I work on tensioning. Ultimately, I'm excited for how this will turn out, and I'm sure the other hand will be even better!
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aranell18 · 2 years
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So over a year ago I made my dad a Yule card and in it I wrote his name in Nordic Runes. My mom asked me if I could make him a larger scale drawing of it, so I did. I did some research and saw that the Norse people wrote vertically as opposed to horizontally. I made this change on the larger copy and added mjonir's (Thors hammer) to boarder his name. Here is my progress so far.
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Never ending coats of blue...
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roboticchibitan · 1 month
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Okay, I've made enough "blease knit gauge swatches. Swatchless projects killedy family" posts. This post is an informational post a out gauge swatches. It will mainly be written in knitting terms because that is my main craft but it applies to crochet too. Even if you're an experienced crafter, you might learn something from this post. I talk about different reasons to make a swatch and some reasons a swatch might lie to you.
What is gauge?
Gauge is the size of your stitches, ie how wide and tall they are. It can be affected by the way you hold the yarn, your tension, and your needle/hook size. In knitting the style you knit can affect this, with the tendency being that English style is usually, but not always, tighter than continental. When I went from knitting English style to knitting Norwegian style, my gauge drastically changed to be much looser.
What is a gauge swatch?
A gauge swatch is a small piece of work that you use to measure your stitches per inch and rows per inch gauge. "Standard" gauge swatches are 4in/10cm squares, but often you'll see different sizes, especially for lace patterns that have you test knitting a certain chart or stitch
Why do we make gauge swatches?
We make gauge swatches to check if our gauge is the same as the pattern designer's gauge. Because you want your gauge to be the same as the pattern designer's so you know your size XL sweater will actually be size XL or your six foot in diameter shawl will actually be six feet across. Or that your airy and beautiful lace will actually be airy and beautiful and not too dense or too loose.
We also might swatch if we are substituting yarns. For example, a blocked lace swatch of wool will have different dimensions than a blocked lace swatch of pure silk because silk is less stretchy than wool. So if you are substituting fibers, you want to know that you'll like the finished item and might swatch a bit of the pattern before starting in earnest so you don't waste your time making something you'll be dissatisfied with.
There's also some differences between yarns of the same fiber and same weight. Some lace weight yarn is categorized as lace weight while being 600 yds per 100g, and some lace weight yarn is 800 yds or 1000 yds per 100g. So you should knit a swatch when substituting yarn even if they are the same fiber and weight if they are different yardage per gram ratios.
Do I always need to make a gauge swatch?
I talk a lot about the importance of gauge swatches but the honest answer is no, you do not always need to make a gauge swatch. If you are making something that doesn't require a certain size or airiness of pattern, like a bag or a simple scarf, you don't need to do a gauge swatch.
How do I make a gauge swatch?
Most patterns have a simple gauge listed, such as 22 stitches by 18 rows is 4in/10cm square in stockinette. However, some patterns have an "in pattern" gauge swatch or a separate pattern/chart for their swatch. So you cast on however many stitches (I often cast on a few more than the swatch calls for, but you don't have to), and knit that many rows in whatever pattern is specifed. If it's stockinette, knit stockinette. If it's "in pattern," locate the repeating part of the pattern and knit the designated amount of rows. If there is a separate pattern/chart for the swatch, knit as directed. Bind off. Don't measure on the needle, it will lie to you.
Then, you want to treat the swatch how you'll treat the finished object. If you're not going to block the finished object, measure it as is. But if you're going to block the finished object (and most things you should tbh blocking hides so many sins), you get the swatch wet, pin it out to shape, and then leave it to dry.
THEN! And nobody talks about this step for some reason and it's been the reason swatches lied to me in the past. Unpin it and let it rest. Different people give different time amounts for this resting. I'd let it rest at least three hours but some people recommend up to a week. The reason for this resting period is that many yarns, especially wool and other animal fibers, have elasticity to them. They'll rebound back a bit. Cotton and linen will have less rebound than things like wool. I'm not 100% sure where acrylic falls on that scale since I hate the texture of most acrylics.
OK I made and blocked the swatch and let it rest, what do I do now?
Now you measure! Does your stitches/rows ratio match up with the pattern designer's? Compare your gauge to the listed gauge. If it is different, you need to adjust needle/hook sizes. If your swatch is larger than the given measurements, your gauge is too loose and you need to go down one (or several) needle/hook sizes. If your swatch is smaller, your gauge is too tight and you need to go up one (or more) needle/hook sizes. At this point you can say "it's probably just one size up/down" and start your project, or you can repeat the entire swatch process. If unsure, repeat.
That's cool, can we see an example?
Sure! Here are two swatches I have pinned out.
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I didn't follow my own advice about swatching and just started the Sapphira Lace Shawl on the recommended size 4 needles, but I got all the way through the first repeat of the body chart and then frogged the whole thing because my gauge was so loose you couldn't even see the pattern.
The Sapphira Lace Shawl has a separate pattern just for the gauge swatch and says "gauge is not important, swatch in lace pattern and use comfortable needle size to achieve airy lace that is not too holey." Too holey means that the stitches and yarn overs are so loose you cannot properly make out the pattern at all. That's what happened when I used size 4 needles.
The swatches you see here were knitted on size 2 (top) and 3 (bottom) needles. I knitted the bottom swatch first but was unsure if I liked the result so I went down another needle size and knitted a second swatch.
You'll notice the size 2 swatch is smaller and it's easier to make out the design. The stitches are smaller and denser, so the places where decreases and plain knit stitches are grouped together are easier to see. Versus the size 3 swatch where the stitches are looser and it's a bit harder to make out the design, though not impossible. On size four needled my stitches were so loose you couldn't really make out the design at all. With these swatches pinned out, I personally like the size 2 swatch better. However! That may change once I let the swatches rest for a while!
This yarn is an alpaca/silk mix. Alpaca is known for stretching out and not holding its shape. It's not ideal for lace. Silk is very good at holding its shape, but not very stretchy. I'm hoping together they make an okay yarn for lace because separately neither is my preference for lace. It was what I had on hand that was dyeable. Alpaca has some elasticity so it will spring back once I unpin it and let it rest. At that point, I may like the size 3 swatch better. I won't know until I get there.
I'll try to remember to post pictures of the rested swatches tomorrow to show if there's any difference. I might work up another swatch on size 4 needles to show what "too holey" looks like but that's more of a "how to knit lace" educational swatch than a "how to knit swatches" educational swatch so I might not bother.
That's it, that's the post. I'm sure my knitting mutuals will have comments and things to add so check the notes.
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thenessa · 8 months
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Knitting (and all crafts really) PSA:
It is not normal for it to hurt.
If you have pain while crafting, take a break, and if you still feel it, find some stretches (searching “knitting stretches” or whatever craft you’re doing will give you some great things to do!).
If there’s a pattern of pain occurring while you’re crafting, change the movements you are doing. There are loads of methods to get to the same results and different things work for different people.
(For knitting, some styles include English knitting or throwing (yarn in the right hand); a subset of that is flicking; Continental knitting (picking) is a style with yarn held in the left hand, and similar methods include Norwegian purling and Portuguese knitting. There are infinite personal variations but those are the big categories, so you have many many options.)
I’ve seen far too many people say that pain is normal and you should just keep going. NO. STOP IT. You’re not nobly suffering for your art, you’re risking setting yourself up for long-term pain and possibly needing surgery. I’ve been knitting since 2009 and have carpal tunnel from my barista days, so I know how this goes over time, and it’s a) constantly kind of ouchie and 2. has to be managed all the time: I held my phone too long? no knitting today! I typed at the wrong angle? Guess I’ll be recovering for a couple days.
Find a form that is comfortable for you and you’ll be able to craft longer and enjoy it more while you do.
*Please note: if you have physical disabilities and/or chronic illnesses, you know how to manage this and where your own pain thresholds are, and you know what it’s like to pay for having overdone it. I’m screeching more in the direction of people who aren’t used to managing that kind of thing. Carry on!
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happywebdesign · 5 months
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Røros Tweed
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hephaestiions · 11 days
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author reclist: wolfpants
over the last few months, i've been devouring @wolfpants' works. ever since reading pages of you in two days, their rendering of harry, draco and a vast array of incredibly compelling side characters have irrevocably hooked me.
wolf is an author in enthralling motion. their fics often feature places, temporalities and contexts far removed from where canon holds & leaves us, while simultaneously being tenderly familiar, like coming home. wolf's sense of & grasp over setting leaves me breathless and dumbstruck. their different spatialities inform & infuse character in admirable ways, at various levels of craft, enjoyment and inspiration. this fandom knows and loves the draco and harry they give us, but we delight in discovering new dimensions & aspects of these characters. it's always done brilliantly believably, especially in the framework of the worlds they construct— a breath of fresh air in a forest where the trees still know your name.
wolf's works also demonstrate, sometimes explicitly, sometimes implicitly, a really significant political sensibility. most of their fics are set against backdrops tight with political tension bleeding into the characters' circumstances and interpersonal dynamics. whether through a spectrality haunting the narrative or the crucial central diegetic thread, wolf's works are layered, interrogating and collapsing delineations among private, public and political, between history and contemporaneity and between narrative and commentary.
in the interests of length & theme of this list, i've specifically selected some fics that, for me, showcase wolf's mastery & playfulness with setting, understood as deviations in place, time and universe. the broader recommendation is, of course, to check out everything wolf has ever written!
nightcall (E, 1k) ft. a long distance phone call
On a top secret Unspeakable misson, Harry calls Draco from a remote phone booth on the Isle of Skye.
a stunning portrait of desire, longing and familiarity that uses distance as a device to intensify every element. it's unbelievable how much character & context 1k words of (mostly) smut can pack in. the slivers of backstory demand your investment, inform the dynamic in crucial ways and set up some delicious stakes and tension. and some absolutely fantastic dirty talk. see also: @getawayfox's gorgeous art for this fic!
long haul (E, 8.6k) ft. plane rides, mile high club, nyc
The last person Harry expects to run into on a long haul flight to New York City is Draco Malfoy.
the way wolf writes movement— between places, between people— strokes its way up your spine, warms you, walks with you. draco and harry, buoyed in the air, let preconceived notions fall away, to be replaced by startlingly rapid and exquisite intimacy. the liminal settings, specifically, allow mature, open-minded, desirous characterisation & some of the most glorious, soft, tender sex to fall into like a warm bed.
look for me in the sun (M, 8.7k) ft. americana, roadtrip/on-the-run vibes
Harry and Draco are on the run in America after a mysterious string of werewolf-like attacks in the Muggle community causes the Ministry to impose new and harsh anti-werewolf legislation.
atmospheric writing dialled up to eleven, like the smell of ozone in the air before a thunderstorm. the sense of limbo— transience, out of place and time, the complication of home— that afflicts the circumstances of draco & harry here is heart-wrenching. a taut rumination on otherness in a variety of ways, rendered through some of the most tense and subtle writing i've encountered.
under giant mountains (E, 33.7k) ft. norwegian dragon reserves & rampant escapist tendencies
Harry doesn't know where he's going. Everyone else has their life paths figured out; he doesn't even know where his map is. Who'd have thought Draco Malfoy bathing in a Norwegian forest would be the guidepost Harry needed?
opens with harry, stuck in the same place for far too long, and draco, avoiding fixity like the plague. this fic looks at both stagnation and escapism as iterations of each other & treats them with the gentlest empathy. the norwegian dragon reserve setting, whose visuality wolf's writing captures beautifully, becomes the canvas to explore both. desire, here, was simultaneously so evident from the outset and took its time to build— longing tinged every interaction & payoff, in the form of a sequence of some of the most emotionally fraught sex scenes i've ever read, was that much sweeter.
romp and circumstance (E, 35k) ft. a historical au set in the 1800s, regency era england
Since the war, Harry Potter has gone from Saviour to Scoundrel—not that he’s complaining. With a schedule full of gorgeous men, alcohol, and late nights, why would he want to change? Enter Draco Malfoy: beautiful, sharp, and completely untouchable. When Draco comes to Harry with a proposition to help him attract an engagement, Harry’s up for it—after all, how hard can it be not falling for his former nemesis? Very hard, apparently.
the very first wolf fic i read, in a brief little fandom interlude back in 2022. i remember thinking, then, what an author, i'm really missing out these days. one of my favourite post-war harry characterisations— raucous, promiscuous, messy and at heart, a hopeless romantic. also one of my favourite draco characterisations— pristine, a little uptight, cool and distant and untouchable, except what he really wants is to be unbuttoned, messed up. the transforming sentiments of their relationship were so compelling, the build of harry's feelings was perfectly achey and tender and this draco was a complex, nuanced, frightfully sexy version that i just couldn't turn away from.
pages of you (E, 101k) ft. a 1980s non-magical au
Summer, 1980. Harry is floating between university and becoming a Real Certified Adult. He's not ready. He really isn't. In a desperate attempt to have the Best Last Summer ever, he takes a casual job at his godfather's bookshop in London, starts an illicit pen pal affair with a wordy posh boy that he's catching feelings for, all while dealing with the son of Sirius's business rival, one Draco Malfoy, insufferable know-it-all extraordinaire.
gosh, what a fic. sensitive and sprawling, this work brings the spatialities of london, sirius and remus' queer comfort of a bookshop and harry's room at the residence halls to pulsing, colourful, splendid life. i can still close my eyes and imagine the spaces this fic occurs in, how important they are to the push and pull, ups and downs of the dynamic between harry and draco. a coming-of-age/sexual awakening & exploration story, summer romance and queer political fiction rolled into one, this is a fic that's hard to summarise and easy to obsess over. perfect characterisations, writing that burrows into your soul and a plot that unfolds with the slow and steady depth of gentle lake.
and lastly, a fic that's on my tbr:
terrible people (E, 52.7k) ft. cruises, beach holidays and more of @getawayfox's masterpieces
What happens when Harry and Draco end up on the same Muggle gay cruise? They certainly didn't plan for it to happen (but their friends might have). They're stuck with each other for a week, they might as well make the most of it, right?
in conclusion: vivid, descriptive, immersive storytelling from an author who understands the intricacies of different narrative elements and leverages them masterfully. can't wait to read the works i haven't, and for everything wolf writes in the future!
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crookedtines · 2 months
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Hi! I saw your weaving (really gorgeous btw, especially those ducks!) and was inspired to pick up the hobby myself, but I was wondering how difficult it is? And also, would you say it's an expensive hobby to get into? I already sew and do cross stitch, so I've got some experience with fibre crafts.
Thank you! I’m so happy to hear my little ducks have inspired you to learn bandweaving! :)
I’d say pick-up bandweaving (also known as Norwegian pick-up, or Baltic pick-up) is a very approachable style of weaving. It’s basically a plain weave, except you pick up or push down certain warp threads each pass to keep them from being incorporated into the weave. This is what creates the floats that make up the design!
The hardest part, at least for me, is having the patience to count threads to make sure you’re picking up and dropping the right ones. It can be a slow process, but the technique itself is easy to learn! I highly recommend starting with a simple pattern on a narrow band so it's easier to keep track of your threads. If it's your first time weaving I'd also recommend working a few inches, or even a whole band, in just a plain weave without any pick-ups. That way you can get a feel for weaving and work on getting a consistent tension without the added difficulty of following a pattern.
While not the cheapest hobby out there, weaving can be affordable depending on which supplies you choose to use and how much yarn you already own. Though I have to say it has set me on the slippery slope of wanting to buy a loom (pricy) and lots and lots of yarn (always a risk with fiber hobbies). Here are the tools I use and about what I paid for them:
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Heddles can get pretty expensive but there are cheaper alternatives out there. Aside from making your own rigid heddle out of wood (I've seen a lot of people laser cut them), you can create a heddle out of string! I haven’t tried this myself, but you can look into backstrap weaving if you’re curious how it’s done. Smaller heddles will also be less expensive.
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Learning To Trust Part 4
Part 1, Part 2, Part 3
Aaron Hotchner x Reader
Words: 1386
Series Summary: Things with your boss were becoming complicated, but they became even more complicated when an Unsub sought you out and began targeting you. Can a relationship that hasn't even officially begun survive this?
 “I…” You started, “I have good news.” You whispered, not looking away from the man’s face. The room remained quiet around you, “I know our list of victims.” 
“But?” Emily pressed, seeing the panic and fear in your eyes. You looked away from the man and to her, swallowing thickly. 
“It’s the same list of suspects.”
The room was silent, at least, you thought it had to have been, because the only thing you could really hear was the pounding of your own heart and the blood rushing through your veins. There was a squeeze once more on your shoulder - Aaron - and you became more aware of your current surroundings. Of your team, of the uniformed officers looking on. You stepped away from Hotch and he allowed you the dignity of releasing you. 
“What do you mean,” Rossi stepped forward, into your line of sight, looking at you seriously. Rossi and you butted heads the most out of anyone else on the team. He was hard on you - there was no doubt of that. You also disagreed, frequently, on a lot of things. What evidence is relevant, profiles, reasons behind actions, the moral behind actions. But mostly books - he had some pretentious haughtiness when it came to authorhood. However, despite that, and often because of that, he was the best person to bounce ideas off of. 
But this situation didn’t require the bouncing of ideas. You knew what this was now - and you felt foolish for missing it.
“I mean,” You started, trying to ignore the burning gazes of the rest of the room. You glanced to your left, spotting a rookie with a camera, who had paused and was now eavesdropping on the group. Rossi followed your eyes, catching on. 
“Are you done with the camera?” He asked, striding over to the man, who couldn’t have been 25. 
“I-Yes, I mean-” Rossi took the camera from him and was met with no resistance as he guided the younger man from the room. He threw the other local officers a quick look and they afforded them their privacy. Once your team was left alone in the room, the corpse of an old friend, from a lifetime ago, laying feet away, Rossi turned back to you.
“When,” You started before trying again, “I mean I-” How do you explain this in words? So many years, so much. Watered down into bits of information that your team can chop up even smaller - tearing their teeth into each morale you give them. They waited. “When I was 16 I got a scholarship for a university.” You finally decided, the best place to start was the beginning. 
“To the MF Norwegian School of Theology, Religion and Society.” Your companions remained quiet, allowing you to struggle your way through the tale. You were grateful for the lack of interruptions, you weren’t sure you would have gotten it out with them. “After 9/11 happened the Norwegian Intelligence Service started to come into the universities for recruitment. I wasn’t a citizen but-” You trailed off again, “I am good at what I do.” No one could deny that of you. You understood people, on a deeper level. More so sometimes then your coworkers could - as in the end most of the time they could only ever really view it within the lens they had crafted. However, you, even with some of the most putrid of suspects, allowed yourself to bask in humanity. You must have been silent for longer than you meant to, your eyes floated back towards the body only for your view to be obstructed by Hotch, moving between you.
“I worked on a top secret team for my first few years out of school.” You finally said. Your colleagues knew you had worked aboard before coming back to the US and eventually to your unit. But not in detail. Come to think of it, most of them probably wouldn’t have even been able to tell you the country you worked from. 
“Mostly internationally. Intelligence gathering. Sometimes domestic, depending on where the targets moved. The United States isn’t the only country that turned to fear mongering during that time.” Your voice was shaking slightly as you continued, feeling entirely too exposed. You pointed to the man behind Aaron. “Paul Clausen” Finally, the name left your lips and it burned like bile on the way out. “We went to school together… he joined the NIS with me.” Your eyes were glassy and your gaze far from the room surrounding you. “Paul. Ana. Jakob. Hugo. Lizbeth. Annete. Henry. Gal. Elise. Iver. Christopher. And Ronny.” Ronny’s face passed before your eyes momentarily and you shuddered before adding, “And me.” 
“Thirteen people.” Reid supplied.
“Thirteen roses.” Emily added on.
“Thirteen suspects.” Rossi signed. 
“Twelve.” Hotch looked at him pointedly, eyes briefly glancing towards you. You appreciated the backup but you knew what he meant.
“Eleven,” Morgan corrected once more, motioning to Paul’s corpse. It was harsh but true. Though, it would have never been Paul.
“Ten.” You corrected quietly, drawing back in the attention of the room. “Ronny, he passed long ago.” 
“What makes you think the victim pool must also be the suspect pool?” Reid asked. That was harder to sum up in a few sentences. 
“They are the only people who would know killing Paul would mean anything to me,” You simply supplied, and Reid nodded, stapling his fingers beneath his chin as he fell back into deep thought. You avoided Hotch’s gaze but you could feel the weight of his eyes on you regardless. Once again silence filled the room, each person on their own journey of thought, but most winding up at the same place. 
“So we make a list of their names and track them down.” Reid offered, you laughed, it was a jarring sound in contrast to the silent stretch before.
“Goodluck.” Bitterness dripped from the comment, though you didn’t mean for it to. “Some of those are aliases. We didn’t always share our real names. And even when we did? They could have stopped using those years ago.” It was the unfortunate truth. 
“Why don’t we get back to the office.” Hotchner finally decided, speaking for the first time. His voice was tighter than usual, but only so. You finally took a small breath and allowed yourself to look at the man who was still blocking you from the horror beyond. He offered a half smile, the corner of his lips barely turning, and you tried your best to return it. 
You entered the conference room and walked immediately to one of the sparse boards, picking up an eraser. You cleared the board before grabbing a pen and writing out a list of eleven names, leaving space to add more information to the 11 names. You were determined now more so than ever, to figure out who was doing this, who thought it was okay to drag your past up and out into the open like this.
“Y/N?” Spencer asked, catching the attention of Emily and Hotch who were waiting for you to finish, questions burning on their tongues. 
“Hm?”
“Why is your name up there?” He asked, and that got the attention of Rossi and Morgan. JJ and Garcia came into the room, completing your little family. You wanted to scream. But the facts were the facts, and it was too late to put pandora back into her box. It was time to address the elephant in the room. 
“Because. This is a group of highly intelligent, highly skilled, and frankly, highly dangerous people.” You addressed the room as a whole, putting the cap back on your pen with a ‘pop’. “And they’re also people I have not seen in close to a decade. We’re going to have to profile each and every one of them then,” You gestured around you,” And now,” you let your arms drop down to your sides, feeling naked you immediately crossed them in front of you offering your audience a rueful smile, “And unfortunately, I’m not naive. I know this is about me, for whatever reason, so. We will profile me too. At least me then.” Rossi was the first to acknowledge the statement, nodding and walking past Hotch to stand beside you. 
“So who do we begin with?”
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widowsofchaos · 2 months
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could you please do prompt 168 with carol x fem reader? if you’re comfortable writing that of course:)
𝐜𝐚𝐫𝐨𝐥 𝐢𝐬 𝐭𝐡𝐞 𝐠𝐢𝐫𝐥 𝐭𝐡𝐚𝐭 𝐥𝐞𝐚𝐯𝐞𝐬 𝐲𝐨𝐮 𝐭𝐨 𝐫𝐨𝐭
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synopsis: Trying to find peace at your job’s gala, but a familiar haunting shadow finds you once more.
pairing: dark!Carol Danvers x brown!fem!reader
ao3 // modern au // 5k words.
warnings: dubious wlw smut (forced stimulation, vaginal fingering), stockholm syndrome, toxic established relationship, domestic violence, mention of childhood abuse.
a/n: Carol’s outfit reference. title is a reference to the song, Mary by Alex G. requested 168. “Don’t get too close to that one, she’ll singe your fingertips and have you on your knees.” from this dialogue prompt list. dog metaphors, because I must write pain. Channeled my inner amy dunne for Carol. I’m sorry that I’m just finishing this 2 years later, but I hope whoever requested this, I hope you see this! <3
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“She became the parent, the lover, the friend you’ve always craved for—- and yet, here you are,”
The truth can sting, just the sharp tip of a knife, flickering at the raw flesh. Poking and prodding till there’s small plots of ichor forming.
“——broken…” Her index finger arched, halting her words, still a vivid memory, “…. but not beyond repair.”
A scoff escapes.
“What is love without hate, I guess.” Unconsciously it spewed from your lips, the vowels felt like acidic vomit. A pregnant silence arose.
That all knowing head tilt, with those observant eyes—- always earned uncomfortable tension within you.
“Love isn’t meant to be confused with hate.”
The cigarette burns slow between your clenched fingers, nursing three fingers deep. Brown liquor swishes against the carved rocks glass, its clear silver grooves twinkles under the gala’s vermilion hues.
Fragments of words compulsively knock against the walls of your brain; as you mull at the gala’s open bar. A scorned woman who just wants peace, and quiet. Lingering stains of hurt that can last a lifetime settles to silence for once in a long time.
Showered an ugly duckling with affections, and built the pillars of security. Growing up in a childhood filled with anxiety and fear of attachments, lingering stains of abuse from the very beings who birthed you into this world.
She cleaned you, bandaged the scars, and assured you that she was the only one who adored you—- persisted that she was the only one who would.
Now, fighting violently in the legal battlefield of divorce, these past weeks have been mentally exhausting —- all whilst handling the burdening responsibilities of your profession.
Your very mind and hands helped craft this sophisticated gallery.
Your boss, Mr. Laufeyson, opened a new exhibit in the National art museum—- Norse history, one of his niche fixations. A man birthed on Norwegian soil, but raised in the monarchal land of England.
An established man who often seeks to explore the rich culture of his ancestors with much sophisticated adoration, and esteem. The Norse exhibit is now the largest section of the institution, with vast collections of rare artifacts protected behind hard stainless glass.
He breathed down your neck for long weeks, you had the task of restoring each piece that had been brought in, nearly breaking your damn back from all the hovering.
A gala bustling with a sea of middle-class folk, and self-proclaimed aristocrats of New York. You sought solace at the open bar, smoking a stogie—- and slipping into the whiskey.
It wasn’t a preferred choice, but it helps give a quick kick to your nerves. Seeking solitude away from pressures to gallant with faux professionalism, and an particular noisy friend, who should be presenting the Norse gods section.
Earlier, she was pestering with a thousand questions flying by the mouth —- if you ever gave thought to rekindling with Carol.
Dissociating into a mindless static, flickering at your clear square nails, as your cigarette burns slowly. At first, the mention of this exhibit with your boss months ago sent you into a frenzy of joy, but now—- it’s a dreadful experience.
All you long for is to start your weekend, to cuddle with your daug—-
“What an incredible scent you have—-”
Oh God, no.
“—- is that Histoires de Parfums, 1969?”
Fuck.
“I haven’t been around that perfume in a long time.”
It’s as if she can smell you a mile away.
A sensual, purring voice whispers near you. A shadowing silhouette eclipses the shimmering ceiling lights from your peripheral vision.
Your lips wrinkle, restraining the foreboding tears of frustration. Tightly nodding, swallowing a sob. Your breathing becomes heavier.
A hum, “It really smells wonderful.” With precision, the shadow sits onto the empty seat beside you.
“Thank you.” A forced smile curls at your mouth.
“With that scent, I’m surprised you’re not being hounded by the men here tonight.” A subtle wordplay, are you looking for anyone tonight?
As if your mind has forgotten all the bad, and reminisces on the good, all the fun, all the beauty that once blossomed.
“It’s not men I'm looking for.” You whisper, snuffing the cigarette into a provided ash-tray. A creamy hand strokes your knuckles, and your skin shivers under your blouse.
A jolt to your groin, and your breath hitches. All she can do is just touch you, and it’s as if you can get on your knees, and forgive her for everything.
“Why?”
You can see that pearly grin, from the corner of your eye, teasing and twisting.
“They’re too easy to hunt?”
You exhale a chuckle, eyes still trained onto the glistening counter.
“They bore me.”
“So—” Her voice lulls as a moan, “—- see anyone worthwhile?” Her fingers curl around your glass, twirling it by the rim. Your lipstick stain faces her direction, and bold as always, she lifts for a sip. Connecting the lip stain to hers, her eyes never leave yours.
It’s not tacky, nor forceful. How she moves is as if it is her nature.
Your eyes gaze over your shoulder, taking a full look. Finally, to drink in the force of nature that is your estranged wife—- Carol.
Her blonde tresses cascade on her shoulders, milky breasts on display. A pristine, black dress, that cuts and splits at the chest hem, polished nails, and clean skin. Her dress halts near her knees.
“Well, I have my eye on a blonde tonight.” You say timidly. Tenderly, your eyes glance fleetingly, a quick trace over Carol’s bodice, nearly losing your composure.
A pregnant pause.
That pretty pink mouth stretches smugly, as if the cat that got the cream. The hooks caught the flesh.
“You like blondes.”
Her tone lingers as an open question, guising the truth.
“Just one in particular.”
Sinking now, the hooks are tugging.
“Really?” Carol leans, her eyes hooded. “Which one?” Pretending to scan her eyes across the ocean of people.
But your eyes remain fixated on her. As if you were a lost puppy, just gazing at its human. Lucidly, influcating between the spaces of yearning, and guilt.
How at ease Carol is, as if nothing was wrong. The charming woman, the woman you thought she was. The woman she wanted you to think she was.
“The one in the black dress.” You say softly, and defeated brown eyes.
Carol’s eyes gaze back at you from the corner of her oculus, downcasting with a mirth, humming a chuckle. “Don’t get too close to that one, she’ll singe your fingertips and have you on your knees.” She shakes her head, an enticing warning.
A dangerous but delicious fruit hanging at your reach. She wants you to take the bait, urging you to—- to get you back in her grasp, and if she does, she won’t let you go.
This game, a cat and mouse play, is all too familiar. Playing as strangers, attracted together by lust, and curiosities—- the type of curiosity to feel the other’s flesh, subtle carnality. Act out, with playful words, pretend to be different people.
It slowly suffocates you, a twang in your chest, a reminder that this isn’t normal.
She isn’t normal.
Carol can be an array of personalities, she can be the doting wife, the whore in bed, the mother—- she can be the bitch with a violent mouth. Different faces for different folk, no one knows her true self, and she’s good at it —- real good.
So, when you tried to seek help from friends, they couldn’t believe it, nor did they want to. You’re not surprised that Carol snuck into the gala—- your co-worker, Maria, who you thought was a true friend —- the matchmaker from hell, let her in, unknowingly allowing the terror onto you.
But, that’s no surprise. Maria has been Carol’s right hand since their days in the Air Force.
None of your friends believe you—- and, it’s hurtful to admit, you’re too scared to speak about all the hurt Carol made you endure over the years.
Barely spoke of the discomfort Carol used against you, and all your shared friends thought you misinterpreted. All saying that Carol is just head-strong, and that you two are perfect together.
Carol feeds the fire with a ‘She’s just going through a tough time.’
Boundaries aren’t respected, everyone trying to push you back together, inviting Carol in social events —- to the point where you didn’t go out anymore, and just drowned in work.
“I like challenges.” Carol softly leans in, her breath fans the bare skin of your shoulder, “All the more fun when I win.” Her voice drops low, to a wispy whisper.
Her body heat engulfs you, and your eyes droop with haziness for a slick second. You can’t—- not again. No matter how intoxicating she can be, how delicious, it’s not worth your peace.
You’re too drunk for this.
“This cat is too tired to entertain.”
“Who said you were the cat?” Carol’s brow arches, halting you in your step. Carol’s infliction hardens, from the corner of your oculus, you can see the clench of her jawline. That pretty mouth morphed into a restrained frown, the same one you see before a punishment.
An offense has been made.
“I didn’t realize the roles were switched.”
The mask slips.
It’s always her way, her rules. Because no matter how clever, how coy the mouse can be, the cat always wins.
“You’re getting brave on me?” Carol asks.
And now the mask has been dropped.
“I think it’s best I leave.” You quickly collect yourself, a bit wobbly from the alcohol. Leaning against the counter to regain your composure, trying to stand upright.
Not this time. You won’t fall for her charm.
Carol sucks her teeth, “You’re seriously going to leave? Aren’t you tired of this childish bullshit?” Crossing her arms against her chest, lips wrinkling into a scowl. Carol talks as if scolding a child.
Your body twists in a haste, “My bullshit?” Your teeth are gritting harshly, hissing. Angry eyes pierce over the hill of your shoulder, fingernails digging into the leather of your purse; if not the leather, her eyes preferrable.
But this is a place of work, no matter how elegant the night is, you will scream if you have to—- just to escape her. You click your tongue, shaking your head in disbelief.
“I mean I’m usually amused by your brattiness,” Carol laughs sarcastically. “But, now it’s gotten too far.” Her fingertips graze your arm, toying with you, soft and playful—— her fingers grasp your arm in a clutch, earning a whine.
Her eyes are hooded, nearly tugging you downwards. A whine bubbles at the pit of your throat, too terrified to even move.
“You have to come back home.” Carol says, a strain to be sweet, but it’s as if a monster tries to be human. “I miss you.” She purrs, but her eyes … are cold, and agitated.
You remain silent, closing your eyes shut, gliding down in your seat. “Carol… have you signed the divorce papers, yet?” Your eyes stay glued to the sticky counter.
Carol chuckles, “You’re going to try to talk business to me, and you can’t even look me in the eye?” Her baby pink polished nails thump against the bar, thump thump thump.
“I don’t want to fight anymore.”
“And neither do I.” She sips her drink, smirking into the cup, “But it seems my wife likes to play games.” So light, so sarcastic, chastising you as if this was a running joke on your end.
“Carol, for fucks sake.” You pinch the bridge of your nose, “You made me go crazy.” You bite on those words, full teeth. Fingers curling into makeshift claws, vowels spilling as acidic vomit.
“Controlled me, like I was your puppet.” Your fingers curl and slither in gesture. “Manipulated me against the world, against our friends.” Your mouth opened again, the words weighing heavy against your mouth, but a hum interrupted.
“Look up at me when you talk.” Carol says, your eyes peer up through your lashes, owlishly. “If you’re going to lie, you might as well make it convincing.” She licks her lips, tasting the remnants of her liquor.
“I —- I—” you can’t find the words to even respond. You stare at her incredulously, she will never admit to it. Even now, she has you questioning your own sanity, if it was even worth fighting against her.
It’s not worth screaming about it. Not anymore.
“I have to go.” Swiftly, you stand up, with a bated breath.
“That’s how you talk to the mother of your child?”
Stiffening, as the hairs that align a cat’s spine, “Don’t you dare!” Your index finger pointing, shouting in a hush. “Stop using Kamala against me—” your voice wavers, throat nearly choking a sob, “You did enough of that in court.” Big brown eyes sheening wet, the last nerve shot.
Trying to maintain a level of calm, eyes fluttering back and forth around, seeing if anyone has witnessed your outburst.
“I don’t even have to do that,” Carol’s open palm gestures to your rigid stance, “she can see perfectly fine how erratic you’ve been.” Carol hisses, making your nose scrunch up.
Kamala adores — idolizes— Carol. So memorized by her strong, willful mother, since she was a waddling baby.
You haven’t dared utter a bad word about Carol in-front of Kamala, fearing to shatter the fragile bubble you curated as a shield for her. You wouldn’t let her witness the court meetings, especially the negotiations of joint custody.
By every fiber of your being, you’ve tried to make this separation as discreet as possible—- but Carol has been a devil, bulldozing those efforts. To make you appear as the bad parent.
You can’t stand her lawyer, Carol hired one who hails from Hell’s Kitchen—- fitting since he’s a thorn upon your rib. Subtlety bringing up your mental health, questioning your abilities as a mother —- no doubt, Carol was chewing his ear off about your past.
All Kamala knows is that her mothers are splitting up, with foreign lawyers, and that she now has to split weekends—- those pained brown eyes, her puffed cheeks, it kills you deeply—- all the guilt weighs on you, it feels as if you’re to blame for all the problems.
“You’ve taken so much from me, Carol.” You lean in, kneeling at her eye level. “My dignity, my peace— shit— even my sanity.” Your body anxiously fidgeting, breath quickening.
“But I will not, let you take my child away from me.” Your fingers dive into your purse, fumbling with irate, snagging the last cash you had—- with the finality of this conversation, slamming the money onto the marble countertop.
You carried Kamala, incubated inside you for nine months, fed her from your breast—- you will not lose her, not over your cold dead body.
“Goodnight, Carol.”
Sharply, you turn on your heel, leaving Carol without turning back. Walking with a gait, faking confidence, but truly at your core, a gnawing sense of uneasiness.
-
The corridor stretches as a miniature maze, the more you descend out of the gala, the less crowded it is. Turning left and right, trying to find the exit.
The ambiance is of grainy gray, the tinted blurred windows are foggy with the night’s shadows.
The echoes of clicking heels are faint, your mind doesn’t register, as your own feet and mind are stuck on auto-pilot.
“There she goes again,” an agitated voice snags your attention, brows furrowing, “always acting like the little victim.”
Not granted the chance to realize, in a flash, just as quick as you turned your head, rough hands grab you by the curve of your shoulders, throttling you against the chilled wall pavement.
Earning a hiss, and a gasp, stinging pain births and stretches along the muscles of your spine. Quickly, your fingers fruitlessly try to claw at Carol’s, but all it does is make her more enraged.
Carol thrashes you once more against the wall, and another for good measure; airy gasps of pain escapes you, tears beading at your lashes. That militant discipline seeps from her pores, it’s not a stranger to you, the rough edges of her touch is a familiar bruise.
“It may have worked with the rest of the world,” Carol barks in your face, nose to nose, “but it’s not going to work with me.”
Sniffling, your chin wobbles, trying to restrain a sob that burns your throat raw.
Carol hums, that tut of a sympathetic mother, “Look at us.” Her thumbs rubbing your shoulders, pressing on the blooming bruises. “I don’t like it when we fight.
Eerily, she influcates from predator to savior, “You always get erratic, and you know it upsets me.” Leaning in, her pink lips press a kiss on a falling tear.
“Where’s my special girl?” Carol whispers. Fear is beating inside of you, buzzing as tv static. Staring at Carol through your hooded lids, terrified, and confused.
Carol purrs, awaiting for an answer.
“I’m here.” Barely a murmur, you speak softly.
Carol thrives off of her aggression. But it’s not the traditional masculinity that some women possess in their personalities. She feels it’s the only gift her father ever gave her.
“It’s very cute that you try to fight me.” Carol mocks, her knuckles stroke your cheek. Carol hums, her eyes tracing over every facial feature.
“Let me see if she missed me.”
A string of no no no slip from you meekly.
One of Carol’s hands graze over your shoulder, twirling her fingers into your hair—- gripping between her fingers tightly. To then cup the nape of your neck, her thumb pressing slightly over your pulse point.
As she has you pinned by the scruff, her other hand flows down your cavlices, to your clothed breast—- she snags the collar to expose skin.
Groping a handful of your tit, she mutters still so soft, traveling down the path of your navel—- with a quick precision, Carol snatches your groin; more like clawing.
A sharp gasp escapes you, and all she does is laugh.
A quick glance at the end of the hallway, praying that nobody turns the corner. Carol snickers. “Afraid someone will catch us?” You exhale a huff, nose flaring.
“I remember you used to be quite adventurous.”
“That’s when I was young and stupid.”
Her eyes narrow, pinching your vagina in her hand even tighter. With her knee, she wedges her thigh between your shaky legs, spreading you more open.
Slithering her hand through the stitched fabric, her knuckles stroking your sensitive skin. Your breathing becomes heavier, and all she does is smirk.
Moving your panties to the side, Carol’s makes herself home to your body. Ashamed to feel yourself grow wet, and Carol moans.
“It seems she missed me.”
All unbridled frustration hits the hilt, you cry in a stretched whine, thrashing in her hold. In need to escape, you wanted to go home, away from her.
All these weeks of trying to flee from her, do the right thing to gain custody, to live a good life, give your daughter stability —- all of it goes down the drain by her simple touch.
Beating on her arms with fists, slapping and trying to knee her in a weak spot. Carol’s eyes darken—- as if she’s bored of the insolence.
Carol pushes her weight onto you, pinning to the wall. And her fingers don’t cease on her assault.
“I hate you.” You choke on a wail, your head tilting up as a child.
“I’ve saved you.” An expert circular motion of her fingertips, sending a jolt to your bundle of nerves.
“Who else can say that?” Carol leans in, her head tilting, as her lips meet your cheek.
Softly, she kisses you, caressing and grazing against the skin of your cheek.
“I took care of you, and you just want to leave?” Carol’s pink tongue slithers between her lips, licking and nibbling. Boldly, her fingers dove between your folds, playing with your wetness.
“You wanted a savior, baby, I’m it.” The bridge of Carol’s nose traces yours, humming at the wet sensation of your tears. “You were nothing before me—-” another finger plunging inside you, “—- and you will be nothing after me.”
“I — I — would rather be alone.” You say with a stammer, lips wet with tears. Mouth curling into a brave scowl, regaining some bravery, “I’ll be fine.”
Carol’s face leans a little back, tilting her head mockingly. “When I say nothing after me, I mean it—-” Carol’s teeth bare as fangs, “you’ll be buried six feet deep, before I let you go.” Her fingers grip the nape of your neck, tugging you in.
“No one can ever have you.” She whispers.
Your eyes are owlish, you don’t doubt her…. her time in the boot camp was extensive, you felt her trained strength many times—- she loves like a knife. Many bruises healed over the years.
Not brutal beatings, but very handsy.
A glimmer of fear suffocates you, your body keels as a leashed dog.
Her fingers slither against your peach fuzz, slipping between your mound, toying with your wetness. Splitting your velvety folds apart, Carol vulgarly strokes you with her fingers sloppily, staining the hem of your panties.
Carol grinds herself onto your thigh, you can feel a wet spot pooling at her silk panties. Your fingers are digging into her forearms. A rough dance of humping and grinding, both reaching for a high.
Your wet walls can’t help but suck her inside, clenching tight. Fiercely plunging in and out—— it’s been some time. Since the last time, you were touched. It’s bordering on painful, a bit tight.
You did entertain another for a while. A woman you met at a bar. Short dark chestnut hair, a soft posh english accent, a bold yet cheeky mouth. She said her name was G’iah, you never met anyone with such a name.
Despite the attraction, the idea of offering yourself physically was too overwhelming. But, the emotional energy was wonderful. It was a breath of fresh air.
You just couldn’t bring yourself to love another.
Skin screaming for touch, yet your heart is trying to fight back. The flesh only reminisces the good, but all the hurtful memories are chained to your mind.
Carol’s mouth ajar, hovering over the meat of your cheek. Your face scrunches, eyes tight, a whine boils at your throat. She breathes a chuckle. She always finds amusement in your misery.
Carol loves to play God—- the Old Testament God. In the carnal sense, and in spite. Worship her, and only need her, obey every command, but commit a sin—- and she shall see to it, that her pettiness will rule over your life.
Her fingers spread, your slick connects to her fingertips, flickering the gossamer thin threads between her expert fingers, diving into you.
Her teeth grazes your cheek, her warm breath cascading against your mouth. Torn between closing your thighs to stop her, or thrust your hips into her hand.
Carol’s tongue slips out, and kitten licks your parted lips. Her pink tongue licks your canines, inhaling your breath. Sweet scent of liquor coats your tongue, Carol suckles into her mouth, moaning at the taste.
A lewd pop comes from Carol pulling back on your tongue, as her fingers curl harsher. Bordering on pain, the pleasure is electric. Pulsing through you, as her thumb toys with your swollen clit.
Her moans are animalistic, you can feel her pussy splitting, a sensation of silk and waxed bare skin. Her clit is grinding fully onto your thigh. It feels so damn good.
A part of you wants her to cum on you. To use you.
Carol’s face tilts away from yours. Her brown eyes swirl with malice, narrowing for a split moment. A smile stretches.
“Kamala would be so hurt to lose her mommy—” Carol’s words earn a mean eye from you, but all she does is laugh humorlessly. “How could you abandon our child?”
Like a stab to your heart, Carol just twists the edge deeper. Her fingers still deep inside you, clenching in need for her to finish— to get you right at the precipice.
“I would never leave Kamala,” you speak with a strain, a rough slice at your throat. “I love her.” Bordering on pleading, your eyes water-sunk.
“Then why do you make her cry?”
“What?”
“Every night she asks why her mom isn’t home,” Carol leans more of her weight on your belly. Her fingers fucking you harshly, hitting that sweet spot so perfectly. Your juices are now soaking down her hand.
“She cries till she falls asleep. She thinks you hate her.”
Torn between rutting your hips into her palm, grinding and fucking her fingers as if it was one of Carol’s toys —- and the need for space, to free yourself from these clutches.
Salty tears fall to your wrinkling lips, shaking from silent tears.
“It doesn’t have to be this way,” Carol says, her voice smooth and affectionate. Her lips pouted, “We can be together again.” Her shiny blonde hair kisses her lashes, in the grainy city lights, she looks innocent.
“Don’t you want to be a family again?”
She pushes her fingers further, slowly playing with your clit— and then stops, edging you. She can feel your spongy walls nearly spasming. Carol knows how to play the strings of your flesh.
Damn her.
“I do.” Your voice gurgles in a sob.
You know she’s tricking you… and you enjoy it.
In some deep seeded—- an absolutely fucked —- part of you, relishes in it. Because it’s all you know. But, it’s that glimmer of tenderness, the kisses, and honeyed words that pulls you back in.
Back to mutilate yourself on her knife over and over again. And isn't that what love is? Carol would say, time and time again, after the dust settles from her fits of rage.
Wet squelching floods your ears, echoing throughout the empty hallway. Your hand trails to her waist, gripping her dress, roughly grazing the smooth skin of her waist.
Legs entangled, and Carol’s thrusts are getting faster, sloppy. Her moans are getting high-pitched, away from primal and more girlish.
You cling to her, in this moment, you just need to feel anything. And you know she needed it too.
A burst of euphoria, hanging onto each other, as if both would fall apart. Carol felt it, how you spasmed on her fingers. Clenching so tight, trapping her hand for a moment.
Bated breaths dance against each other, hair flying by the breeze of huffing. Yours are gasps of relief.
In a desperate plea, you reach for a kiss, but Carol pulls away.
“I hope you learned something …” Carol hisses, her fingers stroking between your slippery folds, agitating your over-stimulated clit. The meat of your thigh quivers, tailbone pinching as you try to mesh into the wall, far from her.
Carol takes her fingers out, leaving behind an empty feeling—- like a void. Without blinking, Carol unabashedly suckles on her two fingers, tasting you.
“I hope you make the right decision.” Carol whispers against her tips. Pulling her warm weight off of your bodice, a chill sweeps against the tepid sense of your belly.
Carol hums for a moment with a stony face. She tugs on the collar of your dress, the top of your bosom exposed —- it was a stiff gesture.
Without a word, Carol posed her spine, and walked away, a snide side-eye.
Leaving you behind with an ache between your thighs, love bites across your chest, and fresh bruises. Left behind in the chilled hallway, and in wrinkled attire —- as if you were a used whore.
Your head falls, crying into your chest. Your fingers pulling your dress down, your inner thighs tender. Your fingertips touch the wet spot Carol left behind near your knee.
A pause.
It’s wrong, but you crave her taste. Suckling your fingertips into the cave of your mouth.
You can still smell her fragrance lingering—- and yet, you crave it, hoping it clung to your dress.
-
Timid footfalls carry you through the high-end residential hallway. Bated breath, and in wrinkled clothes, you lift and loosely drop your luggage in your grip. Pacing back and forth, trying to salvage any scrap of courage to knock.
Your head is bowing down, chin to chest. A stop in-front of the door. The reasoning motivating your surrender blurs—- is it for Kamala only, or is it also that a loyal dog who always forgives?
A silent white flag has been waived.
A lonely dog always comes back.
Dull steps creep closer, syncing with the beat of your heart. One unlock, and another follows. Defeat seeps from your pores, a bone-rattling warning siren echoing in the rush of your ears.
The door knob slowly twists, as if she’s mocking you. But not a second more, the door creaks open. Green eyes blink back with mirth, and a smile.
No words are needed.
Carol hums, stroking your hair, fingers gliding down the terrain of your neck, guiding you inside by the nape of your neck.
-
Awaiting on the bed is a silk nightie, and skincare, curated by Carol’s choice. Pristine, wrinkled-free silk. Not one flaw in sight.
She knew you would come back. A cocky woman, and yet she’s never wrong. A stir of irate coils in your belly, but it’s snuffed before it can disrupt.
-
In the dark, you tip-toe down the hall. Elated and relieved, it felt like a century crept by, but it was only a week of separation.
Weekends weren’t enough. You needed to see her everyday.
Brown fingers slowly grasp at the knob, twisting open. The white walls are adorned by the flash of a night light that glows small stars glimmering against the ceiling.
A room of action figures, anime, music posters and a wall dedicated to her drawings. That familiar scent that never really went away, that baby smell that clung to her as an infant.
Kneeling into her bed, curling under the blanket. Legs curling underneath you, knees bent, as you caress Kamala’s scalp, furling her hair behind the shell of her ear. Your brown fingers melt into the onyx shine of her tresses.
Her sleepy cheeks puffed, she looks like a sleeping cherub. Silently, tears cascade against the hill of your nose, staining the pillow sheet.
For months, you’ve tried to conjure ideas on how to run away from this life with Kamala, but all your ideas end up in the possible reality of being arrested with charges of kidnapping, and never seeing your daughter again.
The truth of the matter is -— you will crawl skin bare in the deepest parts of hell just for her. Suffering silently in these marital ruins, for the sake of being able to raise your only child, is what you will do.
You don’t know what you want with Carol —- you don’t have anything else to offer as a wife, besides submitting your entire being as a sacrificial offering.
It’s all she ever wanted. Wholesome love is seen as a defect in Carol’s eyes, a trait taught to her by her father. Control over everything is what brings her peace. And being cared for is what brings you solace.
The only person in the world Carol doesn’t unleash her wrath upon, who she adores entirely, is Kamala. Never once has Carol raised her voice, nor her hand at Kamala.
It’s disturbing, to see Carol be so genuine in her affections.
But, you’re ever so grateful. Despite being a masochist, under all the rubble harboring in your cavity— is a little girl suffocating for tenderness. For anything, just for someone to hold her.
Carol is a peculiar creature, and yet she has driven you to the brink of madness over the last stretched months, because she can’t bear to lose you —-- that has to mean something, right?
But as you lay here, wallowing in the dead silence, staring at Kamala slumbering —-a thought came to you; a lingering fear. Paranoia gnawing at you, chewing away bit by bit.
You wouldn’t want Kamala to suffer like this one day.
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