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#Tale Of The Ice Prince
amarioe · 6 months
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Oni Julien drawn on my new tablet! HES SO SILLY I'M SO NORMAL ABOUT HIM
By the way, please don't repost any of my art, only reblogs. I'm probably gonna add that to my introduction post so people know lol
Back to TIP!Julien- this week is going to be full of tests for me, but I still managed to finish this art up in the course of a few days! This might be one of my best drawings actually, I love the shading so much <3
+bonus inverted Julien :D
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romancemedia · 3 months
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Anime Dub Cast Announcements
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aurelion-solar · 10 months
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Legends of Runeterra: Heart of The Huntress Expansion Star-Crossed Lovers - Ferocious Fluffs - Portal Scholar - Ingvar the Younger - Chemtech Catermobile - Dragon Prince Grinzo - Glacial Saurian - Snowy Razorclaw - Temple to True Ice
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My tag for this series is 'fairy tales'.
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vierran45 · 1 year
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Animated favourites in 2022
The Tangjia Sanshao trifecta:
- Soul Land - A regular Saturday watch. Still, after all these episodes, I always play Angela Zhang’s theme song at full volume.
- The Magic Chef of Ice and Fire - It just moved to it’s 2nd season. Quite like it. Quality work like Soul Land and and Throne of Seal.
- Throne of Seal - Also just moved to it’s second seasond. Yes, I know the formula is familiar from Soul Land, but the romance between Long Haochen and Cai’er is what keeps me watching.
The Island of Siliang - Quite liked this. Pity it was so short.
Supreme Lord of Galaxy S1-2 - Fun 10 minute bits twice a week.
No Doubt in Us S2 - I loved the first season of this historical bodyswapping story, and the second season is just as nice.
Legendary Overlord (Lord Snow Eagle) - I watched all of it on WeTV even though it was MTL, which should tell you how much I liked the story. I understand there is also a live action drama called Snow Eagle Lord with Xu Kai and Gulinazha in production.
Spy X Family - Best new find! I love the Forger pretend (?are they really pretending any more?) family and also ended up ordering all of the English published manga as well.
Edit: How could I forget The Dragon Prince’s newest season. It continued the story in it’s twisty and addictive way. I continue to love all the lgbtq+ representation in it.
Also, Oni: Thunder God’s Tale was such a lovely story. I already recced it to my niece and my greatnephew, though it might be a bit too scary at his age.
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not-poignant · 2 years
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The ending of TIP hit so hard! Spoilers for the last chapter! How did Mosk manage to mature as a dryad? I remember he couldn't because he couldn't speak to the trees anymore and still can't.
When Mosk connected with his genius loci form, pretty much all barriers on the maturation level fell away from him. And while it doesn't mean he's permanently recovered from the things the Mages took from him in human form (one of his weakest forms), it did give him a chance to mature.
Also Mosk has realised there are other ways to connect with the trees! That's actually what the whole point of his magical training in The Ice Plague #3 was for in many ways. We see him struggling with Augus in particular, to use the life force (or this lateral magic) that plants possess when he can't speak to them, and it's Augus who teaches him how. Mosk learning how to make those connections meant he would have eventually matured as an Aur dryad - maybe in many hundreds of years in human form.
His life-force was also augmented by Julvia's too, he wasn't ever acting truly solo when he was beneath the earth. For all that his energy and magic was a major part of bringing the Aur forest back, he could never have done it without Julvia. And Julvia had no problems maturing, or connecting with her Dubna.
But yeah, the genius loci is nothing like a human-form Mosk, it's a completely different level of being (literally, a god of the land). It's one of the reasons he came back with such an innocent and 'naive' way of speaking - he talks in the ways that all the genius loci have ever talked, since Augus started meeting them: Wise but childlike, mature but innocent, etc. As Mosk comes back to himself more and more, he gains more of his original personality, but being a genius loci did actually affect him in pretty profound ways.
But I think it's safe to say that any Aur dryad that learns how to create an entirely new Aur forest is good to mature / be a grown up by Aur forest standards. :D
(And in the ways of unreliable narrators: Mosk said bringing the Aur forest back was impossible, and it wasn't. I wouldn't trust anything he says about Aur dryad lore, frankly, because it wasn't like he was being treated very well by his family in a way that allowed him to learn all the ways of being a dryad properly.)
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hellcatinnc · 9 months
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Anime/Otome 31 Day Challenge
Day 8 - What Otome Are You Playing Now (If Not Name Anime Watching)?
Anime's I been watchin lately
The Ice Guy and His Cool Female Colleague Uta no Prince Sama (season 3) Sleepy Princess in the Demon Castle
Otome's I Been Playing In The Last Week
Scandel In The Spotlight Masquerade Kiss Kamigami no Asobi Radiant Tale
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fallloverfic · 2 years
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Rating: Mature
Warnings: No Archive Warnings Apply
Fandom: Fae Tales - not_poignant
Pairing: Gwyn ap Nudd/Augus Each Uisge, Gwyn ap Nudd & Gulvi Dubna Vajat, Gwyn ap Nudd & Ash Glashtyn
Tags: Gwyn ap Nudd, Augus Each Uisge, Gulvi Dubna Vajat, Ash Glashtyn, Original Character, The Raven Prince, Fluri the Mouse-Maiden, The Nightingale, What If, Friendship is magic, Angst with a Happy Ending, Injury Recovery, Rescue Missions, one-sided pining, fix-it fic, non-con medical procedures, implied torture, hurt/comfort
Summary: When Seelie General Gwyn ap Nudd learns through his friend Gulvi Dubna Vajat of Ash Glashtyn’s desperation to find his missing brother, Augus Each Uisge, Gwyn wonders if everything really is okay with the fae everyone says is just on vacation, and goes to investigate.
"Found You", Chapter 4: Live
The final chapter!
For Faedom Week 2022, Day 7 @poigdomevents! For the prompts "The Ice Plague: Book 3 - The Ice Plague", light, and the future/after!
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mx-paint · 1 year
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do y'all think the bad little boy ep was supposed to symbolize how Marceline sees herself
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star-ocean-peahen · 7 months
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After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:
Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.
Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.
Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.
Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.
If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.
Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.
Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.
Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.
Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.
Bonus round for answers that aren't part of the movie:
Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.
Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)
Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.
How did she dance in glass slippers? Gotta agree with you there man, that's weird.
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amarioe · 8 months
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I know i post alot of doodles here these days, hope you enjoy either way
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Oni Julien, IP!Zane, Echo and Movie!Zane!
Bonus: The TIP!Family! (Dr.Julien and Eleanor are just friends, but i just had to give IP!Zane some more siblings so now theyre all technically a family)
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Base used
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plumsaffron · 6 months
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Another somewhat delusional bizarre miraculous tier made again
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yvain · 3 months
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Women writers of the Victorian era regarded the fairy tale as a dormant literature of their own. When Charlotte Brontë's Jane Eyre hears hoofbeats approaching her in the dark, ice-covered Hay Lane, "memories of nursery stories" immediately flood her mind, especially the recollection of "a North-of-England" monster capable of assuming several bestial forms. But the beastly apparition Jane expects turns out to be Rochester, the "master" whom she promptly causes to fall off his horse and who will eventually become her thrall. Rochester himself soon shows his own conversance with, and respect for, powers he associates with the magical women of traditional fairy tales. "When you came on me in Hay Lane last night," he tells Jane, "I thought unaccountably of fairy tales, and had half a mind to demand whether you had bewitched my horse. I am not sure yet. Who are your parents?" When Jane replies that she is parentless, Rochester endows her with a supernatural ancestry. Surely, he insists, she must have been "waiting for [her] people," the fairies who hold their revels in the moonlight: "Did I break one of your rings, that you spread the damned ice on the causeway?"
Here and elsewhere in Jane Eyre, Charlotte Brontë takes even more seriously than her two characters do the potency of the female fairy-tale tradition to which she has them refer. Karen E. Rowe, who has so ably written on that tradition, was the first to show how fully saturated Jane Eyre is with patterns drawn from major folktales such as "Cinderella," "Sleeping Beauty," "Blue Beard," and, as a prime analogue for Jane's developing relationship with the homely Rochester, from "Beauty and the Beast," the 1756 Kunstmärchen (or literary fairy tale) adapted and popularized by Madame Le Prince de Beaumont.
Nina Auerbach, Forbidden Journeys: Fairy Tales and Fantasies by Victorian Women Writers
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No, Uber's (still) not profitable
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Going to Defcon this weekend? I'm giving a keynote, "An Audacious Plan to Halt the Internet's Enshittification and Throw it Into Reverse," on Saturday at 12:30pm, followed by a book signing at the No Starch Press booth at 2:30pm!
https://info.defcon.org/event/?id=50826
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Bezzle (n): 1. "the magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it" (JK Gabraith) 2. Uber.
Uber was, is, and always will be a bezzle. There are just intrinsic limitations to the profits available to operating a taxi fleet, even if you can misclassify your employees as contractors and steal their wages, even as you force them to bear the cost of buying and maintaining your taxis.
The magic of early Uber – when taxi rides were incredibly cheap, and there were always cars available, and drivers made generous livings behind the wheel – wasn't magic at all. It was just predatory pricing.
Uber lost $0.41 on every dollar they brought in, lighting $33b of its investors' cash on fire. Most of that money came from the Saudi royals, funneled through Softbank, who brought you such bezzles as WeWork – a boring real-estate company masquerading as a high-growth tech company, just as Uber was a boring taxi company masquerading as a tech company.
Predatory pricing used to be illegal, but Chicago School economists convinced judges to stop enforcing the law on the grounds that predatory pricing was impossible because no rational actor would choose to lose money. They (willfully) ignored the obvious possibility that a VC fund could invest in a money-losing business and use predatory pricing to convince retail investors that a pile of shit of sufficient size must have a pony under it somewhere.
This venture predation let investors – like Prince Bone Saw – cash out to suckers, leaving behind a money-losing business that had to invent ever-sweatier accounting tricks and implausible narratives to keep the suckers on the line while they blew town. A bezzle, in other words:
https://pluralistic.net/2023/05/19/fake-it-till-you-make-it/#millennial-lifestyle-subsidy
Uber is a true bezzle innovator, coming up with all kinds of fairy tales and sci-fi gimmicks to explain how they would convert their money-loser into a profitable business. They spent $2.5b on self-driving cars, producing a vehicle whose mean distance between fatal crashes was half a mile. Then they paid another company $400 million to take this self-licking ice-cream cone off their hands:
https://pluralistic.net/2022/10/09/herbies-revenge/#100-billion-here-100-billion-there-pretty-soon-youre-talking-real-money
Amazingly, self-driving cars were among the more plausible of Uber's plans. They pissed away hundreds of millions on California's Proposition 22 to institutionalize worker misclassification, only to have the rule struck down because they couldn't be bothered to draft it properly. Then they did it again in Massachusetts:
https://pluralistic.net/2022/06/15/simple-as-abc/#a-big-ask
Remember when Uber was going to plug the holes in its balance sheet with flying cars? Flying cars! Maybe they were just trying to soften us up for their IPO, where they advised investors that the only way they'd ever be profitable is if they could replace every train, bus and tram ride in the world:
https://48hills.org/2019/05/ubers-plans-include-attacking-public-transit/
Honestly, the only way that seems remotely plausible is when it's put next to flying cars for comparison. I guess we can be grateful that they never promised us jetpacks, or, you know, teleportation. Just imagine the market opportunity they could have ascribed to astral projection!
Narrative capitalism has its limits. Once Uber went public, it had to produce financial disclosures that showed the line going up, lest the bezzle come to an end. These balance-sheet tricks were as varied as they were transparent, but the financial press kept falling for them, serving as dutiful stenographers for a string of triumphant press-releases announcing Uber's long-delayed entry into the league of companies that don't lose more money every single day.
One person Uber has never fooled is Hubert Horan, a transportation analyst with decades of experience who's had Uber's number since the very start, and who has done yeoman service puncturing every one of these financial "disclosures," methodically sifting through the pile of shit to prove that there is no pony hiding in it.
In 2021, Horan showed how Uber had burned through nearly all of its cash reserves, signaling an end to its subsidy for drivers and rides, which would also inevitably end the bezzle:
https://pluralistic.net/2021/08/10/unter/#bezzle-no-more
In mid, 2022, Horan showed how the "profit" Uber trumpeted came from selling off failed companies it had acquired to other dying rideshare companies, which paid in their own grossly inflated stock:
https://pluralistic.net/2022/08/05/a-lousy-taxi/#a-giant-asterisk
At the end of 2022, Horan showed how Uber invented a made-up, nonstandard metric, called "EBITDA profitability," which allowed them to lose billions and still declare themselves to be profitable, a lie that would have been obvious if they'd reported their earnings using Generally Accepted Accounting Principles (GAAP):
https://pluralistic.net/2022/02/11/bezzlers-gonna-bezzle/#gryft
Like clockwork, Uber has just announced – once again – that it is profitable, and once again, the press has credulously repeated the claim. So once again, Horan has published one of his magisterial debunkings on Naked Capitalism:
https://www.nakedcapitalism.com/2023/08/hubert-horan-can-uber-ever-deliver-part-thirty-three-uber-isnt-really-profitable-yet-but-is-getting-closer-the-antitrust-case-against-uber.html
Uber's $394m gains this quarter come from paper gains to untradable shares in its loss-making rivals – Didi, Grab, Aurora – who swapped stock with Uber in exchange for Uber's own loss-making overseas divisions. Yes, it's that stupid: Uber holds shares in dying companies that no one wants to buy. It declared those shares to have gained value, and on that basis, reported a profit.
Truly, any big number multiplied by an imaginary number can be turned into an even bigger number.
Now, Uber also reported "margin improvements" – that is, it says that it loses less on every journey. But it didn't explain how it made those improvements. But we know how the company did it: they made rides more expensive and cut the pay to their drivers. A 2.9m ride in Manhattan is now $50 – if you get a bargain! The base price is more like $70:
https://www.wired.com/story/uber-ceo-will-always-say-his-company-sucks/
The number of Uber drivers on the road has a direct relationship to the pay Uber offers those drivers. But that pay has been steeply declining, and with it, the availability of Ubers. A couple weeks ago, I found myself at the Burbank train station unable to get an Uber at all, with the app timing out repeatedly and announcing "no drivers available."
Normally, you can get a yellow taxi at the station, but years of Uber's predatory pricing has caused a drawdown of the local taxi-fleet, so there were no taxis available at the cab-rank or by dispatch. It took me an hour to get a cab home. Uber's bezzle destroyed local taxis and local transit – and replaced them with worse taxis that cost more.
Uber won't say why its margins are improving, but it can't be coming from scale. Before the pandemic, Uber had far more rides, and worse margins. Uber has diseconomies of scale: when you lose money on every ride, adding more rides increases your losses, not your profits.
Meanwhile, Lyft – Uber's also-ran competitor – saw its margins worsen over the same period. Lyft has always been worse at lying about it finances than Uber, but it is in essentially the exact same business (right down to the drivers and cars – many drivers have both apps on their phones). So Lyft's financials offer a good peek at Uber's true earnings picture.
Lyft is actually slightly better off than Uber overall. It spent less money on expensive props for its long con – flying cars, robotaxis, scooters, overseas clones – and abandoned them before Uber did. Lyft also fired 24% of its staff at the end of 2022, which should have improved its margins by cutting its costs.
Uber pays its drivers less. Like Lyft, Uber practices algorithmic wage discrimination, Veena Dubal's term describing the illegal practice of offering workers different payouts for the same work. Uber's algorithm seeks out "pickers" who are choosy about which rides they take, and converts them to "ants" (who take every ride offered) by paying them more for the same job, until they drop all their other gigs, whereupon the algorithm cuts their pay back to the rates paid to ants:
https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men
All told, wage theft and wage cuts by Uber transferred $1b/quarter from labor to Uber's shareholders. Historically, Uber linked fares to driver pay – think of surge pricing, where Uber charged riders more for peak times and passed some of that premium onto drivers. But now Uber trumpets a custom pricing algorithm that is the inverse of its driver payment system, calculating riders' willingness to pay and repricing every ride based on how desperate they think you are.
This pricing is a per se antitrust violation of Section 2 of the Sherman Act, America's original antitrust law. That's important because Sherman 2 is one of the few antitrust laws that we never stopped enforcing, unlike the laws banning predator pricing:
https://ilr.law.uiowa.edu/sites/ilr.law.uiowa.edu/files/2023-02/Woodcock.pdf
Uber claims an 11% margin improvement. 6-7% of that comes from algorithmic price discrimination and service cutbacks, letting it take 29% of every dollar the driver earns (up from 22%). Uber CEO Dara Khosrowshahi himself says that this is as high as the take can get – over 30%, and drivers will delete the app.
Uber's food delivery service – a baling wire-and-spit Frankenstein's monster of several food apps it bought and glued together – is a loser even by the standards of the sector, which is unprofitable as a whole and experiencing an unbroken slide of declining demand.
Put it all together and you get a picture of the kind of taxi company Uber really is: one that charges more than traditional cabs, pays drivers less, and has fewer cars on the road at times of peak demand, especially in the neighborhoods that traditional taxis had always underserved. In other words, Uber has broken every one of its promises.
We replaced the "evil taxi cartel" with an "evil taxi monopolist." And it's still losing money.
Even if Lyft goes under – as seems inevitable – Uber can't attain real profitability by scooping up its passengers and drivers. When you're losing money on every ride, you just can't make it up in volume.
Image: JERRYE AND ROY KLOTZ MD (modified) https://commons.wikimedia.org/wiki/File:LA_BREA_TAR_PITS,_LOS_ANGELES.jpg
CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/deed.en
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I’m kickstarting the audiobook for “The Internet Con: How To Seize the Means of Computation,” a Big Tech disassembly manual to disenshittify the web and bring back the old, good internet. It’s a DRM-free book, which means Audible won’t carry it, so this crowdfunder is essential. Back now to get the audio, Verso hardcover and ebook:
http://seizethemeansofcomputation.org
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/08/09/accounting-gimmicks/#unter
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Image: JERRYE AND ROY KLOTZ MD (modified) https://commons.wikimedia.org/wiki/File:LA_BREA_TAR_PITS,_LOS_ANGELES.jpg
CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/deed.en
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dcookechild · 1 month
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Autumn was well advanced when the Prince of Dragonstone came to Winterfell. The snows lay deep upon the ground, a cold wind was howling from the north, and Lord Stark was in the midst of his preparations for the coming winter, yet he gave Jacaerys a warm welcome. Snow and ice and cold made Vermax ill-tempered, it is said, so the prince did not linger long amongst the northmen, but many a curious tale came out of that short sojourn.
Munkun’s True Telling says that Cregan and Jacaerys took a liking to each other, for the boy prince reminded the Lord of Winterfell of his own younger brother, who had died ten years before. They drank together, hunted together, trained together, and swore an oath of brotherhood, sealed in blood.
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aangarchy · 2 years
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Every atla AU is like "aang was found later" or "aang was found earlier" or "aang died and someone else became the next avatar" or "aang never got encased in ice and died 100yrs later and yue became the next avatar" but what about an AU where Aang never got found at all and remained encased in ice forever?
The world would have to accept that the avatar will never be reborn. No one knows what happened to the cycle. Even spiritual experts are absolutely baffled bc by all measures, the cycle shouldn't have stopped at all. People assume the young airbender would have been killed during the fire nation raids, while in the avatar state. But there would have been reports of that. People couldn't have missed a glowing kid? And if the cycle is supposedly gone, why do we still feel Raava's presence?
All contact with the spirit world eventually ceased. Even spiritual elders like Iroh eventually aren't able to meditate into the spirit world anymore. The Fire Nation's drill plan would have succeeded. They would have conquered the Earth Kingdom fully. The only true free nation remaining would be the Northern Watertribe, who remain in their ice fortress locked away from the rest of the world forever. Airbenders remain extinct.
Zuko gives up on his search for the Avatar after 4 years. At this point the 17yr old realizes he was sent on a fool's errand. It was his father's intention for him to never return. Him and Iroh abandon the ship, and make it to Ba Sing Se, where they settle and become Earth Kingdom citizens. Sokka and Katara leave the Southern tribe around the same time, in search of Hakoda. With Katara's limited waterbending skills they make it to Whale Tale island and catch a boat from there. Then they travel the Earth Kingdom with the limited information they have to find their dad. Toph eventually runs away from home to go to Earth Rumble competitions all over the Earth Kingdom. Her goal is to become the world champion. Suki's ambition to help refugees and fight in the war would cause her to take a troop of Kyoshi warriors and leave Kyoshi Island.
These people were destined to meet, with or without Aang. Their paths would cross one way or the other. A banished prince, the son and daughter of the Southern Watertribe chief, the leader of the Kyoshi warriors, and the only heir to the Bei Fong estate, they would make a team and devise a plan to stop the war. But they would always feel like something is missing. And that something is beneath the ice, in a deep eternal slumber. Would they even succeed?
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