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#The art style was so weirdly easy to copy
12thperigeeball · 6 months
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Psst, Hey. Hey you. You like suggesting things, right?
WELL DO WE HAVE A OPPORTUNITY FOR YOU!
As you are all aware, the last few balls we've ran had prompts that trolls could dress to match. This year, we're putting the power of the prompts in YOUR hands, and we're going to allow users to suggest their own prompts for the community to vote on!
We've opened up a google form to collect theme ideas from the community, and it's open ended with no need to log in. You will be able to see the prompts submitted after you input yours, and there's also a dud option so you can view the results without having to actually suggest anything yourself.
Previous year prompts was 'Crystallize' theme of 2021, and then 'Art of War' of 2022. Your prompts do not have to match the theme of previous years, but we do request that we not tread across old ground.
We will take suggestions from Oct 25th until Oct 30th at 7PM. We will then process the suggestions and create a poll to vote on them to be released Oct 31st, and then close the poll on Nov 3rd at 7PM.
So what are you waiting for? Go ahead and suggest your prompts!
Rules copy pasted below:
Prompt Names must be short and sweet. We're not naming things like Panic at the Disco names songs.
Obviously no offensive suggestions or suggestions referencing offensive scenarios, such as war crimes or closed cultural practices, or weirdly specific 'japanese high school' prompts. I will hunt you for sport if you start coming in with dogwhistles. This is a no fucking brainer rule.
Please include a brief description of your prompt and what it might entail, perhaps even an art style. This ideally should be a sentence long, not a paragraph. If you don't feel confident in your summarization skills but have a moodboard, we can assist in writing a brief description if you leave your prompt name and no further summary. Example: Early Spring would be Florals, plant-like, art nouveau. Art of War is fashionable armor, historical art, 'when you have to swordfight a rival general at 6 but have a ball function at 6:30.
Make your prompt clear. Inside jokes or subtle themes might be fun in theory, but they don't make for interesting, creative, or easy to interpret and bend prompts. Be mindful of the fact that not everyone will follow this prompt or may interpret it much differently than you would expect.
Similar prompts may be condensed at the end. Three different suggestions for cyberpunk will just be merged into one cyberpunk prompt to help prevent confusion or split votes
You may create a moodboard or Pinterest board for your theme to showcase. Similar prompts will be condensed into a singular moodboard or pinterest board for people to view. This is not a required step.
Have fun! Don't get too worried about making anything perfect, or winning. NOTE: We do reserve the right to reword certain prompts to create a more unique theme or theme name if we are provided vague prompts. A general 'Glamorous, Gold and Money' suggestion may be modified and narrowed down to an Art Deco Glamour prompt to make it unique and more directional
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isolatedphenomenon · 2 years
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[ID: Three screenshots from an Ink game replicating the style of Disco Elysium, including backgrounds, tasks, red/white checks, and skill portraits. Detailed text description under cut, but the point of the images is their styling.]
So I went into some sort of hyperdrive this weekend and churned out an Ink webport template that resembles Disco Elysium, intended for use in fan-made games for people who don’t like coding? Anyway, you can play it here or copy the template to make your own!
(And of course shout out to the other DE fan game frameworks made or in the works! I just love using Ink as a language, so I wanted one of my own)
[Detailed ID: First image reads:
You: “More like the template for one.”
Some Dumb Game: That’s because writing takes more brainpower than coding, weirdly enough.
You: “What about formatting?”
Some Dumb Game: “What about it?”
You: “Other kinds of texts?”
Some Dumb Game: Oh, hell yeah.
New Task: Figure out what else you can do.
Thought gained: Make My Own Game
You: “Okay...”
Logic [Easy: Success]: It’s really not that hard.
1. “Ah, art! I’m an art person.”
2. “Ugh, put it back. I like my IF text based.”
Image two reads:
Some Dumb Game - How about now?
Composure [Trivial: Success]: Nice. You managed to withstand a skill check for once.
Continue
Image three reads:
Some Dumb Game: This is going to take some concentration, let’s clear out your head for a moment.
1. [Composure - Challenging 20] “I’ve got this, I totally won’t lock this skill check.”
2. “Let me take a breath first.”]
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citrina-posts · 4 years
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Avatar: Cultural Appreciation or Appropriation?
I love Avatar: the Last Airbender. Obviously I do, because I run a fan blog on it. But make no mistake: it is a show built upon cultural appropriation. And you know what? For the longest time, as an Asian-American kid, I never saw it that way.
There are plenty of reasons why I never realized this as a kid, but I’ve narrowed it down to a few reasons. One is that I was desperate to watch a show with characters that looked like me in it that wasn’t anime (nothing wrong with anime, it’s just not my thing). Another is that I am East Asian (I have Taiwanese and Korean ancestry) and in general, despite being the outward “bad guys”, the East Asian cultural aspects of Avatar are respected far more than South Asian, Middle Eastern, and other influences. A third is that it’s easy to dismiss the negative parts of a show you really like, so I kind of ignored the issue for a while. I’m going to explain my own perspective on these reasons, and why I think we need to have a nuanced discussion about it. This is pretty long, so if you want to keep reading, it’s under the cut.
Obviously, the leadership behind ATLA was mostly white. We all know the co-creators Bryan Konietzko and Michael Dante DiMartino (colloquially known as Bryke) are white. So were most of the other episodic directors and writers, like Aaron Ehasz, Lauren Montgomery, and Joaquim Dos Santos. This does not mean they were unable to treat Asian cultures with respect, and I honestly do believe that they tried their best! But it does mean they have certain blinders, certain perceptions of what is interesting and enjoyable to watch. Avatar was applauded in its time for being based mostly on Asian and Native American cultures, but one has to wonder: how much of that choice was based on actual respect for these people, and how much was based on what they considered to be “interesting”, “quirky”, or “exotic”?
The aesthetic of the show, with its bending styles based on various martial arts forms, written language all in Chinese text, and characters all decked out in the latest Han dynasty fashions, is obviously directly derivative of Asian cultures. Fine. That’s great! They hired real martial artists to copy the bending styles accurately, had an actual Chinese calligrapher do all the lettering, and clearly did their research on what clothing, hair, and makeup looked like. The animation studios were in South Korea, so Korean animators were the ones who did the work. Overall, this is looking more like appreciation for a beautiful culture, and that’s exactly what we want in a rapidly diversifying world of media.
But there’s always going to be some cherry-picking, because it’s inevitable. What’s easy to animate, what appeals to modern American audiences, and what is practical for the world all come to mind as reasons. It’s just that… they kinda lump cultures together weirdly. Song from Book 2 (that girl whose ostrich-horse Zuko steals) wears a hanbok, a traditionally Korean outfit. It’s immediately recognizable as a hanbok, and these dresses are exclusive to Korea. Are we meant to assume that this little corner of the mostly Chinese Earth Kingdom is Korea? Because otherwise, it’s just treated as another little corner of the Earth Kingdom. Korea isn’t part of China. It’s its own country with its own culture, history, and language. Other aspects of Korean culture are ignored, possibly because there wasn’t time for it, but also probably because the creators thought the hanbok was cute and therefore they could just stick it in somewhere. But this is a pretty minor issue in the grand scheme of things (super minor, compared to some other things which I will discuss later on).
It’s not the lack of research that’s the issue. It’s not even the lack of consideration. But any Asian-American can tell you: it’s all too easy for the Asian kids to get lumped together, to become pan-Asian. To become the equivalent of the Earth Kingdom, a mass of Asians without specific borders or national identities. It’s just sort of uncomfortable for someone with that experience to watch a show that does that and then gets praised for being so sensitive about it. I don’t want you to think I’m from China or Vietnam or Japan; not because there’s anything wrong with them, but because I’m not! How would a French person like to be called British? It would really piss them off. Yet this happens all the time to Asian-Americans and we are expected to go along with it. And… we kind of do, because we’ve been taught to.
1. Growing Up Asian-American
I grew up in the early to mid-2000s, the era of High School Musical and Hannah Montana and iCarly, the era of Spongebob and The Amazing World of Gumball and Fairly Odd Parents. So I didn’t really see a ton of Asian characters onscreen in popular shows (not anime) that I could talk about with my white friends at school. One exception I recall was London from Suite Life, who was hardly a role model and was mostly played up for laughs more than actual nuance. Shows for adults weren’t exactly up to par back then either, with characters like the painfully stereotypical Raj from Big Bang Theory being one of the era that comes to mind.
So I was so grateful, so happy, to see characters that looked like me in Avatar when I first watched it. Look! I could dress up as Azula for Halloween and not Mulan for the third time! Nice! I didn’t question it. These were Asian characters who actually looked Asian and did cool stuff like shoot fireballs and throw knives and were allowed to have depth and character development. This was the first reason why I never questioned this cultural appropriation. I was simply happy to get any representation at all. This is not the same for others, though.
2. My Own Biases
Obviously, one can only truly speak for what they experience in their own life. I am East Asian and that is arguably the only culture that is treated with great depth in Avatar.
I don’t speak for South Asians, but I’ve certainly seen many people criticize Guru Pathik, the only character who is explicitly South Asian (and rightly so. He’s a stereotype played up for laughs and the whole thing with chakras is in my opinion one of the biggest plotholes in the show). They’ve also discussed how Avatar: The Last Airbender lifts heavily from Hinduism (with chakras, the word Avatar itself, and the Eye of Shiva used by Combustion Man to blow things up). Others have expressed how they feel the sandbenders, who are portrayed as immoral thieves who deviously kidnap Appa for money, are a direct insult to Middle Eastern and North African cultures. People have noted that it makes no sense that a culture based on Inuit and other Native groups like the Water Tribe would become industrialized as they did in the North & South comics, since these are people that historically (and in modern day!) opposed extreme industrialization. The Air Nomads, based on the Tibetan people, are weirdly homogeneous in their Buddhist-inspired orange robes and hyperspiritual lifestyle. So too have Southeast Asians commented on the Foggy Swamp characters, whose lifestyles are made fun of as being dirty and somehow inferior. The list goes on.
These things, unlike the elaborate and highly researched elements of East Asian culture, were not treated with respect and are therefore cultural appropriation. As a kid, I had the privilege of not noticing these things. Now I do.
White privilege is real, but every person has privileges of some kind, and in this case, I was in the wrong for not realizing that. Yes, I was a kid; but it took a long time for me to see that not everyone’s culture was respected the way mine was. They weren’t considered *aesthetic* enough, and therefore weren’t worth researching and accurately portraying to the creators. It’s easy for a lot of East Asians to argue, “No! I’ve experienced racism! I’m not privileged!” News flash: I’ve experienced racism too. But I’ve also experienced privilege. If white people can take their privilege for granted, so too can other races. Shocking, I know. And I know now how my privilege blinded me to the fact that not everybody felt the same euphoria I did seeing characters that looked like them onscreen. Not if they were a narrow and offensive portrayal of their race. There are enough good-guy Asian characters that Fire Lord Ozai is allowed to be evil; but can you imagine if he was the only one?
3. What It Does Right
This is sounding really down on Avatar, which I don’t want to do. It’s a great show with a lot of fantastic themes that don’t show up a lot in kids’ media. It isn’t superficial or sugarcoating in its portrayal of the impacts of war, imperialism, colonialism, disability, and sexism, just to name a few. There are characters like Katara, a brown girl allowed to get angry but is not defined by it. There are characters like Aang, who is the complete opposite of toxic masculinity. There are characters like Toph, who is widely known as a great example of how to write a disabled character.
But all of these good things sort of masked the issues with the show. It’s easy to sweep an issue under the rug when there’s so many great things to stack on top and keep it down. Alternatively, one little problem in a show seems to make-or-break media for some people. Cancel culture is the most obvious example of this gone too far. Celebrity says one ignorant thing? Boom, cancelled. But… kind of not really, and also, they’re now terrified of saying anything at all because their apologies are mocked and their future decisions are scrutinized. It encourages a closed system of creators writing only what they know for fear of straying too far out of their lane. Avatar does do a lot of great things, and I think it would be silly and immature to say that its cultural appropriation invalidates all of these things. At the same time, this issue is an issue that should be addressed. Criticizing one part of the show doesn’t mean that the other parts of it aren’t good, or that you shouldn’t be a fan.
If Avatar’s cultural appropriation does make you uncomfortable enough to stop watching, go for it. Stop watching. No single show appeals to every single person. At the same time, if you’re a massive fan, take a sec (honestly, if you’ve made it this far, you’ve taken many secs) to check your own privilege, and think about how the blurred line between cultural appreciation (of East Asia) and appropriation (basically everybody else) formed. Is it because we as viewers were also captivated by the aesthetic and overall story, and so forgive the more problematic aspects? Is it because we’ve been conditioned so fully into never expecting rep that when we get it, we cling to it?
I’m no media critic or expert on race, cultural appropriation, or anything of the sort. I’m just an Asian-American teenager who hopes that her own opinion can be put out there into the world, and maybe resonate with someone else. I hope that it’s given you new insight into why Avatar: The Last Airbender is a show with both cultural appropriation and appreciation, and why these things coexist. Thank you for reading!
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phantom-curve · 3 years
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49 or 50 for willex, and au of your choosing!
“Also happy second birthday!! Hope you have a wonderful day”
Thank you! This was an absolute joy to write so I hope you like reading it as much as I liked writing it! From the gimme a chance AU (which I guess now officially has spin-off lore about Willex) I give you Alex and Willie’s first date.
#49: holding onto the other’s shoulders for support & #50: putting a hand over the other’s mouth to shut them up 
When Willie had asked Alex if he wanted to go on a date to the art museum, Alex couldn’t help but picture something cute and romantic. The two of them wandering around bright, airy rooms with the sunshine streaming in, bathing them in an ethereal kind of glow. Long moments standing in front of different paintings, fingertips brushing as they exchanged meaningful side long glances with one another. Maybe they would even kiss. Alex had been nearly breathless with the thought. Which was why he said yes without hesitation.
Willie looked like an absolute dream when Alex first caught sight of him outside of the museum, his long hair fluttering in the breeze behind him under his helmet, the loose, slightly cropped t-shirt he wore rising up every now and then to reveal tantalizing glimpses at tanned skin and toned abs. He came to a graceful stop on his skateboard right in front of Alex, grinning from ear to ear as he raised his eyebrows up and down teasingly.
“Didn’t run ya over this time. This date is already going better than our first meeting.”
Alex couldn’t stop the slightly high-pitched embarrassed laugh that slipped through his lips. Willie’s cheeks stretched impossibly wider, and Alex felt his own cheeks warm.
“I didn’t really mind so much.”
Willie smirked like he thought Alex was lying, which, fair. Alex had been pissed when Willie had crashed into him, ready to absolutely lose it on whatever dumbass had knocked him down and then had the audacity to complain about his stupid fucking skateboard. But then Willie had been scrambling to apologize, his brown hair tumbling down from his helmet in a mesmerizing cascade, and Alex had forgotten about his injuries completely because he was entirely focused on remembering how to breathe and getting his brain to restart. And then Willie had asked him out and it became the best day of Alex’s life. So, in the end, he didn’t really mind.
“C’mon, I got us tickets already.”
Willie tucked his skateboard under one arm and held his other hand out like he was offering it to Alex. Which, he was, Alex realized after a long second. He felt the blush paint his cheeks again and rushed to pull his hand from his pocket so he could place it in Willie’s. Willie didn’t say anything, but Alex caught the way his lips curved a bit on the edges, like he was holding back a smile.
Willie, it turned out, had an extensive understanding of almost everything art related. He named off artists without having to read the little cards by their work and talked about different periods of art styles and the evolution of art as it related to history, explaining how the two were inextricably linked which wasn’t something Alex had ever really thought about before, but was fascinating, nonetheless. Alex let himself be led around, impressed and in complete awe as Willie pointed out his favorite pieces and waxed poetic about Jean-Michel Basquiat, who Alex had learned was his favorite artist. It was everything Alex had hoped for in a date, especially when Willie led him down a set of stairs and into a basement gallery that was practically deserted.
There were large abstract sculptures throughout the room, concrete benches spaced out along the wall. Willie walked over to one and sprawled out, Alex sitting down next to him in a bit more conservative manner.
“Man, I wish they had let me bring my board in. How dope would it be to skate through this place?”
He traced his fingers through the air like he was mentally mapping out exactly how he would maneuver around all the obstacles. Alex laughed.
“I’d be way too worried about running into a priceless piece of art and ruining it.”
Alex shuddered as he thought about how awful it would be to destroy someone’s artistic creation. He still remembered how heartbroken Luke had been their senior year of high school when their former bandmate Bobby had stolen his songs and sold them to a record label on a solo contract. The pain had been unbearable, and Alex hadn’t even been the one dealing with the brunt of the hurt. Something must have changed on his face because Willie leaned over to nudge him softly with his knee. Alex blinked, startled back into the present and looked into the warmest pair of brown eyes he’d ever seen.
“You’re wound a little tight, huh? Where’d you go just then?”
Usually, Alex didn’t really open up to people. He’d learned from a young age that emotions were best kept in a bottle locked in a safe shoved into the farthest reaches of his brain. Alex and Reggie had unpacked some of that throughout the years, slowly gaining his trust and teaching him that it was okay to express himself. But Alex never really let other people in like his boys. Except, there was something about Willie, some innate goodness in him, that made Alex feel safe and calm and like maybe it was okay to let him in, too.
So, he did. He talked about Bobby, and then that spiraled into talking about the band and his homophobic parents and their silent rejection that stung all the more because it was like they weren’t even mad, they just decided that he suddenly no longer existed. Willie didn’t interrupt or judge. And when Alex had finally exhausted himself and felt a little less bogged down by it all, Willie reached over and placed his hand on Alex’s knee, skin to skin through the hole in his jeans.
“That sucks, man. I’m glad you’ve got a better family with your friends now. Luke and Reggie, right? So, you all moved down here from San Fran together?”
Alex had mentioned that when they first met. It shouldn’t be a big deal, the fact that Willie remembered and had clearly actually been listening to the things Alex had said then and now, but he was so used to not being heard that it felt monumental. His lips curved into a small smile.
“Yeah. They’re my best friends. Luke swears someday our band will take off now that we’re in LA, but I’m just happy I get to be here with them, living in a house that doesn’t feel so unwelcoming all the time and whaling on some drums whenever I need to.”
“I’m happy you’re here, too.”
The way he said it, with a little smirk and some bouncy eyebrows, Alex knew Willie meant more than just being in LA. He meant here in this museum, with him. Suddenly, Willie jumped to his feet, holding both hands out towards Alex.
“I think I know something else that might help you loosen up. Wanna give it a try?”
Alex was pretty sure he was willing to give anything a try if Willie asked him to. He slipped his hands into Willie’s and only stumbled slightly when he was pulled to his feet. Willie let go so he could catch Alex by his shoulders, their faces so close Alex could count every one of his eyelashes. Time seemed to stand still for a moment, something crackling in the space between them. And then, Willie threw his head back and yelled.
Alex jumped about 10 feet in the air and immediately slapped a hand over Willie’s mouth, muffling the sound of the other boy’s voice. He whipped his head back and forth, thankful that there wasn’t another museum patron around or worse, a security guard.
“What the hell was that for?!” He whisper-yelled, feeling the need to compensate for Willie’s vocal volume by lowering his own.
Willie laughed, his lips moving under Alex’s palm. Alex let his hand drop, not wanting to think too long about Willie’s lips touching his skin.
“It’s stress release!”
Alex raised a judgmental brow.
“Yelling in a museum is stress release?”
“Yeah, man,” Willie was still laughing, his smile easy and eyes sparkling. “There’s something about letting everything out all at once, especially in a place where it feels like you shouldn’t. C’mon, you said you would give it a try.”
Alex glanced around the gallery again. They were alone, and he had said he would try it. He took a deep breath and let it out in a long sigh. Willie grinned and nodded encouragingly, so Alex inhaled again and tried to copy him.
“Ahhhhh!”
It was pretty pitiful in comparison. Willie doubled over with laughter for a moment, but when he straightened his smile was patient and kind.
“Nah, dude. You gotta mean it. Here, we can do it together.”
He stepped close, the tips of his shoes touching Alex’s, hands fisting into the shoulders of Alex’s favorite pink hoodie. He looked down at where Alex’s arms were dangling limply at his side and cocked his head, so Alex grabbed onto Willie’s shoulders as well. He felt Willie lean against him, letting Alex support some of his weight, and did the same. It weirdly felt almost like a hug, the way they were each clinging onto each other, trusting the other one to hold them up. Alex copied Willie when he sucked in a deep breath, but this time, instead of lifting his head towards the ceiling, Willie maintained eye contact. That same tension from earlier pulled taught between them. The moment built until all the sudden Alex felt a huge rush of emotion and opened his mouth at the exact same time as Willie, their voices overlapping and blending together in one loud, messy shout.
The resulting rush was incredible. Alex understood immediately what Willie had meant. He let out a laugh, absolutely delighted, and yelled again. Willie yelled back, and Alex felt like his head was spinning, drunk on adrenaline and release and Willie himself. He opened his mouth to yell again when he heard footsteps on the stairs. Willie glanced over his shoulder towards the doorway they had come through and then he grabbed Alex’s hand without hesitation, giggling as he pulled him through the room and out a second doorway at the back of the space before they could get caught. They raced up a different set of stairs, only slowing to a walk as they reentered the main level gallery space. Alex was breathless and giddy, the feeling of Willie’s hand in his making him feel brave and reckless. When they finally came to a stop in a hallway between the main gallery and a doorway to the outdoor sculpture park, he used their joined hands to pull Willie close.
“You are insane, and I cannot believe I let you talk me into that.”
His words were too soft to be a real admonishment. Willie leaned in, his hips brushing against Alex’s and the feeling was overwhelming. Without letting himself think about it, Alex reached up to move a few errant strands of hair out of Willie’s face, letting one hand rest against his jaw and bringing the other around his neck so he could tilt his face up. Willie’s eyes were shining, gaze dropping to Alex’s lips as the tip of his tongue peeked out to wet his own. It was all the invitation Alex needed.
He swooped down, Willie stretching on his toes to meet him halfway, arms sliding around his waist and pulling their bodies close. Alex’s mind went blissfully blank, focusing on nothing but the taste of cherry Chapstick on his tongue and the feeling of silky hair slipping through his fingers. Willie made a little noise in the back of his throat and Alex pulled back slightly, feeling shy and nervous. Their foreheads were still touching, breaths comingling in the tiny space between them. Willie leaned in to press a soft kiss against Alex’s cheek, leaving a burning mark behind as he moved so his lips grazed Alex’s ear.
“Totally worth it.”
He pulled away with a satisfied grin, dropping his heels as Alex felt himself blush from head to toe. Willie laced their fingers together and started to retrace their steps back towards the front of the museum, pulling a dazed Alex along in his wake.
“Wanna go grab some food? There’s a pretty good hotdog stand around the corner we could hit up.”
That broke Alex out of his spell.
“Ugh, no. Literally anything but hotdogs, please.”
He shivered, his stomach clenching like it still remembered the time Luke had convinced them they could totally trust the dude selling food out of the trunk of his car at next to a venue they were playing at. Willie laughed and quirked a brow.
“Sounds like you’ve got a story to tell, Hotdog. Let’s go.”
And Alex went, groaning the whole time about his new nickname but secretly loving the fact that Willie had given him one. Nicknames said familiarity, affection. Maybe by the end of their next date he could earn a different title: boyfriend.
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orchidzero · 3 years
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GITS: SAC  S01E01  第1話「公安9課SECTION-9」 Public Security Section 9 Stand Alone
Unmistakably, and perhaps inevitably, the first few minutes of Stand Alone Complex pay explicit homage to Mamoru Oshii's Ghost in the Shell. As in that film, the cold open finds Major Motoko Kusanagi standing alone on a rooftop, surveying a neon cityscape, electronically eavesdropping on terrorist chatter. Her expression is affectless. Her clothing is minimal. Drawing a pistol, she plunges toward a building below. With grace impeded only slightly by a TV budget, she sticks a perfect 3-point landing (a cliché she can be forgiven, having practically invented it). The subsequent chase scene makes further callbacks to the kind of action that wowed fanboys in '95-- cybernetically-enhanced parkour, acrobatic martial arts, bullet wounds erupting in horrific bursts of viscera. The message comes through loud and clear: this IS your big brother's GHOST IN THE SHELL!
Which is misleading, but sure-- a little torch-passing is probably in order. It's just hard not to wish it were handled more subtly. Narratively, it's of zero import-- we never get the backstory on the terrorists, or who they were hoping to nerve gas. Our introduction to the Major is also weirdly off-key. Normally a model of cool restraint, she takes down her target with a brutal, authoritarian zeal that would give Jack Bauer pause. When the perp has the temerity to question the system that just blew his leg off, she invites him to love it, leave it, or take a bullet to the dome. It all feels unnervingly close to Big Brother's Ghost in the Shell.
Luckily, things get better from there. Despite the lingering specter of Oshii, it quickly becomes apparent that SAC will be following the more procedurally-oriented lead of Masamune Shirow's original manga. The Major is front and center, but the show treats Section 9 as a real ensemble-- a kind of cyberpunk Impossible Mission Force, where every member has a unique role to play. In the episode’s first big set piece they’re deployed in A2 gear to area 82-D3, where a political hostage situation has sparked a jurisdictional pissing match between local police and the military (the alphabet soup and internecine bickering are pure Shirow). Five hostages are being held-- literally-- by hacked robot geisha at a high-end restaurant ¹ . Section 9’s Chief Aramaki cuts through the red tape and takes charge of the situation, dispatching the Major to spearhead the rescue. Watching her and her team do their thing, it must be said, is pretty sweet. Their tactical, no-nonsense approach offsets the sci-fi gadgetry and lends the action an earthbound realism-- more Michael Mann than The Matrix.
But how about that gadgetry? Just a few of the technologies floating around, here: thermoptic camo, cerebral augmentation, brain-swapping, memory wipes, holographic displays, insectoid robots, android sexbots, cybernetic eyes, neuro-link telepathy, and Galapagos-style Japanese flip phones (that these will endure in AD 2030 seems plausible). Trying to work out what this gear is capable of while simultaneously trying to parse all the jargon and political subterfuge can be migraine-inducing. Which brings me to the reason I've always found this series baffling and have never really engaged with it till now: I'm not sure whether I'm supposed to be paying attention. Like the Metal Gear games or a Thomas Pynchon novel, there's a very intricate techno-conspiratorial mythology here, and like the Metal Gear games or a Thomas Pynchon novel, it might not really matter. Unraveling the plot could easily be beside the point.  
Nevertheless, I've committed to try. As near as I can figure, here's the sequence of events: Someone affiliated with the foreign minister's office takes an interest in the Ichinose Report-- a classified document detailing the military response to a national crisis (vague, I know). This sets off alarm bells and prompts a secret investigation of the foreign minister, conducted by an agent posing as his secretary. Both are taken hostage by an unknown party, along with the foreign minister's chief of PR and two members of the North American Association for Industrial Development. The military intervenes to protect their asset, but their authority is superseded by Section 9, who seemingly get involved because crazy shit's their bailiwick. Four of the hostages are rescued. The secretary / undercover agent suffers a serious head wound, and one guy from the NAAID is killed, or so it's meant to appear. But in fact, Togusa and the Major figure out he's traded cerebral cores (i.e. brains) with the foreign minister, who has a fetish for getting drunk and swapping bodies with robot geisha, making him an easy mark for this kind of thing. Section 9 catches up to the perp at the airport, trying to board a private jet with the real minister's brain in a box and a copy of the Ichinose report in hand.
Got all that? It took me three viewings. The episode fails to address a few nagging questions, such as "Who?" and "Whaa?", but it hangs together better than expected. It also deftly handles the work of setting up the principal cast. We get glimpses of Aramaki's authority, the Major's competent leadership, Batou's big lug buffoonery, Togusa's humanity, and Ishikawa's beard. Togusa comes closest to getting an actual arc. Following the raid on the restaurant, he betrays some insecurity about being the most fallibly human agent in the field. The Major assures him he has other strengths to offer, and indeed, it's his powers of observation that end up cracking the case (with an assist from a CSI "enhance" button). Clearly, this man / machine tension will be an ongoing concern.
___________________
¹  For its big opening set piece, the live-action, Hollywood GITS mashes up elements of this sequence, the iconic rooftop drop, and Batou’s first assignment from Innocence. The largely practical geisha effects are impressively realized and probably that film’s most successful element.  
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popculturebuffet · 3 years
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Scott Pilgrim’s Precious Little Life Review
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Happy Birthday To Me, as I continue my birthday celebration by taking a look at comics that have a personal connection to me.. And for our main feature, i’m taking a look at the first volume of a series that was vitally important to a teenage me, Scott Pilgrim. 
Scott Pilgrim is the brainchild of Brian Lee’O’Malley. O’Malley came up with the concept from a number of things. Being a fan of the band Plumtree, O’Malley was curious about the name of their song “Scott Pilgrim” and wondered who this Scott Pilgrim guy was. So over the years he slowly built the guy up in the back of his mind using bits of his life and what not. As for why he ends up fighting 7 evil exes, that came from a discussion with his then girlfriend, later wife and currently ex-wife Hope Larson, where he threw off the joke that her exes should form some kind of League. After finishing his first solo work Lost at Sea, O’Malley decided Scotty would be his next project and the rest is history. To date while O’Malley has written two works since, Seconds which is delightful and Snotgirl which didn’t grab me but I intend to try again, Scott remains his most popular work, in large part due to it’s SUBLIME video game and movie adaptations, the former of which is finally getting a rerelease next month. 
The series charm is in it’s style: A manga styled comic that combines two desperate kinds of story: Shonen Fight Manga and Slice of Life Indie Comics. The story shifts from Scott going through normal life stuff while trying to make his new relationship work and get his shit together and Scott getting into big bombastic fights with his new sweetie’s exes for the right to keep dating her and to you know, stay alive. The series effortlesly blends a video game like world with real grounded characters and is wonderful for it.  As for where I came in, one Free Comic Book day I found a little comic named Free Scott Pilgrim, which I genuinely loved and was instantly charmed by it’s humor and well done art. So I picked up the second and third volumes of the series proper and the first once I could find it and the rest ,as they say, is history. For my high school life, this was one of hte most important things in it and I wrote fanfiction, which I thankfully never put online and in general enjoyed the hell out of the series. Then I just kind of.. let it sit on my shelf for a while. It wasn’t BAD, I just never got back to it and as the franchise went dormant I just sorta slept on it and the movie and that part of me...
Cut to a few weeks ago, when Comixology did a massive sale for black friday that marked a ton of Graphic Novels down to just 1 buck each, and the color editions of Scott Pilgrim happened to be part of this, though only volume 1 was that cheap. But thanks to my best friend micheal and an early christmas/birthday present I got the rest and got to revisit the series as a whole, with me rethinking my previous thoughts of volume 1 and thus.. wanting to review it and share both why this series is so damn special and what’s good, and what’s not so good about it. I’ll also be covering the game, once i’ts re-released, and the movie once i’m finsihed with the comics so look out for that. And get ready to take a trip to the glorious land of canada... 
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As a heads up and as you can tell i’ll be using the color version as while I could get scans of the black and white, I prefer the color version. While the black and white was fine and always will be, I think the impressive coloring job really adds to thing and makes the already great fight scenes pop more, as well as making certain background elements stand out a bit. While it does negate the black and white gags, the tradeoff is more than worth it. That being said either version is fine so if you can get the black and white cheaper that’s fine and i’ve kept my original copies, with volumes 4 -6 having been picked up as they came out. 
So as our story starts we meet our hero: Scott Pilgrim Age 23, a charming but jobless and kind of sketchy possible college graduate whose really been adrift in his life since a breakup about a year ago. And when our story opens he’s taken a turn for a worse and decided to date sweet but naive and inexperinced Knives Chau, a 17 year old girl. And why yes the power dynamics there are messed up and why yes Scott is pretty damn sketchy in this moment in time, and while yes I am aware the age of consent in canada is 16, it dosen’t make this any less greasy and the story knows that.  And how it knows that MOST of his friends aren’t on board. The only ones who seems to is Stephen Stiles, leader of Sex Bomb-Omb, the band scott’s in with one of the best names ever and even then it’s hard to tell if he’s being sarcastic or just a total douche. The other, Young Neil Nordgraf, Stephen’s roomate, is well 19 or 20 and kind of a dipshit so we just ignore him. I used to use him as kind of a projection, to put myself in the adventure when I was younger as Neil kind of lacks personality in the comics but in the comics.. he’s not hte best or most complex character. He is great in the movie though and Edgar Wright did an amazing job fleshing him out.  The rest of his circle are .. not so permissive. His best friend, roomate and king of all gays for all time Wallace Wells very much does not want to come with Scott to school to pick her up because every part of that sentence after hurt to type. Granted Scott gets him to come with him with promises of boys, but frankly knowing wallace he was probably just playing along/wants to protect this poor child. His ex and fellow bandmate Kim is clearly bothered by it and is flat out worried Scott is taking advantage of her. Kim and Wallace are easily my faviorites both for personality and because I have a massive crush on both. With Wallace it just didn’t manifest till the reread. Finally Scott’s kid sister Stacey chews him out over it before genuinely wondering if he’s gone insane or he’s actually happy. For my two cents: he’s not. He WANTS to be, but he dosen’t know how. And as someone whose both neurotypical, which given Scott’s troubles with empathy and relating to people like yours truly I strongly suggest he is, and has struggled with depression I can relate to that. He wants to move on but he just.. can’t, he just wants to get past the haze he’s been in since Envy dumped him.. but he dosen’t know how. So instead of doing someting constructive or finding a job or anything .. he just took the first and easiest way out of his depression he could. I’ve done that with video games and stuff. Scott did that by entering a relationship that’s really easy, requires only so much effort, and is with someone who utterly adores, looks up to him and will never expect better. Being with Knives makes him feel better.. but it dosen’t MAKE him a better person. As i’ve made clear dating someone just for a boost makes him actively worse and had fate not intervened, I shudder to think what Scott might have become. That being said his actoins are still creepy and since Scott has a habit of landing ass backwards into being an asshole here’s a counter to track that. That’s 2 for doing this overall, one for tleling her to be good, and 1 for trying to ply wallace with underage boys. 
Your the Scum of the Earth Scott Counter: 1
Thankfully fate does and Scott’s dreams, ones of him crawling through a desert alone, are interupted by a mysterious pink haired girl on skates. The next day he’s just sort of in a daze, kind of confused, and even more so when he sees her IN REAL LIFE, while at the library with Knives. He’s understandably frazzled but ends up finding out he’s not hallucinating when talking to MIcheal Cormeau. Micheal is a minor character and another artist and friend of o malley’s who represents that one guy in social circles who knows everybody. And indeed he knows the mystery girl, Ramona Flowers and that she’s there. Scott TRIES talking her up but just creeps her out, so Scott goes with plan b and decides to ask around about her. Enter Sandra and Monique, two college aquantinces of Scott, who just sorta show up at major events and aren’t that developed or intresting. They turn him to Julie who forbids him to date her. To which I say. 
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Naturually we’ll aslo be needing a counter for this. 
Shut Up Julie Counter: 1
Scott however did find out she’s a delivery girl for Amazon Canada, and thus orders some CD’s on Wallace’s Credit card to hopefully see her. And while his behavior IS obessive.. it’s understandable. I’d be weirdly obessed with finding someone too if they showed up in my dreams every day and were apparently a real person. I’d probably play it cooler but still i’ts kind of understandable. So after a day with knives in which he’s clearly checked out she kisses him, he freaks out and it’s very clear that while Scott’s good at attracting women he’s just.. not good with his emotions and has finally woken up to how messed up this is, but has no idea how to get out now he’s intrested in someone he actually has a future with maybe.  Speaking of Scott’s package and Ramona finally arrive. Scott’s move is to.. ask her out abrubtly but after he mentions her Dreams, Ramona finally puts two and two together and explains things: She’s been using Subspace, a seris of highways connected by the subconcious and apparently more common in america, though it’s later revealed she was taught this but being the first book with a lot of the lore and what not ironed out this is fine. Point is she was just using his dreams as transit and didn’t mean to get him obessed. Scott continues to try his schtick and eventually gets her to agree to hang out with him. Why she does I generally do not know, as SCott basically fell ass backwards over himself conversationally, but whatever. If he didn’t succeed we wouldn’t have a plot. 
That being said things pick up a bit with the date though. The scene is really good and simply just the two.. talking. Having plesant conversations getting to know one another. That good stuff. it’s just really nice to read and it’s hard to explain why. Highlights include Scott’s x-men patch, Ramona not wanting to talk about her last job and Scott admitting he hasn’t been obessed in a long time.. and it comes off sweet rather htan creepy like that sounds. It just means he hasn’t fell this head over heels felt like this. As I said Knives was easy.. but this is hard.. and this.. feels right. So as things Snow Ramona yanks scott through subspace to escape the blizzard. 
So we end up back at Ramona’s place and she offers some tea which leads to one of the best gags of the volume as she lists them off: 
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So Ramona goes to get Scott a blanket, Scott ends up following finds her changing, and she decides to warm him up another way.. by embracing him... cue.. the inevitible really. 
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It feels organic though: The two are clearly attracted to each other and while Scott came on as strong as freaking colossus, he still rebounded well once they hung out and he could relax a bit and show the scott underneath the lairs of dumbass. The two end up cuddling in bed and Scott seems..genuiley happy saying he needed this... awwwwwww. They part the next morning with him asking her to his band’s performance. 
So Scott finds Wallace  at home who says what Scott needs to hear “You need to break up with your fake highschool girlfriend scott’ Granted the entire first 40 pages could’ve been titled that but now he’s actively cheating. He’s also got a letter. 
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It’s a death threat Scott barely grazes through, just like an email earlier. 
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But scott’s more concerned with his emotional distress.. i.e. the consequences of his throughly shitty actions finally hitting him in the face. 
Scott heads to practice for his gig and can’t bring himself to break up with knives, but does find out about the opposition: Crash and the Boys, based on an NES game title because of course it is. Crash, their leader, Joel their baseplayer who scott hates because he hates all other baseplayers (”I don’t hate myself kim) and Trasha, an 8 year old progedy they found playing Drum Mania. Don’t ask me what that is, i’m not going to get every refrence. 
So at the show Scott runs into Stacey and her new boyfriend Jimmy  with Stacey being supportive. And then Knives shows up and then RAMONA SHOWS UP. Oh no scott’s cheating might be discovered! 
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So Scott books it while we’re introduced to Crash and the Boys. Wallace heckles them, to the band’s annoyance, until they eventually get fed up and we easly get the best gag of the volume. I was wrong this clearly tops the tea thing. 
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So Crash and The Boys continue to play their set, including a song that supposdely kills the audience but really knocks them out.. which of course bothers kim because they play next. Meanwhile Ramona and Stacey meet and the two really get along.. and come back to find the audience ko’d and Wallace Making out with Stacey’s boyfriend. Oh no! Which is a dick move, no question. But Stacey’s next move is questionable even for a 19 year old: She says “You won’t steel another guy from me and tells wallace to sit over there”. Okay Stacey even if he is bi, and this series has trouble with the concept of bisexuals we’ll get into that later trust me, he made out with someone else entirely while on a date with you. Wallace is still an asshole, it’s part of his charm.. but it dosen’t change the fact your date kissed someone else seconds after you were gone and has been eyballing him all night, as seen even above. He’s not into you as you thought, just accept it, move on, and kick Jimmy in the balls and then wallace like a proper lady. So Scott prepares to play and this happens
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And it’s here, at the very end of the comic the series main premise finally kicks in and the world takes it’s true shape. It’s a world where an indie comedy about a mess of a being putting his life together after finding his dream girl.. also has said mess being forced to get into fist fights with wizards, movie stars, vegans, half-ninjas, twin roboticists and a katana wielding douchenozzle record exec in order to continue to have the right to date his girlfriend. 
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It’s where the series charm comes from and really what made it a huge sucess so it’s no suprise this volume perks up immensley for the climax. I’ll get more into it’s pacing problem at the end. For now it’s fight time and as we find out in a hilarious and awesome turn.. Scott is the best fighter in toronto.. which just makes me REALLLY want a Scott Pilgrim version of letterkenny. I mean who wouldn’t want to see wayne fight some guy who can turn his hands into dragons or see Squireely Dan do E.Honda’s hand slap move from streetfighter or see the skids all fuse into one mega emo. It’s just.. the possiblities are as endless as they are wonderous and I want this now. 
But yeah as Patel is both the first boss and Scott’s first real opponent Scott.. handles him really easily. This was by design as O’Malley wanted a shonen progression to the fights.. and honestly it’s a great way to do things. Since the fights are styled after shonen and video games, and both have power based progression in bad guys and threats, it just made sense. Patel.. is just pathetic even with his magic powers, and his habit of sending letters and emails just pounds it in. Though he is right to be a bit pissed Scott didn’t read a letter he hand delivered in a snowstorm. That’s just a tad rude. 
Mid-Fight, Scott, now he knows the whole evil ex boyfriend thing, wonders what Matt and Ramona’s past is and while Matthew refuses to tell.. Ramona spills easily. It was midddle school, all the jocks wanted her for whatever reason, likely because from experince in high school, guys really like indie girls. Matthew was the only non-white non jock, so they teamed up and with her strength and his mystic powers they beat them.. but since his use had dried up, she flipped him off and left.  Matthew dosen’t take this well and summons demon hipster chicks to fight while Scott and co, minus ramona, fight back with a finger gun routine and block his fire balls before propelling Scott into matthew somehow, and landing the KO Evil Exes Left: 6 Matthew bursts into coins though fun fact, O’Malley says the Exes all respawned back at home afterwords and learned their lesson. With Pattel I genuinely don’t think he did... but clearly given his penchant for formality what with the letters and emails, he probably felt it’d break protocol to attack before the rest were done. He probably jsut formed a hipster emo band and found more sucess using his magic for that instead and just forgot about the whole thing. Could be wrong but that’s what i’m going with.  So Scott asks Ramona to go out with him then make out with him, both of which she says yes to. Nice one scotty boy. Ramona then explains the whole evil exes thing: He’ll have to defeat each one as they come after him, and while Scott wonders if they’ll come one at a time Ramona’s not sure. As time will bear out, Scott is MOSTLY correct as most exes take him one on one, with the exception of the twins. But since as I said earlier the twins are basically one person, and as we’ll find out by choice, so it’s an exception. Plus their the last step before the final boss, so by that token it’s a bit fairer to have the penultimate boss get an unfair advantage. Scott is fine with that, he and Ramona share another moment and a kiss.. but Scott makes the mistake of asking if gideon is one and Ramona’s head starts glowing with her dodging the subject, though still going out with SCott and him worried.. it just feels.. off. not a bad ending but the only one of the series three cliffhanger endings that just dosen’t work for me, especailly since it is a bit before the Gideon mystery really picks up steam again. But with that we close this chapter
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FINAL THOUGHTS:
Precious Little Life is a decent start to the story.  While Scott is loathsome at first, he’s still a compelling character and does get more likeable as things go, the humor when it is there shines and is one of the series best assets and while the fight is short and only at the end, it is oh so glorious especailly in cover with the impacts taking cues from the movie. It’s a good intro to Scott’s world and ther’es a reason the movie adapts this book the closest as it sets up the cast and premise well, with only Stephen Stiles feeling a bit off and ONLY for the first few chapters.  The volume is only really held back by it’s pacing, as before Scott runs into ramona in his dream the story feels a bit sluggish as we’re just watching some douche date a high school kid. While it is necessary to set up the world, it just dosen’t have the snappy pacing the series would be known for and that makes the rest of the series more charming. it’s nto BAD.. but it’s not FANTASTIC like the series would become. What keeps it from being bad is simple: These aren’t general badness signs but more just O’Malley coming into his owna nd getitng better and better as the book goes, to the point that by the next book the pacing is much better and by book 3 onwards he has it down pat.  Overall not a BAD volume but certaionly the weakest of the bunch.. which given it’s still really good says something about the ride we’re in for. I’ll be back sometime in the future, likely january. Yup i’m taking on YET ANOTHER PROJECT. but since this one, while clearly exausting and time consuimg, is much shorter in overall length, and i’m still proritizing the three I have running over this, I think i’ll be just fine. Until next time, have a happy holiday. 
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screechthemighty · 3 years
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Arbitrary Ranking of the (New To Me) Games I’ve Played Since I Started Becoming a Gamer in April, 2020 [UPDATED 6/25/2021]
1) God of War (2018) - This game stole my heart and 50% of my brainspace. The hyperfixation is real. I will never be the person I was before playing this game again. How have I written 13 fanfics in eight months.
2) Animal Crossing: New Horizons - This game kept me sane in early quarantine and for that I am extremely grateful.
3) Resident Evil: Village - I had this ranked lower than Biohazard at one point for the sad ending but on a second play...no, I like Village better, even with the sad ending.
4) Resident Evil 2 Remake - Do Leon Kennedy and Claire Redfield know I would die for them?
5) Resident Evil: Biohazard - First Resident Evil game I ever played, good spooky fun.
6) Resident Evil 3 Remake - This one gets ranked lower than the other three because I wasn’t as enthusiastic abut the actual gameplay elements...HOWEVER, I really liked the character interactions. Jill and Carlos’s dynamic saved the whole thing.
7) Gris - So I played this in a rough time in my life which means I’ve only beaten it once and haven’t touched it since. That said, the art style is stunning and it was weirdly soothing during that rough time, so it gets a high ranking.
8) Control - I would rank this higher for the great story, visuals, and characters, but I hated the combat enough to turn on assist mode and playing it for too long gave me psychic damage (by way of overstimulation and a headache). So I love most of it but not all of it.
9) The Longing - This one is really neat, honestly, it’s a hybrid exploration-idle game that...to be honest, I haven’t touched in a while, but I do love the concept and the little gremlin man you play as is cute. It’s just a very slow burn and easy to forget about (hence me not having touched it in a while).
10) Until Dawn - Story-wise this game is super riveting and I appreciate the creativity that went into making it...I just really hated the controls, honestly. And some of the characters needed to chill out, but it’s mostly ranked as low as it is for the controls.
11) Among Us - Honestly, this game is fun, I just ranked it low because I need to play it with other people and uhh, I haven’t really had the chance to do that much. The rounds I did play were fun, though.
12) Detroit: Become Human - I am so angry at the wasted potential of this FREAKING GAME, I could write a book about how mad it makes me. Shit writing aside, the controls are absolute ass. The only thing that KINDA saves it is the characters, but see “shit writing.” (Also, don’t worry, all copies played were either secondhand or free.)
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tabloidtoc · 3 years
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Globe, December 28
You can buy a copy of this issue for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks
Cover: Farewell to 93 legends we loved and lost in 2020 
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Page 2: Up Front & Personal -- Steve Martin holds a green pepper on the NYC set of Only Murders in the Building, Derek Hough is light on his feet at the MTV Movie & TV Awards 
Page 3: Julia Roberts looks scary skinny during a solo stroll in Hawaii, Chris Pratt hoists a hoverboard during an L.A. workout 
Page 4: Troubled twosome Ellen DeGeneres and Portia de Rossi are hoping to put their year from hell behind them by renewing their vows over the holidays in a desperate big to keep their love alive -- Ellen wants to prove her long-suffering wife comes first ahead of Ellen’s daytime talk show and her many celebrity friends and is going all out to show it -- penny-pincher Ellen opened her wallet as wide as her heart telling Portia she could spend whatever she wants on clothes, food, drinks, music and invite whoever she wants at the New Year’s vow ceremony on a Santa Barbara beach
Page 5: Obsessive Blake Shelton is so stressed over his upcoming wedding to Gwen Stefani he’s turning into the Groomzilla from hell -- he is sparing no expense and shelling out millions to redo his Oklahoma ranch to impress the couple’s Tinseltown friends but the mountain of stuff still to be done is driving him around the bend even though no one’s putting pressure on him but he’s obsessed with the wedding details and driving his staff crazy with his constant orders and revisions -- he’s building a chapel on the ranch and a lighted boat for a romantic wedding cruise on the lake and picking the style of the canopy for the banquet floor and re-landscaping the grounds and adding a color-themed garden
* Kenya Moore of Real Housewives of Atlanta reveals she went on a date with Kanye West but bolted when she caught him watching inappropriate flicks -- she described the outing with Kanye as a disaster date and they ended up going to his house where he left her alone, wandering around and when she followed the noises he was watching something on TV that he probably shouldn’t have been and that was her exit 
Page 6: Matthew Perry was such a slave to his addiction his former galpal Kayti Edwards says he’d send her to score drugs while she was pregnant and Matthew insisted she was the perfect drug mule because he believed cops wouldn’t stop a gal in her condition Kayti claims in a shocking tell-all about her 2011 romance with Matthew -- she says his ravenous cravings for cocaine and heroin were so out of control that he once superglued his hands to his legs and he took up to 80 Vicodin pills daily -- Kayti claims she was trying to protect Matthew because she feared he’d end up wandering around the streets and being nabbed by cops or snapped by photogs but she was also getting paid big bucks like $3000 to $4000 a day 
Page 7: Duchess Camilla’s taste for an early morning tipple has rubbed off on husband Prince Charles who is now so hooked on the sauce he starts the day guzzling a powerful gin martini with breakfast and now Charles’ alarmed staffers and pals are talking about an intervention to remind him not to go down the path that put his second wife in rehab -- Charles’ booze consumption has been off the charts for years but drinking first thing in the morning with his breakfast is a new low -- Charles laughs off suggestions he has a booze issue but one look at his bloodshot face tells the story 
* Now that a COVID-19 vaccine’s been approved in Britain Queen Elizabeth says she’s going to get the shot but wait her turn instead of pulling royal rank but she and husband Prince Philip won’t wait long because at their ages they’re in the second group to get the vaccine which is health care workers and people over 80 
Page 8: Helena Bonham Carter has a world-shakin’ suggestion for gals frustrated by the COVID-19 lockdown: get a vibrator -- she says women shouldn’t worry about snaring a beau during the pandemic but that’s easy for her to say because she’s currently cuddling with toyboy writer Rye Dag Holmboe 
* George Clooney confesses wife Amal Clooney had him shaking in his boots when he popped the question and she didn’t answer -- he asked her out of the blue but instead of squealing yes immediately the brainy lawyer just stood there -- George says he was on his knee for like 20 minutes and finally said he was going to throw his hip out -- Amal finally agreed and the couple have three-year-old twins 
* The nip/tuck freak daughter of Olivia Newton-John is being blasted as a hypocrite for coming out against the new COVID-19 vaccines -- Chloe Lattanzi claims she doesn’t trust doctors or the vaccine but critics note she had no problem shelling out an estimated $550,000 to plastic surgeons for nose jobs, super-sized boobs and ballooned lips 
Page 9: Since his life-threatening health scare game show icon Pat Sajak’s been testy and snapping at contestants and crew members leaving insiders fearing he’s heading for a breakdown -- the once-cheery Wheel of Fortune host is a different man since recovering from emergency surgery for a blocked intestine and is having difficulty coping with the workload -- he just can’t keep up with the pace and he’s pushed to the very limit and can’t seem to function doing this job and it’s all spilling over and manifesting into these ugly outbursts which are shocking viewers -- he even glares at long-time help-mate Vanna White when he gets frustrated or forgetful and she is really too nice to complain about it but she’s definitely been taken aback by his behavior 
Page 10: Proof UFOs are real -- new photos taken by Navy jets reveal we are not alone 
Page 12: Celebrity Buzz -- WWE legend Ric Flair (picture), Real Housewives of Orange County’s Braunwyn Windham-Burke maintains she’s not attracted to men despite renewing her wedding vows with her husband of over two decades -- she says she is gay but she loves husband Sean Burke and they plan on staying married although they don’t sleep in the same bedroom and they are raising their kids together but he knows the girl she’s dating and he’s been given the thumbs-up to date too, Liam Payne believes he’s being haunted by spooks -- convinced spooky spirits were inhabiting his West London digs Liam moved but spooks popped up at the new pad and he thinks the new house is even more haunted than the old one, George Clooney handpicked an even better looking doppelganger to play his younger self in his new flick The Midnight Sky who is screen legend Gregory Peck’s grandson Ethan Peck -- George said it was tricky because people know what he looked like when he was 35 years old but he rejected the high-tech gizmos used to weirdly reverse Robert De Niro’s age in The Irishman but he did mix his voice with Ethan’s since his voice is pretty recognizable, Matthew McConaughey’s kids Levi and Vida used their phones to photograph him for his latest magazine covers because of quarantine they couldn’t do normal photoshoots so the kids became the photographers 
Page 13: Tom Arnold dines out in Rome (picture), Aubrey O’Day (picture), Brooke Burke in Mexico (picture), pregnant Meghan Trainor was diagnosed with gestational diabetes and she’s healthy and her baby boy is healthy but she has to really pay attention to everything she eats 
Page 14: Luke Evans denies hiding in the closet to advance his Hollywood career saying it was the last thing he had because everything else he’d given to the world and adding that he left home at 16 because he was gay and went into the world as a kid because he had to, Mindy Kaling managed to keep two pregnancies under cover and kept the kids’ middle names under wraps until now -- a fan wondered why Mindy who is of a Indian heritage gave her kids Caucasian names but their names are Katherine Swati and Spencer Avu 
* Fashion Verdict -- Blanca Suarez 3/10, Olivia Palermo 1/10, Nicky Hilton 9/10, Bella Heathcote 2/10, Catt Sadler 8/10 
Page 16: True Crime 
Page 17: Martha Stewart confesses her painful divorce in 1990 was a terrible thing and she hasn’t talked to ex-husband Andrew Stewart since but she bounced back from the pain and her infamous prison stint because she’s very strong and motivated to get on with life -- still Martha admits being dumped by her husband for another woman after 29 years of marriage nearly did her in -- Martha also reveals serving five months in West Virginia in 2004 on a federal insider stock trading rap was a struggle but she got through it by working on her arts and crafts 
Page 19: 10 Things You Don’t Know About Don Lemon 
* Dolly Parton pulled no punches when discussing her longtime romance with Carl Dean dishing she and her husband have been together for 57 years and married for 54 and she’s sick of him and she’s sure he’s sick of her -- the couple have rarely been seen in public together and she says their marriage succeeds because she stays gone and they’re not in each other’s faces all the time 
* Miley Cyrus says she’s mastered the art of staying safe during lockdown love and it’s by having online sex -- she said the safest sex in these COVID-crazy times is the virtual kind and that’s where Miley has been hooking up
Page 21: Cover Story -- Thanks for the Memories -- tribute to the stars we loved and lost in 2020 
Page 22: Alex Trebek 
Page 23: Kobe Bryant and daughter Gianna, Kelly Preston 
Page 24: Kirk Douglas, Sean Connery 
Page 25: Olivia de Havilland, Chadwick Boseman 
Page 26: Robert Conrad, Naya Rivera 
Page 27: Regis Philbin 
Page 28: Kenny Rogers, Roy Horn 
Page 29: Eddie Van Halen, Little Richard 
Page 36: Health Report -- eating bread can toast your brain 
Page 38: Ghostbusters icon Dan Aykroyd has turned into a ghoulish recluse who rarely leaves his $25 million Martha’s Vineyard estate where he’s now eerily planning his own funeral -- the bizarre 68-year-old appears perfectly healthy yet he spooks around in his bed clothes muttering about who he wants to officiate at his memorial service and the goodies the chef should serve at the wake -- the curious thing is he appears to be in no danger of dropping dead anytime soon and he’s sturdy as a horse which is surprising given the cigars and the vodka and the big meals he enjoys -- Dan’s wife of 37 years Donna Dixon has gotten used to her husband’s ghoulish monologues
* Bob Dylan sold his extensive back catalog of more than 600 songs including Blowin’ in the Wind and Knockin’ on Heaven’s Door to Universal Music in a blockbuster deal topping $300 million 
Page 40: Patrick Stewart confesses he’s been furious all his life and he’s still seeing a shrink to control his rage -- he reveals he’s burned with rage inside since childhood when he witnessed his dad’s violence against his mom and he had to suppress all that anger -- at age 14 he feared he’d explode and kill his headmaster when he caned him and later he worried he’d hurt his two children with first wife Sheila Falconer in a fit of fury and now at age 80 it’s still there so he sees a therapist every week 
Page 44: Straight Talk -- The Weeknd has his nose out of joint because he wasn’t nominated for any Grammys this year and he claims he’s being snubbed because he’ll be starring on the February 7 Super Bowl halftime show a week after the Grammys 
Page 45: Jeffrey Epstein’s accused madam Ghislaine Maxwell is a paranoid mess losing her hair and wasting away in federal prison where she’s terrified shadowy forces have marked her for death -- the shrinking British socialite who denies recruiting and grooming underage girls for Epstein’s twisted lust is charged with sex trafficking minors as she rots in Brooklyn’s Metropolitan Detention Center awaiting trial next year 
Page 47: Bizarre But True 
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chibinoyume · 4 years
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Feb 15th - International fanworks day
So today I found out via this post that today is international fanworks day. As such, I thought I’d reminisce about how fandom & fanworks have changed my life, little by little. While I’ve been a fan of many things, to me, a level of love/obsession (and most likely, a ship) must be present in order for me to engage more in a fandom, read fic, make fanart, try to write, etc. Still, I’ll only mention the 4 most significant here, with drawings to match.
The oldest - Rurouni Kenshin (Samurai X)
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My first fandom, Rurouni Kenshin, made me interested in trying to draw (by copying what I saw), especially as it was an anime/manga, I had (and still have) the comics and so the source material was right there. Here is my favorite character from that series, and possibly one of the oldest scans I have from any fanart. Fandom was hard to navigate because I was limited by the glitchy websites that were the norm back then and I was barely starting to learn really basic english at age 12 (my first language is spanish).
The one that kept me sane - InuYasha
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As I fell more and more in love with a different show, InuYasha, I still felt most comfortable copying what I saw (above is one of my favorites from that time, copied from a page of the manga), and sometimes, with a ton of detail. It was a hard time in my life because personal things, family problems, depression, school problems... focusing on something I loved deeply at 13 -and weirdly for a fantasy story, identified with- was really helpful. I felt limited because the difference in results when I copied an image vs when I made it up was staggering, but I still tried.
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I joined a forum, made friends online (some of which I’m still very close to today -some of them I’d definitely credit with helping me not... take drastic measures back then), ventured to write fic in spanish and, something I’ll always thank my obsessive brain for, I forced myself to learn english so I could keep up with the new releases (it was either english or japanese, easy choice which one was easier). 
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It was literally trying to figure out via context what the english subtitles meant, sometimes pausing every 5-10 seconds in a 20 minute episode because sometimes I didn’t understand a single word and had to look it up on the dictionary (google translate was kinda trash back then). My english wasn’t great but I tried. I couldn’t read fic in english yet, though.
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This era lasted for a long while, I don’t know how many years. While I never stopped being more comfortable copying stuff, I did venture into doing my own little drawings and comics from my own head, based mostly on things I liked, stuff that happened in real life and my love for chibis has never stopped.
The “taking a leap of faith” fandom - The Mentalist
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There were quite a few years where I went fandom-less (at least to a significant degree), I don’t know why. I found The Mentalist relatively early on, but since it clearly involves real people and actors, I couldn’t quite copy anything since realistic portraits have never been a huge interest or my strong suit. I started using pictures as references instead. I joined a forum once again, they had a lot of activities and I got to interact with people I admired, especially fic writers (by this point, I could read if in english, which was great because the ratio between spanish fics and english fics is... like 1:100. Also the source material in this case is in english, so...).
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I didn’t know if my very anime-y style would be well received in the fandom, especially as I was probably one of the youngest people there and one of the only ones that came from the anime world. I tried regardless, I felt accepted, and eventually ventured into making my mostly pencil-only drawings snazzier with some digital editing. 
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I dipped my toe in writing fic, in spanish and (gasp) in english, even if I was slightly terrified even with a beta reader. I also became very active in my deviantart profile (an art sharing website) since I hada lot of material to show and the fandom was also active there and probably joined Tumblr around this time.
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I stayed in that fandom for years, through universities, made a lot of fandom friends over the years (from my late teens to my early twenties), mostly from the forum and ffnet, and because of tl;dr reasons, I had the opportunity to travel eventually and I had the good fortune of meeting a bunch of them in person. A couple of them we’ve met irl more than once even if we’re from different countries, and we talk online very often ♥ 
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Also I started experimenting with watercolor, just a little bit, encouraged also by university. I did a ton of fanart comics, mostly humor. All the constant interactions with my fellow fangirls helped me improve my english a great deal, especially when it came to slang, and ever since then, most of my online life is in english now. 
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There was this blog that did episode recaps of the show, I was somewhat popular in this fandom by then because I did a lot of fanart, and the person in charge of the blog commissioned me to make a drawing or comic per episode. I had deadlines and this was the first time I considered making drawings to supplement income, the opportunity meant a lot to me because I had free reign to let my fanart ideas run wild. I mostly used colored pencils. I think it was the most creative period of my life, I had so many ideas I never did, some because I didn’t feel good enough, lack of time/energy, etc. Still, some of them I’m still pretty fond of.
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The current one - Blindspot
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Again, it was a few years between fandom/a show I deeply connected with/a ship I fell in love with. But I stumbled into Blindspot (and Jeller) around July 2019, and you all know I love it here ♥ I wish I had found it earlier on, but eh, I’ll take what I can get!
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I now run my own tiny business where I make stationery and apparel goods with my own original illustrations (and making commissions sometimes), mostly working in watercolor, and while it’s not yet at the point where I can fully support myself with just my income, it’s been a very long ride to get here. Of course it took a lot more than just fandom love, but I can’t say it wasn’t a big part of it.
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Blindspot will end in 2020 but I still hope I can keep it and the friendships I’ve already made from it close to my heart, and that the fandom lives on. I certainly have lots of ideas pending, and as opposed to my previous fandom, I don’t want to leave any just as a scribbled down idea on a notebook.
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arecomicsevengood · 5 years
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Nick Drnaso’s SABRINA
This was one of the best-reviewed comics of 2018, shortlisted for the Man Booker Prize. I had no interest in reading it. When a friend saw the profile of Nick Drnaso in The New Yorker, and texted to ask me if I liked him, I had to admit I hadn’t read anything he’d done. There’s a ton of comics coming out all the time, and one of my rules for whether or not to read something is if I think it looks good. Drnaso’s work doesn’t meet this standard.
it looks like reheated Chris Ware. That is obvious, but I mostly hear it from people online who don’t like Chris Ware, which is a perspective I can’t trust. Ware’s work has beauty in it! That’s part of his work’s effect, is the contrast between the beauty of the natural world and the depressive inner lives of the characters that inhabit it. Drnaso’s stuff is ugly, and it’s basically depicting characters whose inner lives we don’t have access to, often because they are so repressed or in pain they don’t have access to it either. This is a valid artistic choice, and I get it, but it’s not that hard to see coming, and it’s off-putting. I’ve read Sabrina now, and it’s utterly joyless. The color palette gives a “pizza under a heatlamp” look at reality, exchanging the vivid for the coagulated.
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I didn’t buy it, but a friend gave me a copy recently. It makes sense to me that you’d give it to someone else after reading it. (Tim: Do you want this back?) It’s hard to imagine wanting to open the book up and flip through it after reading just to look at he drawings, which is a big part of the reason I buy comics. Drnaso’s art is the sort of thing that makes people who don’t know anything about comics look and go “So they make this on the computer?” It is very easy to look at it and not think about drawing in any kind of normal human way. There’s an absence of life to it that feels inorganic, factory-made. It feels like a Tupperware container.
I knew that going in. I also knew that the experience of the comic, the quality, could still theoretically transcend that and  offer a good reading experience. The book’s blurbed by the novelist Zadie Smith. It’s a “literary comic,” not an “art comic,” to cite a relatively recent distinction I don’t really believe in. I love literature. I am a pretty big reader of “actual” books, and have written reviews of fiction and poetry before and would like to do so again. However, the idea that reading “comics as literature” means not caring about the drawings seems to derive from some mistaken idea, gleaned from a comic shop clerk, about what “good” comic book art is. Or perhaps the crowd is more highbrow, and so have an idea of “good” art that derives from a gallery context where the human figure rarely appears. Either way, it ignores the role good comic book art defines the reading experience. For any book people that might be reading this, let me try to explain it in brief: I don’t know if they use it on newer printings, but all of the Nabokov books I own have this blurb on them from John Updike, where he says “Nabokov writes prose the only way it should be written: Ecstatically.” I’m sure a ton of book people have read this, and even internalized it, but have yet to apply this standard to graphic novels. Comics should be drawn the same way prose is written: Ecstatically. Most comics, it should be noted, reach this standard. It’s notable that both Updike and Nabokov were fans of comics, long before the graphic novel era.
The same way I flip through a comic to look at the art after reading it, you might do the same thing with a book of fiction or poetry, if it had good good scenes, dialogue, interesting sentences. All of these things compel you through a book the first time, beyond just “reading it for the plot.” What’s funny is that reading a book for the plot is largely disdained by the literary crowd- all the aspects I highlight are generally considered what marks a book as being “worth reading” by those with even a normal amount of snobbery. A plot is secondary to the amount of feeling a work of literature can inspire.
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Sabrina is not particularly plot-intensive. I don’t think it’s particularly sharp in its characterization either: While prose could depict a subjective internal landscape, and a more active art style in a comic would to, Drnaso resists this. The world of the book feels mediated, through these isolated and atomized means. The vibe is that of CCTV cameras or twitter icons. The thing I think of as being Sabrina’s virtue is its timeliness. Weirdly, this is something I think book people disparage a lot! I think there’s even bits of general advice given by writing professors where the use of brand names is disdained because of the way it dates a text, although this might be changing.
So the praise for Sabrina seems highly conditional to me. It’s based on an understanding that drawing takes a long time, so the appreciation for its timeliness is really an appreciation of prescience, which normally you have to wait a few years to praise a book for. Of course, in 2018, timeliness and prescience do feel particularly jumbled. It seems like everyone’s memory is shot, and no one has any idea of when anything happened. Everything happening, however, has been foreshadowed and is somewhat unsurprising, given the precedent, but it still feels shocking because things are happening at a rate of speed they can’t really be processed.
Let me summarize this book. The title character, Sabrina, disappears. Her boyfriend falls into a deep depression, assuming she’s dead, and goes to live with a friend, who is in the military. They don’t talk a lot. They’re both depressed and isolated individuals. The boyfriend starts listening to an Alex Jones style radio show. Eventually it comes out that Sabrina is not just dead, but her murder was filmed, with the killer sending the video out to news stations, before killing himself. There’s then talk on the radio show about this story being a false flag, causing everyone who knew Sabrina in real life to be harassed by the radio audience.
The feeling in this book is pretty limited. It’s a pretty small emotional range. I can appreciate a wallow in bad feeling, or something so emotionally intense you don’t really go back to it often for how demanding it is. (I haven’t reread Building Stories, for instance.) A lot of the joy in comics comes from the drawing, from witnessing perception, seeing how another person sees manifests through their hand. This book feels less about interiority, and more about the media, and experiencing life through this depressing mediated scrim. It’s presented almost as a choice— choosing to embrace computer screens, talk radio, etc., rather than having personal relationships because genuine feeling is too intense.  But the sadness of the book comes down to this presentational style where the natural and organic never enters into it.
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Because of this narrow range of feeling, I don’t feel like any of the characters are well-developed or interesting. The thing that makes them feel “real” is how inaccessible they are, absent any passions. The opening sequence depicts Sabrina, but it doesn’t really seem like there’s joy or warmth in her life, or love in her relationships. The spiritually drab quality of distance in this sequence marks the rest of the book, which she’s dead for. In terms of presentation, there’s little difference between sequences involving Sabrina’s sister (who is arguably handling things better and more gracefully) and her boyfriend. The narrative distance from each character is equally voyeuristic. It isolates them, and creates an effect also present in Jimmy Corrigan, where it seems like they’re incapable of relating to one another, and so only hurt each other.
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Within the context of the book, there is an article that explains the weird paranoid narrative of Sabrina’s death being a faked tragedy as bizarre right-wing weirdness. This article is spread over sixteen panels, each containing a sentence or two, one of the ways the comic’s layouts remind you of reading on your phone on a mobile app. That article is written by a Molly O’Connell. This character, the one who’s able to see through the falsehood of things and perceive things accurately, takes their name from Molly Colleen O’Connell, a visual artist and cartoonist whose work is very much the opposite of Drnaso’s: It’s wild and free and funny and joyful, more likely to be appreciated as “fine art” or get gallery shows than to be viewed as “literature” by major press outlets. Presumably the two of them know each other through the Chicago comics scene. It is really funny and interesting to me that the character who sees through the falsehoods of the media narrative in Sabrina is named after someone whose work basically explodes all the contrivances Drnaso builds his style around. The person who sees through the notion of a mediated narrative as a tool to isolate people and prey on fear is named after someone whose work feels very natural and human, but is genuinely eccentric, and so has yet to find a mass audience.
This is what the real Molly O’Connell’s work looks like, your reward for scrolling past those Drnaso sequences:
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Even if Drnaso isn’t intending to argue that O’Connell is a better artist than he is, I think he understands that his approach has certain limits. That whole New Yorker profile is built about self-deprecation, a Comics Journal interview with him had him saying that he almost threw the book away rather than print it. He knows his work is depressing, but he’s only capable of making the work that he makes. I get that. I respect that, even. It’s just funny that the book, with its critique of the media as this thing that isolates us from one another, ends up creating this additional critique of the media as they respond positively to the book, where they choose this joyless half-dead thing as a high point of a medium which is capable of work that genuinely gives life back to readers.
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gotatext · 5 years
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by this point im p sure u all know the drill.... i’m nora, 23, she/her, gmt and tonight matthew im going to be greta o’driscoll, a terrible person but a hot one which frankly makes it almost ok. here is her pinterest..... this intro is literally just copied n pasted frm the last time i played her so soz if u’ve read it like 10+ times.... 
「 diana silvers. cis-female. 」have you seen greta o’driscoll around yet? i hear she decided to be in POTENTAS for their SOPHOMORE year as a CRIMINAL PSYCHOLOGY major. the 20 year old SHEPHERD is known to be tenacious, magnetic, capricious and evasive. ➨ the muse is written by nora, she/her, gmt.
was adopted as an infant. had two foster moms and two older sisters so always surrounded by women. lived in a boarding house, very much like the one in 20th century women, with lodgers coming in and out all the time, mostly artsy young women because her gay moms were both high school teachers trying to set up their own arts collective. one of her moms left when she was 4, n she doesn’t really remember her.
while living with entirely women made her super into catlin moran and the guilty feminist, as a teenager she often let boys walk all over her bc she just craved male attention jst bcos she’d never really experienced it. saw it as something aspirational, like sitting in the back of chad’s second-hand truck while he drove you to macdonalds and offered you and his five friends with identical haircuts weed was the height of being cool to greta, she wanted to be their dream girl, even if it meant compromising her beliefs
was always a really sporty bitch. it started with a junior athletics squad, which turned into athletics and cheer, which then became athletics, cheer and hockey until she basically was doing a different activity every night. she came to see her body as a tool that she could make work for her if she trained it up and this attitude’s always kind of stayed with her that as long as her body is strong she is capable of anything. runs every day. 
bubbly bitch but also massive snake. metaphorically and literally, always shedding her skin. loyal to few, ruled by none, out for herself, babey!! every place she goes, she becomes a new character, someone who’s a figment of her imagination, as if each city is repertory theatre and she’s a character actress, so as a result som ppl think she’s called rita, some ppl know her as margot, she just flicks through identities like nobodies business.
left school at 18 n went backpacking around the states making money in the casinos by being a shot girl (yeehaw) and trying to make it as a mysterious 1920s widow with a smoky voice, a dark secret n a heart of gold, looking for love in the big city. all she found was producers and acting agents who’d promise her stardom n actually just fuck her in a motel n then ignore her calls.
TW domestic violence, TW gun, her watershed moment came when she met luke in sioux falls while she was working at a strip club. he was a few years older and had a car, and they kind of went from seeing each other to being that super intense couple who are just necking all the time.
they got engaged like 3 months after they met n rented a flat together, much to her family’s annoyance but she was 19 so there wasn’t much they could do. their relationship was super super intense though, often really heightened and when they fought it could become quite violent, but she’d pass it off as just him being really passionate.
one of their fights got really heated and greta threatened him with the gun he kept in the glove box of his vauxhall corsa, but the safety was off and she accidentally shot him. she pleaded self defence in the trial n cos of the amount of times she’d been hospitalised for various concussions n things like ‘fallling down the stairs’ the police were like yea… pretty watertight evidence that he was a bastard who [chicago voice] had it coming….. 
she’s now under witness protection, rehoused in livingstone as a sports-scholarship student, due to the amount of police involvement in the area, it would mean should one of luke’s family members try to track her down, she’d be relatively safe
massive sports fanatic. plays tennis. on the cheer team. was a track superstar in her high school. honestly just that sporty bitch, you’ll see her doing lines at a party at half four and then on your way to your 9am lecture you see her running across the park like a fresh fucking daisy who is this bitch. maybe it’s maybelline, maybe its coke.
massive feminist. low key quite scared of powerful men bcos of her ex. wants to start a female only lesbian commune bc she misses her childhood in a south dakota boarding house and has endless support for women. honestly annoyed that she is attracted to men, would so be 100% gay if it was a choice. cuffs her jeans and can’t drive. is That bisexual. skateboards. wears backwards caps.  i hate her 
isn’t a foward-planner, however. greta prefers to leave her options open, play the field, live in a spontaneous manners so her study style is mostly cramming a few days before a test, or staying up all night writing an essay on a massive adrenline boost powered by red bull or probably adderall, scribbling (or typing) furiously into the night.
has an addictive personality. seems unable to do anything in a small dose, she has to let it utterly consume her. with sports, she’s fiercely competitive. with alcohol, it’s never a shot, it’s a whole bottle – wine or whiskey – she’ll be table dancing before the night’s up and making out with someone she’ll regret in the morning. 
not afraid to go after what she wants !! ambitious academically and romantically thirsty !! she loves the adrenaline of the chase. when someone’s easy to get, she becomes bored. very bisexual and very proud of it. feminist as fuck nd part of a queer representation in the arts group which holds fortnightly meetings to discuss lgbt representation in film, literature, art etc.
old soul in a young person’s body. all the shit that has gone on has kind of aged her. she’s quite cynical about everything now. always smoking smoking smoking. very edie sedgwick in that way.  little girls skirts bought for next-to-nothing at the market because she’s skinny enough to get away with it, barely long enough to cover your bum, and then the ugliest baggy sweater you’ve ever seen thrown over it.
likes old things. old books, old music, old houses, it reminds her of happier times like when she wasn’t alive. buys all her music on vinyl and has a gramphone because “The Sound quality is Better” kfdsjj.
super into pop art and andy warhol. puts female friendships above everything but at the same time, would fuck her best friends man
her clothing style is like…. vintage thrift store but make it preppy. berets and cute hats, neck scarves, large fluffy cardigans or like those leathery jackets with big suede fringes on them, mini skirts (very 70s), and knee high socks or boots. quite often she’ll be in sports kit, maybe a cute tennis skirt, n when she’s feeling casual she’ll wear like, a talking heads tshirt with a pair of mom jeans and converse, but otherwise, the library is her catwalk.
aesthetics:
a bubble of pink gum on chapped lips, mom jeans, a beaten up pair of adidas, denim jackets, strawberry laces, knee-highs, chapped lips, peeling sticky plasters, split knuckles, bruises you try to cover with concealer, stick and poke tattoos, hot coffee, sleep caught in your eyes on a lazy afternoon, kissing girls, cigarette smoke shrouding you like a veil, alien conspiracy theories and sci-fi paperbacks, doc martens with fraying laces, the red string of a thong peaking out purposely from jeans, leonine arch of your back and that stellar smile that says ‘you have no idea who you’re dealing with’, a rucksack permanently packed for the move, a streak of red across your lips, roller blades, cut knees, not eating your greens, smiling with a mouthful of blood, and piercing your own ears with a safety pin when your mom wouldn’t take you, kate moss posters lining the walls of a teenage bedroom, his name scrawled in rage across the pages of a diary, thumb holes poked through the cuffs of your sleeves, a tennis racket you punched through in a fit of temper, feet pounding the earth until your soles bleed crimson, sleeping in a cherry lip balm and scrunchies to keep the wild locks from your eyes.
wanted plots
frinds !! unlikely friends !! toxic friends !! former best friends separated by sports rivalries ! sporting friends who are on other teams but who she absolutely loves playin against!!! 
since greta literally can’t differentiate between romantic and platonic love, she’s got off with so many of her mates, so i want awkward friendships where they nearly dated, or exes that have now just turned into weird friendships
 girls from the cheer team who she’s like, weirdly intimate with like the shower together but its not a Thing cos the other girls straight !!! what do u mean !! aha just fun !
and I want like, fellow criminology students who are like?? how is this bitch still passing?? i swear she goes out every night?? 
she works part time at a fast food restaurant, i want a mate that just goes and sits in there talking to her until her manager gets angry. 
ppl she did a few modules with ie. art history, bio-med, film studies, before changing course and somehow sort of remaining in touch with
 ppl who she runs track with. 
someone she’s trying to make a zine with. 
here’s a list of plots on her old blog if u want any of them w her.
would love plots of any type, throw them all at me please, i cnt wait to interact w all of u. like this if u want me to message you about connections / plots! xo
full biography if u can be bothered
trigger warnings: drugs, domestic abuse, gun.
you never meant for it to happen. you’d heard the stories, of girls who let their man walk all over them, and thought to yourself “i’ll never be one of those girls…” the kind that eat low-fat yoghurt and drink slim fast to shred a few extra pounds because he said she was getting round in the tummy, or the ones who spent their evenings tied to a kitchen sink drinking wine while him and the boys played poker, wishing god, if only I could get out of here. not you, not you raised by strong women, four bright shining beacons. single mother with her hard-as-nails attitude and her stony glares, elder sisters (twins) one ginger, one blonde, one doctor, one lawyer, both determined to take a bullet to the brain and a hammer to the patriarchy before they let a man touch them without asking. you were always so inferior, so insecure and small, like a bird (like a sparrow) with blonde plaits down your back sucking tropicana whilst your busom buds sucked dick, their lips permanently ripe with stories of their sexual exploits, fake tan and glittered nails whilst you sat in the unbroken egg of virginity wondering what it was like to be loved. one day you found out.
lily milligan’s parents gone and a free house for the night, bottles of ouzo and tequila swiped from your mother’s liquor cabinet thinking she wouldn’t know (she always knew) your legs, hardened from pep squad, slut dropping on a kitchen table because the boys thought it would be fun to get the quiet girl drunk. you’d never had a sip before that night. band t-shirts, denim shorts and the split soles of rotten converse that you refuse to let go of, you still clutched with both hands to your youth, but in a tube top now (borrowed from alice carmichael who had a sister in college) and a short tennis skirt, your feet not in trainers but in thigh-high boots. uncomfy as hell but lily said you needed to look sexy. you didn’t know if you wanted to be sexy. you didn’t know what kind of girl you were, if you were even a girl at all. but robbie looked at you like he knew exactly who you were, like he knew you better than you knew yourself, and his lips had the pink cupid’s bow of a movie star, and his hair was dark locks, curling like a mane. his hands were soft, and suddenly on your waist, and after three more shots his lips were on yours and his name was the only sound in your head and on your lips as you lost it in lily’s college sister’s bedroom beneath the glare of a T-Pain poster. you bled for what seemed like hours, his hand still in yours, kissing on the sofa as truth tellers and dare devils continued to spin a bottle of unprecedented youth. you thought it was love. robbie was the one. he loved you, you knew it, how else could someone be so soft? but soon he grew bored, scrunched up your paper heart and set it alight. then came the tears, the hatred, the ‘fuck robbie, in fact, fuck all boys.’ and that you did.
you were known for being easy. any boy could be yours for a night, as long as he promised to love you for those few short breaths and pants before you cried yourself to sleep. you felt poisoned, but poisonous as well, as if by ensnaring these young boys you were gaining power over them, and not the other way around. soon it started to work. they’d want more, but you’d deny them it, sick of sucking off silly schoolboys, they’d call you a tease, a vixen. maybe you were, but you couldn’t help but want older men. you got the history teacher first time, him bending you over his desk to sneak a hand up your tennis skirt as the after-school clubs carried on next door, unawares. love didn’t exist, not for you. it was nothing but a game for pretty young girls to play, bubble gum in their canines and a hand tugging at the hem of their cheer skirt.
there was so much anger inside of your small body, ‘beware of boys and their hook-like words’. hockey helped. there was something formidable about the feeling of a stick like a weapon in your hands and the thwack it made against thighs in the heat of a scrum - “slipped, sorry!” - you’d utter with a snakeskin smile, millicent quinn knowing that you’d hit her on purpose because she shagged robbie at that party last week. she couldn’t prove it, cobbled acne on her forehead turning green with disgust. ben came into your life like a car crash. two years your senior, with a baseball jacket and shoulders like a god. he became your personal hero. on the pitch, he was lethal. together, you could bring anyone to their ruin. each day after last period he’d be waiting in his car. you’d leap into his arms like a girl-half starved, love me, love me, love me, your heated kisses the envy of every junior girl. he was yours for three blissful years, utterly yours, and you were his, his star-spangled girl, and he was your knight - you were both the same, playing games, always difficult to predict. it was a shock to all when he proposed, high-school sweethearts find love in south dakota.
the engagement was a bittersweet affair; three months – you barely out of your gingham print skirts and into a graduation gown, him, a surly quarterback towering above your sisters, cigarette at his lips and a scowl like a fart in a lift. they hated him. so did you. but you were eighteen and in love, and he fitted the cookie cutter mould. everyone wanted him, and you had him. you had him and you were happy, happy, happy, and he loved you. he said he’d give you the world, anything you wanted hand-picked and given to you. instead, he gave you a jack russell terrier and a flat you couldn’t swing a cat in, wallpaper peeling like the rotten bits inside of you, the bits that only he knew. and you got tireder and tireder of the sad excuse of a life he’d picked out for you, him out doing god knows what to pay the bills, and you dancing on tables to pave your way to stardom, and this was love, this was real, until the shine wore off and your fresh-faced, dimple-cheeked cheerleader facade faded and the ugliness started to reveal itself, the whining, the petulance, the sharp-tempered cruelty, the mind games, the need to always win, win, win. he was dull, he was boring, he was nothing like the boy the girls had said he was and no chiselled six pack could hide his lack of anything remotely interesting, your patience wearing thin until it snapped like rubber, a rucksack on your back, running shoes on your feet and the joint bank account emptied into your eighth grade birthday wallet.
you built your small fortunes working the casinos of sioux falls, a crimson dress and an attitude to match. bookish archie with his little dipper freckles was fun for a month, before he became just as dull and dreary as the rest. a three hour bus and you were in minneapolis, bright eyed and bushy tailed, fresh meat ready for the pickings. a hostel here, a friendly co-worker’s sofa there as you made what you could by taking off your clothes and shaking your ass like you were back in pep squad, doing what you did best. you met your fair share of creeps, and soon it was back on the road to escape a wide-eyed stalker and a restless itch for more. milwaukee, chicago, you made the roads your own. log cabins and lodgings, and the occasional motel, a beaten up pick up truck purchased at a scrap merchants – you got a few miles out of it before it bit the dust, and when you finally set it alight after nights spent lounging across the driver’s seat, a parka tucked over you as a duvet, you were sad to see it go. you’re nomadic by fault, never attaching to place, people or things, creating a new personality in every place you go like a character actress; each town is a different repertory theatre, and you’re the star. a compulsive liar, you even fib about your own name, to some you’re ellen, nineteen, bookish, a law student who likes smoking and cosmos. to someone else you’re rita, you’re twenty five and look young for your age, like smoking, comics and fucking in public places.
in the bright lights of michigan, you found charlie, sweet charlie, too good for you, though you let him spoil you while he thought you were the small town girl of his dreams. next came abigail, who was fun until the jealously kicked in, and then luke, gorgeous luke, dangerous, exciting, who despite his temper, despite the fights, despite bruises down your spine and your teeth marks on his arms, loved you with the strength of a wild fire. there was destruction in your wishbones, a savageness from the field, from the pitch and now somehow in his arms, you were godly. he was cruel, he was careless, and he refused to fall at your feet like so many other boys had, which only you made you want him all the more. you were rage incarnate. you hated him so fiercely you thought you might kill him, so he played the only card you wouldn’t predict; proposed.
the house you shared was a backstreet flat in detroit, you making your name as a downtown singer while he footed the bill with pills. they had a drug for anything these days, to dull the senses, to pick them up, to drive you to insanity or pull you out of the madness hole. the two of you lived like criminals on the run (you never told him that you were, living out your days as the enigma he wanted you to be), you with your voice like caramel and fishnet legs. you were his and his alone until his hand was at your throat and the gun was in your hands screaming at him to stop, stop, stop, until a bullet stoppered his brain, crimson staining linoleum as you cast yourself out like lucifer. self defence was decreed the moment they saw your violet neck, black tears and headlight eyes and mind screaming red, red, red like the pom-poms you shook so willingly in school and the insides of his skull. you were gone, and “you” was born, renamed “greta”, boxed, shipped-out, and next-day delivered to livingstone where under witness protection you were a student, blank slate, fresh-faced in a place where no one knew your name, doing what you always did and starting again.
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Star Trek Gold Key #25: Dwarf Planet
Happy New Year everyone! 
Next episode still isn’t coming until the seventh, but while I was re-organizing my excessive amount of books I came across something and thought, hey, this might make for a fun holiday treat. Besides, I felt bad leaving you guys on a cliffhanger for so long. 
So this...
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[ID: A photograph of a copy of Star Trek The Key Collection: Volume 4, with a cover showing Kirk, Spock and McCoy against a background of stars, with Sulu and Scotty in insets.] 
...this is one of my Gold Key comic collections. 
The Gold Key comics were the first Star Trek comics ever made, running for sixty-one issues from 1969-1979. What I have here are volumes three and four of a five-book collection of the comics put out back in 2004-2006, which actually only goes up to #43—the last two books were planned but never published.
Myself, I first found volume four here at a used bookstore not too long after I had first gotten into Star Trek. (I found volume three at another store quite awhile later. I apologize for not starting at the beginning here, but this is what I have. There’s no continuity anyway so don’t worry about that.) I was very much not prepared for what I was about to find inside.
For the thing about these comics is that they are incredibly and hilariously bad. The plots themselves wouldn’t always be out of place for Trek, but the combo of dodgy art, weird dialogue, and overall off-ness that gives the sense that the writers were working off a Wikipedia article about Star Trek instead of ever actually having seen the show, all adds up to a final product that doesn’t resemble Star Trek so much as a weird fever-dream version of Star Trek from an alternate dimension.
Don’t believe me? Let’s take a look.
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[Image Description: A comic splash page titled STAR TREK: DWARF PLANET Part 1 showing Scotty, wearing a blue and white polka-dot loincloth, throwing rocks at a slimy green thing while saying, “What kind o’way is this for a lad like me to be dyin’--trampled by a hairy-legged—MICROBE!” The narration box at the top of the page says “Come along with the crew of the starship Enterprise as they race to solve the mystery of a world in which all life is rapidly shrinking to—oblivion!”]
Our issue for today, Dwarf Planet, opens with a splash page of Scotty in a spotted loincloth throwing rocks at a microbe, which I think gives you a pretty good idea of what we’re in for here.
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[ID: A dark green Enterprise shuttle, landing on an empty airfield with a green field in the distance. The narration box reads, “Captain’s Log, Star Date 19:24:8—Lt. Uhura, Chief Comm-officer, has detected intelligent radio signals from the little explored area of space, sector 199-D!” Inside the ship Kirk is saying, “You were right, Lt. Uhura! There is advanced life on this planet! Mr. Spock and I will investigate!” while Uhura says, “With the captain’s permission, I’d like to accompany you!”]
The story itself, however, begins with an Enterprise shuttle—newly painted green, apparently—landing on this planet to investigate some intelligent radio signals. I don’t know why Uhura waited until they actually got down to the planet surface before asking if she could come with.
Anyway, they find a fully-built city, but it’s completely deserted, no one around. The only living thing are some bushes that turn out, upon closer examination, to actually be miniature trees. Kirk thinks this is weird, which is a bit judgmental of him. Maybe people on this planet just like their bonsai.
The mystery deepens when they find another city within a mile of the first—also abandoned, and much smaller than the first one. And I don’t mean smaller in terms of zoning. I mean the buildings are about two or three feet tall. Uhura speculates that there may have been multiple intelligent species of different sizes living on the planet, but there’s no sign of any of them now.
Kirk then recommends they split up, gang. He heads off into the countryside, where he finds a tiny rocketship that he assumes is a toy belonging to a child. Except it promptly flies off and returns with a bunch more ships, which trap Kirk with a net. He helpfully narrates all this as it’s happening.
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[ID: A page of four panels showing Kirk being surrounded by small rockets which are firing weighted ropes at him, slowly driving him to the ground. First panel: “They’ve opened fire! Shooting heavy stranded wire!” Second panel: “They’re forming a net over me! I’m being captured by a pack of toy rockets!” Third panel: “Can’t break these things! And they’re pulling me down! ARRRRGGGGH!” Fourth panel: “One of them is landing! If I could only get my hands on the child who’s controlling these fantastic toys!”]
Thanks Kirk.
It’s not until the rockets land and open that Kirk finally realizes they’re not toys being operated by a child, but real miniature rockets being flown by tiny people, who shoot Kirk in the face with some paralyzing gas before he can get a message out over the communicator. One of the tiny people—speaking through an unexplained device on his forehead—introduces himself as General Kwy. I have no idea how to pronounce that.
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[ID: Two panels showing Kirk laying on the ground while a small bald man in a red tunic and black pants stands on his chest. In the first panel he is saying, “You would like to say ‘I come to planet Kujal in peace! Why do you treat me so?’ Because you are a giant! And where one has come, others will follow!” In the second panel he says, “My people will become slaves to yours! Household pets or worse—sideshow freaks! Not while I live, giant! Never!”]
General Kwy has some weirdly detailed predictions about what’s going to happen if his people are discovered by ‘giants’ and he’s not having it. So he brings out a couple cranes to load Kirk onto a board, Gulliver’s Travels style,  and has him wheeled off to a third, even smaller, city.
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[ID: Kirk laying on a wooden wheeled board in front of a dais covered cloth, where a woman sits on a gold chair next to General Kwy. The general is saying, “Madame President, I’ve brought the giant prisoner mentioned in my report!” Kirk is thinking, “A woman leader! A more advanced world than many!”]
Kirk is brought in front of Madame President, which Kirk reminds us is So Advanced. Madame President is a little nicer than General Kwy and orders Kirk to be de-paralyzed, but then reveals that Spock and Uhura have been captured also. And stowed under the bunting on the dais. No, I don’t know why.
Madame President lays down some backstory: there was only ever one species of people on the planet, which was once human-sized. They “were a happy world until sudden explosions rocked [their] sun with fantastic intensity.” Don’t you hate it when that happens?
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[ID: A panel with a narration box saying, “But, in time, these ceased and life resumed as before! Until, one day...” Below, someone in a gray robe is approaching a woman sitting at an oversized table, talking into a large rotary phone. The person in the robe is saying, “We are growing smaller with every passing day!” The woman is saying, “Yes! It’s true! Others report the same! But why?”]
Yes! It’s true! Others are reporting the same, right now, on my giant rotary phone.
The shrinking kept happening, causing the next generation to have to build an entirely new city, and the next generation to do the same. Eventually they figured out that because of the sun explosions “some new radio waves have caused all living cells to shrink.” Sure. Anyway, looks like now their civilization is doomed because eventually they’re going to shrink out of existence. Bummer.
Uhura points out that the Enterprise could very easily move them all to another planet, but Madame President gives the standard answer for why we can never just use the easy solution, which is “no we love our planet so much we’re all gonna stay here even if it kills us.”
General Kwy wants to have the three of them executed straight away, but Madame President belays that and lets them all go sit and eat tiny food and talk while she figures out what to do with them.
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[ID: Spock, Kirk and Uhura sitting among the small buildings eating and talking. Narration: “Later, as crowds watch from a distance...” Uhura: “How could they think of altering their sun even if they had the ships to reach it?” Spock: “Quite impossible! All the harnessed power of the inhabited worlds of the universe could not destroy—or even alter—a star!”]
All that harnessed power of the inhabited worlds couldn’t alter a star! It takes inexplicable space explosions to do that.
Since altering the star is out of the question, Kirk proposes making some kind of antidote or shielding to deal with the shrink rays. But to do that, they’d have to fly close to the sun to gather samples of the rays. I don’t know how you capture samples of radio waves but he seems confident. Little does he know, however, that the general has an “audio-magnifier” trained on the trio to eavesdrop on their plans, because just listening would be too easy.
Madame President is okay with this plan. Suspiciously, so is General Kwy, though he proposes that they leave a hostage to guarantee they don’t just escape. Which doesn’t work super well when the people in question have remote teleportation technology, but he doesn’t know that.
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[ID: A very pale-looking Uhura leaning over Madame President and saying, “In that case, Madame President, I volunteer to be the hostage!” Madame President is saying, “I was hoping the woman among you would show that courage! Congratulations, Lieutenant!”]
As a woman, I was hoping the woman among you would show courage! Here on my advanced world, we like it when women show courage. Have I mentioned I’m a woman recently?
Uhura is often—though not always—quite distressingly pale in these comics. With the way it varies I’m not sure whether it was intentional whitewashing or just bad coloring. Or some awful combination of both, maybe.
With Uhura staying behind, Kirk and Spock prepare to leave, although not before General Kwy stops them to give them a container of fruit as a gift. Absolutely no one bothers to check that the box does indeed contain fruit. Surprise! It doesn’t. It contains a couple of stowaway soldiers assigned to sabotage the mission. Because Kwy still thinks the humans want to make slaves of them all. Or something.
Part Two begins with the Enterprise approaching the sun, as Kirk says that they have no way of knowing whether the ship’s anti-radio shielding will stop them all from getting shrunk. That seems like something they should really have made sure of before doing this. Oh well, too late now.
As they get close to the sun, Sulu tries to raise the radio energy analyzer dish—it’s a thing, apparently—but it won’t go up. Apparently there’s a mechanical problem that necessitates someone go outside and unjam the thing. Even in the future, someone still has to occasionally go personally hit things until they work again.
Luckily, Scotty’s on the case, showing up all dressed in special anti-radio foil before Kirk even has a chance to give any orders. Kirk is a little miffed about this since he’s supposed to be the captain and all but Scotty doesn’t have any time for that.
Scotty struggles with the radar dish while everyone stands around watching and making helpful comments.
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[ID: Four panels showing Scotty struggling to lift a radar dish on the top of the ship while Kirk, Spock and McCoy watch on a viewscreen. In the first panel, Scotty is thinking, “But it must be doin’ the job—or those rays would be shrinkin’ me already! Now to get the dish up into position! UGGGGGH!” Second panel, Kirk: “It’s jammed all right! Look at him struggling! I wish we could communicate with him!” Spock: “Our radio signals can’t get through that foil, either, of course!” Third panel, narration, as Scotty raises the dish with a ‘whooosh!’ and ‘klang!’: “Finally, with one mighty effort...” Kirk, from offscreen: “He made it! Nice work! Even you have to admit it, Bones!” McCoy, from offscreen: “Why, Captain? He’ll be telling us all about it for months! Ha-ha-ha!” Fourth panel, showing Scotty collapsed on the top of the ship, McCoy: “Hold it! Something’s wrong! He’s collapsed!” Kirk: “Emergency! Break out another foil outergear! I’m going after him!”]
I wasn’t aware that Scotty and Bones had any particular rivalry, but this writer seems to think otherwise. 
Anyway, as you can see, Scotty promptly collapses, and since as we know there are only about ten people on the whole Enterprise Kirk has to personally go out after him. Instead of Scotty, though, he finds an empty suit.
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[ID: Kirk, wearing a foil spacesuit and holding up another spacesuit, seemingly empty, while McCoy looks on and Spock leans over the suit with his hand to his ear. Kirk: “This is exactly what I found! But how could--” Spock: “Shhhhhh! Listen! Do you hear it?”]
I don’t know why, but that picture of Spock with his hand to his ear is cracking me up.
As you can probably guess if you’ve been paying any amount of attention to anything, Scotty done got shrunk. Apparently the radar dish tore a hole in the protective foil. Don’t design your radar dishes with sharp edges, folks. Since Scotty was so close to the sun at the time, he got a heckton of radiation (that’s a scientific term), so he’s still shrinking. In fact, Spock speculates that Scotty might quickly be reduced to microscopic size, meaning that “the very bacteria in the air will menace him as much as a prehistoric mammoth would us!”
An odd choice of metaphor, but we can’t have Scotty be menaced by mammoth bacteria, so they rig up a sterilized environment for him.
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[ID: First panel, Spock and Kirk are looking at a glass dome with a tube going into it. Narration: “Full technical facilities of the starship are put to work on the problem and shortly...” Spock: “Under that dome is a complete antiseptic atmosphere! The ‘breather’ tube circulates sterilized air!” Kirk: “A microbless world! That should do it!” Second panel, McCoy is holding up a miniature Scotty wearing a blue handkerchief around his waist. McCoy: “I’ll say one thing, Scotty—that kerchief looks better wrapped around you than it ever did in my pocket!” Scotty: “And what’ll I be wearin’ next—a speck o’ dust for a fur coat?”]
This one’s for you, Scones shippers. I...guess. (???)
Luckily for Scotty it doesn’t take long to identify the mysterious radio energy, as someone helpfully announces over the intercom.
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[ID: First panel, McCoy is standing next to the dome and looking off to side, listening to an announcement from the intercom. Narration: “Painful minutes tick away as Scotty continues shrinking..” Intercom: “Attention! We have identified the mystery radio energy!” McCoy: “Did you hear, Scotty? We’re half-way home!” Second panel, McCoy is looking into the dome, now empty with the handkerchief huddled at the bottom. Narration: “And then the dread moment...” McCoy: “He’s gone! Yet I know he’s still in there—too small for the eye to see!”]
Unluckily for Scotty, the two little soldiers have arrived on the scene, and take the opportunity to fire on the breather tube. McCoy quickly captures them and puts them away in convenient storage box, which is just an empty box with ‘storage’ written on it.
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[ID: McCoy putting two miniature soldiers into a box labeled ‘Storage.’ McCoy: “We’ll settle with you later!”]
He seals the tube with a bandage, but it’s too late—down in the land of microbes, a germ has gotten in.
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[ID: First panel, Scotty is facing off against a large green eyeless worm-like thing. Scotty: “Glory be! A microscopic monster! Some germ that broke through the sealed system!” Monster: “EEEYAWWWRRRR!” Second panel, the monster lashes out its tongue at Scotty, who narrowly dodges under it. Scotty: “Missed me! But how long can I keep this little dance goin’?” Monster: “UNNGAWWRRR!”]
Sure, that’s what germs look like. Why not.
As promised by the splash page, Scotty has to engage in some germ warfare, using some microscopic dirt boulders that also got in as ammunition. It’s thrilling. Truly.
With the germ monster defeated, Scotty gets retrieved by McCoy, who’s wearing some sweet micro-specs.
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[ID: First panel, Scotty is being lifted by a thin pointed silver rod. Scotty: “I’m caught! Feel like a whale being harpooned! No—more like a sardine! But what’s doin’ it?” Second panel, Spock looks on as McCoy, wearing goggles with a giant scope in one eye, lifts the rod. Narration: “And, in the world of ‘giants’...” Spock: “Are you sure you’ve got him, doctor?” McCoy: “Yes! I can see him clearly through these micro-specs! He’s struggling like a demon!”]
They stick him under the newly invented anti-shrink ray, which hasn’t been tested because there’s NO TIME, but it works because of course it does. Everyone’s very happy about this.
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[ID: The Enterprise flying away from the sun with a ‘fwooosh!’ while people onboard exclaim “Hurrah!” “Yahoooo!” and “Eeeyowwww!”]
Eeyowwww, indeed.
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[ID: First panel, Spock and Kirk watching a small Scotty gesturing. Spock: “Listen! He’s trying to tell us something!” Kirk: “The first report by a human returned from the land of microbes!” Second panel, Scotty: “--I said, ‘Get me some clothes, mon! I’m poppin’ out of this silly thing!” Spock: “Ha-ha-ha!” Kirk: “Ha-ha-ha-ha-ha!”]
Ha-ha-ha-ha. Yes, that’s Spock laughing. I guess “Spock doesn’t laugh” wasn’t covered in the, I’m guessing, three sentence summary of Star Trek that the writers of this had to go on.
Anyway, they go back to the planet and tell Madame President that they’re going to deliver the anti-shrink rays so the population can be restored to proper size, although ‘proper size’ is not the size they’ve been used to being all their lives so one wonders if they really want that, but, eh, who cares. With General Kwy’s treachery exposed, Madame President has concocted a special punishment for him: he’ll be the last one on the whole world returned to full size. That’ll show him.
A happy ending (?), but of course we have to wrap up with something pithy.
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[ID: Kirk sitting in the captain’s chair while Scotty and Spock stand nearby. Scotty: “--And I’ll tell you one thing, I’ll never make fun of another man’s size again!” Spock: “Experience is a great teacher!” Kirk: “Teacher? This kind of experience is a full professor!”]
Well, they tried.
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citrina-posts · 3 years
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Avatar: Cultural Appreciation or Appropriation?
I love Avatar: the Last Airbender. Obviously I do, because I run a fan blog on it. But make no mistake: it is a show built upon cultural appropriation. And you know what? For the longest time, as an Asian-American kid, I never saw it that way.
There are plenty of reasons why I never realized this as a kid, but I’ve narrowed it down to a few reasons. One is that I was desperate to watch a show with characters that looked like me in it that wasn’t anime (nothing wrong with anime, it’s just not my thing). Another is that I am East Asian (I have Taiwanese and Korean ancestry) and in general, despite being the outward “bad guys”, the East Asian cultural aspects of Avatar are respected far more than South Asian, Middle Eastern, and other influences. A third is that it’s easy to dismiss the negative parts of a show you really like, so I kind of ignored the issue for a while. I’m going to explain my own perspective on these reasons, and why I think we need to have a nuanced discussion about it. 
Obviously, the leadership behind ATLA was mostly white. We all know the co-creators Bryan Konietzko and Michael Dante DiMartino (colloquially known as Bryke) are white. So were most of the other episodic directors and writers, like Aaron Ehasz, Lauren Montgomery, and Joaquim Dos Santos. This does not mean they were unable to treat Asian cultures with respect, and I honestly do believe that they tried their best! But it does mean they have certain blinders, certain perceptions of what is interesting and enjoyable to watch. Avatar was applauded in its time for being based mostly on Asian and Native American cultures, but one has to wonder: how much of that choice was based on actual respect for these people, and how much was based on what they considered to be “interesting”, “quirky”, or “exotic”?
The aesthetic of the show, with its bending styles based on various martial arts forms, written language all in Chinese text, and characters all decked out in the latest Han dynasty fashions, is obviously directly derivative of Asian cultures. Fine. That’s great! They hired real martial artists to copy the bending styles accurately, had an actual Chinese calligrapher do all the lettering, and clearly did their research on what clothing, hair, and makeup looked like. The animation studios were in South Korea, so Korean animators were the ones who did the work. Overall, this is looking more like appreciation for a beautiful culture, and that’s exactly what we want in a rapidly diversifying world of media.
But there’s always going to be some cherry-picking, because it’s inevitable. What’s easy to animate, what appeals to modern American audiences, and what is practical for the world all come to mind as reasons. It’s just that… they kinda lump cultures together weirdly. Song from Book 2 (that girl whose ostrich-horse Zuko steals) wears a hanbok, a traditionally Korean outfit. It’s immediately recognizable as a hanbok, and these dresses are exclusive to Korea. Are we meant to assume that this little corner of the mostly Chinese Earth Kingdom is Korea? Because otherwise, it’s just treated as another little corner of the Earth Kingdom. Korea isn’t part of China. It’s its own country with its own culture, history, and language. Other aspects of Korean culture are ignored, possibly because there wasn’t time for it, but also probably because the creators thought the hanbok was cute and therefore they could just stick it in somewhere. But this is a pretty minor issue in the grand scheme of things (super minor, compared to some other things which I will discuss later on).
It’s not the lack of research that’s the issue. It’s not even the lack of consideration. But any Asian-American can tell you: it’s all too easy for the Asian kids to get lumped together, to become pan-Asian. To become the equivalent of the Earth Kingdom, a mass of Asians without specific borders or national identities. It’s just sort of uncomfortable for someone with that experience to watch a show that does that and then gets praised for being so sensitive about it. I don’t want you to think I’m from China or Vietnam or Japan; not because there’s anything wrong with them, but because I’m not! How would a French person like to be called British? It would really piss them off. Yet this happens all the time to Asian-Americans and we are expected to go along with it. And… we kind of do, because we’ve been taught to.
1. Growing Up Asian-American
I grew up in the early to mid-2000s, the era of High School Musical and Hannah Montana and iCarly, the era of Spongebob and The Amazing World of Gumball and Fairly Odd Parents. So I didn’t really see a ton of Asian characters onscreen in popular shows (not anime) that I could talk about with my white friends at school. One exception I recall was London from Suite Life, who was hardly a role model and was mostly played up for laughs more than actual nuance. Shows for adults weren’t exactly up to par back then either, with characters like the painfully stereotypical Raj from Big Bang Theory being one of the era that comes to mind.
So I was so grateful, so happy, to see characters that looked like me in Avatar when I first watched it. Look! I could dress up as Azula for Halloween and not Mulan for the third time! Nice! I didn’t question it. These were Asian characters who actually looked Asian and did cool stuff like shoot fireballs and throw knives and were allowed to have depth and character development. This was the first reason why I never questioned this cultural appropriation. I was simply happy to get any representation at all. This is not the same for others, though.
2. My Own Biases
Obviously, one can only truly speak for what they experience in their own life. I am East Asian and that is arguably the only culture that is treated with great depth in Avatar.
I don’t speak for South Asians, but I’ve certainly seen many people criticize Guru Pathik, the only character who is explicitly South Asian (and rightly so. He’s a stereotype played up for laughs and the whole thing with chakras is in my opinion one of the biggest plotholes in the show). They’ve also discussed how Avatar: The Last Airbender lifts heavily from Hinduism (with chakras, the word Avatar itself, and the Eye of Shiva used by Combustion Man to blow things up). Others have expressed how they feel the sandbenders, who are portrayed as immoral thieves who deviously kidnap Appa for money, are a direct insult to Middle Eastern and North African cultures. People have noted that it makes no sense that a culture based on Inuit and other Native groups like the Water Tribe would become industrialized as they did in the North & South comics, since these are people that historically (and in modern day!) opposed extreme industrialization. The Air Nomads, based on the Tibetan people, are weirdly homogeneous in their Buddhist-inspired orange robes and hyperspiritual lifestyle. So too have Southeast Asians commented on the Foggy Swamp characters, whose lifestyles are made fun of as being dirty and somehow inferior. The list goes on.
These things, unlike the elaborate and highly researched elements of East Asian culture, were not treated with respect and are therefore cultural appropriation. As a kid, I had the privilege of not noticing these things. Now I do.
White privilege is real, but every person has privileges of some kind, and in this case, I was in the wrong for not realizing that. Yes, I was a kid; but it took a long time for me to see that not everyone’s culture was respected the way mine was. They weren’t considered *aesthetic* enough, and therefore weren’t worth researching and accurately portraying to the creators. It’s easy for a lot of East Asians to argue, “No! I’ve experienced racism! I’m not privileged!” News flash: I’ve experienced racism too. But I’ve also experienced privilege. If white people can take their privilege for granted, so too can other races. Shocking, I know. And I know now how my privilege blinded me to the fact that not everybody felt the same euphoria I did seeing characters that looked like them onscreen. Not if they were a narrow and offensive portrayal of their race. There are enough good-guy Asian characters that Fire Lord Ozai is allowed to be evil; but can you imagine if he was the only one?
3. What It Does Right
This is sounding really down on Avatar, which I don’t want to do. It’s a great show with a lot of fantastic themes that don’t show up a lot in kids’ media. It isn’t superficial or sugarcoating in its portrayal of the impacts of war, imperialism, colonialism, disability, and sexism, just to name a few. There are characters like Katara, a brown girl allowed to get angry but is not defined by it. There are characters like Aang, who is the complete opposite of toxic masculinity. There are characters like Toph, who is widely known as a great example of how to write a disabled character.
But all of these good things sort of masked the issues with the show. It’s easy to sweep an issue under the rug when there’s so many great things to stack on top and keep it down. Alternatively, one little problem in a show seems to make-or-break media for some people. Cancel culture is the most obvious example of this gone too far. Celebrity says one ignorant thing? Boom, cancelled. But… kind of not really, and also, they’re now terrified of saying anything at all because their apologies are mocked and their future decisions are scrutinized. It encourages a closed system of creators writing only what they know for fear of straying too far out of their lane. Avatar does do a lot of great things, and I think it would be silly and immature to say that its cultural appropriation invalidates all of these things. At the same time, this issue is an issue that should be addressed. Criticizing one part of the show doesn’t mean that the other parts of it aren’t good, or that you shouldn’t be a fan.
If Avatar’s cultural appropriation does make you uncomfortable enough to stop watching, go for it. Stop watching. No single show appeals to every single person. At the same time, if you’re a massive fan, take a sec (honestly, if you’ve made it this far, you’ve taken many secs) to check your own privilege, and think about how the blurred line between cultural appreciation (of East Asia) and appropriation (basically everybody else) formed. Is it because we as viewers were also captivated by the aesthetic and overall story, and so forgive the more problematic aspects? Is it because we’ve been conditioned so fully into never expecting rep that when we get it, we cling to it?
I’m no media critic or expert on race, cultural appropriation, or anything of the sort. I’m just an Asian-American teenager who hopes that her own opinion can be put out there into the world, and maybe resonate with someone else. I hope that it’s given you new insight into why Avatar: The Last Airbender is a show with both cultural appropriation and appreciation, and why these things coexist. Thank you for reading!
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booksandchainmail · 5 years
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nanoha vivid liveblog: episode 9
We left off in the opening rounds of the competition, with Vivio and Miura slated to fight each other at some point. 
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The other belkan girls!
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I think I remember them being friends
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Soft music and slow-mo here, as we get our first look at sieglinde’s eyes
... which are entirely ordinary
huh, i was kinda expecting more heterochromia
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… RIGHT SHE HAD A DUMB NICKNAME 
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THEY BOTH DID
look I know youre overdramatic teenagers but I promise you giving yourselves nicknames about how good you are at fighting doesn’t actually make you seem good at fighting
also, i like to imagine that victoria’s been trying to get people to call her victor for most of her life, and sieglinde is the only one who will. victoria gave her her own nickname in thanks, and sieglinde was so happy about having a friend to give her a nickname that she didn’t care about the theme
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have you considered losing the waist long twintails?
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awwwww
weirdly wholesome considering the subject matter
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who’s this boss? Presumably one of the other competitors we’ve seen, and I’m guessing harry as the only one who runs a thing (as well as one of the only returning successful contestants)
please tell me she didn’t pick that nickname/title herself
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theyre cute together
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and sieglinde pulls her hood back on as soon as more people arrive
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i guess i shouldn’t be surprised that the ojou and the delinquent dont get along
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at least it looks like it runs both ways
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i really do like this dynamic of harry and victoria constantly trying to fight, and meanwhile sieglinde’s just there in the background trying to calm down her friends
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oh hey the last unintroduced girl from the op! presumably she’s a returning fighter considering she seems pretty familiar with the others
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… I can’t tell if “violator restraints rule master” is one skill, two skills, her job, or her personality
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would they be wrong?
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let the fangirling commence!
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oh gods shes trying to hide behind that popcorn
it is very much not working
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i feel like this scene should be one of those draw the squad memes
also, these four are great together, more scenes with them please
I do like how in the returning champions we’re presented with three people who all hate each other, and then one person who they all like. it’s a good setup for comedy and shipping
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awwww, even while being shy, she’s still nice to einhart
come to think of it, i wonder if she also has memories of belka, and if so does she recognize einhart
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sdjklaghklfaghlj
those chains were completely ineffective i guess
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i like to think that harry and victoria didnt break out immediately because they didnt want to hurt els’ feelings
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gods
els is extremely indignant and harry is just having a good tiem
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okay that’s cool, they edited the OP now that we’ve seen sieglinde with her hood down
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how do these two know each other? I mean I’ll believe it, but I’m curious now.
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so what were the fights we saw last episode? 
I guess prelims for the qualifiers? Which explains how some people are seeded already
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this tournament sure has a sense of the dramatic
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she is actually a rule master school president
and brought her council with her i guess
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OH THIS IS THE PERFECT MATCHUP
I mean, I would take harry fighting just about anyone, but this is an excellent clash of anime character archetypes
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The fact that there is canonically Japanese immigration to midchilda is one of the weirdest things about this setting to me. I mean, Nanoha and Hayate just moving to another planet with magic and magitek and spaceships is weird enough, but Subaru’s family immigrated generations back. How the fuck did that go? Can you imagine being a random Japanese peasant circa the 1700s and then suddenly you’re on a different world that has magic and also computers.
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oh gods
she looks so happy and i love her but her nickname is so stupid
and thats saying a lot considering the competition
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extremely on brand
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… that is the most “go ahead please” face I have ever seen
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and theeeeres the competition making an abrupt return
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i mean, she could still totally call you that even if you win
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“tension”
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i dont know if she planned it in advance, but letting harry see and underestimate her power beforehand was pretty smart
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A ranged attack?
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OR NOT I GUESS
she just... blew up her own arm
That’s kinda clever. And also really metal.
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WHAT THE LITERAL FUCK HARRY
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Thank you for the reasonable reaction
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the kind of attack name you expect from a girl called buster head
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Well that was fast
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Oh okay they have a set time to get back in the ring. makes sense considering how easy it is for a lot of them to send people flying
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nove suddenly has competition as the best punchy redhead in this show
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shes so good
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…you entered a martial arts competition without looking up the injury rules
I’M STARTING TO AGREE WITH ALL THE NUNS WHO DIDN’T THINK YOU WERE MATURE ENOUGH TO ENTER
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i cant decide if this is smart and practical or really creepy
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that is some powerful simulation
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Idk if it’s just saving on fight animation, but while their powers are cool, the actual fighting technique doesn’t seem equal to what we’ve seen from vivio and einhart
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gods
please get hurt less
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where did that bandaid come from?!
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~tempting faaaate~
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SHES BITING THROUGH CHAIN?!!!
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Oh no wait shes pulling on it with her teeth
That’s… more reasonable, I guess?
Still fucking badass
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this is gonna be brutal
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yup.
also, anime nosebleed
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awwww
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i love harry’s emotionally supportive girl gang
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PLEASE REMEMBER THAT YOU HURT YOURSELF
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this idiot
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For some mysterious totally not screen-time related reason
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That said, I do like them establishing that vivio&co are unusually talented even by this competition’s standards. I’d have a hard time buying that there are that many fighters on their caliber in the tournament
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because as is well known the inter-middle tournament involves fighting buses
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she’s just from a completely different samurai anime than everyone else
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magic infused or something?
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...no
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Oh fuck. 
Okay, scary sword girl vs. the wolkenritter’s student
…and whichever of them wins, vivio still has to fight
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I feel like I have a lot in common with this announcer man
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Is this like a general shyness thing, or an actual issue, or something minor that you’ve made into an actual issue…?
come to think of it, she mentioned leaving the tournament a year ago before she could fight victoria. did she also skip out on fighting mica? or was something in her fight with mica why she left
also, kudos to micaiah for having a sensible nickname
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call and...
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... response
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the purpose of having a gang is to force your friends to be supportive of each other
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How many times do you think vita’s gotten mistaken for a contestant? Actually, how many times do you think she’s got asked if she’s old enough to compete?
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aww
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in nanoha terms, i’m pretty sure this counts as a love confession
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Oh yeah, vivio&co have a personal connection to both contestants. That’s gotta be awkward
Also, does everyone bring an entourage to this tournament?
Actually, considering zafira and vita are there, it looks like you get a couple helpers (which I think is a thing in actual fighing tournaments), and presumably most people have a coach or friend or parent, we just happen to have seen a bunch of fighters with minions
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~tempting faaaate~
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Okay, I get the whole “magic doesnt cause actual injuries, we just simulate them” but like micaiah isn’t using magic. That’s a real sword.
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Well that’s a hell of a lot of damage from one attack. I don’t think Miura can afford to be hit again at all. 
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I mean, I don’t know about her but I’m definitely thinking that
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haven’t mentioned this before, but miura’s outfit with the heavy shinguards is really cool and well-suited to her fighting style
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pot meet kettle
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miura backstory! and yeah, this makes a lot of sense. she’s very cheerful, but the way she’s nervous all the time and latches onto team nakajima so quickly makes her seem pretty isolated form her peers
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and here we can see a demonstration of why carrying swords of different lengths is useful. Miura’s within the reach of Mica’s longer sword, so she switches to the shorter one to drive her back
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fancy kick coming up!
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Sword draw? Since she doesn’t seem to have one, I’m guessing it’s a kick that uses similar principles. Now the question is, is Miura’s secret weapon a technique that happens to be similar in principle to Mica’s fighting style, or is it a copying technique?
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1) this is a very pretty shot
2) it would be really funny if instead of powering up her own sword draw, mica just ran over there and stabbed miura before she can power up the breaker
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Didn’t seem to do a whole lot of damage for a special move
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Oh ok, she can keep kicking like that for a while
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Disadvantage of using a weapon: it can be broken
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its pretty interesting that the show sets up various rematches and rivalries and thematic fights that can’t all happen by the design of the tournament. it makes the fights a lot more suspenseful when there would be plot and character reasons for either side to win
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...remember what i said about how wanting to fight people in nanoha is basically a love confession?
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pseudocitrus · 7 years
Text
a very basic guide on how to find doujin in tokyo
i went to japan recently and i love doujin so i spent a lot of time hunting around for them. i felt like writing about it, so, here's my write about how to find/buy doujin in tokyo if you have absolutely no idea how to do so :)
disclaimer: this is current as of sept. 2017. i write this from a foreigner's perspective, and also from scrambling together a lot of here-and-there online resources and personal observation. so, it's very likely that i've gotten some language/cultural things wrong, this is just meant as a post for someone who knows absolutely nothing and also meant as a memory helper for me personally lol. if i do get something wrong, feel free to correct me ^^
why buy doujin in japan?
probably the main reason would be that it's MUUCH cheaper. recently-released doujin cost around ~¥800 to ~¥1500, whereas older works can be ¥400, or even ¥200 each if your pairing isn't that popular. in the US, in my experience, doujin can cost $20 (or ~¥2000).
(as a note, some doujin are at a premium — for example, works by 3745 house are ¥2000 each, and i also saw some gearous art books for ¥5000.)
i also enjoy the treasure hunting aspect. being in the tg fandom and being weirdly fond of rarepairs, i felt really excited every time i came across kaneki/touka or even ones like tsukiyama&hinami, tsukiyama&kanae, tsukiyama&nishiki 😲
some stores allow you to buy “tax-free” as well if you have a non-japanese passport with a temporary visa (i think this is the kind of visa you need). for example, in mandarake, if you spend over a certain amount (¥5000~¥5400) then they'll refund you the sales tax. they staple a little customs form into your passport which can theoretically be checked by an officer who will make sure you have everything you bought in your possession and weren't buying it for a citizen. but, no one has ever actually like gone through every doujin title that i bought (thank goodness, honestly). you can remove this customs form when you depart japan.
where to get doujin
here are the “must-hit” stores!
mandarake
in case you don't know already (i certainly did not for a long time), mandarake is a good store to search for doujin! they sell a variety of used/new anime/manga/idol goods, and have shelves upon shelves of doujin, usually with “women's sections” (containing mostly BL) and “men's sections” (containing what you might think of as, like, “hentai”).
in tokyo, there are at least four “major” mandarake locations —
akihabara
contains the super large multi-level complex with a whole men's floor and a women's floor, as well as other floors for toys and stuff. this location isn't far from the JR akihabara station.
ikebukuro
contains a smaller mandarake which is very women-focused, with no “men's section” that i can remember. this particular location is beside a lot of k-books stores which contain merch and more doujin.
nakano
also accessible by JR rail, and a short distance from the station, through nakano broadway. i think this is the “flagship” mandarake, and there are like seventeen stores in one mall-like setting, nestled beside other goods stores, some of which also have doujin. the women's and men's sections are in separate rooms and i had good luck here finding other merch.
shibuya
the smallest mandarake of the ones listed — with more of a focus on retro toys, though there's tons of doujin and idol stuff here too.
(as a sidenote, i also went to osaka, where there are two mandarake. one of them has a live stage where the women's section is. the other organized their doujin in a way that i couldn't quite parse and was too shy to ask about.)
k-books
in ikebukuro there are like TONS of different kbooks buildings so be sure you're visiting the right one! each kbooks is a “something館” which means “something building.” for example, “コスプレ館” or “cosplay building” has a lot of cosplay stuff, there’s also a “games building” which contains games merch like from pokemon, etc.
for doujin, go to “同人館” or “doujin building,” which is on a road called “otome road” (and also has the mandarake nearby underground! also — there’s also a “k-books athlete building” near here which contains only stuff from sports anime! which is separate from the other one that has mercy for other anime. last time i was there it was half yuri on ice, haha.)
in k-books, you can get a points card for ¥100 which lets you accumulate points to get other goods when you buy stuff, idk. i didn’t actually research this that much because i ran into it only on the last day. seems useful tho!
melonbooks
honestly, i don’t know that much about melonbooks. the ones that i’ve visited were in nagoya and ikebukuro and they felt more “men”-centered. it seems there can be melonbooks-exclusive doujin here. could be worth checking out if you see one. my impression was that it sells stuff that is popular or recently released. if you are squicked by hentai, be warned that in certain “men”-centered areas they play it on small monitors.
tora no ana
i visited only a couple of these so i don’t know that much either, but my impression was that like melonbooks it sells stuff that is popular or recently released. anyway it’s probably worth looking at too! if you are squicked by hentai, be warned that in certain “men”-centered areas they play it on small monitors.
i was on the hunt for TG stuff mostly which isn’t incredibly popular right now, so i wasn’t as interested in tora no ana. (regarding tg, however, i think wherever you go you can probably find tsukikane.)
general tips before you set out
these are good things to get in order before you go hunting!
know what you’re looking for, specifically. if you’re looking for something specific, think get the title, maybe a photo of the cover, the artist name, and the circle name. make sure that you know the artist/circle name as it’s written in japanese (whether by kana, kanji, or roman characters). also make sure that you know how the japanese ship is spelled.
know what you’re looking for, generally. if you’re not looking for something specific, think of all the possible series/games you might be interested in. i went out for TG but then circled back to all the stores once i realized i really wanted to find something by mikami takeru, lol. (also, if i had done my research beforehand, i would have known that what i wanted was a certain mikami takeru anthology — instead i was a fool and ended up buying some doujin, and then ALSO buying the anthology when i found it later, and doubling up on some stories 😭). i also ended up in doujin sections for “games” and realized i was also kind of interested in phoenix wright and persona 5 and odin sphere. anyway, it’s just good to know ur facts beforehand.
know the store opening/closing hours and days. they tend to open kind of late, like around noon, and are open until later, like 8pm or 9pm. stores in japan tend to be closed on tuesdays (which can affect your overall plans). idk it’s just probably good to confirm things. also, it can be really small quarters in doujin stores, so consider going during weekdays when it will be quieter and easy for you to move around.
if you’re not familiar with the japanese alphabetical order, keep a copy with you. since things are arranged alphabetically and all that.
bring your passport! for the aforementioned sales-tax-free shopping.
how to find doujin
every store is kind of different. but, generally, if you’re in the “women’s section:”
there will be a small area for newly-released stuff for popular series, like doujin that just came out during recent events, ex. natsukomi. this area is fun to browse because the doujin covers are facing outward and there are small “sample” prints on the back that show more of the art style. older works are shelved normally and all you can see is the cover art. (all doujin are sealed in plastic which you can’t open in store.)
it’s also likely that there will be separate sections for overall genres — anime, games, “western” (like sherlock), jump series (ex. shounen jump, young jump).
popular series (which right now are yuri on ice, osomatsu-san, haikyuu, gintama, jojo, etc.) will often have their own “major section” after that, with lots of shelves devoted to them.
i wish i had a picture of this but i don’t, so just imagine shelves packed with doujin with little manilla folder tabs sticking out, haha. for less popular series, the series name will be written on these tabs. series will be listed in alphabetical japanese order.
within series, things will be organized by ship, which will also be in alphabetical japanese order. if the circle is popular, it will also likely be listed in a tab.
when you find the tab you want, the doujin pertaining to that tab will be listed to the RIGHT of the tab. keep searching shelves from left to right, up to down.
also — these stores can be overwhelming in their density of doujin. if you don’t really want to spend a lot of time searching, feel free to just ask somebody about it. i just said something that was probably silly like tokyo ghoul no doujinshi arimasen ka or tokyo ghoul no doujinshi sagashitemasu ga…. and an attendant will lead you to the section. while i was furiously battling my social anxiety i saw another foreigner just bust into the store with a picture saying “KONO MANGA ARIMASU KA?” and she got her answer and led to her desired location immediately, so, there you go.
for a not-as-popular fandom like TG, the sections in stores tended to be very small. the majority of it was tsukikane, but i crawled through everything anyway, and did in fact find like THREE WHOLE KANETOU doujin tucked away in there!! anything that wasn’t tsukikane (which tended to be arisasa and utayomo) was basically listed as “その他” or “other pairings.” if you’re looking for TG and are an english-speaker, it might help for you to look for TYUUNI! which is a popular circle and easier to spot than trying to read all the japanese. again, though, if you’re having trouble, don’t be weird like me, just ask.
this might also be a “duh” kind of thing, but, doujin with nsfw content will have “R18” somewhere on the cover. also, ships included in the doujin are often listed on the back. this doesn’t really help you when you can’t open doujin packs, but i noticed that some doujin recently have been including content warnings in the beginning that are like, “this doujin contains arisasa...it starts maybe looking like it might be sasa/ari, but it’s arisasa! if you don’t like this, please close the book.” idk if you are in a situation where you CAN open the book and read japanese and are squicked by pairings/certain content, maybe this will be valuable information 4 u.
general tips while searching
in stores like mandrake, there are footstools that you can use to access higher shelves, but it’s generally bad to use these for sitting. if you do this someone will probably ask you to stop, haha.
in stores like mandarake, there are also glass “showcases” (ショーケース) which generally contain nice merch but can also contain doujin. i went through a lot of trouble to find a mikami takeru anthology only to buy it and then walk out and realize there was one right in the store window for a slightly different price! it turned out the conditions of the two were different (with the display version being more expensive because it didn’t have a crease) — but maybe you care about creases! idk! check the showcase!
i’m pretty sure most stores have shopping baskets, if you see one you can take it to help carry your loads of doujin u are gonna buy.
also be careful about if stores would prefer that you make your purchase on each floor, rather than taking your unpaid-for goods to a different floor.
if you need to get past someone, you can say “sumimasen.”
it’s possible that different versions of the same doujin will come with different promotional material too, like an extra little flyer or something.
mmmm, that’s all i can think of now, will probably add some more later.
if you’re going be able to hunt for doujin soon — good luck/have fun! if not — i hope you get the chance to!
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saggy-tare-ious · 6 years
Text
The Signs I Know - Sag POV
aries - my 11 year old bro is an aries and we argue like there’s no fuckin tomorrow. he annoys me so fucking much. he gets angry a far bit. very defensive. if i joke around about his appearance or how he does something will jump down my throat and yell. needs to chill out. doesn’t always take a joke. depends on his mood. he LOVES history like holy shit. when he was younger would run around and get into everything. doesn’t really move as much now HAHAH. isn’t interested in sports. sensitive. is awkward? stands weirdly and doesn’t look people in the eye. looks up a lot. plays xbox a lot. changes his interests so much. loves everything to do with world war 1 and 2. freaks me out a bit. wants to be in the army himself. has big fits. can get violent. he also has to have the last fucking word. like even if it’s a grunt or a random nose. does. my. fucking. head. in. IS NOSY ASF. so clingy with my mum. wants a hug all the fucking time. will piss me off then 10 minutes later will come into my room and tell me he loves me. fuck off. i also know this aries guy and he is a massive fuckboy. maybe a good friend but is scum when it comes to a relationship.
taurus - ik two taurus. the first one is so stubborn and is such a fuckin asshole honestly. we dated for like 2 weeks, kill me. he eats so much no joke. goes to the canteen every. fucking. day. he loaded. doesn’t share...... sometimes he does tho. he will go to the canteen and come back with like 3 meat pies 4 sausage rolls a bag of lollies a soda and a chocolate milk and won’t fucking share. most of the time he doesn’t eat all of his food so instead of giving to me or others he throws it at our leo ranga friend HAHAHAH bless him. he’s so uptight. he’s like that homophobe dad. he talks shit so much. and when he gets caught will throw anyone under the bus if if they didn’t do shit just to get himself out of it. jealous. the other taurus ik is a girl and do not like her. she makes me cringe so so so much. she sings 24/7. it’s not like she’s bad it’s just we are in fucking mATHS. jesUS. she said one time that she is a white girl with A BLACK GIRLS BOOTY like wtaf. girl you ain’t shit. it’s also like she mistakes sc as musically. no one wants to see you lip sing to some shitty radio song....... ok ok ok she’s not all bad she is actually quite smart and a good singer just needs to sTop.
gemini - ik quite a biiiit of gemini’s. all the gemini guys ik are HUGE flirts. one of them is one of my best guy friends and honestly has a new girl each week. we get along so fucking easy. is a trouble maker at school with his other guy friends. does the most stupidest and funniest shit they do anything to annoy the teacher in some way. the aries fuckboy is apart of his group. he lets people walk all of him especially if they are a love interest. forgives too easily but will be mad for fucking ages and then forgive them. funny asf. doesn’t do too good at school is dropping out next year. but he is very smart just doesn’t try. i have another gemini bff but she is very possessive in a relationship. will do and drop everyone for her partner. her current realtionship is toxic. both good people buttttt she is too obsessed. she is adorable and get real good grades. very hardworking and tries her best. funny. parties 24/7. alcoholic. serious but not at the same time. reaaal good at writing. said she wanted to be a journalist. says she’s a vegan HHAHAH
cancer - another one of my guy friends is cancer and he is moody asfffff. so many stereotypes in this post HAHAH. but it’s fucking true. he can be such a fucking asshole. cold one minute hit the next. he is like an angry dad. he is cold and doesn’t speak too much. but he’s funny. would fuck. star wars obsessed and does nothing with his life but play xbox. doesn’t care too much about school. found out he likes me tho he doesn’t show it too much. but he has said to me that he hates it when the other guys in our group touch me etc so i guess he’s protective ? he copies other guys style and hair ? literally tried to be this guy at our school until someone called him out on it. reaalll good at guitar.
leo - ik two stone head, beautiful, would fuck leo’s and a ranga leo WHO IS HILARIOUS ASF. bless him too bits. the ranga is also in my group along with the cancer and taurus. he tries to be liked by everyone and does what everyone tells him to do just to be funny. will bully and abuse other people just to be funny and to be liked. he thinks he will be this big youtuber. he honestly changes how he is so much around his ‘friends’ who tell him to do the most stupidest shit just they don’t bully him. he is creative and good at art. doesn’t take his job serious at all. i mean it’s a fast food restaurant. but anyways he doesn’t take it serious. doesn’t get angry too much but when he does it’s scary. talks shit. two faced. pride is easily hurt.
virgo - she is a perfectionist honestly. doesn’t cross out or white out anything bc it will look messy. does drama and music. good at art. real good grades. kind of a serious person ? don’t know her too much.
libra - is the mum of the group like holy shit. an alcoholic mum more like it. will talk to a guy for a week then drop them bc she got bored. gets a lot of guys bet then doesn’t at the same time ? responsible af but parties all the time. so much like a mum. love her but then hate her. no where in between.
scorpio - my mum is a scorp. we argue all the fucking time. will talk for ages at the lady at the cash register. is STUCK IN THE FUCKING PAST. brings up everything from the past can’t get over it. like stfu i don’t want to hear it. real negative. complains all the time. judgement. acts like she does everything in the house. she doesn’t. also acts like my brother and i are 3 and are hard to look after. even tho we do everything she asks to do and practically stay in our rooms all the time. she has no friends. says she doesn’t need them. trust issues. gives out second chances even tho she says she doesn’t. needs to chill tf out. my scorpio guy friend is touchy asf. needs to know what a personal bubble is. judgmental asf. laughs at evrythiiiiing. we talk about people we hate together in maths.
sagittarius - i knooow soo manyyy sags. my dad included and i love him to bits. we hardly fight unlike my bro and mum, still love them thooo. he complains the whole time when going shopping probably the only time where i want to kick his head in. funny asf too bless him. afl fanatic. loves sports. real short. like 5”6. my two bff are sags one is sporty asf and sensitive the other parties all the time is quite distant ? the sporty one is honestly so fucking weird never met someone like her. hard to put her to words. she falls in ‘love’ easily too. well crushes easily. she literally fell in love with a guy at our school who she never talked to b he was real good at guitar. she’s veryyyh sensitive. need to be careful of what i say. she annoys me so fucking much. we argue a lot too. but i love her. the party animal one is adorable and kind of responsible? she’s like scared of getting in trouble and will avoid it at all costs. funny and sarcastic. stone head. plays netball. tried to go vegan. good ass eyebrows. they both do actually.
capricorn - dated 2 of them. both funny. one is now a massive stone head. kind of a drop kick now tbh. the other is so so so funny and sporty asf. real jealous. said he’s loved me since he was in yr 7. he’s a year older. but we’ve hardly ever spoke ? HAHAHAH we’ve had a convo here and there but i hardly know anything about him. would ask me out all time. i finally gave in when i was in yr 8. it could’ve actually lasted longer then it did. he isn’t a bad guy. but me being a sag freaked out and dumped him after 4 days HAHAHHA. he is cringy online. loveesss his lil sister.
aquarius - we talked not dated and i like him so much i even considered if i loved him. ew cringe ik. maybe i’ll do a post just for him ? HAHA i must find out his time of birth 🤔 anywaysss he is weird, like it’s like he tries to weird or different. again cliches ik. watches so much documentaries. can’t swallow pills. belives meat and pills will kill us. thanks to documentaries. said he was a vegan for a day. good at sports. has a job with the leo and takes it seriously. horNY ASF. will ask for nudes even after you say no. just want someone to fuck. funny kind of? Hahha. has like social anxiety. looks depressed all the time. won’t talk to anyone unless you do. but then again he doesn’t look interested the whole time and makes you feel like shit and says he doesn’t care about what you say bc it’s boring him ? but yet tells me borin ass things idc about either but i listen and look interested ? HAHAH KILL ME. doesnt try too much in school unless he has no friends in that class. good at maths. says he doesn’t care all the time. SO FUCKING SENSITIVE AND A CRY BABY
pisces - my bff is a pisces and i love her to bits. we would never admit this to each other tho. she laughs a lot, which i like bc she laughs at everything i say and do. sensitive. popular. social. literally cannot go a week without going somewhere. hates to be by herself. doesnt try at school which pisses me off so much as i’m a try hard who gets straight a’s HAHAH. i often wonder wtf she will do with her life. good at art. creative. good music taste and style. we have the SAME humour. every guy loves her ass. can’t order her own food. has been diagnosed with depression when she was younger. it’s hard for to get things car both question if she has dyslexia. my best guy friend is also a pisces. he is real fucking sensitive. lost a shit ton of weight. i wonder daily if he eats. looks depressed asf. will let you speak. puts up with my questions about life and tries to answer them the best he can. we talk about whatever tbh. found out he likes me. wouldn’t go there. he is like a brother. bless him. used to be a big fucking asshole but has grown up a bit. has random knowledge about random things. on his phone and listening to music all the time. plays the bass. honestly reminds me of dan howell and suga.
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first post. just getting into astrology. well i’ve known about astrology and my chart for about 3 years but only now am i actually ‘delving into it’ ? don’t expect much HAHAH
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