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#about this family drama comedy from 2000
butchjess · 1 year
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thinks about liz and jess and jess almost grimacing when liz kisses his cheek and jess saying “because THAT’S what family does!” and liz calling him and telling him about the car after luke tells her he stole it and the implication that she and luke are the only ones who had his number in s4 bc he regularly gave it to them and jess saying “i don’t like any of the guys, but she’s gonna do what she’s gonna do.” and “she doesn’t care what we think. she really doesn’t care what i think, i’ve got 19 years of proof to back me up.” and then thinks about jimmy and jess and them sitting together nodding their heads to bowie and jess watching him run away and jess seeing all the books on his shelf and jess begging him to let him stay, “just tell her i’m a dog,” and “you have nothing? i have nothing!” and “i don’t need you to raise me, i’m 18, i’m already raised!” and then my brain blows up inside my own head and i disintegrate into dust. it’s all about family it’s about never ever knowing love ever or not having it in a way you can understand it’s about love that’s complicated and not even good for u! and then becoming better anyway because he wasn’t a lost cause he wasn’t his blood he didn’t have to be like them and
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Here is another data chart post, to celebrate 150 movies receiving majority “yes” votes! You can see the previous chart by clicking here.
This first chart is a breakdown of decades of the movies Tumblr has voted seen:
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As you can see the most popular decade is the 2000s with 58 movies, with the 2010s and 1990s tied for second most popular with 28 movies.
The oldest movie that Tumblr has voted seen is Snow White and the Seven Dwarfs (1937), while the newest is Knives Out (2019).
Next, a breakdown of the genres* of the movies that Tumblr has voted seen:
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This chart shows that the three most popular genres are adventure with 74 movies, family with 73 movies, and animation with 56 movies.
*Keep in mind that this chart is based on what Letterboxd defines these movies’ genres as, so you might find that you disagree with how certain films are categorized (for instance, the “music” genre describes films that are about music, not necessarily musicals. There is no “musical” genre on Letterboxd.)
Under the read more is the data from these charts listed in text form. Have a great day, everyone!
Decade breakdown:
1930s - 2
1940s - 1
1950s - 5
1960s - 3
1970s - 6
1980s - 19
1990s - 28
2000s - 58
2010s - 28
Genre breakdown:
Action - 37
Adventure - 74
Animation - 56
Comedy - 63
Crime - 10
Drama - 31
Family - 73
Fantasy - 52
History - 1
Horror - 10
Music - 4
Mystery - 5
Romance - 23
Science Fiction - 32
Thriller - 12
TV Movie - 2
War - 1
Western - 1
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feeder86 · 2 years
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Bro Code
Oscar sighed, coming out of another entertainment interview and feeling completely drained after pretending to be upbeat about the show’s season finale and its renewal for season four. His jaws ached from the smiling and he ran over in his mind the questions he had stumbled on, again and again. Every interviewer, no matter who was conducting it, seemed to want him to address the rumours about the on-set tension. They’d brought it on themselves in a way. His chemistry with Dean on the screen was something all the early reviewers had applauded; the media were always going to be out for blood at the merest hint of tension behind the scenes.
The show had always been an unlikely hit: a romantic, crime-drama series, featuring a gay superhero and his male love interest. Oscar had been thrilled to get the part three years ago, although the production company had been clear that he hadn’t been their first choice. After the pilot, there had been an outcry that the original actor for Oscar’s part was straight. LGBTQI groups had petitioned and made their voices heard loud and clear that that sort of casting was not something they were willing to take lightly. So, only days before full production was set to begin, Oscar had been shipped out to Los Angeles to take over the role and, as far as he was concerned, it had all been downhill from there.
The set had been toxic from day one: a battleground of nepotism and inflated egos. Oscar had got the sense that he was just a necessary evil to the producers. He did his job, helped to pull in the viewers and allowed the show to continue rolling on; but they didn’t have to like him or show any recognition that he was a vital part of their success. The heart of the problem was, and always had been the lead actor himself, Dean Greg. With his family owning a major share in the production company, Dean had strolled straight into the lead role of The Silence; a lesser-known comic book superhero of the late 2000s, and one of the first to be openly gay. Oscar had grown up watching Dean on another show, a teen comedy the guy had gone into straight after finishing high school; Dean’s family had owned that production too. It was partly why Oscar had taken the role on this show so eagerly, despite his blossoming career in the UK; the opportunity to be the love interest for Dean Greg on a prime time show. He could practically hear his sixteen year old self screaming in excitement at the idea. But the Dean he imagined in his head was very different to the reality.
There was a certain skill to Hollywood arrogance and entitlement, but Dean had seemed to master it well. Perhaps it would have been more forgivable if Dean had brought something outstanding to the show, but the reality was, he was nothing special. The man was a comedy actor, and the dark, brooding tone of the show seemed to clash rather remarkably with his style. Oscar had lost count of the number of late finishes he had had, with Dean needing take after take to get things right. If it had been Oscar causing that sort of pressure on the production, he could just imagine what would have been said to him; but not the golden boy.
Back in the days when Oscar watched Dean on his old TV show, ‘Bro Code’, the idea that the guy would one day play a muscle-bound superhero wasn’t immediately obvious. Sure, Dean’s impressive height and build were already there, but he was also pretty overweight and not at all toned. His character, Codey, had been a loveable idiot, lazy and comically laid back about everything in life. Oscar’s crush on him had been deep and he sometimes felt that when he dated guys, he was constantly, and ridiculously, comparing them to the entirely fictional character he had fallen in love with back in his teens.
“Are you worried about type-casting?” asked the next interviewer with a sickly smile; as if she wasn’t asking a question that poked at one of Oscar's biggest worries.
“Not really,” Oscar lied. “I don’t plan on staying in Los Angeles once the show wraps up.” Inwardly, he kicked himself. The producers always told him to never talk about the show ending. Like the superhero it portrayed, they wanted it to be perceived as invincible. “What I mean is,” he clarified, “I’d want to return to the UK and take on some projects there instead. But that’s way, way off in the future. The show still has many more left in it.” he added, hoping that that might prevent him from getting a telling off later.
“Now to the question that everyone is asking,” the interviewer went on. “You and Dean make such a lovely pairing on screen. But, rumour has it that you two don’t actually get along in real life. What can you tell us about that?”
Stifling the urge to sigh in defeat, Oscar simply smiled politely back and prepared to lie for the hundredth time that day. The superlatives that he used to describe his co-star rolled off his tongue with ease, as he denied, quite emphatically, that there was anything but perfect harmony on set. He knew, as well as everyone else did, that that illusion had to be maintained at all times.
The summer break slipped away all too soon and Oscar’s dread about returning was amplified when he read that the first episode was to be shot by a director he particularly despised. He’d clashed with the guy since the first season, and despite making several complaints about the sexist, bullying and outright homophobic ramblings of the man, here he was again, invited back to direct another six episodes this year. The superhero genre wasn’t especially Oscar’s thing. He looked over the scripts, wondering where the fan interest even came from. Episode two read almost word for word like a story they had done back in season two. Then again, he thought with a thrill of excitement, if the viewing figures declined, maybe they wouldn’t get picked up next year!
Dean’s new girlfriend was hovering about on the set, making a nuisance of herself and, inexplicably, getting away with it. Oscar rolled his eyes at the double standards. Unlike the actor who had previously had his part in the pilot, Dean had declared himself bisexual in order to keep his role when all the critics started petitioning the casting. It was all a joke. Oscar had never once seen the guy with anyone other than blonde, petit, plastic-looking things with oversized breasts that made them look overbalanced and ready to topple over.
Oscar climbed into his trailer and collapsed onto his couch, burying his head under the cushions. “Arsehole!” he growled, having just been belittled by his most hated director. “Get me out of this fucking shithole!” he complained into the fabric of the sofa. 
Just then, Oscar heard the flush of his toilet and he jumped in surprise. Someone was in his trailer! He sat bolt upright and watched the door swing open. Then, shockingly, Dean looked at him, seemingly irritated that Oscar was even there.
“What are you doing in my trailer?” Oscar asked, disgusted by the invasion into his private space.
“Hiding,” Dean simply replied. “They’ve got some sort of fan experience thing… someone who won a competition to enable them to spend a day on set with me. I don’t know - something along those lines. It’s all bullshit. I’m not due on set for another hour and no one will ever find me in here.” With that, he parked himself down heavily on the chair and grabbed his cell phone, already plugged in and charging from the wall.
“You could have asked first,” Oscar mumbled. “This is the only place I have for myself.”
Dean swiped through his phone and seemed entirely disinterested. “Yeah, I heard your little rant. Who’s pissed you off now?” he asked in a tired and disinterested voice. 
“It’s nothing,” Oscar spat through gritted teeth. He didn’t have the sort of relationship with Dean where he could discuss anything. Plus, he was always likely to go reporting back to his family and stir up a whole new load of issues, accusing Oscar of being a trouble-maker. With no friends here, Oscar usually knew his only option was to suffer in silence. He looked at Dean, making himself at home in his trailer and felt the pit of dread in his stomach at the thought of going back out on set. That was when his rage boiled over. “I just can’t fucking wait for this show to be over already.” he almost shouted. “There’s no way in hell I’m coming back next year!”
Dean smirked, still looking at his cell phone. “I don’t like your chances. My dad will sue your ass in the blink of an eye if you try to back out of your contract.”
Oscar huffed in annoyance, but that flat, brutal reminder was enough to silence his complaints, and he simply sat there, grinding his teeth, wishing that Dean would just get the fuck out of his trailer.
“If it makes you feel any better, I don’t want to be here any more than you do,” Dean stated breezily back. “I never even wanted to do this show in the first place.”
Oscar rolled his eyes, not believing a word of it. “You fucking love it,” he countered. “Or is it stressful being everybody’s golden boy?”
“I’m only here because I have it in my contract that my dad will sign over the rights to my old TV show to me,” Dean stated frankly, looking up from his cell phone at last. “You really think I want to spend the whole of my summer off doing insane workouts and nutrition plans just to play a dumb superhero role?”
Oscar thought for a second. “You want to reboot Bro Code?” he asked in disbelief.
“That show was the best job I ever had,” Dean laughed, with a smile of fond memories on his face. “It wasn’t even acting. I just turned up and said my lines. There was none of this fantasy bullshit to try and make convincing. If I’m honest, I can’t even follow half the scripts for this show.”
The fanboy in Oscar quivered inside. “I’d be over the moon if you ever did manage to bring Bro Code back!” he smiled. “I know pretty much every single line of all six seasons!”
“Really?” Dean asked, sounding mildly interested. “I didn’t know you’d ever seen it.”
Oscar resisted the urge to roll his eyes. He’d only talked about his great love of Dean’s old show in every single one of his interviews to promote their series. In one fan-favourite interview, he’d been asked to do a ‘Bro Code’ quiz against some supernerds, coming out victorious. He’d always known that Dean didn’t have an ounce of interest in him, so it was hardly surprising that he didn’t watch any of his interviews on TV.
“So, if I did manage to get the show rebooted, where do you think my character, Codey, would be now? Eight years later?” Dean asked, turning a little, like he was genuinely interested in what Oscar might have to say.
Oscar inhaled excitedly. It was exactly the sort of conversation he had been dying to have with Dean for years; back before he knew what a self-absorbed jerk he was. “Codey would be living the life of his dreams,” he chuckled. “That guy always landed on his feet!”
Dean nodded in agreement. 
“He’d have married some super-hot chick; probably a chef or something. Everyone would be really jealous of that. He loves his food, so he’s probably eaten so much of her cooking that he’s absolutely enormous by now. But… you know what Codey is like. He’d love it. It would make him feel more masculine. He’d call the other characters puny…”
Oscar was about to reel off a great many more ideas about where he saw the character now, but Dean’s face made him stop. The man’s jaw had dropped and he stared at Oscar with an almost indescribable expression. “That’s EXACTLY where I see him now as well!” Dean exclaimed. “Right down to the super-hot chef as his wife! I’ve asked so many people that question and no-one has ever come close to having the same vision as me!”
“Really?” Oscar asked, genuinely perplexed. “But it’s so obvious!”
Despite the fact that Oscar was pulled back onto set not long afterwards, things between him and Dean seemed to change quite a lot after that day. At first, he was perplexed to see Dean coming to see him in his trailer (never once knocking first), but pretty soon, it became something of a norm. Dean was deadly serious about wanting to bring back his old show, and he gradually began to share his notebooks, storyboards and jokes that he’d been storing up since he’d successfully negotiated the rights to the show from his family; only coming into effect once the current show ended. Laughter began to emerge from the trailer as the pair of them bounced gags off each other and came up with more and more potential plotlines. Within a few short weeks, there was enough material for a full 22-episode season, and possibly more. It was amazing how many stories Codey’s size would create as well; stuff that had never ever been done on television before.
“Won’t you be fed up of wearing a fat suit though?” Oscar asked, as Dean began describing one of the physical comedy sequences he could play out.
“No, I plan to gain the weight for real,” Dean stated with certainly. “Fat suits are for losers. They never look right either.”
“But… your abs…” Oscar mumbled, thinking back to the shirtless scene he’d done with Dean only that morning.
“They’re going!” Dean chuckled, rubbing his flat stomach. “As soon as this shit show ends, I’m going to be downing pints of whipping cream, stuffing doughnuts down my throat and having as many ten thousand calorie days as I can.” He seems more excited by that idea than Oscar had ever seen him. “And I can’t fucking wait!” he smiled.
Late September hit and the fourth season that they had been working on for over two months finally began to air. Reviews for the season opener had been mixed, but as episode two, three and four went out, there was a slow crisis building on set. The writers’ complacency had turned around to bite them. All of Oscar’s concerns about the scripts were being noticed by the fans: the circular storylines, the similarity of the episodes to previous seasons’. Overnight ratings were way down on last year. But, despite the grim looks of the producers, the atmosphere in Oscar’s trailer was one of absolute joy.
“Here’s to finishing in fourth place for our time slot!” Dean grinned, raising a cheeky beer that had been sat at the back of Oscar’s refrigerator for weeks. 
Oscar sat with him, pouring over the reviews and fan comments online. They laughed and began to speculate on how episode five would go down the following week.
“One beer and I’m feeling light headed!” Dean chuckled. “My personal trainers and nutritionist haven’t let me had one of these bad boys in ages!”
“Well, if things keep nose diving like this, you’ll be able to have as many beers as you like soon enough!” Oscar grinned. The possibility of the show getting cancelled had been all he had ever dreamed about for years. However, now he was celebrating that small hope with the one thing he had been lacking on set all that time: a friend.
In response to the damning reviews and lacklustre ratings, the writers had embarked on a mad flurry of rewrites. Each day, new pages were being delivered. Oscar laughed at the flaws in their panicked ideas; plot points that were being abandoned and others that directly contradicted things that had happened in previous seasons. Dean nodded along, pleased to know that it was all likely to go in their favour; although he openly admitted that he didn’t follow, or even understand much about the show and its storylines. “Apparently, this website says it’s 50/50 whether we get renewed next year,” Oscar reported, staring down at his cell phone during their break.
Dean stood up and helped himself to the beer he now kept in Oscar’s trailer, away from those who would scorn him for drinking it. “That’s still a fifty percent chance we’re going to be dragged back here next year,” he grumbled. “There’s got to be a way we can bring those odds more in our favour.
Oscar watched as Dean sat himself down sluggishly on the sofa, grabbing a cookie from the pack he had smuggled in that morning. His old image of Dean as the vain, egocentric jerk was slowly fading away. He’d come to see, just as Dean had always said, how similar the guy was to his character, Codey, on Bro Code. What would Codey do in a situation like this?
“Well, I do have one idea…” Oscar began, his heart racing surprisingly fast as the thought came into his mind. “You could always start… gaining a few pounds.”
Dean stared at him in surprise.
Oscar felt the need to justify himself. “I mean, you were planning on gaining weight anyway. But if the execs were on the fence about renewing us… a few extra pounds on the titular character’s body wouldn’t hurt.”
Dean’s eyebrows rose and he clearly pictured it in his mind. “Yeah,” he nodded; his smile getting wider and wider. “I think that could work.” He seemed to rub his stomach mindlessly. “It wouldn’t take much. My personal trainer has me so lean, just ten pounds would send everyone into a tailspin. It’d be obvious.” He sat up, like his mind was whirring into life: how he could do it, how fast it could be achieved. “This is an awesome idea!” he nodded. “Oscar, I think you’ve found the answer to all our problems!”
As far as Dean was concerned, the timing was absolutely perfect. Thanksgiving was coming up, and if that didn’t do it, the holidays certainly would. Mysterious boxes began arriving for Oscar’s trailer and he chuckled when he saw what was inside: fresh deliveries for a hungry guy, determined to lose his job. 
“...and a full can of condensed milk,” Dean boasted, listing off the ingredients for a calorie shake he had made himself the night before.
“And you actually drank all that?” Oscar asked, chuckling in amazement. 
“It was actually delicious!” Dean grinned. “There are loads of similar recipes online for guys trying to gain a few pounds. There’s so much information as well. If you really want it, you can blow up in no time.”
“And what does Jessica think of you downing these calorie shakes when you get home?”  Oscar asked, thinking about Dean’s girlfriend; now six months into their relationship.
“I haven’t told her about our plan,” Dean stated, sounding as if he believed it was none of her business. “She’ll see the results soon enough,” he chuckled, slapping his middle with excitement. “Then she can decide whether it’s something she’s willing to put up with or not. I’m not all that bothered, either way.” He reached across to the box of doughnuts sitting on the small table and took his fifth one that day, biting into it greedily; the largest bite Oscar had ever seen anyone take. He raised it up, like making a toast and mumbled with an almost full mouth, “I’ve got to hand it to you, Oscar,” he nodded. “This is the best fucking idea you’ve ever had!”
Production on the show took a break midway through December, just as it had done every year. Oscar was straight on the plane, heading back to the UK. Although he had managed to keep his unhappiness working on the show away from the public eye, his family all knew and sympathised with him; knowing of the struggles he had had. Now there really did feel like a reason to celebrate. With only four months of filming remaining, Oscar could really be about  to be home for good soon.
Dean’s smirk was written all over his face as he arrived at work that January. He’d been late and had rushed through make-up, so Oscar only saw him as he arrived on set, ready for their steamy sex scene that would open an episode, set to air at the end of February. Dean looked entirely refreshed from the break, dressed in his bath robes and strutting on to the bedroom set looking surprisingly pleased with himself.
“Did you have a nice break?” Oscar asked casually. Somehow, Dean’s smile seemed infectious and he felt his spirit lift, just being around the man. 
“Very good!” Dean nodded, almost knowingly. “I had the most fun I’ve ever had in my life,” he replied; before the director came over to the two of them to talk them through the scene. 
Dean seemed impatient to get going; only just resisting the urge to talk over the director as he impatiently bounced about, waiting to start shooting. Then the moment came. He pulled off his robe, revealing his built shoulders, letting the thick material fall to the ground. All of a sudden, the man was stood there, naked but for his boxer shorts; and the most terrible intake of breath was heard all over the set. All eyes were on Dean’s body. Over the break, a rounded little paunch had started to pop out under his muscular chest. It was meaty and his core remained undoubtedly strong, but it was packed tight and bloated-looking, spreading around to the side so that even from behind his gain was more than evident.
“What’s the matter?” Dean asked, knowing full well why nobody had moved an inch. His grin was one of complete pleasure at his own cleverness and he clapped his hands together, relishing every minute. “Let’s get this party started!”
Unsurprisingly, they were late to begin filming that day. Oscar wasn’t privy to the flurry of phone calls that were going on in the offices. Some pretty high up executives had just been given a very nasty headache on the first day back. Not that Oscar saw any of that. He’d been swept away to film his scenes for later on in the day, while Dean was clearly getting a grilling from someone. Not wanting to get behind on filming, it had been a rush to alter the schedule for the day, and Oscar already knew that he wouldn’t be getting home until very late that night. What on earth had Dean done? Oscar had suggested that he gained a few pounds to hide his six pack a little, but nothing like this! Dean had gone full-on beast-mode, growing a little pot belly in a matter of weeks! The image of it stuck in Oscar’s mind; a sight he would never forget; so bizarrely rounded and full on a man so athletic.
It wasn’t until the next day that Oscar saw Dean again. He’d heard rumours on set that their bloated superhero was to commence filming again that afternoon, but there had been no sign of him. However, there he was, sat on Oscar’s couch as he went back to his trailer for a twenty minute lunch break. His grin lit up the room as Oscar entered and he raised a cool beer up in the air, as if they were celebrating.
“Where the hell have you been?” Oscar blasted as soon as the door was closed.
“Crisis talks!” Dean laughed. “I’ve had so many people breathing down my neck for the last twenty-four hours, you wouldn’t believe it!” He lifted up his shirt to reveal his rounded stomach. “They pretty much painted on a six pack! Like that’s going to fool anyone! They made some clever changes to the costumes and have pretty much decided to hide my belly as much as possible. Apparently, they brought in some lady who’s a specialist at helping conceal pregnancies on screen. Can you believe that?!”
Oscar stared at the completely unconvincing six pack on Dean’s body. He felt a burning curiosity inside himself; like he wanted to ask Dean to remove his shirt entirely and let him explore all the changes properly. “I can’t believe you did this…” was all he could manage to string together.
“It’s insane, isn’t it?” Dean laughed, grabbing an actual wedge of fat on his middle and jiggling it. He reached out, grabbing Oscar’s arm and then slapping the hand down on his rounded middle.
“It’s actually soft!” Oscar shot straight away, trying to ignore the strange arousal he felt.
“It’s fat! That’s why!” Dean chuckled, releasing Oscar’s wrist. “Gain thirty pounds and this…” he pointed directly at his stomach “...is exactly what happens to you!”
“Thirty?” Oscar asked, unsure about whether he was surprised by that number or not. “I thought we said you’d gain ten pounds?”
“Once you start, it’s hard to stop!” Dean laughed at himself, slapping his little belly once more with pride. “This has been the best thing I have ever done. I finally feel like I’m starting to remember who I used to be. I was never into the whole super-ripped body thing. I just got sucked down this strange, narcissistic path because they all told me I’d never work again unless I became what they wanted.”
“What does Jessica think?” Oscar asked next.
“She flew back to Australia to be with her folks over the holidays. She gets back tomorrow. But, who cares?” Dean sighed, still looking pleased with himself. “It’s you I’ve been looking forward to showing. I’ve not told anyone, you know. Fattening me up is still our secret.”
Oscar didn’t know whether Dean meant it or not, but the whole situation suddenly felt a lot more intimate. When he saw Dean rubbing his stomach, it seemed like he was doing so only for him. They shared a look of mutual appreciation.
“We have to be careful from now on,” Oscar stated warningly. “If they get wind that we’re deliberately trying to sabotage the show, we’re in deep shit. You may be related to them, but I’d bet anything that they’d sue and try to take back the rights to ‘Bro Code’ from you. This little belly will have to be it for now. You can’t gain any more.”
Dean pulled a face. “I know you’re right, but I don’t want to stop.” He rubbed his stomach more now; like it comforted him to know his abs had been smothered with a protective layer of fat. “Now that I’ve started, I just want to keep going.”
“Please!” Oscar begged, his heart racing with panic. “We’ve got to slow this thing down. At least until we get official confirmation that the show is cancelled. Then I’ll happily stuff you full of doughnuts myself!” he joked, in an attempt to lighten the mood.
Dean’s eyebrows rose and a boyish smirk came to his face. “You promise?” he asked in an almost flirtatious manner.
A second attempt on the opening scene was being made that afternoon. A couple of changes were being made, whereby Oscar would be the one to walk in half-naked, instead of Dean, who would now be lying in bed, under the sheets. They’d talked it through at a rapid pace, trying to get back on track with the schedule. The sheets were to be draped over them, but the hands would roam and the focus would most likely be on the kissing. That was something new for the show and Oscar felt strangely nervous as he climbed into the bed as they began filming. 
In contrast, Dean seemed more relaxed than Oscar had ever seen him during these types of scenes. They’d shared many kisses over the four seasons, but to Oscar, this felt almost like the first time; the first time he was doing it when he actually felt something for the man he had mostly despised up until now. Dean’s large hand held the back of Oscar’s head, pulling him in. Their lips parted and embraced, exhaling passionately a moment later. Oscar could smell the sugary doughnuts on the guy’s breath and couldn’t help feeling excited that Dean had quietly indulged himself somewhere, even after the stark warnings he had tried his best to emphasise to him. He dove in, trying to use that passion for the character, and Dean came back to more than match it. Simultaneously, their lips parted and they both went deeper. They hadn’t discussed using tongues before shooting, but now that they were in the moment, it seemed entirely natural. Now Oscar could taste the sugar on Dean’s tongue and it was sending him into an abyss of lust. He should have stopped the scene as soon as he felt himself getting hard, but, against every one of his professional values, he’d let the scene continue. He felt Dean roll into him more and he winced when he felt their pelvises rub into each other. Then he felt it, and everything was suddenly okay. Dean was hard as well. Their eyes met, knowingly, and the scene rumbled on.
“Cut!” called the director after capturing the final shot. “Guys, that was absolutely amazing!”
“I thought you’d agreed to cool the weight gain for now?” Oscar asked a few weeks later, as Dean pulled out a beer from Oscar's trailer refrigerator.
Dean unpopped the lid and smirked. “I’ve still got to make sure I don’t lose any,” he replied cheekily. “The personal trainer they got for me has been absolutely brutal,” he complained, despite raising his arm and flexing the extraordinary size of his bicep. He finished with a satisfied round of patting on his little stomach, then sat himself down heavily, enjoying the taste of his beer. “Apparently they’re all on edge upstairs. They’re getting the phone call from the network on Friday, letting us know if we’re wrapping up for good this year.”
“That’s happening on Friday?” Oscar asked nervously. In previous years, they had known before the holidays about their renewal. However, back then it had been an easy call to make. This year, with falling viewing figures and declining quality, they’d left them stewing until there were only seven more weeks of filming remaining. He immediately picked up his cell phone and began texting. “My agent in the UK is almost as desperate as me to find out whether we’re cancelled or not.”
“Your agent in the UK?” Dean asked, as if this had been the last thing he had expected to hear. “You’re planning to do some work in the UK after we wrap?”
“I plan to move back completely after this job ends,” Oscar stated simply. “I don’t think I’m quite cut out for the US.”
“What ‘s wrong with the US?” Dean asked a little defensively.
“It’s been the worst time of my life working on this show,” Oscar explained. “Is it any surprise that I just want to get the hell out of here? Los Angeles is such a bizarre place, full of egos, expectations and narcissism. Then there’s the politics and the gun culture…” he sighed. “No, it’s definitely not for me.”
Dean looked red, like he had just been slapped across the face. He upturned his beer and drained it down his throat, stepping back up and announcing that he needed to get back on set.
Oscar had never assumed that Dean would be someone who was so patriotic. With their characters currently split up during some weird alien planet saga that had overtaken everything else during this season, they hadn’t been working together for a couple of days. However, Dean also hadn’t been over to see Oscar in his trailer as he usually did.
The news came that Friday morning, just as Oscar had been hoping. Everyone had been called onto set with glum faces, expecting the worst. Oscar’s look of disappointment was one of the best acting performances of his career. The show was cancelled, ending, kaput, dead! Freedom was coming! He no longer cared that Dean was sulking with him, strolling straight over to Dean’s trailer that afternoon. He knocked on the door, giving Dean the courtesy that he had never received, and waited until Dean came into view. Not a word was said as their eyes met. Dean simply acknowledged him and then nodded his head for Oscar to enter.
Oscar looked around the trailer to make sure no one else was there before he burst out in excitement. “I can’t believe it! Can you? We’re finally free of this shit show!”
Dean didn’t share any signs of excitement, but simply trotted over to the kitchenette to lean against the countertop and survey Oscar more carefully.
“Aren’t you excited?” Oscar asked. Surely whatever had upset him the other day paled into insignificance now?
“It’s the best news ever,” Dean replied, without a trace of enthusiasm in his voice.
“Well… you could tell your face…” Oscar mumbled, feeling Dean’s low mood starting to bring him down too. 
Silence followed. The pair stared at each other in a way that wouldn’t have been possible had they not grown so close over the last few months.
“I don’t want you to go back to the UK,” Dean finally stated. “I just kinda assumed that… with all the work we’ve been doing, plotting out the new show, you’d want to stick around and see it through with me.”
Oscar felt touched. The idea that Dean had been upset because of his departure had never occurred to him and he told him so.
“I’m going to be going through a lot of changes soon,” Dean went on, mindlessly rubbing his middle. “Big changes. And I kinda want someone there who I can trust. Someone I can work with to get back into character.”
“What are you suggesting?” Oscar asked. “Are you looking for someone to produce it with you? Because… I’m not so sure I’ve got the skills for that sort of thing.”
“Are you kidding?” Dean chuckled. “You’re the smartest person I’ve ever met. Our best ideas for the rebooted show have come straight out of that strange and marvellous head of yours!” He seemed to be thinking on his feet, giving the impression that there was a rush of words trying to gush their way out of his mouth. “All you have to do is glance at one of the scripts for this show and you know exactly what’s wrong with them. Everything that went downhill this season, you called it straight away: every plot flaw, every continuity error, every lame attempt at melodrama, you saw it first. You’re just… incredible! Of course I want you to produce the show alongside me.”
Oscar could feel himself blushing. He’d never particularly enjoyed receiving compliments and he squirmed under Dean’s praise.
“I watched one of the interviews you did a couple of years ago. In fact, I watched almost all of them that I could still find online. You said that you found it easy to pretend that you’re in love with me for the show because you pictured Codey from Bro Code when you perform. You said that you compare every other man you meet to Codey and they always come up short. Is that true?” Dean asked.
It was the second time that Oscar had been stunned that day. The thought of Dean spending his time studying past interviews he had done seemed almost surreal. He tried to shrug off the embarrassment and retreated, promising Dean that he would consider the incredible offer he had just made.
Things lightened between Dean and Oscar after that. With only four episodes left to shoot, an incredible barrage of rewrites were being thrust upon them to bring the show to a climactic finale. The fanbase had been outraged at the cancellation and the inevitable petitions to save the show were already underway.
“Hey, go easy!” Oscar chuckled, pulling a box of doughnuts away from Dean as he slobbed out in his trailer. “We’re not finished with the show just yet. You’re going to give the costume department even more of a headache if you carry on like this!”
Dean laughed and pulled the box back towards him. “Fuck it!” he cheered. “I’ve already told them I’m not doing any more shirtless scenes.” He pulled up the bottom of his t-shirt and flapped it over so that his belly button was on show. His stomach looked bloated; either from the six doughnuts he had just eaten, or from the longer term impact of his new, more relaxed diet. Nevertheless, Dean stared down at his small tummy as if it was the thing he was most proud of in the entire world. “I’m only taking on fat boy parts from now on.”
Oscar chuckled, revelling in Dean’s hedonistic attitude; so much different to the Dean he had known before. Dean smiled too, rubbing his little stomach and moaning as he took another huge, greedy bite of a fresh doughnut; all in aid of making Oscar laugh even more. “You’re so bad!” Oscar teased him. “If only your fans could see you now…”
“Yeah!” Dean agreed, raising his eyebrows mischievously and pushing in the largest piece of doughnut yet; struggling to chew it all and making them both laugh like a pair of giggling teenage girls.
“Does this mean that you’re going to start up those calorie shakes again?” Oscar asked, strangely enthralled by the idea. Dean simply looked down guiltily and smirked. “You mean, you already have started doing the calorie shakes again?” Oscar gasped, laughing even more. Dean’s self-satisfied grin was enough to make Oscar’s heart flutter to the extreme. How he loved this side of his co-star!
“I just want to get fat, man!” Dean stated, rubbing his stomach with the gentlest and most delicate of touches. “Do you think that’s weird?”
“No,” Oscar replied immediately. “It’s been your goal for years to bring back Codey. You’re looking ahead. Of course you want to change your body for the character.”
“Yeah,” Dean shrugged. “It’s not just about that.” Despite slouching on the couch, there seemed to be an energy behind his eyes; a devilish twinkle and mischief that was so easy to fall in love with. “I just want to grow a big, fat belly on me.” He modelled with his hands the shape of an enormous ball sitting almost into his lap. “I tried telling my girlfriend once and she was horrified. She said it would be such a shame if I did that to myself. In the end , I backtracked and told her I was joking. But I wasn’t.” He looked Oscar square in the face. “I want to get fat,” he finally announced.
Oscar knew that he was supposed to say something at that point, but no words came to him. The least attractive quality of Dean had always been that vain ego of his. And now, even that was being stripped away from him. He was funny and playful, laidback and yet headstrong. He knew himself better than anyone else Oscar had ever met.
“Do you think it’s a shame too?” Dean asked. “The fact that I want to just eat and pack blubber onto my body?” His tone was strange. As if, just saying this aloud was somehow erotic for him.
Oscar simply shook his head and stared longingly into Dean’s eyes. He realised now that he had known for some time that there had been more to Dean’s fascination with his weight gain than was immediately apparent. And, even stranger, he found that he was falling even more in love with Dean because of it.
“I think you understand me better than anyone else in the entire world,” Dean muttered, seeming to sense that connection himself. “You’re going to produce the show with me, aren’t you?” he asked, as if he knew that the pair of them should never part.
Slowly, Oscar nodded.
It was a beautiful moment, but not one that could be cherished for long. Only a few seconds after the words had been said, there was a vigorous thumping on the trailer door, calling Dean back onto set. He grumbled, lifting his body up and wiping around his mouth and checking his handsome face in the mirror. He smiled back at Oscar with genuine affection, opened the door and was gone.
As Dean and Oscar poured over more story ideas and mapped out their pitches to the networks, they laughed harder and longer than ever before. No network could ever turn them down. Things could be less secretive now as well. Dean could start getting in touch with other members of the cast to see if they were interested in reprising their roles. It wasn’t just something to talk about anymore. All going well, they could be gearing up for production as early as fall. But there was also another, silent, unspoken aspect to these meetings. As Oscar went over on the weekend to Dean’s house, he noted that there was always food cooking or being consumed by Dean. He tried not to stare as Dean got up again and again to get more food, chewing, nodding and grunting in agreement as Oscar carried on sharing his ideas. In fact, the more Dean ate, the more ideas he seemed to generate about his character’s love of food: episodes centred around eating contests, recipes and his chef wife, who they both decided would have something of a feeder streak within her. It was old-school, recording a sitcom in front of a live audience, but that was part of where the buzz and energy of Bro Code had always come from.
“You could eat ten double hamburgers on stage, right?” Oscar asked, as the plot for one of the stories started entering his head.
Dean laughed and rubbed his stomach. “Even if I can’t, I’ll definitely have a lot of fun trying!” he smiled.
Oscar smiled back, gazing at that handsome face; even more beautiful with a little extra size in Dean’s cheeks. “All the shakes and food seem to be working,” he offered kindly, happy to go off-task for just a few moments. “You’re definitely looking a little huskier.”
The smile that spread over Dean’s face was instantaneous. He sat back in his chair and slouched until the arch of a little paunch was on show. Then, pumped from the compliment, Dean lifted off his shirt entirely so that he could show it off better. “It’s coming,” he agreed enthusiastically. “The girlfriend hates it of course,” he chuckled conspiratorially. “She thinks I’m just depressed because the show is ending!”
Oscar laughed too and shook his head, thinking how little Dean’s girlfriend actually knew him.
“I just can’t wait for it to be a real gut. You know, when it pops out properly,” Dean went on. “I’m loving the sensation of my clothes getting a little tighter though. Just that feeling alone makes me want to come down to the kitchen and drink whole pints of whipping cream!”
“And do you?” Oscar asked, intrigued.
Dean simply smirked and grabbed a little wedge of fat that was starting to form a love handle on his muscular frame. “What do you think?” he replied cheekily.
Dean didn’t put his shirt back on afterwards as the two of them continued to work. It should have been easy for Oscar to concentrate; after all, Dean had been practically naked for most of the first season. However, now his body seemed almost hypnotic, luring him in with the bloated stomach from all that he had eaten that day, as well as the extra pounds that had gathered through weeks of hedonistic indulgence.
Oscar had stayed a lot longer than he had anticipated and it was only when Dean’s cell phone alarm went off that he even thought to check the time. “Oh,” Dean mumbled, clearly shocked by how fast the hours had gone by. “That’s my calorie shake alarm.”
“You have an alarm to tell you when to have a calorie shake?” Oscar chuckled, feeling intrigued enough to follow Dean into the kitchen.
“Of course I do,” Dean nodded, starting to get items out of the refrigerator and setting up the blender on the counter. “Otherwise I get too engrossed in stuff and lose track of time. I used to do the same thing with protein shakes but… these are definitely not protein shakes!” he laughed.
“What things are you putting in this shake?” Oscar asked, picking up a tub of whipping cream and staring hard at the nutritional information on the back. No wonder Dean was starting to look so large!
That wicked twinkle came to Dean’s eyes again and he was quiet for a moment, simply considering something. “I think you should make it for me tonight,” he finally stated. “Come on, it’s easy! I’ve already got everything out. Just pick some things and throw them in!”
Oscar liked the playfulness of Dean and he was more than happy to go along. It felt teasing and arousing; almost romantic. “All right…” he began, pulling the lid off the whipping cream and starting to pour. He watched Dean’s eyes closely for any sign of when he should stop, but the longer he let the thick cream drop in, the wider and more devilish Dean’s grin became. Next he picked up some oil and slopped that in, not wanting the jug to overflow before he had put in a bit of everything Dean had got out. It almost felt like he was making a potion, pouring in one bizarre ingredient after another, in the hopes of pleasing Dean.
“You’re very good at this…” Dean whispered into his ear as the concoction got closer to the brim. He thought he’d finished when he felt Dean’s large hand grab his own from behind, guiding him to pour in just a little more chocolate powder. “That’s better,” Dean continued whispering, almost seductively. “Maybe add a little more of that ice cream too; really make my gut pop!” His large body was so close behind him, Oscar could smell his scent and feel the heat of Dean’s presence pumping out of him.
Oscar, more aroused by Dean than ever before, added the extra scoop and then put the lid on, blending the mixture up. It was thicker than he had anticipated, turning a thick, oozing brown thanks to all of the chocolate powder and sauce. He waited until the blending appeared to be completed, then pulled the lid back off, turned and presented the jug to Dean, who stood staggeringly close, waiting. He took the jug, biting his bottom lip with excitement and then lifted it to his lips. The man began chugging with a ferocity Oscar hardly thought possible. He stood in awe, watching as Dean’s already bloated tummy swelled further and further, inching its way closer and closer to him. But Dean didn’t even stop for breath. He didn’t pause or slow down; only swallowed, as if it was the easiest thing in the world. Oscar had expected Dean to split the jug of calorie shake over a couple of days, given how much liquid had been in there. Yet, there the man was, throwing his head back entirely and swallowing the thickest and most sickly dregs that remained. Then, with a manly gasp of personal satisfaction, Dean lowered the empty jug into Oscar’s hands again, partially covering his mouth as he turned his head slightly and burped, long and rumbling through his thick neck. He turned back, looking at Oscar with great satisfaction, waiting for him to comment on what he had just witnessed.
“That was…” Oscar tried, simply lost for words. “I’ve never seen anyone…” Dean’s stare was so penetrating and exposing, Oscar looked down to the guy’s beefy middle instead. “You actually look like you have a real belly right now…”
Dean picked up the empty jug from Oscar’s hands and placed it on the counter behind him, removing the final barrier in their way. “Well, that belly is going to be here a lot sooner after that shake,” Dean whispered in that still seductive and erotic tone.
“I’m pleased that I could help…” Oscar whispered back, daring to look up into Dean’s eyes once more. 
What came next seemed completely natural. Despite how often they had kissed on screen, when their lips met this time, it truly was for the first time. Dean kissed so delicately, and yet with more passion than Oscar could ever have anticipated. For those brief few moments, he was lost to the world completely. Nothing else mattered, or ever would matter again. But then Dean jumped back, startled by something; a sound that had hardly even registered in Oscar’s brain, and he scrambled around for his shirt, quickly swiping the remaining cartons from the shake-making into the sink with a single swish of Dean’s long, powerful arm. 
“Hey, honey!” Dean shot, scratching the back of his head innocently and not knowing quite what to do with himself as his girlfriend strolled in. “We were just…” he began, in the way all guilty men tried to explain themselves. “We were preparing our pitch to the network,” he finished, looking mightily glad that she had made a noise loud enough to alert him before she walked in and saw the kiss. 
Oscar made his excuses and left; now feeling more confused than ever before.
“Good morning!” Dean chirped as Oscar stumbled into make-up that Monday morning, ready to film the penultimate episode. “Did you have a nice weekend?”
“Um…” Oscar began, still not quite awake; having been up half the night going over and over Sunday’s events in his head; second guessing things and almost convincing himself that he had initiated an unwanted kiss, and that Dean would never want to speak to him again. ”I guess so,” he mumbled, very aware of the others in the room, fussing over Dean and starting to get to work on him too. “How about you?” he asked, so as not to appear rude to his co-star in front of the make-up team.
“I broke up with Jessica,” Dean stated frankly, creating a collective intake of breath from the others in the room, who all gushed over Dean like he was a three year old boy who had just fallen over onto rough concrete. “Nah, I’m fine. I’m fine,” Dean countered, brushing the concern away. “I just decided enough was enough. We weren’t right for each other.”
Dean stared at Oscar through the reflection in the mirror, letting him know that he had broken up with Jessica purely for him. He gave Oscar a cheeky grin, making the skin on Oscar’s palms start to sweat. Were they really about to do this? Was he really about to embark on a romance with Dean of all people?
Oscar felt a large hand sliding onto his hip as he stood just to the back of one of the set pieces, reading through the scene one more time. “Why, hello there…” whispered the deep, flirtatious voice of Dean. His sweet, warm breath fell onto Oscar’s neck and he kissed him sweetly there, sweeping his hands onto Oscar’s torso and embracing him from behind. “I haven’t stopped thinking about last night…”
Oscar closed his eyes for a second and allowed himself to enjoy the sensation of Dean holding him so tightly in his large arms. He turned and looked up into the man’s eyes, quite taken aback with how much they sparkled with adoration for him. “I was worried that you might have been regretting it,” he confessed. 
“Not a chance!” Dean gushed, using his large hands to brush Oscar’s hair out of his face. “I wanted to call you last night but things were pretty… intense, with Jessica.” All the while he gazed into Oscar’s eyes, then sighed in satisfaction. “I want to kiss you again…” he insisted.
A shy smile filled Oscar’s face and he looked around their dark corner. “Someone will spot us!” he cautioned, laughing.
“So what?” Dean chuckled. “I want them to know. I want to shout it from the rooftops!” However, he could see the caution in Oscar’s eyes and he politely backed off. “Meet me in my trailer later then,” he whispered, skipping away like a lovesick puppy.
Later that day, Dean was sat in his trailer, smiling broadly as Oscar entered. A huge tray of doughnuts was now half gone, laid out on the table in front of him, with another one half eaten in his hand. He grunted in approval as Oscar entered, pushing the remaining half doughnut into his mouth and using his now free hands to reach out for Oscar, pulling him to stand above his lap as he outstretched his big strong thighs. 
Oscar chuckled seeing that, despite his eagerness, Dean needed a few more seconds to finish chewing and swallowing before he could even think about kissing. A little of the icing sat to the corners of Dean’s mouth and Oscar swiped them up with his index finger, offering it up to Dean who gladly sucked on it. “Did I catch you at a bad time?” he teased.
“There’s no such thing as a bad time when you’re around!” Dean gushed, puckering his lips and lifting himself up enough to kiss Oscar with incredible passion. 
The movement almost caught the perching Oscar off balance and his hand fell onto Dean’s stomach to steady himself. Dean moaned in appreciation, grabbing Oscar’s hand and taking it on a tour of his bloated middle as they continued to kiss. It felt so pleasingly erotic, enjoying Dean in a way that he knew no one else ever had before. Their own, private secret between them both.
“I gained two pounds this weekend,” Dean muttered not long after their lips parted. “I think the little shake you made me really did the trick,” he teased.
“I guess I must have the magic touch,” Oscar smiled, playing along and continuing to rub Dean’s bloated stomach.
Dean’s eyes were wild with lust. “You’ll have to make me some more shakes sometime… Really speed up this gut!”
Oscar grinned, feeling somehow empowered by how mutually aroused this was making them both. “Oh, don’t you worry. I will be,” he teased. The very air around them felt like it was sparking with electricity. “In fact…” he began, reaching back to the table to pick up a doughnut and hearing Dean’s breathing getting instantly heavier with lust, “...maybe we could test out this magic touch of mine right now…”
“Oh, please, yes!” Dean moaned, with greedy eyes on the doughnut and his enormous chest raising up and down. “Feed it to me, please!” he begged.
His hands down, submissively on his lap, Dean allowed the doughnut to enter his mouth, moaning with appreciation at how deep it was pushed. He bit into it like it was the most erotic moment of his life. One doughnut followed another, only stopping when the inevitable calls began for them to get back to work.
“Look at this!” Dean grinned, turning his cell phone screen to face Oscar a few days later. “Apparently we’re an item!”
Oscar’s eyes flashed with surprise as he saw the online article featuring a picture of the pair of them from a red carpet event two years before. It seemed to describe, surprisingly well, how the pair of them had been spending more time together as well as the quiet affection they showed each other on set. “There are bloody spies everywhere!” he quietly complained. “I guess we weren’t as subtle as we thought,” he whispered, looking around the set and the prying eyes watching them both. He hated articles like these where there was a glimmer of truth to them. He and Dean had not even been properly intimate with each other and yet, already the world was being told about them. The schedule had been gruelling and the days physically exhausting. The only light at the end of the tunnel was the knowledge that it would soon be over. Not long now and the pair of them would be free to explore their new relationship freely. 
It had been hard though; seriously hard! Despite Dean’s epic height and build, the fat he had been gaining was becoming increasingly obvious. He’d lost his ‘golden boy’ status with most of the production crew, as it just became clear that he had completely signed out of this job. His main costume had been altered several times now and the creative cover ups for his budding belly were becoming increasingly hard to achieve. Oscar knew why; Dean was so focused on ‘Bro Code’ and building his body up, he didn’t care that he was making extra work for everyone else. It probably didn’t even occur to him. In his eyes, he’d sacrificed too much time for this show, and he wasn’t about to waste another second. It was part of what he found so irresistibly sexy about him; his drive to now do whatever he wanted, no matter the consequences, or what people thought of him.
After the article, the two guys decided to try and keep things quieter. The last thing they needed was a flood of interest in the show and a last-minute rescue from cancellation. They’d denied the romance to their publicists and quit being seen together so much on set. It was even a little fun, ordering doughnuts and cakes to be sent to Dean’s trailer, then waiting for the inevitable horny messages from the man to come in as he gorged on them during his break.
There were tears on set during the final day, but not from Dean or Oscar; at least, not genuine ones. They made their speeches, filmed the last scenes and participated in the wrap party. But, as Oscar made it home that night, he wasn’t thinking about the fact that he was now unemployed. Setting his alarm for 6am, he knew tomorrow was going to be the biggest day of his life so far.
It would have been hard to describe to anyone else just how intimate food was in Oscar and Dean’s relationship. Oscar knew that in order to make his first time with Dean special, there would need to be lots of it. It would all need to be enticing, indulgent and highly fattening. There wouldn’t be time for any actual work or script writing today. The experience of waiting had left Dean and Oscar feeling like a pair of tightly wound springs, ready to be released. By the time Dean pulled up at nine, everything was prepared. The kitchen counter was loaded with snacks, and the house had a delicious aroma from the fresh baking. Oscar could feel the butterflies in his stomach as Dean strutted out of his car, carrying a fresh coffee in his hand; his t-shirt clinging surprisingly snugly against his now sizeable paunch which had been grabbing the attention of the hungry press for the last couple of months. He’d parked, as instructed, in a spot where his car would not be seen from the road; then a cheesy grin flashed across his face as he noticed Oscar in the window. 
Once the door was closed, the boys’ intimate kiss progressed very quickly from being sweet and delicate, to something a lot more lust-filled and hungry. Oscar took Dean’s hand and led him to the kitchen to show off just how much he had prepared for their day together, feeling his pulse pounding all the way down in his crotch.
“I can’t believe you set all this up!” Dean marvelled, seeing all the food out. He nodded towards the counter, seeing the exact same ingredients he used for his calorie shake, already set out, with one shake prepared and still in the blender. “YOU are just the most amazing person I have ever met!” Dean gushed, pulling Oscar back in for another kiss.
Oscar felt himself being pushed up against the refrigerator by the wildly aroused man, their kisses getting deeper and deeper. Dean only paused for a moment, lifting his shirt off and patting his stomach before diving back in again.
As difficult as it was to stop, Oscar eventually managed to tear himself away, catching his breath and trying to resist the urge to just run upstairs to bed with the sexiest man he had ever encountered. But, he’d worked hard to prepare for the day and he knew that just a little more patience would be needed in order to make the most of it. “So… what shall I feed you first?” he asked. “Your superhero days are done. There’s no point in even trying to hold that belly back now.”
Dean’s eyes were insane with lust. He picked up the blender jug and began pouring that fattening mixture down his throat. Oscar could feel his hardness weeping as he watched Dean’s head rise up as the jug slowly emptied, and he admired that strong, thick neck as he gulped and chugged with nothing but the urge to show off for him. When done, he grinned, burped and rubbed his already bloated stomach. “Where do you want me?” he asked, finally ready to be sat down and fed.
Oscar was amazed at his own restraint. He glanced at his cell phone, seeing it was now almost four in the afternoon. Dean had been grazing all day and eaten an absolutely enormous lunch. His gut looked so distended, the difference from when he first arrived was completely remarkable. They’d come close to giving in to their urges many times. During Dean’s fourth calorie shake, Dean had almost lost it entirely as Oscar began to suck him off at the same time. Somehow, they both seemed to know that the longer they waited and the more calories Dean could get down, the better the final climax would be.
“I’m never going home. You know that, right?” Dean joked as he was spoon fed ice cream after dinner. He had a hand resting on his rounded middle and hadn’t been able to stop rubbing it all day long, amazed at the shape it was taking on. “I’m just going to stay here and keep getting fatter and fatter every single day!”
“You’re just so incredibly greedy!” Oscar sighed with lust, watching as Dean bit into yet another double stacked slice of now cold pizza; a monstrously large and masculine bite. It was hard to believe that any man could still be able to consume anything after all that Dean had been fed that day.
Dean seemed to revel in the word, smiling with delight, his eyes dancing with mischief and joy as he ripped off more pizza, chewed and finally pushed the crusts into his mouth before slurping a large quantity of chocolate milk, as if trying to lubricate his throat. “I’m going to get greedier as well. I’ve been looking into it; how to train myself how to eat more. In six months time, all this will be nothing to me,” he boasted, motioning towards the many empty plates and packaging that littered the table in front of them.
“I’m looking forward to it…” Oscar nodded enthisiastically, knowing that he could no longer hold back. Seeing Dean’s dick flex and bulge with such hardness as he talked about training his appetite was the final straw. Rubbing in a little lubricant, he climbed onto Dean’s lap as the man slouched a little more, ready for what was coming and holding three stacked pizza slices in his hand as the final show of gluttony. Oscar only winced slightly as he slowly lowered himself onto Dean’s oversized hardness. He could tell by the way that the man’s eyes glazed over and his chin dropped, emphasising the slight spead of fat under there, that Dean had no restraint left in him either. He gasped, grasping Oscar’s dick in his large hand, before pushing that pizza in with only mindless greed.
Oscar’s eyes bulged. Dean’s sweaty palm was going to make him come too as he slid his butt up and down the big man’s shaft. They both started to maon as they felt it building, gazing into each other’s eyes as if baring their very souls to each other. Then it happened: the longest, most intense and explosive orgasms of their lives. It had been a long journey to get where they were now, yet both of them now knew that there would never be anyone else by their side from now on. Every step into the future would be taken together.
It was not easy being away from Dean, but the play in London had been the least that Oscar felt that he could do for his London-based agent, who had worked so hard to get him work back in the UK. Breaking the news that he wasn’t quite finished with the US just yet had not gone down terribly well, which was partly why he had been guilted into the six week stint in the West End. But, it had been so long since he’d done a real play, Oscar had almost forgotten the thrill of performing to a live audience: the laughs, the gasps, the applause. He could understand why Dean had argued so much to continue filming Bro Code in front of a live studio audience. There was no buzz that was quite like it. Yet, as he slipped back into his dressing room after finishing the second week, he sighed in longing for Dean and looked at the clock on the wall. It was still half an hour until their planned video catch-up call; just enough time for him to take off the make-up, slip out of the back entrance of the theatre and take the taxi to the soulless, one-bedroom apartment he was renting in Battersea. 
Just then, there was a knock at the dressing room door. Oscar felt inclined to ignore it as he hurried to get ready to leave. However, the second knock was louder, more forceful and impatient, making Oscar roll his eyes and finally open up. 
“Well, hello there!” Dean grinned smugly, taking in the joy that instantly spread across Oscar’s face. “Did you miss me?”
Oscar fell into Dean’s enormous chest and the pair began kissing passionately as they fell back into the room; sweeping the door closed behind them. “What are you doing here?” Oscar asked, still overcome with shock.
“I came to see you, of course,” Dean smirked, already taking his shirt off. “The play was awesome. You were amazing! Just incredible. You so deserve all of those rave reviews!” he gushed.
Oscar barely heard a word of what was said, so captivated was he by the changes since he left almost a month ago. Dean’s belly had been swelling so much. It now seemed so round and firm, overindulged and packed as it was so frequently now. But the fat was also building now in his pecs and his love handles bulged incredibly, giving a new wider mass to Dean’s middle that overwhelmed even the broadness of his chest. It was a belly; a true, fat belly!
Sensing that Oscar was overcome by the sight of him, Dean grabbed Oscar’s hand and placed it on the top of his gut, where it was starting to bulge and become shelf-like. “Oh, yeah. And I may have gained a few pounds since you left…”
“You look…” Oscar began in awe.
“Go on!” Dean smiled, clearly getting more aroused. “Tell me how fucking fat I’m getting!” he demanded excitedly, slapping his gut and grabbing a wedge to jiggle; demonstrating that it wasn’t anywhere near as firm as it looked.
“You look like a complete… lardarse,” Oscar smiled knowingly.
“Oh, fuck!” Dean moaned; his dick instantly smashing against the fabric of his pants. There clearly couldn't have been a better word that Oscar could have chosen to get the man so overtaken by lust. They fell into each other; Oscar’s hands roaming and exploring the changes as they kissed; grabbing and holding the fresh fat that had been packed on. It was a transformation like nothing he had ever witnessed before. That old hunk was gone forever. Oscar was, at long last, dating a real fat guy.
“I hope you packed your appetite?” Oscar smiled as they finally made it out of the theatre. “You haven’t been truly fed until you’ve experienced a proper London stuffing…”
It was incredible the difference a couple of years could make. Gone were the days of Oscar having to promote himself on any old talk show. Now he could pick and choose, knowing that his appearance was a boon to whichever show he had signed up for. His ongoing television and movie work, alongside his association with ‘Bro Code’ and its lead actor, had opened doors for him that he didn’t know even existed. Nostalgia was a powerful thing. Rebooting a show that had once been so successful, bringing it back even stronger than before; churning out outstanding content week after week; it had all led to multiple season orders and awards aplenty. Right now, he and Dean were working on two new pilot projects and had multiple ideas for spin-offs related to the original show. 
“So, Season three starts next week and we are all just so pumped!” the chat show presenter lamented, igniting a cheer from his audience. “Is there anything you can tell us about what’s coming up?”
“I’m afraid you’re just going to have to tune in and find out,” Oscar smiled back.
“Well, there is one thing we do know…” the presenter nodded to his audience, trying to make it sound like this entire conversation hadn’t all been roughly scripted beforehand. “It was announced a couple of weeks ago that you’re actually going to have your own character on the show.” At that, a promotional shot of Oscar in character arrived on the big screen behind them both and the audience cheered and clapped excitedly.
Oscar nodded, waiting for the overworked crowd to quieten a little before he spoke. “Dean and I came up with this character sometime around the middle of the first season and we just laughed our heads off everytime he came up in conversation. I could just picture him in my head so clearly, his voice, how he would walk. Dean spent about a year trying to convince me to play the character myself, until I finally relented. I think you’re all going to love him!”
“Speaking of Dean…” the presenter moved on coyly. “I know that fans of The Silence were freaking out when it was announced that you two were actually together in real life, but now it seems that the pair of you are fast becoming the new power couple of Holywood. Which, forgive me for saying this,” he smiled as a picture of Dean came up on the screen behind him, “somehow seems incredibly unlikely!”
His meaning was clear by the choice of picture up on show. There was Dean, in character, shirtless and gorging on a large bowl of ice cream that his sexy and hilarious on-screen feeder wife had just served to him. Oscar sighed in satisfaction. It was an image from the beginning of season two, and Dean was now a lot fatter than even that. “Awh! Isn’t he adorable!” Oscar smiled, making the audience laugh.
“His dedication to the role is outstanding!” the presenter went on. “There’s no way I would gain two hundred pounds for a role like he has.”
Just as expected, a shot of a shirtless and pumped Dean from ‘The Silence’ popped up side by side with another image of him, standing with his new, large and rounded belly at over four hundred pounds. But it wasn’t just the large stomach that was the biggest difference; the fat around his face had made him appear like someone almost completely different, and Dean had been surprisingly joyous as his incredible pecs melted into giant, jiggly moobs. The definition in his arms was gone, but its legacy was apparent in how well he piled fat in those area; making him look even more monstrous than before. His thighs too, once so muscular, had now been coated with a thick layer of fat, giving him an even wider stance as he stood and posed for the shot. Oscar could only gaze at the screen for a brief second before he felt the blood pumping into his groin.
“Don’t you miss the hot guy on the left?” the presenter asked, pointing to the before picture of Dean.
“Not at all!” Oscar laughed. “That guy on the left was an arsehole! I’ve spoken about this before, but the first three years of working on The Silence were awful. I hated him!” he smiled, making the audience laugh at the irony. “He was just trying to be someone he’s not,” Oscar pointed at the screen. “Now he’s much more comfortable in himself as a big guy.”
“Well, it doesn’t seem to have harmed his career at all. If Holywood needs a… larger gentleman,” he tried senstitively, emitting titters from the crowds, “Dean seems to be on everyone’s speed dial. I’ve lost count of how many movies I’ve seen him in in the last couple years!”
“He’s a very busy boy!” Oscar nodded proudly, seeing that the production crew were signalling to wrap things up for a commercial break. Just in time as well; there was only so long that Oscar could discuss Dean’s incredible growth without flushing a bright red with arousal.
Back at home that evening, Oscar only had a short wait for his lover to return; just enough time to prepare his calorie shake and leave the ice cream out to soften.
“I’m home!” the big man called as he strolled in, immediately removing his shirt and unbuckling his pants, letting his large, open belt swing at the crotch as he pounded into the kitchen.
“Mmm! There’s my beautiful fat boy!” Oscar grinned, heading over to Dean to greet him. “I can see you’ve eaten well today,” he smiled, rubbing his hand across the man’s large stomach and feeling that it was tight. In contrast to what many might have thought, movie sets were a surprisingly awesome place to fatten up, considering the constant on-site catering that was available.
“I gorged like a little piggy all day long, just for you…” he teased, kissing his lover once more. “Is my shake ready?” Dean asked; his excited boner already pushing up against the fat that had invaded his crotch.
“What do you think?” Oscar smiled back, proud that Dean was still so keen to pump himself up with fat and calories. He watched on as the fat man strolled ahead to the counter; the fat rippling and jiggling in his love handles and the altogether new way he was walking with such a wide rear on him now. Then the four hundred and forty pound guy lifted that shake to his lips and began the chug; his free hand unable to resist the temptation of rubbing the soft fat of his underbelly, grabbing and jiggling it for his own pleasure. Then he put the empty jug down, burped loudly, before taking the second one to his lips and annihilating that too. “What’s for dinner?” he asked, grabbing the spoon and open carton of ice cream to begin that next.
“Grilled chicken salad,” Oscar lied jokingly, making Dean laugh. They’d plotted a storyline for the end of season three where Dean would have to be visibly fatter in order for it to work, igniting their shared passion for overindulging Dean more than ever. Whole new realms of obesity and gluttony. Five hundred pounds had seemed like a fantasy for so long. Now it felt like it was just around the corner. “No, don’t worry, Fatso…” he smiled, walking over to side-hug the big man and appreciate just how wide and thick he was still getting, “...you won’t be disappointed!”
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wen-kexing-apologist · 6 months
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Bengiyo Queer Cinema Syllabus
For those who are not aware, I have decided to run the gauntlet of @bengiyo’s Queer Cinema Syllabus and have officially started Unit 3: Faith and Religion. The films in Unit 3 are: But I’m a Cheerleader (2000), Prayers for Bobby (2009), Latter Days (2003), Blackbird (2014), The Wise Kids (2011), Henry Gamble’s Birthday Party (2015)
Today I will be writing about
Latter Days (2003) dir. C. Jay Cox
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[Run Time: 1:48 , Available: tubi, youtube premium, amazon but you have to get a free trial to something else…I tried watching it…somewhere else but they were updating the movie so I caved and went to tubi, Lang: English] 
Summary: Latter Days is a 2003 American romantic comedy-drama film about a gay relationship between a closeted Mormon missionary and his openly gay neighbor. (from wiki)
Cast: * Wes Ramsey as Christian Markelli * Steve Sandvoss as Elder Aaron Davis 
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Content Warnings because I don't really write about those parts of the movie here: this film gets to a dark place, it includes self harm/a suicide attempt, homophobia, medical torture, and a story about being left to die by a parent. Alright, so after sufficiently crying my eyes out binging Eternal Yesterday, I decided there was enough time in the evening to knock out another film from the syllabus. Today’s film was (partially) about Mormons and Mormonism. My own personal understanding of Mormonism does not extend too far beyond The Book of Mormon: The Musical. Which gave me some impression that homosexuality is a sin, but only if acted upon. 
Which, is gonna suck for our poor dear Elder Davis, when he and three other Elders roll in to Los Angeles and in to a house across from our beloved booty shorts wearing waiter. The movie seems pretty low budget, and it’s from 2003 so there are some, what I would call cheesy camera effects happening at the beginning, but I still enjoyed the way the world seemed sped up and disorienting when Mr. Mormon lands in Los Angeles from his home in Idaho. 
I love our introduction to Christian as an unapologetically queer, slutty man and not only that, but Christian has his sex life together. He remembers who he has slept with, and when, and takes fucking notes and everything. Like, he’s truly impressive. 
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gif from @bl-bam-beyond
Aaron and Christian make eye contact as every love at first sight story is wont to do, and then realize later they are neighbors. At which point a lot of decently subtle things start to happen. Aaron starts sitting outside to study his scripture in hopes of running in to Christian, Aaron and Christian talk about his mission trip, we get to see the four Elders interact, etc. and these subtler moments were aspects of this film that I deeply appreciated. 
Do not get me wrong, this film is absolutely critical of the Mormon church, (there is a scene near the end of the film where Elder Davis is getting excommunicated from the church for being a homosexual), but there are a lot of quite parts they do not say out loud around the intentional isolation that The Church of Latter Day Saints creates by sending their boys on missions trips in the first place. 
This film does not, in my opinion, explicitly discuss or state that mission trips really seem to be less to recruit new members and more to make sure their younger members don’t go running off to join the rest of society. The Elders are not allowed to see their family for two years, their families are not allowed to see them, they are not allowed to listen to music, to watch television, all the Elders in that location live together in one house, they share a room so there is no privacy, they go knocking door to door to try to spread the word only to have the doors slammed repeatedly in their face. These tactics exist to make these boys homesick, to make the outer world seem hostile, to bring the Mormon roommates closer together when the outsiders push them away. But the implication is there. 
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I have to share the quote that comes with this gif: "You're gonna come in to my house and tell me God hates homosexuals?" || "And the French!"
And actually, the thing I appreciate the most about this commentary is the fact that the Elders are aware of this, and that they are allowed to be young men. I loved that one Elder was talking to Aaron about how mission trips were designed to be difficult, and that you can tell he is generally disinterested in spreading The Word. This Elder views his mission trip as the last major hoop he has to jump through before he can marry his girlfriend and “finally nail her”. Horniness fuels his motivation to get through this mission. 
These “Elders” (and I put quotes here not to strip them of their titles but to point out the irony) are nineteen or twenty years old. They are fucking gross. Their apartment is decorated like boys live there, with bean bag chairs and all, and they fart on each other, and wrestle, and bite their bedframes to try to stop themselves from jerking off. Hell, when they first move in, Christian mistakes them for a frat house. They are homophobic, and throw slurs around, but they look incredulous at the mere thought of consuming alcohol. 
The first time Aaron is faced with the potential to give in to his gay thoughts, he tells Christian he hasn’t done anything. When Christian says it doesn’t have to mean anything and Aaron says “yes it does”, he asks “my first time can just be a little fun for you?” like Aaron was fully planning on having sex with Christian. I like that Aaron, as a young man is going 0 to 100 with the physical intimacy. 
I often have difficulty with romance stories in movie formats because I have to push past how quickly two characters fall in love. Which is the case here that Christian is confessing his love for Aaron after they have interacted like…five times total. But, I appreciate the ways they show us that Christian and Aarong would be good for each other. We see them being absolute nerds, saying movie quotes to each other. I love that we know Aaron is going to break the rules and eventually give in to Christian, just based on the fact that he gives Christian his first name. Which he is not supposed to use when he’s on his mission trip.
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gif from @bl-bam-beyond
I am not a religious person, so I don’t usually pay attention to whether or not a film that critics religion is going to take a hard atheistic turn or not. But I actually thought it was compassionate, kind, and in keeping with the nature of like, religion as spirituality, versus religion as control and fear tactic. I like that all these little coincidences happened, that Christian saw Aaron through his taxi cab window, that Aaron talked to and comforted Lila (Christians’ boss) when she was having a bad day and she gave him her card and told him to come to her restaurant for a free meal, that when Christian is looking for Aaron his random doodles end up being the phone number he needs to call, that Julie in stealing entries from Christian’s diary for her song allowed Aaron to hear it in the facility his parents put him in and return to LA, and that Aaron and Christian were reunited because Aaron cashed in on that free meal from Lila. 
And so too with the man Christian meets who is dying of AIDS, how he touches him and only sees snow. How he chalks that up to Christian being a blank person, shallow. The same way that Aaron has described Christian “there is nothing, nothing about you, Christian that isn’t skin deep”. And how we see Christian recoil from the touch, from the words ‘snow’ (and we will come to find out later, why that is the case).
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Like these can all be coincidences, or they could be chalked up to fate, or a higher power, or whatever you want. Latter Days does not reject the idea of religion, it leaves room for a religious, higher power explanation to exist. Aaron and Aaron’s faith, the way he views the world, the importance that his values hold to him do still impact Christian. I don’t know how much he believes in God, but when Aaron calls him shallow, he takes that to heart, he really thinks about it, he realizes that what has been drawing him to Aaron is the depth, the conversations, they aren’t just gonna fuck. 
Not that I think monogamy needs to happen, or that Christian needs to have calmed down the sluttiness. Just, that in a film about religion and its intersections with sexuality, when you are going to be critical of a Church that has done very very real harm. That there is a mutual exchange here. Christian gets more depth as a result of meeting Aaron and Aaron (eventually) gets freedom as a result of meeting Christian. 
BL Side Note
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I also need to say, since this syllabus is technically supposed to act as a lead up to BLs, that Latter Days has the sponge bath trope! Aaron wipes down Christian’s body with a washcloth after he faints from seeing blood. The sexual tension rises between Aaron and Christian, until they are about a fraction of a second away from kissing, and Aaron bails. 
For/By/About 
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Gay Trifecta.
The director of Latter Days, C. Jay Cox is a gay man and a (former) fifth generation Mormon. 
This film did not hit me in the emotional place where I would normally say the films I rate as For The Queers go. But, this is a deeply personal film for the screen writer and Director who is gay and therefore it feels like it should be for gays. And, in addition I feel like they were enough casual references to things that don’t get full explanations that would read and be understood by a queer audience but maybe not by a straight audience. I think there are dimensional portrayals of the queer characters and they don’t succumb to stereotypes, and for those reasons I would categorize it as being for us. 
Favorite Moment 
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The post-sex conversation that Aaron and Christian have, where Aaron asks if Christian has ever had the experience of being cut off from everything, and we finally get some more of Christian’s backstory. Now, like I said above, there are some understated aspects of this film that I do think are really smart. Aaron calls Christian shallow at one point, and my first thought was “oh honey, you are wrong” because of how Christian spoke to Aaron earlier on in the movie about being desperate to get away from home. Sure, Christian is generally now, emotionally reserved and has some growing to do. But, Aaron vastly underestimates the weight behind a gay man saying that he left home and never looked back. Because Aaron had a good relationship to his family (before he came out). 
If the monologue wasn’t multiple paragraphs I would probably put the whole speech as my favorite quote.  But, fundamentally what makes this scene for me is that Christian is telling Aaron this, while they are both naked in bed. Aaron has just had sex for the first time, and there is just this level of casual inclusion of nudity. I am generally an advocate for increasing the inclusion of non-sexual nudity on screen. I feel like people tend to spend a lot more causal time naked than they do sexual time naked, and I think Latter Days did a really phenomenal job of shifting between sexual nudity and casual nudity in the same setting, with the same characters, at the same time. 
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When Aaron and Christian first enter the airport hotel, they are shedding their clothing with the intention of having sex. The scene is charged with sexual tension, shirts and pants are coming off as fast as they can, every movement brings them closer to the bed. But after they are done, Aaron, still naked, slides across Christian’s naked body to grab a watch off the floor, and Christian holds his leg so he won’t slide off the bed. It’s just comfortable. When Christian is talking to Aaron about his experience of being left in a snowstorm by his father, they are nude because they are being laid bare. I don’t know if I can describe it properly, but I just love that this really important conversation, where Aaron is learning that Christian understands far far better than Aaron ever could have thought about what you risk losing when you are queer, happens with literally everything out in the open. 
Favorite Quote 
“It’s early November, the same as now, and there's this storm rolling in. My dad was so determined that sissy boy was going to kill something. Snow came at us from all sides. The air, the sky, the ground they all became the same and horrible screaming white and I thought ‘we’re gonna be OK, right?” And then I saw my father’s eyes and they were that same white…and that’s when he did it.” “He did what?”  “Ran.” 
This quote comes from part of the monologue I mentioned in my Favorite Scene.
Score
8/10
Latter Days is an 8/10 for me for a few reasons, the acting was not always the best, it was clear they did not have either the time or the budget for perfection. There were stutters that read far more like actors forgetting their lines than they did like natural pauses. I also was not thrilled with the death fake out. Like, I am very much glad we did not see Aaron self-harm, and that some of the other torture he went through gets dampened a bit by dream sequence shenanigans. I figured that they were not actually going to kill Aaron off, but they do spend quite a lot of time letting the audience think he is dead, and I am not super appreciative of that.
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saveraedae · 2 months
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What is The Mark Side?
★ THE MARK SIDE follows the life of MARK REED— an unconventional and flawed protagonist navigating a drama-filled life while pushing everyone to their limits in the meantime!
Filled with angst, complex relationship dynamics, LGBT characters, and comedy! A story with a deeper meaning than you'd think!
Throughout the show, I aim to tackle a lot of serious issues like mental health and abuse with morally grey characters.
Here's a new and improved TMS introduction thread!
Featuring some new information for TMS's returning audience! ★ Happy Indie Animation Day! Make sure to follow me for updates on the show and fun community stuff! Go to @ask-tms for fun ask blog shenanigans and check out themarkside.com for more!
Help boost by reblogging to support the show. :)
See below the cut for more!
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Show premise:
The Mark Side centers around titular character Mark's strained relationship with his childhood best friend Benjamin, who due to years of communication issues now absolutely despises him. Mark however, seems blind to the obvious deterioration their relationship has had, as he harbors major unrequited romantic feelings towards him.
Mirroring the two are Jonathon and Kenny, the other half of the friend group who through their years of knowing each other have communicated and helped each other through hardships, presenting as a strong, healthy couple today because of it.
After a summer of not being on speaking terms, Mark manages to wiggle his way back into the friend group again only to find a new guy has 'replaced him'— Ash, Benjamin's new boyfriend.
It takes place in the fictional town of Ohwell, Texas in the late 2010's!
Season 1 will showcase the arc of Mark struggling to maintain his place in the friend group despite his jealousy whilst also dealing with a plethora of emotional and complex family issues.
The main takeaway theme is that most scenarios are less black and white than one may assume at first glance, showcased by the characters being the antagonists of themselves instead of portraying one character as the villain.
All while maintaining a good balance of humor through an expressive and cartoony style! Humor and style draws lots of inspiration from 2000's Cartoon Network and Disney XD shows!
★★★★
The characters:
Mark Reed —
Master of chaos and making people hate him! He is voiced by Collin Weiler!
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Benjamin Washington —
Mark’s aggressive former bestie who’s not afraid to speak his mind! He is voiced by Andre Grandpierre!
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Jonathon Washington —
He thinks everyone deserves a second chance… Even Mark! He is voiced by Kruyo!
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Kenny Peterson —
He navigates life with a smile even amidst his friends' chaos! He is voiced by XephThePanda!
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And much to Mark's dismay...
ASH POWYRS —
Benjamin's boyfriend! ...May or may not be Mark's replacement! He is voiced by Jaden!
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Wanna read about Mark's family?
They'll get character sheets soon, don't worry! I'll update this post when they get them!
But for now, you can read about them on the website! Darcy is voiced by Katherine Black, Boss is voiced by Josh Portillo, and Leon is voiced by DarkMage!
And that does it for season 1 info!
If you want EVEN MORE info, and to learn the extensive history and development of the series, give the wiki a look!
Beware of both spoilers and outdated content!
★★★★
YOU MADE IT TO THE END!
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Thank you sooo much for reading to the end! You're a real one!! Again, follow me, the series' showrunner and creator for updates and information regarding the series, and follow @ask-tms to get involved YOURSELF by submitting to the character ask blog!
The merch store and support tiers will launch sometime soon! For now, the best way you can support the series is by GETTING THE WORD OUT! SPREAD THE WORD! HYPE IT UP!
WE HAVE SO MUCH PLANNED FOR THE MARK SIDE AND CANNOT WAIT TO SHOW EVERYONE WHAT'S IN STORE!
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studio-dreamie · 4 months
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chapter 7: tiktok advice
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Jaemin opened the apartment door as y/n rushed in. She beelines straight to Jisung's room only to see him on the floor rocking back and forth against the wall. She couldn’t help but feel sad at the sight. “Jisung,” she said softly, she walked towards the frantic boy. She sits down next to him and puts her hand on his arm, rubbing circles with her thumb. “Can I try something Jisung?” she asks. He looks at her surprised but hesitantly nods as he tries to control his breathing (somewhat failing). She reaches down into her pocket to find her white wired headphones that were connected to her phone from the walk (more like run) here. She took her hand off and put the headphones on jisung. She played a playlist named steady. “Why did you do that?” Jaemin asked as he hovered over the boy and the girl from the door. “I saw a TikTok saying it helps with panic attacks so I wanted to see if it would work” she responded. Jaemin’s mouth couldn’t help but fall open, “so you put the fate of our son in the hands of TikTok” Jaemin said. Y/n rolled her eyes and she moved closer to Jisung. He eyes her but then gives her a small nod. His chest slows down and his movements become less frantic in the next few minutes. She goes back to her original position except this time she wraps her arms around his left, pressing it against her like a teddy bear. Once the frantic moments stopped, y/n laid her head on the boy’s shoulder. Jaemin decided to come close and sit beside them, rubbing circles reassuringly on Jisung’s knee. They stay in this position until he falls asleep.
side story: hw assignment #2 (jisungs pov)
It felt childish to do a homework assignment like this in college. Worksheets were being passed around the class like we were back in high school. The big black bold letters sat on top of the paper in a font that seemed fitting for kindergartners. “Who is your hero?”. I couldn’t help but internally sigh, of course an English elective has to do the most. I looked at the paper with a straight face; who the fuck do i write about? Iron man? I thought about it for a second but then pushed the idea away. There was no way I could write a 2000 word paper on my emotional connection with Iron Man. I overhear everyone around me talking. “Oh this is easy” “Who are you gonna do?” “My mom for sure” “Hmm probably my dad or brother not too sure”. I continue to stare at my paper; there’s no way I’m writing a paper on my deadbeat family members, maybe iron man really is the best option. I stare deeply at the paper, god someone, anyone, why can’t I think, why does everybody gotta put their family member, who the hell do I put, what the fuck. My thoughts become interrupted as I get a text on laptop screen. hello my offspring it read. I softly smiled, I guess I know who to write about now.
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prev//masterlist//next
pairing: renjun x fem!reader
synopsis: the ultimate college friend group that does not escape the trials of suffering, love, drama, and weed. join y/n and her friends as they go through their third year of college together, they have no idea what's going on or what they're doing, but isn't that the fun of it?
genre: social media au, college au, friends to lovers, fluff, angst, comedy, coming of age
note: so i fully understand that this is a renjun x reader but like i really want to put emphasis on the other relationships she has, i want it to really be like you’re in college with all ur friends, and im a firm believer that side characters are main characters in their own story so i like to give them spotlight, if yall don’t fw that idk what to tell yall fr. in the character description i said jaemin and y/n are jisungs co-parents and i fr mean it
taglist: @she-is-dreaming @wavesandkisses @jenobubbles @finnydraws @snflwrhaerecs4u @sexygrass @miniature-tragedy @sweetcandycum @fae-renjun 
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sflow-er · 7 days
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Get to know me tag game
Thank you for the tag @putnamcapital! I had a really intense day today and this was a nice distraction.
Do you make your bed?
Yes. The bedroom looks and feels cluttered with the pillows and bedspread piled up on the chair, and I don't like that at all. Also, I feel like the sheets get icky sooner if I leave the bed unmade. I don't know if there's any truth to it, but the feeling is compelling enough.
What's your favourite number?
I prefer even numbers for some reason, and my faves are 8 and 12.
What is your job?
I'm a self-employed translator of factual texts. Articles, websites, brochures, instructions for use, etc.
If you could go back to school, would you?
Maybe. I was always interested in medicine but didn't take all the science courses in high school that I would've needed to study it in uni, so if I had infinite resources... Yeah, I could see myself going back to do those damn courses and then applying to study medicine.
It's an incredibly unrealistic scenario, though. I have neither the means to study full-time nor the energy to do it alongside work and other adult responsibilities. I also don't know if I could muster the motivation for another uni degree even if it was in a field I liked.
Can you parallel park?
In theory, yes. But the town where I learned to drive had a very small population and ample parking space, so I never needed to do it for real, and I haven't even had a car at my disposal since moving to the city (seventeen years ago this autumn).
A job you had that would surprise people?
Hmm, well, I was an extra on a TV show once! The gig was only a few days, but it was interesting to see the process and compare it to the final product.
Do you think aliens are real?
In the sense of there being other life in the universe, yes. Absolutely. In the sense of them abducting people, no. Definitely not.
Can you drive a manual car?
Yes, that's the norm in my country.
What's your guilty pleasure?
Fanfic. I also have a few embarrassing comfort movies (that I'm not going to name) and about 30 seasons of Survivor under my belt, so...no shortage of guilty pleasures here.
Tattoos?
Alas, no. I always wanted one but could never come up with a design/subject I was 100% sure of.
Favourite colour?
Red, green and dark grey. My least favourite colours are orange, yellow and purple (yeah, that makes me a terrible YR fan, I know).
Favourite type of music?
I'm one of those people who got stuck on the music of their formative years, which for me was alt rock from the 2000s (and a little bit from the 2010s). So, that. I do also listen to some later artists but the bar is much higher for them to become my favourites.
Do you like puzzles?
I love puzzles. Not necessarily jigsaw puzzles as I don't have anywhere to put those (or crossword puzzles as I'm surprisingly bad at those), but I do love games with puzzles in general (video games, escape rooms, board games that require some deduction...).
Any phobias?
Serious case of arachnophobia. I'm also afraid of bugs, clowns and (sadly) dogs, but I wouldn't say any of those fears are severe enough to count as phobias.
Favourite childhood sport?
Lol no. I hated sports as a child.
Do you talk to yourself?
Yes, on occasion.
What movies do you adore?
There are too many to list specific titles! I enjoy speculative fiction (scifi, fantasy, horror if it's not too gory), animated films, historical fiction, adventure, good comedy and some drama. I don't watch many realistic adult dramas or biopics unless I'm particularly interested in the filmmaker or subject matter. My least favourite genres are generic action, war, and anything focused on cars or sports.
Coffee or tea?
I love both but mostly drink coffee.
What was the first thing you wanted to be growing up?
Writer, I believe. Someone in my extended family claims I once said 'president' when they asked all of us cousins what we wanted to be, but I have no recollection of that.
No pressure tags: @scatteredpiecesofme @plantbasedfish @silvagrey @bluedalahorse @willedeservesbetter @palehottubchild and anyone else who wants to participate! I feel like I've seen a lot of answers already and I know I've also missed a bunch, so, sorry if that was you. And if any of you don't feel like playing, no worries whatsoever! 💜
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showtoonzfan · 1 year
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The way the musical Be More Chill is like…10000x better than Dear Evan Hansen despite having the same premise of a loser teen who gets caught up in drama and eventually becomes a dick until they get knocked down is immense. I find myself comparing the two musicals a lot and Be More Chill is just the obvious better one. They were both early 2000’s-ish books about teenage kids who didn’t like where their life was heading and wanted to be more, both having cheesy comedy but heart to it, and despite DEH being more deeper and trying to challenge the subject of mental health and suicide whereas BMC is a tragic-ish comedy about a kid being controlled by a drug to get more popular, one of them was clearly better. I feel bad because I don’t despise DEH, but over time I was able to see that it was heavily flawed and could have been better. I understand the lesson they were trying to convey and in the beginning I saw myself in Evan as I am a person with heavy anxiety and who grew up sensitive and anti social, but the musical didn’t do the good it was hoping to do, especially with Evan’s character. Jeremy from BMC is just…a million times better and more likable than Evan is, all Jeremy wanted was to survive and win the girl he had a crush on, and then there’s this drug implanted in his brain, forcing and telling him what to do to be a “big shot”. Even the moments where Jeremy snapped, it was all understandable even if he was in the wrong, and he actually faced the consequences of his actions, at least better compared to Evan who just went “what I did was wrong” only for the musical to go “no you saved this family lol”.
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cinemaocd · 3 months
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Jenny's ongoing list of films watched 2024
January
RRR (2023)*
Peter's Friends (1992)*
The Lady Eve (1941)
How to Get a Head in Advertising (1988)*
High Fidelity (2000)
Frieda (1947)*
Oh...Rosalinda! (1955)
The Quick and the Dead (1995)*
The Barefoot Contessa (1954)*
The Life and Death of Col. Blimp (1943) Commentary Track (2012)*
Rhubarb (1951)*
The Birds (1963)*
House of Yes (1997)*
Cassandra Cat (1963)*
Foreign Correspondent (1940)
The Long Goodbye (1973)
Night of the Comet (1984)
The Day the Earth Caught Fire (1961)*
For Me and My Gal (1942)*
The Grand Budapest Hotel (2014)
The Small, Back Room (1949)
House of Games (1987)
Water (1985)*
The Ballad of John and Yoko (2023)*
The Meaning of Life (1983)
Track 29 (1988)*
*New to me
Thoughts on the New to Me films:
New Year's Eve we watched RRR, a lot of fun, energetic, bright and action-packed. I enjoyed the way that little attention was given to the British characters. They were straight up villains in ill fitting ahistorical costumes, kind of like the way Indian/Asian characters are treated in Western films most of the time...$$$
New Year's Day we watched Peter's Friends, a drama/comedy from the early 90s starring all of the famous Cambridge Footlights. Big Chill-ish film set in a country house over the Christmas holidays. $$$
How to Get a Head in Advertising was weird and also really good. Had a similar vibe to Withnail and I (possibly because of Richard E. Grant, but also possibly the mixture of the surreal with the realistic). Quite stage-y in some ways but clever and savage in it's satire of life in the 80s. $$$
Frieda: Oh I loved this! Weird World War II melodrama about a German girl marrying a British boy and all the trouble it causes with his complex family situation. Such a stellar cast including the late, great Glynnis Johns. $$$$
The Quick and the Dead: I set my expectations quite low for this and was pleasantly surprised. I liked Sam Raimi's comic book-y take on gunfighters and esp. loved Sharon Stone's character. We love to see a female action hero with no love interest. A nice twist on the Man with no Name trope. Excellent cast as well with Russell Crowe, Gene Hackman, Roy Scheider and Woody Stroud in his final film. $$$
The Barefoot Contessa: Joseph Mankewitcz is one of the geniuses of old Hollywood but this ain't it, chief. Just kind of all of the place melodrama that makes no sense and relies too much on Ava Gardner looking amazing in technicolor in the South of France. A bit of a commentary on Grace Kelly who a few years earlier married minor royalty on the Riviera. Even Rossano Brazzi can't save this mess for me. $
Rhubarb: Two genres I usually kind of hate (family-friendly animal centered film, sports film) combined into one and it's actually a lot of fun. Ray Milland and a bunch of classic character actors as the baseball team (also Leonard Nemoy has a tiny part as a mobster) in this slight/ predictable romp. $$
The Birds: Woah, shit this was good. I should have known. Amazing tension created and Hitchcock just sells the surreal horror with lots of rear projection...so. much. rear. projection. $$$
House of Yes: How about House of NOPE. Ugh what a mess this was. Some good performances and intriguing story, but it was very stagey and I don't know why the 90s couldn't make a story about adult children and their parents without reducing everyone to cliches and stereotypes but this and Six Degrees of Separation are definitely guilty of that, but the latter is just a better film. $
Cassandra Cat: Takes a long time to get to the cat which given that this was a family film from the 60s might be a problem for some viewers, expecting a more cat-centric movie. Interesting riff on fairy tales from the Czech New Wave. Beautiful Demy-esque technicolor and settings make this 60s nonsense fly by. $$
The Day the Earth Caught Fire: 60s nuclear panic disaster film that really just shows the earth as it is now in the throws of global warming. Yikes. Thoughtfully written and well acted by a bunch of folks I'd never heard of. $$
For Me and My Gal: Directed by Busby Berkley and starring Gene Kelly and Judy Garland and set in the 1920s on the Vaudeville circuit, I was expecting a lot more fun, dancing, color, costumes etc. This is actually more of a black and white war time melodrama with some music shoved into it and the dancing is very rudimentary. (I think this is probably because Garland esp. at this stage wasn't in the same league with Gene Kelly and I think it would have been too noticable...). Filmed at the entry of America into WW2 this was quite a deliberate propaganda piece. $$
TLADOCB Commentary: I've watched this movie 20 times at least but the commentary really made me think about a bunch of things differently. Can't say I recommend unless you are fanatic though as it's obviously pieced together from interviews Michael Powell and Martin Scorcese $$
Water (1985): If you smoke the exact right strain of sativa and ignore some of the more dated aspects of this 80s comedy, that reads as if Local Hero were a Cheech and Chong film--this is a total classic. Irreverent Michael Caine just straight up breaking character the minute he turns into a guerilla fighter in the jungle and being far too competent and cool, and then snapping back to sweetly shy, inept British Civil Servant, finding he actually loves his hated backwater post (the invent Casara part Caribbean, part Devon Jurassic Coast) while having to actually do his job. Political satire and fully both barrels to Maggie Thatcher and Reagan. Good on em. Filmed in St. Lucia, the movie has a zany heart and little taste, hoovering up vast quantities of competent TV players from my youth: Herman Munster and Reginald Perrin to name but two. Awkward love story and some uneven acting from Valerie Perrin and Brenda Vaccaro. I enjoyed myself, heartily, anyway. $$$
The Ballad of John and Yoko: Technically a video essay with amazing production values (the licensing alone was epic) dragging together disparate topics around the central theme of women being blamed for bad things happening to infantalized male geniuses. Is it the most coherent argument? No. Does it absolutely tap into many unexpressed or implied ideas that have been floating around since me too? Absolutely. $$
Track 29: This was some of the worst casting I've ever seen in a film. When I think of Texas nurse who is into trains and spanking, I don't automatically think of comedian Sandra Bernhardt. When I think of an actress of that era who was old enough to play Gary Oldman's mother, I don't think of Theresa Russell who is the same age as Oldman and looked every bit as young as he did in the film. Maybe that was the point? I'm not sure. The story was weird, like a Southern Gothic melodrama/black comedy ala Flannery O'Connor, but there was something off about the whole thing.
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jjsanguine · 7 months
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Rules: list 10 of your comfort shows and then tag 10 people
Tagged by @bengiyo . I actually don't rewatch shows very often, or at least not the same ones every time, but here's some shows I've watched a lot of in no particular order.
Alien Biospheres. This is a YouTube series but I've watched it a lot. If you watched James Cameron's Avatar and don't care about the plot but would watch a documentary on how they designed the creatures + plants this is the webseries for you. If you like spec bio then I would also recommend Serina.
Cherry Magic. I write songs for fun and my life is too boring to be great inspiration, so most of them reference scenarios in shows I'm watching that I find funny or just stick with me for some reason. Kurosawa's personality inspired one of my best ones.
Coffee Prince. This got me into kdrama + so much of it still holds up. Like, remember how homophobic the 2000s were? That's a feat.
The King's Affection. This is like the best girl disguises as a guy kdrama since Coffee Prince, and I watched a lot of them before I figure out I was nonbinary. I was glued to my seat. My writing project @the-prince-is-not-a-woman was partially inspired by me watching this so many times.
Mortel. It's like this show was made for me. Vodun, found family, polyamorus subtext, mystery, despising someone but having noone else to turn to, trauma, comedy, banger music. It was made by Netflix though, so of course it was cancelled on a cliffhanger.
Power Rangers 2017. This film is objectively goofy but I love it so much. Billy was the first explicitly autistic character I think I saw ever, and he set my expectations for canonically autistic characters high.
Extraordinary Attorney Woo. Apart from being a good show, Attorney Woo is the only other character on my list of canonically autistic characters that I like, which is funny because both attorney Woo and Billy were played by allistic actors.
The Path. I enjoyed seasons 1 & 2 but I've rewatched season 3 many times for my baby Caleb. I talked about a pastor's son and he's like the perfect example. If the show hadn't tragically been cancelled I would have loved to see what they did with his character, because after leaving his family for his boyfriend and by extension his boyfriend's daddy's apocalypse adjacent cult (which is a positive if you can believe it) socially speaking he was essentially in the same position he started off in, minus worrying about homophobia. He could have blossomed or spiralled, who knows. That's quality side character creation. This show also inspired the list "cheating on your girlfriend with your wife" which has to be the best of my lists of niche tropes.
Triage: time travel and time loop stories can so easily swerve into being terrible when there isn't enough thought put into the time travel mechanic but when they're good they're really good.
Shelter 2007: so many of the queer films I watched as a teenager were depressing, I could have given up on ql entirely if I didn't watch this heartwarming film.
Honourable mentions:
Be My Favourite. It finished airing literally 2 months ago so it really hasn't had time to gain the status of old reliable but yeah. I've watched episode 1 probably 10 times at this point, because I would pore over the whole show waiting for the next episode. I was writing essays.
Nowhere Boys: I love forced proximity + conspirationality. It's one of the reasons I love Mortel. It's a quality teen drama.
Miraculous: Tales of Ladybug & Chat Noir, aka Miraculous Ladybug. This show is my Riverdale. It's ridiculous and I don't recommend it and I can't watch the english dub because I'd cringe too much so I watch it in French, but I started watching when I was like 15 so I'm locked in forever. It keeps dragging me back.
Going to try my hand at actually tagging people so,,,
@anotherlovr @writerwithoutsound @dudeyuri @irritablebovinesyndrome @gillianthecat @threezoz @sparklyeyedhimbo @respectthepetty @one-ghogh@heretherebedork
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I will be ur new srk mutual 🫶 which one of his films should I watch first?
such a beautiful ask 🥺
if you're in the mood for a romance movie
1. Dilwale Dulhaniya Le Jayenge: it's as old as me and still running in a theatre after all these years. it's literally that movie. the biggest reason he's called the king of romance and there wasn't even a kissing scene in this. hasn't aged. beautiful soundtrack. and the infamous mustard field
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2. My Name is Khan: 14th feb 2010, 3pm show in a single screen theatre and i had the time of my life watching my first srk movie in "talkies". i was so happy i was gonna cry finally in a theatre and wept i did. he was so fucking good in this kajol's comeback directed by karan johar. lots of tears. and some more. 9/11 background but it's a love story still. he should have won the national award and that jury will end up in hell someday :)
3. Veer-Zaara: romeo and juliet's tragedy is nothing compared to veer-zaara's. the songs the music the acting the actors the director the writer everything was just so good. a lot of people don't know this but eye acting was actually invented by shah rukh khan
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4. Dil to Pagal Hai: a musical about a musical the soundtrack slayyyyed then it slayyyys now. underrated on current tumblr but i think i am starting to prefer that because DTPH is mine. i never had a crush on shahrukh but if any character of his ever came close it was from this movie. one of his sexiest characters imo. did i mention the songs were way too good.
5. Kabhi Khushi Kabhie Gham: shahrukh really cries like children do. who knew weeping can have range. great songs great cast. kajol in orange. srk in see-through shirts. it's actually a family drama but it's fun also his mother in the movie has a superpower.
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6. Om Shanti Om: no bollywood movie has ever bollywooded the way OSO did. love friendship reincarnation hero heroine villain nepotism revenge action comedy great music (and one more thing but that's a huge spoiler) it really just had everything. one of the finest masala movies ever made. it's tumblr's favourite as it should be. also this movie is how i learnt san francisco rhymes with disco
if you're in the mood for thrillers
7. Baazigar: the directors were having trouble finding the lead actor because nobody wanted to take the risk then srk told the producer that nobody can play this role as good as he can and he became the first actor in the history of filmfare to win the best actor award after playing a negative role. a cult classic.
8. Darr: it's the 90s it's the hero heroine villain era when the audiences think the people who play villains are bad people irl and dislike them. sunny deol an already established "hero" is the hero of the movie and srk is the villain a scary stalker and what happened was that the audiences really loved him instead. (my sister got scared of him enough that she started crying in the theatre and my parents had to leave mid-movie a wuss). something that couldn't have been achieved by just anyone except the future king of bollywood. oh lots of switzerland. also the legendary director of the movie kinda adopted srk and started casting him in every movie of his afterwards.
9. Fan: about an obsessed fan (not me just tbc). underrated af.
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about brothers and mothers
10. Karan-Arjun: family evil rich guy poor villagers a mother's wait reincarnation revenge very 90s. used to watch it every time it was on tv. also it was shot in my state 😎
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11. Main Hoon Na: a cool srk entry. action comedy friendships a whole college adopting a grown up as their big bro beautiful sarees the best dressed character who then got a make-over 🥲 (the only one flaw of the movie) a villain (which was getting rare in the 2000s) the best ending credits ever and whatnot. it was farah khan's directorial debut and she brought fun back to bollywood with her bestie <3
the only coming-of-age movie he did
12. Kabhi Haan Kabhi Naa: i was younger than 4 srk wasn't my favourite "hero" yet but his character from this movie was my first blorbo. my murderous rage awakened for him. the first character i ever related to was also from this movie. gangster uncle 🤜🏾🤛🏾 me. srk was so baby (he was like 28) there was also ra ra rasputin in this. srk loves this movie so do i.
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Book Review 12 - Grandmaster of Demonic Cultivation Vol. 1 by Mo Xiang Tong Xiu
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So, like everyone on tumblr, I was at least peripherally aware of The Untamed, if only as ‘the C-drama with the impossibly pretty men everyone loves shipping about necromancy or something.’ (Also the one crossover porn fanfic with so many tags that it broke AO3.) So I wasn’t quite coming into this blind, but I think I came pretty close. It sure as hell wasn’t anywhere close to my vague expectations.
Anyway, this was fun! Also absolutely let me cross off reading something from an entirely unfamiliar literary subculture off my metaphorical bingo card for the year. Just reams of assumed context I absolutely did not possess. Kind of loved it (but the occasional clarifying footnotes were very much necessary and appreciated.)
Which is to say – there was so much more slapstick and physical comedy than I expected from the vague intimations of feudal politics and magical warfare I got? Not usually my sort of humour but it got a laugh out of me once or twice. My favourite character is Wei Wuxian’s donkey.
The conceit of the first story – reviled and abused failson destroys his own soul and offers up his body as a host to the spirit of a legendary evil wizard to wreak bloody vengeance for him, but fucks up the bit of the ritual that tells the spirit who to take revenge on. Also the whole ‘legendary evil wizard’ reputation was at least partially and vaguely due to a propaganda campaign by his enemies and he’s not particular enthusiastic about the ‘murder a whole family’ thing – is also just incredible. I kind of wish it had been more drawn out, before the whole ‘gotta collect them [chunks of a specific super cursed corpse] all!’ plot became the main justifying connective tissue.
Not that the overarching plot is really the story’s strong point – it’s basically just the excuse to keep Wei Wuxian and Wang Lanji together and having adventures. The actual selling points are the backstories and character interactions and to a lesser extent the monster of the week stuff. All of which are pretty well done!
Though as far as monster of the week stuff goes – I’m vaguely aware that cultivation fantasy is a whole, like, genre, with about as many weirdly specific shared assumptions as ‘generic’ western fantasy written by people swimming in a sea of Tolkien/Conan-as-interpreted-by-Warcraft-and-D&D, but I’ve really got zero clue whatsoever to what degree the worldbuilding of this is typical of the genre? Not that it particularly matters, beyond some of the reveals making much more sense if they’re building off an assumed awareness of how the world’s expected to work, all more or less new (though more or less intuitive) to me either way. Fun to see so much magic based around music.
Anyways – obviously I’m going in with a biased perspective but my god can you see how this ended up with a massive shipping fandom. The entire story is nothing but impossibly beautiful men flirting/pranking/sexually harassing each other while being utterly and entirely capable to even understand let along communicate their feelings. The two lead’s entire relationship in this volume is like a dated mid-2000s comedy sketch about two ostensibly straight guys playing gay chicken and both being so competitive that they just end up fucking. Author really knew what they were doing with the fanfic bait.
(Though honestly I’m legitimately unsure if it’s just a matter of narrative choice to not dwell on motivations or Wei Wuxian really is the single most unselfaware asshole in the entire universe. He legitimately seems incapable of understanding his own motivations most of the time.)
I’d be remiss if I didn’t mention the art, which really is very lovely. Though I will be entirely honest that there’s only so many handsome black-haired men in flowing robes I can keep apart in my head.
But yeah, fun read overall. Don’t exactly feel compelled to go seek out the next volume, but don’t regret having read this one, damn sight better than some other things I’ve read this year.
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Here is another data chart post, to celebrate 100 movies receiving majority "yes" votes!
This first chart is a breakdown of decades of the movies Tumblr has voted seen:
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As you can see, the top four most popular decades are the 2000s with 38 movies, the 2010s with 23 movies, and the 1980s and 1990s are tied at 15 movies.
The oldest movie that Tumblr has voted seen is The Wizard of Oz (1939,) while the newest is Parasite (2019).
Next, a breakdown of the genres* of the movies that Tumblr has voted seen:
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This chart shows that the four most popular genres are adventure with 49 movies, comedy and family are tied at 46 movies, and animation with 39 movies.
*Keep in mind that this chart is based on what Letterboxd defines these movies’ genres as, so you might find that you disagree with how certain films are categorized (for instance, the “music” genre describes films that are about music, not necessarily musicals. There is no “musical” genre on Letterboxd.)
I used to do these chart posts sporadically, but I think from now on I will only make these posts for every fifty movies that receive a majority "yes" vote. Hope that works for you all!
Under the read more is the data from these charts listed in text form. Have a great day, everyone!
Decade breakdown:
1930s - 1
1940s - 1
1960s - 2
1970s - 5
1980s - 15
1990s - 15
2000s - 38
2010s - 23
Genre breakdown:
Action - 26
Adventure - 49
Animation - 39
Comedy - 46
Crime - 6
Drama - 23
Family - 46
Fantasy - 27
History - 1
Horror - 7
Music - 3
Mystery - 3
Romance - 12
Science Fiction - 25
Thriller - 10
TV Movie - 1
War - 1
Western - 1
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boxofvanishingsenses · 8 months
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1. **"A Secret Between Friends: A Moment of Truth Movie" (1996):** A TV movie that portrays the friendship between two girls and the impact of one girl's battle with bulimia on their relationship.
2. **"Deadly Advice" (1994):** A dark comedy that features a subplot involving a woman's struggle with bulimia.
3. **"Dying to Be Perfect: The Ellen Hart Pena Story" (1996):** A TV movie based on a true story, it portrays the life of a young woman who struggles with anorexia while pursuing a career in modeling.
4. **"Dying to Dance" (2001):** A TV movie that delves into the life of a ballet dancer who faces pressure to maintain a certain weight, leading to an eating disorder.
5. **"Everyday Black Man" (2010):** A drama that includes a subplot about a young woman's struggle with anorexia and the impact on her family.
6. **"For the Love of Grace" (2008):** A TV movie that explores the story of a woman who confronts her past struggles with bulimia while navigating a new relationship.
7. **"For the Love of Nancy" (1994):** This TV movie tells the story of a college student's struggle with anorexia and her family's efforts to support her recovery.
8. **"Ghost World" (2001):** A dark comedy-drama with a character who exhibits signs of disordered eating and body image issues.
9. **"Girl, Interrupted" (1999):** A drama based on the memoir of Susanna Kaysen, who spent time in a psychiatric hospital and discusses issues of mental health and body image.
10. **"Gut Feeling" (1999):** A TV movie that tells the story of a young woman dealing with bulimia and the impact on her relationships.
11. **"Hope Ranch" (2020):** A drama that tells the story of a troubled teenager who, among other issues, is dealing with an eating disorder and finds solace in a horse ranch program.
12. **"Hungry for Change" (2012):** A documentary that explores the food industry's impact on health and includes segments on overcoming eating disorders.
13. **"Perfect Body" (1997):** A TV movie that portrays the journey of a young gymnast dealing with bulimia as she pursues perfection in her sport.
14. **"Sharing the Secret" (2000):** A TV movie centered on the relationship between a teenage girl and her mother as they confront the girl's battle with bulimia.
15. **"Starving in Suburbia" (2014):** A TV movie that portrays a teenager's battle with an eating disorder and her involvement in an online pro-ana community.
16. **"Super Slim Me" (2007):** A documentary that follows the journey of two journalists as they attempt extreme diets, including one focused on emulating supermodels' eating habits.
17. **"The Best Little Girl in the World" (1981):** Based on the novel by Steven Levenkron, this TV movie focuses on the life of a teenage girl as she grapples with anorexia.
18. **"The Best of Me" (2014):** A romantic drama that includes a subplot about a character's struggle with an eating disorder.
19. **"The Girl in the Book" (2015):** A drama that explores the aftermath of a young woman's traumatic past, including issues related to body image and self-esteem.
20. **"The Karen Carpenter Story" (1989):** A TV movie biopic that chronicles the life and tragic death of singer Karen Carpenter, who suffered from anorexia nervosa.
21. **"The Riot Club" (2014):** A drama featuring a character who struggles with bulimia, which is a subplot in the film.
22. **"The Road Within" (2014):** A dramedy that follows three young adults with various disorders, including anorexia and Tourette syndrome, on a road trip of self-discovery.
23. **"Thin" (2006):** A documentary that offers an intimate look into the lives of individuals receiving treatment for anorexia nervosa at a residential facility.
24. **"To the Bone" (2017):** A drama that follows a young woman's battle with anorexia as she enters a group recovery home in search of healing.
25. **"Mommy, I Didn't Do It" (2017):** A TV movie that includes a subplot about a teenager's struggle with bulimia and her mother's legal efforts to help her.
26. **"Gaining" (2006):** A documentary that explores the experiences of women recovering from eating disorders and their journeys toward self-acceptance.
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blue-ravens · 2 years
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David Ogden Stiers, Major Winchester on ‘M*A*S*H,’ Dies at 75
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David Ogden Stiers, left, with Harry Morgan and William Christopher in a scene from “M*A*S*H.
By Anita Gates (04 March 2018)
David Ogden Stiers, the tall, balding, baritone-voiced actor who brought articulate, somewhat snobbish comic dignity to six seasons of the acclaimed television series “M*A*S*H,” died on Saturday at his home in Newport, Ore., a small coastal city southwest of Salem. He was 75.
His death was announced on Twitter by his agent, Mitchell K. Stubbs, who said the cause was bladder cancer.
Mr. Stiers joined the cast of “M*A*S*H” in 1977, when Larry Linville, who had played the pompous and inept Maj. Frank Burns, left the show. The series, a comedy-drama set in a Mobile Army Surgical Hospital during the Korean War, required a foil for its raucous, irreverent, martini-guzzling leads, Hawkeye Pierce (Alan Alda) and B.J. Hunnicutt (Mike Farrell), and Mr. Stiers’s imperious Maj. Charles Emerson Winchester III seemed to fit the bill.
Winchester’s upper-class Boston priggishness, however, turned out to be balanced by impressive medical skills, a heartfelt appreciation of the arts, real wit and a surprising level of compassionate humanity. Winchester was, unlike Frank Burns, a worthy adversary.
From the beginning, Mr. Stiers said, he felt confident about playing Winchester. “It’s just a matter of isolating the traits” from others in his own personality, he told The Salt Lake Tribune in 1977. But he confessed to one definite difference between himself and his aristocratic character. “Where he wears a smoking jacket to bed,” he suggested, “I often wear nothing but socks.”
The role earned Mr. Stiers two Emmy nominations (in 1981 and 1982). He was nominated a third time, in 1984, for his lead role in “The First Olympics: Athens in 1896,” a dramatic mini-series.
In a statement after his death, Loretta Swit, who played Maj. Margaret (Hot Lips) Houlihan on “M*A*S*H,” called Mr. Stiers “my sweet, dear shy friend,” adding, “Working with him was an adventure.”
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Mr. Stiers, right, with Mike Farrell and Alan Alda on the set of “M*A*S*H” in 1980.
David Allen Ogden Stiers was born on Oct. 31, 1942, in Peoria, Ill., the son of Kenneth Stiers and the former Margaret Elizabeth Ogden. The family later moved to Eugene, Ore., where David graduated from high school.
After briefly attending the University of Oregon, he headed to California to pursue an acting career and worked with the Santa Clara Shakespeare Festival in California for seven years. In the late 1960s, he moved to New York to study drama at Juilliard.
There he became a member of John Houseman’s City Center Acting Company, making his Broadway debut with the company in 1973. He appeared in “The Three Sisters,” “The Beggar’s Opera” and three other plays, which ran in repertory.
He continued to appear on the New York stage in the 1970s and returned to Broadway later in his career, playing a beloved wartime general in the 2009-10 holiday run of “Irving Berlin’s White Christmas.”
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Mr. Stiers as Reverend Brock in the musical “Tenderloin” at City Center in 2000.
Mr. Stiers had made his film debut with a small role in Jack Nicholson’s counterculture classic “Drive, He Said” (1971). That year, his voice was heard as the announcer in George Lucas’s debut feature film, the dystopian sci-fi drama “THX 1138.”
Voice roles went on to become an important part of Mr. Stiers’s career. He was in the cast of about two dozen Disney animated films, including “Lilo & Stitch” (2002), as the villain Jumba Jookiba, and “Beauty and the Beast” (1991), in which he was the voice of Cogsworth, a strong-willed pendulum clock. That character, often described as “tightly wound” and “ticked off,” suggests to the Beast at one point that he woo his love with “flowers, chocolates, promises you don’t intend to keep.”
Other movie work included roles in “Oh, God!” (1977), “The Man With One Red Shoe” (1985), “The Accidental Tourist” (1988) and four Woody Allen films. (He was a peculiar hypnotist in Mr. Allen’s “The Curse of the Jade Scorpion.”) His last screen appearance was in “The Joneses Unplugged,” a 2017 television movie about technology overload.
Like his “M*A*S*H” character, Mr. Stiers was a devoted fan of classical music. He conducted frequently and was the resident conductor of the Newport Symphony Orchestra (formerly the Yaquina Chamber Orchestra) in Oregon.
He never married. Some reports have suggested that he is survived by a son from an early relationship.
In early 2009, at 66, Mr. Stiers announced that he was gay and “very proud to be so” in a blog interview that was reported by ABC News. His secrecy, he said, had been strictly about the fear that openness about his sexuality might affect his livelihood. Now he regretted that.
“I wish to spend my life’s twilight being just who I am,” he said.
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justforbooks · 1 year
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In 2010, Paul O’Grady broke his nose after losing his footing at his friend Cilla Black’s house in Barbados. “My nose was out to here and I had a black eye, but I said: ‘I’m not ruining my holiday,’” he recalled. “So we went out every night and were the talk of the island.” The story was typical of O’Grady, who loved to dramatise his indomitability and had an unquenchable desire to be in the public eye.
The comedian and chat show host, who has died aged 67, was once called “the Edith Piaf of day-time television” and, given its connotations of a drama-filled life, he loved the epithet.
His defiant unshakeability and desire to perform came together in his first stage persona, the foul-mouthed Lily Savage, who sported a platinum blond beehive wig, vast quantities of makeup, white stilettos, a leopard skin miniskirt and a matching fake-fur coat. Born in the 1980s in the gay pubs of south London, as a sideline to O’Grady’s day job as a care worker, Savage thrived on insulting audiences and made no effort to conceal a streak of hard-headed lawlessness (“You need two things in a riot – flat shoes and a pram”).
She also hinted at a lurid past as a down-at-heel sex worker and made the work of previous British female impersonators, such as Danny La Rue and Dick Emery, seem tame.
Savage was inspired, in part, by O’Grady’s Aunt Chrissie, a bus conductor. “She had a hard life, but she used to suck her cheeks in and fancy herself as Marlene Dietrich,” he said.
His alter ego acted as a kind of avenging angel, giving voice to the anger O’Grady was otherwise unable to express.
Savage eventually became a phenomenon, appearing on the BBC, ITV and Channel 4. She presented the BBC celebrity game show Blankety Blank (1997–99) and the ITV comedy show Lily Live! (2000-01). She even returned in triumph to her native Merseyside, and became a regular on This Morning with Richard and Judy.
But O’Grady killed off Savage in 2005, claiming Lily had “seen the light, taken the veil and packed herself off to a convent in France”. Thereafter he took centre stage as himself. As the host of the Paul O’Grady Show and Paul O’Grady Live he could be just as caustic as Savage.
In 2010 he provoked complaints to Ofcom for attacking the new coalition government during Paul O’Grady Live. “Do you know what got my back up?” he told his ITV audience. “Those Tories hooping and hollering when they heard about the cuts. Gonna scrap the pensions – yeah! – no more wheelchairs – yeah! ... I bet when they were children they laughed at Bambi when the mother got shot.”
O’Grady was born in Birkenhead to Catholic parents, an Irish father, Paddy, and English mother, Molly (nee Savage). “I was born late – what my mother calls the last kick of a dying horse,” he said in his 2009 autobiography At My Mother’s Knee … And Other Low Joints.
“There’s three of us children, but I’m 13 or 14 years younger than my brother and sister. When I look back on my childhood I have no bad memories. Our family was loving and full of affection. I never knew what divorce was until I moved to London. I was an indulged child and completely protected from anything bad.” Not quite true: he was sent by his parents to a school run by the Christian Brothers. “They were wicked, wicked,” he told an interviewer.
O’Grady left school at 16 to work for the DHSS (Department of Health and Social Security) in Liverpool, and then went on to a string of jobs – hotel skivvy, office worker at an abattoir, and clerk at a magistrates court.
In the 70s he worked for Camden council in north London as a peripatetic carer. “If a single mother had to go to hospital, I’d move in and look after her kids so they didn’t have to go into care,” he once explained. “Often there’d be a drunken father turning up at 2am, wanting to know who I was, and I’d say, mincing slightly: ‘I’m from Camden council!’ and he’d smack me. So I’d be going around with a black eye and nits from the kids.” He cited this period of his life as part inspiration, along with his Birkenhead female relations, for the Lily Savage character.
In the 80s, Savage had a solo residency at the Royal Vauxhall Tavern in London that ran for eight years. Each night his waspish patter spared no one, not even the boys in blue. One night in 1987, his performance was rudely interrupted by a police raid, one that many of the gay club’s punters took to be a homophobic attempt to intimidate them.
Thirty-five officers burst in wearing rubber gloves – this being the height of the Aids epidemic, they feared touching those they arrested. According to the veteran LGBTQ+ campaigner Peter Tatchell, O’Grady at first thought they were strippers and part of the show.
In 2021, O’Grady described what happened next: “I was doing the late show and within seconds the place was heaving with coppers, all wearing rubber gloves. I remember saying something like, ‘Well well, it looks like we’ve got help with the washing up.’” He was handcuffed and taken to the police station before being released without charge. “They made many arrests but we were a stoic lot and it was business as usual the next night.”
While working as a court clerk, he had an affair with a colleague, Diane Jansen, who became pregnant with their daughter, Sharyn. In 1977 he married Teresa Fernandes, a Portuguese woman, in order to prevent her deportation from the UK. The couple divorced in 2005.
O’Grady claimed there was always an unspoken understanding in his family that he was gay. “It was no big deal. I never stood up in the front room and said, ‘I have something to tell you!’ – but I wasn’t hiding anything.”
During the mid-80s he met Brendan Murphy, the manager of a sauna in south London. They were a couple until Murphy’s death from brain cancer in 2005.
By then O’Grady was a popular household name, and in 2008 he was appointed MBE. Three years later, the Museum of Liverpool staged an exhibition of his alter ego’s frocks. In 2011 he quit Paul O’Grady Live after becoming exasperated with his role as a chat- show host: “I felt part of the PR machine. They’d want this guest or that guest. Every question had to go through the lawyers. I was just another plug for someone’s book.”
He went on to make shows such as ITV’s For the Love of Dogs, Me and My Guide Dog, a documentary about the burlesque performer Gypsy Rose Lee, and a series for the BBC, Paul O’Grady’s Working Britain. A two-part eulogy to the British working class, broadcast in 2013, it prompted press scepticism – not least because O’Grady told viewers he still considered himself working class despite being a millionaire who owned a generous plot of land in Kent.
He lived there with 14 sheep, three dogs, two pigs, hundreds of rescued chickens, ducks, a goat and barn owls. After Murphy’s death he had a long-term relationship with the former ballet dancer Andre Portasio, whom he married in 2017.
Lily Savage returned from her French convent to perform as Widow Twankey in pantomime in Southampton in 2011 and London in 2012. In 2017, O’Grady hosted a Channel 5 reboot of Blind Date; and in 2021 the ITV celebrity game show Paul O’Grady’s Saturday Night Line Up.
During lockdown, he wrote a children’s book, Eddie Albert and the Amazing Animal Gang (2021). Last year he made a special one-off episode of For the Love of Dogs to mark 160 years of Battersea Dogs and Cats Home, for which he was an ambassador. In August 2022, he presented his last show on BBC Radio 2 after 14 years on the airwaves.
Tatchell said of O’Grady: “Paul wasn’t just a brilliant comedian and broadcast personality but a much admired campaigner for LGBT+ equality and animal rights … Paul was planning to lead our forthcoming campaign for the police to apologise for their historic persecution of the LGBT+ community.” His fellow TV presenter Lorraine Kelly said that O’Grady was “the kindest, funniest man … Dogs are the best judge of character and they loved him.”
He is survived by Andre, Sharyn, and two grandchildren, Abel and Halo, and by his brother, Ben, and sister, Sheila.
🔔 Paul James O’Grady, comedian and chat-show host, born 14 June 1955; died 28 March 2023
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