Oh GOD another character focused comic. My brain moves at 1847297329 MPH but my dreadful hands draw so slow…
I had more to this but I wasn’t feeling the direction so I’m just gonna leave it at this. TLDR, Val is struggling with a broken heart and is confused and somewhat angered as to why Ingo isn’t. But I suck at conclusions so here we are LMAO
IDs below cut!
[ID: A digital, non-colored, sketchy comic spread across 5 images.
3 characters are featured. The main character is Valerio, who has jaw-length, wavy black hair, parted in the middle by a widows peak; a triangular face, rounded at the edges to highlight his youthfulness; a thin, hooked nose; and two healed facial scars, one above his right eye, one on his left jawline. He has a thin and lean frame, with slight musculature, and a large scar on his left hip. He’s only wearing briefs, having been trying to get to sleep. The other two characters are Ingo and Emmet, twins with only some slight differences. Both of them have more oval-shaped heads, wrinkled around the eyes, mouth, and brow to show age; thin, long noses that are slightly upturned; strongly receding hairlines, although not completely bald, hair short and slightly fluffy; and sideburns that look almost like an insects’ mandibles, cus that’s how my brain wants to describe them. Ingo appears to be slightly more muscular than Emmet, who’s more on the thinner side, and Ingo’s mouth tends to be depicted like an upwards triangle, a constant frown, while Emmet’s mouth tends to be depicted like a downwards triangle, a constant smile. It’s implied both of them sleep near-nude as well, and are shirtless throughout the comic.
The first image contains three panels, one on the left and two to the right of it, one on top of the other. The first panel shows Ingo and Emmet in bed, Emmet resting on Ingo’s chest, while Ingo looks off panel at a ringing noise heard to his right. The second panel shows the source of the ringing, Ingo’s phone, being held up by Ingo off panel. The incoming call is from Valerio. The third panel is Ingo and Emmet again, but Ingo’s answered the call, a tired and confused look on his face. Emmet scrunches up his face in annoyance. Ingo says, “Valerio? Sorry, it’s late over here, but are you okay?” In small text, Emmet whispers, “Why the fuck is he calling?” Ingo whispers back, “Emmie, hush.”
The second image contains four panels in a 2-2 format, top to bottom. The first panel is Ingo and Emmet again. Emmet is smiling, but in an irritated and annoyed way, and Ingo appears less confused and more worried. From the phone, Valerio asks, “… Do you… feel real, Ingo?” Ingo replies, “… What?” In small text again, Emmet mutters, “Does he have to do this shit right now.” Ingo mutters back, “Emmet. Hush.” The second panel shows Ingo worriedly getting out of bed, looking back at Emmet who’s sitting up, still appearing annoyed. Ingo says to Emmet, “Just give me a second, Em.” Emmet replies, “Fine. Fuck off.” Ingo says, “Emmie…” and Emmet replies, “Just go and help the fucking kid out, Arceus fuck.” Ingo replies, “Alright, alright…” The third panel shows a cup of coffee with Ingo’s hand laying over it, leading into the fourth panel where Ingo is speaking with Val over the phone, coffee in his other hand. Ingo says, stretching between both panels, “Talk to me, Valerio. What doesn’t feel real? Is it just being back home? Do you maybe feel a little… out of place, being away so long?” Valerio responds, “… didn’t you?”
The third image contains only two panels, side by side, mostly dialogue heavy. The first panel contains Ingo, calmly talking into the phone. His dialogue stretches into the second panel, finally showing Valerio, who’s crying heavily, laid on his side in bed, phone next to him. Ingo says, “Not particularly, actually. I know, I’ve been there for a decade, but… I saw Emmie, and it all came back to me. I realized what I missed, who I missed. I still have my memories of Hisui. The people there will always be in my heart, the time I spent with them will always be important to me. But I’m glad to be home now, Valerio. This is our home.”
The fourth image contains four panels, 2 on top and 2 on bottom. The first panel shows Ingo, still speaking into the phone. There’s not really a whole lot of dynamic movement here lol, sorry. Ingo says, “… Why do you think you feel so differently, Valerio?” Val responds, “Fuck if I know. I just feel so… hollow. Wrong, here…” The second panel shows Valerio, who moved to lay on his back, staring away from the phone, his left hand grabbing at the bed blanket. Ingo asks, “… Do you miss anybody, Valerio? … You miss Volo, don’t you?” Val responds, “I… goddamnit.” The third panel shows Val sitting up, dangling his feet off the edge of the bed. He’s holding his phone now in his right hand. Val says, “… I went to Hisui the other day - “Sinnoh,” I mean…” Ingo asks, “How was it?” Val continues, “… I went to Volo’s grave.” The fourth panel closes up on Valerio’s face, panicked, confused. Sad. Val continues, “It… it didn’t - I was JUST talking to him, just a few weeks ago, I… fuck, it’s like there’s the rational part of my brain, that reminds me that was all 200 years ago, but… It - it can’t be, he can’t be dead… he was just here…”
The fifth image contains 4 panels, two on top and two on bottom again. The first panel shows Valerio, quieted from his previous panic, replaced by an overwhelming sadness. He holds his face in his left hand, phone in the other. Val finishes, “… I do miss him. A lot…” Ingo replies, “Oh Valerio… I’m sorry. I visited the burial sites for the clans some time ago as well. It was cathartic, for me, at least… but it sounds like it was too soon for you.” The second panel shows Ingo, still talking through the phone. Valerio says, “Fuckin’ seems like it, huh?” Ingo replies, “Valerio… do you have someone to talk to about this?” The third panel shifts back to Valerio again, still sad, but now confusion shows in his expression. Val responds, “… I’m talking to you.” Ingo says, “Valerio, I can’t help you with this. I’m sorry, I don’t have the means-” Val interrupts, “So what, some shrink would? Ingo, please, you’re literally the only one on earth who understands…” The fourth panel shifts back to Ingo, who says, “Valerio, I get the weird space-time bullshit, I do. You’re dealing with a broken heart, son. You’re dealing with grief. Maybe a therapist wouldn’t totally understand, but they know how to help with grief. Just… consider it, please, Valerio. A therapist, or your mother, your cousin, anyone.”
It ends there. The comic was purposefully left incomplete.
END ID.]
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Every so often, Eddie will get the bus to Starcourt Mall (because what else is there to do?) and watch the world go by.
It’s not like he’s above a cliché or two—maybe he wants to indulge in being a lone figure within the crowd. Maybe he just feels like wallowing in the aimlessness of it all, damn it.
This is where Wayne would point out that Eddie is exactly the opposite of aimless, what with how he’d stormed into the trailer last month, failed test results in hand and snarled, “Next year. I’ll fuckin’ show ‘em.”
But there’s a long time between now and the new school year starting, the summer stretching out before him like taffy. He’d tried to start his reading list early again, but that’s never done him much good; this time he’d gotten through one chapter of Moby-fucking-Dick before despairing.
So. People-watching at the mall it is.
It’s surprisingly not all that terrible an activity, apart from discovering which teachers are suddenly very passionate about jazzercise—a sight Eddie could’ve blissfully lived the rest of his life without seeing.
There’s also the confirmation that the Starcourt commercial he saw was not a vivid hallucination—that Scoops Ahoy is, in fact, real.
And so are the ridiculous sailor outfits.
Well, I’ll be damned, Eddie thinks.
Robin Buckley and Steve Harrington are an incredibly unlikely duo. It’s like the universe abandoned all sense, spun a wheel and paired them up just for the fun of it.
When he joins the line for ice-cream, Eddie initially thinks he’ll find the whole thing laughable: seeing people forced to work together when usually the laws of the universe (and Hawkins High) would keep them as far apart as possible.
But then he discovers that the ice-cream parlor is packed, one hell of a bottleneck forming right up at the counter, where folks are waiting for a seemingly never-ending amount of floats to be poured.
It takes a while for Eddie to near the front of the line; enough time passes that he honestly feels kind of bad for even taking up a spot, for adding to the workload that has Robin shouting herself hoarse with every, “Next please!”
He strongly considers just leaving, but he hesitates for a moment too long, and unintentionally meets eyes with…
“Hi,” Steve says, pleasantly enough, if a little distracted as he prods at the soda machine. He smiles apologetically. “Be with you in a sec.”
Eddie almost wants to tell him you know it’s me, right? He doesn’t.
It’s not that he expects Steve to be mean, exactly; it’s just that he’s getting more than familiar with the whole post graduation routine. It’s like there’s a secret page in folks’ yearbooks, instructing them to look at anyone still attached to high school with either indifference or embarrassment—or both.
Steve must not have got the memo.
“Next!”
Robin beckons Eddie forward with a sweeping arm gesture, looks somewhere behind him and sighs in relief, puffing out her cheeks.
“Oh, thank God. You stopped the tide.”
Eddie glances over his shoulder; sure enough, he’s the last person left to order.
“Don’t think I’ve got that power, Buckley.”
Robin raises an eyebrow. “Debatable.”
Eddie almost laughs. There was a rumour in his first attempt at senior year that he could curse people: it only came about because he ominously whispered some Pig Latin he’d once overheard Robin herself use during History, and Molly Pritchard crossed herself in horror.
“I’ll have a vanilla cup.”
“Ooh,” Robin says dryly, “adventurous.”
“Nothing wrong with a classic,” Eddie says.
Robin smirks as she rings him up.
They don’t know each other that well, but there’s admittedly something nice in the distant familiarity they share; at the very least, she’s not gonna add to any potential awfulness when school starts again.
While Robin hands over his change, Steve is filling up a cup—Eddie would say he’s uncharacteristically quiet, except for the fact that he doesn’t actually know what truly is characteristic of Steve Harrington.
Plus he’s stuck on the fact that he only paid for one scoop, but the amount of ice-cream Steve manages to cram in is almost double that.
And he does this ridiculous little twirly thing with the scooper before he even reaches for the tray of vanilla.
Eddie tells himself he notices just because the move is so stupid; it’s definitely not because he’s noticing Steve’s hands in general. It’s just… eyes get drawn to movement. That’s all.
“Syrup?” Steve asks, nodding his head at the dispensers.
“Sure,” Eddie says. “Strawberry.”
Steve wrinkles his nose. “Oh, don’t do that, man. Get it with butterscotch.”
Robin’s eyes rise to the heavens, as if some longstanding argument has begun once again.
“And why should I do that, Harrington?” Eddie says.
“Because,” Steve says, like he’s patiently explaining that two plus two equals four, “butterscotch is better. Obviously.”
“Obviously,” Robin parrots mockingly. She closes the register drawer and says, “I’m taking my break, Popeye. Try not to judge the customers too hard.”
Eddie’s pretty sure he hears Steve mutter under his breath as she leaves, “Seriously? You’re worse than me.”
His cup of ice-cream is under hostage, apparently. Steve still hasn’t pressed down on the damn syrup pump.
“This your usual sales technique?” Eddie says. “Browbeating the customers?”
“Only the lucky ones,” Steve returns mildly.
Eddie scoffs. “Fine. Gimme the damn butterscotch then.”
“Knew you’d come to your senses,” Steve says.
He hands the cup over without any more quips; just as he’s done with the syrup, a large family swoops in with multiple sundae orders.
Eddie eats the ice-cream while waiting for the bus back home. He grudgingly has to admit that the butterscotch isn’t bad.
But that’s not really what’s bugging him.
He has to know if it’s a fluke—if maybe, just maybe, Steve Harrington only deigned to talk to him because he was, like… delirious or something. Maybe the flood of demanding customers scrambled his brain.
Of course, when Eddie goes back to the mall, it’s purely to test his theory. Strictly observational—educational, even. Like… summer school. (Take that, O’Donnell.)
The bus drops them off a little bit before the mall actually opens, but they’re allowed inside anyway. Eddie inwardly cringes at the sight of grown adults tapping persistently on the windows of still closed stores. Jesus Christ, they’re worse than zombies.
Scoops Ahoy isn’t open yet either; Eddie’s soon witness to a very stressed looking Steve striding over to unlock the place.
He flits in and out of view for a while, taking mops round to the back, filling up the jars of toppings.
Eddie actually considers heading over to Waldenbooks to check if it’s open (it’s not like he’s coming here for one store in particular, obviously), but then he hears metal clacking against the tiles.
When he looks back at Scoops Ahoy, he spots a set of keys on the ground right at the entrance, Steve nowhere in sight.
Goddamn it. He’s gonna have to be a Good Samaritan. Ugh.
Eddie briefly looks up to the ceiling as if he can condemn the ways of the universe from here. Then he sighs, picks up the keys and steps into the store.
“Harrington, you dropped these—”
“Shit,” comes Steve’s voice from the back, followed by an almighty clatter.
Eddie hesitates before his curiosity inevitably wins out.
He goes behind the register, through the door and finds the aftermath of complete disaster: Steve standing in front of an entire vat of ice-cream that’s been dropped onto the floor. It’s splattered all up his legs, cookies and cream clinging to the hairs.
Holy shit, stop thinking about his leg hair, Eddie thinks.
Up until this point in time, he’d believed it was physically impossible to look anything other than comical in that stupid sailor outfit.
(Well. Almost.)
But right now Steve looks absolutely tragic. Like he’s a crew member on the Titanic levels of tragic, and he’s about to deliver the news that there’s simply no more lifeboats.
Steve meets Eddie’s gaze.
“That was limited edition,” he says pitifully.
They both look down at the floor.
“Well,” Eddie says. “It definitely is now. Still, uh, what’s the phrase? No use crying over spilled… ice-cream.”
“Oh, I’m not gonna cry over it,” Steve says. “I’m gonna scream.” For a moment he looks murderous. “Robin’s not coming in.”
“Is she sick?”
Steve snorts. “Sick my ass. No, she’s keeping The Hawk in business—gonna see a movie about an ice-cream parlor, something like that.”
“An ice-cream parlor,” Eddie echoes. “Um. Are you sure she didn’t just make it up?”
Steve shakes his head. “No, it’s one of those foreign—never mind.”
He cuts himself off, lifts up one foot, as if he’s become aware of his predicament all over again.
“I was fine with her ditching, she can do whatever; it’s not like we have managers checking up on us. But I forgot a huge delivery was coming, and it’s Saturday so it’s gonna be crazy, so I’m not gonna have time to put all of it in the freezer or check the stock chart, so it’s all just gonna become fucking soup, Jesus, maybe I should just throw everything on the floor and—”
“I could help,” Eddie interrupts, because apparently a little alien has burrowed into his brain and now he just says things.
Steve stares at him. “Why would you do that?”
“Yeah, uh, sorry,” Eddie says. He wishes his brain-invading alien an immediate death. “Bad idea, just—”
“No, I mean why would you do that? Dude, it’s not like I can pay you or—”
“I don’t really have plans,” Eddie says—oh great, the alien hasn’t died! “Uh, you can pay me with, like, a name tag?” What? Stop talking. “Like a souvenir?” Stop!
“Oh sorry,” Steve says, as if on automatic pilot. He pulls at his shirt. “We don’t have—our names are stitched on.”
I was kidding about the name tag. Actually, maybe you should just murder me instead.
By some miracle, Eddie’s expression must somehow still look fairly normal because Steve continues, deadly serious, “Munson. Are you sure?”
This is the time to back out—
“Yeah,” Eddie says. “Look, man, it’s no big deal. I can clean this up and—”
A bell starts ringing from the front, being struck over and over again in the most obnoxious way possible.
Something in Steve’s eyes flickers, a shift from panic into planning mode, and Eddie has the sudden bizarre feeling that this is what the basketball team saw whenever a crisis timeout was called.
“You sure you’re okay if I leave you back here?” Steve asks, and the gravity with which he says it threatens to send Eddie into hysterics—Christ, you’d think they were in the goddamn trenches.
“Think I’ll survive,” Eddie says. “I’m basically cleaning up, and putting everything into the freezer?”
Steve nods. “And, um, a stock check too, if that’s okay? There’s a chart pinned up, you just gotta count the flavours and put, like, tally marks next to—”
“Oh my God, not tally marks,” Eddie drawls. “The horror.”
Steve huffs. “I was just—”
The bell rings even more insistently.
“Uh, think you’re needed on the front line,” Eddie says.
He nearly chokes on his own spit when Steve turns to just march right on out there.
“Harrington, wait! Your—your legs,” he says weakly.
Steve has the audacity to look puzzled. “What about them?”
They’re very long.
Eddie gestures silently to the ice-cream on the floor, then attempts a vague hovering motion in the direction of Steve’s legs.
Steve’s eyes go wide in realisation. His cheeks turn slightly red. “Oh! Yeah, um, thanks. Um. I’ll just…”
He disappears into the world’s tiniest restroom, comes back free of cookies and cream before heading out to the front.
Well, Eddie thinks to the mop he finds, this is definitely a situation.
It’s not the worst way he’s spent a few hours, apart from having to listen to a Sailor’s Hornpipe on loop through the speakers (he briefly wonders how Robin and Steve stay sane). He cleans up, gets the rest of the delivery into the freezer, even jots down some tally marks, wonder of wonders.
Steve will occasionally slide back the shutters and pop his head in, passing over a soda.
“Employee perks,” he says, then has to hurriedly retreat to keep serving.
Eddie keeps waiting for the stiltedness to set in, but it seems Steve’s far too busy for there to be any awkwardness.
At midday the shutter slides back again and Steve says, “Hey, can you do me one last thing, and I’ll never ask you for anything ever again, I swear.”
“Harrington, you’ve technically never asked me for anything. Gimme the mission.”
Turns out the mission is just to use some employee only coupons at Burger King so Steve can take his lunch.
Eddie returns to Scoops Ahoy with two burgers to find that Steve’s strategically placed a pile of chairs and wet floor signs at the threshold to deter people from entering.
There’s also a hand-drawn sign on top of one of the chairs: Out for Lunch. Underneath, there’s a horrendously bad drawing of a ship on choppy waves.
Eddie tries very hard to not find it endearing.
He gives Steve a burger, hops onto the table in the back and starts eating his own.
A quarter of the way through, he realises that he could leave now—he’s done everything Steve’s asked, and Steve’s already said he can manage the remaining shift on his own now that the delivery’s been put away.
Huh. Well, he’s already gone to all the effort of sitting here…
Steve’s quiet for most of his lunch. Eddie doesn’t mind; he enjoys his free food, comes up with a half-baked campaign idea before discarding it, counts every tile in the room…
Looks over.
Steve’s sat with one leg hunched up to his chest, a book resting on his knee—the cover’s folded over the back as he reads, the spine broken. Eddie doesn’t know why on earth it’s attractive, but it is; he feels like some mooning middle schooler, entranced by the way their stupid crush eats spaghetti or some bullshit like that.
But then again, there’s always been an easy grace to Steve Harrington.
A beeping noise; Steve checks his wristwatch with a sigh.
“Ugh.”
He leaves the book on the table, at just the right angle for Eddie to read the title: Tinker Tailor Soldier Spy.
“Is it good?”
“Hmm? Oh. Yeah, I’m only a couple chapters in, so…” Steve shrugs. “Honestly, it’s the most I’ve read since starting high school.”
And Eddie gets that: the senior years he’s suffered through have left him each time with a brain like a wrung out sponge, not even having the energy for Tolkien.
God. At this rate he’s never gonna read for fun ever again.
His face must do something because Steve opens and closes his mouth a few times before saying, a little hesitant, “Hey, I’m sorry you never, uh… made it through, y’know? You—you were so close, man.”
Eddie doesn’t bother wasting time on being pissed that Steve knows some of the details: ‘test results’ and ‘confidentiality’ don’t exactly go together in Hawkins High.
“Yeah, uh. Thanks. Here’s hoping third time’s the charm.”
Steve claps his shoulder. “You’ll do it, it was just tough this year. Like, I scraped through, trust me.”
Eddie snorts—he would literally kill to have a handful of Steve’s grades.
“Think my definition of ‘scraped through’ is different to yours.”
He helps Steve disassemble the mountain of chairs, and now it really is obvious that he could just leave; he only has to take a few steps, and then he’s out of there.
But he pauses.
The store is still empty.
Eddie shuffles back from the doorway. “Ice-cream for the road?”
Steve laughs. “Sure. Least I can do.”
He doesn’t ask Eddie what he wants, just serves a vanilla cup with butterscotch syrup.
Eddie suddenly feels himself fighting a smile. “Think you’ve got an agenda, man.”
“Nope. Just giving you the superior choice, Munson.”
Then Steve picks up an empty cup and pours more butterscotch into it, nothing else. He knocks it back like a shot.
“Gross,” Eddie says.
Steve flashes him a syrup-streaked grin.
It’s so… juvenile.
If it wasn’t for the fact that they’re in a mall, Eddie would almost think that he’d gone back a few years, made an unexpected temporary friend that goofed off with him in the back of the class.
He finishes his ice-cream as more people flock to the counter; in what seems like no time at all, Steve’s ushering Eddie out, pulling down the security grille.
It feels a bit like a soap bubble has burst. Like the bell’s unexpectedly rung at the end of last period, in a class he was actually enjoying, against all odds.
Steve does say, quite sincerely, “Thanks, Munson. You didn’t have to… you really saved my ass.”
Eddie’s about to clumsily work his way through some reply about how it was nothing, but then they really do have to go, because some stern-faced security guard’s staring like he might vaporise them.
It’s just one day, Eddie thinks. A… what’s-it-called. An anomaly.
But he goes back to the mall the next afternoon. He doesn’t bother to make up an excuse even in his own head.
Scoops Ahoy is somehow even more packed this time—Steve’s serving up samples while Robin’s back at the register, and when she sees Eddie coming, she points at the vanilla, mouths, “The classic?”
He chuckles, nods. “How was your movie, Buckley?”
“No idea what you’re talking about,” she says serenely. “I was very sick.” She coughs delicately.
“Praying for your miraculous recovery.”
He gets vanilla with butterscotch syrup (just because Robin’s the closest to that particular dispenser, that’s all).
It’s so busy that once Robin’s finished at the register, she starts filling orders alongside Steve. When Eddie picks up his cup, they barely look at him, surrounded by other cups and plastic bowls laid out for ice-cream.
Figures. Eddie knows it’s not personal. Just. Soap bubble’s burst, and all that.
He’s almost out the store when he hears a whistle.
“Hey, Munson! Go long!”
“Fuck off, no,” Eddie says automatically, a response drilled into him from many a compulsory Phys Ed class.
But he turns, just in time to see Steve throw something at him. He catches it—it’s plastic, round—somehow manages to keep a hold of his ice-cream, too.
Steve gives a brief thumbs up, before he’s back to scooping. He still finds time to do that stupid twirl move again.
Once outside, Eddie opens up his hand. Snorts.
It���s a shitty white badge, chipped in several places. His name’s scrawled on it in red marker, a cartoony anchor in the upper right corner.
On the bus home, Eddie mulls over the thought of flicking through a couple chapters of The Hobbit, something like that. No pressure, no notes—no imagining the year ahead, a teacher looming over his shoulder. Just for fun.
There’s plenty of time.
He puts his souvenir in his pocket, takes another spoonful of ice-cream.
And he has to admit that butterscotch is pretty damn good.
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theoretical entroponetics: the post
okay. LONG post incoming. i have summarized all available information on the pale, separated into confirmed objective truth & in-canon speculation that may or may not be true, and then appended my own very detailed theory on the pale! this post is meant as a resource; please feel free to add things of your own in replies/reblogs (please tag me if you do!) or point out any errors i may have made. you’re welcome to use any of my personal theory in your own work but please credit me if you do!! (and tag me in that/send it to me, i really want to see what you do with it!)
Here’s what we *know* about the pale, according to in-game and concept art:
It erases data, at least the kind stored on radiocomputer filament and magnetic tapes.
It has no dimensions of its own- pale latitude compressors serve to force dimensions on raw pale and allow navigation.
The pale is referred to in the context of entropy
It arrived with mankind, but not immediately- there are 8000 years of written history, but the pale was first recorded 6000 years ago, implying that pale either didn’t start forming immediately or that it was so insignificant/distant that it went unnoticed for 2000 years.
There exists a group of people who are actively trying to expedite entroponetic collapse; the ideology is called entropolism
To this point, pale isn’t immediately visible. Pale has molecular structure, but manifests as a waveform, and only becomes visible at a certain distance from the origin, once wave frequency is sufficiently high.
During pale exposure, people experience “sense objects”: visual or auditory hallucinations and/or vivid physical recollections of memories. These hallucinations may originate from their own consciousness or someone else’s. c
People require physical and mental examinations before interisolary travel and are allotted a certain number of days per year as their pale exposure threshold.
Overexposure results in a pale “addiction”- these individuals crave pale exposure, and it’s unclear if this addiction can ever be broken. It’s also unclear whether there is a point at which pale exposure becomes lethal, but given that it dissolves matter, we can be fairly certain that a given length of continuous exposure will kill.
Radio signals, cold plasma torches and anodic sound are all used to manage the pale to permit travel through it. Plasma torches destabilize the molecular structure of the pale to create gaps, anodic sound widens and maintains these gaps, and radio signals rationalize the pale into recognizable dimensions.
Radio signals are, in return, susceptible to corruption by the pale, resulting in entroponetic crosstalk, where signals from the past or the future are transmitted to the present. CCP is one such phenomenon and is directly related to the formation of new pale through magpie interpretation.
There is a dedicated Union for people who work in and with the pale (the Pale Workers Union). They have two slogans; “The light purifies; The sound absolves; The pale no more” and “Son et Fureur” (sound and fury)
Here’s what we may choose to believe about the pale, based on the thoughts and beliefs of in-game characters:
In conversation with Soona, the pale is described as a “curdling milk” phenomenon: “repulsive, but natural”
In this same conversation you can theorize that the churches were meant to contain the pale origins; out of the seven churches, six were destroyed during the suzerain or the revolution
The phasmid and whatever other lifeforms it’s communicated with believe that entroponetic collapse is comparable to an oxygen holocaust (i.e. the great oxygenation event), implying mass extinction due to a toxic overabundance of sapient thought
Harry refers to it once by saying “The wolf is at the door. It’s going to eat the sun.” so take that as you will
It’s likely that Tiago’s “Mother” is some manifestation from the pale, if you choose to believe that the 2mm hole is in fact a pale origin point (the concept art does confirm it’s a pale origin, but the game offers other explanations, so I won’t say it’s the only answer)
Inframaterialists believe that revolutionary action (NOT thought) may create a counter-force that will prevent the spread of pale; it’s unclear if any reversal is possible.
The world will be fully consumed by the pale in 27 years (I put it here because you may or may not believe that shivers and harry are reliably sourcing this information)
And now my personal speculation about the pale:
A quick and easy point: it’s confirmed that the pale has a measurable EMF “exhalation” frequency that varies with proximity. Strong enough EMF pulses can actually tamper with magnetic storage- radiocomputer filaments! Electronics! Fortress Accident data loss! This gives us a tangible explanation for why pale can delete data :)
This may also explain its ability to cause radio interference- radio frequencies are just a subset of EMF frequencies, so it’s possible that pale exhalation on *just the right frequency* is what’s responsible for the entroponetic crosstalk we get on radios sometimes
The pale canonically has an atomic structure, but it also has wave properties, so it’s possible that the pale has wave-particle duality on its subatomic level, like photons do
Based on this, entroponetics is likely a very similar field to quantum mechanics, which might be an interesting source of ideas for anyone (like me) who wants to explore pale-related possibilities
The pale could be a manifestation of raw patterns. That’s why math “forces dimensions” on it- it rationalizes or “tames” the patterns, which allows it to be manipulated to a certain degree.
There are several references to the pale that refer to mathematical concepts and patterns, saying that the world dissolves into “a tangle of azimuths and cosines” as it blends into the interisolary pale- more on this later
Steban comments that the pale is commonly theorized to be nostalgia or “historical inertia”, but it’s largely agreed that it’s “the past” in a broad sense. Thinking about the idiom that history repeats itself, it could be that history/the past is part of the pattern that comprises the pale, and that it’s also the type of pattern most readily perceived by people (people don’t viscerally *perceive* math, for example, but we experience memories)
To first define entropy: Chemically speaking, “the measure of a system’s thermal energy per unit temperature that is unavailable for doing useful work. (per encyclopedia britannica).” Physically speaking, it’s a measure of randomness or disorder in a system. Less work/less order = more entropy; it’s a physicochemical “winding down” of a given system
It’s commonly thought that pale is the entropic force, but what if it’s the opposite? (Keep in mind the chemical definition: less ability to do work = more entropy) Consider: the pale as less entropic, a cleanup force, recycling the potential lost by death and destruction in the universe. This in part explains why a dead person’s memory is present in the pale- their potential has been recycled into the pale in the form of their memories (their life’s *pattern*)
Enthalpy is a related concept to entropy and is defined as the total energy contained within a system. Holding the system enthalpy constant- saying the universe will always have the same amount of total energy, no matter what, according to thermodynamics- results in an entropic tug-of-war between the pale and the world. The pale wins through sheer inertia (again, inertia is mentioned specifically in game)
Overall: think of the world as “cooling”, losing heat and energy through war and death and complacency. Think of the pale as steam and heat, melting down old materials to start it all over again. (Kim says, *through entroponetic interference*: “it’s been a long, cold winter.”)
Consider: the pale as a sinusoidal function, eternally repeating. The pale recycling the universe to start a new cycle, “spending” itself, resulting in pale not being present in the beginning. Then, as the new things begin to settle- with the advent of the human mind, specifically- the pale reforming, slowly reclaiming potential, eventually ending the cycle to start again.
In comes CCP and magpies. Consider: CCP as a backwards transmission from the next “cycle” (after all, pale has no sense of time). Magpies as *pattern-sensitive* people who are able to decode CCP into something useful called novelty. They reach into the potential of the next cycle to build the potential in their current one- this paradox could be what creates more pale, because (and this is where it gets weird, I apologize) doing this retroactively increases the total amount of energy/work/potential in the current cycle to have been reclaimed by the pale for the next one.
Think of the pale as the compost bin for every single thought in the universe. The pale is the exact right size to compost every little atom and thought in the universe, and can hold nothing extra. But magpies reach into the future, the next cycle, and bring in extra. This paradox forces the pale to grow to accommodate the additional material, which also increases the starting potential of the next cycle. This process allows each cycle to accumulate minor changes from the previous one, which can snowball over many cycles.
Furthermore, to the inframaterialists’ point: revolutionary action would be such a radical shift in inertia that it would increase the potential in the world, forcing the pale to pause/shrink to “balance the equation” in terms of pale-vs-world thermodynamics. So maybe they’re right after all :)
And some diagramming, to explain the utter bullshit I’ve just dropped:
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