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popculturebuffet · 10 months

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Into the Spider-Verse Finale: Spider-Man: Into the Spiderverse Review (Comissioned by WeirdKev27)

In Memory of John Romita Senior 1930-2023

Let's do this one last time. I"m Jacob Mattingly, and for the past few months, i've been reviewing the first apperances of spider-men. I've seen them enjoy crackers and milk, knock themselves out on furnaces, drum to deal with their pent up angst, rage, get powers from a spooky god while buck naked, and crumple a pipe like paper in their hand. It's been a long, loving ride into comics that not only got my comics reviewing mojo back but allowed me to share one of my faviorite franchises with you fine folks, many of whom don't usually read comics.

So we've come to the end of this retrospective, a bit later thanks to all the chaos of me using, but appropriatley as the final review i'm doing from the only home i've ever known. After 561 reviews here, it's time to say goodbye and given this is both one of the best projects i've done in my career and one where i've finally started editing better, it feels like the note to go out on.

This review has also been super intemidating to start. I'm an animation and comics nerd.. and Into is easily one of the best animated films AND best superhero films ever. It's also MASSIVELY influental, something I didn't see coming when I walked out of the theater, but really should've and we're now starting to see in earnest now the production cycle has had enough time to catch up to this film being a MONSTER hit. From modern masterworks like Mitchells Vs the Machines and Puss In Boots: The Last Wish to upcoming possible greats like TMNT: Mutant Mayhem, it's very clear studios are now far more likely to break from the standard CG styles and do something fresh, and audiences fucking love it. I hadn't realized till this film how much you could play with animation, from the concept of ones and twos to making a comic book movie look like a comic book. Any time I paused while watching this it felt like looking at a panel. The art here is gorgeous and the script matches it. So the question was both what would I have to say about the film and would I be able to live up to it? The only way to find out. is to take the leap. So join me under the cut as we swing into the spider-verse once again and see what makes this film so great 5 years later. Also as a heads up spoilers for the sequel will be present so if you somehow havne't seen it, you've been warned.

Let's Do This One More Time.... To get into why this film happened we have to get into Sony's treatment of spider-man. Said treatment has been a near neverending cycle of doing something right with it.. only to do something that shoots what they did right several times in the foot, stabs it and lights it on fire. Sam Rami makes two great spider-man films? Let's overly interfere with the last one and weigh it down with a lot of stuff it didn't really need. Amazing Spider-Man was decent with two tremendous leads in Andrew Garfield and Emma Stone but had some places to improve like peter being a skater boy she said see you later boy? Let's get complicated with it, overly focusing on Peter's Parents, including PLANNING TO HAVE PETER'S DAD SHOW UP ALIVE, a mysterious man in a trench coat from a tie in novel, and make harry osborn into this.

It's hard to decide which is worse. I mean their both worse than that time Harry Got a Mustache in College

A very high bar no doubt, but it's hard to decide if modern pale emo kid or GNEEE GNEEE I'M THE GREEN GOBLIN GNEEE GNEE was worse. Though I think we all can agree sony deciding "You know this pathetic weirdo we just had kill one of our most popular characters? LET'S GIVE HIM A MOVIE" is just.. one of the most baffling decisions they've made. Popular Anti-Hero with his own history, rogues and dynamic outside of spider-man Venom makes us an unexpected hit? Let's give him a sequel.. which was actually logical. So naturally they also decide "let's make OTHER spider-man villians and anti heroes into their own movies" I mean who DOSEN'T want a kraven movie?.... me.. me don't want that. I want Kraven IN a movie, but why. And the less said about morbius that dosen't involve Matt Smith giving one hell of a performance or weirdly dancing to show off his impressive abs the better.

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Why wasn't the film just... Matt Smith as a more villianous version of morbius? A riddle for the ages. The point is sony has a GOLDEN franchise.. but often has no idea what to do with it. It's why when this film was pitched they were trying badly to find something to do with it, hence Venom. So since they had an animation division that while not terrible only really had one franchise of note, head of spider-man stuff Amy Pascal went to two of the men who'd made one of the most succesful animated films of the time and who were on a high point in their career and asked what they would do. These men.. were Christopher Lord and Phil Miller. The two had had a rocky start in their careers, show running the cult hit Clone High, which while well loved to the point we finally got a new season this year that was pretty dang good, wasn't exactly a big hit. Eventually though the two broke out with 21 Jump Street, a film no one had a ton of faith in hearing about it, myself included. The film was a comedy reboot of the old series, lampooning the whole premise and lamp shading the hell out of everything from this being a reboot, to our heroes not remotely passing for high schoolers, to high school drama itself, and not only revived Lord, Miller and Stars Channing Tatum and Jonah Hill's careers. This naturally got a sequel, which was not only even better and more meta, cumulating in a hell of an ending lampshading the idea of this being a franchise, we also got one of the funniest scenes in the history of film. And yes that's a hill i'm wiling to die on.

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And even THAT woudn't be it as the two would go on to make the Lego Movie, a film that was both stylistically brilliant, hilarious and used the property brilliantly AND followed that up with The Lego Batman Movie. The two had a clear talent for taking a property, doing something fresh with it while honroing what worked so they were a no brainer to ask to do this. As for why would they.... IT'S SPIDER-MAN. If I got offered to make a movie about spider-man i'd do it. Who wouldn't?

Ironically though while Miller and Lord had the creative vision, something even I didn't know till recently is that they didnt' direct the film. In fact out of them only Lord wrote the film, co writing it with Rodney Rothman, who also co-wrote 22 Jump Street which as established above, is quality as hell. Rothman's Resume up to Jumpstreet isn't really anything huge, having done writing stints on underclared, the short lived ups animated sitcom Game Over, and having been a writer on Letterman, the last of which i'm mostly noting because he proudly revealed he was the one Chris Farley threw in a dumpster, but he clearly just needed more of a shot as both films he's co-written prove.

He also wasn't flying solo in direction, with his co directors, while also inexperinced in directing for the most part, having far more animation experince. First up is bob perschetti, who did the story for the original puss in boots and a smaller film called the little prince, and did tons of storyboard work for dreamworks, having worked on Shrek 2, Monsters Vs Aliens, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit, which I previously covered. He was also an inbetweener on a smorgasboard of disney films.

Finally we have Peter Ramsey, the only one to have directed a theatrical film before this with Rise of the Guardians, and was a storyboard artist on a list of flims so massive and prestigous i'm just going to let this wikipedia screencap speak for itself.

Yeahhhh. See I point out the lack of direction credintials not to shame them, sometimes it can take decades before you get your shot, but more because it's so utterly shocking that as experinced as these guys are only one of them had directed before this. The film is gorgeous and groundbreaking.. and makes it that much more baffling it took this long for these three guys to get such a big , well deserved shot and given all have projects going on right now, I couldn't be happier.

So the production itself seemed to go smoothly for the most part. The only exceptions were Sony nixing a cameo from tom holland (as they found it confusing) and something massive: one year out from the film being released Lord and Miller felt the film wasn't working and thus decided to rewrite it. This itself dosen't seem too bad, a year seems like a lot of time... but in animation terms.. that's hardly anything and also heavily involved taking what they already had and figuring out how to recontextualize it. If you couldn't tell from going that far, the duo were fans, having read spider-man comics and done research for it, picking thier spider-men carefully. The results.. well the results are nothing short of amazing, spectacular or peter parker.

Taking the Leap: As I mentioned earlier Spider-verse.. changed film animation. This isn't hyperbole either; if you look at the bulk of this year's animated films their all more stylistic with many, TMNT: Mutant Mayhem and Nimona in paticular, using a combo of 2d and 3d animation and it stretches into last year two with The Bad Guys and Puss in Boots and in 2020 with Sony's own Mitchell's Vs the Machines. More studios are experimenting with their style and trying something diffrent and what's more remarkable is that.. they aren't just 1:1 copying spiderverse. Many have taken it's sketchy style sure , but no one's doing it the exact same way: Spider-Verse often resembles a comic book, TMNT a sketch book and nimona something else entirely. Each is drawn and rendered.. but each in a way all it's own.

It's not to say films before this didn't have their own style: as my friend Kammie pointed out in a long conversation about animation recently, Dreamworks has always had it's distinct character models and before this The Peanut Movie (one of my faviorite cg animated films ever) and Rango both tried to play with it. Peanuts in paticular also took a stab at emulating the comics it's based on. The problem was while both films were gorgeous.. neither really took off. Peantus was a modest success, but the Schultz family had no interest in a sequel, while Rango didn't really land at the box office. And when something fails hollywood tends to blame the work itself and not circumstance or

Spider-Verse broke that by not only being a mainstream hit but one that really worked the animation as hard as it could. It gets .. incredibly technical and even I wasn't aware of how much till going to tv tropes but simply: most animation is done on ones or twos. Ones means a unique image every frame, twos means a unique image every other frame. You usally use one or the other. Spider-Man.. does BOTH, which is as exausting as it sounds, using 2s on the characters and 1's on the character work to give it a more dynamic vision, and shaking it up when needed, such as having miles on ones for most of the film , the rest of the spider people on twos, and then miles on twos after the what's up danger scene. It's a LOT of dedication and that's not even getting to how every spider-person has a slightly diffrent animation style. The results are eye candy in it's purest form: every pause is a panel, every action catches your eye, everything works. And the panel part is paticuarlly notable as the crew did their damndest to make this LOOK like a comic in motion. It's something that , as many great comic book movies and superhero films as we've had.. you simply cannot do in live action. So if it's so obvious why did it take till 2018 to do?

It's likely other suprehero animated films had the idea.. but there was no way in hell they were getting the budget to do it. And if you've seen say the incredibles, mask of the phantasm of megamind, those budgets are already pretty damn vast for their times. Animation is a great medium.. but when it comes to film... the big studios get complacient really fast. Animated Films are EXPENSIVE and a huge swing like this is a radioactive spider-risk. It's why up until spider-verse most studios have stuck to their guns: Disney and Pixar have ocasoinal style shifts but you can genuinely tell when a film's by either stuido, Illumination basks in it's cheap but effective house style, and Warner.. well warner just dosen't give a shit in general why would it here. Dreamworks is the only one that really shook up styles and even then until this year they didn't shake up how they aniamted. After all if it works.. why fix it. And before anyone asks, no i'm not saying "ALL THESE OMVIES ARE TERRIBLE FUCK THEM AMIRITE". I'm saying that the industry got complacent and it's something I, an animation critic, didn't even realize till spider-verse's effects started being felt. Animation really did change because this one film took a leap and it's only for the better: Mutant Mayhem looks to be the best tmnt adaptatoin ever, a VERY high bar from an obessive tmnt fan like me, Nimona looks awesome, i've heard good things abotu Ruby Gilman from Kammie, and Puss In Boots was fucking magic. And while they all likely woud've ben good regardless, this leap has really changed things and hopefully will continue to from here on out as more and more new films catch up lead time wise. To quote Kammie

"The new giants of major western movie animation are Sony and Dreamworks, they're willing to innovate and take risks where most other studios falter and resort to retreading old territory or using stock plots. Do they still innovate technicalogically? Yes. Does that matter when you make movies that only look slightly more realistic than the last one you did? No. We don't go to animation for realism, we go to it for escapism, to see worlds that are utterly impossible and larger-than-life characters, find places that we can only visit in our dreams, to see sheer spectacle that's not possible in live action. Animation more than anything is only limited by technology, and it's a testament to it that most live action films have CGI, a form of animation, involved in making them what they are."

But animation is only half of it. How's the story? Good: But that's pretty obvious so let's go into our characters and what not shall we?

Miles Morales: Anyone Can Wear the Mask

So first up danger is our hero.. well one of many but Miles is our focus and was a perfect choice for it: his arc in the comics is a coming of age story in the vein of the original and ultimate spider-men (the latter being miles predecessor), and really explores what it means to be spider-man: in the comics Miles rejects the idea outright until peter dies.. and he realizes with great power comes great responsiblity and that he can be what peter was.. and then has to settle into the harsh realities of being spidey as well as the good it brings. Bringing a character like that into a story with a bunch of other spider-man all showing what it could mean with diffrent people was genius. The film also nicely tweaks things to make an already good story better. The first is miles age: in the comics he's currently 16-17.. but started out as a 13 year old. The idea worked, both to seperate it from the 16 year old peter he replaced and to make the danger that much more horrifying as it's happening to a much younger person and make some doubts about him doing it more understandable, but it works better to have miles as a teen here, to have him grown up just enough to understand a lot.. but still question who he is. It also allows the nice parallel of getting his powers around the same age as peter.

Another is that in the comics while Miles gets into brooklyn visions by lottery.. what that means for him really isn't focused on. It's hard, but he adjusts to it fairly well and the issue is more having to spider-man from a heavily montired private dormintory. Into instead explores what it would really mean for a kid from a working class family having to leave all the people he knew and grew up with to go to a fancy prep school where most of his classmates ignore him at best. In the comics Miles at least had his best friend going with him: here's he's just alone in an unfamiliar place he badly wants to leave.

I also like that his getting into the school isn't ALL luck. While he literally won the lottery, and yes they really do lottery children's chances for a better future and yes it's fucked up, his mom makes note of him passing the entrance exam and while trying to flunk out delbieratley, his teacher notes he got an exact zero... and then gives him a 100 as to get the answers THAT wrong.. you have to know all of them. Miles is a smart kid.. but he just hates where he is because he's alone. It's not helped by his.. let's say complicated relationship with his dad. Jefferson.. is not the most likeable guy. He's more than the comics where he's an out and out anti-mutant racist douchebag who outright abandons his son when he finds out (he DOES get better, but it's still a dick move), but he's still a domenering presence: when Miles brings up wanting to leave the school Jefferson is admant on him staying. He refuses to really.. empthaize with his son, being mad at his habit of putting up nametags, not really supporting his grafiti art (another deft addition to the character It ruly love), and not really getting him. Jefferson MEANS well: he wants miles to have a life jeff didn't. Like in the comics i'ts heavily implied Jeff didn't really start with anything nor did he or Aaron have the best life, having to steal to survive. He grew past it while Aaron embraced the criminal life style, but it's clear Jefferson WANTS his son to do better.. but is so stubborn and controlling he can't see that miles is miserable and that he needs to stop putting his foot down and start actually listening. The school WILL be good for miles in the long run.. but it's hard for him to see that without anyone helping him. It's easy to see WHY Miles prefers his uncle. Aaron davis isn't the best person, and we'll get to that.. b ut it's clear he loves his nephew and encourages him in school. It's just Aaron also takes the time to LISTEN, to try and gently push miles, asking him what he actually likes about the schol, encouraging him to make a move on his crush. Grnated the shoulder touch is a very awkward move no one should try and I never would, seriously don't touch a woman without their permission folks, but he means well with it. He also wants better for Miles.. he just respects miles more as a person. And with Miles feeling like one person but being shoved in another direction... being spider-man was the last thing he needed. Something I like about Miles as a character both here and in the comics.. is that being spider-man DOSEN'T make his life better at first. See even if most spider-men eventually get the lowered boom of someone they love dying, most get to at least enjoy it first. Looking back at the origins, Peter getting his powers takes a young nerd with no power and gives him all of it, Spider-Ham got a surrogate mom and teh power to crumple other peoples pipes like paper in his hand, while NOir's origin was.. less than ideal

He still got the power to fight back against a corrupt world, and Gwen much like peter got a power high. Miles.. never gets that in either version. In the comics he's utterly terrified and here he not only gets that.. but also gets humilated: trying the touch fails..as it likely woul'dve anyway, and instead messes up gwen's hair in the short run and makes it kick ass in the long run, sends him running in a panic from school security, and gets him stuck to about 80 dozen things. It shows the part most spidey origins and a chunk of superhero origins skip: that while getting powers is fun.. the learning curve usually sucks. Instead of the power high.. miles is just terrified by what he is and what he must do now and has no idea what he's doing. While most spider-man get the good of it first and have to learn the harsh realities of being a superhero later, usually with some horrific death, miles is one who from the get go realized with great powers comes a spinerett load of trauma. It's something the next film will deconstruct, but for now it's simply stripping that back and showing that while anyone can be spider-man.. it's not exactly a fun job as it is on paper.

So Miles goes to try find his uncle and when that fails, goes to the place he got bit by the spider..

Because he gets thrown into a supervillian battle, meets the real spider-man, and gets a hard truth from Peter Peter: You're like me. Miles: I don't want to be. Peter: I don't think you have a choice, kiddo.

It's not Blonde Peter being harsh or cruel.. he's just honest. You can try running away from powers, trying to live a normal life.. but eventually it catches up with you. Peter's tried to quit multiple times.. but it dosen't stick because great power, great responsibility. He can try and give up, leave it to other guys.. but at the end of the day having this gift means using it wisely.. and in miles case having it also makes him a target. And Miles ALMOST gets a mentor.. but then peter dies and gruffly tells Miles "You gotta save the world now slugger". Oh and not two seconds later he nearly dies getting chased by a superman. And he wasn't even supposed to be here today. Honestly I didn't even realize till I sat down to write this but the first half hour or so of the film.. is pretty bleak for miles. He gets power he dosen't want, has to watch the world's greatest hero die, and is left in charge of a major task that someone with a decades more experince died trying to do. Oh and he was told to keep it secret and can't tell those he loves. His life is just one hard long cruel cosmic joke.. and the sequel makes it even worse given we now know the spider wasn't even supposed to bite him and he gets BLAMED for watching someone die. Also just to get this out of the way now, while I was calling bullshit on Miguels claims Miles was responsible for Peter's death in the theater, I did watch the scene carefully just to throughly debunk this. And shockity shock... Peter would've died whether miles was there or not. The goblin suckers him slightly due to miles.. but it's nothing that really slows him down or injures him. What ultimately leaves peter at deaths door and weak enough for the kingpin to do his finisher on the poor guy is getting ganged up on by Prowler and Goblin, and then slammed into the collider. Aaron would've been there, Norman would've been there.. this all was supposed to happen, as tragic as it was. Fate changed by Miles getting bit.. but it changed this world at least for the better as it'd probably be gone along with 5 more spiderpeople and incalculable innocents. So in conclusion: eat a dick miguel, let's move on.

So with that Miles is left shattered and wonders home.. and Jefferson is warm and supportive and just kidding: he tells miles he made a commitment, rio has to give him a look like "come on" and when asked if he hates spider-man, while his child is clearly shaken by SOMETHING, his reponse is "well yeah".

And with the power of hindsight this .. really underlines why Miles has confidence issues the rest of the film. Why he struggles with his powers: he was already feeling out of place in his new school and having most of what makes him who he is questioned by his dad, and then he goes through spider-puberty and watches the world's greatest hero get body slammed into a science machine, gets yelled at by said hero that

Watches said hero get mob executioned by a villian he now has to stop, and then gets chased by his top enforcer while spooky but dope as fuck music played. It's a miracle Miles hasn't had a full on nervous breakdown after all this, let alone gets up, and decides he HAS to press on, visiting the memorial and realizing that no one else is going to come do this.. I mean they will but what makes it work is he dosen't know that yet. All miles knows is the one thing keeping the city from falling apart is gone, and he's the only one who can do this and as rightfully scared and afraid and alone the poor boy is... he has to try. He may not be quite ready to take the leap.. but he's ready to put a foot off the roof.

While miles has plenty of deadly and superior foes to fight.. his ultimate enemy is himself...

.... metaphorically this movie. Miles has the heart of a hero.. but is so scared by being one and so sure he CAN'T do it that it's a self fufilling prophecy. It's something expertly shown in how his powers work: he can't get his hands to stick or unstick on queue or his camo to work unless he needs it to flee. His powers are acting on his panic and anxiety. As peter points out with the sticking, it only lets go when you relax and Miles can't relax, he can't relax cuz he's a boinger.. and because you know, he's in a VERY stressful situation. Most spider-men at least get a few simple crooks before they get to the supervillians. Miles has to fight the sinister six on his first day. I'ts easy to see why he can't trust himself: if a peter ten years deep in can't do it, how can he? It's telling the one time pre-what's up danger miles really masters his abilities fully is with web swinging, when he just has a chance to relax and learn.

It's not helped by Miles essentially seeing the ghosts of his future right in front of him: Through Peter Prime, he's seen he can die easily. Through peter b. he sees even if he dosen't being spider-man might destroy his personal life. and through gwen he's seen how he could grow isolated and alone through tragedy. He sees his possible future in two people he grows to love, one platonically one nto so much both who we'll get to, and it scares him. It doesn't help Peter. B is the ONLY spider person willing to give him a chance: while Gwen likes him, she thinks he's not ready and the others all expect him to be spider-man NOW dammit, when all of them had a much less steep learning curve. Except Peni, her learning curve was basically "Suprise we released the spider your dad made into this room! Enjoy being radioactive!"

Into The Spider-Verse is ultimately a film about how others expectations of you can eat you alive.. and the only way to really escape that.. is to be yourself. Not to IGNORE that other people exist or be a callous jackass, but to trust in yourself you'll make the right call. To trust you to do the right thing when things are their darkest.

And it's ironic that what finally gets him to have faith in himself.. is the person who seemed to have the least faith in him. In the end the person who enrcourages miles is Jefferson. While miles has been having his arc.. Jeff has had his own, as miles has been mia since meeting peter. b, and then found his brother dead.. and blamed miles as spider-man for it. Thankfully this gets cleared up enough, but it clearly rattled Jeff enough to realize that holding fast and trying to be constantly authortive and unbending.. isn't working and never has. It's only by opening up does he not only finally close the gap with his son, even if that comes AFTER all this because you know, webbed up mouth and all, but makes miles finally have some confidence in himself. And the speeech itself is just.. beautiful.

Jefferson Davis : Look, sometimes... people drift apart, Miles. And I don't want that to happen to us, okay? Look, I know I don't always do what you need me to do or say what you need me to say, but I... I see this... this spark in you, it's amazing, it's why I push you. But it's yours, and whatever you choose to do with it, you'll be great.

I'll also give Brian Tyree Henry credit as he's just perfect in the role, being a hardass.. but in a way that makes it clear he's not 100% dick and here him opening up.. is beautiful. And it's really what miles needed: While Peter. B wasn't a TERRIBLE mentor, trying his best to encourage miles, what miles ultimately needed was the simplest message: be yourself. Which yes is INCREDIBLY common in animated media. But it's done well here. It also makes me wish the cut line with peter used in the trailers was used here as it really gets to the heart of the film: Don't do it like me, do it like you. Miles problem was that he tried too hard to be what others wanted and that people pushed him to hard to be somethign else, wether that meant instantlly accepting a hard situation in his new school from his dad or instantly fitting the role as spider-man from the other spider-people. it's only when he's told just.. do it his way that he finally can accept it.. and can finally CONTROL it. What I like is that while in a lot of other superhero films, miles suddenly being able to control his powers would be an asspull .. here it's CAREFULLY set up: Miles coudlnt' really control them because he was scared. It's once he lets go of his fear of death, fear of failure, and fear of himself.. that he can take a leap of faith. His ascendency to spider-man is also one of the best sequences in any animated movie. Not taking notes on that. It just is.

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Every fucking second of this is perfect. "What's Up Danger" itself is dope as fuck, and perfectly fits the song. Black Caviar's beat is pure magic and Blackways lyrics perfectly fit the confidence Miles finally has. Their a bit rougher than him but fit who he is NOW: he is the amazing, spectacular, the ULTIMATE spider-man. After a whole film of doubting himself, not knowing where to go or what to do or if he can do this... HE CAN. And he WILL. There's so many great moments: him spraypainting the costume, taking one of peter's looks and making it is his own with his own talent and passion, the now iconic upside down falling shot that graced every trailer, and him swinging and wall jumping through new york, finally embracing his power... all capped with him lifting the mask, panting in exaustion... and then smiling. He's got this.

The insuing big damn heroes during the brawl with the sinister six is great. He shows up invisible, easily turns the table on liv and shows up, and it's also heartwarming how rather than tell him to go home or any other such nonsense.. everyone is HAPPY he's here. They didn't put him back because they didn't like him.. they kept him back because they didn't want him to die stupidly. NOw he CAN fight and has the confidence and skill to.. their happy to have him.

I also like how while all the spider-people ge ttheir moments and we get one hell of a three on one battle between doc ock , miles, peter and gwen, the final fight, the true final test.. is miles alone. Everyone gets to shine as the villians get whittled down to one.. but ultimately the final battle only works if it's miles alone: one final test as spider-man: Miles vs Fisk. The All-New All-Diffrent Spider-Man vs the man who murdered the original. The Kingpin of Crime Vs your Friendly Neighborhood Spider-man. It's a truly harrowing fight, one where Miles is often overwhelmed, but does what all spider-men do: get back, keep fighting. Do everything he can. With jeffersons support one last time miles goes from a scared child.. to catching this thief just like a fly.. complete with bug zapper. The touch of using the.. well shoulder touch is fucking amazing, hilaroius, heartwrenching.. and awesome. The man who killed his uncle, who nearly destroyed new york is down. The universe is saved... all thanks to brooklyn's own friendly neighborhood spider-man. Miles ends the film sure of himself, happy and with his father accepting him. He misses everyone.. but he'll see them again. He just might come to regret it but hey.. that's for next time.

As a quick epilogue, I ALMOST forgot to mention but Shamiek Moore is fucking perfect in the role. While Donald Glover would've been a great fit, Moore brings a youthful energy that perfectly fits the character. Moore handles the characters journey, the humor, and the heartbreak all beautifully.

Peter B. Parker, the Spectacular Spider-Mess

While this film is focused on the new kid on the webs, Lord and Miller still decided to include the Spider-Man everyone was familiar with. In fact.. they lean INTO how familiar we are to play with peter as a character. When they give their stories for the comics brilliant origin sequences, they both know to just.. gloss over most of the stuff we're familiar with.. and to basically apologize for the emo peter dance. Lord and MIller clevelry use the rami films as a refrence point. Then they do something ENTIRELY new in terms of adapting peter at this point: this peter.. has been at this for a while. It's something Insomniac would also use for their universe and honestly.. is quitely brilliant. In the comics.. peter HAS been at this for about a decade.. exactly how long has been kept vauge, but he's always pushing 30. Most adaptations though want to start with peter fairly early in his career: while some cartoons like Ultimate, Spectacular or Animated Series start with peter mid career, it's still fairly early and before he faces most of his arch enemies. It also makes sense: after all if your making a spider-man universe from scratch, why would you start with him already knowing how to fight these guys? The comics have the advantage of years of continuity, so writers can do what they want with the bad guys basically. But since a new continuintiy means you can do the latter from the top, why would you start in the middle of your story? It CAN work as shown here and with , while I sadly can't play them because no ps4 or 5, the insomniac games, but with the latter it works to the games advantage to have you play a peter whose already a kicker of ass first class.

Here though instead it's used for something even the comics often have their hands tied from doing: to show just how TIRED spider-man would be after a decade of this. While Blonde Peter is great at the job, has a loving aunt, and an adoring wife... he's still so very tired. He says so when fighting Prowler. It's clear the heir of "I can always do this, i'm spider-man" is as much a coping mechanism as it is determination. It explores the idea that peter's drive to keep going, to do the imposisble would wear him down eventually.. and given the crap he has to go through in the comics because writers think there needs to be added DRAMA, you can't blame him. Peter. B shows where this leads.. a peter who has 80 tons of broken bones, stopped taking care of himself, and is slowly falling apart after Aunt May's death, cumilating in pushing MJ away after she wanted kids.. and he was scared of it. Which given what his life is like is actually understandable. It's also a type of fear the comics have only been able to explore in AU's: editors have been dicks about the idea of peter having kids, and the one time he seriously was about ot have one before it was kidnapped, he was retired.. then it got kidnapped and disappeared because clone saga. Here we see the fear he'd have.. and peter sabotaging his own life as MJ seems relcutant as he is to divorce and the peter left in the aftermath is crying in a bathtub in his full costume

This is a peter who ONLY has being spider-man and we see how deeply unhealthy that is. Part of what makes Peter Parker so great, what's kept spider-man enduring.. is relatablity. Peter struggles with the same stuff most of us do: holding down a job, crappy bosses, relationship issues, juggling family with your life, friendships getting complicated... it's the ballancing act of having a regular life and also punching the kangaroo in the face while he's at it that makes spider-man compelling and it's finding new ways to do that, from having peter teach at his old high school to having him actually get a science job, that makes this character endure. Here though.. it's just Spider-Man and we see how unhealthy that is: May is dead, he pushed MJ and likely anyone else in his life away... peter only has being spider-man left, and action can be a reward but it can't give you a fulfilling life. This is a peter whose just going through the motions and badly broken. It's very telling that when Miles tries to use "With Great Power Comes Great Responsiblity" , the HEART of what spider-man, any spider-man, woman or ham, is, Peter responds with a very harsh "DON'T finish that sentence. I'm so tired of people using that". He's a peter whose so far to the edge he's willing to leave miles world to die just to get back to a life that's deeply miserable. In most cases spider-man would swing at the right thing but Peter B is just so very tired he just wants to go home.

But he's still spider-man.. and eventually realizes as much as he wants to.. he can't leave miles there and he can't leave this world to die. The movie is also good in not letting peter dangle off the edge of being absolutely awful too long. He refuses to save the world at first.. but it's clear Miles gets to him right away. He's still a mess.. but he's also Spider-Man. He's also peter parker. And May raised him better. The relationship between Peter B and Miles.. is fantastically done, with Miles slowly opening up his new mentor and Peter B slowly rediscovering what he actually liked about the job... and that maybe he CAN be a dad and spider-man. We see his humor slowly come back, him swatting the cape away from miles, gleefully pointing out what to do. He's still not the BEST teacher, wanting miles to just wait.. but when miles has to come along, he's grumpy for a few seconds then roles with it. We start with Peter. B seeing how worn down he is...but here we see all the experince and skill of his blonde counterpart. He's still the science nerd who can memorize a complicated password and can't grasp that miles can't. He's still a mess, trying to flirt with what turns otu to be his aunt's ex.. and also doc ock, but we see a subtle change, cumilating in the heartwarming scene of him and miles swinging together. peter may be a mild dick and a human disaster.. but he's a good man. By the time all the spider-people are together and doubting miles.. peter. b is the only one who sees how much this quest means to hte boy and is advocating for him. To them Miles is in over his head.. but Peter sees the spark in miles Jefferson does. He sees a kid who was thrown in the deep of this and the last thing MIles need is 80 people telling him he can't do it. It's likely that, just like Blonde Peter, Peter. B sees the pain and confusion that comes from starting as spider-man clear as day and if he can help miles avoid that, he will. Jake Johnson is phenominal in this role, helping show the depth behind this kind of peter. It best shows after the house fight: While Peter is trying to get Miles to stay behind and is willing to die to save his world... he's doing it for MOSTLY noble reasons. Miles really WASN'T ready and as Peter pointed out, he needed to be ready to just take a leap of faith. He's gone from wanting to abandon miles because he dosen't care.. to leaving him behind because he dosen't want his surrogate son to die horribly trying to fufill a promise he's not ready for. Granted like I said it's mostly noble: its very clear Peter. B is also doing this.. because he feels himself expendible. He has nothing to go back to, the others do. Miles has more to live for. If he dies staying here... what's he leaving behind? It's what makes his ending so rewarding: He sees miles finally take that leap and as I mentioned before he's nothing but happy Miles finally has got it and fights alongside his new son, realizing maybe he does want kids. He still plans to stay behind.. and the student becomes the teacher, with Miles pointing out he can't.. things with MJ aren't broken.. he still has time to make it right. He still has something to live for. It's hard.. but so was becoming spider-man for miles. If Peter. B is ready to die for this dimension.. he can live for MJ and for his protege. So he ends the film making up with her with Mj's smile showing she welcomes him back.. and as we'll see he really gets his happily ever after. But we'll get more on that next time.

Vault of Spiders

So now we've come to the other spider-people. First up our most prominent, Gwen, whose mostly taken 1:1 from the comics: She became Spider-Woman, then learned the great power great responsiblity lesson the hard way when she fought the lizard.. and he died revealing peter parker, her best friend who just wanted to be like her, leaving her alone. There's more to it, but that's best left for the next film when we get her origin in full. Gwen is done well here: the punk haircut fits her perfectly and Hailee Steinfeld is unsurprisingly awesome as her and gets Gwen's loneliness, standoffishness, and badassery perfectly, and we see her slowly open up to miles, with her doubts coming off less as bein ga jerk and more as being worried for him. We also get some nice subtle bits: while she mentions her best friends.. only WE know her best friend was a peter, and that being surrounded by about 4 of him and having to talk to aunt may, who she's also close to in her dimension, is likely a LOT for the poor kid. She also gets some genuinely cute moments with miles, from their first meeting in class, to the disastrous touch (and the later great brick joke of "you don't get to like it"), to the bus scene). Orignally the two WERE suppposed to be a couple.. but i'm glad they left the more overt romance for the sequels, as the films packed enough as is and it gives it more build. It's clear there's an attraction there.. there just isn't time for it given the possible dimensional apocalypse. That's what sequels are for.

That said I do think had they focused on just three spider-persons we might of had more of an arc for Gwen... instead we get a lot of personality but not who she is. I'd be harder on this.. but to the crews and the next batch of directors credit, they realized this and in the next film, and likely extending into Beyond, she's the deutragonist. So it's hard to be on this when they realized what they had next go round. The other spider-people on the other hand.. feel like a massive wasted opportunity. Casting wise it's all pitch perfect: Nicholas Cage is perfet for a noir parody and is utterly hilarious, John Mulaney's everyman voice is perfect for spider-ham, helping emphasise how weird this is, and Peni's serious nature and anime stylings are something the beloved Kimiko Glenn gets down perfectly. I was so happy to see her in a movie this size. And adaptation wise.. 2/3 ain't bad. Spider-Ham is pitch perfect from the source and Peni, while having her anime stylings here focused on a bit more, still has her science background and driven nature. Noir Peter though.. yeah while he's not TERRIBLE on his own in terms of actually adapting the character... it's wince inducing. I don't mind not going 1:1 and given the limited screen time I don't mind playing into the noir nature for laughs. My issue is more that Noir's world is so insanely dark, THAT could've been played for laughs instead. I mean again THIS is how peter gets his powers there.

Just have Nicholas cage casually rattle that off. I get not bringing up the rampant death but it just feels like a missed opprotunity to not really use anything from the actual comics other than the costume. The rubix cube joke is great. So you have three all time great performers.. but they don't get much to do. I was among the fans disapointed they weren't in the sequel, and only not as much as some others because I figured they were saving them for the sequel.. and after seeing the film and it's cliffhanger, that turned out to be EXACTLY it. It's a bummer they aren't in across but given how much it crammed into it's long runtime and how much it has left to go, and how the mystery of why noir and ham weren't with the society's whole creepy philosphy when their friends drank the kool aid is a neat hook.

They get great bits, Noir saying he has to burn his hand to feel something, Ham getting side eyed by the other two when he mentions he was a pig bitten by a spider.. which for those who didn't read the rest of the restrospective if your wondering ..

We also get a great drmatic bit. Originally in the scene where everyone sympathizes with Miles, Spider-ham made a stupid joke about his uncle frankfurter. it was funny.. but kinda wrecked the scene. So they instead switched it with one of the most heartbreaking lines in all of animation, which Mulaney NAILS.

Just the devistaition on that pig's face. And i'm hoping we find out what the fuck the story was there in Beyond.. but i'm perfectly happy with not knowing. Because it makes it that much more devistating. We don't know what he lost. We just know he hurts and that the hardest thing about being a spider-man.. is you just can't save them all. So naturally ham got a spinoff, Caught in a Ham. Caught in a Ham.. is decent a theatrical style short that explains what ham was doing. It's.. fine.. the various villian puns are fun and it clearly takes a lot from warner, but the animation is ENTIRELY cheap, and the villian, dr crawdaddy is just... what. Seriously you have so many fun animal versions of spideys rogues and better new foes.. and this is what you go with. And no making fun of how lame he is dosen't work. That jokes been done a lot. You have to do it well and they really didn't. Dr Crawdaddy is bad but it's not hialriously bad. Caught in a hami s okay but it was a massive disapointment and Mulaney deserved better.

So now we have those who can spin a web any size and catch a theif just like flies covered, we have to talk about one of spider-man's most important aspects The Superior Foes of Spider-Man

Look spider-man is popular for a lot of reasons: a deep facinating character no matter whose wearing the mask, a varied, visually intresting and cool power set, the idea that anyone can be spider-man. All this is true. But one of the biggest.. is his Rogues gallery. Spider-Man easily has one of the best rogues galleries in all of superhero fiction, with only batman providing competition. Just off the top of my head you have Green Goblin, Hobgoblin, Doc Ock, Electro, Beetle, Boomerang, Scorpion, The Kingpin, Rhino, Hammerhead, Tombstone, Shocker, Vulture, Kraven, Mysterio, The Lizard, Stegron the Dinosaur Man, The Spot, The Gibbon, Mr Negative, The Enforcers, Mountain Man Marko, Chance, Venom, Carnage, Hypno Hustler, Rocket Racer, Sandman, The Tinkerer, The Prowler, Lady Electro, White Rabbit, Overdrive, Hydro Man, Chameleon, The Iguana, and of course his greatest enemy PAUL.

Or Maybe it's Zeb wells. Who knows? The larger point is spider-man has a LARGE pool of villians to tap, so Lord and MIller's Solution: GRAB AS MANY AS POSSIBLE AND DO WHATEVER. Yeah while like i've said The Kingpin has a full sinister six going, even if sadly never 6 at once as one dies and he kills another, it still counts as their still all under him and just let me have this for once dammit. Seriously if it's not an ongoing cartoon, they will NOT give us the sinister six. Even far from home came as close as we've got and still didn't think maybe one more? LET ME HAVE A PROPER SINISTER SIX IN MY SPIDER-MAN MOVIE DAMMIT.

That said they really only focus on three of the six: the other villians in Fisk's posse are more there just to hit things and give us enough villians so every spider-man can have a turn. And given Spider-man has guys like the rhino that would fit the mold better I question why they went with Green Goblin and Tombstone. With the former i'll admit to being biased: Norman Osborn is one of my faviorite super villians and Harry is certainly somewhere on the list. One of the first spidey comics I read was Amazing Spider-Man #39, and it's followup #40, one of the best spidey comics of all time and with one of the best covers too

This was boosted both by the first Rami film, where Dafoe does a truly amazing job, and the ultimate comics where Norman , while bulking up a bunch is a serious horrifying threat. Here.. h'es just a dummy dum dumb and I get it to a point, part of it is to emphasise the alternate nature of miles universe: in most the green goblin is spider-man's greatest threat, here he's just one of many and while a challenge, not his arch enemy or even in the running it seems. It just dosen't work for me. I'm fine with making some changes, but this one just didn't qutie work. He does look really impressive though and I do get this is likely a me thing and it dosen't really HURT the film, so while I may not like it a bunch I can't say it's as bad as some adaptation changes. I'ts no "Peter dosen't have change for choclate milk and gets thrown it by the robber who kills uncle ben" or making harry osborn into some sort of gneeing snot monster.. and that's bEFORE he takes the goblin drugs.

Tombstone also isn't handled the best, as he's fairly smart and chilling in the comics. I don't take it as personally but it's still iffy to take a black man and make him subservient to a white man. That never plays well. Hammerhead would've been a better choice and still been visually distinct. I

Finally we have Scorpion who I DO like, nicely meshing maximus gargan, the ultimate scorpion who simply had super strength and a scorpion tail styled chain, with the regular one, so now the tail is attached to hima nd baadss, but he's still mexican and still awesome and he gets a great fight with Peni and Porker.

That said while I have my quibbles.. the main three villians.. are fantastic and give me plenty to gush about. We'll start with the big guy. Like with the Green Goblin (and the Hobgoblin, who sadly still hasn't gotten a big movie role as of this review. Someday...), i'm a HUGE fan of the kingpin and he's one of my faviorite super villians. No question. Wilson Fisk is a truly amazing character with tons of layers, intimdating style and intresting dynamics with both spider-man and dardevil. From his first apperance under john romita to his latest crashing on Krakoa , he's a devious mastermind whose trained his body to perfection. Granted I grew up with Spider-Man TAS, where they cleverly made him big bad, so I had a good first intro, but most adaptations handle him well and what little iv'e seen of the mcu version in hawkeye (I still need to watch netflix daredevil) is fucknig magical. Denofrio is great.

Liev Schriber though.. might be the best. He gets Wilson perfect: He has his cocky attitude.. but also his cold detachment. He can brag about starting the collider one minute.. and casually tell his right hand man to "go kill that guy". He can joke.. but ther'es never a moment on screen when your not deeply worried about him being there. There's not a moment you don't get WHY this guy was strong enough, smart enough and nightmarish enough to finish spider-man. I also love the design taking from a comic by the legendary bill sienkiewicz of x-men fame

It perfectly fits and while his proprotions are off.. it helps sell how diffrent he is from everything else. This man commands every room he's in and is a true giant, a looming reminder of blonde peter's death and the ultimate obstacle in our heroes way.

What I like though as while they easily could've just made Fisk evil and called it a day.. it's VERY clear how well the crew understood him.. as they also humanize him. Fisk isn't igniting the collider to make money selling multiversal hot dogs or something. This version lost his wife vanessa and son richard during a fight with spider-man: she saw what he really was and left... and they sadly died in a car crash. It's a great twist too: the comics have always had Vanessa, when she was alive, be the one thing that could pull fisk back from his crime... if only for so long. She never liked it , never accepted it and never wanted it. Richard was a grown man hwo hated it but then joined it then betrayed his dad and got killed.. it's a whole thing. Richard Fisk is a mess.

Fisk is at his core a man who just wants what he lost back but is so blinded by a combination of Trauma Goggles (a term kammie came up with) and his own ego. He can't accept that it was his fault a tragedy happened, that his wife had every right to run and that it was simply horrible, cruel timing that killed his wife. It's the horrible irony in all this: Wilson Fisk is a man who needs to control everything so badly he will rip time and space apart to get back what he lost.. but can't accept that there's NOTHING he can do to fix this, and that it was always his fault. It's who Wilson Fisk is and who he'll always be. It's most heartbreakingly shown when the same events play out again, just with a new vanessa and richard.. but he just can't accept HE'S the bad guy in all this and he drove his family away. In the end he's left with nothing, his empire crumbling, his family gone.. simply because he coudln't let go.

Now onto his right hand man, Aaron Davis, The Prowler. Like Kingpin... hang on.. something seems mi

[THREATNING DUBSTEB BLARES]

Better. Anyways, I was a huge fan of the Prowler. See back when I was in I think middle school, possibly earlier I had this book.

I wouldnt' mind getting another copy or the updated edition at some point. I also had these for X-Men and Fantastic Four. It's part of what really got me into these characters, but the spidey one was near and dear to my heart even as it sadly eventually fell apart. It was a lovely big ole book with profiles for all of spidey's villains, some of his side cast, and what have you up to the early 2000's. It was great.

So it's there I met the Prowler... Good Ol Hobie Brown

Yeah before another hobie became your friendly neighborhood anarchist, the original was a window washer who really wanted to invent, but this being the 60's and many a man being a classist or racist, Hobie instead came up with a pretty brilliant scheme: rob a building using his various inventions and a badass looking disguise, and then return the money for a reward as Hobie Brown.

Unfortunately the building he picked was naturally the Bugle, his old workplace (Though to JJJ's credit, when Hobie had an altercation with his boss, Jonah took hobie's side. Jonah may be many things but Racist isn't one of them)... and he was VERY lucky that it was peter parker, having to pull his punches for obvious reasons , he encountered. Hobie thought he'd killed the poor guy, naturally he hadn't and when encountering peter as spider-man later, not knowing the connection, he confessed and explained things. Peter being peter, and once unmasked seeing Hobie really wasn't that much older than him and had been through the shit, let the guy go and Hobie eventually had a happy ending. So how does aaron fit into this? Well like i've said in this review and covered previously, Miles comes from the Ultimate Universe, so given the prowler had a dope as hell costume, name but not a lot of use, he was perfect to refit as Mile's first archenmey and most personal nemisis.

Uncle Aaron in the comics.. is a bit of a dick. While I plan to cover this arc at some point, as it's REALLY good, Aaron after some time in mexican prison, finds out there's a new spider-man and having stolen the spider in the first place and actually seen it bite miles in this timeline, puts two and two together... and then tries to blackmail his nephew into working for him to make himself the new kingpin, the old one having been blown up with a rocket launcher by Mysterio.

He also died but rather than go out heroically , as we'll get to.. he went out because his suit backfired because he was stupid enough to kill the man who made it while trying to murder his 13 year old nephew.

Yeah it's a lot, and again i'll get into it some other time, but the film made the understandable decision to take about 5 to ten percent of there, and used that percentage to make him infinitely more badass.

This Aaron is an experinced supervillian, one who gives Peter trouble and has awesome theme music. The Prowler in the film is animalistic, moving at less frames than the other characters and being purely terrifying. It sells what Miles is facing: an unstoppable killing machine who just wants him dead. Which completely contrasts who Aaron is off duty. To him.. this is just a job and killing people is just what he does. Kingpin says jump, he says "what spider-man?". When not he's the cool uncle who gets introduced to fucking hypnotize. He's a smooth guy who while having terrible advice about ladies, also has good takes like "Smart girls are where it's at". The reason Miles confides in him more than his dad.. is easy to see. Aaron actually takes the time to reach miles on his level and try to gently coax miles into not totally hating his new school instead of saying WELL YOU'D BETTER LIKE IT. I mean Jeff is the better person, no question, he's killed exactly no one and for a cop that's impressive, but Aaron genuinely loves and supports his nephew even more than originally. It makes the contrast that much more horrific, that this perfectly kind, cool as hell guy.. can also casually hunt what he can CLEARLY tell is a child like a monster across a subway. It's no wonder finding out who Aaron is really rattles the poor kid.

It also makes his face turn that much more effective: it'd be easy to assume given how UTTERLY terrifying the film made him that like the comics, once Aaron finds out he wouldn't give one iota of a shit that this is his nephew. Instead Movie!Aaron.. is utterly horrified. Mahershla Ali does a hell of a job conveying the man's horror when Miles takes off his mask in a last ditch effort not to get choked to death, with Moore likewise conveying miles pain and desperation incredibly. The animation is also flawless here as you can just see Aaron realizing what he almost did.. and what he's likely done to counltess others like miles. How many kids did he kill simply because they saw something they shouldn't have? The horror is clear... adn the tragedy all the more painful when Kingpin coldly snipes him. All his power.. and aaron dies, encouraging his nephew to keep going and to be better. Aaron is an incredible character here, suprassing the already great original and I look forward to seeing more of ali in Beyond.

Finally we have Doc Ock aka...

The casting was genius idea.. that i'm baffled WASN'T always the plan. Originally Ock was supposed to still be a man and a bit more big lebowski'ish. And while it means we missed out on Steve Buschemi as the green goblin, one of the directors suggested Kathryn Hahn, all around queen of awesome and perfect fit. It also fits the story better: Dock Ock being "Gasp" a pudgy guy who looks a lot like me? Not a huge suprise. But a scientest we simply see in the background and assume is someone shady, but turns out to be dock ock complete with soft robotics tentacles? Fucking brilliant. It plays genre expectations against us: normally the messy haired science lady is on our side, as peter assumed.. instead Ock is fully on board with this scheme and even actively decives kingpin to get it thorugh. Oliva is ock in every sense of the word and is easily our heroes most dangerous opponent that isn't king sized. It takes THREE spider-men to wear her down and a fucking truck ex machina to finish her. Hahn, as usual has a lot of fun with the roll and it's no shock disney wanted to get in on this, and I can't wait for Agatha coven of chaos after her amazing work on Wandavision. Hahn is just neat and Olivia is great. Also nice subtly saying gay rights with Liv being implied to be Aunt May's ex in this reality too. Did it also involve a nuclear explosion on an island off of canada? One can only hope.

Odds, Ends and Sick Beats

So character wise we only have a few left to go over. First up is Rio, Miles supportive kind mom. She dosen't get a ton to do here but what we see is great and like Gwen, it's clear the writers realized they didn't use her as much and the sequel dives into her more and makes her just as important as her husband.

Then we have Ganke. In the comics, Ganke is miles lego loving best friend, his closest confidant and he helps ease the tension of being spider-man.. but given said tension drives the whole plot here, I get why they eased back. The other reason.. is understandable if disapointing. See the MCU Version of Ned Leeds, Ned Lee.. is basically Ganke. Close friends with our spider-man? Likes lego? bit of a nerd? Serves as his "guy in the chair". All check. And ned is great, he's fantastic and if I ever get to the mcu trilogy, i'll defintely have plenty good to say. It just meant Ganke had nothing to really do and is thus off to the side for these films. It's disapointing but I can understand it.. and he still gets a great scene in the spider-people trying to avoid him.. also Peni was blushing like mad. I need followup on this ship next film crew.

We also have Stan's cameo.. which is heartbreaking, but man was it good and it served as a great tribute to the man without being meant as one. It also gently jabs at his huckster nature with the no refunds sign. Oh stan... I miss you man.

Finally we have the films soundtrack. It's so damn good and it uses music beautifully: It has standouts like What's Up Danger, which i've talked about. Sunflower which thematically fits the film and the miles gwen romance, and Hypnotize, which perfectly sums up who aaron is when he' s not stalking children like some sort of feral cat man. I was going to talk about it more in depth, but it's just fanatastic.. and frankly this review is both horribly behind as is. It's a great sountrack and an all timer, both in the music made for it, the ones chosen for it and the backing tracks. Stupendous

So that brings us to the end of this long look.. and it should go without saying by this far in.. this film is a masterpiece. It's great as an adaptation, phenominal on it's own, groundbreaking, and I'll be revisiting it again and I feel terrible I didn't because I noticed so much more the second time around. This project has been a lot.. but it's also been some of the most fun i've had ont his blog. As i've already announced... we will be doing this one more time for beyond, and possibly again for across' theatrical release as that seems like it's not going to be as soon as Sony hopes. Either way i'm still shooting for the films current release date in march, so we'll be back with this in november or december with some other spidey plans in the mix as well. So thanks for taking the leap with me.. and hopefully you'll stick around. Until then... thanks for reading... and remember.. anyone can wear the mask... especailly you.

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stupidsexpotflanders · 7 months

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Veronica mars (series) or the good place (series)?

*Stretches fingers* This anon probably wants to see me get beat up,lol.

Both of them started really strong,but somewhat betrayed their core messages and shat on their own feast.

The winner is Veronica Mars,tho. The feast wasn't wholy ruined,I can salvage by doing my own thing,and there are plenty of people whose homes I can dine at(namely,ao3 and ffn).

Controversial opinions under the cut.

The Good Place started to go downhill on season 3,but the whole "modernity is why everyone goes to the Bad Place" was the cause of death,thinking back. And I have three reasons:

It's anti-historical. Colonization,exploitation and warfare had always existed. Yes,modern Doug got dinged because his cellphone was made on a sweatshop,the roses were planted by exploited workers and the CEO was a creep. However,there was a risk for negative points to ancient Doug as well. He used tools to plant those roses. How were those metals mined? Also,the land. Maybe it was conquered on a brutal war,or anything like that;

It ignores the positives of modernity. I'm not denying the world is still horrible in many ways,but the quality of life of the average human vastly improved throughout history. The medicine,for example. People were being maimed and killed by diseases we have eradicated by now,not to mention how what we know by basic hygiene(washing one's hands,covering own mouth when sneezing) nowadays are literal life savers. Not to mention how the world wide web itself - people can help other people with what's basically pocket money,local tragedies get international support sometimes,groups fighting regional injustices get to influence other people to do the same. Also,all kinds of information,knowing people from all over the world with ease. And that leads to my thrid point. Also,human rights. Things are far from perfect,but pretending we didn't make any advancement is just as counterproductive as pretending everything is perfect;

Despite telling it's pro-human,The Good Place doesn't show it,IMO. They mentioned all the pitfalls of (modern) Earth and decided the sollution was having 4 humans on an aferlife controlled by supernatural beings,and if they earned "paradise" if the got "good enough". The Earth was basically ignored by the narrative when dealing with the whole "everyone goes to the Bad Place". There was little to no appreciation for humanity and it's flawed,messy beauty. Bonus point - it's thesis about death was stupid,IMO. "Life is meaningful because it ends" is an okay message,but having a door one can go whenever they want kinda ruins the point. For humans,life is short(8-12 decades at most) and random(diseases,accidents). Therefore,each moment is precious.

Tahani's and Michael's ending were perfect,tho. They were experimenting new things. Jason should've been chilling and meditating in The Real Good Place for eternity,like a real monk,speaking wisdom to other residents and eventually turned into stardust by spontaneously transcending(maybe his sparkles would influence people on Jacksonville to do good). Eleanor and/or Chidi should've gone to Earth in order to help people out(two writing problems solved). It would respect Eleanor's own words "I know we're doomed,but why not try? Better than not trying!". As for Chidi,he had an innate desire to do good things and (supposedly) learned anything he could've. So why not putting said knowledge to good use in a complicated environment?

Now,onto Veronica Mars. Many people said it better than me,but her character was more or less ruined in Season 4. Basically it was:character regression,glorification of trauma,narratively undermining her relationships... However,Veronica was a glorious character from S1 to Mr. Kiss and Tell. Besides,seeing her finding herself at the movie was amazing. Weevil is also consistently a marvelous character,even being shafted in S4.

Now,onto my massively unpopular opinion: I'm not fond of adult!Logan. He has amazing chemistry with Veronica and is a generally healthier,gentler person but often feels underwritten. And said problem is with him as a Navy officer and a supposed good guy.

My issue it's not that he joined the Navy nor about him benefitting the structure,but how the armed forces are treated not only as perfect but as an automatic sign of a healthy moral compass. It goes against one of the main themes of the franchise. There's police corruption,political corruption,classism,racism,sexism,corporate corruption(Veronica's lawyering job in the firm comes to mind). But somehow,the military is immune to crooked people in power misusing it or being in cahoots with bad people for their own gain. I believe there should be some sort of betrayed idealism from Logan when facing the harsh reality,if he was to be a guy who truly cares about the world and wants to make a positive difference. At the same time,Lt. Echolls could be fighting the good fight from the inside - like someone who knows the ugly truth but keeps being unwaveringly optmistic and truly believes the institution. To top it all,there's no mention of him doing charity or activism(yes,there's the "cycling to save the planet",but I didn't get a hardcore environmental discipline at uni to believe 1(one) guy riding a bicycle is going to do anything about air pollution. Really,Hollywood writers are allergic to Social Studies,lol). It becomes even worse when remebering this is a franchise with delightful good guys like Keith and Wallace 🤡 Thank god for fanfics,tho. They can make Logan an actual hero.

However,Logan's surface-level goodness can be quite interesting if not taken at face value,IMO. He never comments on Neptune's corruption nor makes any complaints about moral complications at his service(someone as outspoken and perceptive as Logan would've noticed and done someting about it - even in the shape of small everyday actions). On the other hand,Logan made a quip about "missing money and power" to Veronica in MKAT. Maybe he wasted it all in his downward spiral- spending on parties/drugs/fair-weather friends,paying off threats(he beat up a guy that belonged to the Russian Mob),probably bailing himself out of jail. And I think that's the one that happened. The Navy gave him structure,discipline and a steady income. So,he didn't give a fuck about actually doing good for anyone outside of his circle. I've seen anayses about how teen!Logan was the femme fatale(no,I won't switch genders) and turned into the solid love interest. To me,the guy manages spectacularly to be both. He's a helpful,caring boyfriend to Carrie and Veronica,but also the perfect Navy Officer. Veronica Mars(and most noir works) questions things that look too flawless and pristine and invites a second look onto it. Therefore,it's logical to imagine Logan being ambitious,ruthless and willing to do anything to get any mission accomplished. Kind of a state-sanctioned mercenary. In fact,that's more or less the angle I'm going for in my fanfic about him(shameless self-promotion).

The winner is Veronica Mars. Besides being more or less consistent with it's themes(they fail,but it's still enjoyable when rewatching scenes,whereas The Good Place is retroactively ruined and only good through gifs and memes). Also,many bad parts of VM can be fixed by making my own headcanons,whereas the bad of The Good Place irrevocably taints the whole thing. To top it all,there aren't many tgp fans unsatisfied with their own show. Glad for them,but many of the fix-it fics in the vm fandom are amazing

#anti tgp #tgp crit #veronica mars #vm meta #anti rob thomas #bad writing #vm rant #tgp rant

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charles-leclerc-official · 2 months

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Drive to Survive Season 6(Luci's version)

How I'd direct DTS season 6.

The drive to Survive Season 6 we all deserve. Netflix ignored so much about 2023 and has stepped up in it's inaccurate portrayals of certain events/teams. So I am doing this.

Drive to Survive is about the narrative and creating contained stories within the broader scope of an entire F1 season. I will make editing choices to create a more tight and cohesive narrative but never anything misleading.

Also this is a Charles blog so yes I will be giving him more screen-time because I want to.

Without further ado, Drive to Survive Season 6 (Luci's Version)

Episode 1 "Away We Go!" : Season intro episode. Seeing all the teams, some highlights from preseason testing, introduce the new faces on the grid.

I will be editing the first half of the episode as most of DTS should be edited, Office style. The drivers are funny together and mess around, we are gonna show them being themselves when not in the car.

Then the second half of the episode will focus on the opening race in Bahrain. With special focus on Max and Fernando's races.

Episode 2 "The Eagle and the Kiwi" : This is the rookie episode!

Of course we will be highlighting Logan and Oscar's rookie seasons. The struggles they faced, the highlights of their seasons. How they got along in the new team.

For Oscar plenty of him being teammates with Lando, early struggles, then cut to him getting his first podium and P1 in the sprint!

Logan can highlight some of the challenges coming from F2 to F1. Of course we would do Austin, talk about his home race, show his improvement and how he developed over the season (Vegas etc)

They are very different rookies however they both improved over the season and we want to show just how cut-throat F1 is and the kind of sink or swim approach rookies face.

Would show some similarities and differences between the two 2023 rookies. And I would get them to give an interview together about their first year in F1 because that would be cute.

Episode 3 "Some Papaya" : Mclaren episode! The theme being the story of their new teammate dynamic between Oscar and Lando, and the chaotic season that ended on some crazy high notes.

First more about how Mclaren has one of the most impressive rookies in Formula 1 history.

Then I have to include lots of footage of Oscar and Lando being silly(for very important entertainment purposes)

Then we dig into the early season failures and how the team made some massive improvements. Montage of the podiums they scored, of course Oscar's sprint win makes a reappearance.

The main idea here being that this team is going somewhere and they are getting closer to being competitive regularly with the other top teams.

Episode 4 "Trouble in Paradise" : The Mercedes episode. Similar to Netflix I would focus in on trouble behind the scenes and the issues Lewis has with the development direction of the car.

Include some of the early Ferrari rumors(will set it up perfectly for season 7 transfer reveal)

Then we go to see that George is struggling still being treated as second to Lewis. Show his season highlights, as well as where he is still making mistakes(Singapore)

Basically this is really digging into the mess that is Mercedes, Lewis unhappy, the plethora of problems with the car, and George getting close to his limit being under Lewis' shadow.

Episode 5 "Civil War" : Stealing Netflix's title, and it's the Alpine episode but I am doing it right.

Will explore the issues Esteban and Pierre had on track. The competition between the two, how that caused tension. Will show their race highlights as well as battles. Emphasis placed on times when them over-competing with each other did not end well.

Then dig a little deeper behind the scenes. Show other issues that went on at Alpine in terms of car development etc.

Of course we want to also show that Este and Pierre have been competing for a long time and have history. Hype of the teammate rivalry. Get them to share silly stories about each other on and off the track.

The theme of the episode would be the idea of how too much internal fighting on the track can be detrimental to the team(calling back to some Ferrari strategies of the past)

Episode 6 "Forza Ferrari" : Yes I am using the same title as Netflix but I am doing it right.

This episode would be most focused on Charles but we would also go over Carlos' season. The theme is the change in management and the upward trajectory of the team and Charles in spite of having a challenging car/season

Start by establishing that Ferrari were fighting the car all season. Show the technical issues, but then show the little improvements made along the way, build up from the DNF in Bahrain to Charles taking P2 back to back at the end of the season. Highlight how much skill it took to do that in a car that had serious reliability and tyre deg issues. Show the Vegas overtake, show his insane "what's the gap between Checo and Russell" moment.

Then of course we will mention Carlos' win in Singapore, how that was a step up in hope for Ferrari, how that aided the team in staying close with Mercedes.

Then finish by focusing on how Fred is taking the team in a new direction, show moments behind the scenes that are in stark contrast to what we saw from Binotto in the past.

The main theme being that this was a season when Ferrari really had to fight a lot with the hand they were dealt as far as the car went, and the team stepped up, actually being true to "Forza Ferrari"

It starts tough, but ends on a hopeful note.

(we will not mention Monza because I would scream)

Episode 7 "More Than Heat" : This episode will focus on several issues in the 2023 season, most notably the Qatar GP, but also the Vegas drain cover incident as well as the impacts to Vegas as as whole.

This is the episode that Netflix would never be allowed to make because it would be highly critical of the money driven incentives behind F1 being put before driver safety and the local impacts.

Include footage and testimony from drivers and their teams talking about the heat, concerns over the dangers. Get an interview with Logan over stepping out of the race.

Then go to Vegas, show how rushed everything was. And then of course highlight how the drain cover was negligent and dangerous. Carlos was lucky, but he was still mildly injured and shaken.

This is the much needed F1 as entertainment above safety episode. It would be the most serious in tone of the season.

Episode 8 "What Happens in Vegas" : This is the Vegas episode!

This will be a race and spectacle centered episode that sets up the tight constructor's race between Ferrari and Mercedes.

Of course I will be highlighting Charles' race here, the overtake, the podium, what it means for him and for Ferrari.

Include plenty of cool night time shots, and also several memorable meme moments (Checo's entrance and the car post race, comedy gold) I want to create drama and entertainment here in the spirit of Vegas, so we get a lot of silly comedic moments then with the dramatic race.

The episode would center around it being one of the most exciting races of the season, highlight Charles, and showcase some of the most tense and best parts of the race.

It also works to set up the stage for the final two episodes.

Episode 9 "Race to Second" : This is the episode about the tight race between Mercedes and Ferrari over the course of the season. With Red Bull clearly in the lead we will look at the close battle that happened in 2023.

Going over the highlights and lowlights for each team, the back and forth, the strategy by both teams to try to stay in the lead, the tension of it coming down to positioning in the last race.

In 2023 this competition was probably the most exciting part of 2023 in terms of competition between teams.

Final moments will be the Abu Dhabi race, Charles radio "what's the gaps between Checo and Russell" a breakdown of what that meant and why it was brilliant.

Ending with the final fallout, of Mercedes just barely beating Ferrari.

Episode 10 "Anything but Inevitable" : The entire season we have barely talked about Max at this point. People are going "WHERE IS MAX?" and as the director that's exactly what I want.

This is Max's episode. Starting with shots form his first F1 race, cutting to his first F1 win, then a montage of all the difficult races, the DNFs, the years where he was getting ahead of himself. Then cut to that first win in Bahrain with an enhanced orchestral interpretation of the Dutch anthem.

The entire episode will focus on his historic his season was. Highlight some of his finest driving of the season, some of the iconic radio moments.

The episode title is meant to highlight the work Max did, everyone likes to think he's always had it easy, that being naturally gifted carries you, that a good car carries you. No, he WORKED and dealt with a lot of bullshit, especially in those early years. He wasn't inevitable, he made his own destiny.

Ending with that final podium shot with a slow piano version of the dutch anthem(for maximum tears) and then cut to some of Max's first F1 interviews talking about where he sees himself going.

End Season

#drive to survive season 6 #lucis dts #dts

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sebastianshaw · 9 months

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I have been working on this for quite a while! It's a mass redraw of the cast portraits from my fanfic universe "Alt Marauders" that I did in 2021. I think I made a pretty big improvement for two years! I learned facial proportions, stopped with my massive noses (I was overcompensating for years of tiny anime noses, I'd found once I started drawing proper big noses they were SUPER FUN) and started drawing with thicker lines and line variation. Tried with some uptilted facial angles on the twins too! Didn't do so well with that but hey, future redraw material! While all the characters have dynamics with each other, I picked specific pairings to focus on for the portraits. Details under the cut if you're interested!

Shaw & Haven - The 'official' leaders of the group as appointed by X.avier, their extremely conflicting perspectives provide a lot of room for exploring different opinions between each other and the other cast members. Despite, or perhaps because of this, they develop a relationship focused around philosophical discussion, and Shaw does protect her---only because, of course, it would look terribly bad if the human liaison died on HIS watch! Shin & Pyro - The "fun" of the crew! Their lackadaisical ways and love of carousing bring them together, but there's a deeper element to it as well. Pyro hints he had a lonely childhood in the canon Marauders, and we know that Shin did, and both came from single-parent households---Shin raised by his mom, Pyro by his grandma---and probably have some issues feeling rejected by one (Shin) or both (Pyro) parents. And Pyro def dislikes Shaw in our version, so he's on Shin's side against him immediately despite not knowing all the details for some time. M.adelyne P.ryor and C.laudine R.enko/Miss S.inister: Maddie and Claudine have a complicated and evolving dynamic. Both are victims of S.inister, both have had their agency under assault, and both have been villains in their own right because of it. But while M.addie's was done under demonic influence, Claudine's was a choice made in full control of herself, and it involved children. Claudine was ready to take over the body of L.aura K.inney to save herself from being taken over by S.inister, and as someone who has struggled with agency and identity and having that taken from her, M.addie can't abide this when she finds out. As for Claudine's feelings on this...honestly, I'm still figuring that out. Alice, M.anon, and M.axime - In the aforementioned story with Laura, C.laudine is cloning a young girl named Alice over and over. Alice seems to have the memories of her previous clones who have died, so likely this was part of her developing the process by which she would take over Laura. We never see Alice again so I thought I'd bring her back. . .or a new her. M.anon and M.axime are another pair of kids I wish we'd seen more of, and have some serious issues of their own. These three aren't regular cast members but would show up in the story enough I wanted to draw them, if only because, hey, no one else will! Alice finds them sus, which, uh, well, they are. But it's also not really their fault and they do need help. I switched her sideeye from M.axime in the first to M.anon in the redraw since she seems the more deliberate of the two in her behaviors.

#my art #alt marauders #redraw

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pangolin-404 · 2 years

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So I finished The Penumbra Podcast (Juno Steel edition) season 3 so here are some thoughts

under cut because it's kind of long

adding in right here right now that Peter and his interactions with Juno annoyed me since season 1 because I'm very much not an enjoyer of this type of romance, where there's no build-up. and because most of their onscreen interaction is them being sappy or intimate I ended up despising Peter whenever he appeared. that's not an in-depth or coherent critique, that's just my preference

I really liked season 2 because Peter wasn't there and Juno was really improving by himself and with new friends. anyways

I was really excited when Juno started reconnecting with Rita! The whole Newtown plot was really interesting and I love Rita I'd kill for her. the whole eye thing was vaguely horrifying and while I want to know what happens to Hyperion City I'm also very glad Juno Packed Up and Left. While I was suspicious about Buddy, I loved Jet from the start. really fond of his monotone demeanor and his weird car child.

Season 3 had to have been my favorite, because it offered a glipse into other perspectives and showed how much everyone grew. except Peter, who's in debt for a mystery reason and never grew close with anyone except Juno, for some reason; and while he seems to know a lot about the other crew, the others don't seem to feel as emotionally close to him. his and Juno's relationship was a bit more tolerable because there was an established year time jump, so it's more understandable why they'd be so close, and why Juno would consider his relationship with Neureyev on par with that with the rest of the crew.

I really like Buddy and Vespa!! at first I found the whole "we are a family now. do not fight this" thing funny but then it got genuinely wholesome as they grew closer. Over time revealing how Buddy's got one leg in the grave, through her necrosis and faulty heart and engine stomach, was very anxiety-inducing, and I began to check the content warnings for death every episode, to prepare myself in case she actually died. If I had a nickel every time I consumed media where a marriage between two women was interrupted by a massive spaceship, I'd have 2 nickels, which isn't a lot but it's weird it happened twice (first time was steven universe)

The goal of Dark Matters interests me because 1) it was very funny seeing Sasha and Juno playing 4d chess with each other, and 2) what the hell are they going to do with the Curemother Prime and the Rube 7? lock them up? like Sasha's obviously twisted from her time in Dark Matters, but she believes she's doing good. the Aurinko Family already had plans with the Curemother Prime, to end the pharmacutical monopoly; I feel it'd be very awkward if Sasha realized Buddy was 100% down for using the Curemother for good. there's a good chance I probably missed this somewhere actually

Juno is just COLLECTING these alien organisms at this point. first the martian thing, and now he had the curemother prime splattered on him. he's definitely absorbing that thing come on

My first theory was that the Ruby 7 was the first self-aware AI but since the last episode that is. definitely not the case. I want to say it's something using the car itself as a shell, partially-fused with the technology? But knowing this podcast it's probably something wildly different

CONCLUSION: please please Juno save all your friends and reunite Jet with his car child please. I don't care if the car is somewhat organic (Jet probably knows this. I'm calling it) and hyperintelligent just let it be part of the family. let Buddy and Vespa retire they're both very tired and deserve to peace out into the sunset hand in lovable hand

aaaand it is at this point in the review I realize that season 4 is out, just not on youtube. I will also listen to that. peace out

#thoughts #the penumbra podcast

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oliviajames1122 · 1 year

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Vauxhall motors

The global shortage of computer chips has had a significant impact on the car industry and is unlikely to improve before the end of the year, according to Vauxhall Motors.

Vauxhall's managing director, Paul Wilcox, told the BBC that the industry was facing a "problem" for the next two or three months.

However, he insisted there was no need for a major overhaul of supply chains.

The UK has suffered a shortage of semiconductors for the past year.

It was triggered by the Covid crisis. In the early stages of the pandemic, there were dramatic cuts in the car and commercial vehicle production. This was followed by a surge in output when the first wave of lockdowns came to an end.

But as car factories tried to ramp up their output, they found that the available supplies of semiconductors had already been snapped up by other industries, notably the consumer electronics sector, which was experiencing a boom in sales.

·Why is there a chip shortage?

·Toyota to cut production by 40% amid chip crisis

·Car production hit by 'pandemic' and chip shortage

Modern vehicles can have hundreds of chips on board. They are used in engine controls, entertainment systems, safety mechanisms, instrument clusters, and so on, so the shortage has forced manufacturers around the world to curtail production.

Vauxhall is no exception. Production at both of its UK plants in Ellesmere Port and Luton has been disrupted at different times. According to Mr Wilcox, the effects are still being felt.

"It has obviously suppressed our ability to manufacture," Mr Wilcox told the BBC, speaking at the Commercial Vehicle Show in Birmingham many business listings.

Vauxhall Motors' managing director Paul Wilcox says carmakers rely heavily on "just-in-time" delivery systems

"If you look at the industry in the UK this month, commercial vehicle sales, which have been hugely buoyant this year - 59% up - this month they're 20% down, and obviously a large part of that is because of supply shortages."

He added that parent company Stellates' decision to invest £100m on building a new range of electric vans at Vauxhall's troubled plant in Ellesmere Port was "massively important" for the factory and its workforce.

Motor manufacturers rely heavily on so-called "just-in-time" delivery systems - which mean that parts are delivered to factories when they are needed, rather than being stockpiled.

This eliminates the need for expensive warehousing but means that if parts do not appear when they are required, factories can grind to a halt. But Mr Wilcox said he saw no need for a major overhaul of supply chains as a result of the current crisis business listings.

"I don't think it exposes a problem," he said. "I think it just illustrates that when you have a crisis, you can be quite vulnerable."

He added that the car industry is very much "based on lean manufacturing".

"I don't think that will change in the short to medium term - may be one thing we need to be careful of is maintaining more stability in terms of our contractual arrangements, but I don't see a fundamental shift in the way we manage the business," he said.

Mr Wilcox also applauded the recent decision by Vauxhall's parent company Stellates to build a new range of electric vans at the company's plant at Ellesmere Port in Cheshire.

The factory, which employs 1000 people, had been at risk of closure.

"It's obviously massively important," he said. "The investment of £100m obviously gives surety of jobs, gives stability in terms of the workforce and stability to the supply chain, which in that part of the UK is obviously very important."

But the move, he said, would also protect the long-term future of the plant, which will be building electric vehicles at a time when the industry as a whole is moving rapidly towards electrification free business listings.

#Many business listings #business listings #free business listings #promote your business

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toprealestatebuzz · 1 year

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Apple sales fell by the most in 4 years

At the end of 2022, Apple sales went down because people had less money to spend because the cost of living was going up.

In the three months before December, sales at the company that makes the iPhone were 5% lower than they were at the same time in 2021.

It was the biggest drop since 2019 and worse than anyone had expected.

Many businesses are warning of a sharp slowdown in the economy, especially in the tech sector, which grew quickly during the pandemic.

Tim Cook, who is in charge of running Apple, said that the company is in a “challenging environment.”

He said that the drop in sales was caused by a lack of supplies because of Covid-19 in China, where its phones are made, and a strong dollar, as well as a weaker economy in general because of rising prices, the war in Ukraine, and the effects of the pandemic that are still being felt.

Apple said that its sales dropped everywhere and that most of its products were affected.

Sales of Apple’s popular iPhones dropped by more than 8%, and sales of Apple’s Mac computers dropped by 29%.

The company’s profits fell 13% to $30 billion (£24 billion).

Roger McNamee, who started Elevation Partners, said on the BBC show “Today” that Apple’s biggest problem was its supply chain in China.

Paolo Pescatore, an analyst at PP Foresight, said that Apple and many other electronics companies were having trouble getting people to upgrade because of “what is seen as incremental improvements on previous models.”

He said, “Even more so now that everyone is trying to save money.”

According to the market research firm Canalys, the number of smartphones shipped worldwide fell by 12% in 2016.

Executives at Apple said that their services business, which includes Apple Pay and Apple News, would continue to be a growth driver. In addition, they said that more than 2 billion Apple devices are now in use worldwide.

Other big tech companies also told their investors they were under great pressure.

Amazon needs help to get its online business up and running again. In the last three months of 2022, sales at Amazon’s online stores were down 2% compared to the same time last year.

Overall, Amazon’s sales for the three months were up 9% to $149.2 billion. This was helped by the fact that its business in cloud computing grew faster than expected.

But its profits went from $14.3 billion a year ago to almost nothing. Brian Olsavsky, the company’s chief financial officer, told investors that this change was likely to continue in the coming months.

Google and YouTube are both owned by Alphabet, which is a company. But in the three months before December, sales were only up 1% from the same time in 2021. Because the economy is unstable, companies have cut back on advertising, which is their main source of income.

The CEO of Apple will take a massive 40% pay cut

Tim Cook, the CEO of Apple, will make more than 40% less this year than he did last year.

The technology giant says that Mr. Cook asked for the pay cut after shareholders were critical of him.

The compensation committee at Apple set his “target compensation” for the year 2023 at $49 million (£45.1 million).

Last year, the shares of the company that makes the iPhone dropped sharply because of problems in the supply chain and a slowdown in the world economy.

With this change, Mr. Cook’s base salary will stay at $3 million a year and get a bonus of up to $6 million.

The most important difference in his pay is how he will get company shares.

In 2022, the company gave him $75 million worth of shares, of which half were tied to how well Apple did on the stock market.

This year, his stock award goal has been lowered to $40 million. Three-quarters of that amount will depend on how well his shares do.

Mr. Cook was supposed to make $84 million by 2022, but he made $99.4 million last year. This number includes the $630,600 he paid for security and the $712,500 he paid to use a private jet.

Last year, a top group that advises investors told Apple shareholders to vote against Mr. Cook’s pay package.

In a letter to investors, Institutional Shareholder Services (ISS) said there are “significant concerns” about the “design and size” of the package.

The ISS said Mr. Cook made 1,447 times as much as the average Apple employee.

Mr. Cook became CEO of Apple in August 2011, just a few weeks before co-founder Steve Jobs died.

Apple was the first company to have a market value of $3tn under Mr. Cook’s leadership. During a tough year for the tech industry, the company’s value fell to about $2.1tn...Read More

Read Also: Apple investors will audit its labor practices

Source: Real Estate Today

#apple #investors #Mr. Cook #Amazon

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asterekmess · 3 years

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Did you ever watch Buffy? The first episode where Anya was introduced was titled "The Wish" and all I can think about is if Scott McCall had ever run into a pure Sidhe where they offered him a wish. Instead of, "I wish Buffy had never come to Sunnydale." It would be more, "I wish I was never bitten to become a werewolf." But just like all feaye tricks, the outcome is more, his Dad ended up with primary custody rather than his Mom and he was forced to leave BH. And then Stiles ended up more friends with Heather and others. And while Scott's life is worse, when he tracks down the others he finds all of theirs are greatly improved.

I think about it a lot and how Scott never really dealt with the consequences of any of his actions, everyone else did, and how an episode or mini-arc could have fixed a flaw in the show's design. I mean, we were already dealing with a lot of Celtic lore, why not someone from the Sidhe courts?

I have no idea why this took me so long to answer, so apologies for that. <3 I did watch buffy! I've seen all of it, and all of Angel as well. XD

I remember 'The Wish' episode, and whoooo boy it gave me chills. I loved how big the butterfly effect was, how something that seemed so small, something that Genuinely seemed to be the cause of a lot of problems in Sunnydale, ended up being so important to how things had progressed. Because, yeah, you would think Buffy not coming to Sunnydale would be a Good Thing, right? Sunnydale didn't have all of these insane issues before she arrived. It was quiet, and nothing big or scary ever happened. Her arrival matches perfectly with when everything started going absolutely nuts, so whatever selfish ideas Cordelia had, her thought that Buffy not coming to Sunnydale would be a good thing, makes sense. Except that, as she finds out, she's entirely wrong. Buffy's arrival was a lucky coincidence, or fate, whatever your taste leans toward. She showed up right as things started going nuts, and she kept it from going SO MUCH MORE NUTS.

Now, moving on to TW, it is a fascinating mix of being the Exact same situation, and the exact Opposite. I'll add a Read More, cus' holy god is this a lot of Rambling.

Because Scott wishing not to have been bitten...yeah, the bite Did improve things. But it improved things for him. He would absolutely regret making the wish, just like Cordelia did, because he would realize how many good things the bite had brought with it. BUT, conversely, he would have to realize how many good things the bite had brought for him, not for other people, and how their lives either wouldn't have been affect, or might've even Improved without him being bitten. Without the bite, Scott wouldn't have gotten on first line, period. His health issues made very clear in the five minutes he had them that any kind of stamina based sport was just out of the question for him. If he is unable to walk through the woods at a moderate pace without needing to grab his inhaler and stop against a tree, he just plain cannot play lacrosse for two or three hours of running at high speeds and working a bunch of muscles in his upper body. He likely wouldn't have gone out with Allison, because he would have no convenient way to get her attention. Furthermore, he wouldn't have the extra senses that both impressed her on the lacrosse field, and told him about her 'family dinner' the night of Lydia's party. (I've discussed this before, but... While it's true, Allison would have still brought him the dog; that dog would likely have attacked him, and his chances with her would have been shot in the foot when they both got in massive trouble and he likely had to go to the ER for stitches or something. Without Allison or first line, he wouldn't have started hanging out with the 'cool kids,' and quite frankly, wouldn't have had anyone to help him study for the classes he was struggling with. It's true that he also wouldn't have had werewolf things to worry about, or even a girlfriend to distract him from homework, so maybe that wouldn't have been such a huge issue, but still.

If we look at other people's lives and how They would have been affected by Scott not getting the bite...well, let's talk about that.

Stiles didn't get on first line because of Scott, or because of a werewolf bite. Or even because of the werewolf bullshittery occurring in town. He was put on first line because of his abilities, and even after being taken OFF first line for missing the game, he was put Right onto the field in the next game, chosen OVER other players who were perfectly viable options. Which means, he still would've ended up on first line. Allison wasn't interested in dating before she met Scott, and part of her draw to him was based on how 'different' he was. He knew things she didn't know how he could know, he had a weird ability to calm a furious, injured dog, and he had charisma that was ALSO gained from the bite, since being on first line made Scott Much more self-confident. If she didn't end up dating him, it's likely she wouldn't have dated at all. Which would mean no hiding from her parents, no strange conflicts of interest, AND, interestingly enough --depending on her involvement in the murders, etc that would still be occurring in town--no night in the school that would scare her bad enough to ask Kate for extra help and tip her headfirst into hunter training. AND, even if she DID still end up getting those lessons from Kate? There would be no bitterness to fuel her behavior at the end of season 1.

Allison was Traumatized after Kate showed her Derek on the grate. She was horrified, and didn't know what to do about it, and while we can ramble all we want about the morality of her not confronting her family (whom she's just discovered is willing to electrocute people) about it, the fact is that she pushed the thoughts aside to stop freaking out and went to that dance. Where she found out Scott was a werewolf, and was So fucking Betrayed that she was willing to help Kate catch him and Derek. No Scott, no betrayal, no willingness to help Kate recapture the miserable man who'd been chained up in a basement.

If we go back to that specific night, and try to unfold the events from there if Scott hadn't been bitten, things get a little complicated, but I'll take a few artistic liberties. Scott isn't bitten. Presumably, he just happens to get out of the woods in time, or he gets caught with Stiles by the sheriff, or doesn't go to the woods in the first place. These all change the possible outcomes of that night. If he hadn't gone in the first place, and Stiles went alone, would he have been bitten instead? Would Scott have been dragged into all of this anyway, but without the protection and boost of being a werewolf and cured of his asthma? If he weren't the one bitten, and he saw everything Stiles gained from it, would he still have such a hatred for the bite? Or would he want it, like Erica did, to cure him and make him powerful and cool? But, let's assume Stiles doesn't get bitten either. The second half of Laura's body still hasn't been found, and Stiles has no reason to fear running back into the preserve the next day, and no real punishment from his father as far as we can tell. So, does he go back to look again? If he did, he would run into Derek, because Derek would still be there after retrieving Laura's body himself. He would see Derek and still recognize him, and from there, things might spiral, still involving Stiles in the supernatural, and it's likely Stiles would try to involve Scott, and Again we get hit with "Would Scott want the bite, if he hadn't gotten forcibly bitten in the first place?" The answer is probably yes. He wanted to be cool, and popular, and on the lacrosse team. He wanted everything being a werewolf gave him. BUT if we're looking at this wish as similar to "The Wish," then no matter what, Scott won't be bitten. He'll be transported to a new world where it just never happened, and he'll be human, and forced to watch everyone around him be just plain different. Scott not being bitten would isolate him from Stiles, if Stiles got involved in the spn anyway. We SAW how Stiles cut off his other friends once the spn starting getting in the way. He and Harley? We have no clue how close they were. They were close enough for her to tease him about his crush on Lydia, for her to wander up comfortably to the locker and talk to them. And he cut her off as soon as the werewolf stuff hit. What if he cut Scott off? To protect him, if nothing else, like he did his own father. Once he realized the danger involved, I doubt he would be willing to put Scott in harm's way.

So, Scott would not only lose first line, lose his girlfriend, lose his popularity, lose his health and strength and heightened abilities, lose his 'importance' to the goings-on of Beacon Hills, but he would also lose Stiles, who seems to have been his only friend, unless he also had a relationship with Harley.

Okay, I've rambled enough about the what if's, so let's talk about the Reason why this wish would go so badly for Scott, in such a different way than it went for Cordelia. Cordelia, first off, wished that someone Else would not have/do something, rather than wishing for herself not to have done something. She watches how fucked up the world gets, and how much worse her life is without Buffy around to save the day. Scott wished for Himself not to have done something (even something passive, like 'get bitten') and would have to watch how fucked up his world gets, and how far behind he would fall. The other's lives might not necessarily get better, because Peter is still on the loose, and the hunters are still there, etc etc, but they would still Progress, while Scott would stay stagnant.

And WHY is that? Because Scott isn't important to the story. It DOESN'T start with him. That's the Whole Point of his character. He is supposed to be the 'everyman' who gets dragged into crazy shit and becomes integral to things that he wasn't ever meant to be a part of. The guy who wanders into becoming King or 'The Hero' that will save the world, even though he's just a small lad from a tiny town, whose highest prospects were "get on first line."

He was NEVER supposed to be Buffy, or if he was, it was done Very Badly.

But Beacon Hills WASN'T a quiet town before Scott was bitten; however much he might've said 'nothing ever happens in this town.' It was FULL of bullshittery and magic from the very beginning. There was the fire, and Paige, and the blinding of Deucalion, and the death of Alexander Argent, and the Nogitsune in the internment camp nearby. All of these things were around So much longer than Scott's bite, and they'd been affecting the world that whole time too. Because yes, in Buffy, the master was There before she was, but he was literally rendered inert by the situations he was in. And the things he'd done happened Centuries before, not six years. There is a difference. Sunnydale was Not Known for the insane number of weird deaths. Beacon Hills was. And aside from the Nogitsune, every single fucking thing that happened in Beacon Hills, was attuned to the Hale family in one way or another. Deucalion's blinding occurred during a meeting on Hale land, because Talia was known as a wise leader, etc, in the area and other wolves flocked to her. Deucalion biting Argent seems unrelated (if you even believe Deucalion did that, despite being a fucking pacifist before Gerard blinded him), but again, it occurs just a couple hours away from Beacon Hills, which is Hale Territory. The one who plays the Buffy role here? Who shows up at just the right time, and launches themself against an endless wave of evil, with slightly enhanced senses and a thorough need to do good and not back away from things that 'aren't they're problem'? The actual hero who is somehow tied to everything going on in ways even they don't understand? Was Derek. The guy who entirely unwittingly allowed Julia Baccari to survive, because he was trying to be merciful to his first love. Who entirely unwittingly was manipulated into giving up information that let a hunter kill his family. Who followed his sister back to town after six years of just trying to survive in New York, fell into a fucking tragedy, and decided to stop the bad guys anyway, even though he knew he didn't stand a fucking chance.

And as annoyed as some might get. The 'everyman' who stumbles onto the set and accidentally becomes integral to the saving of the world? The one whose ambitions are small and who expectations are smaller? Who is misunderstood, and has abilities that aren't recognized or appreciated, that doesn't really fit in, but tries their best anyway? The literal Angel to Derek's Buffy?

Is fucking Stiles. The son of the sheriff who just could not let it go when he discovered there was something funky going on. Who hung around on the edges, even though he wasn't really wanted, because he needed to help. Who ended up saving Derek's life over and over, and becoming so important as to be Derek's anchor? Who literally WENT DARKSIDE and HAD TO BE NEARLY KILLED, even though Derek didn't to kill him???

I know how it sounds, but JD SAID he took inspiration from Buffy. The issue is that his parallels are between DEREK AND STILES, and BUFFY AND ANGEL. Respectively.

Derek might act like the broody bad boy, but it is STILES' mentality that matches Angel's behavior, and it's Derek who matches Buffy.

I'm so fucking off track. Scott would be miserable if he ever managed to get a wish and used it to keep from having been bitten. And it would be sad. I would feel bad for him, had I watched something like that happen. Seeing him realize that most of the good things he had, he only got because of the bite. That Stiles would still be on first line, that Lydia and Jackson would still be the popular kids. That Allison wouldn't know he existed, or if she did would avoid him entirely. That Jackson would never have been turned into the kanima in the first place. That everyone else would move on and up in life, and he would still be standing at the bottom step. Because it wasn't his actual limitations that were holding him back, it was his refusal to accept them, to work with them, and to just plain stop Envying Everyone Around him, and start living his own fucking life instead of trying to steal other people's.

Scott wishes he were Cordelia, and I promise that would backfire too.

#personal #anti-Scott McCall #meta ramblings #go for it #this is way too long #but i had feelings #the more you guys made me talk about this #the more I want to write a Buffy fusion #or a tw rewrite with Scott not being bitten #or fucking Both #or both Combined #SOMETHING

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shihalyfie · 3 years

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The Kaiser wasn’t very good at being a villain (and that’s the point, actually)

Ken’s journey of redemption is generally well-documented overall, and it was explicit enough in the series that there’s only so much you really need to explain it, but due to the blurred boundary of what was supernatural influence from the Dark Seed and what was Ken’s own emotional problems wreaking havoc, it’s somewhat more difficult to bridge that gap between the Kaiser and Ken, and how they can be the same person.

The easiest way to understand it comes from both directions. One is that Ken, even in his normal element, is much more assertive than he’s often given credit for -- it’s just that the Kaiser is a (fragile) manifestation of that very carefully cultivated to channel that in all of the wrong directions. The other has to do with the fact that the Kaiser is actually really terrible at being a villain, and the persona itself is very fragile and difficult for him to maintain.

Rewatching the first half of 02 shows multiple indications that, for all he seemed to be the stereotype “evil genius”, Ken was forcing himself into the mold. He was never cut out for it from day one. Even from the beginning, Ken’s actual nature as a lonely and inherently kind eleven-year-old child was tearing apart at the Kaiser persona, and the fateful episode 21 was not so much a single turning point for him as much as it was the last straw in a series of things tumbling down for him.

Before we continue: While all of the meta on this blog is only possible thanks to support and input from a handful of friends (whose names will not be disclosed on account of privacy requests), this one in particular arose from a long and extensive discussion with said friends that I am extremely grateful for. As always, I hope I was able to convey your points well.

Well, firstly, it’s important to understand that, much like nearly any other character in this series, Ken’s surface demeanor is a bit deceptive. The Crest of Kindness has the original Japanese name of yasashisa (優しさ), which has a secondary meaning of “gentleness” (lost in translation, but still apparent with the bubble metaphor in 02 episode 23). That also ties into the secondary meaning of “kind” -- it’s not just about being naturally “soft”, but actively choosing to be gentle with others even when you’re theoretically capable of not doing so. (For those of you who have seen Appmon, the entire point of that series was about what it means to consciously and deliberately choose to be kind, and, in fact, quite a few parallels could be made between Ken and Haru...)

The contrast between Daisuke and Ken goes far beyond just the surface. Daisuke’s surface demeanor is abrasive, but he’s not actually very good at being assertive until push comes to shove, and he otherwise tends to bend easily to others or get overwhelmed; in contrast, Ken has a more polite demeanor and for the most part seems non-confrontational, but has much stronger control of his emotions and is more easily able to be assertive than Daisuke is. (Of course, both of them share the common point of being like-minded when it’s something that really matters, but Ken is much better at imposing his will and getting what he wants done before Daisuke ever gets to that point, which is what fuels the whole punchline of Daisuke and Ken’s Shopping Carol.)

So, the point is: Daisuke is kind out of instinct and just “naturally” being so, but Ken is kind because he consciously believes in treating others well and not causing conflict, and not causing pain to others.

That’s not to say that Ken’s behavior is out of suppression or anything! It’s not a case like Takeru, who’s trying to push complicated emotions down while pretending they’re not boiling under the surface, nor is he like Hikari, who’s compulsively pressing her emotions down out of a desire not to burden others. Rather, even as early as 02 episode 26, he’s very straightforward about what his issue is and what he thinks about it. Ken’s “shyness” during the latter half of 02 is largely due to shame and hesitation from not knowing the other 02 kids well, but as the series goes on and as we go into post-02 material, he indicates that he’s perfectly wiling to be vocal about what he thinks without necessarily fighting any compulsion to suppress it. For someone who claims he doesn’t know much about his own heart, he arguably seems to have the best grip on understanding himself compared to a lot of this cast!

So in essence, the main take-home here is that Ken is theoretically capable of being strong-willed and assertive, and is very good at choosing when he wants to be assertive and when he wants to hold back. And he likes seeing people get along, and he wants everyone to be happy, and he doesn’t like seeing people be hurt or hurting others, and under normal circumstances, Ken has very good control of his emotions for the most part and quite a lot of self-awareness. That’s why Ken is the one to get the unique designation of this Crest; everyone in this cast can be said to be generous and supportive of others in some form, but there’s a difference between being a “natural” doormat who defers to others by default (Daisuke being a very good indicator of how this kind of mentality has a flip side of lack of self-esteem and high insecurity, and Tamers’s Takato being a good indication of how “being deferential” doesn’t necessarily preclude you from having tendencies towards selfishness or cowardice), versus choosing to be kind by understanding everything and still being gentle out of a belief that it’s the right thing to do (again: see Shinkai Haru). And it’s why Wormmon says in the 02 episode 23 flashback that Ken’s kindness can be used against him; being “kind” in this way requires a lot of mental fortitude, strength, and guts, all of which are things that could easily be very bad things when applied in the wrong direction.

This means that all the Dark Seed really needed to do in order to turn him into the Kaiser...was make him lose grip on that self-control.

Actually, Ken says it himself in less-than-subtle words in Spring 2003:

…It was revenge. But who was this revenge against? Did I want to triumph over the ones who made fun of me? The ones who looked down on me and used me? But… In the end, it was revenge against myself. I couldn’t do anything but deny the kind of human being that I was.

So in other words, the Kaiser persona was, effectively, a self-loathing eleven-year-old boy throwing a massive tantrum. A lot of the Kaiser’s actions in the first half of 02 are honestly rather petty -- he’s basically upset at the kids spoiling his holiday in 02 episode 6, he attempts torturing Daisuke out of a petty grudge over a soccer sliding tackle in 02 episode 8, and everything to do with expanding his territory and eventually (hopefully?) becoming ruler of the Digital World is frankly very sloppy. For all he’s said to be a genius, his genius only seems to extend to book smarts, and his “tactical planning abilities” never really expand beyond that of a soccer field sort of affair; his way of locking down control on other things is basically just “brainwash it harder” or “whip it harder” and applying harder brute force instead of doing something in the long-term like, say, trying to rule with charisma and recruiting allies.

(Again, bringing Appmon back into this, seeing Cloud in action will give you a much better example of a charismatic human villain who’s actually competent at his job. Or, heck, you can even look back at Savers’s Kurata, who at least was savvy enough to pull strings with people in powerful positions. Or even the Kaiser’s predecessor Saiba Neo from V-Tamer, who may have been openly sadistic but still had the sense to align himself with background power. Really, compared to all of these folks, the Kaiser is downright pathetic.)

Remembering that Ken fell into the Kaiser persona partially as a desperate attempt to become a “perfect person” like Osamu, Ken “imitated” Osamu’s cruelty to him because he felt that was how he could improve himself to become a “strong” person better than him. But the irony here is that Osamu’s “cruelty” was something that he himself never liked, and mainly came from lashing out at Ken due to feeling like he had a lack of control over his own life. So Osamu was never happy in that position, and Ken, who is indirectly pointed out via the bubble metaphor to be even more fundamentally inclined towards gentleness, is probably even more miserable.

Because everything Ken does as the Kaiser is “unfocused lashing out at everyone”, the Kaiser has less control over his emotions than Ken normally would. Takeru manages to emotionally pin him to a corner by confronting him with enough assertion in 02 episode 19 (this is before he punches him), and correctly points out that the Kaiser isn’t capable of winning with words (i.e. ideologically) and resorts to violence as the first thing he can think of. You’d think that if the Kaiser were actually someone with the self-confidence to consider the other Chosen Children beneath him, he wouldn’t even bother giving them the time of day, but Takeru just happening to be a little assertive is enough to make him lose his composure and start falling apart, and a lot of his shaken “insects!” yelling comes from him seeming pretty desperate to cling onto that rather than being all that confident about his natural superiority over anyone. 02 episode 20 establishes that he’s getting himself in over his head by tampering with the powers of darkness he can’t control, and while, on a plot level, it means that he’s misjudged his own capabilities, on a metaphorical level, it corresponds to the fact that even Ken himself is incapable of getting himself out of the emotional abyss he’s in.

And on the flip side, one of the biggest “tells” that Ken is still miserable during all of this is 02 episode 9, where he’s seen ruminating on the “glory” he’s getting in the real world despite having just decided to leave it all behind. The episode prior, after all, had been called “The Digimon Kaiser’s Loneliness”. The media is using him like some kind of “hot topic”, his parents’ affection (in his mind) is shallow and based only on his achievements, and he has no friends (how much of a role Akiyama Ryou played in his childhood is unclear, but either way, he’s no longer around now). With no emotional support coming from any direction in the real world, he’s resorting to at least trying to have some “fun” in what he perceives to be a “game”, and yet he’s still not having fun at all.

If you look carefully at a lot of the Kaiser’s actions during the first half of the series, one thing you’ll notice is that there are multiple indications that he’s not quite up to par to being as sadistic as you’d think he’d be. Recalling that we learn in 02 episodes 20-21 that the Kaiser is under the impression that the Digital World is like a game that he can “reset” and the Digimon in it not real living beings, it has interesting implications of the fact that he’s actually very hesitant to physically harm other human beings -- he certainly likes emotionally toying with them, but even when he’s trying to take petty revenge on Daisuke in 02 episode 8, he goes out of his way to set up a trap with Bakemon to torture him rather than, well, actually using the kids as hostages. That’s a hell of a lot of work to do, but he instead uses this extremely roundabout way to get them out of the picture in a somewhat less harmful way, risking having them escape (which is exactly what happens).

And in 02 episode 19, when Takeru confronts him and he ends up whipping him, you can hear a slight “...gh?” in the Japanese audio for a split second right after that, meaning that the Kaiser is, for some reason, having a hard time dealing with the fact that he just hit Takeru, and he does a very poor job defending himself against Takeru punching him out despite ostensibly being trained in judo. (Seriously, if you watch the animation of the scene, he’s just lying there while Takeru repeatedly punches the hell out of him, because he’s so out of it.) Regarding the Digimon, he’s convinced himself that they’re not living beings, but regarding the human Chosen Children, who undeniably are, no matter how much he might look down on them, he has a suspiciously hard time harming them as much as he could...

On top of that, one interesting question that might come up to one rewatching the first half of 02 is the strange “contradiction” of why the Kaiser ostensibly seems to hate Wormmon so much, calling him an unworthy idea of a partner in 02 episodes 10 and 19, and yet does remarkably little to get Wormmon away from him or off his case (he hates Wormmon calling him “Ken-chan”, yet doesn’t really try very hard to stop him). He could have easily locked Wormmon away in a cage or something if he really wanted to -- actually, there’s the question, why doesn’t he slap an Evil Ring on him? Because in the end, Wormmon is the only emotional support he’s really getting, and so it’s likely he unconsciously doesn’t want to lose that. Recalling that Digimon are fundamentally linked to the inner self, the Kaiser rejecting Wormmon for being “weak” is analogous to Ken rejecting his own self for being “weak” and “not perfect” -- which means that the fact he still keeps Wormmon around is analogous to the fact that Ken hasn’t really been able to bring himself to completely let his fundamental nature go. And, hence, it’s why he gets so initially incensed at Wormmon’s “betrayal” at 02 episode 10 (and yet still keeps him around despite that), and is ultimately emotionally destroyed by his death in 02 episode 21.

Although, actually, if you look carefully at 02 episode 21, it’s not quite Wormmon’s death that necessarily does it -- the turning point where he sheds the Kaiser persona is right before that (and in case you have any doubts, the animation puts highlights in his eyes for the first time in the series right at that point). Wormmon’s death is the first major consequence of his actions that he has to deal with, but what actually brought Ken back to his senses was his own realization that Digimon are living beings, that his actions have had permanent effects this whole time, and that he can’t take back anything he’d done.

Remember that 02 is a series that is largely about moving on and accepting that you can’t change the past, and that you have to move forward regardless of that. Ken’s fall into sadism was only possible by driving him into extremely deep-seated denial -- he was already starting to face the potential reality of Digimon being real, existing beings in the real world an episode prior. He says, outright, in 02 episode 21, that part of the reason he came to the Digital World to do all of this was escapism -- and, presumably, under the idea that any mistake he made could be rolled back and redone, unlike Osamu’s death. But the Digital World is not a place you can reset like a game, Ken will have to live with the consequences of his actions again, and moreover, every single one of the actions he’d been convincing himself were relatively meaningless had caused severe and permanent harm, and the entire thing overwhelms him.

It’s also important to point out that this was probably where the Dark Seed had to work a lot of magic to get Ken to embrace this kind of denial so easily -- after all, it’s established in the final quarter of the series that it does have a tangible impact on personality and puts a damper on one’s ability to feel empathy. In the flashback in 02 episode 23, regardless of whether Ken considered the Digital World to be a “game” or “able to be reversed” or not, he clearly still didn’t care and treated those around him with proper kindness (even if he did consider it to be all of that, it probably wouldn’t have been entirely unlike how a lot of us have a hard time picking rude choices in video games). It’s a very complicated chain reaction of events that allowed this to be even possible, and it was so against his fundamental nature that once the denial broke and Ken reached his limit, he wasn’t able to do it anymore. The Chosen Children’s main role in 02 episode 21 was really just cleaning up the massive mess he’d made in the form of Chimeramon, but as far as the whole thing about the Kaiser’s persona completely falling apart and Ken being forced to confront his own self goes, that was pretty much all Ken and Wormmon, in a series of dominoes that had already been collapsing for episodes on end.

The following episodes have Ken treat the 02 team with a certain amount of detachment, and this is often construed by a handful of people as being reflective of Ken being standoffish of some sort. The fact that Daisuke and Ken are often promoted in franchise materials as “rivals” mainly due to them being in the “protagonist and right-hand-man” position such characters are in might tempt you to think that way, but they are most definitely not!! (Considering that even saying that Taichi and Yamato fit that mold is a bit questionable, and neither Ruki nor Jian quite fulfill the expectations of the role in regards to the genre-subverting Tamers, Frontier, which is explicitly said to be deliberately written to be conventional, is probably the first proper execution of this trope in the form of Takuya and Kouji.) Ken’s detachment from the group at this time in the series is something he actually gives the reason for quite directly: he believes it’s his fault and doesn’t want to burden them with what he considers to be his job, and in the end Daisuke ultimately breaks through to him and they become completely normal friends who get along. “Rival” what?

Ken is, at worst, distant during this point of the series, but he’s actually very straightforward about what he wants and intends to do; it’s just that he’s being a bit blunt about it because he’s still drowning in his shame and not sure how to approach them. (Also, consider the fact he was rather lacking in friends or a support group before all of this; he doesn’t have a lot of experience in socializing, either.) So he keeps everyone at arm’s length, and the reason he comes off as so standoffish is because he’s so assertive! He directly and bluntly makes some very strong remarks about how he believes everyone else shouldn’t be getting involved! Again, when left to his own devices and not being manipulated into by a supernatural evil seed into multiple levels of denial, Ken is very in control of what he wants and thinks, and is even very open about speaking his mind.

That’s even when they’re not good decisions, mind you. Ken starts off the climax of 02 episode 26 being very firm about wanting to suicidally throw himself into the reactor in order to stop it, and 02 episode 30 has him consider himself a burden to the team after the fallout with Iori and try to stay out of it despite them very badly needing his presence, which Daisuke (of all people!) rightfully calls him out for being childish about. But he also listens to reason very quickly and acknowledges the others’ point very easily, with Daisuke reminding him in 02 episode 26 that his suicidal recklessness is actually pretty self-centered and short-sighted of him, since it’ll prevent him from doing anything else to take responsibility for his actions going forward, and Miyako, uh, slapping him in 02 episode 30. (But he comes quietly right away as if acknowledging his own idiocy, and never holds it against her thereafter.)

Nevertheless, the point is: you can see that this kind of assertiveness is the same kind of assertiveness he had as the Kaiser, just channeled in a different direction and for a different purpose. But as the Kaiser, he was angrily lashing out at anything and everything and stepping on anything he could just so he could have a show of power; once he comes back to his senses, he reserves that force for it being something he consciously believes is the right thing to do (regardless of whether it’s actually the right thing to do or not).

Because of the fact Ken spends a lot of the last quarter of 02 suffering and parsing a lot of trauma, a lot of people have tended to pin him as constantly sad and being a soft crybaby, but that couldn’t be further from the truth! Despite all the emotional pain he goes through, Ken has a hell of a ton of strength through all of this -- he even flings a well-aimed quip at Oikawa in 02 episode 44 despite being in a completely helpless situation, and in 02 episode 45 he himself is the one who volunteers to open the gate to the Dark Ocean, despite knowing exactly what it entails. That takes a lot of guts, and all things considered, his recovery from being the Kaiser spans only four months and is altogether incredibly fast given what he went through -- it did not take long for him to regain his bearings and get himself back on track. Again, it’s the same kind of “assertiveness” and capacity for action that fuels what the Kaiser did, just better controlled and in a direction Ken knows he actually wants.

This is also why I tend to object to insinuations that Ken would be overly touchy about or traumatized by the mere discussion of him being the Kaiser in the aftermath of 02, because the series itself, multiple times, portrayed him as being very able to talk about his experiences bluntly and honestly, at worst maybe considering it a bit of an awkward topic. He has no problems admitting that it was a thing that happened, especially if it involves discussing it as part of taking responsibility or preventing further damage -- it’s just that he of course doesn’t enjoy it either, and is equally as open about the shame he feels as a result. All of the times Ken loses his composure in the latter half of 02 involve either physical pain being inflicted on him, or a lot more actively vicious invocation of his memories and insecurities, and even then he gets himself back on his feet with a rather prompt amount of speed. Poorly timed of a statement as it may have been, Miyako is not incorrect when she says in 02 episode 31 that he has a certain amount of natural resilience that he carried from being the Kaiser.

All the way back in 02 episode 9, shortly after it was revealed to the group that Ken was the Kaiser, Iori, Hikari, and Takeru all label Ken as someone who doesn’t look like someone who could do something so horrible, and Hikari even says that his smile looks “gentle” (note that this is yasashisou, a word derived from the same root word used for his Crest). So in other words, even all three of them were able to catch on to his actual nature betraying himself even during that awful period of time. It’s still poking through, all things considered.

But we as the audience know he’s putting on that face for the camera, and his eyes are still as dead-eyed as they are for the first half of the series, and when Miyako accidentally makes him laugh during the Christmas party in 02 episode 38, it’s very much framed as probably the first time Ken has been this genuinely happy in a long while. He was never able to be this happy even when “satisfying” himself by stepping on others as the Kaiser.

And that’s why it’s so extremely unlikely that Ken will ever be able to lapse back into the Kaiser persona after the events of 02, even with the Dark Seed technically still inside his neck. He wasn’t enjoying it anyway; the Kaiser persona wasn’t a habit that he fell into out of emotional suppression or even catharsis, but rather him forcing himself into a role he was never comfortable in to begin with. He was never truly satisfied with anything he was getting out of it, and moreover, it took the combination of supernatural influence and a hell of a lot of denial to allow it to get that far in the first place, because of how far against his fundamental nature that was. (Again, for those of you who have seen Appmon: think about what it would take to get Haru to embrace sadism.) Even Osamu wasn’t enjoying being cold; being kind and living your life with positivity is a lot more fulfilling and fun, anyway.

In 02 episode 48, Ken describes the influence of the Seed as “horrible” in retrospect; even if it didn’t involve physical pain and exhaustion the way it did for the Dark Seed children, the entire experience sucked even back then. And while Ken theorizes about the Dark Seed’s influence being countered by the power of love earlier in the episode, when you look at the whole of 02, it’s not just his family’s love -- Ken now has the emotional support of his family, and Wormmon, and his newfound friends, and that’s giving him all of the fulfillment he wanted that putting on a front of sadism wasn’t giving him, and he doesn’t really need anything else anymore.

02 itself is very much about the fact that it’s not a bad thing to rely on the support of others to be happy; the Ken and Kaiser are undoubtedly the same person, but the latter’s existence requires a very specific lineup of events and factors to happen, and one of the massive parts behind that was a severe lack of emotional support or anyone who properly understood him. And by the end of the series, Ken has more than enough strength of heart to accept everything that’s happened and move on, and to stop reaching out to denial and clinging onto the past, and he has emotional support and understanding from a whole new group of friends that thoroughly understand everything he did and went through, and wholeheartedly accept and love him anyway.

He is never going to have a gaping hole in his life like that again.

#digimon #digimon adventure 02 #ichijouji ken #ken ichijouji #shihameta

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