#also this article was editted since i first read it to include a lot more stuff from disability charities which i find interesting

[icy-book]

I need him gone, please and thank

#let's make an already actively hostile disability benefit system even harder to access #and deny disabled people financial freedom by only giving them services and not money #ignore the fact that disabled people who can't work may need the money from those benefits to pay rent because guess what #they literally can't work #also this article was editted since i first read it to include a lot more stuff from disability charities which i find interesting #i'm just so so sick of him #uk poli #uk politics

[actual-changeling]

I have written many meta posts and s3-theories, and read even more, but I got hit by an idea I have not seen before. (If there is another post, please link it!)

After vibrating for an hour and losing my mind in my dms, I have no scraped together enough brain cells to present what is probably my first actual 'main-plot meta'.

Welcome to another edition of Alex's unhinged meta corner, today with a title to honour Crowley's James Bond obsession and the possibility of another heaven heist.

I give you:

From Jesus with Love - You Will Live Twice

Now, let's get right into it.

I think Neil might have told us more about the main s3 plotline in the announcement article than we previously thought. We all got stuck on 'they're not talking'—for good reason—but it is the part before that which has been bugging me ever since then.

The plans are going wrong—and this time that is a problem for earth and humanity. Turning that around, it means that whatever that plan consists of would be the way to go and beneficial for everyone, the opposite of the main plot of s1.

"They need to prevent the Second Coming (SC)" is pretty much the only and most popular idea I have seen, hundreds of fics and metas and whatnot have been written about it, but I think there's a good chance we're wrong. If we're not, well, I will honestly just be happy to be watching season 3.

Whatever the Metatron is planning will have negative consequences for everyone, or as Michael puts it: "And so… it ends. Everything ends. Time and the world is over, and we begin Eternity… forever and ever."

It sounds very much like Apocalypse #1 - Same Old Plan, same expected result, yet if we look at different interpretations of scripture we find that the SC is not entirely about complete destruction and death for all of humanity—it is about creating a new world/migrating to the kingdom of God.

This is taken from the Wikipedia article about the SC

Resurrection and life in a world to come are a direct contradiction to the result Michael is explaining—total annihilation of humanity.

Now, I am neither religious in any way nor have I ever received any sort of biblical education. Luckily, Christians seem to love talking about the bible because there are dozens of bible website to wade through. If I get anything wrong, please point it out, I have never touched a bible in my life.

So, after reading many, many quotes by a bunch of different guys, I tried to create a somewhat coherent picture of what the SC might look like based on the assumption that the end result is positive. I will talk about how they can be interpreted more in-depth later, otherwise this would turn into a string-net very fast.

Additionally, we can also see where these points overlap with the statement Jimbriel gave in the bookshop in episode three.

What is Jesus' job description?

only God knows when and how exactly it will begin/happen, no one else does, including Jesus and the Metatron

a lot of different catastrophes are mentioned or quoted as something Jesus said, like earthquakes and storms -> Jimbriel mentioned a tempest and great storms

there is also the line "All these are the beginning of birth pains." Birth pains dictate that there will be a birth—birth of the world to come perhaps?

dead people will be resurrected/leave their graves so that they too can be judged (I'd say participate in it but that sounds like the Second Coming is a summer camp activity)

there are also mentions of stars and the heavens in general falling from the sky and the sun going dark -> Jimbriel also mentions darkness as one of the signs

great lamentations, as Jimbriel says, are also a part of many different passages, with humans mourning the world as it was

the Lord will descent with the voice of an Archangel and the sound of a trumpet/the trumpet of God; the grammatical structure of that sentence seems to be interpreted differently depending on who you ask, but the voices of angels/an Archangel and some sort of trumpet are common terms

once everyone is in heaven/wherever the 'main even' will take place, a judgement call will be made for every single person in relation to the book of life, which decides whether they will be punished forever or not (one passage talks about a lake of fire and mentions it several times in a row)

And this is where it gets tricky. To figure out what the SC looks like, we first need to understand a) what the Metatron's capabilities are, b) what he has to lose, and c) what exactly would be a threat to him.

If you ask me, all of this comes down to the Metatron wanting to stay and be in power for eternity with full control over angels so he can do as he please, aka keeping the system running as it is.

We know the book of life (bol) is a thing in the Good Omens universe, whether it does what Michael said is an entirely different question. So far, we have also only got confirmation that hell collects and tortures souls—in such large amounts that they are understaffed—while heaven looks completely empty.

The Metatron runs heaven as an institution, he seems to be the highest power any of the angels have access to and the one they defer to. He refers to himself as the voice of God and combines judge, jury and executioner, making him one great celestial dictator.

From what we know of hell, they do things a lot more democratically, having different councils, dukes, and ranks that are responsible for different levels of command.

We also know that that the Metatron wants the world to end, his goals can probably be summarized as the statement Michael makes, which would leave him in charge without any opposing forces.

We also also know that he sees Crowley and Aziraphale as a threat—why exactly remains a mystery for now—and that the success of his plan hinges on having a Supreme Archangel (SA) he can control. Gabriel decided to become princess of hell and Beez' sugar baby, so he was out of the equation, and after the Armageddon disaster, I don't think he wants to risk failing because of an unfamiliarity with earth (plus, y'know, getting our two idiots away from the plan).

It's interesting to me that right at the end, he says to Aziraphale "We call it the Second Coming"—call, not it is or it will be, CALL. We know that nothing Neil writes is a coincidence, definitely not with such an important line.

Just because you CALL something a specific name doesn't mean it IS what you call it, e.g. Aziraphale calls Crowley a foul fiend when we know he very much isn't.

The Metatron is selling his plan as part of the "Great/Ineffable Plan", so any questions can be blocked by saying it's God's will, it's ineffable. Whatever his plan is, he hides it behind the concept of the Second Coming, which angels know just enough about to understand the basics without having in-depth knowledge of what exactly it entails.

It is a good fucking strategy, I'll give him that, and it WORKS because angels—even if they have doubts—do not question. They simply don't; fear of punishment and millennia of conditioning have left them in a horrible place. When they encounter something unknown, their response is "I already knew that" as to not ask questions.

Crowley questions, we know that, and Aziraphale, ohhhhh, Aziraphale ALSO questions, but he does it in a less dangerous and obvious way. The Metatron is vastly underprepared for that.

(Side note: That alone would be its own meta post, but the gist is that he questions heaven's plans and then adjusts his assumptions of what God might want to what he WANTS God to want, e.g. Job, the Arch)

To summarize everything I just said, the Metatron wants to do what Armageddon failed to do—destroy earth and the universe—so he can be supreme dictator of all remaining celestial beings and gorge himself on power.

But instead of calling it his Big Evil Plan, he calls it the Second Coming, making everyone play along without resistance.

We cycle aaaaall the way back to the sentence I quoted—the ACTUAL plans are going wrong since the Metatron's would mean total destruction.

But what is the SC supposed to be if not the Apocalypse 2.0?

When I look at all the different aspects of the SC and assume a positive outcome, then the end result to me would be a new world that is pretty much like the old world, or maybe even literally the old world but with any destruction reversed. Heaven and hell get dissolved since now that everyone has been "judged", they as institutions are no longer needed, they have fulfilled their purpose.

No more judgement means there is no reason to keep track anymore, so why do you need to run celestial corporations whose only job is doing exactly that? You don't—and THAT is what I believe is the biggest perceived threat to the Metatron, losing full control over everyone and everything, losing his position, his title, and whatever else he has.

On top of that, Good Omens has told us again and again that God doesn't seem to give a fuck about good and evil anymore, and that without heaven and hell being all wrapped up in it, humanity would have 100% free will without any consequences.

Maybe the BoL is empty, maybe it isn't real, maybe Jesus stole it to straighten a wobbly table, who knows. There is a chance it is what Michael says, but I would admittedly find that a bit. too obvious and boring since it would boil the plot down to "they save their own asses again" and not "they save humanity at all cost".

Regarding Crowley and Aziraphale's role in this—I have Thoughts TM but those definitely need their own post. In short, they have to get the SC back on track, the real one.

-

If you have made it this far, thank you for working through what I hope are more or less coherent rambles. Any spelling or grammar mistakes are my own.

Questions? Thoughts? Corrections? Expansions and additions?

Feel free to add to this post however you like (and I can't believe I have to mentions this but if you clown on my post or behave like an asshole you will be blocked).

#alex talks good omens #good omens #crowley #aziraphale #good omens meta #good omens season three speculation #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable husbands #ineffable wives #ineffable spouses #ineffable divorce #the final fifteen #good omens s3 #good omens speculation #good omens theories #metatrash #the second coming good omens #long post

[is-the-owl-video-cute]

Going to be honest, the more I see of “Oaky the Owl” and “meandmyowl” (same person) the more I’m convinced Leslie does not have this bird legally.

So since she’s located in north Salt Lake City, Utah you can use this page to submit an anonymous tip.

What’s not legal about what she’s doing? Well for starters, on her website she has a merch page. Not only that, but she also accepts a lot of donations and such during live streams and allows fans to pay her to bring the owl and give presentations about surviving near death experiences or the healing power of crystals, not just conservation or falconry.

Which is a bit of a problem due to, well, let’s see, she claims the owl is held on a falconry permit, right? And it’s a great horned owl, meaning it’s a species protected by the migratory bird treaty act. So what does that mean? It means she’s meant to comply with regulations from Utah's falconry regulations, AND the migratory bird treaty act’s federal regulation.

Alright, so what do those documents say about that exactly? Let’s start off with the Utah falconry regulations first, linked here if you’d like to read the entire document.

Article R657-20-28 subsection 5c clearly states that a raptor possessed under a falconry permit cannot be used in advertising or for commercial profit. The only profit a raptor held for falconry may garner would be if the bird is being used to promote conservation, biology, or falconry in some way. The gist of this is that you can use a falconry bird to, say, star in a documentary about falconry or the ecology of that species. You can have a gyrfalcon pose modeling a hood or jesses you are selling. You CANNOT use a falconry bird to sell phone cases or other merch for personal profit unrelated to the sport of falconry. Note as well that a falconer cannot be compensated for allowing their bird to star in a for-profit film, even when that film is about ecology or conservation.

Subsection 4e-4h vs. what is advertised on her page. Using the owl for any of the first four subjects is in violation of R657-20-28. The pricing she charges for these talks is not stated on her webpage and is only revealed if you email her an inquiry, meaning it’s a bit hard to say whether she is charging more than what would pay for the program, but honestly you can guarantee she is since she clearly has no interest in ethics or honesty in using this owl. Worth noting as well is that she allegedly claimed on a livestream that she does not hunt with the owl because she’s “an animal lover” which would also violate subsection 4e as the bird is NOT primarily used in falconry, because by her own words she has stated that the owl is not used for falconry in any sense.

You can read the full section on falconry in the migratory bird treaty act’s federal regulations regarding the sport here, but it’s almost identical to the rules further regulated by Utah’s state government.

TL;DR: you cannot lawfully use a great horned owl possessed by falconry permit to sell personal merch, draw people to your spiritual talks, monetize livestreams, or profit in any way. And you should use the link above to report this as this person is just keeping an owl as a pet to exploit for financial gain and fame. This breaks state and federal law and there must be consequences to harmful behavior such as this.

Edit: apparently this is her name.

That’s not her home address, it’s a PO Box which she has public so people can send her gifts so I’m not censoring it. Please include her last name in all future reports.

#Falconry #me and my owl #oaky the owl #Leslie and Oaky #Signal boost #Owls #birds #aviculture #birding #ornithology #fish and wildlife #migratory bird treaty act

[gentlebeardsbarngrill]

02/03-04 Daily OFMD Recap

TLDR; Reminder! UK Launch! Wee John Monday!; Cast & Crew Sightings; Day Of Damien Recap; New Nominations; StewAsACrew; S1 Rewatch Party; Tumblr Posts; Articles; Save OFMD Crew Mascot Jeff; Hoist the Ads Followup; Poison Into Positivity with a huge Donation; Morale/LoveNotes/Daily Darby all wrapped up in a Cameo from Rhys Darby Courtesy of @adoptourcrew

Heyyyyyyyy I'm back! I had a great day off-- ty for all the lovely well wishes! Annnnnnnd holy moly did I miss some stuff only being gone ONE DAY. I'm trying to catch up so apologies if you've already heard this or if I'm missing anything! Thank you to @sgtblackbirdpie for keeping me up to date on some stuff while I was out!

= Reminders for Tomorrow! =

= UK Launch! =

Reminders from our lovely @lamentus1!

We'll be tweeting #RewatchAsACrew #OurFlagBBC in addition to the usual #AdoptOurCrew #SaveOFMD

Season 2 will start at 10pm on Monday Feb 5, so that’s 5pm ET and 2pm PT. 

If you are outside the UK and want to help support the launch, you can connect with a VPN using these instructions also @reallygoodplants has a great post on how to do so here on tumblr as well

= Wee John Monday! =

EDIT: Important update! Time is at 2130 UK time for the first new Wee John Monday! This will be one time only to try and start up before the show airs. Thank you @atomicruinsperfection for this info!!

Wee John Monday! Want to have your questions answered tomorrow during the show? You can go a few different places to do so: Discord / Twitter / Instagram

= Cast & Crew Sightings =

Our lovely captain decided to put himself up for Cameos at $499 a pop. If you're flush with cash and interested, feel free to check out Rhys Darby's Cameo.

I didn't put it here because it fits in the Moral/Love notes section--- but a fan GOT ONE OF THESE for themselves and all of us in the crew. Jump down to the very bottom for a love note from Rhys As well.

= Nathan Foad BTS =

Nathan Foad posted a bunch of new BTS in honor of s2 coming out in the UK tomorrow! Samba and Vico added a bunch of those to their IG stories as well. There were LOTS of pictures and videos, so many that I can't include them all. Here's a side post with a bunch of photos, but if you want to see them all, please visit Nathan Foad's IG Stories.

=Day of Damien 02/03 =

Our lovely Damien Gerard really felt the love yesterday! Everyone sent love notes, gifts, and generally tried to celebrate our lovely friend on Day Of Damien and it made his night. He sent us lots of kitties pics and videos in return.

= NEW NOMINATIONS =

Our Flag Means Death has been nominated for the 28th Art Director's Guild Awards for a Half-Hour Series!

= Stew As A Crew / S1 Re-Watch party! =

Soooo many people came out for the S1 Re-Watch Party and also Stew As A Crew! Keeping that engagement going across all the platforms! I tried to highlight several but there were so many more!

=S1 Rewatch Party=

Everybody came back out for the S1 Watch Party to help support S2 being aired for the first time tomorrow in the UK! Some highlights!

== Tumblr Posts ==

Don't Stream on Max - by @iamadequate1 is absolutely a must read. They did some SERIOUSLY amazing analysis and data collecting on all the shows max has cancelled recently.

== Articles ==

TV guide: 12 of the best new shows to watch, beginning tonight

Save “Our Flag Means Death” – Another Great Gay Series On The Chopping Block - From Feb 2

==Save OFMD Crew==

Save OFMD Crew have announced their mascot/ambassador-- JEFF! As you've been seeing in all their social icons. Check out their post here.

Hoist The Ads Follow Up

Since I keep seeing posts about hoist the ads being a scam again, I'm going to once again share the receipts for Hoist The Ads

Tumblr / Twitter / Instagram

== Poison Into Positivity ==

So yesterday, a bunch of people started receiving what looked to be scam from group called entertainmintco. We got notified by @adoptourcrew and @saveofmdcrewmates of it earlier in the day:

Warnings were sent out, and people from the leadership teams started getting serious with this group, but luckily it looks like it was a mistake that entertainmintco was willing to admit to.

They then put out a statement explaining the situation, and donated $1000 to an LGBTQIA+ Supportive NonProfit: Rainbow Railroad for the trouble they'd caused.

Annnd they also shared our petition!

So overall, everything turned out okay! Definitely a weird one! But $1000 donation to supporting LGBTQIA+? Fantastic! Seriously poision into positivity. Thank you @AdoptOurCrew, @saveofmdcrewmates, and @LCWebsXOXO especially for turning that scam into splendor!

Post Note: There's been some questions on if there's a focus group actually going on-- I don't believe so but I'm asking and will get back to you!

== Morale / Love Notes / Daily Darby ==

Now, I'm sure most of you have seen this by now because it's exploding everywhere, but just in case not, I am going to highlight it as the last thing for today.

@meowzawowza_ went out and got one of Rhys' Cameos for themselves and the crew-- ty @adoptourcrew for sharing it with us. I recommend watching them where ever you can because when I say my hope is renewed, I sincerely mean it.

There's nothing I or anyone else could say that would equal the impact of Rhys' message. Our captain sends his advice and love.

Tumblr / Twitter / Instagram For more on the unedited parts of the video, @meowzawowza_ gives more deets: @ofmd-ann has a thread you can view here

"Life keeps rock'n ... You can't have peaks without troughs...thank you so much for being you and being so supportive ... love you, bye crew"

#daily ofmd recap #ofmd daily recap #ofmd daily recaps #rhys darby #adopt our crew #hoist the ads #save ofmd #save ofmd crew #ofmd #our flag means death #renew as a crew #save our flag means death #nathan foad #ofmd bts

[reimenaashelyee]

The World in Deeper Inspection UPDATE Read: (Chapter 1: Pages 57 to 68) (COMPLETED)

About the comic

Grimsley confronts the man who set him on this goose chase.

And with that… that’s the end of the 10th Anniversary revamp!! Can’t believe it took me almost a year to get this short project done, but blame my school and day job for that! *drives the nail into the TWIDI IS NOT DEAD sign deeper into the wall*

It was enlightening to reinterpret my first ever completed comic (more complete than the strips and unfinished or one-off shorts I had done prior) – basically the one that started me down the road to a career as a published author. I was happy to see how much my style had improved – not just in the layout, flow and pacing – but in how my characters have become more expressive and energetic, and how comfortable I am with the cartooning. Here is the proof that drawing comics helps you get better at comics!! It only took 10 / 11 years!

Plus, after a long while of drawing with a more reserved, professional approach (see: Seance Tea Party, Alexander Comic), I enjoyed the abandon and whimsy of TWIDI. The lettering is inconsistent all over but that only adds to the handmade whimsical charm of TWIDI, so lol.

Anyway – I have the 10th Anniversary ebook edition up on my Ko-fi and itch.io! This edition carries both the original and revamped versions of Chapter 1. No new cover or illustration for it this time; I think they are perfect as they are.

I have been meaning to make a continuation of the end of TCM that bridges the start of Chapter 1. It’s a long time coming: a story that had somewhat existed since the early days of TWIDI in 2010. Hopefully I will find that stability in my life to return.

Open the cut below to see my notes.

There’s also nothing exciting here, EXCEPT I severely cut down on the number of panels (and the verbiage).

As with the previous spread I cut down and distilled a lot of the verbiage. I shifted the dialogue slightly so that the reveal that Mr. Brown is a Lord comes from Grimsley (in 2013, Mr Brown never admitted he was an aristrocrat until this page) – it made more sense since Grimsley had gotten the info independently from the newspaper article and Andrew, and Mr Brown not mentioning it himself fits with his whole lying thing. For this spread and the next couple of them I am zooming out the panels to include more scenery. The 2013 layouts felt very claustrophobic, with the over-reliance on bust shots of the characters to carry the tension of the conversation.

Some more dialogue trimming and background scenery. I decided to change the setting for the chase sequence to be within the cemetery – just ’cause it makes more sense than if it was done all around Brookham. The panelling for it is a bit more dynamic too – look, Grimsley is parkouring!!

I have no idea why 10 (actually, 11) years ago I had so much trouble conveying and pacing this sequence of Mr Brown being set on fire. That’s the hindsight of experience, I guess??? Anyway I added a few more panels for actual build-up, and the blocking is way better now – there’s more energy (especially Skeleton’s expressions) and clarity (omg we can finally see where and what’s happening to the lamp). The last panel is a new addition to better connect with the next spread. Also… I am excited to see how much further I can draw Mr. Brown’s demise.

Man, the difference some changes in pacing can make. I added some panels with witnesses to the fire, just to emphasise why Grimsley and Skeleton have got to run. It’s crazy enough if a Brookie has got to witness immolation in the middle of the Night, but two paranatural spookies??? Also human fat has such a colour hdsjkfhsdkf the things that come out of an immolated body are so eerie….

The 2013 spread is almost perfect. 18 Year Old Me got it.

#the world in deeper inspection #art #comics #webcomics

[mask131]

A continuation of my Medusa post here.

Since people have been asking for links and sources about Medusa, I'll provide a little bibliography of various sources you can compare and debate about. Note that the bibliography about Medusa is even wider and bigger than the little samples I provide below, but I think they form a good "basic set" or "starting kit". (And I might have forgotten things, since I originally wrote my post unplanned and wasn't ready for it to blow up so much. I am just a tiny little blog that didn't get as much as seven likes on my biggest things you know Xp)

First of all, a resource that is fully available for free on Google Books: here, or here. It is called "Dangerous Beauties: Medusa in Classical Art", a Metropolitan Museum of Art Bulletin, published in the winter of 2017. Very beautiful and informative with lot of nice art. There's also more about the exposition tied to this publication here. There was another publication by the Metropolitan Museum that can be of some interest, Majorie Milne's "Perseus and Medusa on an Attic Vase".

When it comes to English-speaking books analysing and dissecting the Medusa myth, two works keep popping up everywhere. 2003's "The Medusa Reader", and Stephen Wilk's "Medusa: Solving the Mystery of the Gorgon". They do form references when it comes to the overview, analysis and evolution of the Gorgon figure. Other works of note include David Leeming's "Medusa in the Mirror of Time", and Thalia Feldman's "Gorgo and the Origins of Fear" (published within "Arion", I don't know if it had been published elsewhere). The Internet Archive has a free copy, right here, of Frederick Thomas Elworthy's "The Evil Eye: The Classical Account of an Ancient Superstition".

If you can read French, go read Jean-Pierre Vernant's works that tackled the Gorgon: "La mort dans les yeux: Figures de l'Autre en Grèce Ancienne", (Death in the eyes: Figures of the Other in Ancient Greece - explores the legends of the Gorgon and of Artemis) ; and his co-work with Pierre-Vidal Naquet "Mythe et tragédie en Grèce Ancienne" (Vernant did wrote in English a part of The Medusa Reader, the article "In the mirror of Medusa"). Jean Clair also wrote an interesting document: "Méduse. Contribution à une anthropologie des arts du visuel."

And finally, the cherry at the top, the Internet Archive even has a copy of the scholia (well, one of them), in which the old Pherecyde tales are described - the ones that make proof the idea of Medusa having been turned into a monster by Athena due to a crime of vanity and boasting is as old as the 5th century BC. It is right here. If you like to read Latin, go have fun.

(Shoutout to the people who asked for links and sources - which is absolutely normal and indeed much needed in this time of widespread misinformation and websites that can literaly invent Greek goddesses of torture out of nowhere

@60sec400 @fishlord-main @nouzillard @bigsnorp @gendermeh and probably others I forgot about

EDIT: adding @tanoraqui and @beanshery to the list)

#medusa #gorgon #greek mythology #sources #bibliography

[girl-in-the-mirrorbluenight]

Okay I've been thinking about this pretty much all day since I saw the hbomberguy and then todd in the shadows video i just have so many thoughts. While I wouldn't necessarily call myself a Video Essayist™ (I've only made a few over the years) as a youtuber and someone who has made video essays i definitely have more experience than the average person. There are so many things that stand out to me about this whole debacle i dont even know where to start.

First I want to just give a little insight into the process for making video essays from people who've never given it a shot and just how absurd it is to do the type of plagiarizing James has done. Video essays take a fuckton of research, even for pretty simple topics, but on top that you also have to make them with the medium of video in mind. it's really not enough to just take an essay you would write for a class and read it out loud. the flow is different, you have to have accompanying visuals, often background music, etc. They're a beast to make. My Twisted video for which i used literally two sources for my research (Sondheim's books and the musical Twisted) still took days of thorough reading, note taking, watching the musical, watching the musical again, watching the musical and taking notes, cross-referencing my notes, etc. For videos that synthesize multiple sources or are covering multiple pieces of media, that time goes up exponentially. Then there's writing, recording, gathering clips (often one of the most difficult parts depending on how obscure what you're talking about is), and editing. Even for a silly video like my Glee video, I still had to do a ton of research to make sure I was getting things correct, and that was a funny tier list about freaking Glee! There is just no way you could come up with a thorough analysis by just copying and pasting. Which brings me to my next point.

I think James may have thought (or more likely rationalized) what he was doing as analysis based on like the vaguest definition. When you do any kind of analysis, what you're doing is taking research from multiple different places (news articles, primary sources, existing analysis, etc.) and coming to your own conclusions, whether that's a synthesis of those different sources, or applying it to a specific thing like a movie. Really simple example is my Twisted video where I take Sondheim's writing and apply it to a specific piece of media (in this case Twisted). I'm using existing work but coming to my own conclusion. In the Spies Are Forever video, I took existing research about the Lavender Scare and the Hays Code, including primary sources from the time period, and applied it to the musical Spies are Forever. What James seem to do is take a bunch of existing scholarship, copy and paste it all together and then come to a "conclusion" that was not actually his own original thoughts but either "facts" he completely made up or something that didn't do anything to actually link his other "sources" together. I can see why it has the veneer of analysis, but making up a random "fact" you think might be true is not the same as a drawing a conclusion based on research.

I also think Todd made a really good point in the part about England's propaganda campaign against Italy around 9:30 that it's just really bad video making to not include examples of images from this so called propaganda campaign. I have a ton of examples of news clips, government reports, etc. in my SaF video about the Lavender Scare because...it was a real historic thing that happened! If something was supposedly so widespread and not even that long ago, you can probably find evidence of it somewhere. Kaz Rowe (who is also linked in the queer creators playlist on hbomberguy's vid) talked about this a lot in their video about tiktok misinfo where people often make these outrageous claims but the thing is if something so outrageous happened (like people constantly shitting on the floors of versailles), other people at the time would probably be talking about it somewhere. It's a big red flag when someone makes such bold claims and has no evidence to back it up.

Putting this last section under the cut because I go talk about WWII, Nazis, and HIV/AIDS a bit (watch Todd's video for some more context) so if you don't want to see that post is over here.

Lastly I wanted to talk about something else Kaz brings up in a lot of their videos when talking about historical topics and that is the tendency to dehumanize people of the past, often as unwashed, unintelligent masses who would just do any ridiculous disgusting thing because they were so stupid and disgusting. There are a lot of things to criticize about the people of the past and their actions obviously, but we cannot forgot that they were in fact, people. Real individual people with their own lives and dreams and ambitions and individual opinions and they have never been and never will be a monolith. Claiming anything is broadly true of "the victorians" or "the ancient egyptians" or whatever other vague historical group you want to talk about is usually a lot more nuanced than "they all thought or acted in this one particular way". I'm certainly not a historian and i've only done one history focused video but James Somerton seemed to make a lot of broad historical claims in his videos that I think fall into this trap.

The one that stood out most to me in Todd's video was the claim about Nazi body standards which is a whole mess in general that Todd goes into for a while, but the way he talks about WWII soldiers was just like...weird. Besides the fact that a lot of his claims about Nazis seem to be bordering on glorifying them and their aesthetics (gross), I think we should remember that WWII was less than a century ago. There are still over 100,000 surviving WWII vets in the US. My grandfather who was in the Army during WWII (he didn't serve overseas but he was an enlisted soldier I can literally look up his enlistment records in the national archives online) was a real person who I obviously knew personally and who died fairly recently. To think he enlisted because he was jealous of German fitness or whatever and wanted to prove how tough Americans are is an absolutely hilarious thing to think if you knew him. I'm sure there are as many reasons for enlisting as there were enlisted soldiers. When James talks about even as relatively narrow of a group as "WWII American soldiers," he's still talking about a very large group of real and diverse people and to make such broad claims that "most" or even "a lot" of them were just so taken in by strong german physiques or whatever is frankly insulting. I haven't watched the entirety of James video so maybe he does address this at some point, but from the clips I've seen it seems very generalized and implies some level of racism when WWII soldiers in fact included a lot of racially diverse people. IDK, i think if you're a supposed historical researcher and you're making a video about WWII and you don't know about groups like the Tuskegee Airmen or the Navajo Code Talkers, that's on you. I don't want to discount some of the really horrible shit that American (and obviously other countries) soldier's did in the war and how many of them held disgusting views (even my grandpa who I love dearly was not the most politically correct person to put it lightly) but Jame's claims are not criticizing any real ideology or the consequences of them, they're oversimplifying complex and harmful historical ideas and attributing them to something he pretty much made up. I'll also give you a little hint about something. When people fall into Nazi ideology, it's because they ultimately agree with the ideology, not for some surface level aesthetic reason of "fitness" or whatever. They are antisemitic, they are racist, they are eugenicists, plain and simple. They don't just think the Nazis are cool except for all their beliefs. I also think (and again I could be missing a part of the video here) the hyper focus on the Germans and the Soviets and not mentioning Italy is at the very least an oversight too. Mussolini, like Hitler and Stalin, had a pretty big campaign of promoting an ideal strong race which he tied to ancient Romans. Like this was also a country controlled by a fascist dictator that American soldiers fought in idk it just seems weird to me to leave it out. (okay edit i looked up the transcript and he does talk about Italian fascism a little bit but only about how Mussolini rose to power, nothing about his ideologies or anything really related to the main topic of body image).

And one more thing on that note that bothered me a lot. I think his claims about HIV/AIDS is probably the most well-known here on tumblr and has been pretty thoroughly destroyed by this point, but I do just want to say one more thing about it which is that AIDS isn't gone! I feel like they way he talks about it from what I've seen of this video makes HIV/AIDS sound like a problem of the past now that we have drugs for it, but that is just not the truth. There are still tens of thousands of new infections in the US each year and way more globally and yes, people do still die from it. I just don't like when people talk about AIDS as if it's this problem of the distant past, a separate era that people went through in the 80s rather than an ongoing epidemic that still does not have a cure. Safer sex, clean needle usage, and getting tested are just as important now as they were in the 80s and 90s and don't forget that.

#hbomberguy #todd in the shadows #james somerton #youtube

[freakoont]

Before the Summer Ends...

Featured content: Bungo Stray Dogs Characters: Atsushi Nakajima, Osamu Dazai, Ranpo Edogawa, Akiko Yosano, Edgar Allan Poe GN reader

Headcanons of what YOU and your favorite character are doing before the Summer ends...

Atsushi Nakajima

You guys probably did some lively outdoor activities

This can include taking your pet cat weretiger on a walk🥺

I honestly can't help but see you guys going fishing at some point🤔

you guys created a kite together and definitely tried flying! But it failed the first time :(

Don't like going outside? That's okay, you guys would also stay inside and tried making s'mores together!

If it was him deciding the date during the summer, he probably went on Google and looked at those "75 Fun things to do over the Summer" pages

Kyoka definitely joined you guys sometimes, like when y'all are taking walks haha..

Imagine you and Atsushi were together and he suddenly got the confidence to kiss you and then Kyoka shows up💀 SHE WASN'T TRYING TO RUIN IT

Atsushi is the father, you are the mother/second father, and Kyoka is your child

Osamu Dazai

He's definitely the type to wake you up at 4 in the morning to randomly tell you that y'all are going on a road trip💀

NO FURTHER EXPLANATION JUST PACK AND LEAVE

he took you guys to a hill to have a nice picnic and see the scenery

But soon tried to have a double suicide with you there... That bastard😒

OML HE WOULD DEFINITELY TAKE YOU TO A GIANT MUSIC FESTIVAL

I think he'd also take you to explore Yokohama a little more. He definitely knows the city well so he'd know the right places to take you

After all the crazy stuff, he's going to just stay on the couch and not move whether you like it or not. I mean, you can cuddle him of course. He's just too tired to move

Watch a movie/Reading a book/Writing an article/doing whatever while he's laying his head on your lap PLAY WITH HIS FLUFFY HAIR

Oh, let's not forget you guys are doing SUMMER EDITION pranks on Kunikida.

Messing with his schedule SUMMER EDITION.

Ranpo Edogawa

He doesn't want to go anywhere >:(

It took a lot of convincing but you guys went to the beach together

But he's just going to sit under the umbrella eating a Popsicle

OR HES BUILDING A SANDCASTLE

WATER GUN FIGHT.

Watching a movie while he's eating all the snacks and sharing like 10% of it

You guys are watching classic Disney movies. like Nemo, Toy Story, Rapunzel, etc.

Fun board game tournaments he always won in the logic and strategy ones😭

OMG YOU GUYS WENT TO THE AQUARIUM WITH POE😳 threesome when?

If you try taking photos together during the Summer he'll either tell you to hurry up or whine and refuse because he thinks it's boring and a waste of time😒 but he'll do it in the end just for you

Akiko Yosano

GOING SHOPPING TOGETHER❤️

SUMMER FASHION MONTAGE.

Taking walks near the beach while holding hands

You guys went to an art museum together and bought some souvenirs for eachother

Making a summer playlist of eachother

Going on a picnic while watching the sunset/sunrise

You guys tried making homemade ice cream.... It was a flop😭

WINE TASTING EVENT BETWEEN YOU TWO

let's be for real.... Y'all went styling to a casino and had fun

Edgar Allan Poe + Karl

The most obvious would be you two cuddling with maybe Karl joining it took a lot of convincing for Poe to do it.

PLAY WITH HIS FLUFFY HAIR. I REPEAT. PLAY WITH THE FLUFFY HAIR. it makes him feel all warm inside🤭

Since he came from America and doesn't know a lot about Yokohama, you're his free tour guide (or payment is just kisses and cuddles)

He probably doesn't want to do top much outside honestly

Making a romantic dinner together🥺

He's reading you his poetry����😳

You guys tried doing dancing together while some music played in the background

He went to grab something from the groceries real quick so you and Karl just partied and did father/mother son activities together in under like 15 minutes

He DEFINITELY had to ask Ranpo for help on what to do. Ranpo is like "idk do whatever ig" WHICH DID NOT HELP😭

#bungo stray dogs #bungo stray dogs x reader #bungou stray dogs #bungou stray dogs atsushi #atsushi x reader #atsushi nakajima #bsd atsushi #bsd #anime #x reader #character x reader #bungou stray dogs dazai #dazai x reader #dazai osamu #headcanon #bsd dazai #bungou stray dogs ranpo #ranpo x reader #ranpo edogawa x reader #ranpo edogawa #bsd ranpo #bsd yosano #yosano x reader #yosano akiko #bungou stray dogs yosano #edgar allan poe #edgar allen poe bsd #edgar allen poe x reader #bsd edgar allan poe #bungo stray dogs poe

[aaronsrpgs]

A Worksheet Manifesto (Rough Draft)

The Worksheet Manifesto is an attempt to explain why I'm moving my game design toward something I can print for free at the public library and give away. It's not a scold or a call to action; I buy full-color zines and hardcover books, and I support people charging for their work. This is a personal manifesto—an exercise in self-exploration.

The first reason I pursue this is ACCESS. I want people to be able to find and play my games. (Accessibility is maybe a better word for this, but I don't want it confused with the process through which something is made easier to use for people with disabilities.)

Some of the main barriers I've seen are financial (someone can't afford my games), technological (lack of computers and/or printers makes it more complicated to read my games), and international (shipping to someone outside the U.S. is prohibitively expensive).

Combining these three elements, I realized I wanted my games to be cheap or free. The common "community copies" solution on itch.io is much touted, and for good reason, but as I tried explaining the process to friends who weren't familiar with the site (or who flat-out aren't tech savvy), many responses were confused or frustrated. So I've set most of my games to pay-what-you-want with a suggested price.

Going from computer tech to printer tech, my most recent games were laid out in black and white, without ink-sucking textures (although some still have large spots of black in the art--something I continue to consider). Many American libraries offer limited free printing, and I always hope people will "utilize" the printers at their jobs or schools. I want people to be able to easily print out my games and share them at the table or pass them to friends.

And more selfishly, I hate dealing with fulfillment and shipping. It's stressful for me, it requires money up front to print things, and I'm bad at it, which means shipments go out slow, or not at all if someone lives outside of the U.S. Creating a file that's easy to print hopefully encourages people to create their own copies.

These cheap print copies also hopefully contribute to a feeling of DISPOSABILITY. I grew up with comic books, magazines, newspapers, and mass market paperbacks, and I think these cheap, short slabs of culture helped them feel like someone could engage with them without having to be fancy or educated or in the know. (A lot of us gatekeep ourselves!)

Prices for RPGs, like so many nerd collectibles, have steadily risen at least since the start of the pandemic. Crowdfunders often capitalize on FOMO, encouraging people to go all in on deluxe hardcovers with fabric bookmarks or whatever. And if my experience working at a used game store is anything to go by, lots of those fancy editions go right onto the bookshelf, unread. Don't want to break the spine or get fingerprints on it!

And I guess I'm just against consumerism? If someone wants a nice thing, I hope they get it, but a culture of games as luxury items and status symbols is not something I'm interested in.

So if someone has a game of mine and they don't want it anymore, I hope they pass it on, put it in a little free library, or recycle it.

And those dirty little printouts of my games? I want people to touch them and write them. I want TACTILITY. This is partially a usability issue: 300-page hardcovers are hard to find information in, and they're heavy if you have to lug them to a friend's house.

So I try to design games where everything a player (including the GM) needs is on, at most, three sheets of paper. I want them to be able to spread a couple pages out and take in the shape of the game they're about to play. I want them to circle things and make notes in the margins. Moving a pencil around does wild things to your brain, the same way that picking at a guitar or molding clay does. It focuses attention in interesting ways.

And in the end, you hopefully have a personalized article of play. And if you spill beer on it, no one's worried about replacing that $50 hardcover.

Speaking of beer, I want my games to be available to and contribute to COMMUNITY. As the pandemic started, I retreated into lots of online spaces, and those were absolutely vital to my survival. But I lost touch with lots of my friends and acquaintances in my city. I want to reconnect with them.

One of my favorite cartoonists, Mark Connery, is known for drawing little zines and just...leaving them all over. Coffee shops, art galleries, bathrooms. And when I think of him, I think of an artist responding directly to the places around him. Is it sad that some of this work is probably "lost" to all readers other than the person that happens across the zine? A little bit. But I think that comes from a bad part of my brain, the part that wants to own things.

I certainly don't want the entirety of my own work collected and widely distributed. Some of those things were specific responses to specific times that I've moved past. Some were bad! But I want to keep responding to my specific times and my specific place. I want to give things to friends (even if they just pass them on or recycle them). I want to give a game to someone at a zine fest and have them recognize my name from a zine they read in a coffee shop bathroom. And maybe they'll give me a zine in return.

My last hangup is MODULARITY. First, similar to tactility, I want to be able to give a player only the rules that matter to them. Character creation and basic rules? Here's a page. And once you're familiar with that and we've entered a downtime phase, here's a page with those options. You want to start a farm? Here's a page. I want it to feel like printing coloring pages for kids or ripping out my favorite magazine articles. These are the parts that matter. And if they stop mattering, you can get rid of them.

But I also want modularity on a system level. I want to add a subsystem to game as I think of it. I want to throw in an adventure pamphlet when it comes to me. I can keep them all in a little box, like a care package from my past self, and when it's time to run a game, I can dig around like a verminous animal and build my nest out of the best bits.

In CONCLUSION, I want to reiterate that this is a personal practice, and I'm not criticizing people who work differently. I used to work differently, and in the future, I'll probably work differently again.

This is simply the way I've identified what's important to me, set that up against the things that cause me to stumble, taken advantage of the privileges I have, and tried my best to bring that all together in a way that keeps me excited about my own work.

#ttrpgs #indie ttrpgs

[hollytanaka]

I’m mostly typing this for myself to help process and organize my thoughts but… feel free to read if you want, especially if you have been annoyed lately too.

I’m cutting my ties with Call of Duty as a fan of the games.

Prepare for my unsolicited thoughts under the cut:

This game has always had shady politics and racial discourses. This is known, lol. It has always depicted Arabs, Eastern Europeans, and Latin Americans as caricatures, even if sometimes they sometimes succeeded in portraying their countries as being the victims of European and U.S. imperialism. But in light of the rapid intensification of violence toward Palestinians with the genocide in Gaza, this tendency just leaves a worse taste in my mouth. While the gameplay and plot structure for the new BO game next year will probably be better than MWIII, I have low hopes with how they’ll portray the goddamn Gulf War. The fact they've added an Israeli operator called "Doc" to MWIII in this particular moment in history tells me all I have to know about where Activision stands as a company.

Furthermore, the last Modern Warfare campaign was so bad, it just signaled to me once and for all that Activision does not care about the future of their games or the legacy of any of their previous good games. I’ve mostly been playing Zombies, not even traditional MP / Warzone. But even then, it’s easy for me to get burnt out playing Zombies. And Zombies is not worth the 100 dollars I paid thinking the campaign would be more enjoyable. And season’s 1 battle pass that came with the 100-dollar edition of the game is awful in my opinion.

Not to mention, the voice actors of both the Modern Warfare and Black Ops series have been either totally racist or highly indifferent about the genocide in Gaza. First, Barry Sloane's tone-deaf Beatles post about "peace" he posted on October that he quickly deleted was more insensitive than I think he even realizes. Samuel Roukin liking a racist article that equates calls decolonization as a "false narrative" was despicable. Of course, that article targets Palestine specifically in its racism, but it also indirectly charges all Third World countries with its accusation of their independence and claims to sovereignty as being "a false narrative." As someone who is of both Latin American and Asian descent and whose countries of origins had to fight for independence more than twice (!!), I cannot accept that.

Then Claudia—a woman of Lebanese descent—and Elliot—a queer black man—encouraging and offering condolences to an ex-IOF soldier was downright evil. The IOF actively bombs Lebanon as part of their current genocidal campaign. It has waged brutal wars against the Lebanese people in the 1980s & 2000s [x] [x]. And it has carried out both anti-Black violence [x] and sexual violence—including against Palestinian men and women [x] [x], and it engages in its frequently-exposed pinkwashing [x]. Rather than allying with Lebanese, queer, and Black people who have been victims of Israeli/Zionist violence, Claudia & Elliot as people with major platforms instead are disappointingly choosing to legitimize Zionist propaganda.

I don't know a lot about Julian, Warren, Neil or Alain's stances on this genocide, but I never take silence in the face of genocide or war to be a good sign. Lastly, since Oct 7, María Elisa Camargo (more like caga'o) posted her support for Israel, equating Palestinian existence and resistance with "terrorism." I already did not like her for engaging in indigenista discourses and tropes and for seemingly being very nonchalant about playing the role of a narco-terrorist, trying to girl-bossify a very real source of fear & terror to contemporary Latin American and Mexican people's lives. This was not surprising for her, but it's still worth highlighting.

In terms of Black Ops actors, the former actor for Frank Woods also made incredibly shitty comments in a live stream about the genocide, talking about a so-called "Middle Eastern mentality," (essentializing all Middle Easterners, really), practically equating all Palestinians with Hamas, and roughly stating that people keep on going further back in history to justify their acts of violence—and I'm sure he was not just referring to Israelis weaponizing the Holocaust to commit atrocities against Palestinians. Like many other people, he gives the impression that he dismisses Palestinians and Arabs as incapable of producing a coherent political thought, and that they only resort to violence out of instinct or because of their religion (which is a gross idea—Islam is not a religion of violence at all!)

Again, I didn't have much expectations for Call of Duty to be anti-Zionist, let's be real. But I see these actors as creatives whose literal jobs are to empathize with other people's stories and experiences as part of their work. The fact that they're trained to put themselves in another person's shoes but are incapable of putting themselves in the shoes of Palestinian people right now, when nearly 20,000 have been recorded as killed—and many more injured or displaced—is very telling.

Anyone who knows this blog knows I have formed a lot of beef with other COD blogs for stuff like fanfic tropes, sexual politics, and about the idea of watching playthroughs vs. playing the game. For once, I'm actually relieved and oddly glad most of this fandom has rallied around the idea that Palestine is not the villain, and that we almost all understand that what Israel's doing is unacceptable, and that these actors and creative industry workers have a duty as humans to stand with victims of genocide and to call out crimes against humanity. For this, I actually have to commend this fandom. We're so trivial about shit like fanfic tropes and headcanons, but I'm glad we have our heads on straight for things that truly matter—like real life war and mass violence.

Honestly, the last straw today—although much minor in its gravity compared to genocide apologism—was Barry's childish behavior toward COD fans on twitter who expressed that they agreed with Christopher Judge's joke at The Game Awards last night that the MWIII campaign was too short. You do not get to talk down, mock, or be childish to your fans when they give you feedback on a public platform as an actor. Judge did not even attack the quality of the game or the VAs' performances—he only joked about the game's super short length. Yet, Barry chooses to act out on Twitter because of these harmless jokes. He seems to care more about protecting his ego as "Captain Price's actor" than about the quality of the game or story that fans are receiving and sometimes paying upwards of 100 dollars for.

I thought to myself, okay, this is just one actor letting his ego get to him. That's not that extraordinary. But the fact that COD devs on Twitter today also starting getting defensive about the jokes and trying to excuse the shitty game they produced? That truly showed me that the horrible launch of the campaign and of MP that happened with MWIII was not a learning opportunity for these studios or devs, but rather only made them stick their heads further up their own asses.

I have little faith in this franchise and honestly am not enjoying it, both in terms of game play and the political discourses coming from its creators. After the Season 1 BP is completed (because I fucking paid for it—sadly), I will be planning to uninstall and shelf the game. If I ever play a COD game in the future, it'll be after it goes on a sale because I won't be paying full price. But the thought of giving this company any more money turns me the fuck off right now.

I also realize I'm co-admin for @dailycallofduty and I will still be participating in running it. I'll be promoting the actors' signings less and promoting the game's new content less. Nonetheless, I'll still be reblogging posts that dailycallofduty is tagged in, like art, graphics, and gifs. On my personal blog, I'll still be reblogging COD gifs that I'm tagged in by friends & mutuals. Just don't be expecting more gifs from me. Not that there were many great scenes to make gifs from this new game anyway.

If you made it this far, thanks for reading.

Here are some useful ways to advocate for Palestinians:

Donate to Doctors Without Borders, where in Gaza they are providing medical and psychological assistance to people affected by the ongoing conflict.

Tell Congress: Support the Ceasefire Now Resolution (call now w/ a script)

Donate to Palestine Legal, an org dedicated to defending and advancing the civil rights and liberties of people in the US who speak out for Palestinian freedom.

Donate to National Students for Justice in Palestine, which supports over two hundred Palestine solidarity organizations on university campuses across occupied Turtle Island (U.S. and Canada).

Read DecolonizePalestine's Reading List to expand your knowledge on all things Palestine

Find a Palestine Protest near you.

Support the BDS Movement, a Palestinian-led movement for freedom, justice and equality that calls for Boycott, Divestment and Sanctions against Israel until it complies with international law and universal principles of human rights.

#mari.txt #cod #call of duty #cod discourse

[passerkirbius]

Rusty Quill Saga - 24 Hour Follow Up

Hi everyone! I appreciate all the new follows! Might actually get me posting more about stuff!

So, it's been about a day since I posted my response to the Rusty Quill article, and reading some of the tag comments I wanted to respond to a couple, again in the interests of helping those who aren't within the audio fiction community get a little context that you might not otherwise have had.

But I also wanted to put my cards on the table - why should you listen to me? Hi! My name is Lee Davis-Thalbourne, I'm Australian, and I'm one half of the Fiction Podcast Production team Passer Vulpes Productions. We're the creators of a number of fiction podcasts, including Love and Luck and Supernatural Sexuality with Dr. Seabrooke. I also have a reasonable resume of small VA roles with a lot of different podcast production teams, I have a history of theorycrafting around podcast production, and I'm currently engaged in some part-time independent research around fiction podcast production that, if people are interested, I might actually get around to finishing one day. Myself and my partner Erin were the founders of AusFicPodMakers, which was/is an informal group supporting audio fiction producers in Australia, and as part of that support, I currently curate a list of Australian Fiction Podcasts (which I encourage you to take a look at!). In terms of affiliations, PVP is not associated with any podcasting network (though a few have knocked on our door), and I'm not currently producing audio fiction right now - I have no projects on the boil, so to speak.

So, I think I can say, with some evidence, that I'm a part of the audio fiction production scene, that I care about audio fiction in general, that I might have some thoughts worth listening to about it, and that I'm a mostly disinterested party regarding this - I have no particular stake in Rusty Quill's fortunes one way or the other.

Tag Responses

Okay, so I wanted to quickly respond to a few of the tag comments that have popped up in response to yesterday's post, mainly because I feel like it's worth expanding on some of them:

#i also feel bad because i was always kinda wary on tma2#now it feels even more like a cash grab

Look - as a podcast producer, I can respect a cash grab. If you can grab that cash, I'm a strong believer in doing so, because making audio fiction without cash is kinda sucky. It's like any other big endeavour - when you get nothing out of it, it eats away at you. That's part of the reason why PVP isn't producing at the moment - We tried to scale up to multiple productions and it damn near killed us. We weren't really getting the income we needed to do more than just barely break even - we, as producers, weren't making a dime off of our podcasts, even with Patreon and crowdfunding. Rusty Quill is actually an extreme outlier regarding their ability to get cash from their audiences. How extreme? Well, before the TMA2 kickstarter, the most successful Audio Fiction crowdfunding campaign was Unseen, from the producers of Wolf 359, one of the seminal audio fiction shows of the modern audio fiction renaissance, and it hit a little over US$40,000. Which, just to note, was significantly higher than any other audio fiction crowdfund project before it - very few audio fiction crowdfund campaigns get more than around US$5,000-10,000.

So, sure, it's a cash grab. It might still be good anyway though! Don't disregard it just because they're making financially-dominated decisions.

#Adding onto this while the evidence isn't conclusive (because as many people have said it is conjecture and opinions and stuff)#and also the author's credibility is...in question

So, first things first, Newt Schottelkotte is an extremely credible journalist in the Audio Fiction space - they've broken a number of big stories, and written a lot in support of the audio fiction production scene. Wil Williams, who helped edit the piece, is also a highly respected critic and journalist within the space, while Tal Minear is a very prolific audio fiction producer of good repute. Personally, I have absolutely no concerns about their integrity or credibility - they've all done incredible work.

But it is worth noting that Audio fiction is kinda odd, in that journalists, critics and producers all pretty much come from the same group of people. The honest fact is that Audio Fiction, as a beat, has pretty much no prestige, there are (currently) no publications that are dedicated to audio fiction coverage, and the whole sector is mostly considered an afterthought to the real podcast industry. So, the few people who do create audio fiction meta-content, even if they begin as separated from the industry, don't stay separated for long - they will start making contacts with producers, they may start finding people offering cameo roles in shows, and eventually, they'll consider moving into podcast production. If your requirement for a "credible" voice within audio fiction journalism is one that has absolutely no connections with any actual production, I'm sorry but that ain't happening - the scene is too small, and people move between production and commentary so often, that "true independence" isn't a thing.

With that said, these journalists do a lot to make their affiliations visible up front, which is the other way to manage conflicts of interest within the scene - by declaring them. I'd be a lot more suspicious of a journalist that doesn't put their affiliations up front, honestly.

The Rusty Quill Response

So, I wrote yesterday that I wasn't expecting a response from Rusty Quill for a good three days - they are a group, it takes time to coordinate a response, I figured I could relax for a bit. However, Rusty Quill has already produced a response, and that alone says something - it says that a single person has dictated this response. Considering the record speed, I also doubt that it has been looked over by anyone else. Knowing these things, I find it very likely that this is Alex Newall's response specifically, speaking for Rusty Quill, rather than one that that the leadership at Rusty Quill has worked on together.

I'm not going to go through the whole thing point by point - I don't have the time, and this post is already too long for most Tumblrites to consider going through it. But on a more general level, I find it interesting that the response contains not a single link, not a single pointer towards contrary evidence. Almost certainly this is due to the timeframe - were I in RQ's position, I would be going through our paperwork to find some boilerplate contracts to provide some counter-evidence to the article, or providing some financial details to show where the money is going, but finding, redacting, and publishing these things takes time. RQ has done none of this, and this isn't necessarily a point against them, but it does mean that Rusty Quill hasn't done much more than shout "Am not!" into the audience.

To talk about one specific point, I also find it interesting that, having been attacked on the subject of crew pay rates, they talk about how their cast have very good pay rates. This might be true, I don't have the resources to fact check that, and I hope it is - actors do deserve pay. But it is worth noting that actors are on a production for very little of the time - it's the editors, sound designers, musicians, transcribers, etc who put the most time on to a production. In general, you'd expect that the crew would be getting more money than the cast, because the crew is going to be putting in more time (although, fair's fair, the vast majority of audio fiction out there doesn't do this, because the only "crew" is the producer, who is usually financing the production out of their own pocket).

Questions?

So, I figure that if I'm putting myself out there, I might as well offer the opportunity for people to pick my brain. Have a question about Audio fiction production? Want to hear my explicit comments about something someone has said? My asks are open, I'll do my best to come back and answer any asks that come my way.

#tma #the magnus archives #the magnus protocol #rusty quill #rq #industry explainer #audio fiction

[dissociativediscourse]

Since I got blocked by someone for no reason after trying to explain it earlier, thought I’d make a little post to clear this up, complete with sources! CDD is not a term meant to cover all dissociative disorders (Hence, “Complex”. It’s meant to distinguish DID et al. from things like DP/DR, dissociative fugue, standalone dissociative amnesia… et cet.) , and spitting vitriol at people who use that term for no reason is distasteful and shows that you don’t actually desire to fight misinformation, but instead to impose your fight response onto innocent bystanders. Don’t worry, I’ve been there, too. Trauma responses suck. It still makes you an asshole, though, just as much as I was one when I would do the same.

(A note, this user is not one I had seen in syscourse before today, and I was planning on this being just… Me dropping in, ignoring the rest of the vitriol, and maybe leaving behind a morsel of positive vibes and a tad bit of corrected misinfo without actually being combative about it. Another note, dear fuck, was it a lot of hatred and vitriol. This was on an opinion post about how one person believed that endos are inherently ableist, and I guess someone used the term CDD in the comments, which led the same user as well as another user to pull out all this (very rudely worded, might I add) mishegas about ‘don’t refer to me with your new terms!! i am a DID system not a CDD system!!’ and then ‘yadda yadda, CDDs are all dissociative disorders and don’t mean just the system ones yadda yadda.’ This ticked me off a little. Directing that kind of behavior at other people is unacceptable, especially considering you’re not even correct!! So I left a warm-spirited comment something along the lines of “Just so you know, CDD does just mean DID/OSDD! It can be muddied up and confusing sometimes, but it is used at least colloquially among specialists/professionals, and is referenced in some clinical research and peer reviewed writings as well. It’s really just shorthand that’s more succinct!” And when I replied a second time with some sources to help out (no room in the first comment), to my surprise… Blocked! So… Lmao. Here we are, I already had all these sources ready, so why not. Also, if you see this, person I will not name, try to think about why you are so reluctant to accept new information that does not fit your worldview, and why you have to be so… Nasty? About it. I get you’re young and you’re traumatized, just like most of us. You’ve got to learn how to work with others in a productive way. You’ve got to learn how to mitigate that vitriol. It’s not healthy for you, and I promise you you will regret it later on. Sooner than you’d think. I know I very much regret the way I used to behave.)

Very clear on the definition, also a very useful read in general: https://bmcpsychiatry.biomedcentral.com/articles/10.1186/s12888-022-03970-8

“DID and the closely related Other Specified Dissociative Disorders, example 1 (OSDD), where similar disturbances are observed without meeting the full clinical picture of DID, are commonly categorized as Complex Dissociative Disorders (CDD)”

(This is followed by a citation, which links to “Dissociation and the Dissociative Disorders: DSM-V and Beyond”, edited by Paul F. Dell, John A. O'Neil.)

This one’s similar: https://pubmed.ncbi.nlm.nih.gov/35695685/

“Complex dissociative disorders (CDD) include dissociative identity disorder (DID) and the most common other specified dissociative disorder (OSDD, type 1).”

Another one: https://www.tandfonline.com/doi/full/10.1080/15299732.2014.949020

“There is a paucity of empirical data to assist clinicians in choosing interventions to use with patients with complex dissociative disorder (DD; i.e., dissociative identity disorder and dissociative disorder not otherwise specified) at different stages in treatment.”

I could continue, but I think the point has been made.

Spitting vitriol helps no one, firstly, and secondly, I’m honestly quite appalled at being randomly blocked for (very cordially, might I add) offering an explanation of what the term CDD meant — which you had improperly defined in your comment. Considering the rudeness with which you spread misinformation and the venomous nature both of you involved seem to have exhibited throughout that exchange, it’s plain to me that your interest doesn’t lie with actually being correct. You just want to be pissy at people.

Again, I was once there. Exactly the same spot you’re in. And then I grew up.

I hope therapy treats you well.

#syscourse #Is that really what I used to be like? #I am very sorry 😅

[loquaciousquark]

Mulling over the news about the upcoming Patch 2 and trying to decide what I want to do here. I'm very, very close to the end of the game--just the dragon quest, Orpheus, and assaulting the Elder Brain left--and the news about the epilogues has me wondering if I should wait to finish until after Patch 2 drops, since IGN suggests it's coming out this week. (I mean, I played ME3 both with and without the Extended Edition DLC, and knowing what came first helped me much more deeply appreciate what came after, but...hm.)

I'm also trying to figure out what exactly is being suggested with this new Karlach content. The Steam post says it's a "more fleshed-out" ending that many have been asking for and that it's a "new optional ending" that's "fiery, poignant, and gives her the ending she deserves." The IGN article quotes one of the devs as saying "it will make a lot of people happy," which...what's going to make them happy other than an implication that her heart can be fixed permanently--but also, what's poignant about that? Hmm.

I don't really care about the Minthara stuff (sorry Larian), but I'm very interested in the expanded epilogues being suggested for the rest of the party. What Larian says on the Steam post, that they were sure fans wouldn't want a long epilogue in a game where you can complete so many quests in so many ways, is silly to me, but regardless, they seem to be addressing it, and I won't argue with more content letting you know how you've affected the world. It's also not clear to me if this patch is going to include new/expanded epilogues for everyone or if Karlach is just first. I've also read about the bugs with the LI post-epilogue scene not triggering unless you let Karlach die in the final battle, and I'm curious to see if this fixes that. Not that I'm exactly over-eager to get Astarion's at this point, ha--though whatever happens there will shape my post-game oneshot, for sure!

It doesn't really matter to me if they add the Upper City back in; I've been reading some of the original material (ads, trailers, and such), and frankly I think people made a lot more of a few throwaway lines than they should have, and I'm not sure that's Larian's fault. I don't even really want another area to explore in Act 3; what we have is plenty! I do think Cazador's palace's entrance is dumb, but meh. Not exactly a dealbreaker. So that they say here that they never meant the Upper City to be more than something to fight through in a climactic battle--fine, sure, good with me.

I am super glad to see performance in Act 3 especially is being addressed. I've had to restart the game for fps drops there more than any other place--it felt like almost every two hours sometimes. I found myself actively avoiding saving because it seemed like every time I saved, I dropped five fps. It'll be good to see that section run more smoothly.

In other news regarding my actual game progress, I finished the House of Hope the other day, and that special fight song at the end has been stuck in my head on loop ever since. I really, really loved that song & how they used it, and I'm going to go listen to it again now.

(I also got the Devil's Fee woman the Gloves of Hill Giant Strength to complete that quest, then stole them right back out of her back pocket and gave them to Karlach. For as generally altruistic as Tavish has become over the course of the game, some habits die too hard, and some items are just too shiny.)

#bg3 spoilers #baldur's gate 3 #quark plays bg3 #karlach #patch 2 #tavish gale

[everygame]

Well, I absolutely did not expect it to take an entire year from exp. 2600 to the next issue, but such is life, honestly. Either way I'm terrifically pleased to announce that exp. 2601 will be debuting this weekend as part of Spring Online Canzine 2024, Canada's premiere zine festival running April 13th to 21st. 

This issue covers the eleven games released for the Atari 2600 in 1978, with essays on Space Invaders and the year 1978 to provide context. Even if you're not particularly interested in the Atari 2600, I think there's a lot in here for anyone interested in video games and their history, so I hope you'll check it out.

As with the first issue, exp. 2601 is being published in a signed, numbered limited edition of 52 and I'm also making it available as a PDF and ebook for people who don't want a little object, but still want something to read on an iPad or a Kindle with a bit more focus than they'd give to a webpage.

I am opening pre-orders here today, in advance of Canzine, so I can announce the issue with enough time to ensure subscribers know about it and are aware that they automatically receive 35% off in our ko-fi shop (including on new issues.) It's just $1 per month to become a subscriber, and you'll also get new articles a week early (as well as regular exclusive articles.) Physical copies will be sent out in the last week of April, with digital copies arriving as soon as Canzine begins.

In addition, and not to bury the lede here, for the first time since 2020 my ebook collecting the best of the original run of exp., exp. negatives, is also available for pre-order today, and will be on sale during, and only during, Spring Online Canzine 2024 (to reiterate: April 13th-21st).

If you don't have any of my available digital publications (exp. 2600, 2601, and negatives) I have also made a bundle of all three available for pre-order with a $2 discount for all (and if you're a subscriber, that stacks with your discount!)

I'd like to thank everyone reading this for their support across the years and let you know that there are more exciting things in the pipeline for exp. this year. Did you know it's been ten years since I started Every Game I've Finished? That fact might become important...

#gaming #video games #games #txt #text #zine #exp. #exp. negatives #exp. 2601 #canzine

[crisp-sweet-pink-lady]

So I finally got around to reading the first Unicorn Academy book, and it looks like the netflix series is going to be taking a lot of liberties. For one, in the books the titular academy is a well-known place that every child can attend once they turn ten, and from the trailer, it appears that the academy is more exclusive and, at the very least, unknown to Sophia. And according to this article, the characters have been aged up to teens.

Another big change is Sophia's unicorn, who in in the books is male and named Rainbow, and in the series is female and named Wildstar. Plus, in the books the unicorns can all talk, and that doesn't seem to be the case in the series.

The article I linked above also mentioned that there's going to be exclusive youtube content for the series, so I checked, and about two weeks ago the official channel started uploading preview clips. Right now there's a couple of scenes from the movie, including Sophia's big song (edit: it's actually a music video for what I'm assuming is the series theme song), and a "What's in Sophia's backpack" video, all of which I haven't watched. But there's also a couple of "Meet the Characters" videos that I did watch, and that reveals that Sophia's friend Ava's unicorn has had her named changed from Star to Leaf. Now, I get changing Rainbow to Wildstar, since Rainbow is a pretty generic unicorn name, but Star and Leaf are also pretty generic. But Sophia's the main character in the series, so she gets all the stars (literally; her character video mentions a star motif "follows her everywhere").

It looks like most of the unicorn names are going to be changed, as that article also mentions that a unicorn named Blaze will be Cinder in the series (and belong to an entirely different character than in the books). And in the process of writing this post I discovered there's already a website for the series which has profiles for the main characters and their unicorns, which reveal more name changes and unicorn swaps. The profiles also corroborate the aging up of the characters, as Sophia's profile explicitly mentions that she's fourteen.

#unicorn academy #unicorn academy spoilers #maybe? #I find these kind of changes fascinating #there's way more than I mentioned here of course #like apparently ava has to work hard to become sophia's friend while in the first book they bond almost instantly #I'll probably end up skimming through the rest of the available books at some point

[theneighborhoodwatch]

Hello! I wanted to say how much I love the wiki you created! It’s amazing, I really like how every character has its own page with their favorite colors. It’s a really nice detail, and I know the ton of work it takes to do something like this. I love Welcome Home and seeing people creating wikis about it makes me really happy! I also like seeing people having fun creating their own AUs and stuff, but I enjoy much more the canon content of WH and the original work made by Clown, so I really appreciate it.

Now… I want to reveal something and I hope you don’t hate me for this… But I’m one of the bureaucrats in the WH Fandom Wiki. I was accepted as a staff member there some time before the big website update that made WH skyrocket in popularity, and since then I’ve added a lot of info in the trivia, relationships sections, secrets and images in the galleries, because I adore Welcome Home and when I arrived there the wiki lacked quite a bit of information.

Wait! Don’t think I’m here to tell you off, to make you delete your wiki or something like that, it’s actually the opposite. I wanted to thank you because thanks to you and other people (and some incidents that have happened during the years I’ve been working in the Fandom wikis) have made me realize that Fandom as a platform has changed a lot for the worse and they don’t really care about the hard work the editors do in there. (As an example, they actually deleted all informational and replaced an entire article about a character named “Grimace” to turn it into a giant ad just because McDonald's payed them to do so and without telling anything first to the bureaucrat of the McDonald's Fandom Wiki. But there are more things that have happened.)

I’m going to be honest, I’m a bit lost about what to do right now. I’m even thinking on leaving Fandom, or at least not be as active as before, but I don’t want to leave the people that is in there or abandon all the work we’ve done either. But in the other hand, I think I’m doing something really bad by continuing visiting and helping in Fandom Wikis after knowing what Fandom/Wikia does and how much people hate them right now.

I joined Fandom Wiki years ago to know more about my favorite media and help as much as I can. This was a passion of mine, but now this stresses me out more and more every day.

Sorry about all the rambling. I just wanted to let you know that someone in the own Fandom WH Wiki is rooting for you and your own WH personal wiki, and that you helped me open my eyes. And sorry for sending this anonymously, I fear that people will figure out who I am in the Fandom Wiki if they read this.

well, first of all, thank you for taking a look at my wiki! i worry a lot about whether i'm missing anything, which is why i always ask for feedback whenever i put a new page up, so it's actually a bit of a relief to hear that other wiki editors think that my work is up to snuff.

second of all, i want to make it clear that while i have Many issues with fandom.com as a platform (i didn't even know about the grimace thing, but yeah, add that to the list) i don't resent any of its users. fandom.com was the most popular wiki-hosting site back in the day for a reason, after all - the userbase isn't responsible for the intrusive advertising or the unintuitive site design or any other number of poorly thought out decisions that led to the site's decline in quality; more often than not, the people editing each individual wiki are doing the best they can with the tools they've been given, and that includes you.

i'll be totally upfront with you: i know i've mentioned being a bit disappointed with the fandom.com WH wiki in the past (and to be clear, most of that just comes down to personal taste) but one of the first things that stood out to me as a positive back when i first went through it was that it was extremely thorough in its citations, to the point where i actually used it as a reference for sourcing almost all of the trivia currently on welcome to welcome home. if that was all you (or, all 200-ish of you, if i remember the wiki server's numbers correctly) AND you've been beefing up other sections of the wiki at the same time, then you have every right to be proud of your work!

if you still want to move to a new platform, but understandably don't to lose any of what you've written so far, i would suggest floating the idea of moving everything you have now over to another wiki-hosting service (i.e. mediawiki or miraheze) to your fellow editors. in the event that this is too much to move all at once, you can also use breezewiki to try to make fandom.com pages less clunky.

good luck! and thank you for the well wishes; i hope things start looking up for y'all soon.

#anonymous #ask