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#also tragic gays who will never have a happy ending
strelitzien-gewaechs · 8 months
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davesport cos im back in the fucking building (obsessed w dayshift at freddys again)
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monsterblogging · 2 months
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"I know JK Rowing is a terrible person but her books are so good-"
You sure about that?
I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.
Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?
And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?
Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.
Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?
Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.
Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.
"But the characters are so good!"
Are you kidding me?
Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")
"But the rest of the worldbuilding!"
Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.
I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.
Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.
The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!
But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.
Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.
If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.
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Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.
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nonegenderleftpain · 2 years
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To all the new, young MCR fans out there who are just finding them during this tour - you will never know what it was like to be a fan back before and during the hiatus.
And that's a good thing.
I have been following My Chemical Romance since I was ten years old. MCR was the band that the freaks liked. The band that young queer kids were called fags and dykes for liking. Someone once called them the "poster child for suicidal depression," and they aren't wrong. We watched the band struggle with drugs and drinking and idolized how much they were able to do while blackout on tour, because if they could do something so powerful at such a disadvantage, then maybe we could, too. We watched the popularization of "guyliner," because having a term for men wearing makeup could make it an ironic fashion statement instead of a deliberate choice that would get you left bloody and unconscious on the floor of a gas station bathroom. We watched these guys destroy themselves, and we saw ourselves in them because we were destroyed, too. We wanted to believe that we could be just as important, no matter how broken we were, and we found shared experiences at concerts and cafeterias and skate parks and libraries, with other fucked up kids that wanted to listen to the guys that didn't care if people called them gay. The guys that made out on stage to the jeers of thousands of people and got bottles of piss thrown at them but kept doing it anyway. The guys that played with gender and sexuality and everything on the fringes of acceptability, in their lyrics and their performance and the way they treated each other.
This was important. It was life-saving. It provided a comparatively safe space in an unsafe cultural environment for the freaks to find comfort in. It was also hugely and dangerously unhealthy.
I've talked at length to my friends about how healing and lifechanging this tour has been for me, and I want to illuminate that for these young fans that are falling in love with MCR like I did when I was their age. When we were kids, most of our heroes were already dead. They died young, had tragic lives, and we saw ourselves in them. I fully believed MCR would end up the same way. It would have been so easy to be martyrs - to die young and beautiful. Gerard said it himself, back in the day, that MCR was destined to die young in a car crash and stay beautiful forever, and I think he truly believed that.
So they broke up. And, like a miracle, things started to change. They got clean. Got married. Had kids. Not just Gee, but the lot of them. They aged out of the 27 club, and then out of their 30s, and they only seemed to continue to thrive. Today, in 2022, Gerard Way is 45 years old. He has wrinkles. He has a daughter who is older now than I was when she was born. And they are touring again.
The cultural change from when I was a teenager to now, when you guys are, is monumental. It's insane. It's fantastic. Back in the day, Gerard made some occasional comments about playing with gender presentation (that all us trans people, including those of us that didn't even know yet, hunted down and cherished and kept in our chests for safekeeping), but the idea of doing something so flagrant as headlining Riot Fest in a dress was ludicrous. It would have gotten him booed (still did, even now). It could have gotten him killed. The fact that Gerard Way has stepped on stage three separate times this tour in a dress (so far! it's not over!) is such an incredible, monumental change from when I was a kid and I am so, so happy for you to be experiencing it as kids.
I had a cry about this at a P!ATD concert in 2018, after seeing preteens running down the halls in pride flags, and I feel even more strongly about it now than I did then. That you're able to talk openly about Gerard's gender performance without fear, that you're able to hear them go by he/they pronouns, that you're able to interact with other young fans in the wake of MCR's revival in a safe environment and take in the messages that are at the core of what they stand for? These are beautiful fucking things.
You can't know what it was like, growing up with MCR back in the day. But you get to know what it's like to grow up with them now. Cherish that. In Detroit, Gerard told us to take our meds, and reminded us that we made it. They made it. They fought through the hard parts, fought the demons, and came out the other side better for it. As you watch them put those demons to rest from concert to concert, know that there are older fans cheering you on, so fucking happy to see you sharing this experience with us, and so excited to see what way this changes you. We know it changed us.
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henry-fox-biggest-stan · 11 months
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Can I talk about how much I love the fact than Nico is in a happy, healthy, long-term relationship, but than also, he had a crush before, for years, than just didn’t work out, and these facts coexist?
Because Nico, as a queer character from a children’s book, is incredibly important. Hundreds of people (like myself, for example) saw themselves for the first time on Nico. He was the first character like them they met, the first one than made them realize than people like them also belonged on books, and than they could find friends and people who would accept them.
I hate the fact than when it comes to lgbt representation, it’s either “the first same sex crush this person had completely worked out and they began to date and they married and had three children and four dogs together” or “this character has no comfort at all in all the story, they had a crush than could never work out because they’re gay and their crush is normal straight and their crush will live happily ever after in a relationship and they’ll end up alone and/or dead.”
There’s no variety. I loved how Nico showed a young gay person having a crush (at 10 years old to around 13) and that crush being unrequited, and that being sad, but having another crush in the future (gay people can have crushes on different people at different times, gasp. Maybe it’s just me but I don’t really see it a lot on media, it’s always the first love than gets shown) than do works out, and he is happy and in a long term, healthy relationship.
That is realistic.
Nico is a tragic character, but he doesn’t have a tragic ending. Usually when a queer character is tragic, they also has a tragic ending. Nico doesn’t. He went through a lot of shit, and he had romantic feelings where nothing came out of them, and still, it didn’t stop him from finding love. His partner was just waiting for him in the future, he just had to wait a bit.
I love it because it shows hope. Who’s first crush (specially same-sex crush) worked and still are in a long-term relationship? That’s really hard to achieve, given than the first crush usually happens when you’re a young teenager. Nico is realistic when it comes to relationships. He shows than the first person you fall for isn’t usually who you’ll be with in the future, they are not the love of your life, maybe they would never ever date you, and that’s fine. Just because your first love didn’t work out doesn’t mean you won’t find love at all.
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carowleysposts · 5 months
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When I tell you I NEED Aziraphale and Crowley to kiss again, I mean it.
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Anyone who thinks asexual people don’t kiss (or don’t have sex, but that’s not the point of this post) is misinformed. Asexual people - or celestial beings, for that matter - absolutely can and do express feelings and desires by acting physically upon them. Many ace people enjoy the sensations, the nuances, the feelings involved in the physical expressions of love - the only difference is HOW they experience attraction, which has NOTHING to do with kissing or sex, but with what motivates wanting to do those things.
With that said, let’s go back to everyone’s favorite idiots: Aziraphale and Crowley.
During their kiss, you can literally see them pulling each other in, like they need to be as close as physically possible in that moment. You can see it as Aziraphale embraces Crowley for a split second, and you can see it as Crowley throws himself onto Aziraphale more and more during the kiss. He can’t even pull back for a single second, not even to adjust to the kiss - he just GLUES his lips to Aziraphale’s.
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Aziraphale’s look after the kiss CANONICALLY means “do it again, please, right now”, as Rob Wilkins already clarified. And that is writing perfection. It creates the angst - the cue - we need to make sure a second kiss - the reward - happens. I’ve been saying this in almost every post, but here i go again: the whole point of angst is that it HAS to pay off eventually, it HAS to be followed by relief, otherwise it’s just angst for the sake of angst.
Aziraphale mouths “no” as Crowley is leaving. He doesn’t say it, but he wants to. Whatever that means, whatever the reason for the “rejection” after the kiss was, the kiss changed something. He wasn’t expecting it, but he was heartbroken to see that Crowley thought he didn’t want it. You can see him not being able to keep his eyes off the door - and later on, off the window he can see Crowley through. He almost changes his mind - and that is still true even if he had a plan all along, he didn’t think Crowley would KISS him and that blows his mind.
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He touches his lips after Crowley leaves. He relives that moment by doing so, but also realizes something completely new: Crowley did what Aziraphale had spent millennia wishing for him to do, but did it in the worst possible moment. He almost loses the strength to carry on with whatever it is his plan required. But he doesn’t. He pulls it together, and goes back to heaven.
Wether Crowley knows he has a plan (the “trust me” theory) or believes he was truly rejected, they both know they crossed that line for good. They both know that, if they’re ever reunited, they will never be able to act like platonic friends again. Aziraphale, in a beautifully made parallel to the ox rib scene, realizes he had been starving for Crowley’s touch. And that is just absolutely beautiful.
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If you’ve seen my post about why this couple NEEDS a happy ending, you already know why i think Good Omens is the perfect show to give queer couples back their hopes for love. I think we are all tired of the tragic gays / couple baiting fictional couples. Now we need the happily ever after. The fairytale. The cheesy, chaotic, rom-com-y, EPIC resolution. We NEED them to kiss again. We NEED them to be happy.
I REST MY CASE.
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garrettwrites · 7 months
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I think the reason why I'm so obsessed with Mizrak/Olrox from Castlevania: Nocturne is because it's equal parts tragic and alluring. You could argue there's a toxicity in there (with Olrox being implied to mostly do as he pleases and not giving people a say in the matter, as seen with his past lover), but... it's not "toxic" as much as it is a "tragedy" waiting to happen.
You have a powerful, morally complex vampire who honestly steals every scene he's in coupled with a man of faith who is both serious and extremely committed to his ideals, and then you make them both clash while also having a middle ground? You make them enemies to "lovers", but - at least for this season - the "lovers" part is just enemies with benefits until they realize feelings have been caught? You have Olrox delivering the "I'm not in love with you" slap first, only for Mizrak to later on retribute it by calling him an animal with no soul? You have them meet in a garden where they borderline eye fuck each other while playing a game of "who will be the one pressing a knife to a throat", followed right after by them being naked in bed? And best of all, both of them are men but being gay is never used as a crutch to avoid writing actually compelling personalities, so they still are their own people outside of their relationship?
They are set up for a wonderful arc, one that can have its ending fall on either tragedy or happiness and still make sense (unfortunately for me, I do believe it will be a bittersweet tragedy). Hope season 2 delivers.
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berlingotesque · 3 months
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What are your ships for Batim? :D
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VERY GOOD QUESTION- I know my answer should be rather straightforward but I feel I have to put some context to my answers since they may seem contradictory/paradoxical otherwise, so bear with me-
Sammy x Norman : Well. I think that one was pretty obvious, anyone who's seen more than 3 of my posts knows that I'd die for these two. They're just so PERFECT for each other, from their complementary personalities to the fact that their relationship allows us to delve deeper into batim's historical and social context. Sammy and Norman have one of the few relationships that develop the most during the game's lore : Norman originally complains vehemently about Sammy's frenetic behavior, only to end up lamenting to Buddy and Dot how 'Sammy isn't the same anymore'. What's interesting about this statement is that he says it in relation to Sammy's strange behavior : clearly, the two men have grown close enough for Norman to differentiate Sammy's extravagant habits from his ink-influenced behavior.
Furthermore, Sammy is a very gray character morally, a perfectionist who is extremely socially maladjusted (surely due to the fact that he's coded on the spectrum and autism wasn't properly diagnosed at the time), naturally ostracizing him. For his part, Norman comes from a rural background (which surely earns him the animosity of the people at the studio, given the historical context and the fact that he could very well be poc) and also seems ill at ease socially : to me, it's fascinating to see two characters excluded from their peers because of differences they can't change (being autistic or poc and gay) getting closer to each other, to the point where Sammy, who is deeply misanthropic, naturally compliments Norman by describing him as very bright. To me, Norman is the perfect partner for Sammy : ready to apprehend him as he is, since he's completely free of social conventions, without taking any shits from him.
I think Sammy and Norman can really get the best out of each other, during a historical period when being different was strongly proscribed. I think I'd have trouble enjoying Batim as much without their dynamic at its heart (considering how narratively rich it is) : Norman is Henry's confidant, Sammy is Joey's, both remain morally gray deuteragonists fundamentally opposed to the ink machine, while remaining fascinated by its powers. And who wouldn't love a good old enemies to lovers ending tragically with the unwitting murder of one by the other ? After all, Norman's main flaw is that he's too curious for his own good, and it was Sammy who inevitably led him to his doom..
Allison x Tom : what more can I add. She's everything. He's just Tom. I've always been drawn to characters/ships with a vibe completely opposite to the vibe of the work they originally came from, and the 'turning poison into positivity' energy that Tom and Allison bring to Batim has always fascinated me. In a world as tragic as their own, I find it touching to see these two find beauty in all the ugliness and manage to ask themselves 'what if we were happy after all ?' It's really striking and brings a narrative richness to the work, since they directly mirror what failed with Sammy and Susie : Allison is perfect, but that was never what was at stake in Tom's eyes. Tom was looking for humanity, not perfection, and he managed to go beyond the image of the muse to discover a friend, unlike Sammy with Susie. They're literally Romeo and Juliet but, well... Not dead.
Joey x Henry/Henry x Linda : oh boy. These three... Let me get it straight right away : Henry and Linda are perfect for each other. She's exactly what he needs to be happy : she's present, patient. There's no denying that he loves her immensely. But Joey... oh Joey is undoubtedly Henry's soul mate. The subtlety is that Joey can't bring him the stable happiness Linda can : Joey tugs at him, pushes him over the edge. He knows exactly what to do to push him beyond his own limits. The love Joey offers Henry is an uncomfortable but unconditional one, one that would allow Henry to go beyond what he thinks he's capable of achieving because no one knows Henry better than Joey ! And let's be honest, Batim only exists because Joey refuses to move on, to live his dream without Henry in it. He's stuck in unrequited love and refuses to learn to live with it. And that's the tragedy of this trio : Henry sincerely loves Linda but is truly himself with Joey, which prevents him from hating OR loving him (And Joey exploits this information by remaining extremely toxic and convincing himself that he can wear him down lmao). Henry is stuck with this dilemma : Existing peacefully with Linda or living painfully with Joey. And that's why I love the dynamic of this love triangle : because there are no solutions that will satisfy everyone.
Joey x Sammy : okay, don’t get me wrong : these two are HORRIBLE for each other. Does Sammy periodically want to quit just to piss Joey off? Yes. Isn't Joey's fascination with Sammy intimately tied to his refusal to forget Henry, who was a genius like Sammy? Yes. Nevertheless, it's impossible for me to read The Illusion of Living without feeling embarrassed and like I'm reading Joey's diary : whether you ship them or not, Joey is practically canonically smitten with Sammy. I sincerely don't think Joey and Sammy can sustain a healthy relationship with each other, but oh boy, surely that won't stop me from exploiting their bizarre obsessive love-hate relationship, where it's hard to determine whether they're going to throw hands or make out.
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a return to the monsters and mommies au designs, this time properly lined and in color! :D posted in the middle of the night just like last time though because i have problems <3 there are some small changes to these designs, but for the most part i was pretty happy with them so this was mostly just to give myself a color reference for them all lol
gonna ramble about small decisions i made below the cut, but its not necessary at all to understanding the designs! just wanna dump my thoughts somewhere :P
for the most part, the kids' designs are the same as i do them for normal canon, but there are some small differences. i've never really done a proper reference for their kid designs either though, so i guess no one would even notice LOL
freeman family: well, firstly - nick's last name is freeman in this au LOL but its easier to refer to him as nick close so people know who i mean as opposed to nicholas foster. usually, i draw nick close with blue hair (i think he goes through a range of colors, but blue is my default), but i do this because he does it to honor morgan. since she is alive here, instead, his default is pink because thats his favorite color to dye it! morgan and nick both have various bead jewelry because i like to have the headcanon that morgan is really into pony bead jewelry; this is also why all of my nick and nicholas designs have the same trans pride necklace, morgan made it for him :] both nick and morgan wear glenn's old clothes, both of them are wearing his shirts in this piece. aaand morgan has subtle heterochromia as a reference to the split timeline! she always has it, it doesnt just magically happen or anything, but its just a small nod to that.
wilson family: its real important to me that grant got his dad's exact coloration except for his gray eyes, which are all carol. why is this important? i dunno! its just interesting to me. also, carol doesnt usually leave her top buttons undone, but upon entering the forgotten realms, she unbuttons it because otherwise her shirt will pop open while she's doing things (to be honest, as a person with a larger chest myself, her shirt probably still pops open but it does help-!). usually i draw grant with a gay pride necklace, but since he doesnt come out pre-forgotten realms in this au, i tragically had to drop it. i miss my rainbow grant. please come home, baby.
oak-garcia family: i always forget to do mercedes's tattoos in my sketches because tbh i never know exactly what to give her. but! but. this time i just went for it. these tattoos arent necessarily set in stone, but i think theyre cute. the tattoo hidden by her skirt is an oak leaf for henry :] her gem necklace is also the same color as his eyes! her skirt is supposed to be, like, tie-dye or maybe more bleach washed, but i dunno how to draw that so whatever. the twins are, like, 100% the same as usual, i just gave sparrow a pink bead necklace instead of the multi-colored necklace i use for my default canon design lol. also, i think i drew the twins slightly too tall here, which is funny because theyre the only ones who are notably shorter than their mom HDFJKGHK
stampler family: i struggled a lot with what colors to give samantha, because i wanted her to have a bright color palette but not anything garish or patterned. originally she was gonna have a white shirt, but then i realized that would make it so all the moms had white shirts and i just couldn't have that LOL so i ended up landing on red for her! it matches with terry junior, so i thought that'd be cute :] terry's design is probably the most different from my default for him? which still isn't a lot but i swapped his dark blue flannel for a black undershirt instead. i cannot explain why i did this. it just felt right in the moment. i gave him a sweet revenge shirt instead of the usual black parade shirt i give him because... well. if you know, you know. and finally, terry gets a little concert admission bracelet!! i always do that, but i just wanted to point it out because i think continuing to wear an admission bracelet for ages after a concert is a very teen thing to do. i always felt so cool doing that in high school hehe
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morrieandlicky · 1 year
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I realized something rather unsettling about E.M. Forster’s Maurice: it would’ve never happened at all—in fact it was so close to never having been written. 
Why? Because the novel is a direct result of Forster's visit to Edward Carpenter and George Merril in 1913—specifically, a direct result of a Merril’s touch on Forster’s backside, but broadly of Carpenter’s philosophy and the life he had with his lover, the lower-class Merrill. But here’s the thing: Edward Carpenter and George Merril were almost charged, arrested, and/or imprisoned because of their sexuality and relationship. 
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Having published his controversial The Intermediate Sex which sought to justify homosexual love, Edward Carpenter came under fire and faced a large public reaction. Someone named D O’Brien, a member of a right-wing group instigated his own large-scale campaign against Carpenter. He printed out pamphlets and wrote letters accusing Carpenter, even sent them to the Home Office and the police who then started investigating Carpenter. The authorities evaluated Carpenter’s published books on homosexuality to determine merits of persecuting him.
However, the Director of Public Persecution at the time, Charles, decided not to open any legal proceeding. Because with the shadow of Oscar Wilde’s infamous trial still palpably felt in the society, he did not want to stir any public discussion about sex or homosexuality through Carpenter or his books. As such, no proceeding against Carpenter happened, and his books were not banned. This ended in 1909. 
But the investigation did not stop there. The Derbyshire police was concerned with—and anxious about—getting a case against Carpenter and Merrill as two homosexuals. I think that since Carpenter was upper-class and had a solid reputation, the police went after Merrill instead, especially because O’Brien’s letters mentioned names of several people who knew about Merrill’s "indecencies". But these people were of no avail. Hence, no incriminating evidence was found against Carpenter “beyond strong suspicion”, and before 1911, the whole thing was thus, finally, dropped. 
And Forster’s visit to the two men living together in Millthorpe happened in 1913. 
(Below: a 1911 census showing Edward Carpenter, the head of house, living together with George Merrill, the housekeeper)
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Imagine: had Carpenter and Merril been caught—and imprisonment was most certain for Merril due to his lower station—they wouldn’t have been together at where they were in 1913. Forster probably wouldn’t have visited Carpenter at their cottage at all, and thus, Maurice and its happy ending would’ve never been formed. The lives of the real life Maurice Hall and Alec Scudder could’ve been destroyed before their fictional counterparts had been conceived—and Forster would’ve never seen the happy gay couple he knew to write a gay romance novel with a happy ending. 
(Forster could’ve written and even published another version of Maurice—albeit one with tragic ending and deaths of gay characters.)
I used to think Carpenter and Merrill evaded the laws and got through it all because they were smart and brave and discreet, but now I know they were also incredibly lucky, in the sense that it’s almost like Carpenter and Merrill were destined by some higher power to be together and live in an Edwardian gay fairy tale of happily ever after; they were meant to survive as outlaws and to welcome Forster into their home and inspire him to write a gay novel with a happy ending. “Fate has mated it perfectly,” might I quote from Forster himself. 
(Below: a 1921 census showing Carpenter and Merrill living together still)
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Probably in an alternate universe, Carpenter and Merrill were indeed arrested. Merrill went to prison and suffered the same as Wilde did; Carpenter however was let off due to his status (just like Forster had imagined for Maurice and Alec in real life his terminal notes). I don't want to wonder or ponder too much on that because for now, I'm just glad that I live in this timeline where a homosexual happy ending indeed happened in real life as well as in fiction, in the most impossible times.
Source: https://blog.nationalarchives.gov.uk/edward-carpenter-free-love-advocate-and-lgbtq-rights-pioneer/
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mimi-mindless · 18 days
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thank you @lilolilyr for tagging me <3
15 Questions for 15 Friends
ARE YOU NAMED AFTER ANYONE?
A character in the Bible lol my parents just slightly altered the spelling
WHEN WAS THE LAST TIME YOU CRIED?
Like half an hour ago when I re-watched Handsome Devil and Andrew Scott's character (Dan) told Nicholas Galitzines character (Conor) that being gay gets easier and Conor asked Dan why he still hides it then and Dan tears up and uaargh Andrew Scott being a tired sad gay just gets me every single time, okay?
DO YOU HAVE KIDS?
no
WHAT SPORTS DO YOU PLAY/HAVE YOU PLAYED
I can copy half of yours here @lilolilyr :D I did Judo, horse riding and handball when I was younger. Also gymnastics as a child and Tai-Do in uni for 2 semesters
DO YOU USE SARCASM?
ye
WHAT IS THE FIRST THING YOU NOTICE ABOUT PEOPLE?
hair and clothes I think. cause you can choose these most of the time and it's how people express themselves
WHAT'S YOUR EYE COLOR?
I just recently learned that you call them hazel I think? when they're green with brown/red/yellow?
SCARY MOVIES OR HAPPY ENDINGS?
tragic endings!
ANY TALENTS?
I can say any German word that I know how to spell backwards in seconds
WHERE WERE YOU BORN?
at home actually
WHAT ARE YOUR HOBBIES?
music, concerts, TV series and films, cuddling, sleeping
DO YOU HAVE ANY PETS?
my parents have a cat (Simba my beloved) and soon a cat will move in here (Dipsi, I hope you'll be cuddlier than what your owner said ( don't think that sentence makes sense but my head hurts and I'm tired)
HOW TALL ARE YOU?
162,5cm
FAVOURITE SUBJECT?
English and German and I also liked Pedagogics and Psychology
DREAM JOB?
idk man...I do like teaching but I hate the conditions and the institution behind it...I don't think I really know right now
I tag @panicatthesocialmedia, @ne0n-and-fucking-garbage, @pommy-granite, @myceliumgirl, @thriceandonce, @gabetheunknown , @fenrir-flamekeeper , @amiko-pan , @gamer-shrimp-buoy , @further-than-forever , @sch4r4 , @jupitervega , @berg-gry , @milverton and @vorschlaghannah
and as always, I also tag everyone who reads this and wants to do it :)
(also I tagged many people I have never tagged before so PLEASE don't feel pressured and tell me if you don't want me to tag you in the future <3)
Blank copy for easier copy-pasting under the cut:
15 Questions for 15 Friends
ARE YOU NAMED AFTER ANYONE?
WHEN WAS THE LAST TIME YOU CRIED?
DO YOU HAVE KIDS?
WHAT SPORTS DO YOU PLAY/HAVE YOU PLAYED?
DO YOU USE SARCASM?
WHAT IS THE FIRST THING YOU NOTICE ABOUT PEOPLE?
WHAT'S YOUR EYE COLOR?
SCARY MOVIES OR HAPPY ENDINGS?
ANY TALENTS?
WHERE WERE YOU BORN?
WHAT ARE YOUR HOBBIES?
DO YOU HAVE ANY PETS?
HOW TALL ARE YOU?
FAVOURITE SUBJECT?
DREAM JOB?
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new-ronantics · 2 years
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i don’t think people realize that at this point it’s much more important for queer stories to be shown in a positive light than it is to portray them “realistically”.
(there’s also an issue in the idea that queer characters/couples not suffering 24/7 is inherently unrealistic, but that’s another can of worms.)
there are plenty of “realistic” queer love stories out there. we get it. most queer people lead miserable lives, never get happy endings, and are generally shunned from society, right? we know this. we see it all the time. we experience it. i’d like to think that we’ve come far enough to say that representation is no longer just about queer people being included—it’s also about depicting them in a way that’s somehow meaningful, fulfilling, and—dare i say—hopeful.
is will’s self-hatred, shame, and overall reluctance to come out to anyone a realistic portrayal of the experience of being a closeted gay kid in the 80s? yes, of course it is. nobody thinks it isn’t. the problem is that, ultimately, this is a TV show with a narrative. it’s supposed to tell a story, and a good one at that.
my question is this: what does will having unrequited feelings for his (supposedly) straight best friend do for the narrative? what does it do to develop any characters involved? the answer is nothing. it does absolutely nothing. it’s just another unnecessary tragic ending for a queer character who’s already suffered beyond belief. will’s arc could have easily been separate from mike’s; it could have been all about self-acceptance and gaining confidence in his identity, but this is very pointedly the route they didn’t choose, and that is why queer people are upset by the path vol 2 went down.
to watch a gay kid’s feelings be used as a prop to push the main heterosexual couple back together is humiliating. to see a lesbian watch as her crush kisses her shock-factor boyfriend is humiliating. it’s like it’s being rubbed in our faces—hey, look, people like you will never be happy! haha!
that’s not the representation we need anymore. it’s not impactful or satisfying or new, it’s just depressing. realism only matters so much in a sci-fi horror/drama, and i’ve honestly never seen so many people bitch and moan about realism until the conversation was about queer characters finding happiness.
so no, queer people are not just sad because their ship didn’t become canon. that is not what this is about. pay more attention, please.
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animentality · 8 months
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Astarion hyperfans are moderately insufferable, and I say that with only mild disdain, because there are people who are harmlessly obsessed with the gay vampire, and I don't mind them, even if they completely overpower the entire fandom and have reduced BG3 to being just about romance and the gay vampire.
But then there are the essayists, who insist that only they "truly" understand Astarion.
And they'll write a 4000 word treatise about how they're the only people who love him right and they'll attack people who make jokes about him, and don't treat him like the most tragic and layered fictional character in history.
They're also the ones who'll make any post about Shadowheart or Gale or Wyll or Halsin about Astarion for absolutely no reason.
You could say I'm so in love with Wyll and they'll say but what about Astarion?
You could say I really enjoy bg 3, and not just for the romance, and they'll say oh baldur's gate 3 is an Astarion dating sim for me.
Like alright. Cool. This is the internet and it's not illegal to be obnoxious.
But holy fuck is it obnoxious.
I get that Astarion is popular and I do like him myself. I get the appeal.
But it's irking me.
It's irking me on Tumblr and on TikTok, where it's gay vampire this, gay vampire that.
Every damn post in the tag is just him, and every tiktok is straight girls thirsting over his booktok like romance novel demeanor.
If you're an Astarion hyperfan who's reading this and gets annoyed and replies with what's wrong with people enjoying the game the way they want to, the answer is nothing.
I just personally find it boring and tiring and the majority of the fandom seems to only want to talk about this one specific character and no one else.
And that's like, whatever to me personally.
It gets old and I wish I could just ignore the fandom and be happy with the game but it's kind of hard when you're obsessed with this game and want to see more fan works about it, but every single person only gushes about one person.
I have never seen anyone on Tumblr or TikTok talking about how absolutely devastating the other characters' backstories are, even though they all have tragic stories and they all have kind of tragic endings, even if you do the right thing.
And it's a bummer.
And I'm blocking anyone who clowns around on this post, for not getting the point. This isn't about people just liking a character, or the majority of a fandom being in love with just one person.
It's mostly about my own personal preference, and if you're an Astarion fan who only ever wants to see/think about Astarion content, then keep scrolling and mind your business, as I mind mine.
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spacelessbian · 1 year
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spoilers for White Lotus S2 ahead.
Okay, I need a minute to talk about Tanya and the absolute mastery of Jennifer Coolidge's acting in season 2 of White Lotus. Yes, she was fantastic in season 1 but I feel season 2 is really hers. She is the star of the show, she is the tragic heroine of the opera, she is the slapstick diva of the holiday comedy.
Her character is so fascinating. She is the stupid American, she has no self-awareness, no sense of reality, she is weird (and not in a cute way), hell, she is straight up repulsive in some scenes. And we know she is a one-percent-er who we all hate. And she deserves that hate, she is one of the villains in season 1, yet she doesn't understand that (and would never understand it, since she mentions the events of the past season in one scene this season).
But at the same time she is so tragic, so sad, so worthy of love and friendship and life and there is no way she could achieve any of that. She is pitiful and embarassing, it is hard to watch a lot of the times.
In season 2 we all know where it's going, not specifically maybe, but we know it's not gonna end well. Her final scene is hard to watch, but it is also briefly triumphant, and at the same time so stupid - we got a guy yeeting himself from the boat, we got Tanya asking a man she just shot if her husband is having an affair - and then obviously she fucks up one last time. It's not graceful, it's not profound, yet after she dies she is given one last beautiful moment in the sea, just like she did at the end of season 1.
I think what the show did with her character is remarkable. Think of other characters like this, caricatures of middle aged women (with money or without), who are there only to be laughed at. Tanya is like that, to others, to her husband, to the murderous gays, the other hotel guests, but also so much more. We see that and Portia, her assistant, who ultimately can't do anything to help her, sees that. She is probably the closest thing Tanya had to a genuine human connection and I am happy she had that at least, if everything else was so fucked up.
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literary-illuminati · 8 months
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Book Review 46 – The Spear Cuts Through Water by Simon Jimenez
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Okay the month of August was essentially a write-off for...a lot of things, but non-web serial reading among them! Now trying to claw my way out of the pit and back on the horse. So, some high concept genre fic full of queer people and war crimes, just what the doctor ordered.
The Spear Cuts Through Water is the fantasy epic and love story of a pair of warriors – one a generally despised one-armed checkpoint guard, the other a positively reviled princeling – as they escort the moon goddess in her attempt to escape the prison her sons had trapped her within as they tyranize and empire that spans a continent. As told through a dream/vision of the Inverted Theater, where shades throughout time are called while they sleep to witness a performance put on by the favoured child of moon and sea. Intercut with the same tale as told through out POV’s grandmother, along with vignettes of his life as the son of a failing cloth merchant centuries in the future as the world goes through its equivalent of WW1. All this metaness and layering is either the book’s strongest point or it will make your eyes roll back into your skull so, you know, make an informed choice here.
Being entirely honest I don’t remember exactly how this book ended up on my radar – I believe I was first pointed towards after I expressed some dissatisfaction with this year’s Hugo nominees as something that would have been a more deserving inclusion on the short list. Certainly I’d never heard Jimenez’s name before picking it up. Entirely happy I did, anyway – whoever first rec’d it yes, this does deserve a Hugo nod way more than some of the other nominations.
The plot itself is quite well done, but absent any of the stylistic flourish wouldn’t really have been anything that memorable. The layered framing devices – and the way that they intrude on the narrative in a hundred different ways, switching from depicting the action to saying how it was staged and presented or how the narrator heard the tale told – are really just fantastically well done, enough that even when it got all meta and self-referential I was still enjoying it more than enough to just go with it.
Not that our heroes aren’t fun in their own right. They’re both at times profoundly unlikable, and other times utter idiots, and always totally and completely incapable of intelligibly expressing their feelings. It’s great, love them. Even if on occasion I also wanted to throw rocks at them. The main supporting cast – or at least Defect the tortoise and the moon/empress herself – are even better, really.
Though as far as characterization goes its the extras where the book really shines. It has a trick I really, really like where little snippets of the internal monologue or history of some fellow traveller on the road or sentry being gutter from behind are interspersed into the action in italics like this. Diegetically this would be the chorus in the theatrical performance, but regardless it does a shocking amount to make the world feel like it’s full of actual people and not just mannequins forming a backdrop for the characters who matter.
The book fits into the honourable tradition of modern SFF with cool-eyed and unsentimental portrayals of feudalism/imperialism, war crimes and general oppression (including in this case very plot-relevant and character-informing ableism) but only a vague and attenuated sort of 21st century homophobia, if that. Like all modern queer genrefic it’s also at least kind of in conversation with the looming shadow of Burying Your Gays, with a bait and switch tragic heroic sacrifice that seemed very conscious and pointed.
The framing devices lend themselves well to the book being written in a kind of mythic register, which I very much enjoyed. The epilogue felt like an intrusion of history on mythology, and I do mean that as a compliment, full of messiness and ambiguity and short on heroes and golden ages or utopias. Overall very much enjoyed the book, perfect reading for being stuck in a waiting room for a passport renewal.
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zestymimblo · 7 months
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Writeblr - ReIntroduction
Howdy howdy! I figured I'd type one of these out again because I'm trying to be more active on here, and also pushing myself to indulge in my passion for writing again... this helped last time, so I may as well give it another shot.
My name is Milo (he/xe) and I'm an aspiring author. I've always loved writing, and there's never been a point in my life where I didn't want to write in some capacity. It's easy for me to succumb to writer's block, but writing makes me happy and I want to be able to share what I create.
About Me
I'm a 21 year old (very gay) transman from Canada, and I want so badly to be able to travel to other parts of the world one day.
I'm a D&D nerd. When I struggle with a writing project, I often fall back on expanding my D&D worlds/characters. It's my safety net.
My career is in film. I work in the Art Department, mainly in props, and am working towards maybe becoming a Production Designer one day. Film work is a competing passion of mine, and you'll definitely find posts of me talking about work.
Like most other authors, I love weird shit, and you'll find a lot of weird stuff in my writing. Weird Fantasy is my favourite kind of genre.
In my writing you'll find themes of 2SLGTBQIA+, found family, fighting destiny, struggling under mega-corps/capitalism, nature vs nurture, self-discovery, different kinds of love, slightly unsettling surroundings, and weird lil monsters/freaky dudes.
My Current Projects
I have two writing projects going on right now. One I had to put on the backburner because I had written myself into a corner. The story wasn't progressing or flowing the way I had envisioned/planned, and I ended up getting more stressed than excited to write it. The other is one more laid-back for me to write. (Keep in mind, these short descriptions may be subject to change in the future)
The Strings of Willis Manor: Thistle Willis is sick. Her condition leaves her confined to the property of Willis Manor; a sprawling estate with lush gardens, dusty libraries, and secret corridors. At her attendance is Clementine (an automata handmaid, who was created with the sole purpose of tending to Thistle) and Andromeda Marrow (Thistle's childhood best friend). When her father doesn't return from a business trip to the South, Thistle's mother begins to fear the worst. In an effort to find a cure for her daughter, and establish Thistle as the head of the family business, Mama hires a Healer from an unknown land. But this cloaked Healer isn't who they say they are, and Thistle begins to uncover what really may be going on in the house she thought she could call home.
(Backburner) - Beneath Tattered Flesh: In the hissing, polluted, Magic, and bronze city of Ritec, Caesar Dampton is trying to move forward. He's trying to get over a bad break-up, make ends meet, and help his best friend - Emersyn Riley - find her place in the world. Between running away from his ex, and trying to figure out what he wants to do with his life, Caesar is stuck in a downward spiral. Newt Gourdeau got the chance of a lifetime; a full scholarship to Verne Cobb University. Leaving their small town behind, they carved out a life for themself in the city of opportunities. They're trying to bury their problems in mystery novels, university studies, and attempting to find a scientific reason as to why some people in this world have Magic, while others don't. Their obsessions leave them in solitude for days. But when the unlikely pair see similar tragic events happen at the same time, but in different parts of the city, they stumble into each other's lives. Manipulation and death follow the two at every step, but they're both determined to get to the bottom of a gruesome mystery unfolding in the city... or die trying.
What I'm Looking For
As you could probably already tell, I'm not awesome at keeping myself "on schedule", which is code for "I sometimes let my life/anxiety/career/whatever eat away at my passion for writing and I'll abandon it for several months a time". Having a place to post updates, or even just little rambles, really helps me out.
So in all honesty, if you're interested in what you see, then feel free to stick around! I'd love to chat, do fun word tags, and just be in a community of like-minded people.
Thanks for reading!
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korkiekenobiconfirmed · 10 months
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I'm on a roll with the s/j/m hatred tn so I'm going to compile a masterlist of all her shitty lgbt/poc representation and why it sucks booty cheeks. it should be noted that none of this is meant as shade on any of the characters themselves... I actually happen to like quite a lot of them
EDIT: there are some nice additions to this post in the notes you can check out
LGBT rep
Aedion (Bi/Pan)
Literally known as “Adarlan’s Whore” (a nickname that references both his allegiance to the king and his tendency to sleep around)
His only same-sex relationship is with a vaguely-mentioned unnamed lover from the past (it’s not even said straight-up that they’re a man, but I’m assuming they are bc they’re mentioned to be a commander of the Bane)
He’s shown being attracted to women and only women for two and a half books. He’s a womanizer retconned into the slutty bisexual stereotype
His liking men & women is compared to prostitution
It’s insinuated in koa that he slept with an ex while he and Lysandra were fighting (because the cheating bisexual trope is such a new & creative one!)
Helion (Bi/Pan)
He’s always trying to have 4somes with three of the main characters
Realistically he’s probably one of the most powerful/interesting High Lords but this gets sidelined in favor of him flirting with eVeRyOnE
All we really know about him is his name and the fact that he’s a bit of a manwhore… very 2-dimensional
He has an affair & a child with a married woman… just the Slutty/Cheating Bisexual Trope (Volume 2) :/
Mor (Lesbian? Possibly bi?)
She’s never shown in any real relationships (with men or women)
She had tragic off-screen relationship with a mortal queen a few hundred years ago
We get literally no hints that she’s gay throughout the series, she just randomly mentions she likes women at the end of book 3
She gets no happy relationship, she stays closeted to spare Az’s feelings (as though he’s not a grown ass man), she’s retconned into her sexuality most of the way through the series… just shitty shitty rep all around
Hasar (Lesbian)
She’s a villain, and a shitty one at that
Lesbian rep from a side character in one novella that half the fandom didn’t read? What’s even the point?
Thesan (Gay)
A very minor character & his unnamed “lover” who serve no narrative purpose whatsoever… thanks for nothing sarah
Emrys & Malachai (Presumably gay)
Oh look! More minor, background mlm that might as well not exist for all they do for the story :/
They are cute though, I’ll give them that
POC rep
Nehemia
First (and only) black main in ToG
She dies to fuel the white protag’s character arc… a very tired trope
She was actually a pretty well-written, likable character up until her brutal murder, which made it that much worse to hear about her organs strewn all over the room
Sorscha 
Described as “plain” (particularly in contrast to the white women like Aelin & Lysandra)
We know she’s POC because of where she’s from, but the way her features are described suggest she could still be white
Dark hair, gold eyes, “tan” skin
She really just fawns over white-boy Dorian every 2 seconds before dying a violent death to fuel Dorian’s arc…
…Aaaand I’m sensing a pattern here
Nesryn
Much of her character (especially in QoS) is reduced to her beefing with Aelin (and thus being villanized by the narrative) because of jealousy over Chaol 
Simply described as having “tan” skin (again). I think sarah is allergic to calling people brown
She is also described as plain compared to white protagonist
She has a (presumably middle eastern) family that only wants her to stay home and be a baker/someone’s wife
Yrene 
Once again very racially ambiguous to the point where she could even be white, with “tan/golden” skin, golden hair, and golden eyes
She almost immediately ties her literal life force to a white man she hated like a month ago. Seriously, can WOC not fawn over a hunky white man for once?
She defeats erawan in the end — considering she’s been a character for such a short time, this just feels more like a deus ex machina the anything really set up by the plot
Helion 
Not going to fully rehash what I said above but generally… he has great potential, but is basically not a character
Tarquin 
He’s portrayed as very nice and reasonable, if young and naive, yet he literally only exists to get manipulated/robbed by the main characters
He seems like such a sweetheart. He deserved much better than Riceman and Feyrug doing him dirty like that
I’ve heard rumors of a High King/Queen F*ysand plotline in later books…if that happens, Tarquin will likely be bending the knee and forgiving the people who fucked him over just a short time ago
Lucien
He’s described as very caring and loyal (yay!) which seems to always get him taken advantage of (damn!)
He’s portrayed (especially in ACOWAR) as someone we’re supposed to dislike when all his actions are perfectly reasonable
He’s literally retconned out of being white when it’s revealed Helion is his father instead of Beron. I’ve seen ppl get mad at “white-washed” fan art but it’s hard to expect much else when his original character description was straight red hair, amber eyes,  and “tan” skin (holy shit agAIN)
The people of the White Fangs from TOG
They’re described as having black hair, black eyes, and “tan” skin
They live isolated in the mountains (away from civilization) and are described as “savage” and warlike, always raiding villages in the mountains and stealing women away from their homes… 
Cain, who’s from these people, dabbles in dark magic/religion nobody else understands
This is feeling, intentional or not, like a horrible Native American caricature. Idk maybe that’s just me
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