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#and i don't typically post “controversial” takes
unityrain24 · 3 months
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man i know no one cares but i honestly don't know why they blocked me and it's been bugging me and i miss their blog :( and we weren't like close mutuals but we weren't like distant either. we'd send occasional messages or asks or some other interaction :(
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sh0tanzz · 1 month
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Who in riize do u think would like a partner who’s slightly older/younger than them, like a year or two age difference? N then who do you think would prefer someone who’s older and has more life experience? (Basically kinda in a who would want to be taken care of by their partner vs them being the one to take care of their partner type of way)
hmmmmm this may be a bit controversial I fear
RIIZE OLDER VS YOUNGER based on astrology~
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reminder this is based off of MY opinions of their birth chart placements + aspects and is not exact fact unless I knew them myself and I am not a professional astrologer 🤍
Older
Seunghan
a lot of people think Seunghan would have a younger s.o but ngl..he'd probably like someone more older or at least a person that has more experience/more mature. I say this because the things he'd want the most I feel like he'd expect or more easily get from someone older. He wants someone that would be independent + confident in their place in the relationship, has experience in life in general (including partying/vices), and ngl he might want more tasteful luxury gifts so lowkey sugarmama/older gf vibes 😭.
Anton
I don't think he cares about age at all bc his chart doesn't indicate physical attributes minus the stereotypical feminine things (bouncy healthy hair, sweet perfumes, pretty nails) but I feel like he'd be best suited with someone older yk..like that would be best for him. Reason being, personality wise he wants someone mature, ambitious, independent, doesn't need to be babied/taken care of 24/7, can guide him, financial stable which is something you expect from a more mature/older person right ?
Middle Ground
alright ikik all my babygirls are wondering wtf Sungchan and Eunseok are doing here instead of the younger category but..walk with me....🤫
Sungchan
50/50 bc I feel like he can get what he wants from either age group. He has a cancer moon + leo venus so he may like reciprocity and for him and his s.o nurture or be attentive with each other OR he's ok with taking care of a younger/immature s.o & would be fine with being taken care of by a older/mature s.o. He likes someone to be educated, lowkey a little wiser and put together BUT he likes to wear the pants and be the lead/doting counterpart of the relationship. I just think he can get what he likes from either group and he probs is into cap risings.
Eunseok
Eunseok..probably just doesn't care LMFAO. As long as you're tall, hot, confident and charming he's all in. IM KIDDING OFC . but he can adapt to either relationship trope. He likes someone with a mature seductiveness thats independent and gives good concrete wise advice..BUT he also likes someone thats goofy and surprises him and has a teasing "hard to get" aura to them. So imo he'd go after either one as long as they were compatible with him.
Younger
(crazy I know)
Sohee
Sohee is typically the one being doted on and seen as the "cute" one and I just think he'd want to explore outside of that trope through his partner (sag venus tings). Plus I'm ngl Sohee's big 6 placements and his sun/uranus + mercury/mars aspects makes me feel like he'd feel kinda slowed down or restricted with an older/overly mature/serious partner. This is about to be contradictory ik but I feel like it’d be easier if said older partner had a more immature “cute” image
Wonbin
Wonbin probably likes...cliche dynamincs ngl..his taurus mars makes him feel more driven to the traditional/stereotypical dynamics yk so he's the masc and provides like the typical "oppa" type shit ykwim. Plus his Pisces Venus probably makes him idealize that type of stereotypical trope more. I also feel like an older partner would make him feel a more serious sense of responsibility and scare the shit out of him 😭😭.
Shotaro
Shotaro has a capricorn venus and I said in one post his ideal type could go either way and transition between being more playful+immature or sophisticated+mature I feel like he currently likes immature/younger partners (see how he dotes on Sohee/Anton the youngest members) but in the future would prefer someone more mature because that's just what I typically see in cap venus men,,they start with one ideal type and the older they get they switch to the other.
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heyidkyay · 6 months
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And I'm petrified of being alone, now |
Part One
Matty Healy x reader
Summary: She’s just trying to get by, really. What with being a single parent to her four year old son whilst simultaneously trying to kick start a successful career as a radio presenter. She’s got everything she’s ever wanted though, friends close by, a mum who’s merely a phone call away, and of course her baby boy. What else is there to wish for? But then, it’s not long before her relatively normal life gets upended and turned on its head, and she’s suddenly forced to deal with situations she’s never even thought to imagine.
What happens when one mention of a certain controversial singer on her show sends a flood of unexpected challenges her way? 
Warnings: This is gonna deal with a lot of controversial shit surrounding Matty and his past I'm ngl, so if you're not into that then I'd suggest not reading this! But if you are, then hi!! I hope you enjoy?
Authors Note: I'm back...:)) Back with a series too, or it will be if this first part goes down well! Lmao so pls don't hate it! Butttt in all honestly, I do have to quickly thank @procrastinatinglikeapro for all the kind words she gave me on the snippets I annoyed her with recently and for forcing me to actually believe in this fic because I very much was on the fence about posting again. So thank youuuu, it means a whole lot<3 Also, the skeleton of this was taken from a very old fic of mine which I started during the height of covid that I've just been thinking about trying to better for a long while now, so... enjoy?
And I guess let me know if this is something anyone would want to read more of? Yeeeeah, I really don't know what else to write here now, it's been a while, so! Hi, help, bye:)
Masterlist
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“Yeah, yeah! I’m really into their sound at the minute! Honestly fell in love with their recent performance at the VMA’s- didn’t overdo it and kept true to themselves. Definitely did a great job there, so well done with that one if you’re listening in, lads!”
I was grinning from ear to ear as I spoke into the microphone before me, which was to be expected whenever I was at work. Strange, yeah I know, but only to any typical person with the usual nine to five, because I truly did love my job. It was tough work, strenuous at times, contrary to what most might believe, but it was pretty much everything I’d ever dreamt of.
See, I’d grown up on the outskirts of this tiny village in the Isles, where everybody knew everything about everybody. Secrets were never well kept- you could just ask our local priest about that one, who had often used to regale most of the confessions he’d heard in the only pub around for miles whenever he was pissed beyond being able to sit on his barstool. And it was also incredibly tight-knit, as in, all the kids who went to school together, then grew up and married one another, settling down and taking over the jobs that their parents or grandparents soon retired from. Hardly anyone moved away, if ever.
In reality though, it was actually just a place I’d always felt like a stranger in. Where I’d struggled to fit in and make friends, to form bonds outside of the one I shared with my mum.
I’d had a tough go of it back in school actually. ‘Mouse’ was what they’d seemingly dubbed me back then, a nickname which had travelled the masses all too quickly seeing as there had only been about sixteen kids in both my year and the one above. 
It had mostly been due to me just having been an extremely timid child, hiding behind my mum’s flowing skirts whenever we went into town and much preferring that of my own company. But that fact hadn’t gotten any easier for me once I’d been forced out of school for a few years after an accident that had flipped my entire life on its head. Resulting in me being further isolated from the rest of the world and my fuck-face of a father running for the hills.
Still. Shit happened, I supposed, and I’d been forced to grow up.
Too quickly, in truth.
So whilst everyone else had been out living, I’d been holed up in our little dove cottage miles away from them all, with only books and music to keep me company. Music which had been a true constant in my life and just about the only thing that had gotten me by.
As well as my mum, who’d forever be my rock. And back when we’d both been growing up, she had always had the tele on full blast throughout the day, cycling through the freeview channels that played the recent top 50 and old school classics.
It was one of my favourite things to look back on now, if she was ever in the mood, or when the power would finally flicker and go out completely, she’d spin this old phonograph her own father had gifted her in the days before she’d left home. The two of us would dance around the living room whilst she’d clean on Saturday mornings and then hum to it as we settled in for a long storm, her working on her trusty crossword whilst I would read or draw. It would croon out old French records she had bought long before she’d moved to the UK, and before she’d ever even met my dad.
And I would just lose myself in it all. 
It wasn’t just the basic premise of music that I had enjoyed though, it was everything else that also came along with it. The opinions, the reviews, the personal stories and thoughts, the way it made a person feel. 
So, for years I would just sit down at the kitchen table and write for hours on end about the sound, the rhythms I’d felt and heard, the lyrics that had had me bellowing out or playing on a never-ending loop in my head. And then, as a teen, Twitter had come along and had been just another way for me to express it all.
That was what had led to all this actually. The radio.
At first, I’d never paid much mind to all of the people who had started to discover the small page I’d created, the users that had enjoyed reading my inner thoughts. But then I had and it had been an insane concept to comprehend, but was also what had, ultimately, pushed me into continuing with it.
From there, opinions on genres of music and their style throughout different decades turned into thoughts on up and coming artists, then actors and other A-list celebrities. So, I’d ended up spending an awful lot of time online, simply just tweeting about it all, on subjects followers had wanted to hear about and answering questions on whether I loved a certain album or new EP. 
The account had grown rapidly after and by the time I’d had the balls to tell my mum I’d wanted to leave home and make a start for myself, in London of all places, it had gained well over fifteen thousand followers.
I went to uni down there and met people. People who didn’t shy away from me or shine a light on my odd quirks. I met my best mate there, too. And Finn was unlike any other. The platonic love of my life, or so I’d dubbed. He was eccentric, witty, and didn’t care about what anyone else thought of him. Forced me to feel that way too, slowly but surely. And it had only taken a few weeks before he'd grown rather suspicious of my constant need to always have my phone near.
He had, pretty early on, decided that I must’ve had some secret boyfriend back at home that I’d yet to tell him about and had annoyed me about it at every twist and turn, basically backed me into a metaphorical corner. So to say I’d relented fairly quickly wouldn’t be a lie, and I’d told him all about the account soon enough.
Finn had actually been the one to suggest that I take it somewhere bigger, make it into something people could tune into and not just read about. I had actually taken that consideration on board way back then, but had only acted on it when shit had hit the fan a year or so later. But we'll get to that.
So with it all, I’d made an actual radio show out of my thoughtless Twitter account, allowing people to listen in and actually get to know the person behind the name.
That was essentially how ‘Mouse On A Mic' had come to life.
Yup, I’d kept the fucking nickname! I couldn’t not in truth, it was familiar, reminded me of the person I once was, and who I am now. But the only difference was, I’d given it a new story. I’d claimed it. 
The show's audience grew fairly quickly during that first year, I was new on the scene and seemingly refreshing. I had a no-bullshit kind of attitude that my listeners admired. I called celebs out on their crap and went to new extremes to conjure up inventive ways to get followers involved. 
Ultimately doing things that other radio presenters were afraid to do at the time. Which was fair enough, in hindsight, they had actual endorsers and brands that were backing them up and funding their streams. Me, on the other hand, had no-one to answer to for my mistakes or any backlash the show received. It was just me, sat alone in my bedroom, speaking into a mic.
Only now, it was me sitting in a quaint little studio in East, not too far from my flat and walking distance from any and every coffee chain London had to offer. 
Anyway, back to the current show! I adjusted my headset over my ear as I wheeled closer to the table, aware of the many monitors and cables I was constantly trying to avoid and glanced upwards, locking eyes with my co-producer, Adi.
The girl shot me a hurried gesture, a circular wave of her hand that had me chuckling to myself even as I waved her off, knowing I’d already gotten off track one too many times this recording. 
"Alright! It seems as though we've got to move on with the next segment of the show now! Unfortunately, Ads here has informed me that I can't just sit around all day and talk about Inhaler forever. A right shame that, don’t you think?”
I huffed theatrically, whilst Adi merely shook her head at me in return, dark ringlets brushing the length of her shoulders as she mouthed the word 'prick' through the thick sheet of plexiglass that separated us.
Ignoring that loving endearment in favour of continuing on with the commentary, I hoped I hadn’t steered too far off track, there was still a lot scheduled for today's show that I had yet to go over.
“So moving on!” I sighed into the mic and rubbed my palms together, “It seems like quite a few of you lot, on Twitter especially, have made it loudly known that you want to hear my thoughts on Manchester’s very own Matthew Healy. God, is there yet another scandal under his belt I don’t yet know about, where’s he finding the time?”
I shook my head briefly and rolled forward in my seat. The wheels squeaked beneath my weight and I made a silent prayer that the mics hadn’t picked up the sound. 
What a fucking topic, I thought quietly to myself and sent Adi a semi-amused smile before I peered down at the recent headline she had handed over to me earlier that morning.
It was the same old thing. Expected really at this point.
“Healy’s at it again! Whatever will we do?” I gasped, dramatising the whole thing as I stared down at the images of the haughty singer that were plastered across the printout I held in front of me. 
There were four of them, a quick succession that had all seemingly come from a clip at a recent concert. Bit blurry but the title gave away to what was happening.
A laugh bubbled up out of me as soon as I read the headline. “Oh god, it appears Matty Healy is- just wait for it!- back at it again, only this time it seems he’s gone and traded off a drumstick for…” I paused to drum quite the anticipating beat against the tabletop, and as stoic as I could, I then added, “A joint!” And a smug grin made its way up onto my lips when I heard Adi’s faint cackle echo from just outside the booth.
“Honestly, I swear that everything this man does makes the rags! Reckon I saw an article about how he took his tea one time. And like, do me a favour, yeah? A man of the people though, in’t he? He’s got to be! I mean, just look at this headline. Fucking who the hell writes this shit?”
Tossers, I supposed. But even so.
“It’s madness.” I muttered, clucking my tongue, “But anyway, I’m guessing that most people claim him to be the epitome of a realtime rockstar, and sure, he might just be. 'Sex, drugs, rock & roll', all that shit. But how much longer is it going to last until everything goes tits up, hey?
“I mean, Healy can pretty much do whatever he wants at this point, he’s got half the world either falling at his feet or complaining about him- has done since he was what, a kid? Following his parents among the shadows of their fame before he stepped out and made an actual name for himself. It is insane to see how much he’s changed though!”
And it was. He and his band had risen to fame so evidently, their music was everywhere, they sold out shows constantly, and had the privilege to fly across the globe doing whatever they pleased. But they’d also practically grown up in the limelight, Matty especially. So it was hard not to notice the resounding changes. 
“But, if I am being truthful. And when am I not? I thought that most of the shit that went around about him at first was a load of crap- publicity of sorts, if you get where I'm going with that. Or just him being an idiot, a lad who’s had to grow up with all these cameras on him all the time and had to basically learn what he can and can’t say in front of them. Slipping up from time to time, like most do. But, now? I’m honestly not too sure… It’s just a bit sad. In’t it? There was so much potential there.”
I shrugged, a hearty sigh falling with my shoulders.
“I actually used to quite like his stuff a couple years ago, he’s got a way with words, with just music overall really. Reckon if he’d gotten his shit together he could’ve been ranked higher up on the list of rockstars. Could’ve changed or paved a way for newer musicians. But not so much anymore. His songs lack the passion they once had, they’re not what they used to be. He works hard, I’ll give him that. But, I can’t help but wonder if it’s just his band pulling his dead weight along with them now.”
I took a slow breath, then gazed down at the small amount of sticky notes I had pinned to the monitor beside me: the next segment. I’d have to wrap this one up quickly.
“Maybe that’s a bit harsh.” I said, “But honestly, I just hope he takes an actual break sooner rather than later. The band looks spent and he just seems like he could do with some time away from all the cameras and prying eyes. Just so he can sort himself out good and proper, you know? Then again, that’s just my opinion among a sea of many.”
Truthfully? I really did think that Matty had talent, and he seemed like a sound enough guy- or at least he had done, a couple of years back, before all the controversy and whatever else. Now though, the guy just seemed so caught up in it all, in the fame, the tabloids, the drama. Unaware of just how far he’d fallen.
Me, I’d seen it one too many times before, with many of the greats even, and as painful as it was to watch, what more could I do, or say? I'm a nobody in comparison.
I blew out a short breath.
“Fuck, that got all serious didn’t it?” I tried to laugh off and only felt a little more at ease when I glanced up and caught Adi’s sincere smile, “Anyway, onto our next segment, reading a couple of your lots tweets! Let's see what everyone's saying about our amazing Adi today, hey? What was it last week, Ads- those yellow trousers you were wearing?”
--
“Oi, will you two stop mucking about, please? We’ve got to get going!” I scolded without any real heat, shaking my head as I held back chuckles, always amused by the infamous pair. 
I’d not long left the studio, having walked with Adi to the nearby train station before heading over to Finn’s, and was currently packing away the belongings that had been messily upended from the Spiderman backpack I was often seen carrying about. 
My gaze wandered over to the other side of the room once I’d teethed together the bag’s plastic zipper, over to where my son, Teddy, was currently in the midst of being whirled around by his godfather, tawny coloured curls flying in every-which direction as his cheeky grin grew even more prominent.
I felt the corners of my mouth tug upwards as I watched my best mate laugh at whatever the toddler had just said, tickling the boy’s sides too. If I was feeling incredibly sappy, I’d tell Finn then just how thankful I was to have him around, because he truly was incredible. 
From the moment I’d found out that I was pregnant, Finn had been there for me. He loved my son almost as though Teddy was his own, he adored the kid like no other and had placed him on a pedestal above everyone else since the day he was born. 
Finn was always free to take teddy whenever I had the show to fret about too, or if I was ever in dire need of another helping hand. He was fiercely protective of the two of us and I knew in the very depths of my heart that there would never be a hair harmed on my son’s head as long as he was around. 
I was pulled from my thoughts just as the toddler in question came bounding over, giggling uncontrollably as Finn chased after him, his arms stretched out wide and crouched down to mimic the small boy's height. I couldn't help but notice the matching grins they both wore.
“Help!” Teddy squealed as he flung himself into my awaiting arms, allowing me to wrap him up and settle him safely on my hip, using my frame as a shield to block him from Finn’s view.
"You can't hide from me Teds, I’ll always find you!" Finn taunted playfully, laughing merrily as he wiggled his fingers at Teddy, who was only just peeking out at him from over my shoulder.
Teddy squirmed in my grasp, giggling and screaming senselessly as he tried to dodge Finn’s oncoming hands that had since managed to softly graze his sides. I could only roll his eyes in fond exasperation, the pair never failing to brighten my day, and I couldn't help but feel ever so grateful for whatever being had brought Finn into both mine and Teddy’s lives.
You see, Finn was the closest thing I’d ever had to a brother, let alone a best friend. He’d been the family I’d never known I’d needed, a home away from home. And I knew that I could always count on him for just about anything and he had proved that the day I’d turned up on his doorstep in the pissing rain one Tuesday night, utterly terrified after having just found out that I was pregnant. 
“Alright, you lot!” I began, batting away one of Finn’s oncoming hands as he made to grab at Teddy's tiny ankle. “We've got to get home in time for your bath and tea, and I think Finn here has to pick up Liv from work.”
I was directing my voice towards the toddler in my arms but also sent a knowing look Finn’s way, one which caused the man’s eyes to widen in immediate realisation. ‘Liv’ was actually Olivia, Finn’s newest fling, only she had managed to last quite a while longer than the rest, a new record for him really. 
“Shit, yeah.” Finn muttered before he hurried over to his desk in the far corner. I could only chuckle quietly, Teddy joining in too when he noticed, and watch on as he hastily started to grab at an array of items, shoving them into his jean pockets. Phone. Wallet. Keys.
When he was finished, Finn spun back around towards us and shot an accusing brow our way, not too pleased about having been the source of our amassment. Teddy and I couldn't help ourselves then and laughed a little harder at his impervious expression. 
With that done and over with, I pressed my nose against the side of Teddy's head and smiled contently into his curls whilst Finn merely rolled his eyes at us, chuckling before he made a start for the door. I followed just behind, Teddy's backpack slung low over my shoulder and a happy little boy nestled in my arms.
***
People lover @/user1 Imagine being a mediocre radio host and thinking you know the ins and outs of the music industry.. #CancelMouse 102 @/user2  Don't mind me, reckon I just found my new favourite radio show:) Ugh! @/user3 Mouse sounded proper excited today but switched up so quick when that 75 bloke came up:// Soloveme @/user4 Hate to see people supporting toxic behaviour, sit down.  Milk @/user5 Don’t hate me, I'll forever be a matty girlie!! But @Mouseonamic I kinda agree?? Paris @/user6 Do you think he’s seen it yet? > Too_shy @/user7 Probably, it’s trending rn >> Drummepls @/user8 Hope he’s okay and doesn’t take it as a personal attack.. 
He should’ve known really.
He should’ve fucking known.
Even in his drunken state he should have known not to look at what they were fucking saying about him. Slumped on the floor of his hotel room, propped up against the bathroom door, too exhausted to think about moving, let alone try.
He’d only heard a snippet, caught the last of it in the cab ride back from the club the band had found themselves in. But he had heard it, and he’d listened. 
"He's got the whole world falling at his feet." He fucking wished. "Changed." Too right. "A load of crap- publicity of sorts, if you get where I'm going with that- but now I'm not too sure." Laughable, man. "It's just a bit sad." The story of his fucking life. "Potential." When’s he never not disappointing someone? "Lacks passion." Passion lies in living, mate, and he hasn't felt alive in a very long time. 
"Not what it used to be." Who he used to be.
He lit another cigarette from a crumpled pack he’d pulled from his back pocket. Watched on as a curl of smoke unfurled in the air. He only wished he’d brought something upstairs with him, or grabbed one of the little bottles from the minibar before deciding he’d needed a piss. But if he closed his eyes hard enough he could imagine it all going dark, the world fading around him. 
Though, even then he still couldn’t quite muffle the loud, pitying laugh that escaped him as he continued to scroll through the mass of tweets that never faltered. They were like a freight train, unable to stop.
Matty wiped his nose on his sleeve.
Never had he ever felt so fucking lost. Desperate for everything to just pause for a second. To stop and leave him alone for a bit. The world to let him wallow in the dark, dank pit he's hollowed out for himself.
But what a fucking life, hey.
Carelessly, he thumbed across the dimming screen, his intoxicated mind too focused on the task at hand to remember why exactly it was he was even sitting there on the cold bathroom floor. Something to do with Hann, he supposed, or George. Perhaps another heated encounter? Probably.
The sound of his phone's keyboard echoed off the surrounding walls and Matty breathed out a self-depreciating chuckle when he clicked send on the tweet he’d curated, not caring enough for the consequences. Hardly even thinking, in truth. He was far too gone to care anymore, already knew firsthand what the consequences would be tomorrow. But at that moment, he just wanted honesty. To tell the truth, for once. To let them all know that he knew he was a shit excuse for a person.
What more could the world possibly say anyway? 
Everyone around him was the same. He was simply just a puppet on a string. They’d make him sing and dance until the day he finally wrapped those wired strings tightly around his neck, and then all they'd be able to do is sit back and watch the show. And he'd enjoy every unabating second of it.
Matty @/trumanblack 10s ago Radio shows are sick man, gotta love them! And I sort of am sad haha. And I do lie, we all lie, I spose. But just listen to the radio, kids!
He laughed silently after, amused with himself, and tossed the phone off somewhere off to the side so he wouldn’t have to look at it again. 
Bullshit. It was all just fucking bullshit.
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wttcsms · 2 months
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wttcsms wags blind bag, one shot collection ;
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about poking fun at blind items & wanting to explore wag culture (and also looking for any reason to write about hot anime athletes), this fic collection's theme is inspired by/based off of... well, blind items about wags!
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you're what i wanna love on, shugo meian
at the height of peak stardom, you're not just japan's pop princess — you're everyone's. with it comes controversy; your infamously short dresses, the late night parties you attend after every concert, your outrageously expensive concert tickets and merch, your racy performances that have concerned mothers going on social media saying you're a bad influence. adding to your list of typical pop star transgressions, you also have a hot, successful, wildly successful and just barely controversially older boyfriend!
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but it would've been fun (if you could've been the one), tooru oikawa
from high school rivals to long-distance college sweethearts to perhaps the couple that got eloped way too early, it's no surprise that you and oikawa end up divorcing soon after getting married. while in your case it seems like love might be a losing game, you and oikawa both only play to win. when the olympics brings you two together once more, there's a good chance you two can reconcile and get your relationship back and better than it was before — or, go down with this sinking ship. with either outcome, at least you two are doing it together.
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something to lose, shoyo hinata
heartbroken, jaded, and convinced that all men are garbage, you don't plan on anything happening when you're invited to an after party for a profession volleyball team in order to boost said team's publicity. you don't plan on making any friends or meaningful connections, and you certainly don't plan on getting the number of one of their star player's, shoyo hinata. then again, a lot of things don't go as planned when he's involved, and you don't expect yourself to be happy about these turns of event, but for once you are; happy, that is. and it's all his fault.
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easy like sunday morning, wakatoshi ushijima
wakatoshi ushijima is notorious for his devotion to two things: volleyball and his family. during his post-game interview where he's been away from home for nearly two months, interviewers are asking him if he's excited to attend the rowdy after party to celebrate. ushijima's answer? he's taking a flight directly after this interview to head back home. he plans on celebrating the only way he knows how to: by finally being able to tuck in his sweet kids to bed, and then show his beloved wife how much he's missed her.
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it's the same damn thing that made my heart surrender, koutarou bokuto
before he gets scouted by the msby black jackals and becomes one of japan's most famous athletes of all time, he's a struggling athlete trying his hardest to get a contract. during the off-season for recruiting, he decides to make some extra cash by using his looks and charms to become a contestant on a reality dating show, where he meets you: beautiful, intelligent, ambitious you, who is so clearly out of the league for anyone. you adore him, and you two have the strongest connection out of everyone on the show, so when he ends up picking someone who's not you, you're shocked. you don't know that he thinks he's doing you a favor because he believes he'll only ever hold you back. when the show invites you two for a reunion episode special, bokuto can only hope your feelings haven't changed.
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burn out season, michael kaiser
what do you do when suffer a potential career-ending injury? hopefully not get diagnosed with depression, find out that because you devoted your whole life to your sport, you now have no sense of what to do without it, and then realize the only person who really Gets You is the only person who can irritate you like no one else does. hopefully you don't start to spend your newfound free time with him, and hopefully, you don't start to experience all the fun firsts in your life because of him and with him. or, maybe hopefully you do.
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life could be a dream, yoichi isagi
getting together was no easy feat, and yoichi wants to show you how happy he is that you're his. he showers you with presents, shows you off at any given chance, always has a hand on the small of your back or around your waist. his possessive streak only grows when he finally slips that expensive engagement ring on your finger, and he shows you just how good married life is going to be for you.
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i was supposed to sweat you out, michael beckenbauer
michael beckenbauer doesn't give a shit about japan, or the other subpar racers who have the nerve to get behind the wheel of the cars just to lose by a wide margin to him, or about how he's perceived by the media. he just wants to finish out this season, return home, and maybe find some worthy competition. he doesn't care if it's your job to try to brighten up his image; he never asked for a publicist, and in typical michael fashion, he's going to go out of his way to get you to quit. he has a bad tendency to underestimate his opponents, though, and off the track, you just might be his worthiest competition yet.
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entomjinx · 9 months
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Uta is NOT a Mary Sue
I wrote this on twitter for a "what's a controversial One Piece opinion" post, but I definitely want it here too. Also I apologize for any typos, as I'm physically incapable of not making at least one.
Uta, by definition, is not a Mary-Sue despite how people seem to believe so due to her past, abilities, family, and how she's introduced into the story.
Definition: The term "Mary-Sue" comes directly from whether or not the character in question is 2 dimensional, depicted as lacking any flaws, which makes them unrealistic, and the rules of the story tend to bend to them second they would stop the character. Other notable things about Mary-Sues is that they are typically free of any weaknesses, they're innately virtuous, and typically attractive.
So let's break this down bit by bit.
Right off the bat, I will say she's attractive, but so are most characters in One Piece. If attractiveness is all it took to make a Mary-Sue, then everyone would be a Mary-Sue. It's the same with the fact that she has a unique design.
Uta has several very clear weaknesses:
One: her devil fruit is stamina based. If she falls asleep, they all return to their bodies. If she dies, they die with her. She has to die to take her opponent down like that, and it is therefore, a weakness.
Two: she doesn't fight much outside of the song-world. This could be because of a lack of training to fight, as shown by her unwillingness to harm someone's body. Instead, she has to have unconscious people fight for her.
Three: If they can't hear her, they're unaffected. There is a whole scene depicting marines in headphones to block her voice, and it works until they're knocked off.
Four: she's not omnipotent while in the song-world. Several people were able to hide from her and the things she created.
Five: she can't alter a person's will, only their form. Sunny, Bepo, and Blueno fought against her after their bodies were changed. The people from the audience still called out for Uta to stop.
I could continue, but I think these get the point across.
She's not virtuous; she's morally gray, like most characters in One Piece.
She wants to start a new era, but the way that she plans on doing so removes people's freedom and will kill them. That's not virtuous, even if she believes it is. It makes her similar to a cult leader. Even if they somehow had everyone's best interest in mind, wouldn't call a cult leader virtuous, would you?
Everything above covers how she has character flaws, but I'm going to add a few more.
She begins to panic when things don't go how she expects them to. That's why the audience gets turned into stuffed animals and such. If they won't stay themselves, then she has to keep them there.
She was eating wake-shrooms the whole movie. Those are literally in universe stimulant drugs. Another point against virtuous and towards character flaws.
She didn't seek help for the things that were bothering her, which ultimately led to her crazed idea. Her isolation led to her being so independent that she probably didn't know asking for help was an option.
And finally, the big one: is she a two dimensional character? Definition first: a 2 dimensional character is a character with little to no character development. They're too simple, and show little to no serious thought. The have no real dimension to them.
Guys, the whole movie is about her. We see how her trauma changed her from loving being a part of the red haired pirates to not being able to stand pirates at all. How her lack of outside help and isolation only made everything worse, and what ut eventually turned into. We see her realize she was wrong the second she's able to process a fraction of what she's done, which if you pay careful attention to the movie, you know that not all of it was fully her. Parts of it were the wake-shrooms, which make people slowly go insane. (How many shows was she using one or two on, I wonder?). Some theories even believe that Tot-Music was still affecting her mind after the first summon, but I digress.
She just needed help.
There's so much more I could put into this analysis, but I've made my point. She's not a 2 dimensional character.
To address some of the concerns I know will come up:
"She's the daughter of the strongest Yonko." Being Shanks' daughter doesn't make her a Mary-Sue anymore than being Garp's grandson and Dragon's child makes Luffy one.
"She's Luffy's childhood friend. He was supposed to be alone." Being friends with Luffy doesn't make her more of a Mary-Sue. If anything, it adds more depth to both characters, as it helps explain why Luffy wanted a musician so badly. It also explains part of his hatred for loneliness. He had one friend who went missing and he never saw her again. ("Being alone is more painful" -Luffy's flashback post Marineford) -She was adapted into that spot of the story very well. "Luffy's never mentioned her before." Luffy never mentioned Ace before Alabasta either. In case you haven't noticed, Luffy doesn't really talk about things unless he's asked directly or has a direct reminder.
"She's so overpowered that she almost killed 70% of the world at once." Yes and? Kaido regularly attempted suicide. Big mom steals people's life spans. Luffy has a god devil fruit that the government renamed because they couldn't get a hold of it for 800 years.
All of them are objectively stronger than Uta in terms of strength. She had to become popular enough for most of the world to listen to her, and then strategize exactly how this would play out. There's also the fact that some people may be immune because of Haki (gorosei)
She had a plan and it was effective because she blindsided everyone with it. That's a talent and a half, and it wouldn't work more than once.
It also has nothing to do with whether or not she's a Mary-Sue and I think it's silly to bring it up, but I know how people are.
And finally: nothing is stopping you from continuing to dislike her. You don't have justify disliking her by calling her something she isn't. If she doesn't vibe with you, she doesn't vibe with you. Everyone has things they dislike, and that's perfectly normal.
If you'd like to know what an actual Mary-Sue looks like, then I recommend trying to read just five chapters of "My Immortal," with the main character Ebony Darkness Dimentia Raven-way, the Mary-Sue of Mary-Sues. Everything is so exaggerated that it's easy to spot.
If you genuinely want to discuss any of this, then I'm down to talk about it, but if you're here to hate and didn't even bother to read everything, then I'm not interested.
Thank you to everyone who made it this far, and I hope you have a good day <3
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fordtato · 7 months
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So an anon sent a me link to a Spicy Gravity Falls Hot Take asking me my thoughts on it, and I just don't think that's something I wanna encourage on this platform. Like, I don't have a TON of followers but I have more than the average user and it would feel weird to personally shine a spotlight on a controversial post, especially one without much traction, whether I agree with it or not.
If it makes the rounds to my dash that's one thing (though I typically avoid responding to fandom discourse these days), but an anon sending me the link feels very much like someone either does like the take and wants to know if i agree and Join The Mabel Discourse, OR they don't like it and they want to sic me at em and have me bash it (or call attention to it and let my followers bash it).
So this is just a general FYI that I'd rather not get links to discourse.
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Fandom song animatic tournament: Bracket 1 Side B
Everybody Talks - Neon Trees
"It started with a whisper And that was when I kissed her And then she made my lips hurt I could hear the chit-chat"
Under My Skin - Jukebox The Ghost
"I can feel your heart beating under my skin And the beating of your heart is making me bleed from within And if we cut open your heart, pour it in a cup Do you think it'd be enough, do you think it'd be enough To fill… my heart with music?"
Remember that we're voting on how Iconic they are for ANIMATICS, not for the song itself. In order to make things fair, the tone and mood of the song should not affect how iconic it is (for example, a serious song should not be considered more iconic than a joke song just because it's serious)
Propaganda and animatic links of the songs under the cut:
Everybody Talks - Neon Trees
Propaganda:
No Propaganda Submitted
Animatics with the song:
Ace Attorney Narumitsu Animatic
BNHA EraserMic Animatic
Stardew Valley Shane x Farmer
Steven Universe Spinearl
Under My Skin - Jukebox The Ghost
Propaganda:
No Propaganda Submitted
Animatics with the song:
Danganronpa 2
BNHA
Warrior Cats Bramblestar and Ashfur Animatic
DSMP
Mia's World
Please be cautious and read the title, description and warning cards on the animatic videos if you decide to watch them. If you've got specific triggers I'd recommend even more caution when watching animatics of fandoms you don't know, since sometimes canon-typical themes don't get warnings.
Please keep in mind that I don't know all the media and fandoms of the animatics provided as examples and I don't have the time (nor the will) to research them all. Don't come into my notes or my ask box complaining about them being included, I will simply block you. If a ship animatic included is about an adult and a minor, do tell me and I'll take it out of the post
ALSO keep in mind that I don't know all the artists submitted; in fact, even if I do know them I do not know absolutely nothing about them as people (I do not have twitter nor tiktok) and I could not POSSIBLY have the time to research ALL of the artists' controversies and what came of them so PLEASE don't flood my inbox with the artists' entire crime list.
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-> A love story through songs
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King's Cross -> Everything has changed - Harry's pov
I know! Controversial take. But that Harry has a subconscious attraction to Ginny from the start is canon. And, the scene of Harry looking at Ginny running after the train is literally the one paralleled in the very last scene of the saga, so don't try and tell me it's not a major scene. At that moment everything does change.
All I knew This morning when I woke Is I know something now Know something now I didn't before
I just wanna know you better, know you better, know you better now I just wanna know you, know you, know you
'Cause all I know is we said, "Hello" And your eyes look like comin' home All I know is a simple name And everything has changed All I know is you held the door You'll be mine and I'll be yours All I know since yesterday Is everything has changed
The Burrow -> Enchanted - Ginny's pov
This night is sparkling, don't you let it go I'm wonderstruck, blushing all the way home I'll spend forever wondering if you knew I was enchanted to meet you
While the song talks about an encounter with more conversation than the amount Harry and Ginny have at this point, the general concept is the one of meeting someone for the first time and being enchanted by them.
Post-Chamber -> Superman - Ginny's pov
And you smile and say, "How are you?" I'll say, "Just fine" I always forget to tell you I love you, I love you forever
This reminds me of Ginny being tongue-tied around Harry and not being able to express herself properly.
I watch superman fly away You've got a busy day today Go save the world, I'll be around And I watch superman fly away Come back, I'll be with you someday
Ginny watching Harry "saving the world" and generally observing him from afar, fantasizing about being one day with him when he'll stop being so busy to not even notice her.
And I hope you don't save some other girl Don't forget, don't forget about me I'm far away but I'll never let you go I'm lovestruck and looking out the window
Ginny being afraid of being just one girl he once saved.
Yule Ball -> You Belong with Me - Ginny's pov
I'm in the room, it's a typical Tuesday night I'm listening to the kind of music she doesn't like And she'll never know your story like I do
If you could see that I'm the one Who understands you Been here all along So, why can't you see? You belong with me You belong with me
Ginny finding out Harry invited Cho to the Ball, watching him watching her... while believing she would be the right choice for him.
Moving on -> Begin again - Ginny's pov
And you throw your head back laughing Like a little kid I think it's strange that you think I'm funny, 'cause He never did
I've been spending the last eight months Thinking all love ever does Is break and burn, and end But on a Wednesday in a cafe I watched it begin again
This song talks about moving on from a bad relationship and finding out the enjoyment of a relationship again. And Harry here is the "bad" guy. While Ginny and Harry hadn't dated yet at this point, Ginny was deeply emotionally invested in the idea of being in a relationship with him and it only brought her heartbreak. Letting go of that allows her to start dating Michael, and find out that liking someone can be simply fun, and enjoyable.
Fifth year -> New Year's Day - Ginny's pov
Don't read the last page But I stay when it's hard, or it's wrong, or we're making mistakes I want your midnights But I'll be cleaning up bottles with you on New Year's Day
This song talks about wanting to be there for someone even at their lowest. Even when the party is over and it's time to clean up. Now, tell me this is not what Ginny does for Harry in OotP.
Harry's realisation -> Jump then Fall - Harry's pov
I like the way you sound in the morning We're on the phone and without a warning I realize your laugh is the best sound I have ever heard I like the way I can't keep my focus I watch you talk, you didn't notice I hear the words but all I can think is We should be together
Well, this song is about realising that you are in love with someone you already care about. Very self-explenatory.
Ginny's denial -> Gorgeous - Ginny's pov
You should take it as a compliment That I got drunk and made fun of the way you talk You should think about the consequence Of your magnetic field being a little too strong And I got a boyfriend, he's older than us He's in the club doing, I don't know what
Dean is probably older than Harry so even that checks out.
This is obviously about Ginny being attracted to Harry but still being with Dean, wanting Harry with her in delicate moments like when Ron gets poisoned but not wanting Dean. In short, refusing to admit that she should break up with Dean and just snog Harry.
Also, a friendly reminder that Ginny canonically does Harry's impression.
Harry's pining -> Speak Now - Harry's pov
This is surely not what you thought it would be I lose myself in a daydream Where I stand and say
Don't say yes, run away now I'll meet you when you're out of the church at the back door Don't wait, or say a single vow You need to hear me out And they said, "Speak now"
Taylor here uses the very dramatic metaphor of barging in at a wedding to tell about loving someone that is with someone else and knowing they aren't right together. This dramatic attitude is very Harry-ish and sounds like something out of his daydreams.
Ginny's break-up with Dean -> Getaway car - Ginny's pov
You were drivin' the getaway car We were flyin', but we'd never get far Don't pretend it's such a mystery Think about the place where you first met me Ridin' in a getaway car There were sirens in the beat of your heart Should've known I'd be the first to leave Think about the place where you first met me In a getaway car, oh-oh-oh No, they never get far, oh-oh-ahh No, nothing good starts in a getaway car
"X" marks the spot where we fell apart He poisoned the well, I was lyin' to myself I knew it from the first Old Fashioned, we were cursed We never had a shotgun shot in the dark (Oh!)
Ginny gets in a relationship with Dean right after breaking up with Micheal and Dean always seems to consider the relationship far more serious than Ginny ever does. And all that time she was in love with Harry.
Ginny's realisation -> Labyrinth - Ginny's pov
Breathe in, breathe through Breathe deep, breathe out I'll be getting over you my whole life
Ginny and her curse of being unable to get over Harry.
Uh oh, I'm falling in love Oh no, I'm falling in love again Oh, I'm falling in love I thought the plane was going down How'd you turn it right around
Accepting that she is very much not given up on him.
Harry's conflict -> Gold Rush - Harry's pov
This is a bit of a stretch because the person that sings here decides to not go for it in the end but there are some very interesting lyrics.
At dinner parties, I call you out on your contrarian shit And the coastal town we wandered 'round
Something I've always really loved about Harry's relationship (not even romantic) with Ginny is that he never had a problem calling her out, he was never afraid of losing her because of it. He is never afraid of being confrontational with her.
I don't like anticipating my face in a red flush I don't like that anyone would die to feel your touch Everybody wants you Everybody wonders what it would be like to love you
Harry killing himself over the idea of someone else asking Ginny out before him. The chest monster at its finest.
What must it be like To grow up that beautiful? With your hair falling into place like dominoes My mind turns your life into folklore I can't dare to dream about you anymore
Harry having the whole debate Ginny/Ron and feeling guilty because it doesn't matter how much he tries, he can't stop thinking about her, being around her, laughing with her.
Also, let's be honest, that boy is obsessed with her hair.
Flirting -> It's nice to have a friend - Ginny's pov
Light pink sky up on the roof Sun sinks down, no curfew Twenty questions, we tell the truth You've been stressed out lately? Yeah, me too Something gave you the nerve To touch my hand
Harry and Ginny's transition from friends to lovers that starts speeding up after she breaks up with Dean
Dating
-> Call it what you want - Ginny's pov
I want to wear his initial On a chain round my neck, chain round my neck Not because he owns me But 'cause he really knows me Which is more than they can say, I I recall late November, holdin' my breath Slowly I said, "You don't need to save me But would you run away with me?"
My baby's fit like a daydream Walking with his head down I'm the one he's walking to So call it what you want, yeah, call it what you want to
Ginny being a safe refuge for Harry and Ginny wanting to be with him despite the fact she knows they won't have much time. She chooses to be with him despite knowing there's no future (therefore call it what you want).
-> King of my Heart - Harry's pov
Yes, Ginny is the king of Harry's heart. King, Queen, the entire court.
Late in the night, the city's asleep Your love is a secret I'm hoping, dreaming, dying to keep Change my priorities The taste of your lips is my idea of luxury
Harry letting go of all the stress of being the Chosen One. She changes his priorities.
'Cause all the boys girls and their expensive cars With their Range Rovers and their Jaguars Never took me quite where you do (where you do)
Well, use your imagination a bit here. Harry can have every girl he wants but he just wants Ginny. Also, technically Ginny is poor and Harry rich so...
And all at once, you are the one I have been waiting for King of my heart, body and soul, ooh whoa And all at once, you're all I want, I'll never let you go
Harry not worrying about the end even if somewhere in the back of his mind he knows what it's going to happen.
Is this the end of all the endings? My broken bones are mending With all these nights we're spending Up on the roof with a school girl crush Drinking beer out of plastic cups Say you fancy me, not fancy stuff Baby, all at once, this is enough
Harry around Ginny becomes this incredibly normal guy. Just a teenager.
-> The lakes
They spend too much time at the lake to not put this song.
Take me to the lakes where all the poets went to die I don't belong, and my beloved, neither do you Those Windermere peaks look like a perfect place to cry I'm setting off, but not without my muse
At the lake it's just the two of them, forgetting about anything else. And they don't belong, do they? Forced to grow up too fast, with pasts far too dark.
Break-up -> Wildest dreams - Ginny's pov
He said, "Let's get out of this town Drive out of the city, away from the crowds" I thought Heaven can't help me now Nothing lasts forever But this is gonna take me down
He's so tall and handsome as hell He's so bad, but he does it so well I can see the end as it begins My one condition is
Say you'll remember me Standing in a nice dress Staring at the sunset, babe Red lips and rosy cheeks Say you'll see me again
Someday when you leave me I bet these memories Follow you around
Getting into a relationship that you know is doomed from the start. Ginny not crying, not putting up a fight, leaving as lasting memory her strength.
Post break-up -> Tied together with a smile - Ron's pov
Yep. Ron's pov.
Hold on, baby; you're losing it The water's high, you're jumping into it And letting go, and no one knows That you cry; but you don't tell anyone That you might not be the golden one And you're tied together with a smile But you're coming undone
I guess it's true that love was all you wanted 'Cause you're givin' it away like it's extra change Hoping it will end up in his pocket But he leaves you out like a penny in the rain Oh, 'cause it's not his price to pay It's not his price to pay
Ron is the only one that knows how much Ginny suffers from the break-up and seems to hold some resentment towards Harry for how he behaved. We see it when they fight after Harry and Ginny's birthday kiss but also in the big argument that makes Ron leave the Horcrux hunt.
Stolen kiss -> Sparks fly
Honestly this entire song is about the kiss in Ginny's room.
Harry's pov:
The way you move is like a full on rainstorm And I'm a house of cards You're the kind of reckless that should send me running But I kinda know that I won't get far
And you stood there in front of me just Close enough to touch Close enough to hope you couldn't see What I was thinking of
Ginny's pov:
Drop everything now Meet me in the pouring rain Kiss me on the sidewalk Take away the pain 'Cause I see, sparks fly, whenever you smile
Get me with those green eyes, baby As the lights go down Gimme something that'll haunt me whenever you're not around 'Cause I see, sparks fly, when you smile
Harry and Ron's fight -> Hits different - Harry's pov
I pictured you with other girls boys in love Then threw up on the street
When it occurs to him that he isn't going to marry Ginny, and he imagines her married to someone else he claims the sun disappears.
Nothing has ever felt so wrong
Emotional trauma.
Movin' on was always easy for me to do It hits different It hits different 'cause it's you
This is quite literally the complete opposite of when things with Cho ended.
Bill and Fleur's wedding -> The Story of Us - Harry's pov
Harry at the wedding cursing himself for not being able to be with Ginny. Pining!Harry at his finest in my opinion.
I used to think one day we'd tell the story of us How we met and the sparks flew instantly People would say, "they're the lucky ones"
I used to know my place was a spot next to you Now I'm searching the room for an empty seat 'Cause lately I don't even know what page you're on
This song, I swear...
So many things that I wish you knew So many walls up I can't break through
Harry has recently realised that he has no future with her and pines from afar:
Now I'm standing alone In a crowded room And we're not speaking and I'm dying to know Is it killing you like it's killing me yeah I don't know what to say since the twist of fate When it all broke down and the story of us Looks a lot like a tragedy now
How'd we end up this way? See me nervously pulling at my clothes And trying to look busy And you're doing your best to avoid me I'm starting to think one day I'll tell the story of us How I was losing my mind when I saw you here
During the War -> Dancing with our hands tied - Ginny's pov
I dare you to tell me this is not Ginny missing Harry during the war.
I, I loved you in secret First sight, yeah, we love without reason
I could've spent forever with your hands in my pockets Picture of your face in an invisible locket You said there was nothing in the world that could stop it I had a bad feeling
I, I loved you in spite of Deep fears that the world would divide us
A song about living a secret love while the world has its eyes on you. It doesn't get more hinny than this.
Right after the Battle -> Afterglow - Harry's pov
Hey It's all me in my head I'm the one who burned us down But it's not what I meant Sorry that I hurt you I don't wanna do, I don't wanna do this to you I don't wanna lose, I don't wanna lose this with you I need to say, hey It's all me, just don't go Meet me in the afterglow
The uncertainty of where they stand after the war. Harry's awareness he fucked up in the Room of Requirments when he told her to not fight but also his standing by it.
It's so excruciating to see you low Just wanna lift you up and not let you go This ultraviolet morning light below Tells me this love is worth the fight, oh
But also Harry's resolution to talk to Ginny.
I lived like an island, punished you with silence Went off like sirens, just crying Why'd I have to break what I love so much? It's on your face, don't walk away, I need to say
His longing to be with her because she is everything to him mixed with guilt:
Tell me that you're still mine Tell me that we'll be just fine Even when I lose my mind I need to say Tell me that it's not my fault Tell me that I'm all you want Even when I break your heart
Days to talk -> The Great War - Harry's pov
Listen, there's no way in hell they didn't argue after the war about some things that Harry did (cough cough room of requirements business) and between traumas and the topics at hand and their tempers there must have been at least one very bad argument. And I think it made Harry panic a bit about losing her due to the previously mentioned trauma.
All that bloodshed, crimson clover Uh-huh, sweet dream was over My hand was the one you reached for All throughout the Great War Always remember Uh-huh, tears on the letter I vowed not to cry anymore If we survived the Great War
You drew up some good faith treaties I drew curtains closed, drank my poison all alone You said I have to trust more freely But diesel is desire, you were playin' with fire And maybe it's the past that's talkin' Screamin' from the crypt Tellin' me to punish you for things you never did So I justified it
Harry's questionable actions towards Ginny are due to his crippling fear of her dying like all the people he previously called family.
Getting back together -> Invisible string - Harry's pov
Time, curious time Gave me no compasses, gave me no signs Were there clues I didn't see? And isn't it just so pretty to think All along there was some Invisible string Tying you to me?
These lyrics are like Hinny: the summary.
A string that pulled me Out of all the wrong arms right into that dive bar Something wrapped all of my past mistakes in barbed wire Chains around my demons, wool to brave the seasons One single thread of gold tied me to you
Harry and Ginny are tied together since the very first time he sees her at King's Cross, and finally, after the war, everything falls into place.
Post War -> Peace - Harry's pov
This song is the definition of Harry and Ginny in the summer after the war.
Our coming-of-age has come and gone Suddenly the summer, it's clear I never had the courage of my convictions As long as danger is near And it's just around the corner, darling 'Cause it lives in me No, I could never give you peace
Harry is aware that he can never really give Ginny peace due to who he is.
But I'm a fire, and I'll keep your brittle heart warm If your cascade ocean wave blues come All these people think love's for show But I would die for you in secret The devil's in the details, but you got a friend in me Would it be enough if I could never give you peace?
But Harry wants to be there for Ginny (honestly, it's all he wants to do for the entire last book) and he hopes that's enough.
And you know that I'd swing with you for the fences Sit with you in the trenches Give you my wild, give you a child Give you the silence that only comes when two people understand each other Family that I chose, now that I see your brother as my brother Is it enough?
This is quite self-explanatory.
Healing together -> Daylight - Harry's pov
The pain is a lot after the war but they have each other and that makes everything a little bit better.
I don't wanna look at anything else now that I saw you I don't wanna think of anything else now that I thought of you I've been sleeping so long in a 20-year dark night And now I see daylight, I only see daylight
Like daylight It's golden like daylight You gotta step into the daylight and let it go Just let it go, let it go
I wanna be defined by the things that I love Not the things I hate Not the things that I'm afraid of, I'm afraid of Not the things that haunt me in the middle of the night I, I just think that You are what you love
The press -> Lavender Haze
We all know the press had a field day when they discovered their relationship.
Harry's pov:
Staring at the ceiling with you Oh, you don't ever say too much And you don't really read into My melancholia
I've been under scrutiny (yeah, oh yeah) You handle it beautifully (yeah, oh yeah) All this shit is new to me (yeah, oh yeah)
Ginny's pov:
I feel a lavender haze creeping up on me So real, I'm damned if I do give a damn what people say No deal, the 1950s shit they want from me I just wanna stay in that lavender haze (Ooh, ooh, whoa whoa whoa whoa whoa)
All they keep asking me (all they keep asking me) Is if I'm gonna be your bride The only kind of girl they see (the only kind of girl they see) Is a one night or a wife
This is not really about Ginny not wanting to get married but about how everyone has their opinion and their expectations.
But in the end nothing of this really matters because:
Get it off your chest Get it off my desk That lavender haze I just wanna stay I just wanna stay In that lavender haze
Living together -> Sweet nothing - Harry's pov
Ginny being Harry's safe space from being Harry Potter.
'Cause they said the end is coming Everyone's up to something I find myself running home to your sweet nothings Outside, they're push and shoving You're in the kitchen humming All that you ever wanted from me was nothing
Industry disruptors and soul deconstructors And smooth-talking hucksters out glad-handing each other And the voices that implore, "You should be doing more" To you, I can admit that I'm just too soft for all of it
Proposal -> Paper Rings
Listen, they married young, there were probably people who claimed they were too young, but they just wanted to get married, it didn't really matter how. And Harry probably proposed on impulse without any big gesture.
Kiss me once 'cause you know I had a long night (Oh!) Kiss me twice 'cause it's gonna be alright Three times 'cause I've waited my whole life (One, two, one two three four!)
I like shiny things, but I'd marry you with paper rings Uh huh, that's right Darling, you're the one I want, and I hate accidents except when we went from friends to this Uh huh, that's right Darling, you're the one I want In paper rings, in picture frames, in dirty dreams Oh, you're the one I want
In the winter, in the icy outdoor pool When you jumped in first, I went in too I'm with you even if it makes me blue Which takes me back To the color that we painted your brother's wall Honey, without all the exes, fights, and flaws We wouldn't be standing here so tall, so
Wedding -> Lover
We could leave the Christmas lights up 'til January And this is our place, we make the rules
These lyrics are meant to be about doing completely normal things together, and Harry and Ginny went through a war to be able to live a normal life together.
And there's a dazzling haze, a mysterious way about you dear
I find something about this strongly reminiscent of that je ne sais quoi that exists from the start between Harry and Ginny.
Have I known you 20 seconds or 20 years?
I think this is a great reference to how immediately comfortable they are with each other from the start of their relationship.
Harry's pov:
Can I go where you go? Can we always be this close forever and ever? And ah, take me out, and take me home You're my, my, my, my Lover
Harry references Ginny as his home more than once during DH, and of course, once they marry that would become official.
Ginny's pov:
Ladies and gentlemen, will you please stand? With every guitar string scar on my hand I take this magnetic force of a man to be my lover My heart's been borrowed and yours has been blue All's well that ends well to end up with you
Ginny waited a very long time to be with Harry and went through at least a couple of heartbreaks but it was worth it in the end.
And back to both:
Swear to be overdramatic and true to my lover And you'll save all your dirtiest jokes for me And at every table, I'll save you a seat, lover
And how can we not conclude this with a reference to Harry and Ginny's shared sense of humour? Something that connected them even before they were proper friends.
The End
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scientia-rex · 7 months
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Hey saw your post about weight loss and I'm a big fan and it makes total sense. Just curious how being overweight affects pregnancy. I feel like because I'm overweight I'm going to have a high risk pregnancy. Not pregnant at all right now but it's been on my mind lately
Oh boy. Weight in pregnancy is a WHOLE other topic, and not in my wheelhouse--I haven't delivered a baby in over two years now. (They love to show up at 3am and I love sleeping.) The short answer is that if you gain more than the recommended amount of weight during pregnancy, baby is also likely to be bigger, and that's a problem because your pelvis is not capable of expanding, so you run a higher risk of shoulder dystocia, which is where the baby actually jams in the pelvis on the way out, which is typically fatal to the baby within 5 minutes if we can't get them out because they can't breathe and their umbilical blood supply is cut off so the oxygen is not available. There is also a higher risk for gestational diabetes, aka high blood sugars in pregnancy, which also raises the risk of a larger baby. HOWEVER, a lot of this raises questions current research doesn't really answer--are fatter people at more risk in pregnancy because they're fat, or are they fat because they're high-risk? And a lot of people who deliver babies, whether they're OBs or family medicine or midwives or, God help us, lay midwives, will go full-on raging fatphobia, which makes it difficult to parse out genuinely helpful advice from terrible bullshit. Obstetrics in general is the least evidence-based medical field, because no one wants to be the asshole who ran a study that somehow hurt babies, so instead we just fumble around blindly in the dark a lot of the time going "well this SHOULD work" and hoping. Also, racism! Huge thing in obstetrics. Black women have 4 times the risk of dying in pregnancy/childbirth as white women, and of course racism and fatphobia dovetail, where fat Black women get treated particularly badly by the medical establishment.
Long story short, the best way to prepare for possible pregnancy is to take the best possible care of YOU--that means exercise and eating lots of veggies, not because that will make you thin, but because it improves your blood vessel and heart health, your bone health, your stash of nutrients that baby will raid during development, your muscle strength, and so on. And take the time BEFORE you want to get pregnant to find a doctor who delivers babies (whether that's an OB/GYN or a family doctor) who treats you like a human being.
And, controversially, I do think it's best to have a doctor for most pregnancies. Not because midwives can't provide excellent care, but because obstetrics is all about the situations where something goes wrong, and we are very bad at predicting who will have something go wrong. The worst delivery I was ever in looked fine on paper. First-time mom, dilated fine, pushing went great, no problems on the fetal heart monitor, baby descended just fine. Then baby crowned, got shoulder dystocia, my attending had to take over for me and do the maneuvers to free the baby, baby comes out and has to go straight to resuscitation, and I look back over at mom to realize more blood is coming out of her vagina than should immediately after delivery, by A LOT, and we almost had to call a massive tranfusion protocol for her. She hemorrhaged 2 liters of blood in minutes. Then she developed post-partum preeclampsia, which can be fatal if you don't have medical management right there. We had to put her on a magnesium drip to prevent seizures. That was the worst delivery I ever did, and I'm counting the 17-year-old primipara (first-time mom) I worked with while a med student, who delivered in the back-ass of nowhere, spoke Spanish only with an attending doctor who spoke English only in a hospital that didn't bother with interpreters until active labor, and needed forceps, a technique fewer and fewer doctors even practice. No epidural. Forceps without an epidural is, no joke, something that scares me to the point where I simply would not do an unblocked birth.
One of the major causes of maternal death is hemorrhage. If you have an IV in someone's arm pouring in fluid, you can survive with as little as about 1/7th of your original blood. Red blood cells can do a LOT of heavy lifting. And that buys you time for someone to get up to Labor & Delivery from the first floor with the on-hand packed red blood cells that then go into the IV and save your life. Blood transfusions are life-saving, and they are life-saving every single day in the US.
And hemorrhage risk goes up with subsequent babies. Someone giving birth for the first time is at higher risk for a lot of things, but someone giving birth for the 5th time who figures they're OK with a home birth because their other births went fine can bleed out in minutes.
I don't like or trust the medical establishment, and I think OB care has a LONG way to go in the US, because we create PTSD in about 11% of people who give birth. Maternal PTSD is far more prevalent in the US than combat PTSD. I would still have a medical doctor be my obstetrical care provider, because I don't want to die like that.
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beautifulpersonpeach · 8 months
Note
your bff parkparkjeon is throwing the baby out with the bathwater dragging jimin into tae's mess you should talk sense into her instead of liking her posts if you like jimin as you say
***
Lmaoooooooooo.
A lot of you are insane and have no one to tell you.
I suppose after I'd been deleting your asks sent while Anonymous, you decided to take off anon and send in the same BS. Which is a good choice I guess if what you want from me is a response.
I don't typically get or respond to asks about bloggers and I don't actually know PPJ. I don't know anyone on here at all actually, but as I keep saying, if you're not Black, sit this one out. You have no idea, not even an inkling of a reference point, to begin even trying to partake in this conversation.
**
I was initially going to leave my response to you at that, but I've changed my mind. Because though my feelings don't perfectly align with PPJ's and they don't need anyone, least of all me, to defend them, I do want to say something about how generally, people in fandom and community systems are unable to process complex and dissenting opinions based on experiences (other) those people cannot possibly relate to. Especially when it comes to Black experiences.
It's possibly why I've gotten asks from other people wondering why it's such a bad thing to mouth a word if you're just 'singing along' to a song. Honestly, these are questions you should be asking the Black people in your real lives, not a stranger on the internet. But whatevs.
Even if my feelings don't perfectly align with PPJ's, I completely understand their frustration. Whenever Black people express hurt referring to general groups of people and while making sweeping statements like that, the impulse from other people is to point out the exceptions, the anecdotal instances that show Black people (and in this case, PPJ) they could be wrong. But the reality is that Black American experience is riddled with violations to their person, daily, from other Black people, from other POC, from white people, from really everyone, and yet it’s difficult to acknowledge that fact without sounding like a perpetual victim. Which is how most people see Black people when they make such statements. Nobody woke up two days ago and expected to see Tae mouthing "nigga". He could sing along to songs, but he didn’t need to sing along to that word if he cared about the implications. It’s really that simple. He went ahead and did so because he didn’t think it was a big deal. And that’s not uncommon, which I believe is the source of parkparkjeon’s frustration. It’s that so many people have such a superficial idea of what that word means and why Black people want to reclaim it as only theirs, that they don’t actually see the big deal in mouthing or singing along to it.
It feels like fighting a losing battle honestly, because the fact is people will always do what they want, and saying someone can’t say a certain word, for some people just makes them want to say the word even more, or to look for arguments in which saying the word is fine. The civil rights movement ended in the 60s, and yet it's 2023 and we're still here. The world doesn’t actually, really care about Black people, and this includes other Black people themselves I’d say, which I know sounds defeatist and is controversial to say. The lives and experiences of Black people just aren’t taken seriously, at least not to the same degree as other races and classes of people are, and that’s due to the lingering ripple effects from centuries of subjugation, as well as other factors. We have a plethora of literature, spanning centuries, of Black writers detailing their peculiar experience on this note, but someone saying this in plain English is taken as them whining, being annoying, going on and on about how the world isn't fair to them when 'they should know' everyone knows the world isn't fair anyways.
That's bullshit.
I say nigga because that’s what I am, it’s what I look like and it’s how I’ve lived and been treated in America. I don’t feel any special attachment to the word, it’s just a fact of the matter, but the reality that other groups of people refuse to acknowledge what that means for Black people as a group in America, the people who have reclaimed it and use it in their art, even with daily violations against their person in the US, the fact this still happens only reminds people of hurt. I can totally see where PPJ is coming from. And the last thing I'll do from one Black person to another, is try to stifle their self expression. They get to say what they want on this note. Whether or not I like it. And I say this not because I'm Black, not because I'm Korean, but because I'm a person who recognizes that they're not hurting anyone, they are simply expressing feelings of hurt related to an experience that is long-documented and is uniquely theirs.
As to your mention of Jimin, when I said certain crimes in k-pop are 'sticky', this is partly what I meant also, because the fact is Korean society has evolved through a Western imperialist system and is racist. Taehyung doesn't operate in a vacuum and behaved the way he did likely influenced by his own personal beliefs, and environment. Digging far back enough implicates everyone around him, including Jimin who has also made colorist statements. Does this mean I think Taehyung and Jimin are racist? No. Just as I don't think the people sending me asks wondering why they can't mouth "nigga" singing along to a song, are racist. But it does mean I think neither Taehyung nor the people asking these questions in my inbox, care enough about Black experiences to think about why "nigga" is a 'bad word' that only Black people today are supposed to get to use. Other members in the rapline through direct scrutiny, have over the years become more conscious of what this means, but I'm very certain, just by virtue of their environment, that they still have blindspots.
That's it.
And it's okay for a Black fan, to express their discomfort, frustration, and/or anger with this reality. This is something Black fans do by default anyway, critically moving through a world that claims to care and yet the bare minimum, of thinking about why things are the way they are, is too much of an ask. And this is not a condemnation of you, or BTS. It's simply an acknowledgement of the reality Black people inhabit.
So, no. I won't "talk sense" into them. I don't even know why you thought this was a reasonable thing to ask anybody to do. If they choose to no longer associate with the fandom as a result of their experience, that's very much their right. As it is for anyone who comes to such conclusions for whatever reason. Whether or not I agree with it. Whether or not you agree with it.
Welcome to Pluralism 101.
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cheesy-poofs · 1 year
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Why Kyman?
This was a long time coming, so I decided it would be fun to touch upon some of my feelings on this ship Its mostly because its the ship I decided to stick with and I'm not a huge shipper in general. Honestly I didn't ship anything for most of the time I watched the show. Style, Kenman, Bunny, ect. never appealed to me because I thought they would work the same as friends (not that I have anything against those ships). Cartman and Kyle are a different story, though.
These are my feelings as of now, and are always subject to change. This is less of a meta post, and I mostly made it to think through some of my feelings about Kyman and some other ships. I touch upon some controversies lightly. This is not meant to be a discourse post, however.
Well, let's proceed. I wrote this all in one sitting, so its not well-thought out or anything, I might clean it up later or specify things better but in the meantime, I'm posting this raw.
First off, I'll touch upon how I ended up getting into it.
As for when I realized I loved Cartman and Kyle's dynamic a lot, it begun in the episodes "Tonsil Trouble" and later on "Cartman Finds Love" which made me appreciate the humor of the ship. When I finished watching the show, I thought it would be fun to look into the different ships of the fandom and decide what I liked. This actually begun with Candy (Cartman x Wendy) because I enjoyed their episodes and thought they were funny. But something felt like it was missing in that ship; it just didn't feel like there was enough there, and my interest in it was short-lived.
Then I came across my first Kyman fic, and if its not evident, I ended up really liking that fic...and reading a ton more Kyman fanfics and falling deeper into this ship. I don't read fanfics anymore because a lot of them don't quite capture the characters in a way I enjoy, but it did lead to me obsessing over Kyman and rewatching most of the episodes about them.
Then I made this account. I lurked on here for a while but I think I started actually posting on Stan/Trey's birthday. I was happy to see a lot of other people who still enjoyed Kyman, let alone South Park. I didn't touch social media during my first binge of the show, save YouTube or sometimes Pinterest. I also had no friends who liked South Park at the time, which was part of the reason I made a Tumblr in the first place. I wanted somewhere I could actually see people who were as obsessed as I was/am.
This was when I learned that Kyman was controversial. Honestly, I never thought of Kyman as "Nazi x Jew" because I didn't define them as characters purely based upon that. I never really saw Kyman as a wholesome ship either, but I kind of liked that aspect because its a fucked up relationship on both ends. They're just fictional characters who often do really fucked up things because apart of South Park's humor is kids doing things they normally don't do. That's why I roll my eyes at people trying to argue which ships are "abusive" or not because it doesn't matter. They're not real. You can have distaste for ships or be uncomfortable with Kyman because of the nature of the ship, that's fine. But its really not as bad as people make it out to be; not inherently.
Recently, I've reconsidered my feelings about Cartman, but that doesn't ruin Kyman for me because, at the end of the day, I ship them purely for fun. I don't take this show that seriously. I also don't get people trying to argue that Kyman is less tropey than other ships because its honestly just typical "Enemies to Lovers" (which isn't a bad thing, but let's be honest with ourselves, its a huge fandom trope). I have no issues with people shipping Style even if its not my thing, and I'll admit a lot of Kyman shippers have this weird superiority complex. I probably used to, but I try not to come off that way anymore. When I say Kyman is the most interesting ship to me I try to make it clear that its only my very subjective opinion. I'm biased because its the first ship I latched onto, and I still enjoy it a lot and find comfort in it.
So to summarize some of my current feelings; I think Cartman is (obviously) a horrible person, and I think people try too hard to soften him up or make excuses for his actions. I enjoy people going over why Cartman is the way he is now, yes, and I think Cartman is a really damaged kid and I get sympathetic of him sometimes myself. He's my favorite for a reason, he wouldn't be the same character if he wasn't awful. But even if I've been a bit of a "Cartman apologist" myself, I've come to accept that he will likely always be awful, and that's fine; that's by design, that's his purpose in the show, and I love him for it. I think people feel guilty for liking Cartman when there's no reason to, just because you like him doesn't mean you're okay with his actions. There might be some dumbasses who idolize Cartman, but they probably shouldn't be watching South Park anyway. Let's not forget what kind of show this is:
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I don't like it when people try to exclude Cartman either, because South Park would be nothing without him. I think about "The Death of Eric Cartman" a lot and how it shows that the boys could leave him anytime, and Kyle even admits that he knows Cartman thrives off attention (ironic since Kyle tends to give him a lot of attention, its a big reason why Cartman is so obsessed with him). My point is that the boys still choose to hang out with him despite it all, because they actually don't hate Cartman completely. Yes, they do sometimes, and they'll obviously say that they don't care about him, but often their actions show the opposite. Either way, he's a very significant part of the show, and I do not want to see the sanitized show other fans want this to be.
I don't think Kyle is quite as bad as Cartman (however I would argue Cartman, Stan, and Kyle are all huge assholes and deserve each other). Regardless, it won't stop me from shipping Kyman because I purely like the way they work off of each other, and I personally only care about Kyle when he's paired with Cartman. That's why Kyman is my only Kyle ship.
I thought this post would end up being longer, but I think I touched upon most of my thoughts. Remember, this isn't exhaustive, nor is it definitive. I essentially try to look at Kyman from a neutral perspective, acknowledging both of their faults while also not taking it too seriously, especially given what show we're watching. They're both interesting, layered, and morally questionable characters with a lot of episodes I really like. That's the gist of it.
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butch-reidentified · 7 months
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hi. i saw some of your posts where you mention being a psychopath (or having psychopathic tendencies, i’m not sure what the correct terminology is) and i’m curious. i know someone being a psychopath doesn’t inherently make them evil or bad, but i’ve never known anyone, irl or online who was one. i have some questions.
1. what is the difference between a psychopath and a sociopath?
2. what makes someone a psychopath? are they born like that?
3. is being a pyschopath something you are diagnosed with? how do you know you are one?
4. you’ve mentioned on here that you have a wife. do you feel love? what does love mean to you?
i’m sorry if any of this is too personal. i don’t mean this to be rude, i’m just curious. i have done some research on this before but i’d like to hear what an actual psychopath has to say about it.
hi anon! don't be sorry - the whole point of me posting about it (which I honestly did not think would go this well lmao) is to educate and counter the absolutely rampant misinformation out there. this site is a pretty good resource working with actual researchers and clinicians. where I disagree with them is the classification of psychopathy as a mental disorder.
as I said in that post, I think it's a natural variation within the population that serves its own purpose.
the term itself is somewhat controversial for multiple reasons. one is the obvious: it's highly stigmatized and media representation is utterly absurd cartoon villain type shit. this does not bother me, but I have heard other people say it bothers them. regardless, I think it's a really interesting topic, which is why I want to talk about it and engage with others. the second reason the term is a bit complicated is this: outside of the actual field, barely anyone knows what it means or how it compares to "sociopath" or to the ASPD diagnosis. Psychopathy and ASPD are commonly believed to be the same; this is a misconception based on outdated information - the website I linked discusses this a bit.
1. sociopath isn't a clinical term. it means whatever the person using it wants it to mean. psychopathy on the other hand is a clinical term (but not a diagnosis!) which refers to a specific set of personality traits. Psychopathy is very much a spectrum. sort of in the way autism is, in that some people are very high in 1 psychopathic trait and low in others, another person might be high in a different 1 or 2 traits, etc. I am much higher on boldness than disinhibition, for instance, where my wife is the opposite.
2. this is a veeery debated topic. some people use the categorization of primary (born with it) vs secondary (comes from extreme abuse/trauma/etc) psychopathy. I'm not sure how much I believe in the second one, but I haven't written it off necessarily. I have had distinctively psychopathic traits my entire life. these traits have shifted and changed as I've grown, but only to such a degree, just as anyone's core personality traits do throughout growing up and all of life. The site I linked above has a page on this that is a much better take than that primary/secondary shit.
3. as I said above, no, it's not a diagnosis. and in my view, it's just a way to quickly describe people at one end of the spectrum of human emotionality/empathy/interpersonal relating. in cases like mine, it's pretty obvious to anyone I'm totally open and honest with. I'll give a couple examples.
I don't feel fear - like, at all, not even in life or death situations. I do not remember a time I have felt genuine fear as an emotion. I have felt adrenaline (though my threshold for that is reeeeally high) but the only emotion I ever end up with from that is irritability once it starts wearing off, though I haven't figured out why lmao. I don't know if this is just me or a more typical part of psychopathy, but it's fairly common for me to have the chemical/physiological side of an emotion without the emotional feeling itself - like what I just described with the adrenaline. I do experience anxiety (actually a pretty common comorbidity) sometimes, but it tends to be a very cerebral form of it, and is almost never *about* anything, just there.
I don't usually feel anything when friends or family members die. if they're very important to me, I get a little sad, but it's not very strong or long-lasting. I don't feel anything when other people are in mental or physical pain, even if I have caused it. this doesn't mean I can't care about people, just that it's a conscious decision and doesn't come with emotional attachment. my cognitive empathy is positively excellent.
I was a total nightmare as a kid. I was always always getting in trouble, and roping other kids into my unhinged (and usually dangerous) schemes. I was not always kind to other kids. I tended to manipulate peers who looked up to me for my entertainment when I was really young, but I did correct this behavior because it's not remotely worth it, and because I do make an effort to live as normally as possible and put significant effort into maintaining and adhering to a strict code of ethics (this is very difficult tbqh, but I have a high capacity for self-discipline). I was always getting in fights. I practically lived in the principal's office. I could NOT be told what to do. Punishment had zero impact. My mom wound up on antidepressants (this may have very little or even nothing to do with me, but idk & figured it was worth mentioning in case it was). I'm lucky I didn't get arrested. I realized I was headed that direction mid high school and sorted my shit out.
4. My wife and I love each other in our own way. She feels things a bit more than I do, and she DEFINITELY feels love as an emotion more than I do. But we talk openly about that, and she genuinely accepts me as I am and knows that I love her to the best of my ability, in my own way, and I go to extra efforts to make her feel loved because I'm aware that I can't reciprocate quite what she feels. That said, she is also rather high in psychopathic traits like I mentioned previously, which explains why we bonded initially over the things that we did (things I'd better not specify lol). It also means she really isn't bothered by me not being terribly affectionate, romantic, patient, or just generally any of the things most people want in a partner lmao. I do really try for her though. I definitely consistently form closer connections with other high-psychopathy individuals than anyone else. She rarely uses tumblr but is @psychichologramnightmare if you have any questions for her 😁
as for what love means to me, I think it's pretty individual. there are many components to love as we conceptualize it. love as a concept & love as a literal emotional feeling are sort of different in my mind, I guess.
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up-in-flames-writing · 10 months
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I didn't expect SUCH a huge amount of support for this post yesterday, & cause I don't want to clutter it up, I decided to write further thoughts about it in a new post.
Cause I've been thinking about this issue for years now. Even before I found the transmasc side of tumblr, before I knew that words like transandrophobia & transmisandry existed. Even back then, before I knew I was a man, a lot of the framing of feminism & what counts as 'empowering', didn't really sit right with me. And even then, I didn't feel comfortable speaking up about it, because I was young & a child, even if being a girl would have made my voice louder in this conversation.
The thing is, I don't have some crazy, out there beliefs. As a fledgling writer, I cut my teeth on kindness & the power of friendship. My stories saw even the villains being redeemed, & when I, at the age of 13, became 'cynical', & started writing of conflict from which not everyone came back, my friend said I was watching too many horror games on YouTube. I was 13 when I realised I wasn't a perfect little girl, like my parents always wanted me to. I was 13 when I realised I was bi & ace & queer. I was 13 when I really started to question my gender. But my stories hardly changed. My villains could not all be redeemed, when many villains where bigger than the human forms they took. My heroes couldn't always survive, because humanity always loses souls in the process of making the world better. But the threads were the same, of ragtag families curling up together beneath the stars; of a human child denying their birth & becoming something bigger, something better; of heroes & villains with a set path like a red carpet, laid out before them, becoming stained with the blood of Destiny whom they killed.
These are the threads that I pull across my entire canvas of work, creating a tapestry that shows the goodness of family, the power of a human heart to overcome turmoil, & the strength of humanity to go against what the world wants of us.
And that is… Controversial. Be good to one another, your birth does not define you, you can create your own destiny. But because I write stories where a soldier finds love during war, & he is a man loving another man despite having been born a woman, that isn't OK. He may be the captain, but he could have been just as powerful staying a woman, even though his story is one of hardship not because of his sex, but because of his humble beginning.
When I write of a king who had been deceived by his brother, it feels awkward to write him saying 'Yes, I was born a firstborn daughter, rather than a firstborn son, but my title as King is no lie. I would have not been the first Queen, & I would not be the last, but I always knew, in my heart, that I had been bestowed a gift by a higher power.' But without that, I fear the scrutiny of people saying I am taking this story away from the queens & princesses who deserve it more.
I have, in the works, a story of a creature typically associated with the feminine, & yet he is a man by choice, a warrior by choice, & his birthright has not disappeared. But he wars with a woman who hates him because of the curvature of his horns, & the twist of his tongue, & when he kills her in self-defense, will I be the one to shoulder the burden of his choice?
Because human history is full of monsters turning into men, & men turning into monsters, of people going against the grain & becoming something that Destiny despises. But if a monster who was also once a woman, becomes a man, will his transformation be criticised? Made impure by the pull of the masculine rather than the feminine?
I don't have very crazy beliefs. I believe, first & foremost, in the malleable nature of humanity. I believe that monsters who have humanity deserve love & kindness. I believe that the blood of the coven is thicker than the waters of the womb. I believe that nothing is set in stone, & that we choose our own destinies.
Why, then, should those beliefs be thrown out, just because the monster who turned into a man is me?
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You’re probably not going to see this, but as a teen that started following you for ace/aro posts, your takes on purity culture and antis have been really important to me. To be honest I haven’t cared about proship/anti discourse in years and find the terms to be reductive and oversimplifying but I’m so sick of seeing call outs in my social circles that sum up to “this person that is open about the fact they like dark content likes dark content!” Like, I thought you didn’t WANT to interact with them, why are you mad that they’ve made their beliefs clear enough for you to block?
I’d never harass someone over fake people that don’t exist but I guess I have pretty “anti” tastes- pairings between a 16 year old and an 18 year old are enough to squick me out and my current fandom has a very popular incest subculture which is. A lot. But at the same time subjects like grooming and SA/CSA recovery are very fascinating to me, and your posts have helped me shake off the guilt I have about that and fear of being seen as an abuse apologist if I write fics about those topics.
I don’t really know where I’m going with this. Just, thank you, I guess. I hope you have a good day/night/whenever you read this :)
hello, dear, i'm so glad that my blog could be helpful to you <3
i agree with you that the anti/proship terminology does kind of feel like it trivializes really important issues, but please allow me to clarify one thing - being "proship" has nothing to do with WHAT you ship and everything to do with HOW you ship. it's not about taste, it's about philosophy.
i actually have pretty vanilla tastes myself; i typically avoid most dark fic, i'm not really into kink, i don't usually like "dead dove" type content, and most of my ships are not particularly controversial. the only incest ship that doesn't gross me out is thorki, because like, they're millennia-old alien space gods based on north mythology; incest is kinda the least weird thing going on there. i have a few ships that could be called abusive, like erik/christine from the phantom of the opera, but generally speaking, my tastes are tame and i just like a good fic with some tasty angst , a little sappy smut, and a happy ending.
however, i understand that other people ARE into all the stuff i'm not into, and it's none of my business what they enjoy, and, critically, my discomfort with those works does not matter, no more than it dictates what i choose to engage in and what i choose to avoid.
my discomfort with darkfic doesn't mean people who like darkfic are immoral, or that darkfic itself is immoral. it means that i don't read darkfic. i understand that my comfort and discomfort are not the moral code of the universe, and furthermore, that a quest for "moral purity" is not only impossible, but actively harmful. a lesson i learned quite well growing up in the baptist church.
using the title of 'proshipper' doesn't mean that i personally like "problematic" ships or whatever, it means that i find harassing people over their fictional tastes reprehensible. it means that i understand that there's a big, big difference between what you enjoy reading in fiction and what you approve of or endorse in real life, and that part of the purpose of fiction is to give us a safe place to explore dark, fucked up shit where it won't have real-world consequences. fiction is an outlet, not a mirror.
even if i personally find the content deeply disturbing, i understand that it is simply none of my fucking business what other people read and write about, provided that they tag the content properly. that's being proship.
anyway, i'm glad that i could help relieve you of your guilt. take care, dear.
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scarsmood · 4 months
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Spiritual log #1
Aside, i've translated this to something I feel comfortable posting publicly nothing i've written is closed information. That being said be mindful and respectful. This is not a post to debate or spark controversy.
-Skin walkers-
I've been learning more about skin walkers from my mentor and find them interesting. From what I gather it's people that practice witch craft and are able to turn themselves into creatures. They have areas they patrol or live in that you should not go at night. When they get injured they'll turn back into their human shape having more hair than a typical person might. Snarling and feral at times they sound animalistic. I want to ask more about this but I don't feel i'm ready yet.
-non animate souls-
Something interesting I also wanted to note was the notion that any object that creates any energy is alive whether that is kinetic or potential it all seems to count as alive. I like this notion better than saying objects aren't alive because I don't think that's even neccesarily true. Objects can have different perspectives and shed light on something you might not have otherwise noticed. Dirt run off into a stream could signify a point of pollution similar to a wound.
Often the ground is alive and warm. When you walk into a cave it's never cold but a pleasant 70 degrees. Stones can speak to people and wood can bond to someone. Metal and man made objects are no different in this regard and it's important to treat every object with respect and dignity.
-gendered roles-
Roles are something inherent in human cultures but are less so important in spirituality. What some may consider feminine may actually be a gift from the gods for sensitivity and spiritual connection that people misinterpret. Taking the role of caring for others is often read as a womans role but for a medicine man it has no bearing on who they are. That doesn't mean other people won't heckle you or ask you to change it just means you know your being an authentic sense of self that doesn't need to change with creator at your side.
-ancestors-
Ancestors do not need to be clear by skin tone or relevance. Being guided to a path may be the most significant thing to listen to. Ancestors speak with us and help is through out life with advice and hints on what to do. It's important to listen to them and follow your instincts.
-lycanthropy and shamanism-
I feel as though clinical lycanthropy has the potential to be re-written spiritually as shamanism. The more I read about skin walkers, witches, medicine men and people that are atune with animals I realize my disorder is not a 'disorder' it's an unharnessed gift. These people learned to control their shifts in a way that was spiritually empowering and not distressing. More often than not I listen to my mentor and his experiences and notice some of my own the only difference being it seems as though he was never considered disordered for it and there is no negativity. In time he learned to intertwine that aspect of himself with his human self and they are both present.
I'm curious to see if I can do the same. If i remove the negativity associated with shifting how will I be?
-unreality trigger (i guess)-
I felt myself shifting at his home yesterday and it was quite powerful. I had to leave early that day suddenly because of it and I wasn't sure what was happening. It feels as though there's a wolf inside my chest gnashing it's teeth against my ribcage. My scared human self it horrified to let it out in a reasonable and safe way.
It seems like i was validated from my mentor saying I seem to be a wolf.
-trigger over-
It makes me want to go back to therian guide forums and go "fuck you! I was right! I am more of a wolf than you would ever be!"
I'll see how things go forward. But I know I want to open up and explain myself more clearly.
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thatsonemorbidcorvid · 7 months
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Maybe a stupid question but do you fully agree with female-eren about male rape not being as bad as female rape?
The post in question:
Your message isn’t hugely clear - by ‘male rape’ do you mean rape perpetrated by males, or rape inflicted upon males?
The key point posited in the post is that being forcibly penetrated is likely to be typically more fundamentally traumatic than being forced to penetrate another person. Personally, as someone who has had neither experience, this makes sense to me.
I’ve previously made a post about how other forms of penetration, even consensual penetration, can cause trauma simply due to the violation of the boundary between the self and the other - think dentistry, surgery, even infection phobias. Having that boundary violated nonconsensually must be absolutely horrific, even without the added trauma of pain, possible infection, or impregnation.
I guess the simplest answer is - nothing from that post immediately jumped out at me as being counter to my worldview. I’m open to civil discussion about it though.
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