I really love gertrude robinson bc how often do you get an older woman character who just really sucks? She sacrifices ppl that trust her. She is so focused on keeping the world from ending that she completely doesn’t notice one of her assistants routinely torturing the others. She dismembered a guy. She does her job badly on purpose. She’s cunning and sneaky. She dares her murderous, immortality seeking boss to kill her. She gets murdered by her murderous, immortality seeking boss. She’s not particularly friendly. She somehow had access to plastic explosives. She’s a manipulator and a liar. She’s bound to the avatar of destruction. She helped a guy get rid of a pig by telling him to put it in conk crete. She is like the opposite of a sweet little grandma and that’s beautiful.
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shiv was not being altruistic nor intellectually self-interested when she voted against kendall. that was pure raw visceral desperation to maintain some semblance of dignity that she felt kendall being ceo would shred her of. sometimes people do not act in other people’s best interests or their own best interests. sometimes people do the wrong thing for the wrong reasons just because it feels like the right, the only, thing to do. shiv could not let kendall be ceo. she just couldn’t. not because she wanted to sacrifice herself to “stop the cycle,” not because she made a calculation and decided tom was her best interest — because the thought of kendall being ceo and acting like That the rest of their lives when shiv earned that job, she fucking earned it, that was too much to fucking bear. watching him sit in dad’s chair, conduct that vote, grin with entitlement and cockiness and certainty — seeing that elicited a visceral painful all-consuming sensation not dissimilar to overwhelming nausea that, summed up in two words, would simply be: fuck. no. she couldn’t live with that. she just couldn’t. it’s not kind. it’s not smart. it’s just human. painfully, destructively human. because sometimes, that’s all there is to it. not just for shiv, but for everyone. god knows roman and kendall have had those same feelings, made those same self-destructing yet necessary-feeling decisions throughout the show. why does it have to be different for shiv? why can’t she be painfully destructively human, prone to impulsive ill-conceived viscerally felt actions, like everyone else? why are we incapable of allotting her the same nuance and humanity (the good and the bad), the same trauma-informed self-destructive life-ruining hamartias, as we do her brothers? why can’t we fit a whole woman in our heads?
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Cozy Glow is such an interesting litmus test for die-hard bronies. I was checking r/mlp to prep a post and there’s a discussion post about how she deserved what she got and. How do I tell bronies that children should not be tried as adults. How do I tell bronies that psychopaths and sociopaths deserve human rights and treatment and support. How do I tell bronies that cruel and unusual punishments are bad. How do I tell bronies that the death penalty is wrong. How do I tell bronies that a ruling body should not have absolute say over putting someone to death, least of all a 6-year-old child.
These are all my recent google searches.
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Oh no….I have succumbed to the MLP virus trend….whatever will I do?
Start of our story:
Stress (Prologue, access parts 2 & 3 here): https://www.tumblr.com/findoesstuf/744497236410548224/banana-cream-puddin
Escape (Chapter 1, Part 1 only available): https://www.tumblr.com/findoesstuf/747739858791022592/banana-cream-puddin
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the thing is, we were never meant to sympathize with luke when he betrays percy. we aren’t meant to see his inner turmoil. we aren’t meant to see hesitancy, or regret. it’s meant to be a slap in the face. luke takes percy to the woods knowing full well what he’s about to do. in tlt kronos orders him to kill percy because he’s too volatile; kronos said so himself when percy hijacked luke’s dreams and began to figure out there were bigger things at play. the thing is, when kronos orders luke to kill percy, he doesn’t hesitate. that’s the point!!! it is essential that luke is so blinded by rage and vengeance for the gods that he will stop at nothing to get what he wants (the god’s destruction). percy accuses luke that kronos is using him, but he just retaliates that the gods do the same, and they do!!! but see, the thing is, luke’s whole point is that he’s so focused on the god’s injustices that he forgets what’s important. he goes for the “greater good” but he destroys his family, his life, in the process. by attempting to dismantle a system, he turns to another system that follows the same oppressive logic. THAT is why luke fails. THAT is why it’s so important he be blinded by rage, because it’s his inevitable, tragic end. he’s doomed by the narrative from the start. yes, we’re meant to be surprised by his betrayal because of how cold and calculating it is, but also it’s important to set the grounds for luke’s character to be this angry, vengeful boy because later on we come to understand why it is that he made those choices. we see annabeth’s side of things and percy’s side. we see luke’s side. we see many sides. we see a man who is too far gone yet comes to understand, in the end, that he’s been doing more harm than good to those he was supposed to protect (annabeth is the most obvious example). we get a complex character who won’t hesitate to kill but who also won’t hesitate to sacrifice himself so that he can save the family he has left.
the thing is, luke was supposed to be angrier in the show. percy was supposed to be angrier in the show. they’re both foils. luke is what percy could become, if percy lets his anger win. so, to change—even if it’s only slightly altering—their characters, is to change the point of the story. because luke tries to kill percy in his betrayal and later percy tries to kill luke but then percy starts to understand luke…until luke is gone and kronos is gone yet the gods don’t change but percy does. and percy’s initial anger is supposed to transform and he’s supposed to see what luke saw and the cycle continues. the thing is, it’s not even one of the worst changes the show made, yet it’s still so, so telling that they failed to see why it’s important to let your characters do bad things, to make mistakes, because that’s how a story can carry on. that’s how you give a story depth.
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Thinking about how much Taylor probably wanted her partner to experience the show that she spent so much time creating and rehearsing, that included music they made together and he saw her write about their life and she was probably so excited for him to see it and then he just never went…And now she sings “and if you wanted me you really should’ve showed” every night and is now talking to someone that went to that show, has been gushing about it and her and it’s making me feel a lot of things.
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“you don’t owe anyone anything” actually you owe everyone everything!!! you OWE your table server and your coworkers and the elderly person you pass on the street and the dog on its walk and the child toddling along in the park and the driver trying to merge next to you and the pregnant person standing on public transport KINDNESS in return for theirs!! the connections we build are what give life meaning!!!
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y’all won’t be satisfied until you run every black writer off this app and I’m so serious. Yes, I’m being rude to anybody that takes time out of their day to post some dumb ass remarks (a recycled one at that) and uses it to disrespect black writers of any capacity. Sitting up screaming about wanting more representation and the black reader fics being nonexistent but y’all get mad about everything. Yes, I’m cussing y’all out everytime I see it and I’m blocking idc. Free, FREE content that people took time to create, y’all are being nasty about it. We don’t owe y’all grace or kindness. Especially when we can see the hypocrisy. Go to hell with gas undies on and leave us alone. And please write whatever y’all want and fuck these people. Thanks for coming to my Ted talk
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the real tragedy of tlou is that in saving ellie’s life, joel dooms their relationship. it’s not tragic that he killed a hospital of ppl and prevented a cure bcus we have no emotional attachment to any of those people or the notion a cure might actually work and fix the world. we’ve travelled across that world with ellie and joel and seen how it’s in pieces and how unlikely it could ever be fixed the way the fireflies imagine. but emotionally we ARE with joel and ellie and as we see them in that car and hear joel tell his lie and see ellie’s face, we know that things can’t be the same for them again. i am now and have always been of the opinion that joel lies in that moment to protect her from her feelings of guilt and the burden of thinking she has 2 save the world (and ive always said too he should have told her the truth eventually instead of her having to force his hand to get it), but regardless of that the choice joel made and the lie is always going to be between them. things will always be a little different now. an unspoken thing that eats away at the space between them, making it bigger and bigger. and that’s why it’s really tragic because joel picked ellie’s life over and above anything else cus he loved her and thus knew her life had value independent of being a cure to save the world and she should get to live it, but whilst she is living it (something she is only able to do cus he saved her), he has to watch from afar. he saves her and loses her at the same time.
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