Satoru Gojo and the Infinity That Sets Him Apart
Throught the flashback arc that opens JJK'S second season, the story goes to great lengths to make us sympathize with Geto. We are privy to the inner workings of his mind when he faces personal catastrophes of his youth, and it grants us a profound insight into how his mental/emotional state deteriorates in response to a painful realization that later comes to define his entire life. Gege found a way to turn Geto's tendency to internalize his experiences into a narrative tool, the mechanics of his Cursed Technique becoming an apt metaphor for it, and that's one truly astonishing writing.
But what about Gojo? After all, it's his memories that play out before our eye as he daydreams, and Geto is no longer an active force in the narrative, so the arc should be introduced in the first place to shed some light on Satoru's character and highlight certain aspects of it. However, while the narrative goes out of its way to humanize Geto by exposing his interiority to the audience, it seems to bit by bit deny readers access to Gojo's mind until Satoru is entirely closed off emotionally at the end of Hidden Inventory Arc. From that point on, any reading of his words and actions can be as good as the other since personal interpretation is all that is left to us to try and understand what lies behind the appearances (I guess that's precisely why there are so many widely different, conflicting interpretations of Gojo out there). What process Gojo's character undergoes throughout his past arc is, essentially, dehumanization.
Let's take a look at Gojo as he is in the main, present timeline. Pretty much as any other person in Gojo's vicinity, the audience can only observe him from the outside, always held at an arm's length away from his interior thoughts and emotions. Whenever we do get an insight into his mind, it's mostly for a solely practical purpose of keeping the readers informed about the direction which the fight is about to take, with Satoru's internal monologues consisting almost completely of him dryly strategizing against his opponents.
Even Gojo's design is set to dehumanize him, teasing the audience with how much it conceals and how little it allows us to derive from what we see. Plain black clothes, long sleeves, long trousers, high collar. Barely any skin exposed, scarce detail, completely colourless expression. To crown it all, his blindfold -- we do not get to see his eyes. Eyes mirror the soul, they communicate emotion which our words fail to. Eye contact is a primal tool of non-verbal communication because of how much our eyes alone can give away about our feelings. With Gojo's eyes perpetually hidden under his ever-present blindfold, there's an additional layer of protection, another hindrance to our understanding of his state of mind. A simple piece of cloth adds to the distance preventing access to Gojo's direct perspective, as impenetrable as trying to look through a blindfold would be for anyone but Gojo himself. The same could be applied even to his height: people around him are required to reach up with their gaze in order to look him in the face. Once again, this choice in his design strives to communicate one thing: you cannot meet him at his level, there is a palpable distance between where he stands and where you are. Everything about Gojo feels almost impersonal, evasive, further increasing the extent of his alienation.
There's an interesting connection found between Gojo's technique, his need to cover his eyes and the narrative distance that does not allow us to get any closer to his character. It's precisely when Gojo puts his mind to perfecting his usage of the Limitless that an unbreachable impediment settles between him and the people around, resulting in him and Geto from that point on being forever unable to get through to each other. With his technique taking a toll on his body by becoming more overwhelming to use after such a rapid increase in power, it's also when Gojo starts to wear his shades all the time. And whereas before we were allowed to look past the tanned spectacles and see his eyes, read the emotion in them, now we're denied even that much. It's probably a short after Geto's defection when Satoru switches to a blindfold, indicating how he completely shuts off emotionally. Just as Geto's Curse Manipulation stands as a metaphor for him repressing his feelings till the breaking point, Gojo's mental state is reflected through the physical appearance, too. Him physically distancing himself from everything within the world around him with his Limitless technique sustaining an uncrossable invisible barrier around him and his blindfold hiding his eyes from the viewer is also how his emotional detachment is established on the meta level of the narrative.
Since Geto's defection, Gojo's defenses are breached in the main timeline just once, and that is during Shibuya Incident Arc. It's barely a coincidence that, as the Limitless falls short and the ever-present physical distance is crossed sharply with the Prison Realm reaching Gojo, the emotional distance is immeadiately eliminated, too.
All defenses down and the memories of his youth flooding through the cracks, Gojo suddenly isn't numb to all the hurt of his past mistakes and what it cost him and the people around him; all the ache of losing his best friend not once but twice and being utterly unable to do anything about it still weighs on him. Neither is numb to all of it the reader, not anymore. The narrative 'catches up' to Gojo at this moment. It was an alienating, almost inhumane experience to never get a sight of Gojo's emotions when it mattered the most, at the pivotal events of his life which come to shape him as a character and as a person. We were simply denied that intimacy. But with Satoru's physical body made within reach and his mind suddenly transparent, laid bare, the delayed heartbreak is alive and present as ever. The weakness of his human heart is exposed, but it required crossing the Infinity to get to his heart.
The physical distance is only breached because the emotional one is eliminated beforehand. However, we finally get to catch a glimpse of Gojo's true feelings because something within the world was able to reach him physically, penetrating through his Limitless technique. The two are the sides of the one coin, they go hand in hand within the narrative, ultimately rendered inseperable by it. At the end of the day, the body is the soul and the soul is the body.
I've started writing all this well before the spoilers for the last chapter came out, but what we see in it, at least how I personally take it, speaks in favour of pretty much everything I've been talking about above. It's somewhat notorious how little emotional impact Gojo's fight against Sukuna lands. Until now. Until Gojo's Infinity utterly fails to prevent his body from taking the damage. Once again we gain insight into his interiority the instance he's physically exposed to the world. With Gojo's invulnerability ultimately overcome, the narrative grants us access to his inner feelings and thoughts one last time. Satoru's heart is an aching wound split open one last time.
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daffodil + chan
a song
the prompt: daffodil (a god bows before a mortal)
read it on ao3
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"You have no power over me."
running through his hands like water, and suddenly the earth is not his to control. The skies do not turn with the twist of his head, lightning does not fork in the air when his eyes, dark as night and yet still lit by some unearthly light, fall upon you, his mouth wide as if to gasp for a breath he cannot take-
And yet, still, it shivers down your spine; the magic that draws you here even as you rip it apart, the prize of your conquest to rip the world into two.
"Take it back," he hisses through his teeth, the ground trembling with every syllable that slides down his tongue. You watch his mouth as it forms the words, the flash of teeth behind thin lips reminding you of the way that the swordsman you'd fought through to get here had smiled at you - the last of his seven challenges, the last of his demons, or angels, or citizens of the sprawling, damned city he claimed as his kingdom.
And here you stood, at the pinnacle of the eighth, and stared him in the eye without cringing away because now you knew the truth. Now you knew that what he whispered in the dark was a lie and what you saw with your eyes wasn't always true, and though he may be a god and a king amongst beings that you could never hope to rival, a god can only hold as much power as you give him. A god can only claim dominion over a beast that bowed to his dogma.
You see now that you are no beast. You are no believer in any lie he utters to the darkness.
"Take it back," he says again, the note of his voice changing. He pleads, his brow furrowing and his shoulders curling in as if waiting for the final blow. "Take it back now, before it's too late."
"I can't," you tell him, and you watch him fall to his knees, and you know that it's wrong and your heart pounds in your chest and it
like the ground does at the impact of his knees, crumbling into the pieces it was in when you first took his hand, alone on the side of the road with only one thing to call your own. And what was that thing, the little warmth you'd held to your chest in the dark and the cold? What had you traded away for the comfort of the house that crumbled around you now? Why had you destroyed him to get it back, where was it now, why did it not appear within his hands at this, the hour of his reckoning?
"Please," he spits into the cold ground, the dirt and the leaves and the curl of ivy that grows up the walls around you, old and ancient and not yet sprouted from its roots all at the same time. His hands curl in the dirt like he can reach down and pull the earth to him, like he can stop the wane of his power if he just tries to hold on a little bit tighter. "I know what you want, and I don't have it. I can't lose-"
Broken, fragile thing. Small god of limited earth, crouched at your feet like he might worship you instead. You'd thought him all-powerful once, and then you'd thought him severe and his servants and beasts and playthings petty, and then you'd thought him
because he'd smiled at you in the garden that bloomed from his own hands when you expressed your desire for a flower to tuck in the braid of your dark hair, and his hand had been soft in yours, and when he looked out across his kingdom and the clamouring faces of the people he'd brought to live there, he'd looked at them the same way that he'd looked at you.
Beneath your foot, the ground cracks, fracturing outwards like a spiderweb. It's your heart, you realise morosely, sinking from your chest and into the depths of the earth, disappearing with whatever he'd taken from you; and it was a wretched thing and it had betrayed you a hundred times over, but you still mourn at the loss of it and all the dreams it had carried with it. It blooms in your flowers in the corners of the room, embeds itself into the land and sings along with the song of his power, a thing you can hear but cannot touch, a beast once born that now does not belong to you.
"I'm sorry," he says, his breath like mist in the cold air, and even without your heart, you can't bear to see him so cold.
Your hands reach for him without permission, your body kneeling in the dirt before you can stand your feet firm upon the earth and refuse to move. He flinches away, but your fingers are soft upon his chin and the curve of his jaw, gentle when they brush the soft dip of his neck. "I only wanted to know what it was," you tell him with a voice that cannot hold itself steady. "I thought if you loved me, you would give it back." It's the only voice you have - you are not like him, or like Felix, speaking with many tongues. You don't have any power of your own.
"It's because I love you that I can't give it back." His voice is hoarse, every word a knife that he swallows without ever once flinching. "It's because I love you that I couldn't tell you what it was."
"But didn't I deserve to know?" you question. "Doesn't my life belong to me?"
Finally, his eyes rise, looking up at you with a fire that belies the cold of his skin. "Of course it does," he gasps, and his hand reaches up, dirt-stained fingers dragging at your cheek. "That's why I gave it to you, and I never asked for anything else."
"But you wouldn't give back what you took in the first place."
The sudden violence of his voice crumbles the walls and fractures the sky, the clouds blooming te dark colours of a bruise. The absence of his hand on your cheek stings in the cold; his face turns away, screwed up in regret and a pain he won't allow you to feel. You lurch forward before he can disappear, drawing him into your arms; stiff shoulders, spine of beaten steel, slow beat of a heart you once held in your hands.
He'd stood so tall and unmoving in the morning light, when you'd first walked down this path, and now in the dark of the setting sun and the ending of the earth, his weight slumps into your grasp, his resolve melting into the warmth of your body. "I didn't want you to suffer again," he says to the soft cotton of your shirt and the curve of your collarbone, his breath a whisper against your skin. "I couldn't watch that, when you asked me to make sure it would never happen again."
Surprise comes in the pause of your breath and the still of your arms, the jump of a heart you're not sure you still possess. "I asked you to make me forget?" you question the world behind his back, and into your neck, he sighs.
"You couldn't forget," he murmurs. "She was dead before I found you, and when I took her from your arms - you couldn't forget. There was nothing I could do to fix what had been broken. And then you begged me to let you forget, so I remembered her for you." He pauses, his throat hitching like he's swallowing something down. A sob maybe, or the tears he will never let fall. "I can't give her back though. She's not here anymore."
You push him upright, your hands on his shoulders, his neck, his face. Brushing away the hair that falls in his eyes, wiping at the blood that drips from the cut on his cheek. "Why didn't you tell me?" you ask, because the answer is incomprehensible. "Why did you let me go this far?"
"Because I was scared," he admits, and his teeth clench and his spine stiffens against the urge to hide away from you again. "Because I'm a wretched, evil, stupid thing who thinks they can-"
His words die in your throat; vile, wretched things that you store away to spit out later, into the ground where they belong. He is none of that; he is soft, and hesitant, until your fingers find the sharp curve of his hip and the lines of his back, dragging him closer and his lips open like there is nothing in the world to devour but you and
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Growing up in an extremely ultra religious, cult-like family was a mindfuck for multiple reasons but that doesn't stop unfortunately, even when you escape. For example, see: The overwhelming feeling of boiling hatred and shame for who you used to be.
The angry hatred for the past person I used to be, the version of myself that mindlessly parroted my family's beliefs and listened to their every command, constantly simmered under my skin and invaded my every thought. I was embarrassed of what I used to be- even as I made friends of different ethnicities and faiths, as I listened and explored new ideas and worlds that I never knew existed, as I started the first LGBTQ+ club at my school and volunteered with kids who deserved so much more- there was always a little voice in the back of my head.
"They would hate you if they knew what you were. They would hate the horrendous teachings that were seared into your mind, the things that you used to say and believe. You are nothing but a pretender."
And it is true that my beliefs were bigoted in all the worst ways. It is true that I believed truly heart-wrenching things without a second thought and judged others in such harsh and unfair ways. I told myself that there was no coming back from that, not really. There was nothing I could do to ever make up for it.
Then I remembered that the person who said those things wore velcro light up sneakers and collected finger puppets that the librarians handed out as awards for reading picture books. The person that held signs at pro-life rallies and anti-LGBTQ+ protests had a cherished sticker book and hunted minnows in the creek after school and adored their puffle on club penguin and was really into greek mythology and had skinned knees from climbing trees at recess and knew every Disney song by heart and was absolutely terrified of the dark.
That person was a child.
I was a child.
It took a really long time. Years and years of reflection and distance, but I've decided that I can't hate the past version of myself anymore. I feel pity and remorse, I feel anger- I feel so much fury and violent rage- at what my childhood was and I grieve what could- no, should- have been, but I no longer resent who I was.
I'm not ashamed.
I am so, so, so unbelievably proud of that little kid. For being brave enough to leave the comfort and safety of what I was told was right. For not being afraid to be wrong. For seeking out information and knowledge in a culture that praised ignorance. For questioning everything, relentlessly.
I am by no means a perfect person, I never have been and I never will, but I am proud of myself in every iteration that has ever existed because I know that I have never stopped trying to understand and learn and grow, and I never will.
If you have ever been in a similar situation and feel similar things, first of all: My condolences on your lost childhood. Second of all: Please be nice to that past version of yourself and recognize all the hard work they did to make you who you are today. That person was a survivor and an inspiration. They deserve nothing but love.
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do you have any rudy hcs lying around? asking for a friend 👀
Hey, there! Yeah, I was able to come up with some!
Rodolfo HCs
He actually prefers men over women. He will still date women, he has had crushes on them, after all, but he more often than not dreams about being with another man. This has caused him some distress in the past. Considering he realized he liked men very early on, he thought he was gay back then. However, later on he developed a crush on a girl and so he thought he was straight after all. The realization that he might be straight broke his heart because he really wanted to be into men back then. Yes, he was unaware that you can like more than one gender, so he felt bad when he had that crush on that girl. It took him another few years until he realized he could be bisexual. He met another guy who was quite the flirt, having flirted with men and women alike. Rodolfo didn’t mind that, but did question that guy about it. Once he had the answer of simple bisexuality, it clicked and he felt absolutely stupid for not having realized it sooner. To this day he’s friends with that person and sometimes still meets up with him.
Although he’s severely touch starved, he’d rather die than admit to that. No amount of touch could ever satisfy him. Besides, he believes that, just because he’s a man, he shouldn’t really be held in a comforting way, especially not by a woman. He’s a strong, protective guy, he has to be the one doing the protecting, and that includes doing the holding during cuddling as well. Sometimes he might be a bit grumpy because he just really wants to be held, especially when his stress levels are at an all time high. However, he can’t really swallow his pride and outright ask for it either, his partner would have to be the one to come up to him and make the suggestion. Fairly early on, he might refuse such advances from a female partner, but once he knows she won’t think any less of him for that, he’s more willing. If his partner is a man, however, then he’d be honored. Rodolfo genuinely believes that every man out there believes the same thing that he does in that regard, so he can appreciate a guy “willing to swallow his pride”. He doesn’t outright ask for cuddles, he will only hint at the fact he wants some with him. He could literally have a sleepless night, with being held being the only remedy out there, and he’d still not ask for any.
He’s not at all an outgoing person anymore. He used to be when he was a child, making friends left and right with just about any kid he ever found, but he outgrew that phase. No one knows why, not even he does, but he sometimes does miss being a people person, it would make some things a lot easier. However, he does have Alejandro in his life, who is an outgoing person that knows lots and lots of people. Whenever Rodolfo needs anything he doesn’t need to look for too long, Alejandro is usually right there. The two go way back with each other, having known one another for almost 20 years now. Whenever Rodolfo needs anything, Alejandro is the first person to know since he knows he can count on him. Although he usually asks Alejandro for someone who might be doing this specific thing or knows how to do it well, it’s usually Alejandro who helps Rodolfo regardless. Those two have grown very close with each other and can tell what the other needs without them even saying anything. Rodolfo does truly appreciate Alejandro for that, he’s never had a better friend than him. When Rodolfo moved, all Alejandro asked for was some beer and watching some movies together. Rodolfo would literally and figuratively die for Alejandro, but the latter usually tells him there’s no need for that. He’d much rather have Rodolfo take a break.
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