#and is great in his own place in the narrative

[blueiight]

ldpdl, ethnicity, and the false monolith of blackness

there's this false tendency to think amc louis being made black is pandering, or a means of removing louis from his oh-so-detailed /sarcasm/ background in the books. i also find that people tend to not even understand what show louis's ethnic background is, despite rolin jones the showrunner and even the fictional louis both coalescing around this multigenerational explanation of the gens de couleur in new orleans, and how jim crow disempowered them.

I came around to his ethnicity a sort of interesting way which is through Lestat. [ … ] I was like lets give him a legitimate a third attempt at figuring how to be with somebody for the rest of his life and how to not repeat your mistakes. [ … ] I started from there so it had to be someone with some money cause he had to be with his own folks and I thought he wanted someone who could fight back and who could be a challenge and would force him to restrain himself. And nobody at AMC was interested in 7 seasons of the regretful plantation owner, so we made Louis come from a lineage that did have a plantation and did own slaves.

rolin jones in the s1 post-finale episode of the podcast names how he came to this understanding of louis's character. lestat, after failing to make a bride of his mother, and a concubine of nicki, was seeking for someone of a similar background, or the most approximate equivalent. he would not have been interested in louis if louis was an anglophone baptist black man descended from upper-south arrivals into new orleans, nor would he have been interested in louis if louis was a poor black creole honestly s1 does not give a good reading of claudia's ethnic bg in new orleans, but since she cannot understand french, we can presume shes either a poor creole removed from her cultural background with her vampiric adoption narrative in mind, or was also of an anglophone baptist black background like claudia was. louis coming from this fallen sort of gentry, the free gens de couleur, similar to that of the tvl lestat who came from this barren aristocracy dating back to the crusades, was key to lestat's long-term goals with louis.

Capital accrued from plantations of sugar and the blood of men who looked like my great grandfather but did not have his standing. But then decades of Jim Crow and the electrified light of a new century had vanquished any idea of a free man of color. - AMC IWTV 1x01

louis was of the first generations of the gens de couleur to be born, raised into, and face the institutional and personal ramifications of being viewed as black in america. this fuels much of the character's rage as he moves through storyville, trying to continue the similar modality of exploitation to the contrary of pretty baby with brooke shields, majority of the brothel circuit was statistically black girls + women being sexually pawned off to white men but ultimately failing to do so bc of the anglophone white american class that now rules over him. [tom anderson, alderman fenwick, finn o’shea starting out as louis’s subordinate then ending w/ him entering whiteness by having a sporting house throwing torches at louis’s brothel in s1e3]

By 1850, the free population of color, beset by the hostility of white supremacy, was economically diminished and residentially segregated. The Americanization of Louisiana, and in particular New Orleans, was completed before the state became the sixth to secede from the Union in 1861 in the struggle over the perpetuation of slavery. [link] The Democratic redeemers who came to power in 1877 lost no time in redefining the Negro's "place" in Louisiana life. They immediately restored the color line in the New Orleans public schools and offered silent support to de facto segregation practices in places of public accommodation. With the assistance of two landmark decisions by the United States Supreme Court, the redeemers soon dismantled the egalitarian legal apparatus put together piece by piece under the Radicals. Finally in 1890 they began to write their "final solution" into Louisiana law with a series of "separate but equal" statutes. Soon New Orleans Negroes were again segregated in virtually every public pursuit. [link]

#yn. #iwtv #louis de pointe du lac #claudia #lestat de lioncourt #tldr: louis’s real birth year is 1877

[bookreviewcoffee]

Dune Frank Herbert

“Dune" is, without exaggeration, an era, a magnitude in literature that is difficult to overestimate. A science fiction saga, with elements of the novel of chronicles and adulthood, space opera and dystopia, metaphorical narrative full of philosophy and mysticism.

The first trilogy of the classic cycle is full of the life and life of a free people, the planetary ecosystem including the giant worms, echoes of courtly strife, the structure of organizations equally ruling the Known Universe but also dependent on the spice that is produced only on Arrakis.

High and intense text full of concentrated substrate based on religion, politics, ecology, legal and cultural issues, immediate survival, while learning about the future.

The plot is fascinating, like standing in the center of a huge temple complex in Kornak, where the desert wind brings the essence of plans within plans.

Compared to the TV series and screen adaptations, the book predetermines the accents in relation to the characters, making them full and vivid, clear in plot twists, meeting the author's intent and the logic of behavior under given conditionsThe story itself I really liked, probably partly because I generally love fiction and somehow have not read something interesting and non-anal of this genre for a long time. A lot of fiction books are based on Christianity, and this is the first book in my memory that is based on Islam.

I also like the way Frank Herbert describes the characters' looks - almost without details, leaving room for imagination. The story is not long, lively enough and colorful enough, and I have experienced this forgotten feeling again and again, when I want to return to the book to find out what is going on.One of the main themes is the opposition between the houses of Atreides and Harkonnen. In these quotes, a clear example of the difference between the houses: the Atreides pay love for loyalty, while the Harkonnens gain submission through hatred. 'How much he talks! - Hawat thought. - This is not Duke Leto, who could speak to me with a wave of the hand, a movement of the eyebrow. What a carcass! The author (maybe the translation) shows Vladimir Harkonnen as a huge carcass, which has accumulated large reserves of precious water. This is the main peculiarity of the desert Arrakis. Arrakis. A desert planet, also known as Dune. There, under the scorching sun, there float huge worms on the sand, from which it is impossible to hide. There’s a free folk out there - Fremen with blue-tinted eyes that cover even squirrels. And, most importantly, Arrakis - the only place where the spice is extracted. Spice or melange - the most important wealth in the universe. If water is commonplace on Kaladan... here, in the desert conditions, its value is high. To show your respect, love, loyalty, you must share water. Whether it's spitting or mourning the dead. One of my favorite characters is the planetologist Kynes, who dreamed of turning the desert into an oasis. His father managed to plant and implement this idea among the Freemen, and his son continued his work ... Freemen are a hardened people of the desert with their own philosophy and way of life...they were told that the work of greening Arrakis is labor-intensive and the results can be fully appreciated only by the eighth generation. Not only that, but the Freemen and the Kynes did not abandon it, but passed it on from generation to generation. Valuable and very much appreciated. Chani is a great representative of the Freemen. Honestly, I didn't really understand why Jessica didn't think she was a good match for her son, even though she thought she was a worthy representative of the Bine Gesaerit school. Chani is wise, intelligent and loving to Paul. She is such a reliable and strong support for him.In general, the novel is a very interesting story, competently combining social problems, political peripetias, religious ascents, life philosophy, many multi-layered mysteries, and I think, even some meditation.And all this cornucopia is doused in beautiful, smooth, syllable with detailed, distinctive style descriptions that include perfectly developed characters. I wholeheartedly recommend the novel, I don't know if I'll be able to experience all six books, but I'm now serious about part two. For anyone interested, I recommend that you be patient and take your time with this story, getting to know it at your own pace.

#aesthetic #light academia #romantic academia #academia aesthetic #chaotic academia #classic academia #dark academia #dead poets society #book review #donna tartt #dune movie #dune #dune books #reading #books #book history #fantasy

[ghouljams]

scrolling through tumblr instead of doing my college paperwork (why do they need my immunization records? weirdos. thanks for accepting my application in like three days though) and sinking my teeth into fallout ghost bro (also you wouldn’t happen to have dorm advice would you im desperate)

i love seeing writers i follow taking these boys and pushing them that nice apocalyptic dark.. there’s something that itches my brain about fallout in particular and it’s feeding the worms bc truly anything can go with narrative depending on where you stick em. all that to say loooooooooove ur fallout stuff it’s living in my head forever now and you can’t get rid of me <3333 :3c

Fallout is such a great mix of post-apocalyptic but also there is a society to play with. It's fun writing darker fic with the boys, I like when they're a little fucked up. There are different morals out in the wasteland, you gotta draw your own lines in the sand, decide where you stand and where you aren't going. Ghost's prerogative is survival and revenge, we're just unlucky enough to owe him a debt and get carted along for the ride.

As for Dorm advice... Get flipflops for the showers if you have communal bathrooms. Leave your door open when you can the first week or so, that way people can say hi and you'll know when people are going for food; it's way easier to make friends over lunch/dinner. Don't worry if your roommate isn't your best friend, just try to be cordial with them. My freshman roommate fucking hated me, I ended up spending most of my time in my friend's room since they lived down the hall and my room was just where I slept and studied, it was fine.

Having a roommate agreement sounds silly but is really helpful if you're having any sort of dispute, you can point to the paper you both agreed on and say "look you said you wouldn't bring people back here without giving me a heads up" or whatever. On the other end of that, if your agreement says you'll alternate taking out the trash and your roommate hasn't taken it out, just take it out. It's easier to just do things yourself most of the time. Maybe it's because I'm an oldest child but I tend to just fix things myself when they bother me, trying to get other people to do shit is pointless 75% of the time.

Honestly most people treat the dorms as just a place to sleep and study. It's your home, but it's also not. Which always feels weird to say but you'll get used to it fast. Don't sweat too much about it.

#ghoul speaks

[starlit1daydream]

THOUGHTS ON MARBLE HORNETS CLASSPECTS REAL QUICK THAT I'M GONNA EXPAND ON LATER PROBABLY

Jay is definitely a Light player, constantly motivated by a search for the truth and largely kept alive by his own dumb luck and fortune; plus there's the whole 'bringing attention to everyone involved by posting everything on fucking YouTube' thing.

Tim is a Heart player, which seems pretty obvious given his alter-ego of Masky. A great deal of his angst comes from his lack of self-control and his fear of what he does when he dons the mask; the crux of Tim's arc is rejecting his other personality and trying to get a solid grasp on his own emotions.

Alex? He's a harder one to pin down, but I'm gonna say Void. He does begin his arc as fairly Light-focused (a pretentious college film student who wants to put himself out there into the spotlight) but when you consider his primary role in the narrative? Alex is the one desperately trying to spread obscurity and obfuscation because he believes the mere knowledge of the Operator is dangerous - he's motivated to create secrecy and destroy truth & relevance in the name of covering up the cognitohazard that is the Operator.

Brian is really fucking with my head right now. I feel like he's also somewhere on the Light-Void dichotomy? He operates in shadow & secrecy but at the same time he's obsessed with spreading the truth of everything and taunting Alex with the knowledge he holds. His constant tendency for mind-gaming also makes me wonder about Mind? (Which would work quite nicely alongside Tim being a Heart player to place both them and Jay/Alex as opposites.) Also arguably more tied to knowledge than Light, and I did just mention he's fucking with my head.

No strong thoughts on Jessica yet either, but my gut tells me Breath? I'm not too sure, but I guess there's an argument to make that her arc is about freedom from the Operator and disconnection from everything else going on around her.

Experimenting with new formatting here so my posts are more uniform (as opposed to being some late-night stream of consciousness). also pretty colours

#marble hornets #homestuck #jay merrick #tim wright #alex kralie #brian thomas #jessica locke #totheark #hoody mh #masky mh #light aspect #void aspect #heart aspect #mind aspect #breath aspect

[skayafair]

The fact that Kayne critically misjudged John's true feelings and how much their relationship with Arthur have progressed, brings me so much joy.

Not that all-knowing and all-powerful anymore, are we?

It'd do him good to be brought down a peg or two.

#malevolent podcast #malevolent spoilers #john malevolent #john doe malevolent #kayne malevolent #as you can probably notice I'm not a fan of Kayne #the idea of his character is interesting and the delivery is entertaining #but I have no interest in this kind of personality anymore #so his rizz doesn't work on me #to me he's just an annoying villain-y/trickster-y sort of character who pushes the plot forward #and is great in his own place in the narrative #plus all the 4th wall break jokes are really funny #so I like (or rather okay with) him narrative-wise #but personally he makes my teeth ache #figuratively speaking #all in all his appearances are perfectly timed I think 👌 #upd. OH WAIT #if Kayne keeps making mistakes like this #while still thinking he's the know-it-all #he'll actually be interesting for me??? #KEEP IT UP PLEASE

[singmyaubade]

Shades Of Cool

toxic!dark!rafe cameron x female!pogue!reader

summary: you are just living your life, completely normal and free. but, what happens when rafe cameron decides that you are his? he's danger.

warnings: smut! 18+ stalking, manipulation, rafe is obsessed with reader, fingering, swearing, unprotected sex, slight breeding kink, praise, oral (male receiving), dark!rafe cameron, choking, jealousy, violence, heavy smut..

a/n: i'm delighted I'm finally starting this, even if it took me so long. i genuinely hope you all enjoy this series. i understand that this a bit short, but the narrative is only getting started, so things will only get wilder! however, it is to be expected—this is a rafe cameron fic.

series

One thing that you hated about Outer Banks was how the heat still radiated at night, causing excessive amounts of water to be drank and a great amount of fans that blew hot air into your face.

It only made everyone irritable and only caused more arguments like now,

"I swear to god JJ, I am about to fucking murder you if you say another word," You hissed, giving him a glare as he mockingly grew scared.

"I agree," Cleo said before falling back into her nap.

"All I'm saying is that we have been moping around here for hours meanwhile we could be partying on the fresh beach and cool water," JJ replied, using his hands to represent the scenery to all of you.

"I'm going to have to agree with Y/N," Pope said, turning his head to JJ, "I'm already in tough shit with my parents for when you knocked over my great-grandmothers vase," Pope glared.

JJ put his hands up in defense, "I told you tequila makes me clumsy,"

"Besides every single Kook is there, including Rafe and if he sees Sarah with us, it will only bring another fight and you are not going back to jail," Kie warned, still closing her eyes while the fan blew the air in her face, blowing her hair.

"When have we ever been scared of Rafe?" JJ asked.

"When he gave me a full smackdown for doing my job," Pope scoffed.

"And when he almost drowned me," Sarah chimed in from across the room where she was laying on John B's legs on the carpet floor.

"And when he shot Sheriff Peterkin in front of us," John B added.

"And when-" Pope began.

"Okay that's enough," He said as you giggled, turning your head back to the fan.

You didn't know much about Rafe Cameron since you had moved to Outer Banks only last year and you had met the "star Pogues" a few months ago.

You had never really seen Rafe's face ever, only heard of him honestly.

But you didn't know if it was a bad thing.

All you had heard about was how evil and villainous he was which caused some places to be off limits for the fact that the boys couldn't handle another beat down with the Kooks and there was a greater matter at hand.

But still, you always were curious about "evil" Rafe Cameron.

"You guys are no fun," JJ pouted, sitting beside you on the couch.

You patted the lower part of his leg, "Poor baby," You sarcastically said to which moved his leg swiftly causing you to laugh.

Suddenly the lights and fans turned off as you all except for JJ groaned, knowing that meant the electricity was off you and you would have to deal with the heat and darkness.

Which meant the only choice was the beach party,

JJ cheered, "I win!"

You crossed your arms as you walked on the warm sand, lots of cheering and loud music around you. You could see the Kooks and the Pogues in their own groups, not daring to interact with eachother.

It was hard to get used to the fact that there were two groups of people based on economic statuses and that it meant that if you were one thing, the other one hated you.

You had never been to a place like that but you just kinda got used to it.

Yet you still could never tell which group was really which sometimes.

You were forced to walk around by yourself as John B and Sarah wandered off to a quiet spot while JJ started drinking with Kie as his babysitter and Cleo and Pope wandered around.

All of it sounded like a lot of third wheeling which made you stay away.

But you didn't mind being alone, you liked listening to the waves and watching the festivities that went along with a party.

And you knew that a beer would help you get more into the party festivities.

You walked over the keg where a man with a shaved head and a matching tank top and shorts poured himself a beer as you curiously looked at him.

You had to admit that he was one of the most attractive men you had seen before.

His lips were a perfect shade of pink and they were smooth like sucking on a cherry. His veins were bulging from his hands and you could see the peach fuzz on his jawline that you could only really see upclose.

You snapped out of your analysis as he looked at you as you waited there awkwardly, forming a smile on your face.

"Sorry to creepily stand here, I'm just trying to get a uh-" You said, pointing to the keg.

His face studied you for a second, almost as if he was trying to figure you out. You could tell by his face that he had never seen you before and he looked as if he was trying to figure out if you were a Kook or Pogue.

He chuckled, "Didn't mean to take so long, I wouldn't have if I had seen your pretty face sooner," He smirked, looking you up and down, causing you to blush.

You felt stupid for blushing over something that a man probably said to every pretty girl he saw but you felt something different about him.

You were taken aback by his boldness, "Do you say that to every women that waits for her turn on the keg?" You teased.

"Only the pretty ones," He replied, causing you to laugh.

"Smooth talker I see," You smiled.

"Always," He joked, "I swear I've never seen you around and usually, you know everyone in Outer Banks," He probed.

"Yeah, I just moved here last year," You answered, "I haven't made my rounds yet,"

"Figured," He said, "I would've definitely noticed you,"

"Pfft," You beamed, "I'm sure you would've walked past me on the beach, there are many beautiful girls here,"

"Nah," He laughed, looking off, "You are different from them,"

"How could you already assume that?" You asked, curiosity biting at you.

"For one, you aren't stuck up and preppy which is most the girls on this island," He grinned as you giggled.

"Ay, they aren't all like that," You replied.

"Most of 'em," He added, "But I don't pay much attention to them,"

"Figures," You said, eyebrow raising.

He saw your eyes move the keg and his cup before he offered his cup forward.

"Might as well take mine, I wouldn't feel proud of myself if I let you pour one yourself," He winked.

Great attempt at being a gentlemen.

"No no, I got it," You said before he shook his head.

"I insist" He said, his thumb grazing yours.

"Thank you," You smiled, "I'm Y/N" You introduced, taking the cup from him while extending your other hand for him to shake.

He shook your hand, "I'm Rafe," He replied with a smile as yours slowly fell.

The Rafe? The Rafe you were basically supposed to never interact with and who was the supposed devil? That Rafe?

"Rafe Cameron?" You asked, standing frozen.

"Guess my reputation precedes me," He joked as you didn't laugh but instead cleared your throat.

You took your hand back quickly, "Oh, i-it's nice to meet you," You cleared your throat, "My friends are waiting so I'm gonna-"

He clearly figured you out, "Pogue, I'm guessing?" He snickered.

Your face wrinkled, "Is that supposed to be a funny thing?"

"Hilarious actually," He answered, only angering you more.

"I don't see what's funny about that?" You crossed your arms with ur drink resting in your hand.

He wiped his jaw, "Must be tough at the bottom of the food chain,"

Your nose flared, "Must be tough being an elite asshole,"

He laughed, "I just think it's an unfortunate cause, I mean it's just unlucky," He smirked.

Asshole.

"Unlucky?" Your lip pursed, " I think what's more unlucky is thinking that your cool for a fucked up economic status that has been perpetuated on an island,"

"I just don't believe your friends belong on Outer Banks," He said, not a hint of hesitance in his voice.

He really believed in this bullshit.

"I mean you would really rather hang out with a group of dirty Pogues?" He snickered, looking off.

"Well I am one of them and they are my friends," You scoffed, "You seem more dirty than us," You insulted.

"Is that so?" Rafe mocked.

"Do you wanna talk about your father's dirty money?" You asked.

"I would watch that pretty mouth," He replied, inching closer.

"Or what?" You hummed, acting braver than you usually would.

"Fuck around and find out sweetheart," He came closer, breath fawning on your face.

The whiskey on his breath kissed your nose but not breaking your eye contact with him as you inched closer, eyes on his lips.

As he tried to close the gap, you threw the drink in his face. "Oohs" and snickers filled around the both of you as you stomped away from him.

He smirked, wiping the alcohol off of his face.

'What an asshole,' You thought,

Little did you know that Rafe only grew to like you more.

You found JJ and Kie sitting by the beach together as she laid her head on his shoulder. You were thinking about interrupting them but tarnish their moment, you choosing instead to call it a night and also you didn't feel like trying to find the rest of the group.

You were glad that you knew yourself enough to drive to the party considering that you got tired fast. You couldn't really see in the parking lot due to how dark it was and away from the lights.

You digged in your back pocket for your phone to pull out of the flashlight as you reached for your keys but dropped them instead in the process.

You audibly groaned as you searched on the floor in the darkness for the keys. You went on your knees with your flashing light, searching on the ground as you heard footsteps behind you, darting your flashlight behind you but seeing nothing.

You had a bad feeling but you thought it was paranoia because you were alone in the parking lot and maybe a little due to the interaction you had earlier with Rafe.

You couldn't stop thinking about how he came off as nice but switched so quickly into an elitist piece of shit.

Sounds like how they described him.

But still, there was a pit in your stomach that felt like butterflies when he grazed your thumb.

You sighed, pushing the thoughts out as you finally grabbed your keys, using the concrete-sanded floor push yourself back up off the ground.

Suddenly, you felt a cloth on your mouth and a hand covering your waist as your muffled screams filled the parking lot, trying to kick your attacker behind you.

You felt yourself drifting into the darkness as you screamed one last time,

And everything went black.

tags: @hysteriahall @avengersassemblee @lighttism @whereismymindnow @hotch-meeeeeuppppp @vi06ma01 @haven247 @vanessa-rafesgirl @blvebanisters @riordanness @aleidag1rly @muzanjackson22

#dark obx #dark!rafe #obx #rafe cameron #dark rafe cameron #drew starkey #outer banks #dark fic #rafe cameron x reader #toxic!rafe #toxic!rafe cameron #toxic relationship #obx2 #rafe obx #obx3 #obx fic #outerbanks rafe #outerbanks masterlist #rafe cameron imagine #rafe outer banks #outer banks smut #rafe cameron smut #rafe x you #rafe x reader #rafe smut #rafe fic #rafecameron #rafe #rafe fanfiction #singmyaubade

[fuckyeahisawthat]

There are so many places in the Villeneuve Dune adaptations where he just...takes all the narrative pieces that Frank Herbert laid out and subtly rearranges them into something that tells the story better--that creates dramatic tension where you need it, communicates the themes and message of the book more clearly, or corrects something in the text that contradicts or undermines what Herbert said he was trying to say.

The fedaykin are probably my favorite example of this. I just re-read a little part of the book and got smacked in the face with how different they are.

(under the cut for book spoilers and length)

The fedaykin in the book are Paul's personal followers, sort of his personal guard. They show up after his legend has already started growing (the word doesn't appear in the book until chapter 40) and they are people who have specifically dedicated themselves to fighting for him, and right from the moment they're introduced there is a kind of implied fanaticism to their militancy that's a bit uncomfortable to read. They're the most ardent believers in Paul's messianic status and willing to die for him. (They are also, as far as you can tell from the text, all men.)

In the book, as far as I can remember (I could be forgetting some small detail but I don't think so) there is no mention of armed resistance to colonialism on Arrakis before Paul shows up. As far as we know, he created it. ETA: Okay I actually went back and checked on this and while we hear about the Fremen being "a thorn in the side" of the Harkonnens and we know that they are good fighters, we don't see anything other than possibly one bit of industrial sabotage. The book is very clear that the organized military force we see in the second half was armed and trained by Paul. This is exacerbated by the two-year time jump in the book, which means we never see how Paul goes from being a newly deposed ex-colonial overlord running for his life to someone who has his own private militia of people ready to give their lives for him.

The movie completely flips all these dynamics on their head in ways that add up to a radical change in meaning.

The fedaykin in the movie are an already-existing guerrilla resistance movement on Arrakis that formed long before Paul showed up. Literally the first thing we learn about the Fremen, less that two minutes into the first movie, is that they are fighting back against the colonization and exploitation of their home and have been for decades.

The movie fedaykin also start out being the most skeptical of the prophecy about Paul, which is a great choice from both a political and a character standpoint. Of course they're skeptical. If you're part of a small guerrilla force repeatedly going up against a much bigger and stronger imperial army...you have to believe in your own agency. You have to believe that it is possible to win, and that this tiny little chip in the armor of a giant terrifying military machine that you are making right now will make a difference in the end. These are the people who are directly on the front lines of resisting oppression. They are doing it with their own sweat, blood and ingenuity, and they are not about to wait around for some messiah who may never come.

From a character standpoint, this is really the best possible environment you could put Paul Atreides in if you want to keep him humble. He doesn't get any automatic respect handed to him due to title or birthright or religious belief. He has to prove himself--not as any kind of savior but as a good fighter and a reliable member of a collective political project. And he does. This is an environment that really draws out his best qualities. He's a skilled fighter; he's brave (sometimes recklessly so); he's intensely loyal to and protective of people he cares about. He is not too proud to learn from others and work hard in an egalitarian environment where he gets no special treatment or extra glory. The longer he spends with the fedaykin the more his allegiance shifts from Atreides to Fremen, and the more skeptical he himself becomes about the prophecy. This sets up the conflict with Jessica, which comes to a head before she leaves for the south. And his political sincerity--that he genuinely comes to believe that these people deserve liberation from all colonial forces and his only role should be to help where he can--is what makes the tragedy work. Because in the end we know he will betray all these values and become the exact thing he said he didn't want to be.

There's another layer of meaning to all this that I don't know if the filmmakers were even aware of. ETA: rescinding my doubt cause based on some of Villeneuve's other projects I'm pretty sure he could work it out. Given the time period (1960s) and Herbert's propensity for using Arabic or Arabic-inspired words for aspects of Fremen culture, it seems very likely that the made-up word fedaykin was taken from fedayeen, a real Arabic word that was frequently used untranslated in American news media at the time, usually to refer to Palestinian armed resistance groups.

Fedayeen is usually translated into English as fighter, guerrilla, militant or something similar. The translation of fedaykin that Herbert provides in Dune is "death commando"...which is a whole bucket of yikes in my opinion, but it's not entirely absurd if we're assuming that this fake word and the real word fedayeen function in the same way. A more literal translation of fedayeen is "self-sacrificer," as in willing, intentional self-sacrifice for a political cause, up to and including sacrificing your life.

If you apply this logic to Dune, it means that Villeneuve has actually shifted the meaning of this word in-universe, from fighters who are willing to sacrifice themselves for Paul to fighters who are willing to sacrifice themselves for their people. And the fedaykin are no longer a group created for Paul but a group that Paul counts himself as part of, one member among equals. Which is just WILDLY different from what's in the book. And so much better in my opinion.

#dune #dune part two #adaptation #paul atreides #fedaykin

[poemfortheprinz]

thinking intricate thoughts about guy i made up in my brain hours

#.jaytag #i am doing something ive been meaning to do for months partially for my own interest and partially having to do with his whole deal #which is that im getting invested in batman + jason todd comic arcs #ive never been a comics person but from what i knew about jason todd i always drew huge parallels between him and j #to the point that it ended up directly making it into j's story in a way that i will not go into detail about because it requires a WHOLE #lot of explanation but if you'd like to know you can ask #the gist of it being that j also sees. more than parallels. between himself and jason todd and his father figure and batman #something his father figure shares his sentiment in but perhaps from a different angle #ive always thought there was a lot of gorgeous narrative in the overarching jason todd/red hood story even outside of j thoughts #so ive finally found a guide on 'how' to get into jason todd centered comics #and a place to read comics for free online #and im currently reading the post-crisis origin story arc. 80s comics still have so much hope to them lol #i am having a great deal of fun but i'm also looking forward to getting into grittier tragic stuff because i love that shit

[tragedybunny]

Time for another one of my hot takes. Fresh and warm, like pancakes. Sorry, I'm kinda hungry this morning. I don't like the narrative the Astarion will NEVER be romantic with his partner.

I will say, he is not going to be Mr. Over The Top Fairy Tale Prince. That is definitely Wyll. Especially at first after everything. But I think it greatly depends on what his partner places value on. Because more than anything, he's shown he adores them. So, if you really want more of those traditional gestures, I think he could take upon himself to adopt them. And maybe hold Wyll hostage for a day while he forces him to teach him the ways of romance. And would they invariably come with his weird little Astarion spin on them? Yes. Like he finds out some flowers make great poisons! Now they look pretty and you can defend yourself with them. Oh you've got your eye on something from that fancy jewelry store? It's yours, stolen right off the idiot noble who bought it. This is the man who restarted his sex life on his own grave. But you're not with him if you don't expect that to be part of the package.

Some of talk going around makes it seem like he'd just tell you to bugger off if you wanted anything approaching romance. Which I disagree with. Afterall, you are his leaking bloodbag.

#bg3 #astarion #baldurs gate 3

[trikaranos]

TRIKARANOS CHAPTER I: S·T·T·L

TRIKARANOS is a dramatized narrative based on ancient events following Crassus (and Pompey and Caesar) through the years 87-48 BCE. Intended for an adult audience.

⭐ Trikaranos will always be free to read. In the near future, you’ll have the option to support this comic & my ability to spend time making it (I Am Extremely Fucking Broke And Have Bills To Pay etc etc) through Patreon! currently, I have a tip jar!

⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)

⭐ alternative places to read it (coming soon!)

CREDITS all additional art used are in the public domain, and the specific images used are open access, etc

🍊the first collage panel is combination of: Plate 113: Greeks Battling the Trojans (from Ovid's Metamorphoses), Antonio Tempesta / The Trojans pulling the wooden horse into the city, Giulio Bonasone (after Francesco Primaticcio) / Terracotta hydria displaying Achilles waiting to ambush Triolos and Polyxena 🍊the second collage panel is: The Lictors bringing Brutus the bodies of his Sons, Jacques Louis David / the paint over of Brutus executing is own sons is my own work based on the composition of this relief of Brutus and condemning his sons to death. 🍊I also used my own art: a panel from the Prologue, and my own illustration of Brutus with the bodies of his sons

📖 PREVIOUS CHAPTER | START HERE | ToC (under construction!)

UNDER THE CUT creator’s commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn’t need the citations for it to make sense as it unfolds since it’s a comic and a story first and foremost, but it’s here if you’re curious about something or want to see where the inspiration is coming from!

I'm so fucking normal about Crassus and his family (<<< this is a lie)

Marcus Crassus was the son of a man who had been censor and had enjoyed a triumph; but he was reared in a small house with two brothers. His brothers were married while their parents were still alive, and all shared the same table, which seems to have been the chief reason why Crassus was temperate and moderate in his manner of life. When one of his brothers died, Crassus took the widow to wife, and had his children by her, and in these relations also he lived as well-ordered a life as any Roman.

Plutarch, Crassus

like, it actively fucks me up that this is something that's survived about him for over 2,000 years. they all ate together at the same table. Jesus Christ.

so! Crassus' dad! Publius Licinius Crassus (consul 97) fought on the side of Cn. Octavius (consul 87) in the Bellum Octavianum, and it didn't go great for him.

Crassus: A Political Biography, B.A. Marshall

also. currently, if you look Publius Licinius Crassus up on wikipedia for an overview, his page lists his son (and also my main character for this comic) with the cognomen Dives, which is in-fucking-correct.

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

and to circle back to houses and meals shared with family, some citations that made me feel some kind of way when I read them

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

finally, there is discourse or whatever on the placement of the sons of Publius Licinius Crassus. Crassus is the baby brother here simply because I'm writing this story and I get to pick the themes, but also because no one has provided a solid enough argument for him being the second eldest son that I'm willing to buy into with enthusiasm, and I'm more inclined towards G. Sampson's conclusion on the matter.

Defeat of Rome: Crassus, Carrhae, and the Invasion of the East, Gareth C. Sampson

and while I'm just kind of talking about stuff that I read that I enjoyed, this article by Martin Stone lives in my head rent free

A Year of One's Own: Dating the Praetorship of Marcus Crassus, Martin Stone

#trikaranos the komik #hehghghh HELLO i'm back. oof. hgh #if i think too much about them as a family i take critical damage to my hit points

[dailyadventureprompts]

Monsters Reimagined: Yeenoghu, Demon Lord of Insatiable Hunger

It's been some years since I did my overhaul on the lore of the gnolls and how they embody the weird de/humanization that goes on with various monsters over d&d's history. Ever since I've had more than a few folks write in asking about how I would handle the default Gnoll God Yeenoghu, who exists in a similar state of "Kill everything that ever existed" to Orcus and a good portion of the game's other late game threats, thematically flat and not really useful for building stories around.

For a while I've avoided doing this post because I thought it might skew a little too close to my personal philosophy, and risk going from simply being influenced by my views to an outright soapbox. I personally hold that despite being part of our nature hunger is the source of the majority of human cruelty, and if society and cooperation are the tools we developed to best fight against the threat of famine, it is fear of that famine that allows the powerful to control society and secure their positions of privilege.

I've also dealt with disordered eating in a prior period of my life, alternating between neglecting my body's needs and punishing myself for needing in the first place. I'm well acquainted with hunger and the hollowing effect it can have, though I'd never claim to know it so well as someone who went hungry by anything other than choice and self hatred.

Learning to love food again saved saved my life. The joy of eating, of feeling whole and nourished, yes, but there was also the joy of making: of experimenting, improving, providing, being connected to a great tradition of cultivation which has guided our entire species.

If I was going to talk about an evil god of hunger, I was going to have to touch on all of that, and now that it's out in the open I can continue with a more thematic and narrative discussion on the beast of butchery below the cut.

What's wrong: Going by the default lore, there's not much that really separates Yeenoghu from any other chaotic evil mega-boss. He wants to kill everything in vicious ways, and encourages his followers to do the same. He's there so that the evil clerics can have someone to pray to because the objectively good gods are on the party's side and wouldn't help a bunch of cannibalistic slavers.

This is boring, we've done this song and dance before, and the only reason that there are so many demon lords/evil gods/archdevils like this is because the bioessentialism baked into the older editions of the game's lore was also a theological essentialism, and that every group had to have their own gods which perfectly embodied their ethos and there was no crossover whatsoever, themes be damned.

Normally I'd do a whole section about "what can be salvaged" from an old concept, but we're scraping the bottom of the barrel right from the inset. Likewise my trick of combining multiple bits of underwritten d&d mythology to make a sturdier concept isn't going to work as most of d&d's other gods of hunger or famine are similar levels of paper thin.

How do we fix it: I want Yeenoghu to be the opposite of the path I found myself on, a hunger so great and so painful that it percludes happiness, cooperation, or even rational thought. Hunger not as a sumptuous hedonistic gluttony but a hollowing emptiness that compels violence and desperation. More than just psychopathic slaughter and gore, it is becalmed sailors drinking seawater to quench their thirst, the urban poor mixing sawdust and plaster into their food because their wages are not enough to afford grain.

This is where we get the idea of Yeenoghu as an enemy of society, not because violence is antithical to society ( I think we've learned by now how structured violence can really be) but because society fundamentally breaks down when it can't take care of the people who provide its foundations. Contrast the Beast of Butchery with one of my other favourite villainous famine spirits: Caracalla the grim trader, who embodies scarcity as a form of profit and control in to Yeenoghu's scarcity as suffering.

Into this we can also add the idea of the hungry dead, ghouls yes but also vampires, anything cursed with an eternal existence and appetites it no longer has the ability to sate. A large number of cultures across the world share the idea that the dead cannot rest while they are starving, which is why we leave offerings of food by their graves or pour out a glass to the ones we lost along the way.

On that topic, there's also a scrap of lore involving Doresain god of ghouls, who has been depicted as an on and off servant of Yeenoghu. Since I'm already remaking the mythology, I'd have Doresain act as a sort of saint or herald for the demon lord, the wicked but still partially reasonable entity who can villain monolog before the feral and all consuming demon god shows up.

Summing it all up: Yeenoghu isn't a demon you wittingly worship, it's a demon that claims you, marks you as its mouthpiece and through you seeks to consume more of the world. It gives you just enough strength to keep on living, keep on suffering, keep on filling that hole in your belly and feed it in turn.

The greatest of these mouthpieces is Doresain, an elf of ancient times who's unearthly hungers elevated him to demigod status. Known as the knawbone king, he dwells within a dread domain of the shadowfell, and is sought out only for his ability to intercede with the maw-fiend's rampages.

Signs: Unnaturally persistent hunger pangs, excessive drool and gurgling stomach noises, the growth of extra teeth in the mouth, stomachs splitting open into mouths.

Symbols: An animal with three jaws, a three tailed flail or spiked whip. A crown of knawed bones (Doresain)

Titles: Beast of butchery, the maw fiend, the knawing god

Artist

#monsters reimagined #fiend #yeenoghu #undead #deity

[doumadono]

Hii douma! May I request Shoto just in love? Just him being in love for the very first time and the concept of love just so foreign to him? Have a great day/night!

MY HERO ACADEMIA MASTERLIST

The cold spring air of U.A. High School's training grounds swept across Shoto Todoroki's face, his distinctive heterochromatic eyes glancing stoically at the horizon. As he approached the courtyard, the brisk wind tousled his dual-toned hair, and for the first time, a peculiar sensation stirred within him. It was an emotion he hadn't experienced before, a feeling that seemed to thaw the icy demeanor that usually defined him, yet he couldn't put a finger on what was it.

As the son of Endeavor, emotions had never been a territory he explored willingly. However, this day would mark a shift, an unexpected twist in the stoic narrative of Todoroki's life.

Shoto was no stranger to intense emotions. Anger, resentment, and the relentless pursuit of self-discovery had been his companions for as long as he could remember. But this was different – a foreign concept that had invaded the carefully constructed fortress around his heart.

As he walked past the cherry blossom trees, their delicate petals swirling in the air, his gaze landed on a figure standing by the fountain.

It was you, a fellow classmate whose presence had recently begun to captivate him. You were a presence in his life that had begun to defy categorization. You were just a person — a puzzle piece that didn't quite fit the mold he'd grown accustomed to. He admired you from afar, appreciating your strength and determination in both academics and combat.

It began innocently, Shoto noticed. A shared glance across the classroom, a casual comment during training, and the casual camaraderie of shared laughter. But as days unfolded, the puzzle piece shifted, creating a mosaic he hadn't anticipated. He was no stranger to intensity; after all, his own quirk bore the duality of fire and ice. Yet, this newfound sentiment was a flame of a different kind, uncharted and unsettling.

"Hey," he called out, his voice surprisingly steady despite the internal turmoil.

You turned towards him, a quizzical smile gracing your lips. "Todoroki, hey. Is everything okay?"

Shoto hesitated, his usual calm exterior cracking just a bit. "I… I wanted to talk."

Curiosity sparked in your eyes as you nodded, inviting him to continue.

"I've been thinking," Shoto began, his usually concise words replaced by a rare vulnerability. "About feelings. Emotions. And there's something I can't quite comprehend."

You listened intently, sensing the gravity of Shoto's words. "What is it?"

"I've always been driven by my goals, my desire to surpass my limits, and the need to prove my father wrong," he continued, "but lately, I find myself caught in a different struggle. It's like a flame inside me, burning with an intensity I can't control."

You tilted your head, intrigued. "Oh?"

Shoto nodded, his gaze meeting yours with an intensity that surprised even himself. "It's a distraction, an enigma that I can't unravel. It's like standing at the edge of a precipice, uncertain of the fall," he admitted, a rare flicker of uncertainty crossing his features.

Your lips curled into a gentle smile. "Love, Todoroki. It sounds like you're in love."

Todoroki's brows furrowed, the word foreign on his tongue. Love. A concept he'd analyzed in textbooks but never expected to encounter firsthand.

You smiled gently, understanding the conflict within him. "Love is complex, Shoto. It's not something you can control or quantify. It's a force that binds us together, that makes us vulnerable and strong at the same time."

Shoto absorbed your words, his internal battle slowly subsiding. "I don't know how to navigate this unfamiliar territory."

You reached out, placing a reassuring hand on his shoulder. "It's okay not to have all the answers. Love is a journey, not a destination. Take your time, Todoroki."

"I think… I might be in love with you," he confessed, the admission hanging in the air like the delicate petals of cherry blossoms.

Your eyes widened, a subtle blush adorning your features. "Todoroki, that's…" you began, but he silenced you with a tender touch as he placed his hand to your rosy cheek.

"Let me finish," he whispered, his breath mingling with the soft evening breeze. "I might not fully understand it, but I know that being around you feels just right. I love spending my time with you, it doesn't matter if we just chat or study together."

A heartbeat passed between you, the air charged with unspoken emotions. And then, in a moment both tender and profound, Shoto leaned in, placing a gentle kiss to your cheek. It was a sweet, hesitant kiss, a step into the uncharted territory of love.

As he looked at you, the world around seemed to fade, leaving only the two of you in the quiet embrace newfound feelings. Shoto's stoic facade melted away, revealing a vulnerability.

A quiet moment passed before you chuckled, breaking the tension. "Well, that's unexpected. I never thought I'd be the one to thaw Todoroki's icy heart."

A small, hesitant smile tugged at Todoroki's lips. Embracing the vulnerability he rarely allowed himself to show, Shoto took a deep breath. "Would you mind if I… explore this feeling with you?"

"I'd like that, Shoto," you replied, reaching your hand out to intertwine your fingers with his.

#shoto todoroki x you #shoto todoroki x reader #shoto fluff #todoroki shouto #shoto todoroki #shoto x you #bnha x reader #shouto x reader #mha x reader #mha fluff #todoroki shoto x reader #shoto fic #shoto x reader #todoroki shoto #shoto x y/n #mha fic #bnha fluff #shouto x you #mha drabbles #anime fluff

[savorycannoli]

Can I talk about sugar for a second? Like all of the berzatto children are tragic and doomed by the narrative in their own right, but nat’s story means so such to me idk if I can even fully talk about it all. We see her relationship with her mom is strained at best, it seems like she’s the least favorite child, maybe BECAUSE of her existence as a woman.

And then we find out that her lifelong nickname is based off of a childhood mistake, her being overeager to help her family literally turned into a lifelong reminder of her fuck up. Is there anything more tragic?? A child wanting love but getting scorn?? And then it makes the flashback scene where she tries to add raisins in season 1 all the more upsetting because why did she add them?

“That’s how mom makes it.” she’s the only one that still follows their mom’s recipe. The reason? Could be anything. But I have no doubt in my mind if she DIDN’T add the raisins if Donna had been around she would’ve been ridiculed even more.

I have such a soft spot in my heart for girls and their complex relationships with their moms and motherhood, and it makes her scene with cicero in the car that much more impactful. When cicero says he would let his kids make more mistakes and not been as careful, i almost started crying. Nat has a nickname from her mistakes and it seems like in her mom’s eyes she’s nothing but mistakes. And then her uncle tells her that she’ll be a good mother and that it’s okay for kids to make mistakes, great, even.

I’m so happy nat is in a place where she’s happy and supported. She has a husband who deeply understands her family and doesn’t judge her for it, even making an effort to try and include Donna. I was kind of meh about pete before season 2, but it solidified for me that he’s so so good for nat and a great character. He is so excited to be a dad, he’s patient and kind with her and her family, and he doesn’t call her sugar.

She’s nat. And she’s allowed to make mistakes.

#I have so many fucking feelings about them #maybe it’s me coming off of the high of succession’s equally emotionally damaged sibling trio #but I have nothing but love for natalie berzatto #she means so much to me #she’s joining the ranks of women on tv that are hated by their mothers just for being born a woman #my baby girl #I love her so much #the bear season 2 #the bear #natalie berzatto #pete the bear #carmy berzatto

[hamable]

I’m about to write an essay on the specific situation Miles is in as we set up for a third movie.

With great power comes great responsibility.

Not a single spiderman asked to be bit. No one planned to be spiderman. But, given the power to do so, they chose to become spiderman. Miles is bitten by a spider from a different dimension that was never meant for him. In that moment, two dimensions were doomed. One to lose it’s intended spiderman, and one to never have one at all.

But Miles’s New York isnt in a state of anarchy like Universe-42, where his spider came from. It’s relatively normal. It’s what we expect of Spider-Man’s New York. It’s not doomed.

Spiderman doesn’t choose to get powers. In any universe. But every spiderman looks at what he has and the world around him and does what he can do.

Miles is just as much a Spiderman as every other Peter out there. It could be anyone under the mask, should they chose to wear it.

He may have been in the wrong place at the wrong time but so was every other bite victim. This is not his fault. And it may take another watch or two for me to confirm, but I don’t think Miguel ever directly says something to blame miles as an actor in all this. Yes, miles is the linchpin. To keep to the canon web, miles should not have been bitten. The fault falls on happenstance, though it’s all too easy to pin on miles. But I don’t think Miguel ever says that. Miles shouldn’t exist. Miles is not spiderman, in Miguel’s eyes. But goddamnit he’s not at fault here.

I’m hoping Miles can take control of his own narrative. His entire character revolves around balancing the expectations of those around him while he tries to discover his own. His family, his school, living up to what spiderman is supposed to be. Even The Hole confronts him and demands he acknowledge they are nemeses, and upon being turned down, seeks vengeance and validation which is the catalyst for the movies major conflict. Ppl keep telling miles who to be. And in a universe where a kid got bit when he shouldn’t have, I hope he finds the strength to rewrite more shouldn’ts. Spiderman can do both. The captain doesn’t have to die. His relationship with Gwen Stacy does not end in tragedy.

EDIT: FUCKIN. IF THE CANON RULES ARE SO IMPORTANT. WHY’D JEFF DIE IN A UNIVERSE WITH NO SPIDERMAN? UNCLE AARON DIDNT HAVE TO DIE IN THAT ONE SO WHY DID THE CAPTAIN??? ANSWER ME THAT M I G U E L?????

#across the spiderverse #spiderman across the spiderverse #across the spiderverse spoilers #sats spoilers #spiderman across the spiderverse spoilers #spiderman

[buckleyreid]

The thing with buddie fans and the bisexual arc...

Sometimes I look at certain posts and I wonder what show people are watching.

I've always been a hyper realistic person, maybe that's my own flaw, but I genuinely don't understand how someone could watch Buck coming out to Eddie, and their main takeaways being that 1) Buck is disappointed when Eddie says nothing will change between them and 2) Eddie is upset that Buck went on a date with Tommy.

That scene is about so much more than Buddie as a romantic ship, and I guess people who haven't been in Buck's shoes won't understand how nerve-wracking it is to share a part of yourself you're still not 100% confident in with one of the people that matters most to you. It's so incredibly important to see two men who love each other so deeply be there for one another platonically. Seeing people twist and take things out of context just so they fit their own narrative, while ignoring the meaning of such an important storyline is a little disheartening to say the least. If down the line we see Eddie internally conflicted about seeing Buck and Tommy together, and if that leads him down his own journey that's great (I'm a buddie shipper too), but I think it's important to not lose sight of what the show is telling us in the present time.

Buck starts out episode 7x05 nervous, anxious even, about being on a date with a man. He's looking around, he doesn't want anyone to see him and Tommy together like that. Cut to the end of the episode, and he's setting up a date himself, he's smiling and putting his hand on top of Tommy's and he's grown sure enough of himself to ask him to be his date to his sister's wedding (where his parents will be, where his whole team will see them together). That's important, that's the character development we've been looking forward to and unfortunately I feel like I've seen more people focused on making cheating theories and taking Buck and Eddie's interactions out of context instead of celebrating that Evan Buckley, for the first time in a couple of seasons, actually has a decent (monumentally so) storyline. You don't have to ship Buck and Tommy together, but please don't disregard Buck's feelings for Tommy just because you wish Eddie was in his place instead.

TLDR: Buck's arc is his own, it doesn't and shouldn't revolve around anyone but himself, it doesn't revolve around Eddie or Buddie and it doesn't revolve around Tommy either. Bisexuality in media matters, it deserves time and it deserves to be treated with respect.

#i know it's just fiction #these characters aren't real #but they do represent real people #very desperately needed to get that out of my chest #911 abc #evan buckley #eddie diaz #buddie #buck x tommy #bucktommy #evan buck buckely #maggie yaps

[blondephenobarbitol]

"Ted Spankoffski is so tragic" yes yes I agree with you but you know who we don't talk about enough?

The man, the myth, the legend, Ethan Green.

Everyone loves to talk about how much they love him, but you are all forgetting that he is heartbreaking.

So first of all, he loves Lex. Incredibly devoted. And you're thinking, "well obviously he loves his girlfriend?" But I am not exaggerating when I say nearly every decision this man makes is for the sake of making her happy.

He cares about her opinion of him. He cares about how she's feeling. Ethan literally has more emotional intelligence as a 19-20 year old than most grown men do. He was going to propose!

And then his relationship with Hannah. At the ripe old age of 19, Ethan steps into a fatherly role for his girlfriend's kid sister, and he fucking kills it. If he is devoted to Lex, he's protective of Hannah. He dies trying to fight off people that want to hurt her.

The first time we see him in Yellowjacket, he's trying to cheer Hannah up after her shop class accident. On Hannah's birthday, he takes her out to Pizza Pete's even though he doesn't have the money to spare. She is a priority to him. He even wears a little birthday celebration crown.

On top of that, he's a decent guy. Yes, he's not above threatening people or stealing, but his heart is always in the right place when he does it. He puts the effort into his relationship. He is shown apologizing when he fucks up and recognizing his mistakes. He saves Lex and Hannah's life's at the end of Yellowjacket.

Great, right? No. Not great. The narrative is consistently ruining his life.

He dies in Black Friday. Dies in a brutal way while being ambushed for a doll that he didn't have. He actually dies for nothing. And his very last words are "I'll get you to California, Lex. That way you don't gotta cry so much no more." Was Lex in the room? No. He was hallucinating her. Fucking devastating.

And then, his face gets worn by a dark god to torment Hannah. Hannah, one of the people he cared most about, is being toyed with by something wearing Ethan's face. You just know he's watching in the afterlife feeling utterly powerless.

There are timelines where Ethan and Lex accept larger jail sentences so that Hannah isn't left alone. He is not related to Hannah, or Lex. He has no real obligation to do that. He chooses to, for Hannah's sake. And has to spend years in jail.

In Yellowjacket, after all they've been through, after he bought the damn ring, the girls just leave him behind. He gets broken up with via a note while they escape to California. And you know it's for the better, you know it's for his own safety, but it still hurts.

There was even supposed to be a Nightmare Time episode where he comes back from the dead Pet-Cemetery style, murders Hannah, and then is tortured for eternity?? But then the Langs were like "No, actually, everyone would hate this." and thank God because Ethan does not need that on his plate.

Look at this. "We caught you a poki-man." He's too good I miss him so much.

This poor guy does nothing wrong and is constantly being punished. I need in my bones to have a universe where he marries Lex and they get custody of Hannah.

#ethan green #black friday musical #nightmare time #nmt #nmt2 #starkid #hatchetfield #hatchetverse #joey richter #robert manion #lex foster #hannah foster #long post #rant #essay