#and talk about the season 1 production TEAM instead

[dqrciedaily]

baby arsenal headcannons, arsenal wfc x teen!reader

a/n: i am so so so sorry that this isn’t an actual fic but i’ve left yous without anything for like two weeks so take this 🥰🥰🥰

warning - this isn’t proofread so pls ignore any mistakes x

-

1. she is maths no.1 public enemy - literally will stare at her homework for two hours instead of actually trying it. then the next day at school she gets in trouble for not doing it but she genuinely couldn’t care less because she’d rather have them email lia than try do trigonometry

2. her tiktok reposts and twitter likes have fans speculating like there is no tomorrow - she’s definitely liked transfer rumours on twitter before as well as reposting things she shouldn’t be and she reposts things that happened way back way but people think it’s about her current situation, leading to some very concerned fans in her tiktok comments and instagram requests.

3. baby girl has stina and laura wrapped around her finger - she’s cold? stina’s gonna give her the jumper she’s wearing. she’s hungry? laura’s up to make her something to eat, even though maus is perfectly capable of doing it herself. they’re basically on her beck and call.

4. she always curses out players in german on the pitch - when she was younger her brothers taught her the art of cursing people out in german then speaking in english to confuse them. however this did not work when arsenal played chelsea and she went flying after a tackle from nüsken, who very obviously understands german, leading to maus getting a yellow.

5. which leads to the next point which is that she gets her fair share of yellows - giving katie a run for her money, although most of hers come from back chatting the ref and not from actual gameplay, although she isn’t afraid to put in a heavy tackle here and there.

6. her + kyra = little shits on steroids - on the first media day of the season they decided to put y/n and kyra in three of the same interviews, let’s just say absolutely nothing productive happened until caitlin had to come in to do an interview with the two of them.

7. she’s lia’s no.1 reason for her early gray hairs - firstly maus is awful at answering phone calls, so if she’s out with her friends and lia needs something best believe she cannot contact her. secondly the amount of emails the school sends her may send lia into overdrive, she genuinely couldn’t care less if y/n didn’t do her homework as long as she’s passing all her classes, which she is (besides math but lia doesn’t need to know that.)

8. y/n has the best outfits - her instagram feed is filled with mirror pics of her outfits and they’re all just so good!!! she’s known for her fashionable clothes throughout the woso community.

9. she gets really really really nervous when doing interviews by herself - she already refuses to do orals in school because they stress her out too much, so after her first full 90 for arsenal she gets called to do an interview and poor girl is swaying from side to side the entire time, stumbling over her words and overall looking like a deer caught in headlights.

10. the first time she brings a girl or boy home lia gets a group of the girls to pretend they’re over for dinner without telling y/n - so then when y/n gets home she sees most of her teammates there and very hastily shoves her ‘friend’ upstairs, before going over to the girls who all tease her. then when she’s upstairs in her room with her ‘friend’ they all take turns coming upstairs to walk past the closed door to hear what they’re talking about.

11. she is a hugger of note - the first time she meant all the girls minus her shy demeanour she hugged every single teammate she met. she is also a massive cuddler, on the team bus she makes ours sit in the window seat (much to the brunettes complains) then uses kyra as a pillow which 1. forces kyra to be quiet because she doesn’t want to wake y/n and 2. she can’t move around the bus as she wants deciding to annoy everyone which the other girls are very thankful for.

12. her first crush on a girl was laura freigang, who she had seen around the german youth camps before - she even told her parents at one stage that she was going to go to penn state just like lau did but that phase was short lived when she then developed a crush on one of her teammates in her age group instead.

13. in another life she’s a dj who lives in ibiza - literally no explanation needed, she truly is a party animal at heart and would go to all the festivals and raves possible during the off season.

#darcie’s drabbles #woso x reader #woso imagine #arsenal wfc #arsenal wfc x reader

[rhysdarbinizedarby]

Our Flag Means Death season 2 shot a crucial scene in the Avatar 2 tank

A behind-the-scenes look at how Taika Waititi and Rhys Darby shot their big merman moment

[Warning: The below contains MAJOR spoilers for Our Flag Means Death, Season 2, Episodes 3]

Season 2 of David Jenkins’ pirate comedy-romance-drama Our Flag Means Death has finally premiered on Max, with an opening three-episode arc that’s guaranteed to get the series’ fandom buzzing. The third episode in particular ends with a sequence that feels like it was intentionally crafted to inspire the crowds of fan artists who have turned the series into an obsession. Polygon talked to the series’ VFX supervisor, David Van Dyke, about what went into shooting that sequence — and how James Cameron’s Avatar: The Way of Water helped out.

At the end of episode 3, Ed “Blackbeard” Teach (Taika Waititi) is in limbo after being assaulted and nearly killed by his crew. There, he meets his former captain Benjamin Hornigold (another of the series’ historical pirate characters, played by Mark Mitchinson), who tries to help him through his emotional crisis over being abandoned by Stede Bonnet (Rhys Darby). Except Hornigold mostly helps by pointing out Blackbeard’s failings, then tying a stone to his waist and throwing him off a cliff into the sea — where he sees a vision of Stede as a fish-tailed merman, coming to save him.

“Just so you know, Rhys and Taika did very well underwater,” Van Dyke told Polygon about shooting the scene. “Rhys is not an Olympic synchronized swimmer, but he’s a strong swimmer. They were both very comfortable underwater. They both did a really good job of being mermen.”

Van Dyke says he was originally asked whether he could do the scene with CG versions of the two men, for safety reasons. He explained that it was possible, “but that’ll cost millions and millions of dollars, and we don’t really have that.”

Instead, he ended up shooting the scene practically. Season 1 of Our Flag Means Death was shot on a soundstage in Los Angeles, but for season 2, production moved to New Zealand. That gave Van Dyke a lot of advantages in terms of shooting natural backdrops to use on the production’s giant virtual environment screen, and in using experienced crews from past special-effects-heavy productions, from Peter Jackson’s Lord of the Rings movies to James Cameron’s Avatar movies.

“There were definitely a few pieces that were serendipitously to our advantage,” Van Dyke says. “New Zealand was where they shot a lot of Avatar stuff, and there just so happens to be an enormous tank on the lot. There are a bunch of Avatar crew who are SCUBA certified, because they’ve been shooting in that tank forever. This was not something we had to figure out — we didn’t have to send a bunch of grips and lighting technicians off to SCUBA school. So they were there, they had really amazing underwater photography teams, and obviously a really good stunt team that was able to train up Taika and Rhys to make sure the scene was working.”

Van Dyke points to New Zealand’s thriving mermaid freediving community as a boon when it came to designing Darby’s merman outfit. “There are a lot of incredible mer-tails out there,” he said. “We were able to take those, and [costume designer Gypsy Taylor] and her team brought them together to make these beautiful physical pieces, so Rhys was able to actually sell it and do the performance underwater.”

For Van Dyke, the sequence really started with the cliff-jump sequence, which actually used considerably more CG than the underwater shots. “That cliff sequence was a great culmination of effects, merging physical photography and our LED wall, because you can’t really put those two guys on a thousand-foot cliff,” he said. “The insurance alone would be out of control. Also, we’re not really in the business of having people fall to their deaths.”

The cliff sequence began with sequences shot off New Zealand’s Bethells Beach, using drones to capture images looking inward from the ocean and photogrammetry of a specific ledge for production designer Ra Vincent and the art department to reproduce in the studio.

“The wide shots use production plates of those cliffs, and the tighter shots use photography we shot specifically to build out the stitching of the cliff sequence,” Van Dyke said. “Hornigold and Blackbeard are standing on a cliff set. We tied in drone plates of the actual cliffs so we can see the ocean and really set up how terrifying [the drop would be]. Then he falls into the ocean, falls into our tank.”

Once Waititi was in the tank, the next step was the shot where the stone tied to a rope around his waist pulls him deep underwater. That part of the scene required more conventional, practical production trickery than the rest of the sequence.

“The tank is massive, but it’s not 300 feet deep. It’s pretty darn big, but it’s never big enough, as they say,” Van Dyke says. “So when Taika is being tugged by the rock, we actually shot that sideways. By turning the camera sideways, you get more length to the shot. The problem is the bubbles — they should be streaming off him and then rising to the surface, but if you’re going sideways, they’re going to come off him and then go up, perpendicular to him. So we took over with CG to make sure our bubbles were traveling toward where the surface was supposed to be.”

The CG in the underwater sequence was mostly used to hide the lighting and rigging necessary to shoot it, Van Dyke says. “Anytime you’re shooting anything underwater, there’s gonna be a lot of gear. There’s no way you can get around that. So we’re making sure we have [convincing deep-sea] lighting and the bubbles. And then there’s his performance — that’s a real performance.”

For Van Dyke, the real complication was the costuming and makeup for both Darby and Waititi. “Taika’s wig — I was amazed that thing stayed on so long. It’s a long shoot. He was shooting all day, all weekend. But things stayed on. It’s a heavy weight. And Rhys is really working underwater, so his tail has to be working, so it all feels seamless.”

The shot in the underwater sequence that seems most likely to be a CG creation has both men just floating deep in the sea, facing each other above a seemingly endless abyss. Again, Van Dyke says, he used very little CG for that shot, and it was mostly to hide the tank walls.

“In that case, we were not shooting sideways,” he said. “It’s essentially a locked shot. It was about getting them at the right depth underwater, and making sure the shafts of light above them were working properly. We don’t have to track as much, we don’t have all these moving elements, we don’t have to worry about where the bubbles are going. That one was really just about cleaning up the tank, doctoring out the sides of the shot, where we can see the water receding into blackness, then giving the base of the tank true depth, so it really feels like they’re suspended a hundred feet below the surface.

“Obviously, a fair amount of CGI and visual effects had to go into it. But at the same time, it was a moment where we really needed to let the story take over, and have the visual effects just get out of the way, man.”

The first three episodes of Our Flag Means Death season 2 are now streaming on Max.

Source: Polygon

#rhys darby #taika waititi #behind the scenes #ofmd #our flag means death #ofmd s2 spoilers #ofmd bts

[badass-queer-couples-battle]

Gay wrongs tournament, semifinals of the minor bracket

Propaganda:

For Lord Hater and Commander Peepers :

Lord Hater is the self-proclaimed "universe's awesomest evil-doer", an immature, attention-seeking manchild with electric powers and a short temper. He rules the Hater Empire with Commander Peepers as his second-in-command (technically third, after his beloved pet spider-xenomorph, but who's counting), however it soon becomes *very* clear that the cunning, remorseless, hardworking Peepers is the *real* brains behind the empire. Peepers might be frustrated at Hater's incompetence at times and isn't above manipulating him to reach an end goal, but he'd never dream of usurping him because, well, he's really gay and in love with him (as much as he can be in an early-10s Disney cartoon, anyways). Hater might take Peepers for granted a lot of times, but as his oldest friend and closest confidante he's the one who Hater is closest to. Whether it's invading other planets or kicking puppies for fun, these two are *delightfully* terrible jerks and the epitome of gay wrongs. 

Commander Peepers is both Lord Hater's right hand man in villainy AND his jilted stay-at-home-wife-guy (Also in villainy. Hater is really good at getting distracted from productive and efficient villaining.) Lord Hater was the greatest villain in the galaxy thanks to how well he and Commander Peepers worked as an evil team to run the Hater Empire!

Lord Hater conquers planets and is such an edgy bastard. Peepers is the actual brains behind the operation. Peepers is often pushed aside by Hater, they are besties and yet Peepers is always pining for this guy who will never notice. Peepers is so horribly gay for him if you watch the show he wants his stupid boss so bad. Peepers is so scared of him season 1 but then starts yelling BACK in season 2 and has to deal with him like a babysitter or something and yet STILL idolizes him and that’s just such a fun dynamic. His password is H8RNP33PRS43VR (Hater and Peepers forever). They are so evil and everyone fears them and they are villains and they are gay and the side of the fandom that draws them as a married couple that needs counseling is absolutely correct. The fanart of Hater openly liking him back is wonderful but I swear you don’t even need that. They are so gay and villain you have to love them they are

Villains that conquer planets and do evil stuff, my favourite characters, not really canon but they are the best :)

For Wu Zetian x Gao Yizhi x Li Shimin: (propaganda from previous poll here)

They are in a poly and are so morally gray and I love em. The triangle really is the strongest shape

They're gay because they're all bi (literally in Shimin and Yizhi's cases, kinda more implied for Zetian). Zetian and Shimin tortured a man for information (and also because he tortured them first) while Yizhi cooked back in their apartment. They made a plan to destroy their government and take over instead. Yizhi killed his dad because he was talking shit about Zetian and trying to sway his trust in her (it didn't work lmao). Instead of a love triangle (it REALLY seemed like that was what it was heading towards) they all love each other and would (and have) committed atrocities for each other. There's a whole thing about how they're stronger together (like, metaphorically and on the battlefield (Shimin and Zetian pilot a giant mecha together and Yizhi balances them))

They're a canon polyship who are all a bit deranged and down to kill for their goals and/or to protect bae. Two have tortured a man to death together and came home to the third making celebratory cookies for them. 

What's more gay wrongs than trying to take over your country and torturing a man together

#minor bracket semifinals #iron widow #wander over yonder #gao yizhi #li shimin #wu zetian #commander peepers #lord hater

[muldyfi]

I don’t often do this, I am very team ‘Yay TV is the best and I’m either going to enjoy it or I’m not going to watch it...’ but I need to rant a little bit about the Mandalorian season finale. 

I work in TV, I know stuff goes wrong. And a lot about this season of Mando felt like production issues. Obviously they didn’t have Pedro much (if at all?) and obviously Katee Sackhoff was contracted to appear in every episode which made for some weird story choices in the first two episodes (going from Nevarro to Kalevala to Tatooine to Mandalore instead of Nevarro, Tatooine, Kalevala, Mandalore which makes a lot more sense). And also rumours of stuff being cut from the finale (which it really did feel like happened).

But there were so many story things in this season that weren’t paid off. 

1. The Mythosaur. I’m not saying I needed anyone to ride the Mythosaur or use it in battle or whatever, but to start with Bo-Katan saw it in the Mines of Mandalore and then got it on her shoulder pauldron and then NEVER MENTIONED IT TO DIN. That is such a weird story choice that I thought it was going to be a point of conflict between the characters but it just...wasn’t mentioned. Like if she was meant to have told him offscreen why didn’t she just tell him in Ep 3 when he woke up after she rescued him? And then to have all these random monsters attacking everyone all season EXCEPT the Mythosaur is....also very weird. 

I actually didn’t want anyone to kill it or hurt it but it would have been nice for Bo-Katan or Din or the Armorer to have a moment being like ‘The Mythosaur is one of us, it’s part of Mandalore and we should respect it.’ Perhaps let the Mythosaur help them defeat their enemy. Basically a reason for it’s existence. Because right now the *only* reason it needed to exist is so the Armorer could be all ‘Bo-Katan saw the Mythosaur so she can lead our people.’ Which was also echoed in ‘Bo-Katan has the Darksaber so she can lead our people.’ Like we get it. She can lead the people. 

But the Mythosaur just felt like it wasn’t paid off at all.

2. DinBo. I’m not talking about it as a shipper (I am one, don’t worry, but I didn’t expect anything to actually happen this season. No one in Star Wars gets together unless they’re dying). But why on Earth (or Mandalore) would you build this relationship so well all season, to the point of Din pledging his allegiance to her and then having Bo be all ‘Mandalorians are stronger together’ and then he leaves. What? 

This was one of the best built relationships I have seen on TV in a long time. The way that they went from completely not understanding each other to strongly respecting and trusting each other. Where she became Grogu’s other parent. It’s so nice to see a healthy relationship like that. But then it had no pay off.

There needed to be a scene where she thanked him for everything. Where he told her he was leaving. Where Grogu and Bo got to say goodbye because she’s basically is mother now. Anything. Even just a ‘If you ever need me, you know where to find me’ moment. At the very least a scene of them waving at each other. Lizzo and Grogu got a better goodbye than Bo and Grogu did. This genuinely makes me (and I believe everyone else) angry.

3. The Darksaber. Okay so I’m not even going to be upset about the fact that apparently Gideon can crush a Darksaber with his hands when I couldn’t even bend the handle of my plastic one if I tried. But to me the idea of destroying the Darksaber is to prove to Bo-Katan that she can rule Mandalore without it. 

It’s not the Darksaber that made her a good leader, but instead the lessons she learnt about uniting her people and trusting and relying on those around her, things she’s never been very good at. There needed to be a moment where she had a meltdown of some sort along the lines of ‘It’s gone, how am I meant to rule now?’ And Din (or the Armorer or Axe and Koska or all the above) tells her that her strength to lead comes from within and isn’t about the Darksaber at all. If this isn’t used to show character growth within Bo-Katan then what is even the point of destroying it? 

Honestly this is the thing that annoyed me the most.

4. The Covert and the Armorer. All season I haven’t really been able to tell where they were going with her character or Din’s attitude towards the Covert. But in the pledging to Bo-Katan scene, when Din mentions he was told lies about the other Mandalorians I felt like that was him realising that maybe the Armorer wasn’t so all knowing, that maybe there was another way and that Bo-Katan represented that way to him. 

Maybe it was just me being hopeful that he’d change his mind about his religion and take his helmet off so I could see Pedro’s pretty face more often, but if that line wasn’t about him learning that he’d been lied to his whole life I’m not sure why it existed. Honestly this point is probably more about personal taste but I still find it weird.

5. Coruscant. Why the hell did we spend 38 minutes in Coruscant? Why did we have to listen to Imperial officers chatting about Thrawn? Is this all set up for Ahsoka? Because in a season where most of the episodes were shorter than they should be what we really could have used was more time with our main characters having quiet character moments, understanding their wants and needs...which leads me to... 

6. Din. Honestly this has never bugged me prior to this season, but suddenly I got really annoyed at him wearing his helmet because I couldn’t tell what he was thinking. If we’re not going to see his face, we need to have scenes where he expresses his feelings to someone in words. Otherwise we have a lead character who shows no emotions about anything and doesn’t have an opinion on anything. The most emotion we saw him have all season was when he showed his hatred of battle droids. 

I’m sure the reason Bo-Katan ended up being the focus of the season was a lot to do with the fact her helmet was off a lot of the time and we could actually see her emotions. For us to feel like Din is the lead we need to understand what he’s feeling.

The appeal of the Mandalorian to me has always been that it’s simple, straightforward and fun. It’s about the love between a Mandalorian bounty hunter and his adopted son (yay!). And there was a lot of that great stuff in the finale. But it felt twenty minutes too short. 

Jon Favreau needs a TV writers’ room. It is literally the job of a writers’ room to be like ‘What if we did this in this more interesting way?’ instead of just one man’s fan fiction. A group of people are always going to come up with something more interesting than one person, it’s why writers’ rooms exist.

Twitter and Tumblr were all very good at coming up with fantastic season finale plots - mind flaying Din, him being tortured and his helmet removed, Thrawn showing up, the Armorer being evil, Axe being a traitor, Bo-Katan dying and Grogu having to bring her back with the Force. All of these things that could have added a heightened emotion and stakes in the finale. 

I’m not saying that creators should listen to the internet, this rarely makes for good television, but I am saying Jon Favreau as a solo writer has run his course on this story. He’s not a TV writer either and it was really obvious this season where Dave Filoni seemed less involved because he was focusing on Ahsoka.

Anyway I love this show and I will absolutely look forward to and watch any future seasons, but I was left super disappointed after the finale, despite really loving a lot of it, because it just felt too easy and too emotionally disconnected. 

#the mandalorian #din djarin #dinbo #din djarin x bo-katan kryze #bo-katan kryze #grogu #chapter 24 #rant #mando

[masonic-critical]

x - Double Toasted Interview Pre-Helluva Boss Prouction

Seeing vivzie flub her numbers and mouth over her """team""" within this video is very telling.

"40 or 50 people or so I think i would have to check and make sure on discord--we have sorta 10-ish people in my core team with my animators. I'm a main compositor with my friend while my background artist and cleanup team of 15 or so is just so-big it's so Huge its so large! We have so many people working on this project and just handling with so many key components over backgrounds and key framing the lip syncs, my background artists doing so much work. I feel like and hope people will really stay on"

Interviewee Joke: 'Oh how many animators do I have [again], no-oh god no!!!'

It's insane to think Helluva Boss has over 80+ animation credits which is definitely not a good thing. It's one thing in industry to have a large studio but it's another thing of collaborating artists coming and going to work on an ongoing series is not a good thing to flaunt. Even if your show has won two independent animation awards you should take pride over producing to actually make something good instead of flaunting the fact that you acknowledge the bare minimum of abuse, rape, misogyny, supremacy, classism, sexism, or gender critical writing fails face first in every episode.

Her favorite movies being Cat's Don't Dance/Who Framed Roger Rabbit and referencing BoJack Horseman even referencing that they anthropomorphize their themes being prejudice and STORYTELLING DEVICES, so what story is Helluva Boss even telling right now???? She claimed to even want to write about dark themes and mature adult topics about prejudice and yet has nothing to show for it after 6 years of nothing burger that is Helluva Boss and Hazbin Production :/

She fully admits that patreon and merch hauls fund hazbin/helluva production and that she fully handles the patreon money herself she budgets to push towards 'Hazbin' to 'Pay her small team'. She wanted to try to promote a Kickstarter over the pilot pre-A24 pickup before she made it big-time which is weird to hear when she didn't even have hazbin finished while boarding out 4 episodes of helluva bosses' first season. Even if it was supposed to allegedly be a 1 season show only. It's weird to try to discern which show she's trying to elaborate/talk about which one.

X - Evidence of the promotional videos for Helluva Boss/Hazbin. Strangely enough it has always been together instead of separated meaning she was attempting to garner hype for her series through Helluva Boss Merchandising and attempting to cyphen even more money over small Hazbin merchandising.

X - Here is Vivs' patreon promo earlier before the Hazbin pilot. Discussing how much she wanted to have a bigger budget at the time to fund her animation. Talks about Zoophobia Reboot and there has never been discussion since. Originally charged 10$ for private qna's. 50$ for discord access calls, unsure if this is still a Patreon feature. Also unsure over the 100$/500$ speeddraw commissions she promo'd... There is another production patreon she teases that holds nothing beside the Vivziepop name.

The show being placed upon rehabilitation and redemption despite the focus only being towards 'A Disney/Tim Burton Princess in Hell' goes to show that she had no direction of where she wanted to take Angel or Charlie. Charlie always being based on a porcelain doll? Greek/Religious Context/Egyptian mythology where???

"The best animation in it, is not done by me"

Within full admission of her nervous attitude without naming anyone within her team and just referred to everyone as 'My team/Crew' is very telling of how humbling she really even is.

Thr 'Yotta' she refers to is in reference to Studio Yotta, Helluva Boss is funded and produced alongside Horseless Cowboy with Horvitz towards the Casting Direction, meaning she's been funded with a major video game industry since day 1 of Helluva Bosses' production ergo, Vivziepop/Spindlehorse/Vivienne Medranno has never been independent in her entire production malpractice. She stated to be aware and know of wanting to work under SAG is very intriguing given that since Moxxie has been absent for half of season 2 its probably due to Richard striking as my best guess to the messy writing of broken railroad tracks that was supposed to be Helluva Boss production.

While it is one thing to have connections in industry to connect and come together and credit within your artists and studios, Vivzie does not have a studio. The merch sales/Patreon/YouTube QnA's directly go towards paying her animators, voice actors, and production management but not at all a 'Studio' she promotes herself as. All animation work and shots are handled through Discord and emails online this has been proven time and time again.

The fact that the pilot has been pushed aside so much over Helluva Boss and not a genuine interest to have redemption or care and love within the disguised nightmare that is Helluva Bosses' writing. She loves to flaunt demonology and love towards hell of aesthetics with demons/monsters she fails to actually represent the actual Demons of folklore/hell world building in HB leaves me to be worried... That she discredits actual Demon culture by stating

'I don't know have you seen one? They don't exist its just been human mysticism, Demons can be anything. Have you been to Hell?' Without realizinf she will fail to depict the Lord of the Flies as Gluttony....

"--It might not ever happen to work together with [Ke$ha] professionally would be a dream honestly. --The next Ke$ha song I want to animate is either is going to be official or is something that she wrote for one of MY projects or something"

She did and she made her state 'There's like, a rainbow inside my vagina.' Wooow so professional, "Cotton Candy" so originally produced to be so professionally Disney-Grade. The fact that she halted and couldn't release season 1's full finale due to having Ke$ha break her contract with legal battles and corporate music industry bindings during the Dr. Luke 2016 trial, waiting until 2020 to finally release it within this year and have Lukewarm perception because Rose cannot even sing within the episode its a replacement actor to sing for her! She just wrote the bare minimum draft of a song to submit for you to animate! Time and time again viv just flaunts herself to throw herself out there over 'Look at my projects aren't they neat!" And then be a monster during production of hoarding artists to herself and trash talking/harboring a group of bullies within her 'Core Crew'.

"Zoophobia is my Childhood project, it had everything and it was a mess. It was the magic of a childhood story told by an adult because I was in college while working on it at the time. It's the incubation chamber for all of my projects now. When I go back to it, it will be a complete reboot but for now it's on the shelf.... I lost all passion for it but I love my characters in it."

... And yet she hasn't talked about the comic since Bad-Luck Jacks' animation release nearly 4 years ago? All merchandising she promotes is about Helluva Boss and barely anything towards Hazbin or Zoophobia which is supposedly 'In-Production' while these merchandising of stickers, pins, skateboards, switch cases, posters, sketchbooks covers of Demonic stickers, sexualized hornybait, racist and transphobic enamel pins that can't keep character skin colors correct, and puzzles because of course! All of which, is merchandising of HELLUVA BOSS!

Vivziepop only views her characters as dollar signs. She still features her old Zoophobia designs within her Redbubble account goes to show how much profit she loves to make with other peoples' character designs.

X X Evidence of the Above Statement with the character KiKi/Christine [Cherry Bomb] originally being from Zoophobia before redesigned into Hazbin

X

Zoophobia concepts of what we lost rambling from Viv herself....

X

An interview of 7 years I didn't get to discuss over

X - A Season 1 Helluva Boss poor promotional trailer trying to garner hype for the series acting as if it was telling a cohesive story with actual plot happening with little Stolas screen time. It makes me wonder if season 1 was an entirely different drive of writing thoughts and artist drafts compared to season 2's production.

X - Helluva Boss Season 2 promotional storyboard conception, Two years ahead of time and finally all the boards make sense for season 2 and there still is no eventual plot besides setting up Fizz and Ozzy over Belzebub and Tex or any returning season 1 villain akin to D.H.O.R.K. or Cherub/Verrosika and especially no sight of Moxxie and Millie development besides fight scenes.

It makes me think of however much season 3 will suffer to spiral into production.

#spindlehorse critical #links are purple blue is source and red is viv quotes #hazbin hotel critical #helluva boss critical #anti vivziepop #anti spindlehorse #anti brandon rogers #anti hazbin hotel

[marquezian]

‘Some PRs won’t be happy until MotoGP is just a corporate event, stripped of its beauty and soul’

(OP Note: Mat Oxley has a new article out about his battle with KTM's PR but its behind a paywall so I grabbed it since it's a great read! here's the original link)

The MotoGP paddock can be a battlefield between PRs and journalists, who have opposing goals. Once again Mat Oxley has a MotoGP PR machine coming after him and this time the fallout is gloriously entertaining

A couple of years ago I had a disagreement with the PR people from a MotoGP team who tried to stop me doing my job.

I wrote a blog about it. Because a journalist’s only power comes from his or her laptop. If we don’t tell these people to back off, pretty soon there’ll be no point in journalists attending races, so you’ll all just have to enjoy the PR releases instead.

Also, these stories offer fans an interesting insight into the weird and occasionally wonderful dynamics of a journalist’s life in the paddock.

Even better, this latest story is hilarious in its craziness. The team’s PR machine started out complaining that I hadn’t used a certain word in my story (even though I had), while banning their engineers from using that word.

Freaking weird.

It seems like PRs like these won’t be happy until MotoGP is no more than a soulless corporate marketing event, stripped of all its joy and beauty, existing purely to sell you stuff, with a bit of motorbike racing on the side. Just like Formula 1.

Most MotoGP PRs do a great job. They arrange interviews and generally help us to write about MotoGP. Back when I started, in the late 1980s, the only way to talk to a rider was to go knocking on his motorhome door. Or his tent.

Now some PRs behave like we’re there to help them do their job (flog product), rather than the other way around. If any PRs are in doubt about this, the clue is in their job title: PR, for press/public relations.

I still love MotoGP for the racing and technology, and I enjoy talking to the world’s greatest riders and engineers, but the layers of PR bullshit grow thicker and stickier each season.

Clashes between journalists and PRs are inevitable, because they have contradicting objectives. Journos want to dig into what’s going on, while a PR’s job is to protect the brand. Truth isn’t their number-one priority.

Like George Orwell wrote, “Journalism is printing what someone else does not want printed. Everything else is public relations”.

The world’s first PR person was American Edward Bernays, who during World War I was hired by the US government to sell the idea of the country entering the war, when most Americans weren’t keen. He was so successful that he set up the world’s first PR agency after the war.

Among his numerous corporate gigs, Bernays was employed by the US tobacco industry to get women smoking, because at that time few women smoked. He consulted a Freudian psychoanalyst and promoted cigarettes to women as ‘torches of freedom’. This campaign was another big success.

Bernays’ work spawned a global PR industry that now works in every sphere of human endeavour.

Press relations – as Bernays proved – is a psychological game: you tell journalists selective truths, giving them information you want them to have, while hiding information you don’t want them to have. You cultivate friendships with journalists, because if they like you, they just may be nicer to your brand. And you stay friends, even if you hate their guts, because that’s a game.

Also useful is the possession of a vague idea of how journalism works. That’s why some of the best PRs are former journalists, who swapped sides to make more money. “Journalism is more fun,” one journo-turned-PR told me. “But PR is much more lucrative.”

The Red Bull KTM team is one of MotoGP’s best – hugely dedicated, massively hardworking and well looked after by its management. It enjoys possibly the best morale of any factory team. There’s always a buzz in the KTM garage – the mechanics really enjoy what they do and usually give a friendly nod when you walk down pit lane.

Its riders Brad Binder and Jack Miller are great to talk to and its engineers are generous with their time when you want a quick chat behind the garages. And I’ve had some great interviews with motor sport director Pit Beirer, engine designer Kurt Trieb, technical director Sebastian Risse, crew chief Paul Trevathan and others.

I last interviewed Risse (whose nickname in the team, which includes several Sebastians, is Clever Seb) during last November’s Malaysian GP.

The full interview was published on this site a while back, running to more than 2200 words. The print magazines I work for – in Europe, the USA, Australia and Japan – are more restricted on space, so I had just 500 words to cover each manufacturer, including rider and engineer quotes.

If an editor says he or she wants 500 words, you write 500 words, not 499 or 501. Magazine writing has to be tight, with quotes edited for clarity and brevity. I’ve been doing this for more than forty years, so I think I have the general idea.

PRs who try to control me by telling me what to write is like me walking into the KTM garage and telling the mechanics how to tighten the RC16’s brake bolts. I’d rightly get a slap.

And yet a KTM PR thought it a good idea to tell me how to do my job. This PR accused me of making “misquotations” in my magazine story and asked me to contact my editors, so they could make “the necessary corrections to reflect what was said accurately”.

At first, I thought it was a joke because I still have the tapes and transcripts of the interviews.

But I take the attack seriously. KTM asked these magazines to correct my text. I have no contracts with any of the magazines that publish my stuff, so I’m only ever as good as my last story. And why would an editor want to employ a journo who changes quotes to alter their meaning? Because that’s a serious crime in this job.

The attack seemed especially perverse because my story was very complimentary about KTM’s MotoGP project – “It’s a fantastic motorcycle to ride,” said Miller

To make sure I wasn’t being wrongheaded, I forwarded KTM’s email to two renowned MotoGP journalists, who between them have covered the championship for eighty years.

“I can’t understand what the complaints are about,” wrote Michael Scott, the doyen of MotoGP journalists, who started covering GPs in the early 1980s. “It is a journalist’s job to edit comments for brevity and comprehensibility. However, if someone is going to nitpick about exact wording, you either have to adopt the approach of [a former MotoGP journalist] and publish every ‘um’ and ‘er’ and every half-finished sentence and end up with overlong garble, or report in indirect speech, to preserve clarity and ensure brevity. They are nitpicking because they are nits.”

Sounds like a carpet stroller trying justify their existence,” wrote my other colleague, who covered his first GP around the same time. “It’s astounding, just mindless nitpicking. The really baffling thing is that the context of your story is 500 words of positivity about how KTM are tech trendsetters!”

I would’ve published the rest of this email, but it was way too rude.

I even contacted Britain’s National Union of Journalists to ask its opinion. “I can’t see anything that changed the meaning,” replied an NUJ advisor.

So why is KTM so mad at me?

The first complaint concerned my magazine headline and subsequent discussion about the RC16’s carbon-fibre frame.

(Italics denote their words.)

“We note that in the headline you included ‘CARBON’ whereas in the text itself you’ve removed this and kept it to just ‘frame’.”

A quick read of the story – below – reveals that the word ‘carbon’ did indeed appear within the story. Twice. Whatever they’re smoking is making them paranoid and confused. And a bit sleepy too.

Next, KTM complained about this.

“We are convinced that sooner or later everyone will have carbon frames,” says Risse.

This sentence was edited for clarity from the original, “We are convinced that sooner or later everyone will end up on this”. This was Risse’s answer to my eighth consecutive question about the RC16’s carbon-fibre frame, so there was no doubt that “this” referred to carbon frames, so the meaning hasn’t been changed.

Their last complaint concerned this Miller quote…

“We’ve been able to find more grip with the carbon-fibre frame, so the thing I’ve been working on is understanding the front end to carry more corner speed.”

This quote was subbed for clarity and brevity, from 49 words to 28. Cutting text is a major part of a journalist’s job – in fact it often takes longer to edit a story down to the required word count than to write the first draft.

This was Miller’s full quote…

“We’ve been able to find quite a bit more grip with the new chassis, so that’s the biggest thing we were trying to chase and we’ve got some steps coming to keep improving that and trying to understand the front end a bit more, to carry some corner speed.”

Again, both quotes say the same thing: the new frame gives more grip, but we need to find more corner speed.

What the PRs would’ve liked me to write was something like this, to signal each of my edits to the reader…

Risse, “We are convinced that sooner or later everyone will end up on [have] this [carbon-fibre frame technology]”.

And…

Miller, “We’ve been able to find [quite a bit] more grip with the new [carbon-fibre] chassis [sic, the swingarm was already carbon-fibre], so [that’s the biggest thing we were trying to chase and we’ve got some steps coming to keep improving that] and [Ed: what he’s been working on is] trying to understand the front end a bit more, to carry some corner speed.”

There’s a reason you never read quotes like this: because they’re ugly to read, they make the speaker sound ridiculous and they use twice the space, so the story would contain half the information.

This is why I don’t like PR people telling me how to be a journalist.

As already noted, the story praised KTM’s valiant attempts to beat Ducati. Perhaps its PR geniuses would’ve been happier if I’d more accurately reflected KTM’s recent efforts in MotoGP and written this instead…

Despite massive investment from KTM and Red Bull, working with Red Bull Advanced Technologies (arguably the world’s foremost motor sport aerodynamicists), having one of the best riders on the grid and taking some of the key brains from MotoGP dominators Ducati and Öhlins, KTM is the only manufacturer not to have won a single dry-weather grand prix in almost three years, since June 2021. Even Honda and Suzuki have won more dry GPs in that period.’

During the Sepang tests I had a lively, er, conversation with KTM, in the hope they’d realise their accusations were false. The PR doubled down, so I suggested KTM sues me, so we could go to court and let the experts decide. My offer was declined.

When I got home from Sepang I contacted the magazines that had published the story, because KTM wanted them to make corrections, where possible.

And this is when things got really funny.

The first of my editors that contacted KTM’s PRs told them he had reviewed the transcripts and story and saw no need for any corrections. It provoked this response from KTM’s motor sport PR chief.

“To be clear on this – nobody from KTM clarified that the new chassis was a carbon fibre chassis in 2023 and we were surprised and disappointed to read it as a quote from an official KTM spokesperson.”

So that’s it! KTM engineers weren’t allowed to use the term carbon-fibre to describe the RC16’s new frame, even though everyone was talking about it.

Risse and I spent more than three minutes talking specifically about the carbon frame. He went into some detail describing how it improved the bike but couldn’t actually say carbon-fibre.

How wild is that?!

KTM’s PR wonks had gone wonky – they were in a terminal tank-slapper, triggered by diametrically opposing brainwaves.

What I would’ve given to be sat in that PR/marketing meeting…

“Ladies and gentlemen, our genius MotoGP engineers have designed a genius new frame, so our genius marketing plan is to ban our genius engineers from mentioning their genius creation to anyone. Even though everyone already knows about it.”

“Dude, you’re a marketing genius!”

High-fives all round.

I assume that following this great meeting of the minds the KTM PR team gave KTM’s actual chief MotoGP engineer a bollocking for not telling me that the carbon-fibre frame didn’t exist.

Talk about the tail trying to wag the dog.

And now the crowning glory to this comedy wild-goose chase.

A few weeks after my chat with Risse, another journalist interviewed Risse and he did say the word that should not be said. (I wonder if the crack PRs returned to the office of their actual chief engineer to give him another bollocking.)

So, the PR boss was being economical with the truth when he told me that, “nobody from KTM clarified that the new chassis was a carbon fibre chassis in 2023”.

These people have their knickers in such a twist that I wonder how they get out of bed in the morning.

One last thought: a PR’s job isn’t only to establish good relations with journalists, it’s their job to promote MotoGP to a wider audience.

Considering that motorcycle racing is currently the world’s 30th most popular sport (after horse dressage!), I believe these PRs would be better spending their time trying to grow the sport – by getting stories in mainstream magazines and so on – instead of chasing after journalists for petty nothings.

Finally, I’d like to wish Red Bull KTM all the best for the 2024 season. They’re a great bunch of people (mostly) and I’d love to see them winning GPs again.

#motogp #* #*article #i love PR insights its like cocaine to me

[dalekofchaos]

Context for each choices

Choice 1 context. Basically Owlman, but instead of Bruce dying with Thomas and Martha, this is a Thomas who lived in a boarding school and upon hearing of the death of his parents, Thomas begins to plot his revenge. When he gets his hands on Joe Chill, he realizes there is no point because Chill is a product of his environment. He embraces crime and the insanity of Arkham. He sees his brother as a threat. The way he wastes his family's fortune to fix something that cannot be fixed. So he begins the plan to slowly dismantle everything Bruce has built. Bankrupting Wayne Enterprises, flooding Gotham with a crime wave that the city has never witnessed and when Bruce sees his city in ruins, all his progress and his Batfamily in ruins, then Thomas will kill his brother and take his place as the king of Gotham

Choice 2 Context. Damian is the Arkham Knight. Talia talked about Bruce and Talia’s night in Metropolis. So you could have a tease for Damian there. But Ra’s raised Damian and indoctrinated him. This is a Damian without Bruce’s influence and was raised to believe that Bruce is responsible for his mother’s death and together Ra’s and Damian will fulfill the LOA’s destiny. Everything leading up to learning his identity is the same(though Arkham Knight uses a sword and throwing stars instead of guns) When the mask comes off, Batman is confused due to how much he looks like him. Damian explains that he is the son of Bruce Wayne and Talia Al Ghul. Damian blames him for the death of his mother and Ra’s Al Ghul. But if Ra’s is alive via the season of Infamy DLC. Work it into the story. Say Damian is working with Ra’s similar to how Hugo Strange was working with Ra’s. Damian names himself after the place his family died and now he wants his father dead. There’d be more emotional impact and would have made more sense than trying to convince viewers that Jason was Robin in this continuity.

Choice 3 context The Arkham Knight should have just been a symbolic title and ya know, ACTUALLY focus on the villains teaming up. The Gotham Rogues teaming up is the main threat. The reveal of the Arkham Knight being a re-skin of the Red Hood has been talked about to death. What hasn’t been talked about as much is the missed opportunity of having a game where Batman has to deal with the ramifications of the Joker’s death. Arkham Knight opens with Commissioner Gordon talking about how Gotham braced itself for the inevitable power struggle that never came. But what if it had? Instead of pushing some of Batman’s greatest villains into a few side-quests (that all played basically the same), the game’s story could have focused on the Bat Family as it fights to save Gotham. Players could have swapped between the best of Batman’s team as they tackle missions all over Gotham, the Asylum, and Arkham City. Areas visible in the game but not accessible. This would have allowed the story of the Arkham games to come full circle as players would have traveled back to locations previously seen and explored them with the changes made as the story for the games went on. Plus it would finally give all the members of the Bat Family a chance to spread their wings. We needed to see Scarecrow, Harley, Ivy, Penguin, Hush, Riddler and Two-Face work together as major threats and we needed to see Bruce and his family(Dick, Tim, Kate, Cassandra and Stephanie) work together to stop them and honestly that would’ve been so much better.

Choice 4 context.

Arkham Knight is Protocol 12. Hugo Strange works for Ra’s, but however, Let’s pay attention to this. From Quincy Sharp, he says “Strange came to me back at the asylum. He told me he had friends; powerful friends. The sort of people who could make things happen. All I had to do was turn a blind eye to his experiments, and work on my campaign. He said his friends would ensure that I won" In Strange’s confrontation with Batman. “ I have powerful friends, Batman. This is just the beginning.“ Now if you’ve watched Justice League Unlimited, you will know that Hugo Strange is a Departmental head of Project CADMUS. So What if In the Arkhamverse, Strange is still apart of Project CADMUS. While Ra’’s was the mastermind, the Arkham City project was planned by CADMUS as a start to take down Batman and Gotham, but a start to bring down the Justice League. The Arkham Knight would be Strange’s and CADMUS’ last fail safe to bring an end to Batman. The identity is not important. All we need to know is it is a CADMUS experiment and Strange’s last trump card against Batman. The Arkham Knight should have been it’s own character and not a copout to make him Jason Todd and there was so much lost potential.

Choice 5 context.

Jeremiah Arkham is the Arkham Knight. In Arkham Asylum, Quincy Sharp believed himself to be the Spirit of Amadeus Arkham. This could simply be Sharp being the zealous warden that he was but it could have set up something else. What if Jeremiah Arkham was the REAL reincarnation of Amadeus Arkham? He shares a similar story already, treating mentally unwell patients until it drove him insane. Instead of becoming the next Black Mask, he could have become the purifier of evil that Quincy Sharp tried to be: the Arkham Knight.

Choice 6 context

In Arkham City it is heavily teased that Joker and Harley had a baby. Before anyone comments about Harley’s revenge, that was actually unpopular with the fandom, so it could’ve been retconned. From a comment I found on the Arkham reddit.  “The game begins the traditional way where you lead a character around but can’t perform any actions. You control Harley who’s in shock after Joker’s death and hasn’t spoken a work since. You control her as she’s being escorted into Blackgate staying true to the prison opening setting of all the games. Joker’s death sends shockwaves across Gotham. Soon enough, her thugs break her out and they arrive at an abandoned warehouse where Harley walks in alone, she opens a shipping container and a kidnapped nurse from Arkham City walks out and pleads with her to let her go, telling her she’s done all they’ve asked. Harley agrees that she has but says that no one can know about their child yet, she shoots the nurse and the shot wakes a baby inside the container, Harley then picks it up and sings it the lullaby we hear in the Arkham City end credits. Cut to black.

But what if it isn't just one kid? What if it's twins? Lucy Quinn and Jack Quinn.

15 years later. Harley Quinn and the Arkham Knight gathers the rogues gallery. Scarecrow, Hush, Poison Ivy, The Riddler, Two-Face and The Penguin all working together to take down the Bat and make Gotham theirs. The difference is the rogues would not be used in side missions exclusively. They would work in the story mandatory similar to how Spider-Man PS4′s villains worked in the main story and we take them down one by one.

Jack will be the Arkham Knight, while Lucy infiltrates Wayne Enterprises as Lucy White and gains the trust of Bruce Wayne and allows herself to be taken hostage because Harley knows Bruce cannot allow an "innocent" be harmed and in the climax, Lucy will show her true colors and knock out Batman. Like in the climax of Arkham Knight, Bruce is taken to Arkham Asylum where this all started. But it's Harley, Jack and Lucy. They reveal the truth. Joker and Harley's children are here to avenge their father. Tim and Cassandra come to the rescue and defeat Jack and Lucy, while Bruce knocks Harley out. Arkham Knight ends with Bruce retiring and becoming Mayor of Gotham, while Tim, Dick and Cassandra would watch over Gotham

#DC #Batman #Arkhamverse #The Arkham Knight #Owlman #THomas Wayne Jr #Damian Wayne #Bruce Wayne #Dick Grayson #Tim Drake #Cassandra Cain #Stephanie Brown #Barbara Gordon #Kate Kane #Batfamily #Hugo Strange #Cadmus #Jeremiah Arkham #The Joker #Harley Quinn #Lucy Quinn #Jarley #Joker x Harley

[karin-miyoshi]

Do you think yuyuyu is ableist?

sheesh, talk about a loaded question

definitely opens up a lot of rabbit holes. ill give my opinion, but note im not the most educated on the subject itself so giving a definite answer is outside my scope.

ill put a read below, but for me, i personally think it isnt, but can be easily misinterpreted as is on a surface level.

tldr, ableism is discrimination towards those with disabilities.

the character in question most of the time when it comes to these topics is tougou, who uses a wheelchair in season 1 due to losing function in her legs. there are never any distasteful jokes made about this, and the show constantly shows various handicap friendly services throughout the show. something even more surprising is that these are never the core focus of the scene or pointed out, its always well integrated into the world as if it were normal (important).

just skimming through s1, we have:

wheelchair assistance integration for both cars and stairs

special swim courses for the disabled, not separated from the rest of the class

beach wheelchairs and separate assistants

now while we can assume a lot of these were due to her previous service as washio sumi, i dont think that would really be fair to the production team putting these in, and it really feels like theres a lot more heart than "yeah we put these for the big shock value realization later on". even after regaining function in her legs near the end of the season, tougou's priority was always towards yuuna and her recovery.

onto the next topic, which is the show taking away and then returning these characters functions throughout. whats important to consider here is what is considered tragic, is it the characters living without these certain functions, or is it the act of losing these functions themselves?

"It'll definitely improve. I mean, we haven't done anything wrong." (Fuu, s1ep9) again, no distasteful jokes made about their disabilities, and fuu even plays it off with her sick eyepatch. her worries instead stem from the loss of itsuki's dream, in the form of her no longer being able to sing. thats the key factor here, being punished for doing what is right, losing the ability to do what you could do before, losing the memories of the time you spent with your friends. (thats another thing i see with a lot of these arguments, they always bring up physical disabilities, but ive never seen one actually talk about ones regarding memory, arguably the most precious thing to them). tougou flat out doesnt remember sonoko at all despite being comrades in arms before, and understandably freaks out that the same might happen with her and yuuna.

now, understandably, the ending to s1 seemed super rushed, and them getting their bodily functions back seemed rather sudden. this put a lot of people off, and was really only explained in s2, which many didnt watch.

people should be allowed to grieve if they lose something important to them, and should be allowed to be happy if they get it back. personally, i dont think people realize the weight of their words when they say, "oh i wish karin wouldve stayed deaf, itd be really cool to see the club members learning sign language for it" or "yuuna in a wheelchair was really cute, i wish we saw more of it." yeah its a cool idea i guess, maybe something to see while theyre stil recovering, but forever? in a chase to see more representation, i hope they realize what they are wishing onto others eventually (even if fictional). while many with disabilities are satisfied with their life, they should be able to wish for better if they wanted to, its not like theyd wish their circumstances on anyone else, right? shouldnt the same apply here, to the girls who've actually lived both with and without disabilities?

just my two cents, hope this wasnt too hard to read! theres a lot more i could write up, especially regarding sonoko, but thats a whole other discussion i should probably save for another time

#this is like a month old ask but i. h really didnt feel like answering it because of how long itd be yeah #yuyuyu #yuki yuna is a hero #yuuki yuuna wa yuusha de aru

[7grandmel]

Todays rip: 18/01/2024

MAGFest 2019: SiIvaGunner Presents - High Quality Ripping

Season 3 Featured on: MAGFest 2019

Presented by Nape Mango, Omknee, ShonicTH, Chaze the Chat, Harmony Friends, Trofflesby, Craz Xexe, Agent

Yeah, okay, this is cheating in a lot of ways - this is not on the SiIvaGunner channel, and its obviously not even a rip. But I felt it necessary to commemorate, as I mentioned briefly in Because I Love You, its finally time for MAGFest once again, and the SiIvaGunner team is to host their own panel there tomorrow! And in the spirit of that, I want to just...talk about SiIvaGunner and MAGFest, at least for a little bit. Because the first two panels in particular, the ones that marked the beginning and end of Season 3, are some of my all-time favorite videos associated with the SiIvaGunner channel.

A big part of the identity and gimmick of the channel itself, as you're likely well aware, is the bait-and-switch - to present it as a faceless entity simply uploading video game music, only to instead feature jokes, shitposts, edits, and so forth. Part of maintaining that kayfabe, then, is to intentionally obscure who makes what behind the scenes, to keep the real people under wraps for those who aren't going to dig deeper, in order to further sell the illusion of being an official VGM upload. The team does of course still give credit when its relevant, as any rip can be featured on an album be given full credits there, but just that degree of separation alone between casual fans and ones willing to download an album has probably led to a few too many people being unaware of who made their favorite rips. Back then, I typically fell somewhere in the middle - I wasn't actively using music listening software and thus missed out on listening to albums for a long time, but was still aware of some of the big names you'd see in comments sections, saw some shoutouts from Twitter, the works.

Yet with the two MAGFest panels of 2018 and 2019 respectively, it felt like the first time that the magnitude of what SiIvaGunner is and how much it means to people was revealed to me for the first time ever. The uploaded recording of the 2018 panel, posted by Chaze's own account, features a shot about seven minutes in that turns the camera to the crowd - and it's an absolutely packed-full room of nerds just like me. And even though I've never been able to go to any of these MAGFest panels due to travel costs and complications...just seeing how many people truly do care about SiivaGunner, in such a tangible way, something more than a number...it resonated with me, yknow?

Beyond that, these panels are just such fascinating pieces of history for the channel, such good time capsules in so many ways - and that's in a lot of ways why I chose to highlight the 2019 panel in particular. Rather than discussing the upbringings of the channel, it features members of the team reminiscing and going through Season 3's timeline of events in particular, going into surprising detail into the thought process and direction the various pieces of the year took - while also giving insights into the production of the Christmas Comeback Crisis, King for a Day Tournament, and more. I feel like with the turn from Season 3 to Season 4 Episode 1, you can really notice that the idea of "hype" for SiIvaGunner content becoming so much more prominent, so much more deliberately handled by the team, which is made all the more evident by the King for Another Day Tournament reveal live on stage.

Man, look, it's an hour-long panel, and there's so many small things that I still remember from it, despite last having seen it five years ago. The members talking about their favorite rips, giving a round of applause to all the rippers who couldn't come join them at the panel or on-stage, the very funny last-minute rips made to "celebrate" the channel being terminated a day earlier (one of which I've embedded as the Bandcamp link), and even some slight discussions on what SiIvaGunner as a channel means to the team, what it represents, and what their goals have been overtime. And, of course, the fucking incredible PowerPoint hijinx with Inspector Gadget, which I am 100% going to take as confirmed canon that Gadget's level of sentience and awareness of the real world is just the same as Woodman's and The Voice.

I have, of course, been told a number of times that I overanalyze SiIvaGunner, that I'm uncovering depth that's clearly not intentional, looking too much into a silly meme channel. And sure, I'd admit that I do overthink things to a degree, anyone who read Vote Responsibly!! should be able to tell you as much. Yet its stuff like these in-depth behind-the-scenes looks, these moments of getting a face and a voice to attach to the works, that really just felt super validating to me even back then - that the intentions and goals of the channel that I myself had picked up on were in fact some sort of direction that the team itself were steering toward. And though Nape Mango does indeed declare in this very panel that "Everything is a coincidence with SiIvaGunner", I'm forever in awe at just how good the team has been at lining those coincidences up into something genuinely incredible.

We SilvaGunner, We Rip.

#todays siivagunner #season 3 #siivagunner #siiva #rip visuals #Nape Mango #Omknee #ShonicTH #Chaze the Chat #Harmony Friends #Trofflesby #Craz Xexe #Agent #magfest #conventions #magfest 2024 #magfest 2019 #behind the scenes #king for another day #king for a day #kfad #kfad2 #siivagunner kfad #king for a day tournament #king for another day tournament #Youtube #Bandcamp

[btr-rewatch]

Big Time Rush Season 1, Episode 11: “Big Time Jobs”

I remember this one being one of my favorite episodes. Excited to rewatch it!

Highlights: The boys set out to make some dough. Also: Mirror Realm Alter Egos, the worst sign-spinners on the planet, and sentient coffee makers.

We begin with the guys preparing for the "Palm Woods 500 Invitational All-Terrain Decathlon Classic." The first one to run around the building and ring the bell at the front desk wins a large homemade trophy made of boxes covered with shiny wrapping paper with a colander on top. Very fancy.

Also, Kendall doesn't pronounce "decathlon" correctly. He says "discathlon," which, as far as I've been able to tell from briefly looking it up, isn't a real word. I mean, it's something you could chalk up to in-universe as a term the boys made up on their own, but this is probably just Kendall Schmidt flubbing the line.

The race goes about as well as you'd expect.

Carlos is declared the winner!

An enraged Bitters then tells the boys that they have to pay for all the damage they've caused, which amounts to $2,000 (and 30¢). Gustavo is NOT happy that his dogs have gotten themselves into so much trouble. He's sick of them breaking things, which leads us into a montage of some of the things around the studio they've broken in the last several months. Shout out to my favorite part of the montage:

Because like...why. Why is James singing a taunting song about having a smoothie? Why does this make Kendall so upset that he feels the need to smack it straight outta James's hand? There's missing context here. James and Kendall were definitely just not getting along that day, and this was the final straw.

Anyway, Gustavo tells them that they have to pay him his $2,000 back, and until they do, they're not allowed in the Palm Woods pool. In order to come up with $500 each, they're going to need to get jobs. This is horrifying news to our boys.

Carlos gets stuck being Gustavo's production assistant, and James Kendall, and Logan return to the Palm Woods to do some job searching. After reading through a listing of horrible jobs, Kendall and Logan set out to become sign spinners, and James finds an ad for "the new face of Cuda." Obviously, he thinks this is the perfect job for him.

This leads into that bizarre but delightful scene where he talks to himself in the mirror, but it's like...some sort of alter-ego with a slightly deeper voice??

Mirror James: "Look at yourself! Who's handsomer than you?"

James: "No one!"

Mirror James: "Who's got more style than you?"

James: "No one!"

Mirror James: "Who's smarter than you?"

James: "Well, lots of people. But that has nothing to do with being a model."

I mean...he's right. What a himbo. Katie appoints herself as James's manager, and the two of them set out to take the fashion world by storm.

Meanwhile, at Kendall and Logan's sign-spinning job:

Yeah, they get fired pretty quickly. Also, can I point out that one of my first thoughts upon watching the above moment was how close they came to possibly being hit by cars?? If either one of them had fallen to the street instead, they would have died. And it would have been in the stupidest way possible. Cause of death? SIGN SPINNING.

And we're not even too far into this episode yet, but I'm enjoying this Kendall and Logan storyline. I don't think there have been many moments thus far in the series where it's just been the two of them paired up ("Big Time Crib" is the only one that comes to mind), and I like seeing them teamed up for some shenanigans. I've always had a soft spot for the Kendall and Logan dynamic, especially when it comes to Kendall's ability to help Logan let loose. I feel like...Logan feels the most secure with Kendall? Which makes sense because Kendall is the leader, but still. It's nice to see Logan come out of his shell a bit, and seeing him act all goofy and over the top with Kendall as they (horribly) spin those signs is one of those moments.

Onto Carlos's story! He's been told to get a coffee for Gustavo, and can I just say how much I love the "Carlos does battle with a coffee maker" plot? This boy is given such a simple task: get coffee, and this machine proceeds to make his life miserable for the rest of the episode.

I'm not sure how many people currently in the fandom were also on Tumblr back when the series was on, but there was this popular BTR blog that consisted of posting beautiful, aesthetic pictures with ridiculous quotes from the show on them. That was the whole blog, and the fandom loved it. There are two specific ones I remember, and I've recreated them here so those who didn't get the original experience can see what I'm talking about.

The BTR fandom sure was something. Wish I could remember what the blog was called (though I'm not sure it'd even still be up).

While Carlos fights for his life at Rocque Records, Kendall and Logan return to 2J to try to find new jobs. After reading off a series of ridiculous options, Kendall has his own idea

Before Kendall can drag Logan off to the nearest hospital to have their kidney's extracted, there's a knock at the door. A woman has come to ask if Mrs. Knight is home and can watch her son, and Kendall agrees to do it (she'll pay them $20 an hour). This gives the guys the idea to offer a babysitting service in order to earn the money they need. They quickly have lots of eager parents lined up to take advantage of their convenient service.

Over at James's modeling job, he quickly realizes that he ain't the only pretty face in town.

They have a brief "face-off," but James is no match for all the handsome in the room, and he just like. Passes out.

Over at Kendall and Logan Babysitting Services Incorporated, things quickly fall apart. Unable to handle the energy of eight kids, Kendall and Logan end up tied to chairs. Mama Knight comes to rescue them, but she quickly flees the premises after.

We return to Carlos for a moment to check on how he's doing, which is Not Well. The room is being filled with foam, and unplugging the coffee maker does nothing since it has a "reserve power" mode. Carlos also causes it to activate its "self-defense" mode when he smacks it several times.

Down at the Palm Woods lobby, a depressed James is sipping a smoothie. He sadly tells Katie, "In Minnesota, I was 'The Face.' Now, I'm just 'A Face.' I'm just a handsome grain of sand on an extremely beautiful beach."

Yeah, so he's doing great.

Meanwhile, Kendall and Logan are having a day

They decide to put the kids' energy to good use and have them run a car-washing service while they sit back and collect the money.

Back at Rocque Records, (wow, this episode is busy) Kelly discovers the catastrophe unfolding in the break room and freaks out. When Carlos says they have to destroy the machine, she protests. That is, until things get personal.

"Kelly is dumb. Women are weak," the coffee machine says (it also calls her "cupcake"), to which she and Carlos promptly charge into the room to attack it with a bat and microphone stand. Together, they defeat C.A.L.

Katie gets James another modeling gig for Cuda—an elbow model for chapped elbow cream. James is not happy. He angrily model-walks away.

However, he's stopped in his tracks by none other than Mirror James, who tells him to embrace the job and his beautiful elbow so they can get back to the pool. James agrees and returns to the photoshoot.

I cannot get over the Mirror James stuff. Does this happen in any other episodes?? I can't remember. What is WRONG with him?

We then go to wrap up the babysitting plot. All the parents come to pick up their kids while Kendall and Logan happily take the payment owed them after a day of such suffering.

And with that, the guys have earned all the money needed to pay Gustavo back! It took them less than a day, lol. But they only have a few seconds to celebrate before an angry mob descends upon them demanding pay for all the additional chaos caused in their money-making attempts. Among the charges are a fine from the city for running an illegal daycare, destroying that coffee maker (an $8,000 prototype), and the cost of James's wardrobe from his modeling gig. So, when all is said and done, they've paid Gustavo back the $2,000.30, but now they owe him $14,089.

Gustavo flips his lid, starts destroying things around the studio, and gets caught by Griffin, who tells Gustavo he has to pay him back all that money. We end the episode with Kelly, Gustavo, and the guys all running a car wash at the Palm Woods.

There's so much to love about this episode. Disaster follows these boys wherever they go. They cannot have a normal day if they tried.

#big time rush #btr #kendall knight #carlos garcia #james diamond #logan mitchell #btr rewatch #btr season 1

[lok-repository]

The Avatar Wiki newsletter has published the final portion of their earlier Q & A last year with Janet Varney, Korra's VA .

Questions after the cut.

What is your favorite Korra battle scene and the change that it brought to the world? Oh you know I can never pick just one favorite! But if I have to pick one for now, I think for sheer intensity, I might have to pick the big Zaheer scene, which I’m not even really thinking about the world impact more than even just the impact on Korra and where it takes us all… the journey afterwards… the PTS… Toph… clarifying her feelings for Asami…

If you weren't Korra’s VA, which character(s) in the show would you want to voice instead? It’s funny, it’s like even though we all know you aren’t asking me to take someone else’s job, the knee-jerk response is to be like “Nooooo! I couldn’t replace anyone! I love everyone too much!” But in a multiverse where we’re all just… maybe swapping roles? I might grab Bolin or Varrick!

Who would you pick as Korra’s VA if it wasn’t you? Thank goodness this would never be up to me in real life- I could never choose between all of the phenomenal VAs out there! That said, I’m kind of obsessed with all the ladies on one of my all-time favorite shows, “Reservation Dogs…”

What is something you have come to appreciate more about the original series while rewatching it for the podcast? Great question! Just when you thought you couldn’t appreciate something more… you watch it one more time, and every “one more time” you love it even more. I think an easy answer would be how much Dante and I appreciate “The Great Divide.” Especially after a recent conversation we had with a certain author about a certain history in that episode that may have influenced a certain book or two…

How are you feeling about talking about Korra on Braving the Elements? Does it feel different than talking about ATLA? Honestly? So far, it doesn’t feel like it will be that different, because anytime I watch Korra, I get so immersed in the story, I basically forget I was in it. But how much Dante might get to tease me about little things like I tease him about Zuko? Now THAT could change things. LOL!

What is the process of planning and recording episodes like? It’s pretty involved, tbh! For a recap ep, I rewatch the episode in question at least three times. You know I like to see what Avatar Wiki has to say! I consult the art book and all the dvd commentary (luckily Nickelodeon made all the commentary/bts stuff available to me, which is great!). I think about the themes of the episode and what kind of guest would be really fun and why. And writing the outline really cements the episode for me in new and interesting ways. And then Dante and our guests STILL manage to blow my mind with their own insights!

Did you know about the spiritual arc that Korra was going to have in Season 4, or when and how did you learn about her bisexuality during production? I knew some broad strokes, but Bryke/the whole amazing team did a good job of keeping us in the moment, episode-by-episode. I can’t remember exactly when Bryke told Seychelle and me about Korrasami, but it was definitely one of the things we knew before it actually happened. And we were both so, so happy!

How do you think Korra grew from her relationship with Mako and the lessons she learned that contributed to a healthy relationship with Asami? Good old Mako. This was a relationship I recognized so well from my own teenage years, and my friends.’ So combine that it was in some ways a very classic teenage relationship with the Avatar circumstances on top of that, and it’s kind of hard to see how it would succeed. But at the same time— who’s to say what “succeeding” or “success” means? What if that relationship was a complete success in that it lasted exactly as long as it was supposed to, and helped Korra and Mako both see what they would really be looking for in a relationship going forward? Plus, it was a success in that she and Mako were ultimately able to love and support each other as dear friends, and that’s a beautiful outcome.

Do you miss and enjoy voicing Korra for as long as you have? Here’s the thing- I don’t know what my answer would be if I *didn’t* get to keep talking about both series (and all the other media in the Avatarverse!) at conventions with fellow fans and with Dante and everyone on the podcast. But because I get to live in the Avatarverse through those things, I honestly haven’t thought about “missing” doing the actual show. Please, everyone, just let me keep nerding out on Avatar forever, and I’ll be happy! ;)

#interview #lok #legend of korra #tlok #the legend of korra

[patchesjam]

My MCC Video Rant, sorry its a bit long :)

So first off, the video itself is a bit crap. The first 2 mins are just introduction waffle, they then talk about a UI change for 2 mins. They’ve changed it from the typical mcc style to fit the mcci UI a bit more, to ‘improve viewer experience’. I personally don't like the change, for me it's a bit... busy. They then spend 3 of the remaining 5 mins mins advertising merch and mcci. Only about 1 min of the 8 min long video is about actual updates to mcc.

The actual updates, like the ones that actually matter and change the game are in the comments for some reason??

This is all information that are actual updates, none of it hinted at all in the video but just commented below. 

Skybattle’s update is truly confusing. Let me explain, currently there a a few raw pvp games (battlebox, sb, sg) and they all prioritise something different, BB is teamwork in rapid environments, SB is kills and SG is survival. With the nerfing of SB kills it turns it into a hunting and killing game to a hiding game. It also creates ridiculous scenarious where, for example with past scores adjusted, someone with 10 kills can come 3rd (dream mcc24) and someone who dies 1st each round, with zero kills, gets 64 coins (ranboo mcc17) and someone who gets 5 kills comes 2nd behind someone with 2 kills (Krtzzy and 5up, mcc 20).

It also, crucially, completely nerfs the ability for surpise comebacks and popoffs - for example, Joel Smallishbeans, not exactly known for pvp but he had a very impressive run getting 5 kills in mcc19 and gets just 260 coins with this update. Instead of potentially getting lucky, or a good opportunity you now have to just try and survive to the end. 

Battlebox’s update is a little bit of a nothingburger, they are just adding blocks to all maps which, although probably a bit more fun and makes things interesting. They are also releasing new maps throughout the season - but no major overhaul. Not that it particularly needed one either. 

One thing to note is that they mention that the blocks will be ‘brown, not team coloured, so you won’t mistake them for concrete’. However, several contestants are colourblind.  

In the game, it’d be extremely easy to mistake brown construction blocks, for both red and orange concrete. It probably wont end up effecting much at all - but when you can use the black colour, which is nearly universal it doesnt make any sense at all. I really hope it has a different texture or something because otherwise its just silly. 

Grid Runners changes is fine, probably pretty good change tbf. It does surprise me they havent announced new rooms, if there are no new rooms I’ll be dissapointed as I feel like theyre getting stale, but hopefully theyre leaving that as a surprise. 

However, I’m more pissed off at what they didnt announce. No mention of anything to do with Buildmart, which regardless of opinion, is one of the few games without big updates from S2. It’s also hated by 1/3 of the players and watchers so if they are focusing on improving player’s experiences surely this should be a focus? No mention of new GR rooms. No mention of SG scoring, which still wasn’t great from last season. No new games. No mention of new AR maps. No mention of Meltdown maps. No update to SOT. No mention of new maps for RSR. No PKT scoring update (desperately needed).

It’s just all a bit dissapointing, very few updates actaully talked about and released for the start of S3, where surely they should at least be hinted at. And instead, a nice 5 min long ad for their other products. 

#also im ignoring it here but there def were hints of mocking fans of a certain someone so hackles raised for that already

[thenanamisimp]

What I've watched recently (spoiler warning - see bold titles)

Before the tragedy of Jujutsu Kaisen season 2 episode 18 happened I had actually started watching Great Pretender. However, after the loss of a specific someone (Gege when I catch you) and a few days of mourning and crying at tiktok edits and angsty tweets, I couldn't bring myself to keep watching Great Pretender (I will get to it once I feel capable enough to commit to another series in a few days probably). I have instead caught up with some weekly anime that I've been watching this season as well as (finally) started reading MXTX's The scum villain's self saving system. Since I haven't posted in a few days, I wanted to share my opinions on the media that has been keeping me sane since the tragic loss of my favourite character (considering the situation as well as the fact that my average state of sanity is still slightly insane - take this with a grain of salt).

Jujutsu Kaisen (season 2, episode 18) - every Thursday on CrunchyRoll

The production team went above and beyond and I thank them for it. Nanami looked so peaceful in his imagination and I highly appreciate that they extended the couple pages from the manga into 7 minutes of perfection (I'm in so much pain)

Jujutsu kaisen (season 2, episode 19) - every Thursday on CrunchyRoll

Episode 18 felt like a fever dream and so did this one. To keep it short and sweet again (aka I don't wanna cry again), the production team did incredible work once again.

The apothecary diaries (season 1, episodes 1 to 8) - every Saturday on CrunchyRoll

I really wanted something short and more light hearted to watch - hence I finally decided to start this series. In reality I was planning to binge it when it finished airing but I was impatient. The story of an apothecary knowledgeable about poisons and medicine who serves one of the emperor's concubines - with the added bonus of a handsome fool who is in love with her while she doesn't seem to be interested at all! (Jinshi is so madly and hopelessly in love with Maomao it makes me die laughing every time she cringes at his flirting but also I LOVE HIM). THE ANIMATION AND COLOURS of this anime are incredible, there is literally no reason for anyone to not like this show. Absolutely watch this if you have even the slightest hunch you'd enjoy it

Spy x Family (season 2, episode 8) - every Saturday on CrunchyRoll

As a lover of season 1, I've been very excited for season 2. Up until episode 5 of season 2, I couldn't see what the plan with this season was but after the start of the cruise arc (I'm afraid to google the actual name of the arc - spoilers haunt me) my faith has been restored. We're back to exiting ventures with the Forger family, this time more focused on Yor's assassin adventures. Even more so, this episode was extra incredible as we got to see Yor in real action, fighting a storm of other assassins looking to kill the family she has been assigned to guard and looking hot while doing it. Spy x Family is truly an incredible shounen.

Ron Kamonohashi's Forbidden Deductions (season 1, episode 9) - every Monday on CrunchyRoll

I started this anime on release day and I started it for Ron. And I stayed for Ron. And mysteries (I do love me a good detective story). Overall, this anime is a good way to take a break from your daily routine by watching a mystery being solved in a comedic way while slowly also unfolding the bigger mystery of why the renowned Kamonohashi Ron stopped sleuthing. This week's episode finally gave us a good hint to his past! Honestly I wish more people were talking about this anime this season, it's so underrated.

And finally! I've been reading The Scum Villain's Self Saving System (Chinese name: Ren Zha Fanpai Zijiu Xitong), Mo Xiang Tong Xiu's first novel series. I've read both Heaven Official's Blessing (Chinese name: Tian Guan Ci Fu) and The Grandmaster of Demonic Cultivation (Chinese name: Mo Dao Zu Shi) and every time she impresses me with her writing skills. While I really want to share my opinions on her novels, I would like to make a dedicated post for MXTX's novels once I finish all of them, as I've actually not read most the extras for either TGCF or MDZS and I've not finished reading Svsss. I'm also very (im)patiently waiting for my copies of TGCF volumes 5-8 to get here in the mail in the next few days. I do have to say tho, Svsss has surprised me as I find it to be quite different from MDZS and TGCF, which is valid considering it was her first release.

Thank you for reading this (mostly) anime ramble! Enjoy watching :)

theNanamiSimp

#anime #anime recommendation #anime review #jjk #jujutsu kaisen #jjk spoilers #jujutsu kaisen spoilers #the apothecary diaries #spy x family #ron kamonohashi

[hooked-on-elvis]

[FACTUAL STORY]

ELVIS, ice cream and the long black limousine

PHOTO 1: Elvis Presley and leaving the Omni Coliseum in Atlanta, Georgia, on July 3, 1973. | PHOTO 2: Actress Sherry Boucher.

Billy Field, an instructor in the Honors College at the University of Alabama, traveled far from his hometown of Sylacauga, acting, writing and working in TV and film, before returning to his alma mater to teach screenwriting and film production. From days at the Lee Strasberg Theatre & Film Institute (the method-acting school), he met actress Savannah Smith Boucher, who became a lifelong friend. He began to tell a story recounted by his friend's sister, Sherry Boucher, but then she called to re-tell it, first person. Boucher was once married to George Peppard, star from "Breakfast at Tiffany's" to "The A-Team," but her Elvis encounter preceded that.

Here it goes: In '73, while modeling for a car ad in Palm Springs, California, Sherry Boucher took an afternoon snack break from the desert heat. "... I was so excited about getting this ice cream," she said. As she walked, reveling in the cone, a man who she thinks was Elvis' longtime friend, Red "Sonny" West stepped up and spoke: "'There's a man in that car who wants to speak to you.'" But her folks back in Louisiana raised the kids right. She knew better than to approach strange men in cars, even if that vehicle was a star's long black limousine. She couldn't see through the windows. Possibly Red said: "You just have to walk on the sidewalk. Really, it's OK." "I'm licking this ice cream, and it's melting down my arm. I peep over, lean over, and look in the window; he rolls the window down. He went 'Hello, I'm Elvis Presley. You wanna sit down? Maybe we can get you something to help you with that'" overflowing ice cream. "I was thinking 'Oh my God.' Trying to be cool, trying to be not affected. He opens the door, and says 'You don't have to get in the car; we'll leave the door open.'" So instead of taking a seat with Elvis, Boucher sat on the edge of the limo's open door, both feet sensibly on the ground. As a young model and actress, she wasn't new to compliments, and comparisons: Depending on how her hair was styled, people would mention Natalie Wood, or Ann-Margret, though she didn't see the resemblances. But from her corona of long dark hair, Elvis pictured somebody else: The woman he was divorcing, mother of his only child. "He just had such a sad look on his face, and I said 'Are you all right?' He just looked at me, and I said 'You think I look her, don't you?' He said 'You do look like her.' And I said 'Well. I'm not her.'" She stuck out an ice-cream sticky hand, as if to shake, then had another thought. Asking for something to write on, she scribbled the phone number of her dad, Jesse Boucher. "I said, 'If you need anybody to talk to, my dad is unbelievable. He's great to talk to.' I said 'Mr. Presley,' and he looked at me and said 'Elvis.' I said, 'OK, Mr. Elvis, if you want to talk to my daddy, there's nobody better.' " "He was nothing but nice, but it was a very sad meeting," said Boucher, who after Hollywood days moved back to Louisiana. "I can't believe I was such a banana-head, to give him my dad's number." Source: https://www.tuscaloosanews.com/story/news/local/2017/08/13/readers-share-memories-of-elvis-king-of-rock-n-roll/19740202007/

PHOTO 1: Sherry Boucher (L) and George Peppard (C) attend the American Civil Liberties Union's tribute to Henry Fonda at the Beverly Wilshire Hotel in Beverly Hills, California, on June 1, 1974 | PHOTO 2: "THE F.B.I." TV show: Tom Skerritt, Sherry Boucher, 'Unknown Victim', (Season 6, aired Jan. 3, 1971), 1965-74

Elvis Presley smoking a cigar in the back seat of a station wagon at the Whiteman Air Park, Pacoima, CA on November 19, 1973.

#elvis presley #elvis #elvis the king #70s elvis #Hollywood tales #Hollywood #70s Hollywood

[thephantomcasebook]

So apparently both Olivia and Emma will be filming in Spain this month (where they film King's Landing exterior scenes) and this only means one thing: the fall of KL is happening in S2 which is a bit too much isn't it? Considering the season will only have 8 episodes…everything is going to be rushed and there will be no time for proper character development, especially for team green. And sadly I already see lots of people justifying this mess and claiming it's all going to be fine because they'll be moving the Battle of the Gullet to season 3 and Rhaenyra taking the city is the perfect ending because they shouldn't just let her sit the whole season in Dragonstone doing nothing and having no win. Rook's Rest and its aftermath with Aemond being crowned as regent would have been a much better season finale but by the look of things right now this battle will probably happen in episode 4 or 5 and Blood & Cheese in episode 1 or 2…

There's a little speculative inside baseball going on right now of what people are talking about in production that I hear going around private fan discords.

1.) Is that the scene in question is another attempt by Alicent to prevent the full scale war after finding out about what happened between Aemond and Luke above Ship Breaker Bay. Apparently Alicent will completely and totally throw Aemond under the bus, in fact, she'll throw all of her children under the bus trying to maintain peace with Rhaenyra, including offering herself as a hostage.

This lines up with a rumor going around in December that Alicent will be framed as being a secret Rhaenyra sympathizer working against Aemond and Criston's war effrort, and that she would be portrayed as, basically, being a captive of her own children and Lord Commander. This was something that apparently Cooke pitched right after Sapochnik got the boot by HBO/Warner.

I'm not saying this is true, cause you've got be fucking retarded to write Alicent Hightower - the woman who loves her children more than life itself - in such a bullshit manner. But if this does turn out to be the case, it might be one the biggest character missteps/betrayals since Jaime took Brienne's virginity and then went to die with Cersei in Season 8 of GOT.

2.) The other speculative rumor is that this scene takes place post "Blood & Cheese" in which Rhaenyra apparently either never knew that Daemon was targeting Jaehaerys or that they were trying to assassinate Aegon and got Jaehaerys instead. Either way, Rhaenyra is apparently absolved in involvement of this monstrous murder by the writers, and she is trying to apologize to Alicent, but Alicent goes fire and brimstone and vows to help Aemond and Criston make Rhaenyra pay for what she and Daemon have done to her baby boy.

This seems a little more believable, in that I can completely see the writers continuing to try and whitewash Rhaenyra further by making Daemon the monster and Rhaenyra his pigeon. It would also fit with Condal's vow to make Daemon more unlikeable and tarnish him in the eyes of the fandom.

My opinion is that I'd prefer the latter much more than the former. I mean, I'm perpetually super annoyed that they're still trying to whitewash Rhaenyra and make her seem a better person than she ever was for going on thirty years of continuity. But I can live with it if it means getting a more book accurate Alicent who will kill every memeber of team black she lays her Mutha'fuckin eyes on!

I am also 1000% done with whatever fucking girl-crush cutesy bullshit going on between Olivia Cooke and Emma D'arcy. If they want to be friends on their own time, go fucking nuts - by all means get matching t-shirts and B&B with their boyfriends on a doubles vacation, and all that shit. But when it starts to effect the work and they aren't mature enough to play the characters as written without putting their own bullshit into it and it starts to show on screen, than we've got a problem.

I'm telling you, right now, if those December leaks turn out to be true and we get an Alicent who is actively working against her children and who proclaims Aemond a monster to a woman who just murdered her granchild cause she's in love with her, I'm gonna lose my fucking mind.

#House of the Dragon #Alicent Hightower #Rhaenyra Targaryen #Aemond Targaryen #Olivia Cooke #Emma D'arcy

[lesbiansforboromir]

Why does it matter that the actors and creative team are book fans when the finished product grossly misunderstands and misrepresents the text? No background detail or linguistic accuracy will fix the total invention of 99% of the plot, or the deviations from canon. If a cake is made with concrete dust instead of flour it doesn’t matter if a pastry chef made it. It fails as an adaptation and it’s been very honest about that from the start, so why get excited about it when you like the books?

Alright. Firstly, what I want you to do is read this message again, then imagine it is about the Jackson films, which it absolutely could be and in fact it fits them BETTER since we actually know the vast extent to which PJ misrepresented the books and deviated from canon, cus his films have been out for 20+ years already. And then think about how much of an impact those films had anyway. Think about how many book fans enjoyed those films anyway including myself.

And then think about all the extraneous other adaptations of Tolkien that have happened over the years, from cartoons to games, and think about how book fans have also enjoyed those despite their own massive changes that go all the way too cutting out main characters entirely! And THAT is when we are talking about adaptations that change the actually written stories that have a real narrative and a plot and characters. RoP is basically adapting a sparse tale of years at this point, which have themes sure, and the bare bones of characters, but there's a lot of space to fill in with their own creativity. Which is literally what I do all the time!

This entire blog in fact is dedicated mostly to me taking what the text has given me and fleshing out the parts I like in ways that I enjoy. Because tolkien's writing is not some religious canon that requires legions of supplicants and holy warriors to defend it. It is good enough to be adapted in countless ways and still have more to offer, that is exactly what classic stories are there for.

And that's all the things I'd say if I even agreed with your strange assertions. How do you know the showrunners are grossly misunderstanding the text? The various disparate versions of the Akallabeth you mean? As far as I can tell they've gripped the actual meat of the narrative very well. Religious debates, free will over suffering, mortals dying for immortals and that sparking a growing resentment to flourish, that's all IN the promo material for this show. Are you talking about the time compression? I assume you are. Yeah it's a massive squish and it's cutting out a lot of kings and queens but, and this pains me a little to say because I still am grieving Tar-Telperien, the only thing the actual NARRATIVE is losing here is an agonisingly slow burn to the end. All the beats are the same!

In the end, they are putting enthusiasm and effort into investigating pieces of Middle Earth history that I had never expected to be depicted like this before. And they aren't the worst people in the world or betraying the fans or causing some irreparable harm to Tolkien by changing parts of that history and inventing things within that history to tell a story that they think is good. And this vitriolic rhetoric is completely inappropriate, especially when, again, it isn't even out yet! Like you're in my inbox talking about a finished product that doesn't even exist, they're only on season 1! So yes, just like I do with the Jackson films, just like I do with the old cartoons, just like I do with every fan made film and all the lotr films made in other languages that I've seen and enjoyed for themselves, I'll sit in my book fan little seat and enjoy this adaptation with my friends too. I'm excited to see what they come up with! And if I don't like it then it won't be the end of the world, which I know from experience.

#rings of power #the rings of power #rop ama #erran ama #chats #anonymous