Tumgik
#anyway it's the first time i post an analysis or whatever this is
gracelyns · 4 months
Text
your dad disappears when you're a kid and you find out he's leaving cause an angel kidnapped him and is using his body. because of this your mom goes mad and leaves too. weren't angels supposed to be guardians? your daddy taught you that. you don't ever hear from your dad anymore, some postcards from your mom. your grandparents die and you're alone in the foster care system. several years later, you see your dad again. he's aged and he looks fine, but actually he's dead, the angel killed him and is still using his body. the only people you thought you could call family sell you out, and are murdered in cold blood by the angel's killing machine friend. you find your mom. she'd been a prisoner for two years and another angel had been feeding on her soul. she immediately sacrifices herself for you. the next day you forgive him (he still looks like your dad) and he and his friends offer to help you. they make sure you have a house and a nice woman to take care of you. he took away your family. but he also gave you a new one. you're happy now. you can't help but start loving him too. how can you love the one that ruined your life, without thinking about it once? he's changed now, he's a totally different person. but he still looks like your dad. i wonder: how much of claire's love for cas is just love for her father, placed in the next best thing?
88 notes · View notes
hueberryshortcake · 8 months
Text
Tumblr media
GUYS NOBODY HAUNTED THE NARRATIVE LIKE SHE DID
261 notes · View notes
your-alien-friend · 6 months
Text
I don’t like that they killed Izzy, but I don’t think they did it for the wrong reasons like many others have said. But I also don’t blame them for feeling that way. Sure, the show is full of old, queer, kinky, disabled characters. But Izzy is the only one we get to see reckon with that in real time (besides maybe jim but that is done really quickly with minimal discomfort).
I’d argue he’s among the most important queer rep in the show because he does struggle with those things. Ofmd created a wonderful world where aside from little peaks of the outsiders views here and there, everyone is accepted. I love that and would not have the show any other way. It was so important for me to see people like me be treated as just… normal. But there does create a kind of dissonance with relating to those characters because we don’t live in that world.
That’s where I felt Izzys presence allowed them to excel in that respect. He let them paint a complete picture. Ed and stede remind me of my early teens, the discovery of an attraction that feels right in a way nothing else ever did, the sweetness of that first true love (along with the ups and downs of homoerotic friendships lmao). They’re the experience you have with another person. The crew of the revenge remind me of getting older and finding community, the safety and camaraderie and relief you get with that. They’re the experience you have with a community. But Izzy, he reminds me of myself through all these stages. He is all the self hatred, the misplaced aggression, the isolation. And then he gets to be the beauty, and acceptance, and levity that comes with truthfulness to who you are. He is the experience you have with yourself.
And that’s exactly why his death is so devastating. He was such a heavy lifter.
I think there’s also something to be said about Con O’Neil opening up about being a queer man himself and experiencing some of Izzy’s journey with him through the show, and perceiving him loosing that as well.
So yeah I think it’s a big loss that outweighs the narrative benefits. And I think we all have a right to mourn that. But I don’t think it’s fair to throw around all these baseless accusations at the creators. While there’s more nuance to why loosing Iz is such a big deal, this is undeniably not because of writers being against who he was. It’s the classic archetype for his character type, you sin, you make amends, you die. I do think maybe more input from queer writers could have prevented him not being fully appreciated outside of his ‘literary’ function, but that’s speculation.
I’m sad and angry too. But I’d rather focus on what we were given with Izzy and all the work Con O’Neil put in to fully flesh that out. Their story really is a monument to how community and fiction can change lives, and just how closely the two are intertwined.
And I’m grateful for what Izzy got to be. He could have easily been thrown away as the bad guy but instead he got to be so so much more. I’m glad we got to see that, even if his end wasn’t befitting of his journey.
Anyway rip Izzy Hands you were a real one and I’ll love you forever. Everyone else stop bullying David Jenkins I’m in your walls.
38 notes · View notes
poetic-ivy · 1 year
Text
one thing that I think tiny me would be immeasurably delighted and proud of is the fact that the danny phantom fandom is so alive and well in this year two thousand and twoty two
32 notes · View notes
poppyseed799 · 1 year
Text
I feel like life series fanon jimmy is kind of mischaracterized and there’s an easy way to make sure you’re doing it right: he has a lot of unearned confidence
#the tags is where I’m going to ACTUALLY say stuff LOL!!!#but like I love life series Jimmy mkay. he’s got that curse of dying first and all. which is what I mean by fanon cuz curses aren’t real#but a lot of fans make it like Jimmy accepts the curse? or even acknowledges that it’s real. which bugs me a bit cuz No He Does Not#(side note tho. I’m not mad about it. I know ppl wanna explore the concept of someone cursed to die first and that’s what they’re doing)#but like Jimmy would just be so in denial about it okay. even if you managed to convince him he would be like ‘..BUT SURELY THIS TIME’#and this relates to ranchers too. I love ranchers ok. mostly cuz my sister does tbh LMAOO she loves them. but ranchers fan content isn’t#what I’m looking for cuz it’s so often stuff like.. Jimmy being like ‘I’m sorry I’m cursed’ and Tango being like ‘it’s ok love u anyway’#but it’s really more like ‘CURSED?? NO! WE WILL WIN!’ which I think is MORE fun for the aftermath of their death. meeting in the afterlife.#I NEED to see ranchers content where they keep denying that the curse is real then Jimmy dies and they’re ghosts or whatever and Jimmy’s#like ‘oh no. we didn’t break the curse. tango probably hates me now. he only liked me cuz we thought the curse wasn’t real.’ and tango to be#like upset at first as anyone would be when they die. but then he like notices the way Jimmy is acting and he’s like ‘no.. ranchers 4 life’#???? what am I saying. hire me for writing fanfic I totally know what I’m doing.#anyways what I’m saying is Jimmy is the canary but he’s the canary that’s like ‘SURELY I can sing for the miners the whole way THIS time’#he is NOT the canary who says ‘WELL time to eventually stop singing in this cave’#HOWEVER I do think that although he has loads of unearned confidence and is in a constant state of denial. he does also have that crumble#sometimes. so it’s not totally ooc imo for him to act like that. but it would be rare moments and also mostly post death#ANOTHER SIDE NOTE I WANNA SAY. I HATE the way I’m saying this as if it’s fact. it’s my personal analysis and just because I think it’s right#doesn’t mean I want to present it as undeniable fact. I could be misinterpreting. if you want to interpret life!Jimmy’s character different#then go on ahead. I don’t hate fanon Jimmy I just wish I saw more like how I see him. that is all.#ok I lied I also wanna add that I’m bad at explaining things ESPECIALLY personalities so it’s possible that I didn’t convey what I wanted to#say properly too. sorry. OKAY NOW THAT IS ALL.
13 notes · View notes
sabertoothwalrus · 26 days
Note
I’ve seen you post some labru stuff and I’m curious what your thoughts on it are. personally I don’t see it? I can buy Kabru having feelings for Laios, but I think Laios wouldn’t be interested in Kabru, so it makes me wonder why so many people ship them. (Tbh I feel like Kabru has more chemistry with Mithrun anyway)
Sorry if this ask sounds rude, I just genuinely don’t understand the appeal of the ship, but I want to understand and I trust your analysis of characters very much :] maybe there’s something I’m missing
I really like both ships, actually!
For labru, there’s sooooo much I could talk about. The inherent homoeroticism of being narrative foils. The inherent homoeroticism of being the king’s advisor. All of chapter 76. The fact that Kabru has mask upon mask upon mask, and Laios is the first person that made his facade absolutely crumble.
Kabru struggles with being genuine!!! Everything he says and does is so perfectly calculated, even when he sort of means it. But since Laios doesn’t get social cues, Kabru gets thrown for a loop.
I get so frustrated when people act like Kabru still hates Laios by the end of the manga!!!!! He killed those corpse retrievers for being corrupt, and yet he couldn’t bring himself to kill Laios. He has such a strong sense of justice, and knew that killing Laios would be a mistake. Because, after meeting him, he could tell he wasn’t actually evil. He’s strange, sure, but not evil.
Kabru DEFINITELY wants to be friends with Laios!! He was not lying about this!!!
Tumblr media Tumblr media Tumblr media
But this last comic shows how much Laios wants to be friends with Kabru, too. He’s so nervous after calling Kabru his friend 😭 he doesn’t want to be presumptuous and fuck it up again.
Laios does show an interest in Kabru, at least when Laios thinks he’s interested in eating monsters too. Like,, what was up with THIS
Tumblr media Tumblr media
Laios’s gaze is LINGERING. Plus, (this is before that bit at Thistle’s house when he forgets his name) he brings up Kabru when they first form their plan to eat Falin.
Tumblr media
And maybe this is just because of my own personal experiences, but Laios reminds me a lot of my own girlfriend. I think they have a similar flavor of gay/aspec & autism combo where, had I not asked her out first, she probably never would have considered being interested in me. But she was very down when I did.
The tricky part about labru is more the political aspect. Regardless of whether you see Laios as aroace or not, he’s in a situation where he will probably get married. He had a fiancée before he was age 13, likely betrothed since he was a baby. He’s already comfortable with the idea of getting married because He’s Supposed To.
However, Laios is king, and could make gay marriage legal if he wanted to (He would probably do this for his sister and Marcille before considering it for himself ). But at the same time, I think Kabru would object to Laios making whatever policies he wants without considering the repercussions of how other kingdoms might react, especially when they’re just getting Melini off the ground and need lots of support from other countries. Laios and Kabru getting gay married anyway and dealing with the aftermath could make for a really compelling story.
I do think Kabru would be a good ruler. He’s already fit for it. He speaks a dozen languages, he knows people and their motivations, and likes politics. The manga already joked about Chilchuck’s daughters trying to marry a king, so it seems like noble blood isn’t too important, but Kabru’s foster family IS nobility. When it comes to heirs, I do like trans Kabru headcanons, but at the same time, I think it’d be cute if they adopt anyway. Kabru seems like he’d have strong feelings about adoption given,,, yknow.
The alternative version of labru to this is Laios gets straight married out of obligation, and Kabru is his mistress hdhdhshsj. I don’t know if I could see Laios doing that? or if Kabru would risk the scandal of being outed as Royal Advisor and Regent trying to seduce the king. It could go SO downhill. but maybe that would be fun.
NOW FOR KABUMISU.
I knew people shipped them, and I could see the basis for it while reading, but I wasn’t really sold on it until the very end. There’s something about “I had no desires left. I decided to create new desires, and one of them is you” that’s really charming.
There’s also something funny about “the demon ate my heterosexuality so I’m gay now”
I think it’s interesting that Kabru hates elves. He was raised by them, and he hates them. He hates feeling patronized by them. He made absolutely sure that elves wouldn’t take control over Melini, not just for his sake, but for Rin’s.
But Mithrun’s interactions with Kabru are founded on more mutual respect. Though, that’s not to say that Mithrun doesn’t still have his biases towards short lived races..
Tumblr media
Where Laios doesn’t understand social cues, Mithrun does but just doesn’t care. For that reason, I think Kabru would enjoy spending time with Mithrun. It’d give him a break from his compulsion to calculate all of his social interactions. But at the same time, Kabru is the KING at bottling his emotions. Mithrun is blunt, but also doesn’t care enough to pry. If Kabru had anything bothering him, I could imagine him seeking Mithrun’s company to avoid thinking about it. Could make for a fun dynamic.
I do think it’s funny that Milsiril 1) took care of Mithrun for potentially 20 years and 2) is only four years older than him. I imagine this could lead to funny situations.
I don’t ship things for no reason! I think both of these could work platonically, romantically, one-sided, or even “requited but they don’t do anything about it.” Their relationships compel me and I think it’s sort of bad faith to brush off either like they’re nothing more than baseless yaoi pair-the-spares. To me, I see just as much of a foundation in the source material as farcille.
After all, dungeon meshi isn’t a story about romance, but it IS a story about love. It’s a story about life and death and grief and the love that comes with it. Regardless of shipping, these characters love each other!!! And I love talking about it!!
760 notes · View notes
skaruresonic · 7 months
Text
The common rebuttal to "this reads like fanfic (derogatory)" is "read better fanfic," which is true in certain cases, but on the other hand, there is some grain of truth to the idea that you can tell when someone's primary mode of literary analysis is fanfic instead of... well... literally anything else. It's okay to like or even prefer fanfic, but if you want to take your craft seriously you also need to read books, dude. Published books will teach you a lot of stuff fanfic doesn't, like proper dialogue formatting and how to introduce your reader to unfamiliar characters. Even the crappiest book (well, if it's not After or 50 Shades, which started off as fanfic to begin with lol) will have been subjected to some sort of editing process to ensure at least the appearance of proper grammar. That's not a guarantee with your average fanfic, and hence why you can't always take all your writing cues from fanfic because it's "so much better" than commercially published original fiction or whatever. Frankly, fic writers tend to peddle some absolutist and downright bad takes sometimes. "Said is dead" is a terrible rule, though not because said is invisible and a perfectly serviceable tag; that's just part of it. Dialogue tags are a garnish, not a main dish that can be swapped out for more ostentatious words. If your characters murmur and mutter instead of simply saying stuff, your readers are going to wonder why nobody speaks up. "'I'm explaining some very plot-important shit right now lol,' she elaborated," likewise, is a form of telling. Instead of letting the reader extrapolate that "she elaborated" via the contents of the dialogue itself, you're telling them what to think about it. And that's why it's distracting: your authorial hand is showing. Writing is an act of camouflage. You, as the writer, need to make your presence as invisible as possible so as to not intrude on the reader's suspension of disbelief. That's the driving reason behind "show, don't tell." And overall, everyone could stand to cut down on the frequency of their dialogue tags anyway. Not every exchange needs "he said" or "she whispered" attached as long as you establish who is doing the talking before the exchange. Some people will complain of confusion if you go on for too long without a dialogue tag, and that definitely is a risk, but at some point you also need to resist the temptation of holding the reader's hand. If they can't follow a conversation between two people, chances are they weren't meeting you halfway and paying that much attention in the first place. In fact, you don't even necessarily need action beats in between every piece of dialogue, as Tumblr writing advice posts will often suggest as a fix. Pruning things often cleans them up just fine.
Another fanfic-influenced trend in writing is, I guess, beige prose? A heavy focus on internal narration with lots of telling. It's not a style I can concretely describe, but every time I click on a non-mutual's writing, I feel like it always has, like. This "samey" voice to it. There's no real attempt to experiment and use unique or provocative language, or even imagery half the time. It's almost a dry recital of narration that doesn't leave much room for subtext. I see this style most often in fanfic where you can meander and wax poetic about how the characters feel without ever really getting around to the plot. And it's like. DO something.
Other tells that the author is taking their cues from fanfic mores rather than books: >>too much minute description of eyes, especially their color and their movement >>doesn't leave much room for subtext (has a character speak their every thought aloud instead of letting the reader infer what they're thinking via action or implication) >>too much stage action ("X looked at Y. Y moved to push their seat in. X took a deep breath and stepped toward Y with a determined look on his face. 'We need to talk,' he said.") >>tells instead of shows, even when the example is about showing instead of telling ("he clenched his teeth in agony" instead of just "he clenched his teeth") >>has improper dialogue tag formatting, especially with putting full stops where there should be commas ("'Lol and lmao.' she said" instead of "'Lol and lmao,' she said." This one drives me up a wall) >>uses too many dialogue tags >>"em dashes, semi-colons and commas, my beloved" - I get the appeal but full stops are your friends. Too much alternate punctuation makes your writing seem stilted and choppy. >>"he's all tousled brown hair and hard muscle" and "she's all smiles and long legs." This turn of phrase is so cliche, it drives me up a wall. Find less trite ways of describing your characters pls. >>"X released a breath he didn't know he'd been holding" >>every fucking Hot Guy ever is described as lean and sinewy >>sobbing. why is everyone sobbing. some restraint, pls >>Tumblr in general tends to think a truism counts as good writing if you make the most melodramatic statement possible (bonus: if it's written in a faux-archaic way), garnish it with a hint of egotism, and toss in allusions to the Christian God, afterlife, or death. ("I will stare God in the face and walk backwards into hell," "What is a god to a nonbeliever?") It's indicative of emotional immaturity imo, that every emotional truth need be expressed That Intensely in order to resonate with people. >>pushes the "Oh." moment as the pinnacle of Romantic Epiphany >>Therapy Speak dialogue. why is this emotionally constipated forty-something man who drinks himself stupid every morning to escape gruesome war memories speaking about his trauma like a clinical psychologist >>"this well-established kuudere should Show More Emoshun. I want him to break down crying on his love interest's shoulder from all his repressed trauma" - I am begging u. stop >>"why don't the characters just talk to each other?" "why can't we have healthy relationships?" I don't know, maybe because fiction is not supposed to be a model for reality and perfect communication makes for boring drama?
>>improperly using actions as dialogue tags ("'Looks like we're going hunting,' he grinned") >>why is everyone muttering and murmuring. speak up >>too many adverbs, especially "weakly" and "shakily." use stronger verbs. ("trembled" instead of "shook weakly") >>too many epithets ("the younger man" or "the brunette detective") >>too many filter words ("he felt," "she thought," "I remembered")
>>no, Tumblr, first-person POV is not the devil; you're just using way too many filter words (see above) and not enough sentence variation to make it flow well enough. First-person POV is an actually pretty good POV (not just for unreliable and self-aware narrators) if you know what you're doing and a lot of fun crafting an engaging character voice. Tumblr's hatred of first-person baffles me, and all I can think is you would only hate it if your only frame of reference was, like, My Immortal. Have you tried reading A Book? First-person POV is just another tool in your toolbox, and like all tools, it can be used properly or improperly. But it's not inherently a marker of bad writing. The disdain surrounding it strikes me as about as sensical as making fun of the concept of characters. Oh, your work has characters in it? Ew, I automatically click off a fic if it has characters in it. like what.
421 notes · View notes
Text
Buck & Eddie: Buck is looking for answers!
Tumblr media
Before 6x15 aired, I wrote a speculation post about Buck's "Therapy Uniform vs. his date clothes" (linked here) but everyone knows how the season ended with the showrunner pulling that BS by having Eddie revert back to being a giggly high school student who acted like an 18-year-old that didn't know how to ask a woman out on a date. And Buck literally made the same mistake by sleeping with a woman he just met who only wanted one thing from him but I digress. It still pisses me off, so I won't revisit it.
Also, I did a post after 6x13 aired (linked here) about Buck finding the answers (Eddie and Chris) because when he said he was the guy with the answers, he looked at Eddie.
Tumblr media
Anyway, after TM (showrunner, GLAD HE'S BACK so KR can kick rocks and go write an episode) released more cryptic Buck, Eddie and Chris pictures at dark o'clock Saturday night or Sunday morning (depending on your time zone), I revisited my theory about Buck's therapy uniform but now I've revised it. He does wear one but the reason he does is a lot narrower in scope. Even though I still believe he wears specific colors or a "uniform" per say for certain things, I realized after doing some analysis that whenever he wears a Gold/Bronze/Burnt Orange/Dark Orange or a Brown shirt with navy-blue or dark colored pants, he's LOOKING FOR ANSWERS!
That's the difference between my original post and this one and I have photos from each episode to prove my updated theory. Before I delve into this, I need to mention there are two pictures from season 6 that contain the colors but BE WARNED, the pictures included deal specifically with the COUCH METAPHOR 🙄🙃. I know, I know... the season ended with Buck asking ND to help him find a couch but full disclosure, after I started working through my frustration with the way the season ended by writing a huge fanfic, I took a closer look at their whatever the hell they were doing (it wasn't a relationship) and I don't think it was meant to be interpreted that way. I won't go into it here in my CANON posts but if you want to know my thoughts on it, I've included them in my love for FANON writing in my multi-chapter fanfic titled "I'm still in love with you but... I needed to learn how to love myself too!".
Now, let's get into this topic and review Buck's looking for answers uniform.
In 4x2, Buck was looking for ANSWERS from Dr. Copeland and he said, "I think you were right when you said I hide my true feelings from others".
Tumblr media
In 4x3 Buck told Maddie and Chimney he was seeing a therapist to help him find the ANSWERS and he started to find them but then everything went to $hit when the Buckley parents showed up.
Tumblr media
In 4x4, Buck showed up at Maddie's and Chimney's apartment looking for ANSWERS about his parents and that's when he found out about Daniel.
Tumblr media
In 4x8, Buck was lost and trying to find ANSWERS because guess who started dating again? EDDIE! And he was getting ready to introduce AF to Chris but Chris got upset and ran away and took an Uber to Buck's loft.
Tumblr media
In 4x11, Buck and TK were FRIENEMIES (not friends even though he believed they were) so he contacted her and asked her for help because he wanted to find the ANSWERS regarding who hit Sue Blevins and ran.
Tumblr media
In 4x14, Buck wore his "looking for ANSWERS" uniform twice and BOTH TIMES his quest involved Eddie! The first time was when he was packing more clothes to go to Eddie's house so he could keep taking care of Chris. That's when he got the call from AF after TK kissed him and ran so I've included two pictures so his shirt can be seen better while he's sitting at Eddie's beside. He was looking for answers about Eddie being shot in front of him and his heart being ripped out of his chest when it happened.
Tumblr media Tumblr media
The second time he was looking for ANSWERS, he was in the hospital talking to Eddie during THE WILL REVEAL! 🤪😜
Tumblr media Tumblr media
In 5x3, Buck was once again looking for ANSWERS about his relationship but reminder, he went home to an empty loft after he told Eddie during the blackout to break up with AF🤪.
Tumblr media
In 5x4, he was looking for ANSWERS about Maddie and why she left him again even though she promised him she wouldn't in 3x16. Did she tell him she was leaving, YES! But reminder, she didn't tell him where she was going and all he told Chimney was "It's what she does, leave".
Tumblr media
In 6x1, at the end of the episode, Buck was looking for ANSWERS again but this time it was about his couch or the lack thereof. At the beginning of the episode, he cooked dinner for him and his Diaz boys and they made fun of him for not having one even though THEY WERE SITTING RIGHT THERE IN FRONT OF HIM. He missed the fact that they were waiting for him and had been since he broke up with TK and he still didn't get it. The picture shows Buck carrying his armchair (which is the same color of the shirt he wears when he's looking for answers) and he moved it to where his couch once sat.
Tumblr media
In 6x4, Buck was looking for ANSWERS again when he was trying to decide if he should be Connor's sperm donor.
Tumblr media
In 6x12, Buck was lying on the couch looking for ANSWERS about his death but reminder, the color of the couch is close to the color of his armchair but it's hard to see. He's wearing a navy-blue t-shirt while lying on that uncomfortable orange couch his mother bought even though he told her HE'D FIND ONE ON HIS OWN.
Tumblr media
In 6x15, Buck was looking for ANSWERS about the fact that he died but ND was fangirling over him so hard that he LIKED the attention she was giving him then he said that Bull$hit to Eddie about her seeing him and Buck and Eddie went back to making the same mistakes. Eddie let people (**cough** Pepa and **cough** Bobby) tell him he should date instead of finding his own way. And Buck tried to make another woman like him when in fact all she wanted was his "Firehose".
Tumblr media
In 6x17, he was still looking for ANSWERS but this time it was answers regarding how to calculate the tip at the bar he took ND to and that's when LD showed up and insinuated, they hooked up when she knows they didn't. Reminder, Buck could only do math when he was with Eddie and Chris and the firefam but he couldn't calculate $hit when he was on a date with ND🤪🙃😁😉.
Tumblr media
Finally, in Season 7 (TM didn't specify which episode the scene below will appear in his cryptic post), Buck's wearing his LOOKING FOR ANSWERS colored shirt again. The color pants he's wearing while he sits on Chris' bed can't be seen but based on 6x13 when Chris wanted Buck to give him the answers to his math homework and since Chris is clearly doing homework in the picture, it's possible he's asking Buck to help him but he doesn't have the answers anymore because his special skills wore off after 6x13 which just so happened to be the episode the Buckley-Diaz family was together 90% of the time.
Tumblr media
What, if anything, does all this mean? I'm not speculating but will Buck finally find the answers in Season 7 or will it be more of the same, him looking for answers while Eddie tries to make another relationship work with someone he doesn't want to be with or will Buck and Eddie finally TALK about all their traumas and confess how much they love each other? Only TM, the producers and the actors know the answers to that question.
91 notes · View notes
carrotoplyn · 2 months
Text
aiden isn’t just a dumb blonde OH MY GOSHHHH. i’ve seen a couple of people say this as like a joke and like haha funny i guess?? I mean it can be fun on the occasion but like ehh idk. but i’ve seen people say it and genuinely mean it and i’m like he’s no though??
it’s currently late at night and i can’t properly express my thoughts on this in such a way it would make sense but, i wanna just point out some simple-ish things. (also apologies for any mistakes you may see, like i said before, it is currently late at night for me when i’m posting this)
so this first one is something my friend noticed. (kinda mad i didn’t notice it myself but not important) which is how in one of the first few episodes (70% sure it’s episode 2) is how aiden was the only one who finished the homework. yes everyone was sleep deprived and tired so they couldn’t do it, but it seems like aiden did it and did it right considering even ashlyn copied off of him
he was smart enough to make a plan for ash to go on the field trip, which was a fully thought out plan that really couldn’t backfire unless she genuinely decided not to go (but she did and now look at where are today)
this next one isn’t talking about how he’s smart but it correlates so idgaf, and it’s how we probably only “plays dumb”. because like i’ve said this whole post, he’s not dumb. but he probably only acts like so people don’t expect him to actually be able to do more complex things. like being so for real when i first read sbg and saw aiden, i had low expectations (but look at me now, writing my second ‘analysis’ or whatever you call this in row on this him)
he beat the world record for how fast a rubix cube can be completed, need i say more? yes, need i say more actually because most people are not good at puzzles. and most puzzles aren’t easy to do either. well yes, for some people rubix cubes are easy, but ain’t no way all he does is those small little rubix cubes that are too easy for him.
hes able to think quick on his feet. first example of this to come to mind is episode 21 when they behead the phantom. and as well as him coming up with an way to save ash from the phantom. like he doesn’t need that much time to think of plans, and his plans are usually foolproof.
FASTPASS SPOLIERS FOR THIS NEXT ONE (the spoilers are under the cut)
he’s always smart enough to negotiate with alex (by negotiate i mean threaten, but same thing, right?) and he literally was about to use a pen as a lethal weapon here guys. A PEN PEOPLE. A PEN. and plus alex was ready to listen to him and make a compromise (to be fair alex already wanted to help anyways but shhh i use whatever crumbs i can for my stupid idiot thoughts)
ok that’s all, please add on if you can i beg i beg 🙏🙏
137 notes · View notes
nofomogirl · 4 months
Text
One of many roots of ineffable husbands' misunderstandings
There are many reasons why the S2 finale took us by surprise so much, and one of them is that we gaslighted ourselves into believing that Aziraphale and Crowley understand each other on the deepest possible level.
They don't.
Because they never talk. Not openly. Not about things that really matter.
I'm sure they've made a plethora of accurate observations about each other over the millennia, yes, but at the same time missed just as many things and formed just as many wrong assumptions.
We know that now.
For the last five months, we've been collectively shattering the illusion (most of us, anyway), and today I wanted to add to that noble effort. Something occurred to me while I was working on another post and I think it deserves to be its own thing rather than a sidenote in another lengthy meta.
It's probably going to be an unpopular opinion, but here I go.
Crowley doesn't actually understand how Aziraphale makes decisions.
I was rewatching season 1 to confirm some things for my next analysis, as one normally does, and I had a minor epiphany about the scene where Aziraphale agrees to get involved in stopping Armageddon.
Let's recall how it went.
Crowley started listing things Aziraphale would lose along with Earth, and things he would have to endure in Heaven.
Aziraphale rejected his idea and tried to leave.
Crowley hooked Aziraphale back in by inviting him for lunch.
Crowley let Aziraphale enjoy his meal and relax.
Crowley bought himself more time by inviting himself over for drinks.
Crowley started giving more examples of things Aziraphale could enjoy on Earth that he wouldn't have in Heaven.
Crowley went on a rant on how nasty Armageddon would be.
Once more Crowley described just how miserable Aziraphale's life would be after Armageddon, for eternity.
Aziraphale cracked and admitted he didn't want Armageddon to happen. However, he insisted he could not disobey God's will.
Crowley pointed out that it might be God's plan for Armageddon to be prevented, that Aziraphale's duty as an angel was to stop whatever the demons were planning to do, and since right now they were planning to bring about Armageddon, he should stop that.
Aziraphale finally agreed and shook on it.
Until now I never questioned that it was a masterful temptation by temptation master Crowley and every stage was purposeful and absolutely necessary to achieve the final goal.
First Crowley made Aziraphale really want to prevent Armageddon and then helped him reframe the situation in a way that would allow the angel to do what he wanted. He gave him an excuse. A plausible deniability.
But what if that wasn't it?
What if what Crowley was actually doing was taking one approach after another until something finally worked? What if Aziraphale didn't really need any softening or priming, and Crowley had just wasted a whole day on ineffective tactics because he didn't know what would do the trick until he finally chanced upon it?
The more I thought about it the more convinced I was that that was the case, and right now I can't believe I was clinging so tightly to the idea that Crowley knew what he was doing with Aziraphale.
Because if he really did understand his angel as well as I used to believe, why would he be so unsuccessful at reaching him when it mattered the most?
A popular interpretation is that in those crucial moments, Crowley simply lacked time, and convincing Aziraphale always required time. When time was lacking Crowley's finesse was useless against the angel's stubbornness, so he failed.
I can see how that makes sense, but as I've said, personally, I changed my mind.
The interpretation I'm suggesting is that Aziraphale never needed all that much time to be convinced of something. It only took Crowley so much time because he was pushing his buttons blindly until something worked. Because he didn't know what the right one was, and when he had only one chance he would always push the wrong one.
So, how does Aziraphale make decisions?
He chooses what he thinks is right.
Yes, it can get rather complicated. On the one hand, he is heavily indoctrinated, and it impacts his judgment. He can just embrace the most ridiculous piece of celestial propaganda on occasion and stick to it stubbornly. On the other hand, we know that his sense of right and wrong isn't really tied to Heaven or even God. We know because we've seen choices he'd made in the Job minisode.
But while it may not be easy to predict what Aziraphale will deem right in any given situation, the fact remains that this is what it comes down to. This is what ultimately informs his choices, especially the big ones, and the most effective way to persuade Aziraphale to do something is by proving to him that it would be the right thing to do. Or that the other option wouldn't.
I don't think Crowley realizes it. And there's a good reason why.
A great many choices aren't about right and wrong. They're just choices between two equally neutral options. Sometimes two equally ambivalent options. Either way, not really moral choices.
The problem with Aziraphale is that while he's managing perfectly fine small morally neutral choices, he's not very good with big ones. I believe that he expects all big choices to be moral choices and he has trouble making them when they're not. I've seen quite a few posts here arguing that Aziraphale is incapable of choosing his own happiness for its own sake, and I wholeheartedly agree.
And Crowley doesn't understand it.
He's not that far off the mark when the choice really is a moral one. When he was trying to convince Aziraphale to the Arrangement his arguments were about how the end result would be the same, ie. how it wouldn't be wrong. When he was trying to convince Aziraphale to kill Adam, he was pointing out how it would save everybody.
But when the choice isn't inherently a moral one, he doesn't understand why it's difficult for Aziraphale.
And in the most dire situations, he doesn't understand he could maybe try and go this route.
96 notes · View notes
ratlesshonret · 5 months
Text
Song Analysis - Children of the City
Part 0 - My Ramblings, or Whatever
Hello everyone, my name is Honret, and today I am going to be doing the long-awaited Children of the City analysis that I have been teasing for far too long.
Of course, this isn't my first rodeo with song analysis. I've analyzed quite a lot of mili songs on r/mili, over on Reddit. So why am I doing this on tumblr? Partially for reach/exposure (r/mili is tiny,) and partially because I'm liking using Reddit less and less every day.
If people like this post, I might do more, or even repost my old analysis pieces on r/mili over here so they can be archived in a neater way.
Anyway, let us get on to the actual song. This analysis will contain spoilers for Library of Ruina.
Part 1 - Analysis of the Lyrics
This song is arguably rather short in terms of number of lyrics for a mili song, so let's get right into it.
Also, to get this out of the way immediately, this is a Character Song for Yan Vismok from Library of Ruina. If you're reading this, you probably already know that, but if not then it is very important information to know.
Sleep for a total of eight-hundred hours per day And drink a liter of milk Warm-up before you go play
Immediately, this beginning part seems to be almost satirizing the nature of the Prescripts. Obviously, sleeping for 800 hours in a day isn't possible, and drinking an entire liter of milk is uncomfortable for most, but they feel like things a Prescript would order someone to do. After all, they frequently demand impossible and seemingly random actions from the recipient.
Only eat or write Or pull the trigger with your right hand Only thing that's left Is to work on following commands
This next section seems to be referencing the suppression of left-handed people in the past, and relating that to the oppressive nature of the Prescripts. They order you to do uncomfortable things you might not be skilled at, just like a left-handed person may have been ordered to eat or write with their right hand.
The second half ties it back into the main theme by making it about following commands. The people who follow the Prescripts are, in a way, constantly being commanded to do things, with the fear of death if they don't follow. In that way, they're constantly being trained to unquestioningly obey a higher power, just as left-handed people were made to obey the command to be right-handed.
(This part also makes me headcanon Yan as a leftie)
By the time you realize You'll be restrained to a desk And with your dreams on the floor, you comply Eyes chained to the test Find a groom or bride, bonus if brunette In ninety hours, spill their insides Paint your room picturesque
This section is long, so like the last part, I'll split it into two halves.
The first part seems to broadly reference life in The City itself. By the time you've realized you're being trained to follow random commands, you're already figuratively tied to a desk, your only option to comply further with the commands due to having already given up so much.
Yan himself seems to have given up a lot to the Prescripts. Its heavily implied he's killed loved ones, and done other horrible things just for the Prescripts, with his only reward being to become the Messenger who delivers Prescripts to others just like him.
With his dreams figuratively on the floor due to the Prescripts, all he can do is comply.
The next lines seem to continue to drive in the ludicrous nature of the Prescripts. Finding someone to marry within ninety hours is a tall order, especially if you're encouraged to focus on just brunettes. And of course, the typically-violent nature of the Prescripts is also brought up, with the next command in this sequence being to kill the very person you just married. Its also a massive tonal shift in the song.
Now it's time for another vendetta Going through the shelves, picking out my pre-written persona Children of the city sees only the neon stars Reflected upon the murky gutter sky Don't ask me why I desperately wish to be included in The City's night
The first line here might be referencing how Yan has picked up a lot of vendettas in his time delivering the Prescripts. Or at the very least, he feels like people hate him for delivering their Prescripts, just as he hates the Prescripts themselves. After that, the part about a pre-written persona seems to imply that Yan is never being his true self. All he can do to avoid the pain of what the Prescripts demand is to pretend to be someone else, a persona.
This next part is likely a metaphor, and one that I've still had trouble parsing. It could be implying that the "children of the city," which is likely those who work under the Index, or more broadly those who follow what The City desires, only see the bright neon stars, and not the dark murky gutters they're reflected in.
Finally, Yan says that he wishes to be included in The City's night, but he doesn't know why. This, to me, says that he has a secret desire to follow what The City wants of him, so that he may finally be included, rather than feel the same exclusion he's felt his entire life as a Messenger of the Index.
In four-hundred thousand meters, turn right
A nice little metaphor, comparing the Prescripts to a car's GPS system.
Pick up a knife and stab a familiar warm body Learned to fight before I knew love or bitterness of coffee Snippy scissors cut down the strings, I set myself free Only to figure out everything I chose was by proxy
The beginning of the second half of the song here seems to be implying that Yan has definitely killed people close to him before, almost definitely because the Prescripts ordered it. Furthermore, he has been doing this from a young age, as it was "before I knew love or coffee," which very much seems to be telling me he was young.
The next part of the song seems to focus on the events that led Yan to Distort. He forged Prescripts to cut himself free and establish his own free will, but everything he chose was "by proxy," as the real Prescripts told people to follow Yan's fake Prescripts. His betrayal was forseen and intended all along, and his will was never his own.
As we suckled upon the nine-millimeter pacifier Swallowing the fact that other than to expand, we had no purpose As my ever-burning will to stay afloat backfires I now know I must be comfortable Being who I considered worthless
I think the part at the start of this verse seems to be implying that suicide is a common thing among people in the Index. After all, when your will isn't your own for long enough, you may consider doing something drastic to get it back, or even just to rebel, such as committing suicide. There's also probably people who have been ordered to kill themselves by the Prescripts.
The next part is more about Yan in particular. His desire to stay afloat backfired, in the sense that the very act of clinging to his free will made it hurt him even more when he realized that his actions were all just controlled by the Prescripts, and by extension, The City. So in the end, the very people who he considered worthless, those who just follow orders like sheep without caring where they're from, are in fact just the same as him, even if he didn't realize.
Follow the city's ribbon To a heart nobody seems to listen It takes my heart being broken and broken again (Broken and broken again) To know that I am the reason why (The reason why) The sufferings never end
Yet again, let's take this from the top.
The first lines are probably referring to Yan finding the "God of The City" responsible for producing the Prescripts. After all, he was following a Prescript that led him straight there, and its a place that almost nobody else knows about.
The rest of this verse seems to be Yan talking about the pain he's felt delivering Prescripts. After all, he seems to blame himself for all the pain caused by people following the Prescripts he delivers as a Messenger, which is probably why he says that its partially his fault that the suffering in The City doesn't end.
It could also be referring to his own suffering. His internal struggle for free will, to prove that his actions are his own. Every time its disproven, his heart gets broken again. But in saying his will is his own, he's also saying that him delivering Prescripts that hurt people is his own decision.
This probably ties into why he's so willing to follow the voice telling him to Distort. Once he finally has confirmation that his will is just the will of the City, that its all determined by the Prescripts from the start, he can finally remove all the blame and pain that he's been pushing onto himself and just mindlessly follow the Prescripts.
Now it's time for another vendetta Going through the shelves, picking out my pre-written persona Children of the city sees only the neon stars Reflected upon the murky gutter sky Don't ask me why I desperately wish to be noticed by The City's eye
The only part of this chorus that is different from the first chorus is the final line. It seems to be saying that Yan wants The City to notice him, that he wants it to see his actions. Maybe he feels the The City noticing him would make all of his struggling worth it, or that it'd give his life some meaning.
Do not go home until you finish reading the value of e 2.71 8281 8284 5904 5235 3602 8747 1352 6624 9775 7247 0936 9995 9574 9669 6762
This part is referencing Euler's Number, which is an irrational number, meaning it never ends. The value of this number can never be read in its entirety.
He's never going home.
Part 2 - Summary
Children of the City seems to describe Yan's thoughts and struggles in his life, as he's followed the Prescripts to both his own detriment and the detriment of those around him.
Yan wants his own free will, wants his actions and destiny to be his own. But at the same time, this desire is constantly at odds with Yan's desire to not be at fault for all the pain and suffering he feels like he's caused as a Messenger of the Index, delivering the same painful Prescripts to people that he's been following his entire life.
In short, Yan is in pain. And when he finally gets confirmation that he has no will of his own, that its all the work of the random generations of The City, he finally Distorts into a form that mindlessly follows the Prescripts, feeling no guilt or pain over anything he does.
Part 3 - More of My Ramblings
I hope this analysis makes sense, and that I'm not just hallucinating these meanings to these lines. Yan is one of my favorite new characters in LoR, and I wanted to do him justice by analyzing his Character Song to prove that I am the true Yan Scholar.
If you do have feedback, I'd love to hear it. I want to fully understand this song, and by extension, Yan Vismok himself.
95 notes · View notes
kadextra · 4 months
Text
q!Forever & q!Bad, comedy and tragedy are two sides of the same coin
(little meta rp analysis & appreciation)
Comedy and tragedy- complimentary concepts when it comes to the dynamic that is these two characters.
Their lore together is truly like a soap opera to me in the way it operates, entertaining in how goofy it is- I laughed so much during interrodate. They had a whole elaborate musical prank war over a stolen gun (which neither of them even had, they’re just too dedicated to the bit.) The first thing they say to each other after q!Forever returns from the nether is “You look terrible!” 💀 and my guy gifted a bloody chainsaw as the flower of the day to q!Bad in purgatory 1 which was happily accepted.
Even when the characters show attraction for each other, it’s usually through some ridiculous romcom thing. q!Forever is in love with q!Bad dressed as pink barbie and thinks photos of her are the best gift a person could ever receive?? 🤨 q!Bad daydreams about q!Forever as a lobster with blonde hair and a six-pack??? brother be projecting him onto larry the lobster from spongebob squarepants dude what is wrong with them 😭 sometimes I wonder how they’re able to do all these bits in improv and take it seriously, it’s impressive
The characters are not normal, their relationship is not normal, it cannot be viewed normally. the ccs know exactly what they’re doing in creating whatever *gestures* this is, and it’s amazing. over the top, cute, played perfectly for comedy
But the characters aren’t just that, you can’t have them without the inverse 🎭 like a punch to the gut after all the sillies, they really know how to do tragedy well.
I very much look forward to whenever they’re at the top of their angst game, bc they both LOVE to make their cubitos suffer. to an insane degree. My god these two can’t go 3 days with their characters experiencing some peace and joyful whimsy, they *must* rp their ocs actively dying, horribly diseased, going crazy
And they go hard with it. I’m very serious when I say multiple times during the lore I’ve had to get up and walk away to calm down because it was too intense. super special shoutout to the q!Forever first happy pills arc stream & October 1st q!Bad psychotic breakdown stream. I’ve never been so shocked as I was watching those live, the stamina to do highly emotional rp like that is actually nuts. some of the most angsty mfs on this server fr (the #1 spot goes to quackity though. hey maybe i’ll make a tierlist)
So when Bad & Forever bring the best of their angst ability into serious rp interactions together that Aren’t comedic…? we are in for a treat. that talk they had right when q!cellbit died to the code, the richas rescue mission, the election, voting arguments, post-ron kidnapping, colorblind test/therapy, flower of the day. many scenes that are seared into my mind, but none is more so than The Happy Pills Proposal. goosebumps whenever I think about it… the scene ever. the way it was framed, the lines they said, how it had tense, chilling buildup before a literal explosion. how are these people capable of doing the most silly things and then turning around to stab us in the heart 50 times
So you bet I’m crossing my fingers for a meeting between @v@ & q!Bad. Forever is absolutely killing the role so far. If q!Bad gets involved I can already taste the glorious angst…. since he has specific traumatic experience in also being possessed, & having killed his possessed friends in another life. he recalled the memory when talking about how to save q!Forever last night. fun! *shaking*
anyways that’s all :D love these characters, I had been wanting to do a little meta appreciation post for a while so I thought why not now ^^
103 notes · View notes
atopvisenyashill · 5 months
Text
THE PACT OF ICE AND FIRE
so there's an aspect of this one i don't think has really been delved into that I think may be important when it comes to canon jonsa and I wanted to do my own lil analysis, along with maybe some tin hatting at the end here.
this is what the pact is (or what we know of it at any rate, Munkun is not exactly a good source of information):
Cregan Stark and Jacaerys Velaryon reached an accord, and signed and sealed the agreement that Grand Maester Munkun calls “the Pact of Ice and Fire” in his True Telling. Like many such pacts, it was to be sealed with a marriage. Lord Cregan’s son, Rickon, was a year old. Prince Jacaerys was as yet unmarried and childless, but it was assumed that he would sire children of his own once his mother sat the Iron Throne. Under the terms of the pact, the prince’s firstborn daughter would be sent north at the age of seven, to be fostered at Winterfell until such time as she was old enough to marry Lord Cregan’s heir.
There's two parts to this that I think are important here. Here is the first, which is the basics of the pact, and that most Jonsas are familiar with:
Jacaery's First Born Daughter Is Fostered At Winterfell -> She will marry Cregan's first born son and heir.
Obviously, this never happened for several reasons and the pact is forgotten but perhaps it will be fulfilled anyway by...
Jon, a secret Targaryen bastard, is "fostered" at Winterfell -> he will fulfill the pact by marrying a Stark Maiden aka Sansa.
Basically, it's a genderswapped version of what the pact entails. I think given George's fondness for how Tolkien was a hater of Macbeth because he thought the "no man of woman born" should have indicated a girl and not just a man born via c-section, I think the genderswap aspect fits George's style.
The second part however, has more to do with Jacaerys and Sara and I feel like it's glossed over a bit. See here:
They had spoken their vows in Winterfell’s own godswood before a heart tree, and only then had she given herself to him, wrapped in furs amidst the snows as the old gods looked on.
Jacaerys, a "secret" Targaryen bastard who gets his family name and allegiances through his mother, not his father -> Rumors of a secret marriage in front of a Weirwood with a Stark bastard, Sara
Listen. It doesn't matter whether Sara Snow is real, you believe whatever makes you happy! But what IS real and relevant is that this part was included in F&B for a reason, and is indicated to be the catalyst for the pact. Jace and Sara get secret married in front of a Weirwood, and this is what calms down Cregan so they can make their pact. And here is how (I believe) it applies to Jonsa:
Jon, a secret Targaryen bastard, but who gets his look and his allegiance not through his father but Lyanna's blood -> Jon, a Stark bastard, will marry an Heir in secret in front of a Weirwood tree.
THAT is, imo, the most important aspect of this scandalous story from Mushroom - that a secret bastard, a targaryen and a stark, secretly marry in front of a Weirwood tree just before a bloody war kicks off. People tend to make Sansa the Sara in this part, which is valid, but I think Sansa's role in this is not just to be the pretty Stark maiden, but to be the HEIR that is secretly marrying for love, like Jacaerys is, and that Jon's role will be about his status as a bastard, so that both parts kind of apply to both characters. And given that, if Jace and Sara had married, their daughter would have been a Starkgaryen with "secret" bastard heritage (from both her parents), marrying a Stark Heir, it does make sense (at least in my mind) that this may apply to Jon and Sansa's future plot. the That's something I touched on here in my "what will Jon's endgame" post.
Then there's the Vermax of it all...
Mushroom also claims that Vermax left a clutch of dragon’s eggs at Winterfell, which is equally absurd. Whilst it is true that determining the sex of a living dragon is a nigh on impossible task, no other source mentions Vermax producing so much as a single egg, so it must be assumed that he was male. Septon Barth’s speculation that the dragons change sex at need, being “as mutable as flame,” is too ludicrous to consider.)
This brought to mind the ole' Jonnel and Sansa (the first) thing - beyond the J&S similarities (Jacaerys & Sara, Jon & Sansa, Jonnel & Sansa), I think it's also important that Jonnel and Sansa never have any children, though they're married for several years. Jacaerys and Sara also never have children, yet there's the rumor Vermax laid eggs in the crypt, with some believing this may have meant Sara was pregnant (but perhaps miscarried) when Jacaerys left. I think however, the fact that both J&S couples kind of mysteriously do not have children of their own, and that their Houses descend from someone else to be important.
I've kind of briefly gone into the idea that Bran rules in a parliamentary style over (what's left of) Westeros, and while I'm not too committed one way or the other on whether he physically has children or whether they elect the ruler on the Iron Throne more often starting from Bran, the succession is significantly less of an issue because of the permanent Great Council/Parliament that will exist. Sansa (and Jon, for that matter), however, is the heiress to a long line of kings and lords and needs some sort of heir. I don't think it's out of the realm of possibililty that while in the Vale, she connects with some of Jocelyn Stark's descendants (the famous "Vale cousins" that Catelyn mentions as heirs for Robb) and makes one of them her heir, or even names the children of Arya her heir, and pulls a Queen Elizabeth, but then I thought of Vermax laying dragon eggs that are never found, and Jonnel and Sansa never having children, and George's love of threes and thought...perhaps Jon and Sansa will have an heir, but Sansa can't claim the child as hers.
In that same vein, it’s noteworthy to me as well that Serena and Edric (Sansa's younger sister and Jonnel's younger brother) have TWO sons but the line completely bypasses them. We have no idea how the Northerners felt about these marriages beyond the fact that they didn't like Lynara's sons because their rules were plagued by troubles. Is it possible that they chose to bypass Edric's sons because of the incest, and Sansa/Jon may be forced to reconcile with how the realm views him (as Ned's son) and what he actually is (Lyanna's son) when it comes to the line of succession? IE - Vermax is rumored to lay an egg in the crypts but no one ever finds out, Sansa is rumored to have have had a child with her “brother” but no one ever finds out the truth.
TO SUM UP: I think the Pact of Ice and Fire is a hint that Jon and Sansa will secretly marry in the godswood of Winterfell, and it's likely that when Sansa is named Queen in the North, her heir will be "fathered by a wolf" or a "wildling" and she and Jon won't be able to tell anyone that Jon is the father.
86 notes · View notes
yumeka-sxf · 1 year
Text
A chronological analysis on Twilight and Yor - Part 15
*This is part of an ongoing post series. If you missed the Introduction/Part 1, click here*
----------
The Campbelldon tennis tournament is the first time we see Twilight spend a considerable amount of time with someone with whom he doesn't have to act as Loid Forger…and the contrast is striking. There's no denying that he and Nightfall are exceptional at their work and make a great spy team. But, as I previously discussed, that doesn't mean she'd also be a good wife and mother.
Tumblr media
While the tactics that the duo use to overcome their opponents are entertaining, I always found the tennis scenes a bit on the boring side, and I realized it's because Twilight and Nightfall have no chemistry beyond working well together as spies. Because Nightfall doesn't want to see anything in Twilight beyond a hardened spy – in fact, she resents the emotions he's developed rather than try to understand them – she doesn't bring out anything new or "real" in him during their interactions. Rather than want to know all of him, she idolizes the spy side of him and refuses to accept his "realer" side…which is very hypocritical of her considering the fact that she's developed intense feelings for him…feelings that, according to her, a spy has no business having. She accepts her own feelings of love for him, in fact, those feelings are what drives most of what she thinks and does, yet the fact that he's showing feelings for others (besides her) bothers her.
Tumblr media
On the other hand, while Twilight does show that he cares for Nightfall as her mentor, for example, when he saves her from the rubber bullet and tells her not to push herself too hard after seeing the bruises on her hand, there's no indication that he has any "inappropriate" feelings for her (if Nightfall can tell when his real emotions for his family are seeping through, I'm sure she'd be the first to notice if he had similar feelings for her and would react accordingly).
Tumblr media
But the kinds of "inappropriate" feelings she's accusing him of having for his family are, ironically, the kinds of feelings she wants him to have for her alone. As I mentioned before, Nightfall and Franky are both pots calling the kettle named Twilight, black.
Meanwhile, Yor is still convinced that Fiona is a threat to her marriage. Even though Loid had given no indication that Fiona means anything to him besides being a coworker, Yor's insecurities make the threat very real in her mind. She shudders at the thought of going back to her old life where Yuri was always worried about her (once again, thinking of someone else's peace of mind before her own). She has so much anxiety about the situation that she even starts to slightly regress to her old habit of considering assassination to solve her problem: she fiercely squeezes a tennis ball in her hand while thinking that she'll do "whatever" it takes to ensure that her fear doesn't become real…but she quickly stops before she can go further with that idea.
Tumblr media Tumblr media
At the end of the tennis tournament, we see another example of Twilight being a thoughtful guy behind his stoic demeanor by giving a pep talk to the defeated Campbelldon kids. Giving them words of encouragement did nothing for his mission, but he chose to take the time to do it anyway because, as I've pointed out many times before, he always tries to consider people's feelings as long as it doesn't conflict too heavily with his work.
Tumblr media
When Nightfall inexplicably challenges Yor to a tennis match, Yor's fear about Loid seeing Fiona as a better wife than her, pushes her to accept. As is typical of Twilight, he notices that Yor is uncomfortable about it and tells her she doesn't have to accept, but she insists. He also tells Nightfall to back down (because he knows she's no match for Yor's crazy strength) but Nightfall insists as well.
Tumblr media Tumblr media
Twilight is intelligent and sharp about almost everything, but having lived most of his adult life only pretending to have relationships, signs of true romantic love are things he doesn't have a clue about. Hence, he has no idea what's really driving the two women to have this spontaneous tennis match (only Anya knows that!)
When Yor does indeed crush Nightfall, in typical motherly Yor fashion, the first thing she does is ask Fiona if she's okay. Then, when Fiona hastily drives off in tears, she wonders if she did something to upset her (as usual, she thinks she's to blame when someone around her becomes distressed).
Tumblr media
While Twilight does slowly start to pick up on the fact that Yor could have the wrong idea about his relationship with Fiona, he quickly tosses that thought aside because their marriage is fake, and Yor knows it.
Tumblr media
Even though she won the tennis match, that's still not enough to ease Yor's anxiety about Fiona's relationship with Loid. In an uncharacteristically forward way, she gets right in his face and exclaims "I beat her!" and, when all he can offer is a weak "congratulations," she shouts it again, even closer to his face than before. Twilight is obviously confused about why she's acting like this, so he doesn't know what else to say at the moment other than confirm her statement with enough enthusiasm that will hopefully satisfy her.
Tumblr media Tumblr media
But him parroting what she just said did not provide the reassuring words Yor needed to hear. Since Yor doesn't understand her own feelings, and Twilight has trouble understanding hers and Anya's feelings, especially if they involve him, nobody except the audience realizes how much of a threat Fiona is to Yor's newfound security in the Forger family. With Yor not realizing her own feelings enough to ask Loid the questions that would put her mind at ease, she continues to be depressed about the situation even on the following day.
Tumblr media
Continue to Part 16 ->
<- Return to Part 14
241 notes · View notes
legoiscrying · 10 months
Text
Since you guys liked my first k2 analysis so much, I've decided to make a second one and mainly focus on things that I mentioned in the last paragraph there: how I see their romantic relationship. This is probably going to be more headcanons than analysis but we'll see lol (it ended up not)
Tumblr media
As I mentioned before, I don't really see k2 having some sort of special feelings for each other when they're young. Meanwhile it can kinda work with Kenny, it's probably won't work with Kyle: Kyle already has two strong sources of emotions. His bond with Stan and his sort of rivalry with Cartman clearly means more to him. And to get myself more clear: No, I do not erase everything I said in the previous post about their interactions, they're still very sweet and in my personal opinion important. But if we analyse Kyle's relationships with others and give everyone some sort of a status, Stan would be "best friend", Cartman would be "frienemy" (it's not so obvious when I say it like this but we all should agree that Kyle cares a lot about the shit Cartman says, not necessarily in a good way but it's still a huge source of emotions for him). And Kenny, as I believe, would be just "friend". Not much to add.
But if we're looking a little bit further...Time skip for a few years. Or not a few. High-school maybe?? Or adults?? Whatever you prefer more
From this part it'll be mostly headcanons because different people can see the future relationship of the main four differently. I'll talk about my personal point of view here (I think it's the most popular one in the fandom anyways)
So this is where Kyle's previous sources of strong emotions are kind of fading away. With Stan...I'm almost sure that no one is going to argue with me for this. Stan, as a depressed individual, would probably at some point of his adulthood change his relationships with people. He'd cut contact with some and just sort of change his attitude to other. And although I believe Stan and Kyle would still be friends (close friends??) when they grow up...There's not going to be the "bond" as strong as it was before. This is debatable, but even if you don't agree with my statement: One source of strong emotions is definitely not enough.
With Cartman my point of view is much easier to explain: they're not kids anymore. I believe their rivalry won't dissappear, but. They're not kids and not gonna fight 24/7. I'm not sure if I'm explaining this properly, but I think it's just not gonna take all their time. So yeah. It's not enough
AND THAT'S WHERE WE FINALLY GO BACK TO K2. THANK GOD.
Kyle feels a bit more lonely. So he hangs out with Kenny, who pretty much feels the same. They spend time together, talk a lot, remember some things...And realize how similar they are to each other (this part is also analysis btw, I didn't come up with it from nothing). They realize that back then they both were trying to act kind to people around them, but no one seemed to appreciate it as much as they wanted. They were doing it differently and was getting treated differently, but in the end both ended up being lonely without much people around. You. You can feel my thought here. right
They realize how similar they feel, so they decide to try to help each other. Just make some company. It won't hurt, right?
It didn't. I see them a bit fast burn... They start to appreciate each other's company more. And more. They hang out in a lot of different places. Anywhere you can get your old buddy: like seeing some cool movies with him, taking him to restaurants so you can make sure he eats well, sometimes going to his ol' house with him to help his sister...At some point Kenny starts calling it "dates", and Kyle is extremely flustered about this.
Kyle falls first, but Kenny confesses first: so their relationship-thing happens not so long after that.
And yep. This is what I wanted to share from now. I really hope someone reads all that xD
Love k2, appreciate k2, enjoy k2, share k2. They're very lovable little guys!
Tumblr media
(If this gets 100 likes AGAIN I will write k2 headcanons. Go)
118 notes · View notes
mewsmagic · 13 days
Text
I DID NOT EXPECT TO DO ANOTHER ANALYSIS THOUGHTS WHATEVER POST BUT ARLECCHINO IS JUST TOO MUCH FOR MY NEURODIVERGENT BRAIN AND I NEED TO TALK ABT IT SO HERE WE GO AGAIN
Spoiler warning for Arlecchino’s character teaser!!!
If you haven’t yet, watch it here!!
Tumblr media
Look look. I really did not expect Arlecchino to be comprehensive, understanding or merciful (of her children) since in the Fontaine trailer she was critical of Lyney and Lynette and we did have other harbingers calling her a wolf in sheep’s clothing and things like that
Tumblr media
Oh fuck I screenshotted this at the wrong time LOLL anyway
BUT THEN SHE WAS SO KIND WITH THIS GIRL 😭😭
Despite telling her that she told her recklessness would lead to failure, she was not mad at her AT ALL – and I mean, completely fair, girl was literally on her deathbed – and instead decided to deal with the problem herself 😭😭😭😭😩😩😩🤯🤯🤯🤡🤡🤡 I WAS NOT EXPECTING THIS FROM A SUPPOSEDLY “STRICT AND UNFEELING FATHER”
Tumblr media Tumblr media
Also, this isn’t my main point but the way she showed up like fricking bogeyman and crushed the nasty man’s skull with her HEEL was insane (positively) for me
Anyway LOL then she went, killed him, exposed his crimes and robbed all his money SO SHE COULD ADOPT MORE HOMELESS CHILDREN LIKE PLEASE THIS IS EXTREMELY CHAD AND BASED OF HER
Tumblr media Tumblr media
Not only that, but she went back to her child and saw her off herself 😭😭😭😭 this shot of her closing her eyes, gosh this made me really emotional, especially considering what comes next
Tumblr media Tumblr media
She did mourn her death!!!! Not only that but she called her “her child”!!!!! Although she appears inexpressive, it must’ve been so hard to see the children you raised part like that.
And considering we’re talking about a whole orphanage, this is definitely not her first time, and won’t be her last either, it must be so hard to be the director of the House :(
Now, I gotta say I like her character even more after all this 😭😭😭😭
Tumblr media Tumblr media
I am all for villains who are actually evil and nasty flawed people and I do like characters like that as well, but I feel like in Alrecchino’s case, it was kinda necessary for her to have a softer side?
I mean, again, we’re talking about an orphanage here. Her underlings are literally her own children, children like her who were abandoned at a young age, had nowhere to go and no one to take care of them. Not only that, but she has to train them to become underground agents and deal with dangerous situations at a young age. To become criminals even.
And this is all without even mentioning that she had to deal with generational trauma too. It’s a tendency for this type of children to become the opposite of their parents, and try to do better than them even if they do still have their own flaws. And I think this is shown wonderfully in Arlecchino.
She tries to put a front of a cold and strict father, but on the inside, she’s not as ruthless as she makes herself out to be. Even to the Traveler, who has been an “enemy” of the Fatui in various situations, she did not care about it and instead judged them to be a valuable ally (AND SHE WAS NOT WRONG!!!!)
It's really no wonder Lyney admires her and wants to be like her. Tbh I would feel the same way if I were in his shoes LOL Lynette and Freminet seem to respect her a lot as well, from what I've seen in the Archon quests and the story quests I mean.
I did not read all of the Hearth siblings lore however, so I may be missing some information about how she raised them, and there’s still the story quest and the Boss fight that still wasn’t released and I don’t look at this type of leaks LOL but still, you got my point!
Tumblr media Tumblr media
Another point I wanna mention is that this front of cold, unfeeling and harsh could be considered her flaw, even if it’s just a mask.
I mean, it is considered a toxic trait to pretend to be something you’re not. It could be people pleasing (no shame btw I am one myself), could be narcissistic traits like the previous Knave showed, and it could be pretending to be tougher than you really are, like in Arlecchino’s case.
In this case, she’s not only neglecting her own feelings and not letting them out (i.e.: not crying for her child’s death for example), but it can give the wrong impression to her children as well.
It gives the impression that she doesn’t care about them, especially at a young age, and especially considering they’re homeless children who have already been abandoned by their biological parents, and by the world itself.
According to studies on psychology, this situation makes children even more vulnerable to insecurity, low self-esteem, and gives them even more need for emotional connection and reassurance, which Arlecchino doesn't give them bc she's cold.
So yeah, Arlecchino IS still flawed and questionable in her own way, the children do feel the effect of this and her “good side” was necessary for her position and done wonderfully in my opinion.
Personally, I LOVE it when villains/anti-heroes are unhinged at the right people/moments but at the same time still have their kind side and their own issues. I mean, questionable people in real life do also have their good side, and this is exactly what makes them fucking nasty when they're nasty.
But I'll definitely talk more about this whenever I do make a post about Firefly from Star Rail! Gosh I have so much to say about her, just wait for me guys!!!
38 notes · View notes