grilled cheese appreciation: when you cut it triangle and keep the pieces together so the cheese melts out and then it has that long cheese stretch, yeah thats the stuff friday nights were invented for
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Papyrus couldn't help but find the situation baffling. He glanced around at their surroundings, contemplating the soft and gentle version of himself before him. It didn't quite match his expectations. The more he looked, the more it seemed like encountering a taller Sans rather than his usual Papyrus.
He battled to hold back a chuckle, determined not to break into a smile. The mental image of his brother Sans, squeezed into an ill-fitting battle body, and himself, buried under layers of clothing, was simply too humorous to resist. It was all just too comical to wrap his head around, leaving him in a state of amusement amidst the strange twist.
Papyrus...What's so funny bonehead?
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Randomly I was thinking of back when the White Lily update was first being teased and people were thinking that with the release of the last Ancient the story would be ending soon
And while this isn’t about that, it’s making me think about how with the Beasts, the main story has been stretched out even longer
I mean yeah, the story wasn’t going to wrap up soon after White Lily’s release, but it’s kind of clear to me that the Beasts are kind of padding
But I mean, to be honest, I don’t feel like the main story of Dark Enchantress wrapping up, whenever we get to that point, should mean the end of Cookie Run Kingdom
Because like, you can have a new main story after the Dark Enchantress one wraps up. Introduce a new world threatening villain to the story so that the game can continue and have a new big thing. It doesn’t seem too difficult from where I sit (though I’m also not a game designer or writer, so I can’t say for sure)
I’d suggest Longan as a new villain, since they’re very much different from Dark Enchantress while being a similar threat level, and also they wouldn’t really fit in as we know them as an ally to recruit against Dark Enchantress. But at the same time, they’re the main villain of Ovenbreak, so that might be treading reused ground
Now yes, there is the idea that plenty of people would leave the game after the Dark Enchantress story is over, since they’ve seen what they wanted to see reach its conclusion. But also at the same time, as it is now, people will leave because with the padding some will realize that they’ll never get the ending they want, at least not for a long time, and move on to greener pastures. And frankly I feel like the former is the better option, since at least there your players have trust that you’ll actually resolve your stories and not stretch them out for as long as possible
And also it’s a game that’s constantly updating, you don’t need to just stick to only one main story
But again, I don’t know how game development works, or what the business is like, so what do I know?
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clayne crawford in lethal weapon 1.2 “surf n turf”, so you don’t have to watch it.
(image descriptions below the cut)
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1– A close up of Martin Riggs in a car, the lighting sepia toned with lens flare and rainbow glints from the camera lens. Riggs is holding a phone up to his ear and his eyes are slightly downcast, eyebrows slightly lowered, mouth slightly open. He looks stricken, deadened, and his eyes are a little bright.
2– A view of Riggs in a toilet cubicle with metal walls, the lighting cool and almost grey-green. Riggs is tipping back a hip flask to drink and we have a view of his throat and Adam's apple, his hair curling behind his ears. He's wearing a green button-up, unbuttoned, over a dark t-shirt.
3– A close up of Riggs in the same lighting, talking to someone who we only see as a glimpse of long dark hair. Riggs' head is tilted, his expression playfully admonishing, raised eyebrows making his forehead crease. There's a fresh pink and purple bruise around one eye.
4– A view of Riggs and Murtaugh sitting side by side outside someone’s office. Murtaugh is wearing a neat navy blazer, sitting up straight and staring at Riggs, halfway through telling him off for something. Riggs is slouching back with a hand on his stomach, cleaning out his ear with a finger, the skin of his neck a little creased. He's wearing big sunglasses that hide his eyes.
5– Riggs and Murtaugh in a green-lit hallway outside a room, Murtaugh standing to the left watching, Riggs close to the door - probably about to open it - and raising a finger to indicate it while he talks. His hair looks almost deliberately dishevelled here.
6– A view of Riggs and a small brown-haired woman both lying on a patterned rug looking very much like they were just thrown there. Pieces of glass scattered around and on them suggest they got there through a window. The woman is curled in on herself, in dark fitted clothes; Riggs is lying on his back with his knees bent, his shirt barely torn, his expression a pained grimace.
7– A view of Riggs with the same woman from the previous scene, in an interrogation room with dim lighting. The woman is looking down, fiddling with the string hanging out of of a mug of tea, and she has Riggs' button-up draped over her shoulders. Riggs looks serious and open as he speaks to her, eyes down and a little to one side, his forearms rested on the table. They're both turned towards each other, suggesting a degree of comfort.
8– A view of Trish, Roger Murtaugh, their teenage son RJ, and Riggs around a dinner table in a tasteful if beige dining room. There's food on the table, wine and bottles of beer, and they seem to be caught in the middle of a conversation: RJ smiling, Roger looking disapproving, Riggs leaning back a little and looking at Trish like he should be hiding a smile but isn't. He might have a dimple in his cheek.
9– Riggs sleeping on a reclined deckchair with a brightly patterned pillow, head turned as if watching a lantern with a lit candle in the background. Riggs has one hand open resting on his hip, the other on his belly and holding a beer bottle. He very much looks like he didn't mean to fall asleep there. It's night-time.
10– A view of Murtaugh and Riggs at a conference table where bagels have been laid out and clearly already dug into. Murtaugh seems casual but attentive, looking off-screen. Riggs is leaning back in his chair and chewing something, and currently dunking a piece of bagel into someone's mug. His expression's a little thoughtful, like the procedure takes some planning, and the bruise around his eye has maybe faded a little.
11– A close up of Riggs now swigging from the same mug while looking down at it, his eyebrows raised. His hair is tidied back relatively neatly, but it's all messy curls at the back. Murtaugh, in the background, has his eyes closed and looks bored.
12– A close up of Riggs in warm natural lighting in front of some steps, Murtaugh to his left and out of focus. Riggs is reading something in his hand with his head a little tilted and an almost comically puzzled expression. His neck is visibly creased, and his hair is almost brassy in the light.
13– A view of Riggs and Murtaugh at night, with red lighting coming in from the left, outside a door with a grimy yellow pane and illegible graffiti. Murtaugh has his gun almost up, like he wants to enter a dangerous situation, but he's looking to the side where Riggs is talking to him and has raised a hand to gesture him to stop. Half of Riggs' face is lost in shadow.
14– A view of Riggs and Trish in an elevator with black walls. Trish wears white trousers and a black jacket, has a gold necklace on, and a file tucked under one arm. Riggs is standing comfortably, his hands in his pockets, expression enigmatic but comfortable as he looks up and to one side; Trish is talking to Riggs and looking over at him with a warm and considering expression.
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