at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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So, Danny was effectively homeless.
His parents are dead, his sister is dead, his friends are dead. Hell, even Vlad, Vlad kicked the fucking bucket which, Danny genuinely never expected.
Vlad was supposed to be his nemesis, his main bad guy, the guy Danny's supposed to constantly pull everything out against just to win. Not to mention how significant his presence was.
A part of him assumed that Vlad would always be there and him not being there and knowing he won't be there ever again is... weird.
So you're probably asking, how exactly did this happen?
Well you see, the nasty burger exploded, for one thing. Then when he was under Vlad's care both of them got outed for being ghosts to the GIW, which was technically Danny's fault, since he did something extremely stupid.
Somehow they got caught, and life under the GIW was not great in the slightest. The constant experiments, the dehumanization (Sometimes Danny doesn't even register himself as human), the amount of times their feelings were utterly disregarded, and so, so much more.
The GIW found Vlad to be more dangerous than Danny, even if he lacked the raw power Danny had his intellect made him dangerous and for good reason. For it was because of said intellect that Danny managed to escape.
Vlad didn't manage to do the same.
Danny hated reliving that memory. Because Vlad was a villain, evil and self-serving, he shouldn't be sacrificing himself for his literal greatest enemy to escape in his stead (Not that Vlad would say Danny was his greatest, he would probably say it was the person who refused him to buy the packers). It was just, so utterly stupid and out of character for him.
So, Danny managed to escape, Vlad died. He couldn't even say anything about Dani because she got destabilized in front of him, in front of both of them actually. It hurt to watch and, he didn't quite know the specifics between Dani and Vlad anymore, but he thinks they were getting... better.
Not how it was when Dani was first created, but Vlad was working on mending it. Which, honestly, just makes everything worse.
Danny isn't powerless but it's a damn close thing. He's far weaker than he normally would be, and he's injured on top of that too boot, his powers can barely work and it's just so stupid.
So here he was, hiding out in some random sewer because he didn't want to take the risk of being on the surface and he hates the smell, but he'll take that over being experimented on again. So, Danny spends most of his time in the sewers of this place called Gotham, he even managed to make his own little area with a couch he stole and a few other appliances that were thrown out.
He lacked a Tv or laptop, but he found a yo-yo! Most of his time was spent practicing various tricks with his yo-yo.
It got boring fast. But it was really the only safe thing he could do when waiting for his powers to come back. At least he's a god at yo-yoing now.
It was while doing various tricks with it in some random sewer path, that a literal, goddamn crocodile-man just splashed up from sewer water and half-laid on the edge, since his lower body was still in the water.
Danny looked at his yo-yo, the crocodile, and then slowly stepped on over and gently poked the crocodile dude.
He made a sound, so he was alive!
Finally! Someone to appreciate his godly yo-yoing skills!
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to elaborate on “the pizza thing,” Madame Curator eats pizza by first ripping the crust off and eating that, then she breaks the pizza into little tiny bites with her hands and eats those, making sure to peel some of the cheese off of each bite and stacking it to create “the perfect bite”
she’s insane
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