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jinnie-ret · 9 months

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fallen angel

stray kids x ninth member!reader (platonic)

genre: hurt/comfort, some fluff at the end

content warnings: injury, hyunjin hiatus (but he still makes an appearance)

word count: 3k

If you enjoy feel free to send in requests as my asks are open! And let me know if you would like to join the taglist for when I upload more imagines :)

the stray kids members have two maknaes to comfort at the end of their 'I'll Be Your Man' cover. One upset because he thought he wasn't good enough, and the other an injured, fallen angel, left hurt because MNET hadn't done enough safety checks on their equipment.

pt 2

MAIN MASTERLIST

Practising the vocals for 'I'll Be Your Man' was difficult enough, trying to learn the choreography alongside it was hard too. But performing said choreography whilst being lifted in a harness too was even more difficult.

Y/N would be lying if she said she wasn't nervous. No, it wasn't to do with the heights, she could cope with that, but it was more the precision of her dance, and the fact that she would be hitting a high note in the air at the same time, having her own solo moment to shine. Maybe it would be different if they had multiple takes to make sure they got the right one. But with Kingdom, they didn't. She only had so many practices to ensure it looked perfect in front of her sunbaenims and friends. Yeosang and Wooyoung from ATEEZ had kept reminding her they were excited to see her performance. In the normal way, this would be encouraging, this time round, it only felt more daunting.

So when it came to the day of the performance, Y/N was unable to hide her nerves shining through.

"Y/Nnie, you good?" Han appeared in front of her, big brown eyes shining in concern as he watched the younger member zoned out in her own world.

"Huh? Oh yeah..." Y/N said dismissively, not really entirely sure how she felt right now, but her emotions showed more on the outside than on the inside right now.

"You've practiced this a billion times, you've got this," Han encouraged her, his hand resting on her shoulder whilst stylists were around the two making last minute adjustments to their outfits before they went on stage.

"Okay okay, I can do this," Y/N nodded, trying to hype herself up for the performance, breathing away her worries.

"Hannie! Y/Nnie!" Changbin loudly called them over to their group huddle where the rest of the members were gathered.

Y/N gave Han a thankful smile before they joined the others in the circle, Y/N slotting herself between Felix and Seungmin.

"Right, let's do our best, stay safe, and deliver what Stray Kids do best! Let's go! Hwaiting!" Chan led the small talk before they all cheered each other on and got into position on stage.

Y/N didn't have a part until the first group choreography part of the performance, where Han and Lee Know sang the chorus and led them through the gates. Felix, Han and Changbin then had their rap parts in a more hellish scene, where a dance break ensued, Y/N running off halfway through it like she was meant to, to get into position.

She was quickly harnessed by their supporting dancers and got ready for her solo part. As soon as she heard Lee Know sing out 'baby I just pray', she was slowly lifted into the air. Instrumental music played as she rose upward, stretching out her arms and legs and creating beautiful moments with them. And when her arms swooped across her long black hair, the other groups who were watching backstage were shocked to see it was a wig that was knocked off, revealing long white hair instead. As she rose higher, some large wings appeared on the screen behind her.

"Oh my god her hair!"

"Wow she's an angel!"

"That's my best friend! Let's go Y/Nnie!"

"So pretty..."

Now risen at the highest point in the air, Y/N began singing too, beautiful vocal runs flowing along with the violin in the background. Her moves ranged from static to more elegant moves too, and she feigned an expression as part of the performance like her soul had been taken away from her, sacrificed for the young boy to align with the storyline of the performance. She was then lowered as her movements became more frantic and dramatic, showing the desperate need to have saved a soul. At the same time, her wings dissolved behind her, the screen turning darker behind her.

"She's a fallen angel! Wow!"

"Oh wow..."

She continued to be lowered, and Y/N was beginning to feel a bit nervous now because she swore she heard a slight ripping sound from the cord she was attached to, yet she continued performing. It was until she was still 6ft in the air, that the cord actually did snap, and Y/N was forced to act quickly despite her shock to try and land. Despite the impact going straight through her left ankle, Y/N continued dancing until the camera panned away again, panting before realising she'd have to dance some more at the end of their performance too. She tried her best to keep her tears at bay, moving across the stage the best she could as she limped over to the rest of the boys. None of them noticed however, as they were in performance mode and hadn't seen her part of the stage from getting ready themselves for the next. And even the groups backstage had seemed to think the drop from the harness was planned, like it was part of her fallen angel character.

Her left foot was in agony, yet she kept going, her body twisting and turning whilst Han and Seungmin sung their hearts out, and Changbin rapped incredibly fast. She was relieved once it came to the end, and they were able to collapse to the ground, because ever since she fell that was all she wanted to do.

Once the lights came up, she cried out, hands over her face. It was then that she noticed she was finding it hard to breathe too, and she didn't know if it was another injury or if she was in so much pain from her ankle.

"Y/N what's happened?" Lee Know crouched down next to Y/N, thinking she was upset and tried to help her up but then she cried out in pain again.

"What's happened? Are you hurt?" Felix panicked, seeing the tears coming from the younger member.

Staff members from MNET rushed over, catching the attention of the other members.

"What's going on?" Changbin asked confused and worried.

A higher up crew member approached the group and began to explain what happened.

"There was a fault with the harness, the cord snapped as she was being lowered and so she suffered a slight fall. Good news is she landed it well so it still looked good on camera," they hurriedly tried to reassure the rest of the group, but their words did anything but that.

"She fell?!" Seungmin looked across at Y/N who was being comforted by a now angry looking Lee Know and a more worried Felix. Jeongin, who wasn't feeling too good about his own performance, looked worried for his fellow maknae.

"The harness broke?!? Why didn't you check it was safe?!" Chan exploded in anger at the MNET staff, because now one of his members was injured.

Whilst he continued to rant angrily at the staff, Han trying to calm him down, the rest of the boys gathered around Y/N.

"Ah it hurts," she cried through stuttered breaths, top half leant against Changbin as he had lifted her slightly into his arms. He rubbed soothing circles into her hands which gripped onto his so tightly.

"Where, Y/N? Can you tell us where it hurts, love?" Felix rushed out his words concerned for her, seeing the tears roll down her face.

"Landed on my ankle," Y/N whimpered, her breaths coming out short.

"Y/N you need to calm down, okay?" Seungmin patted her arm, thinking that she was working herself up even more, and not wanting her to feel even worse.

"Get a doctor here then!" Chan was heard shouting, which only made Y/N more upset.

"Hey, hey, hey, it's going to be okay, yeah?" Changbin reassured her gently, squeezing her hands tighter.

"W-what if I can't join the next performance?" Y/N shakily asked, eyes flitting back and forth between the boys who were her real comfort right now.

"We'll worry about that later. We're more concerned about you right now, Y/Nnie. Just breathe sweetheart, can you do that, hmm?" Lee Know spoke calmly, slowly taking off her shoe to reveal a swollen and bruised ankle.

"I'm trying to b-but it hurts to," Y/N says through stuttered breaths, tears still falling down her face.

"There's not a doctor here yet?" Jeongin questioned, wondering why someone on set hadn't arrived quicker.

"They should be coming over now," Chan informed them, before grabbing one of Y/N's hands, "we're going to get you some help, yeah? Just take some nice deep breaths, Y/Nnie."

Chan gave her the same advice as the others yet it wasn't working. Y/N knew it wasn't her panicking, but something worse.

"We keep trying to calm her down but she says it hurts when she breathes," Felix looks up Chan worriedly, and sees Han to the left of him with his clasped together nervously.

Some medical staff finally came over and lifted her onto a small bed to move her backstage and look at her properly. Y/N couldn't help but let out more whimpers of pain and the members tried to reassure her as they followed along.

"Only one person in here please," the standby doctor informed the boys, and that was when they decided Seungmin should go in with her. He was the most grounded at the moment, the other members either being too angry, worried or upset to remain calm like Y/N needed.

Seungmin gently held Y/N's hand as the doctors checked over her. With a slight press into her ribs, Y/N let out a loud yell of pain, Seungmin immediately whispering reassuring words to her and gently petting her hair.

"It's okay, it's okay, they're just making sure you're okay, Y/Nnie," he stumbled over his words, now wishing someone else was in his position instead because he feared he wasn't doing enough to comfort the younger girl and he hated seeing her like this.

"We fear you may have a bruised rib, Miss Y/N, you're going to have to seek medical help from a hospital," the doctor shook his head, regretfully informing them.

"No, no, I can't, what about the next performance, can't let the team down," Y/N cried, which was making her ribs hurt even more from the slight jolting of her body.

"Y/Nnie, it's okay, we'll figure out, but you need to calm down, jagi, because you'll hurt yourself more," Seungmin made sure she was looking at him as he said this, wiping her tears away with his thumbs, stroking her face gently.

"B-but-"

"Ssshh, please don't cry Y/Nnie, we'll get you to a hospital and then we worry about the future, okay, come on now, that's it, well done," Seungmin helped her to relax, an arm gently wrapped around her shoulders as he stroked her hair to calm her down.

Whilst Y/N's examination was happening, Chan had noticed Jeongin's upset.

"Hey Innie, it's okay, Y/N will be okay," he patted his younger member's back, thinking that's why he was crying to himself.

"It's not that, I mean, I'm worried about Y/N, but I messed up in the performance and then seeing her hurt too was just," Jeongin couldn't finish his words, crying into the shoulder of his leader.

"Ah, Innie, you did good, which part?" Chan patted his back gently.

"I just did a terrible job as a whole," Jeongin sniffled, his voice thick from trying to hold back his cries.

"Hey, it's okay man," Chan hugged him again.

Felix came and hugged Jeongin too.

"Ah what are we going to do with our maknaes?" Han sighed fondly, patting Jeongin on the head, and it was then they saw Y/N getting wheeled out of the medical room and heading down the corridor past their room.

"Hey, hey! What's going on?" Chan called after some staff of their own who were with Y/N.

"They're taking her to hospital, think she's got a bruised rib," the JYP staff shook their head angrily.

"A bruised rib?!" Changbin said with wide eyes, trying to peer round at Y/N who was sat up straight, trying to remain calm with Seungmin who was stood beside her, looking stressed himself.

"Lee Know and I will go with her, Seungmin, you go home with the others, yeah? We'll update you," Chan instructs everyone.

Seungmin nodded and was immediately embraced into a hug by Felix, feeling guilty for relaxing but he couldn't deal with seeing his member hurt.

And off they went. Changbin stayed behind with the 00 liners and Jeongin, making sure they weren't too shaken up by what happened. Chan and Lee Know stuck to Y/N like glue, one of them always holding her hand or stroking her hair, even when she had been given some drugs for the pain and was unconscious.

"I can't believe this happened..." Chan sighed, brushing back stray hairs from Y/N's face. They were sat beside her hospital bed.

"Typical MNET," Lee Know sighed angrily, looking at the boot now on Y/N's foot.

Y/N then started waking up.

"Hey, sweetheart, how you feeling?" Chan was quick to check in on her.

"Feel, funny," Y/N giggled trying to sit up but then wincing in pain.

"Oh gosh, she's gone loopy," Lee Know playfully sighed, but he couldn't hide his worry for her as he gently leaned her back.

"Wow I have such handsome members," Y/N suddenly said, the drugs she was given making her delirious and spouting whatever was on her mind.

"What? Y/N?" Chan laughed at the girl who staring at the two eldest members.

"Did so well today. Good performance. All 9 of us," Y/N carried on, seeming like she had forgotten about her injuries for now considering she thought all 9 of them was there, when really it was 8 because of the stupid hiatus Hyunjin had to be on.

"It was only 8 of us, Y/Nnie, remember?" Lee Know warily reminded her, and it was then she teared up.

"Call Hyunjin, I miss him. Want to talk to him," Y/N pouted sadly, and they couldn't deny their maknae.

"He might be busy though, Y/N," Chan said gently, calling his fellow member anyways.

Fortunately he answered.

"Hi Channie hyung!" Hyunjin said brightly upon seeing Chan's face, which soon changed to Y/N holding the phone closely to her face, making Hyunjin cackle.

"Woah, Y/N, all of a sudden?" he laughed over the phone.

"Hyunjin!" Y/N yelled into the phone, causing Chan and Lee Know to shush her due to being in a hospital.

"Y/Nnie!" Hyunjin joyfully said back.

"I miss you!" she said into the phone, holding the phone higher up where Hyunjin could see she was in a hospital gown and had an IV in.

"Miss you too- huh? Are you in hospital?" Hyunjin sounded very concerned, and Lee Know and Chan could hear it in his voice that he longed to be with them right now to comfort her and reassure himself.

"Yeah. Because MNET are all dickheads who can s-" Y/N spoke her mind, until Chan covered her mouth so she'd stop speaking and Lee Know took the phone.

"Hyung is Y/N okay?" Hyunjin frowned.

"We were filming and you know she had that harness part? MNET didn't do enough safety checks and so the cord snapped," Lee Know shook his head angrily

"What? That's ridiculous! How could they just let that happen?" Hyunjin rambled from the other side of the phone, but Y/N in her more delirious state thought he was talking about her.

"You angry at me Jinnie?" she asked sadly, bottom lip wobbling.

"No no no, not at you, jagi, at MNET, because they're all dickheads, remember?" Hyunjin quickly calmed Y/N, trying to make her laugh by using her words, and he was successful in doing so.

"Hyunjin!" Chan scolded, yet their was a smile as he spoke and Hyunjin could hear Lee Know's laughter in the background.

"Please update me if she's ok, yeah?" Hyunjin bit his lip worriedly, wishing he could be with his memners right now.

"Of course of course, that goes without question. Talk to you soon, yeah?" Chan promised Hyunjin.

"Bye hyungs! Bye Y/Nnie!" Hyunjin waved them goodbye as the phone hung up.

"Y/N you can't shout like that," Chan facepalms and laughs, scolding her for her shouting earlier on in the call.

"You sounded like a parrot," Lee Know said bluntly, causing Y/N to smirk.

"You sounded like a parrot."

"Y/N-"

"Y/N."

A sigh.

And another, Y/N copying Lee Know once again.

"Hyung make her stop," Lee Know whined, Y/N copying once again before he covered her mouth.

Chan managed to capture this on video and sent it to the groupchat to let them know how Y/N was doing.

Chan:

[vid. attachment]

Y/N is up and doing better

Han:

haha Lee Know hyung is annoyed

Chan:

well he did call her a parrot

Changbin:

ah Y/N is so clever like that haha

Seungmin:

she learnt it from me

Felix:

hahaha

what did the doctors say?

Lee Know:

she's got a bruised rib, broken ankle, don't know how we're going to let her down gently about if she can join the next performance or not

Jeongin:

I hope she can :(

Chan:

she spoke to Hyunjin and that made her feel better

Hyunjin:

what can I say? I'm a natural healer

Felix:

we miss you jinnie

Hyunjin:

I miss you guys too

but it's not long now, that makes me feel better

Y/N:

you know what is long?

Han:

which one of you let Y/N have her phone?

Y/N:

my d-dkfkfkfmfkfdkdkrkrkttt

Lee Know:

Chan did, but I've got it now. this one has gone crazy...

tagged: @oo-li

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dlstmxkakwldrlarchive · 5 months

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Partly for the prolific volume of projects artists release each year and partly for the fluid definition of an album (running anywhere from three to 13 tracks), an annual ranking of K-pop albums is never easy. As South Korea continues to extend its global musical influence, certain projects transcend hit-song compilations, presenting larger visions and conceptual narratives.

In 2023, stars like V, WOODZ and ONEW used their latest solo projects to share the music that inspires them at their core as artists and let listeners settle into sonic worlds they’ve developed.

[...]

First Place: Onew, Circle The First Album

While it’s somewhat criminal to think that 15 years after ONEW’s debut with SHINee in 2008 we only just received his first full Korean album, the singer-songwriter himself would say that now was the perfect time for Circle. A musical journey unlike anything released this year, ONEW shared that he had attempted to record the album’s title track before dropping his Dice EP in early 2022, but felt it wasn’t at the level of perfection it deserved and held onto the song. ONEW then involved himself in every aspect of Circle‘s production process, from meticulous mixing and mastering to tuning, beats, recording and mastering, attesting to the singer-songwriter’s dedication to artistic expression.

The single “O (Circle)” opens the album with an intriguing blend of electronica and strings, while its gospel-tinged chorus emphasizes lyrics about the circular nature of life and how memories, feelings and dreams are all fleeting. The 10 tracks on Circle develop unique transformations from start to finish: the breezy melodies in “Cough” are paired with loneliness-themed lyrics and a melancholy instrumental breakdown, while “Rain on Me” starts with aggressive acoustic guitar strumming before transitioning into an atmospheric, percussive ballad. Sweet surprises abound, too: ONEW scats on the jazz-rap hybrid “Caramel” and gives a glimpse into his indie-rock side on “Parachute.”

The album’s effortless flow is anchored by ONEW’s famously solid yet understated vocals. As Circle concludes with the tender piano ballad “Always” which addresses themes of loyalty and resilience, the listener wonders if it’s an allegory for ONEW’s public journey through health challenges, including vocal cord surgery. Even without any writing credits on Circle, ONEW’s presence is undeniably felt in this seamless collection that boasts an emotional depth brought on by 15 years in the game. That’s the kind of introspection you can’t rush or doctor through A&R but need to cycle through and arrive at when the moment is right. From scheduling this album’s release to the messages on the final track, time is definitely on ONEW’s side to deliver such a project. — J.B.

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#231230 #shinee #onew #lee jinki #jinki #hard era #circle album praise #articles #eng #circle album review #billboard #long post #jeff benjamin #jessica oak #circle achievements

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murderofcrow · 5 months

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Transcript of Will Ramos' essay on Sleep Token for Rock Sound magazine

I might play in a metal band as part of my job, but I don't listen to much metal music anymore.

A few years ago though, I remember one of my friends saying to me, "Dude, you've got to check out this band Sleep Token… They're pretty cool".

I'd never heard the name before, but I'd listened to 'Hypnosis' and a couple of other songs from the band's second album, 'This Place Will Become Your Tomb', to see what they were like.

Hitting play for the first time, I was caught off guard. You hear the guitar and these slamming instrumentals and instantly you think, 'This is about to fucking kick ass'. You're so sure that the vocalist is about to come in with some gnarly screaming, but then you hear this man singing, and he's singing so beautifully. I didn't see it coming at all, and as soon as I heard it, I knew that it was exactly what I needed to hear.

At the start of a long drive that I had to make on my own, I hit play on 'This Place Will Become Your Tomb' from the beginning for the first time. As the record began with 'Atlantic', I was vibing to the sound of the music, but as it rolled through each track I started to get more and more caught up in this incredible sonic journey. By the time it was over, I realised that I'd been on this emotional roller coaster of love, pain, happiness, sadness and nostalgia.

Boom, that was it - I was hooked on that album. Every single song on that record was so freaking incredible to me, and I needed to know more about Sleep Token. Believing that my friend and I were the only people in on this hype, I spoke about it to my band one day, and they said to me, "You need to listen to 'Sundowning'!" I was so mad that they knew about this band the whole time, and nobody ever told me, but I went back and listened to Sleep Token's first album like they suggested.

I remember thinking it was very different. It's not as polished, but it's very dynamic and so beautiful. I think it definitely says something when you can see the progression of a band from just their first and second albums. From then, I knew they were onto something incredible.

It feels like more and more people have been catching onto that hype over the last year, and now it seems as though their name is impossible to ignore. I remember when they released 'The Summoning' at the start of 2023, the day after they'd released 'Chokehold', it felt like it all went crazy. They had something like 4-million hits on that song in just two days, and now, it's got over 70-million plays on Spotify. It was the beginning of a huge explosion for Sleep Token, and the first time I heard it, I was genuinely confused by it. It's so ridiculously versatile, and on my first few listens I felt like the super jazzy outro didn't fit at all, but the more I listened the more it began to click. I remember at the time I showed it to Elizabeth Zharoff, a vocal coach from The Charismatic Voice, and the outro was immediately one of her favourite parts.

She's from a completely other world of music, so to hear her approval showed me how capable Sleep Token were of reaching people outside of the metal scene.

I might not listen to metal music anymore, but Sleep Token are revitalising heavy metal. It brings back the nostalgia that I felt when I was a little kid listening to this type of music for the first time and being like, 'Holy shit, what is this? This is so cool'. I had started to lose that feeling over the years, but every time I listen to these songs, all those emotions come flooding back. In my opinion, there's no band out there that sounds like them - and that's a truly impressive feat.

Merging metal with pop, R&B, and rap influences, and bridging all these different gaps that many artists have historically been afraid to explore, there's something here for so many types of music fans. For a long time, metal bands have been putting themselves in a box. There's been this idea that a metal band needs to be heavy, that you need to have a breakdown in every song, and that you need to tick all the boxes in order to succeed. It's been so refreshing to see the evolution of the genre over the last few years, and to see bands like Sleep Token bring all these different sounds to the forefront of metal.

It brings a whole bunch of unique people into the fold. People love to say that metal is dying, but it's music like this that keeps it alive. It doesn't just move the scene forward, it expands it.

Now, there are all these people who didn't listen to metal before listening to Sleep Token. R&B and pop fans are coming into this as fans of Vessel's singing voice and hearing all these metal influences along the way. The second verse of 'Take Me Back To Eden' has this great rap-inspired singing part, and it's these little things that speak to different people in different ways. All of this feeds into our community in some crazy way, shape, or form. It's welcoming people into a genre that they may never have been exposed to otherwise, and I think that s a beautiful thing.

As a vocalist, one thing in particular that draws me to Sleep Token is Vessel's voice. I have always been a screamer, but I've always wanted to be a singer at the same time. I always practise on the side of Lorna Shore, but in my mind I'm like, 'This isn't very good. My voice is not fit for metal at all, as far as singing goes'. When I first heard Sleep Token though, one of the first things I noticed was that Vessel and I have a very similar range. Hearing him lay down all of these incredible parts, it makes me realise that I can actually sing metal vocals.

Back when I first discovered them, I wanted to cover their songs in the hopes that more people would hear them. Now, I just want to cover them so that I can sing something that is in my range.

Obviously though, his voice is much more dynamic than mine because he's been polishing it for a very long time. He does a crazy vibrato and can switch between his head voice and chest voice super easily. It's crazy stuff, and as someone who has been a vocalist for so long, I can appreciate the techniques he's using. I love to hear the different ways he's able to blend his voice into the genre.

Another thing that makes his voice so unique is that it's so emotional. When I hear Vessel sing, I can truly feel the emotion behind his words. He might be this otherworldly figure singing about an ancient deity, but there's a distinct humanity to his vocals. You can sense his sadness and pain, and whether people realise it or not that draws a lot of people to Sleep Token's music. They're the band that you can listen to at two o'clock in the morning when you're driving down the road alone. They're the perfect companion for those moments where you're upset about something, and you just need to listen to something that feels like a release.

That's a beautiful thing, because when you write music, you want people to feel the same emotions that you're feeling when you're writing it. The way that Vessel translates all of that is so incredible, and it's arguably my favourite thing about the band. Between his vocals and the instrumentation behind them, you feel exactly what they want you to feel. Even before thinking about what I knew about Sleep Token, when we were thinking about what we wanted to do with Lorna Shore, that was the goal. We wanted to bring a little bit more emotion into heavy metal music, and now they've done that and brought the singing into it too. Metal's now even more emotional because of the way he uses his beautiful voice, and I think that's what this genre has needed for a long time.

The truth is, from the moment I first heard Sleep Token, I knew they were one of those bands. Between their studio quality, their musical skill, and their ability to conjure up their own lore to incorporate into the music, I could see that they had the potential to be something truly special, they just needed that little push.

As soon as they got that with 'The Summoning', that was it - they were taking over.

First impressions are a big thing, and I think 'This Place Will Become Your Tomb' will always be my favourite album because of the way I first connected with it, but 'Take Me Back To Eden' is phenomenal. They have been able to get all of their emotion out in so many new ways on those songs because there's even more happening from a musical perspective. They've managed to strike the balance between heaviness and beauty perfectly and that's what we strive to create with albums. The goal is to create an album you can sit with, front to back, and feel the waves of emotion. A record to let yourself feel those things, and an opportunity to sit in isolation whilst you experience that journey.

It's a feeling that's amplified within Sleep Token's live shows, and I was able to catch them at Blue Ridge Rock Festival in Virginia. Lorna Shore were also playing, and we had a meet and greet scheduled for that day. It was scheduled to take place from 7pm until 7:30pm, and Sleep Token's set started at 7:30pm. I was a little antsy, because I know that meet and greets always overrun by half an hour or so, and they were the band I was most desperate to catch.

I was sitting there, it was 7:29pm, and the meet and greet line was still as long as it had been when we'd started. I started to hear 'Chokehold' playing in the distance, and I felt so sad.

People online were messaging me to tell me that Sleep Token were playing, and I was like, 'I know! I can hear them, but I'm stuck here!'

That's where it started to set in how freaking massive Sleep Token were becoming. They're one of the biggest metal bands that I'm aware of right now, and there were so many people watching that set. They refer to their live shows as rituals, their fans are the congregation, and the stage as a place of worship. It's something that could easily seem tacky if a band did it with little consideration for the details, but they're so committed to what they do.

After about three minutes, as I heard 'Chokehold' coming to an end, I stood up and said, 'Alright everybody, I've got to go. I'm so sorry, but if you know me, you'll understand'. The people who come to our meet and greets know how much I love Sleep Token, so they were like, 'Dude, go!' I sprinted out of there, leaving the rest of the band still doing the meet and greet, and made my way over to the stage. I thought I was the only one who wanted to see their set, but ten seconds into running I turned around and saw Of Mice & Men's singer, Aaron Pauley, following me. We started running through this huge crowd together, and everybody was so excited. I'm not the type of guy to leave a meet and greet early, but I needed to witness that set. It was an act of true love!

Even when they post on Instagram after shows, the captions are always like, 'The ritual has been completed in Copenhagen'. They totally absorb themselves in the spiritual aspect, physically, visually, and sonically. It's a brand, and they completely own that brand. They've made it exactly what it is, and they stick to it.

When I saw them, they had four people onstage doing harmonies with them, and they just stood there in their cloaks.

They didn't move throughout the entire set, and I began to picture it as a church choir at the side of the ritual. The whole experience does feel super spiritual, and they don't just give 50 per cent to the theming, it's 100 per cent. People feel the emotion, see the way they embody this ideal, and hear this incredible music - and I think that's why people are so ready to absolve themselves in this spiritual moment.

Everybody has a different connection to every song because of the different things everyone goes through in life, but they get to experience all of that in a place where everybody else is feeling something too.

Vessel's vocals translate into their live experience so perfectly, too. His screams are even better live than they are in the studio, and he still sings beautifully, which is so impressive. I was genuinely doubtful that he was going to be able to hit all of those vibratos and do all the other crazy vocal work he does on the albums, but he hit every note. Sometimes, he doesn't even hit the notes that he does on the studio versions, but he hits another note that is equally as stunning. He's a true performer.

You can tell a lot about a band from their live performance, but as a band in the modern age you also have to put a lot of thought into your promotion. The way you come across on social media is important, and the way that people perceive you is largely down to how you come across online. That's why I've always been fascinated by Sleep Token choosing to keep the identities of their band members a secret, refusing to do interviews and placing the focus on their visual identity.

I definitely think that's played a part in their success, because it's allowed the music to take centre stage. I remember when I was first talking to the rest of Lorna Shore about Sleep Token, they told me about the lore behind the band and that the members are all anonymous. That was before 'The Summoning' came out, but since people have caught on there have been some serious investigative deep dives, so l'm pretty sure the internet has found out who Vessel is.

I didn't look that up though, because personally for me, I always really appreciated the fact that they were totally anonymous. I like the feeling that Vessel is just a voice in the ether. You can hear it, but you can't classify it as being the voice of any one person, it's just this intriguing mystery. I've heard a lot of people say that it reminds them of when they first got into Slipknot because when a lot of people I know first listened to that band, nobody knew who was behind the masks. They were just a bunch of dudes making music with no outside perceptions, but then obviously people found out. I think that Sleep Token have that similar allure for a whole new generation, but sadly for me that mystery was shattered when I met them after a show.

It was great to meet them, but I also really didn't want to know who they were. I loved not knowing and I think that the anonymous aspect of what they do plays such an important role in the impact they're having on the heavy metal world.

It's a bit of a double-edged sword because everyone wants to know their identities, but once you do know - you miss the anonymity.

There's something special about the way they're putting their music out into the world with no need for individual validation, and I think it takes a lot of guts and confidence in what you're creating to do what Sleep Token are doing.

Usually, you almost want everyone to know who's in the band, because often that helps push you forwards. If you have someone in your line-up who's been in a well-known band before, you want to use that name to get yourselves out into the scene more. Sleep Token aren't anybody, and that takes a lot of courage and humbleness to do. There's no predisposed idea of what their music is supposed to be or what it's going to be, and that's part of the magic.

It's something that also comes out in the lore, the symbolism, and the cryptic clues that Sleep Token scatter throughout everything they do. There are Reddit threads dissecting every single word in the songs and analysing each pixel within their visuals, but it's not something I've had the chance to fall into just yet.

When I first listened to 'This Place Will Become Your Tomb', I could only find one or two articles about Sleep Token online.

They were basic articles explaining the idea of the band and what they were trying to do, which I thought were cool, but I never really looked it up again.

Over the last year or so, it seems that these conversations have spiralled. People are coming up with these different ideas about the band's story, and there are all these hints appearing constantly. I don't know any of the Easter eggs yet. I'm still just fascinated by the music and their wicked aesthetics, but I love that they've got people talking. It's become this kind of community around the band, and as someone who grew up in this scene, seeing artists who are able to foster that feeling amongst fellow music fans is such an incredible thing.

I think that's one of the reasons why Sleep Token have been able to find success on such a wide level so quickly, because there's a constant conversation about them. If people aren't talking about their music, they're talking about the lore and the stories behind it, or they're talking about the potential identities of the band members. They have this perfect package in place that lends itself to a world class metal band, but they're achieving it at such an incredible speed.

They thought out every single element of this band before they even started, from how the melodies work with the vocals, to the emotion and the quality of the sound. A lot of people put out music that sounds like they're hitting a trash can, and whilst they might have really good singing over the top of it, you can't ignore that trash can. Sleep Token have got incredible production value though, which is even more impressive when you consider how versatile their sound is.

It's so well thought out that you hear new things in each song on every listen. If you listen to 'Take Me Back To Eden', the title track of their third album, there's an allusion to a particular part of 'Chokehold', and it's details like that which make their production so unique. They wanted to make sure that it came out perfect, and maybe - like all musicians I know - they think they could have made certain parts of it better in retrospect, but I honestly can't imagine how.

Between the versatility, the emotion that people feel when they listen to it, the heaviness, the quality, and the songwriting, Sleep Token don't cut any corners anywhere. That's why they're already playing these huge, career defining shows, and putting out music that's changing people's perception of heavy music as a whole. It's so exciting to be a Sleep Token fan, and I just want them to write even more mind-blowing music and play even bigger places because they truly deserve it.

The bigger the places that they play, the better they're going to sound live. They're already playing arenas over in the UK, and with the size of those venues I just know they're going to sound absolutely incredible. They're reaching heights much higher than most metal bands that I know, and the bigger they get, the better their production value is going to be all round.

'Take Me Back To Eden' only came out earlier this year, but I already can't wait to hear them put out more music. lf what we heard on album three is the direction that they're going in, I'm very optimistic to see what the future holds for Sleep Token. I imagine at one point, they're going to make it on the radio - and honestly it could happen sooner rather than later. I knew it when I first heard them, and I'm even more certain of it now - they're going to be huge.

#tumblr if you don't post this again after i've spent over two hours on this so help me istg #sleep token #sleep token worship #will ramos #lorna shore

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bluejutdae · 3 months

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Stray Kids as Hozier songs | OT8

Chan

Take me to Church - the song resonates with leadership and a commanding presence in the same way Chan does, with a very bold and powerful nature. It's a very intense song. Chan is devoted to the members and the music and he’s a determined man. Chan's unwavering presence is always passionate and the soulful vocals of the song coupled with the powerful instrumentals mirrors the role of Chan in the group. The lyrics also reflects resistance, something we know Chan is well versed into.

Minho

Nina Cried Power - The empowering theme of the song resonates with Minho's social involvement. "It's not the song, it is the singing". It's no mystery Minho is very well conscious of inequalities in the world, and he does what he can to fight them. The song also explore power and the force of collective strength, something that pairs well to Minho and his attentive care to guide Stray Kids in dancing as a unit. "It's not the wall, but what's behind": he understands and communicates perfectly how the connections between members (even beyond the surface) are part of the strength of the group.

Changbin

Jackie and Wilson - Stylistically speaking, the song’s instrumentals are impactful and strong just like Changbin's rapping and his ability to make strong artistic statements even when in a group. The lyrics convey the sense of overcoming challenges, something Changbin himself admitted to have done, and in doing so, he made a lasting impact in the musical world and in the lives of many (who often speak about the impact Changbin had on them).

Hyunjin

Cherry Wine - sweet and soulful, a very gentle and emotional atmosphere, tender but complex, almost like it’s hiding a constant questioning. The song has the ability to convey emotional depth and a story, and it’s mirrored by the ability Hyunjin has to do the same while dancing. The song has a tone of melancholy in itself, a bittersweet taste that Hyunjin is able to replicate with his ability to convey emotional complexity with just a facial expression or a movement. The poetic nature of the song, despite the negative narrative aspects, reflect Hyunjin artistic expression and many of his paintings.

Jisung

From Eden - Jisung's creative style match the complexity and depth found in the narrative of the song. In the song there's a sense of familiarity and introspection, and both Jisung and the song manage to be amazing storytellers. The imagery in the song it's very vivid, just like Han's lyrics, and the symbolism is so Jisung coded.

Felix

Almost (sweet music) - smooth and stylish, the song depicts a sophisticated atmosphere, yet a longing and emotional one. There's a mix of style in the song, a bit of classic jazz and something more contemporary, and it translate perfectly in Felix's duality. The heart being, in a way, the main character is also something easily paired to Felix, who always wears his heart on his sleeves.

Seungmin

Someone new - an hopeful and melodic atmosphere, a "friendly" song even to those who are not fans of Hozier. There's lightness in the lyrics yet they’re honest and clear, and they translate in Seungmin's position in the group. As said, it’s an honest song, almost like a self-discovering journey from the narrator and it suits Seungmin so well.

Jeongin

To noise making (sing) - bright energy, uplifting and optimistic tones. There's a careless energy in the song and exuberance that reflects Jeongin's. The melodies are almost whimsical, and paired with the uplifting message it reminds me of the constant positive and cheerful aura that I.N. has. It also always makes me think it can be read as a message to Jeongin from his hyungs: the undeniable love they have for him, the unwavering support and the joy they all feel just by watching him being happy…

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milgram-tournament · 4 months

Text

MILGRAM Best Song Tournament, Round 2, Match 5 I LOVE YOU vs. CAT

Propaganda for both options under the cut!

Propaganda for I LOVE YOU:

mappi’s spitting bars 🔥🔥🔥🗣️🗣️🗣️

ok but i, as the iloveyoucountdown person before it released, waited 89 days for ily and SHE DID NOT DISAPPOINT‼️‼️‼️🗣️🗣️🗣️🔥🔥🔥 go vote ily now bc its peak music

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the acoustic section where it just feels so raw and emotional it's crazy also we love to see mappi/miho okasaki rapping again and good lord mahiru delivered hadauwd, like you think about it a lot? like "Ishokujuu plus ai Miss you Raishuu aemasuka no Cadence Yurusarenai ikigai mou iki mo dekinai" it's also so catchy just "Dai- dai- dai- datte suki suki! Dai- dai- dai- datte daisuki."

it's such a quick song but it delivers and it DELIVERS WELL there's so much in the instrumental you can also miss, like sirens and such! again guitar section it's crazy!! i didn't even touch on the visuals, like the visuals are absolutely amazing and really touch on the toxic cycle of mahiru's relationship for example, the carousel turning into a forest! and also they were still able to implement some of tihtbilwy in the beginning of the song! we got to see mahiru's boyfriend as well!! additionally, RATS AND CAKE. HOLY SHIT we all know the absolute shock that appeared on everyone's faces the second that cake turned into a rat (to be honest, I was absolutely sick with shock for the rest of the day) It's really amazing as a song and MV, plus it did help give some more information on Mahiru!

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miho okasaki's vocals are so powerful. it sounds like mahiru is screaming because of not being forgiven and because of what happened to her boyfriend and because "she can't just do it right".

THE LYRICS ARE SO. "clothes food shelter + love and miss you"?? "my lethal weapon is how to be in love with you"?? "kiss goodbye to this feeling cuz it's too heavy"?? again, the "why can't i just do it right" line?? SO GOOD.

MAHIRU RAPPING. THIS SONG STARTS WITH HER RAPPING. LITERAL CHILLS

i've heard the i love you chorus once and now it's in my head forever. i wake up, i sing the i love you chorus. i go to sleep, i sing the i love you chorus.

the lyrics are so sad when you start thinking about them more. "saying i love you but doing what i did, i know i have no right, crossed and covered in sin"?? please, don't you want to give mappi a hug. please she deserves it. she needs it

the "DIE-suki" pun.

the mv is so. i can talk about it for hours. it literally starts with showing us what happened to her bf. i've watched it live, i knew about this part and i still was shocked. mahiru's boyfriend is dead. mahiru is also rapping. also, the lyrics. this scene is terrifying to me and i mean it in the best way possible.

the cake symbolism. mahiru refusing to accept her reality and the true nature of her relationship with her bf and still seeing everything around her as cute and soft and pink. her feeling guilty and not knowing how to express love properly and still choosing to continue to love in this way. i don't know, something about it is so.. it's so sad and so realistic and so heartbreaking

i love how we can say so much about her relationship with her boyfriend based on mv and the lyrics. this is more of a theory and i probably shouldn't talk about it but i like the fact that mappi and her bf's relationship wasn't just abusive or one-sided love or anything like that. it's like they loved each other, they just.. didn't know how to show it or express it in a healthy way (or maybe mahiru's bf did know, but he was okay with going through all of this for her). like this scene when they're both riding the carousel and looking happy at first and even when both of them look like a mess, mahiru's face expression is still pretty much the same while her boyfriend looks much more tired, but he's still smiling. something about that part breaks me.

the instrumental is so fun and chaotic and creepy please listen to it. all milgram instrumentals are great but ily instrumental is definitely one of my fav ones.

Propaganda for CAT:

"You like jazz? Jazz is chaos within order. Got to love the whole band. Vibraphone, saxophone, trumpet, flute, piano, guitar, drums, bass… Go, rhythm section, go! The song sounds tender at times and aggressive at others as different instruments pop up at different times. Sometimes they follow Kazui’s voice (“follow the king of the masquerade”). Sometimes they get to be the focus. You have the chill piano one moment and the screaming guitar in the next.

You’ve got a lovely “jingle” (“Lie until it gets better…”) which occurs at the beginning, middle, and end. It fits the “newspaper ad” style of the video really well. Also at the very end, there’s one more line that gives the jingle an upward contour, giving a sense of finality. “Until you can meet the king of the masquerade.” You’re there now.

The two verses start off differently before they take on a similar melody. It feels like Kazui is talking to a different person in each verse.

The chorus is a beautiful façade the first time and a sinister truth the second time.

The opening for solos shows that this jazz song means business. I love how the saxophone and trumpet especially get in your face. And with the tacet on vocals, the walking bass really shines if you lend it your ear.

And the smoke break! Silence is golden. Glass click. Lighter. Huff.

As always, Kazui’s voice is super deep. He hits even lower notes this time around. He’s a fifth lower than the next lowest singers (Haruka and Shidou)."

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-Great instrumental choice. Kazui and jazz is *chefs kiss*

-Symbolism. THE SYMBOLISM. I can’t type out all my thoughts but ifykyk

-The almost comic like style of the MV is really appealing.

-Lyrics!! There is so much to unpack but it’s really cool.

-Kazui eating the dove… fricken iconic.

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FIRST OF ALL the vocals????? BEAUTIFUL. His va put his whole pussy into this song and you can tell!! The way he sings the chorus is so damn addicting I'm so in love with him. His voice is more or less stable throughout the entire thing until the final chorus but you can hear the emotion peaking out which fits perfectly with Kazui keeping everything hidden. The way his voice turns into a sort of whisper during "all the things I wanna do that I can't say outloud"??? The way his voice starts trembling during "this feeling it's yearning to be satisfied"???? The way his voice turns into a sort of whisper AND starts trembling during "hey, if I said I liked-liked you, what would you?"?????? HEAVENLY! You can really feel how afraid Kazui is under his disguise and my heart breaks a little everytime I listen. Not to mention how absolutely powerful his voice gets at the climax!!!!!! It's insane!!!!!!! It's genius!!!!!! It makes me wild makes me crazy makes me eat my walls!!!!!!!!!!

THE SMOKE BREAK?????? What other song has something as powerful as that huh???? This isn't just a song produced by the milgram machine using his memories, this is HIS song and he is OWNING IT! The music builds up so much and gets so intense right before it, I can literally feel myself get tense and starting holding my breath right before he takes the break and everything relaxs… it's not just a break for him, but a break for the viewer. The song is spiralling out of control just like his life and his lies and he has no choice but to put it to a quick stop before its too much to handle.

THE IMAGERY IS WILD!!!!! He's a magician!!! Little magic guy!!!! Using tricks and lies to amaze and captivate the people around him! Trying desperately to magic his own feelings into something else! But it's all fake! It's all tricks and no matter how hard he tries he can never actually change himself into what he wants! But he's trying to convince himself the same way he's convinced his audience!! And when you're watching a magic act, are you there for the magician themself or are you there to watch the show?? The people in his life only cared for him when he performed for them, but they didn't give a drop of love to who he was a person! ALSO the transformation of the wedding ring to a cigarette to the dove at the end??? Makes me wild every single time! Right infront of his wife, he showed her that their marriage was something unhealthy for him that was slowly killing him from the inside. AND THEN he uses it to harm himself???? And then he turns that cigarette into a dove- a representation of love and literally TEARS INTO IT. He tears his marriage apart with his mouth!!! AKA HIS WORDS. makes me wild. Also fun fact Kazui says he started smoking because when he was younger it was "just natural for everyone to smoke" and that lines up with his reasons for marriage perfectly.

Kazui looks really hot in it. You should vote for Cat because Kazui is insanely attractive. What other reason do you need huh? Hot gay middle aged man.

#milgramtournament #milgram #mahiru shiina #shiina mahiru #kazui mukuhara #mukuhara kazui

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brand-new-hair-band · 7 months

Text

The chain in a talent show

Wild: an acrobatic / parkour / archery show that puts de Cirque du Soleil to shame. Somehow he has a flamethrower. And fire arrows. And fire knives.

Legend: instead of whipping out any of his instruments, he sings a song he composed, filled with emotion. Warriors denies that he cried, but his eyes are puffy and he hums the tune when he’s laying down in bed.

Twilight: shows off his animal training skills. A dog performs smooth tricks without Twilight ever even voicing the commands out loud. A cat meows and purrs a familiar melody. A goat jumps through a series of hoops.

Hyrule: he plays the recorder. A group of fairies follow him the entire time, and start forming patterns and figures to go with the music.

Four: puts on a magic show. The rest never figure out how he managed to make it look like he was in multiple places at once.

Time: everyone assumes he will play the ocarina, but at the last moment he whips out the Zora Guitar. He plays a mash-up of New Wave Bossa Nova and Hotel California.

Wind: does a comedy stand-up show. His impressions make Time fall backwards laughing. At some point, he re-tells his final battle with Ganondorf with an improv rap song.

Sky: an eerily believable ventriloquist act. For some reason the Master Sword is on his back (he had meant to speed-carve a loftwing, but he slept in and couldn’t find a good wood piece in time)

Warriors: Tom Holland’s “Umbrella” lip sync performance. No further comments.

#linked universe #legend of zelda #the chain #shenanigans #lu wild #lu four #lu warriors #lu time #lu hyrule #lu wind #lu twilight #lu legend #lu sky #linked universe modern #ross rambling #the chain as #ramblings

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indepthjaybeats · 4 months

Video

youtube

🔥 'Cypher of Titans' - Ultimate Hard Rap Beat 2024 - Free Intense Cypher..

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🔊 This instrumental is a canvas waiting for your verbal artistry. Whether you're a seasoned emcee or a rising talent, "Cypher of Titans" provides the perfect backdrop to showcase your skills and make a statement in the rap game. Feel the intensity, embrace the rhythm, and let your words flow like a river of fire.

🌐 Download this free cypher instrumental and embark on a journey of self-expression. The link is in the description – seize the opportunity and make your mark in the "Cypher of Titans."

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#youtube #hard #hard trap beat #freestyle #raw emotion #instrumental #rapper #dope #rap game #mic #lyrical #passionate #basslines #808 hi fi rush #melodies #trap #trap beat #free trap beat

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project-sekai-facts · 3 months

Note

What is your favorite commissioned song for each character? (Sorry if you've already answered this before)

this has been sitting in my inbox since december because I was waiting for all characters to get their 4th song... so minori has 5 songs now screw waiting it's not massively likely that Ena4 or Toya4 are gonna beat my top comms for them.

Ichika: either the WALL or Ryuusei no Pulse. I keep changing my mind on which one I like more. I don't really have much to say about them because I don't have either ranked particularly high, but Chiirurin is always a good vocalist, her high note in the WALL is really good.

Saki: Stella. This has been my favorite L/n song since I started playing. I'm not entirely sure why, it just really struck a chord with me. I love the lyrics as well. I'm actually listening to it while writing this lol.

Honami: STAGE OF SEKAI. I really love the emotion in this one, especially in the final chorus. The instrumental is really good too and you honestly can feel the emotion in the song through that alone. Regulus is really good too.

Shiho: Voices. It's just a total banger. The guitar solo is probably my favorite part of the song if I'm being honest. I hope they recommission yuyoyuppe at some point.

Minori: Tenshi no Clover. All her songs are really good, so this was hard to pick. I love energetic idol songs like that and it fits Minori really well. Zenshin zenrei MORE MORE JUMP!

Haruka: IF. rip haruka for not getting her 4th song. I'm not massive on any of her comms to be honest. I do like IF and Float Planner, they're just quite low on my ranking comparatively. Also I keep going back and forth on which one I like more but right now it's IF.

Airi: MORE! JUMP! MORE!. This was my original favorite MMJ song. It's super catchy and fun. Even if the lyrics are nothing to do with the event or Airi, I still think it's a great song.

Shizuku: Metamo Re:born. My favorite MMJ song! Really catchy and has a nice beat to it. I like how 'sparkly' it sounds as well.

Kohane: Hitsuji ga Ippiki. The instrumental is so good, and this is probably one of VBS' best songs vocally. Akina especially sounds amazing.

An: Awake Now. We had to wait so long for this but it was so worth it. Again the instrumental is great and Jiena sounds so good in this song, I love An's solo version. I have this ranked just above Hitsuji on my tierlist lol

Akito: CRaZY. This song made my change my top 5 songs for the first time since spring 2022. It's just so good and all of VBS sounds amazing as always. I also like how it reflects Akito's character development from the event. My favorite rotation 4 song so far.

Toya: RAD DOGS. My original #2 song and current #3. I love the combination between classical and EDM, and HachiojiP did such a good job considering he didn't have any experience with classical. Also the Bad Dogs rap section is so good.

Tsukasa: Mr. Showtime. If I'm being honest I don't usually like showtunes like this a whole lot, they can be very hit or miss for me, but this is very much a hit. Daichan did really well in this song. My favorite part though is the lyrics, I love how Yama used different meanings for certain phrases in parentheses.

Emu: Hoshizora Orchestra or Niccori Chousa-tai no Theme. Again I keep changing my mind and they're pretty much tied for me. I like them for completely different reasons as well; Hoshizora Orchestra is pretty melancholic despite it's cutesy tune, and Niccori is just really fun to listen to.

Nene: Hoshizora no Melody. Easy pick for me, I love the instrumental a whole lot and listened to the preview over and over at the time. Also the lyrics are so good, I love how they tell the entire story of Wandasho and show how much they mean to each other.

Rui: potato ni Natte iku. Still my favourite song in the game, I'm really never moving on from this one. I just really like the instrumental. Showtime Ruler is an incredibly close 2nd place though (really close. guitar solo at the end goes hard and also "I will never feel lonely ever again")

Kanade: Samsa. It's just an amazing song, but I also appreciate how teniwoha managed to connect the novella to Kanade and Mafuyu's story. Probably my favorite song from rotation 3.

Mafuyu: Bug. I know it's a boring choice but it's a good song, it's popular for a reason. Also RUIRUI'S SOLO VERSION. She's such a talented vocalist and is really good at conveying Mafuyu's emotions.

Ena: Kagirinaku Haiiro e. I've actually always liked the instrumental of this one. Also the lyrics fit Ena's story really well. However the final chorus totally steals the show, I loop that part of the song specifically a lot. Favourite Niigo song.

Mizuki: IDSMILE. I actually didn't like this song much at first because it's not the sort of thing I usually like. The lyrics are what got me to like it as much as they do. I've mentioned before that Mizuki is my favorite niigo member, so I'm slighly biased in that regard, but they really struck an emotional chord with me.

If anyone's interested my top 10 is potato ni Natte iku -> Showtime Ruler -> RAD DOGS -> CRaZY -> Beyond the way -> Cinema -> Kagirinaku Haiiro e -> CYBERPUNK DEAD BOY -> IDSMILE -> Gekkou

#asks #mod talks

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spotsupstuff · 1 year

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actually ey fuck it. list of personal headcanons for the main six iterators some of which i might illustrate properly at some point:

Moon: • one of the first 10 iterators ever built. she is grandma as HELL and totally forgot she is that old • Pebbles sometimes asks her to tell him about the older times, because history nerd. he writes everything she says onto a pearl • in the post i've made talkin bout her and pebs' voice, saying that she sounded like Miku, somebody said that they like to think the ancients made Moon a vocaloid. to that i absolutely agree: she has NO fucking clue what do when it comes to putting a certain emotion into a song but god DAMMIT shes so good at singing • she can add effects to her voice, including a glitch effect. she likes that one the least • -HITS DESK- THE DISAPPEARANCE OF HATSUNE MOON. • she doesn't particularly like to sing, especially not to herself. but she does know that pebbles likes music- the first week after the mass ascension was rough and he was working mostly on autopilot, not answering DMs or anything. she called him up and told him they could sing together, if he wants to. he felt much better afterwards • MOON'S SECRET RAP CAREER • i'll put it here too so it's all in one place: her AI isn't developed enough to understand the emotional quality of any form of art • Moon was upgraded a few times in her function. most of the time it was because her citizens loved her too much to let her go too out of date (specifically in the physical sense. they made sure she wouldn't fall too easily) • one of the first memories she designated as a "core memory" was her first upgrade that was a result of her citizens' riot against the Houses- to keep her safe. she noted it down as "Kindness is effortlessly repaid" • she remembers when iterator comms were connected by a cable rather than radio waves • she also remembers when two of the first 10 collapsed and went into coma, with their citizens of course perishing in the fall and crash. she's still terrified of those days and doesn't like recalling them even for Pebbles • Nish was her first little sib and she feels like she can talk with him about anything. she hates it, but she's distant with Suns- they are always so damn polite and skittish around her... and she absolutely adores the other three. her tiny little wonderful siblings • she didn't like to admit that maybe her hardwave wasn't keeping up with her citizens anymore. at that point she did start to emotionally care less for them, but she still didn't want to admit she wasn't able to provide and protect those she was responsible for • i can't get the image of her being the one to actually ensure the family is gonna financially survive in a more chill au where the iterators r just sorta kinda people. Miss Moon From Accounting... • her overseers were originally blue. she swapped colors with Pebbles all on her own accord. having yellow overseers, seeing them, made her feel even more connected to Pebs • this is basically canon but she fuckin Loves animals. she's the iterator version of Steve Irwin. she also don't kno jack shit about the vegetation • city's representative instrument Evolved- first it was a harp, then it went to a nyckelharpa and then to a violin

Nish: • he is built over marshes to the south-west from Moon and she helped with his blueprints! the Gen 1s had their blueprints checked over by the already built iterators to make sure something wouldn't go wrong. she was so so excited to have a neighbour • the scarf is from his main programmer. the Ancient wrapped it around his puppet's neck before he was even turned online so for the longest time he had no idea that the thing wasn't originally in his design. Moon had to tell him • he became a jokester Entirely because the first time he made Moon laugh he absolutely fell in love with it. he told her and she recommended him looking into jokes. baby boy had no idea what the fuck a joke was so Moon had to explain • when the middle gen started being created, the Ancients noticed that these new iterators didn't have... much of emotional skills. so they turned to the older gens to look for the most emotional and empathetic ones. Nish scored Really High on that survey- his empathy and emotion modules were studied and each time they found something new and better, they upgraded him in that one aspect. so now Sig is one of the biggest crybabies ever. you show him a sad movie and this supercomputer will be lyin on the ground wailing like a newborn. oh and also he makes for a great therapist because he can now just Get It • as the most emotionally... mature? capable? he decided he will be the one to keep a real close eye on everyone in the Local Group after the mass ascension • thanks to all that emotion business he gets along with Suns swimmingly. when Suns needs assistence with figuring out their own emotions or what would be appropriate and not too cold towards someone, they go to him • if he could he'd give everyone younger than him a noogie and you cannot convince me otherwise • the Hunter was a sickly pup that was left behind on his roof by a family that came to him which he directed towards the void sea. they were far too weak for the family to keep them, basically on the death's door. Nish took them in, operated on them, enhanced genes and raised them from there • Is half a medical facility. mister veterinarian, baybeee • since he's a sap, he started to view the Hunter like his own kid at some point. he was also the one who pitched to Suns the idea of sending Spearmaster over to him for visits. Spear tried its best to help raise and train Hunter • the whole rot thing happened because Nish did a stupid and forgot that neurons are quite the fuckin reactive things and continual exposure to what is essentially extra macho giga neuron Can and Will fuck up cells. his and Moon's cans have a long distance between them. it was enough time for Hunter to develop the big owie cancer. he noticed it only when they were too far away and it was already too bad • he felt absolutely Terrible about it. again he loses someone so so very close to him. but this time around? there is no one to be angry at for this but himself • Hunter manages to ascend. Nish watched them leave, silently, in subterranean • he used to do his best to play with his citizens. when a kid came to his chamber, he gave them rides on his puppet's shoulders or the umbilical arm. same went for Hunter • his city is called Risio • city's representative instrument was EITHER a PVC instrument or suona i can't decide for the life of me

Suns: • they were built much further away from the planet's equator than most of the Local Group, meaning they experience polar days and nights • the "Seven" in their name refers to the amount of months the unusually timed sunsets and sunrises last for. for seven whole months, the locality gets only about four hours of Somewhat darkness • in return, they have three full months of relatively strong darkness. their city used to shine bright, during this time. post mass ascension those months are terribly lonely and depressing • because of the warmth they produce, there's an oasis for wildlife underneath them • the warmth was also sung about a lot by their citizens. they've seen it as an incredible blessing- Suns used to run hotter than other iterators just for them. nowadays they are mostly normal though • the outside of their can is tinted blue- frostbitten. that much warmer their yellow, orange and red city feels • their and Moon's personalities clash so hard that they sometimes go out of their way to avoid her. they do appreciate her but talking with her is exhausting. she's a stranger to them, almost • the iterators can project/send their emotions through messages/broadcasts. Suns' messages always sound flat, unless they use the ~ • one of their biggest dreams is to sit with Pebbles leaning against their side, all the while listening to old music of their cities • once Spearmaster returns, the walls of their puppet chamber become completely covered in doodles and masterpieces • they end up standing the longest out of the whole Local Group. bright and warm even after everyone else dies • their city is called Solis • city's representative instrument was an armonica (look that shit up its sick)

Wind: • Wind's can stands in this giant plain. there's like nothing as far as the eye can see and even further Except her. she just stands there like fucking Slanderman XXL version • the plains are absolutely prime location for a spawning grounds of tornadoes and shit like that. the wind is Constantly strong so most of the rain clouds they exhale are immediately blown away • instead of rain they deal with ginormous tornadoes at the end of each cycle. while their superstructure can take it, the comms can't. so Wind is often absent from iterator chats as a result. after the mass ascension these connection knock-outs become a great source of stress and worry for the others cuz they never know if Wind will come back or not this time • because of these comm blackouts, Innocence took it upon herself to catch Wind up on everything they've missed when they come back online. Innocence started doing this all by herself out of seemingly nowhere. she just cares. silently. • the strangest thing about her is that her city is half built within her structure instead of on top of her. the winds can get sometimes so bad that they manage to affect even the top of her can. so the solution was to put half of the city under her skin as a sort of giant bunker • the ancients, not being ones to waste much space, made sure the city can still be used by Wind's processes, in a way. their neurons fly through the streets, completely unbothered, working as makeshift streetlights. the kids used to love chasing after them- never catching any though • sometimes when the wind storms outside got real bad, the kids that were scared of them were sent to Wind's puppet chamber. she used to tell them all kinds of stories or about what she was currently working on • it was often that their puppet chamber would be full of pillows, blankets and sleeping children. they loved their citizens so so much • nicknamed themself "Chasing" Wind in chats because, just like Moon, they are also quite the dreamer • closest with Moon, too. Wind looks up to Moon Immensely. they really wanna be like her one day • Wind is what some people think of Moon- a too kind pushover that doesn't know how to get angry and defend herself. Wind is the kindest, most sensitive and softest person they have in The Local Group. Nish takes care to keep his jabs and jokes about Wind very mild • has a really beautiful voice • likes flowers :) • her city is called Procella • city's representative instrument was a fujara cuz god DAMMIT i love that instrument i Have to slap it on Someone in here. it fits their vibe in my heart either way

Innocence: • she really wishes her surrounding circumstances were in some kind of way special but actually she's built at the least unique place with basically nothing neat happening nearby. there are strange giant cherry trees nearby, but that's about it • fuckin LOVES lizards. she's the one who made the Cyans and sent some over to Pebbles to fuck him up. thankfully, as we all know, Cyans are kinda stupid and since they launch themselves over edges of cliffs they haven't managed to destroy the local ecosystem • her citizens used to keep lizards as pets. most of the time just for the joy of having 0 braincells creature follow you around but some had 'em as sort of hunting dogs • was the one who created The Rivulet. she was mumbling to herself and a friend smth about how boys only screw things up while engineering Riv's genome • she BASICALLY packed Riv into a cannon and shot them over right into the middle of a scav toll cuz "come on, it's not that far away. this will make your journey shorter and shit". i don't care how goofy it sounds, this is how it went in my heart • in possession of probably the most durable comms ever made • claims she's purple! she's actually fake out purple which means homegirl is Deceptive Blue. she CONSTANTLY fights over this with Pebbles • despite their squabbles she did care for Pebbles. she was very excited to not be the youngest anymore and getting to baby someone • her and Nish always start verbal sparring matches, often consisting of threats that more often than not range on impossible to actually commit. they constantly lead their mock wars in #general. Moon's gonna kill 'em one of these days • trusts Moon the most- which is why she outed Pebbles' rot and sent Rivulet with the instructions to extract the rarefaction cell • her city is called Sermo • city's representative instrument was a shamisen. she absolutely knows how to play it and loves to threaten people with the bachi

Pebbles: • the only people he enjoyed doing group projects with were Suns and Wind. he Could do group projects with Moon and Nish but Only if he could race them. rascal found it fun to challenge the nokias 😔 • now with Innocence though? Never. if they were forced to, they could do a great job with minimal communication but they were not going to be happy about it • latched onto Suns exactly because Moon was overbearingly protective and Suns always seems like they couldn't give less of a shit about anyone. sometimes they'd have a videochat open and not say anything for hours as they worked • with Nish he used to like inventing new things. a lot of times the things turned out to be silly or kind of useless which would normally frustrate him, but surprisingly enough Nish made the time spent worth it • Wind's favorite activity was comparing notes with him and then talking about the differences in their research. they'd hum to him happily while the both of them would be sorting through their stuff • i sometimes imagine him having a slight chinese accent and i blame Steven He for this so hard • second most emotional fuck in the group. his emotions mostly rotate around anger, though • he won't admit this to anyone but he really liked it when his and Moon's cans were connected by bridges. it felt like holding hands. he felt more stable. now all he can do is just miss it quietly • was legit surprised when he found out not every iterator has a build in older sister right at their side • his city is called Literally just Metropolis cuz the ancients didn't bother with properly naming it. depeshioumn. • city's representative instrument was adopted straight from Moon since Pebs' citizens were honestly just hers, so- violin it is • Pebbles HAS attempted to learn how to play a violin himself. certainly was a test of patience and puppet dexterity/camera-to-digits control. almost broke the poor thing a few times from nerves

either way, Wind, at the end of each fucking cycle from day 1 of their life:

#Spot says stuff #rain world #rw

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7grandmel · 11 days

Text

Todays rip: 13/05/2024

Stickerbrush Queen

Season 1 Featured on: SiIvaGunner's Highest Quality Rips: Volume L [Side A]

Ripped by toonlink

youtube

EIGHT. Years later. And we're still jammin'. I can't believe I missed the anniversary to such a historic part of the channel's legacy. I hope the world can forgive me for being a whole day late and that we can all recover from this scandal together.

Stickerbush Symphony is one of the most revered songs within VGM to a degree I don't think I can describe accurately. The original version from Donkey Kong Country 2 is still arguably David Wise's magnum opus and continues to touch hearts everywhere through its various YouTube reuploads, wheras the equally-beautiful remix in Super Smash Bros. Brawl has its hooks in an entire generation of Wii kids who are forever attached to the theme through its prominence in the Subspace Emissary campaign. It of course has a huge presence on SiIvaGunner too, one I've covered multiple times before, most notably in Sidelined Symphony. Yet the song's presence on SiIvaGunner has branched out into something entirely different, an outright franchise of bangers based on the already banging Brawl remix - all of which started with Stickerbrush Queen.

Yes, you'll have to forgive me for Toonlink-glazing once again...it's likely that not even this will be his final appearance on here, but it genuinely cannot be overemphasized just how much of Season 1's spirit was defined by his contributions. Rips like The Great Weed and Dr. Soulja are just quintessential SiIvaGunner to me, and were my go-to rips to share back in 2016, their comedic timing near unmatched, but Toonlink's versatility as a ripper extended to genuine bangers as well. Case and point - Stickerbrush Queen, the first-ever rip of Brawl's interpretation of Bramble Blast, and one that hit the nail on the head right away with an utmost brilliant idea - to use the track as the backing beat to a rap mashup. Whether or not you have attachment to Trap Queen or Fetty Wap before listening doesn't matter - the two halves of the rip lift each other up in such perfect harmony, that it starts to feel wrong to listen to them in isolation afterward.

In my eyes, a huge part of what makes the mashup work is that its playing to the traits of Trap Queen rather than lifting it into a completely different environment - its beat in the original version has a very similar bright, sparkly sound to Brawl's Bramble Blast, and the contrast between it and the vocals are likely part of how Trap Queen was envisioned. More drastic tone changes in rap mashups can certainly bang, I fucking love Sweatpants Select for that very reason, yet there's something just so elegant about how Stickerbrush Queen does it - it still FEELS different, the Bramble Blast instrumental is undeniably emotional, yet its able to balance itself out through the steady rhythm of Trap Queen's vocals. The break in the middle of the rip, at around a minute in, hits extra hard though - the instrumental additions to Trap Queen changing in turn make it such a memorable part of the whole and unify the two songs amazingly well.

Being uploaded so early into the channel's very first season, during the period of time in which EVERYONE's eyes were on this weird new music uploading channel, Stickerbrush Queen slowly garnered a sort of legendary reputation. Perhaps that was just my view of things, but it was one that got validated more and more as the channel went on. More Bramble Blast and Stickerbush Symphony rips were made over the months and years, ones like Stickerbrush State of Mind and more, that all felt like they were paying tribute to the very beginnings of it all. Eventually, those tributes would become direct - The premiere to Season 6 of the channel, Bramble Blast Collab, includes direct nods to this one rip, and its only one of several examples - most notably, a direct tribute to it on Season 7's RIP² album. This release, 7 YEARS LATER AND WE STILL JAMMIN', is of course also notable for referencing perhaps what the rip is most known for these days - the persistence of one sole commenter who returns to Stickerbrush Queen once a year on its anniversary to remind everyone that, yes, all these years later we ARE still jammin'.

Eight years, huh...that's nutty to think about - and yet even with its age, this one sole rip continues to be referenced all over the place on the channel. Stickerbush Symphony, Bramble Blast,whatever you want to call it (even StickerBRUSH Symphony if you're wrong), continues to live on, celebrated as the legendary piece of VGM it always has been - yet the contribution Toonlink made to its legacy all those years ago feels everpresent in a way that's really fun to see - almost EVERYONE following the channel has heard that one mashup at one point or another. Be it the aforementioned direct arrangement of it on RIP², or this fucking stupid tweet that blew up around the rip's fifth anniversary...its the kind of rip that just brings the community together any time we get to hear a trace of it. The definition of an enduring classic - and yes, we are STILL Jammin'.

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en-eunhee · 18 days

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WELCOME TO...

⠀⠀⠀⠀⠀⠀⠀⠀ ⠀www.allabouteunhee.com

( ) . . . — IVY JENNIFER JAMES , better known as IVY, is a korean-australian artist under BIGHIT ENTERTAINMENT. she's the only female soloist of HYBE Labels.

ᝰ BASIC INFORMATIONS !

STAGE NAME : eunhee BIRTH NAME : kim eunhee ENGLISH NAME : serena kim NICKNAMES : kpop's all-rounder, fourth gen royal princess, standard of kpop, kitty, eun, sunshine BIRTHDAY : may 17, 2004 ZODIAC SIGN : gemini BIRTH PLACE : los angeles, california NATIONALITY : korean-american FAMILY : younger brother, mom, step-dad LANGUAGES SPOKEN : english (native), korean (native), japanese (82%), spanish (60%), chinese (40%)

( 🪼 ) . . . — PHYSICAL !

HEIGHT : 167cm (5'7'') BLOOD TYPE : A FACE CLAIM : karina from aespa VOICE CLAIM : sullyoon from mmixx DANCE CLAIM : natty from kiss of life RAP CLAIM: karina from aespa

ᝰ PERSONALITY !

MBTI : enfj MBTI TYPE : ENFJ personality type are often described as warm, outgoing, loyal, and sensitive. POSITIVE TRAITS : caring, social butterfly, enthusiastic, positive, open-minded, friendly, funny NEGATIVE TRAITS : too trusting, overwhelmed easily, pretty sensitive

ᝰ STATICS !

DANCE : 8/10 VOCAL : 9/10 RAP : 8.5/10 STAGE PRESENCE : 8.5/10 VARIETY : 10/10 SONGWRITING : 10/10 ACTING : 7/10

ᝰ CAREER INFORMATIONS !

STAGE NAME : eunhee AGENCY : SM ENTERTAINMENT (2016-2018) BE-LIFT ENTERTAINMENT (2018-NOW) GROUP : enhypen DEBUT DATE : 30 november 2020 POSITION(S) : lead vocalist, lead dancer INDIVIDUAL FANDOM : angels REPRESENTATIVE EMOJI : 🐱 OCCUPATION(S) : singer, dancer, model, composer, lyricist, producer TRAINING PERIOD : 4 years and 2 months SIGNATURE :

( 💗 ) . . . — FUN FACTS ABOUT EUNHEE !

in i-land, eunhee was ranked second with 1,229,204 votes

eunhee was given the nickname of kpop's all rounder for her numerous amount of talent she had. she was given the nickname as well as "standard of kpop" as people say her standards should be normalized in the kpop industry.

eunhee being a social butterfly as multiple kpop idol friends. such as yuqi from gidle, chaewon from lsfm, beomgyu from txt, hanni from newjeans, and sullyoon from nmixx.

eunhee is known for being open minded, in many v-lives she discusses how she feels time to time. she opens up about her emotions and once she cried on live.

two months after debuting, she became ambassador of dior globally.

eunhee explains that song writings is her form of expressing her love towards fans. according to the korean copyright association, she has written over 100 songs for other groups and artists as well as her own group.

according to eunhee's vogue interview, she confirms she can play 4 different instruments. guitar, ukulele, piano, and drums.

eunhee is the second member of the group that has perfect pitch along side heeseung

eunhee describes that the most pain she experienced was when her parents divorced and later on as eunhee joined enhypen, her father passed away.

#꒰🎬꒱ eunhee : navigation ⊹#inspo - @ivydiaries #enhypen #enhypen eunhee #enhypen female oc #enhypen masterlist #enhypen fluff #enhypen oneshots #enhypen 8th member #enhypen imagines #enhypen extra member #enhypen scenarios

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chrollohearttags · 1 year

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can we get a little more of musican eren’s background, like right before he blew up or his childhood 😞

hmmm, so I kinda touched on it a little bit in the actual story but Eren had sort of a strange and wild road to fame. So from childhood, he didn’t have it hard, per say; his family was well off so money wasn’t an issue but he was a little lonely. His big brother didn’t move in until he was almost an adult anyways and they were already ten years apart. He had his two best friends, and they would be the only ones to pry him away from his instruments and practice. They’d all go to the mall or skate park when they were kids. All of them together were trouble though and it didn’t change when they got older. Like when Mikasa was eleven, she got her black belt and they tried to start a neighborhood fight club, where they charged $5 for the older boys to challenge her and she’d whoop their asses! Their parents were not happy. But once he reached high school, they moved away for a bit and he was by himself. Zeke was already in college so they didn’t see each other much. At this time though, he was getting serious about music. Writing songs and raps during class, spending all his time in the library on his MacBook where he had FL studio downloaded so he could practice making beats. His head was always in the clouds when it came to music. He could write about anything and any emotion he felt, he poured it into his songs. Up until he dropped out, he maintained super good grades. But he had band and chorus for like two periods of the day. He was of course, the class favorite. Singing to and with all the ladies, playing every instrument set in front of him and always acing every performance. During lunch, him and all the basketball players would make beats and freestyle at the table. Needless to say, it was his whole life. Although she didn’t care for the idea, his mom supported his goals. His dad, however…hated it all. He did not want Eren chasing some unrealistic pipe dream and certainly not using his money to do it. Which he held over his head A LOT. Called him ungrateful, spoiled and stupid. “You know how many kids would kill for a life like yours and you wanna waste it making shitty music? What is wrong with you?” So when Eren was sixteen, they had a huge argument that led to him leaving. He took everything he could fit into his backpack and couch surfed for a while. Even ended up staying with his brother in his off campus apartment and it was there that he told him exactly what his plan was. “I’m sure dad didn’t mean it. Why don’t you just go back?” “Nah, I’m going to Miami. I know I can make it.” Mind you, he’s a kid so his brother isn’t hopeful but god knows Eren doesn’t listen to anyone. He just made him promise that he’d stay safe, give Carla a call from time to time so she wouldn’t worry and gave him like three hundred bucks to survive on. So he ended up taking a bus to Dade County, where he worked for a while; doing odd jobs and still chasing his dream. He’d sneak into the underground clubs where artists like Denzel Curry performed. He realized that’s where he should be.

honestly, Eren wasn’t hoping to be done mega star or super famous, he just wanted his chance to showcase his talent, stack his bread and work with some of the greats. However, it wasn’t until he turned eighteen and was working at Foot Locker, that he’d get his first big break. One night, while cleaning out the stock room, one of his coworkers recorded him singing some random R&B song and it went viral the next day. He was on Facebook, Twitter and everybody was talking about it. Saying that he had such a beautiful voice. But his true moment came when a renowned Grammy winner, singer-songwriter and new talent scout by the name of Vivian James discovered him that things took flight. Not only was Vivian one of Eren’s idols (and celebrity crushes) but she was the long time girlfriend of music exec Levi Ackerman. While in the midst of looking for new artists to sign, she told him flat out: “This boy is your next star, Levi. He’s the total package.” Vivian had a show at the fancy club he was cleaning for part time and asked did he know one of her songs and could he play. “With my eyes closed, honestly.” Because he loved her music and the rest was history. “Show me what you can do, sweetheart.” And that night, he played her backup better than her own pianist. She knew that he was going to go far so Vivian took him under her wing; showed him proper technique and more tips when it came to piano, guitar and vocal training. Ms. James was very hard on him but she had good reason. “If it’s anything I know about Mr. Ackerman, he won’t waste his time on anything mediocre so I gotta make sure you’re every bit of the hype I put behind you before I send you his way.” All the while, he continued working by day, performing her backup by night and studying under her tutelage when possible. During that time, she also helped put him through school for music engineering. Six months later, he got his first audition with AMG. Sang, rapped..the whole nine yards. Immediately, he could hear his girlfriend’s hard work all over him. “Damn, you’re good, woman.” And signed him the same day. He ended up breaking down, crying and thanking her because she was the first person to give him a chance. “Thank you for believing in me.” And from there, it all began!

#cherry’s asks 🍒#5k q&a 🍒#musician eren #musician x influencer au #musician eren jaeger #musician au #aot au #eren jaeger imagines #eren jaeger headcanons #aot x black reader #black fem reader #attack on titan eren #eren jaeger fic #eren au #black fanfic writer #eren x black fem!reader #aot x black oc

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