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blu-joons · 3 years

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Teasing Idols ~ Lee Hyukjae

Hyukjae knew he was in trouble before the shoot even began as he looked across the set to see the five members of TXT sat looking back at him, knowing that they loved to wind him up every time they appeared.

“How’s Y/N doing?” Beomgyu asked him as the shoot came to a small break, glancing across at Hyukjae. “It’s been a while since we’ve seen her at Hybe, she seems a lot busier these days.”

You’d known the members of TXT for years, having trained and debuted with Hybe yourself. However, you knew Hyukjae too, a little too well, having started a relationship the previous year after working together on a stage for the end of year MAMA show.

Hyukjae knew it was only a waiting game with the five of them before your name started to be mentioned, and as ever, they didn’t disappoint. Sat beside Hyukjae, Kwanghee wore a wide smile, giggling away to himself as he saw Hyukjae’s expression drop.

“Y/N’s doing well,” he smiled, determined not to play into their hands, “are you guys not taking as good care of her anymore by not checking up on her whenever you’re at the company building?”

Their heads all shook, assuring Hyukjae that they always cared for you and treated you. They knew he was only messing with them, but Hyukjae couldn’t just let them have things their own way when it came to teasing him.

The jokes were funny, but Hyukjae was also incredibly protective of your relationship, regardless of who it was that he was talking to about it.

“I think she spends more time training elsewhere these days,” Yeonjun then suggested, “maybe somewhere in the big three?”

“I heard she has a few close contacts in SM,” Soobin added, glancing across at Hyukjae, “someone who might be able to help her out perhaps?”

His tongue pushed into the side of his mouth as he tried to remain composed, knowing that the boys had planned out the perfect time during the shoot to start winding him up.

“She spends a lot of time here too these days,” Kwanghee then noted, earning himself a hit to the arm as Hyukjae’s eyes widened at his colleague’s sudden betrayal.

Your relationship had the attention of most of the industry, seeing two big names date, and date successfully, was a rare occurrence especially amongst busy idols.

“I always thought that she’d end up dating one of us,” Kai spoke up, “I never imagined her betraying Hybe and dating one of the enemies, she’s been manipulated.”

“She could have at least dated someone from a good group in SM too.”

Taehyun looked across to Hyukjae, knowing he’d found his sweet spot. “I’ve met Exo, and they all seem lovely, even NCT are all nice guys too, Y/N’s type too.”

“You’re asking for your episode to be pulled,” Hyukjae teasingly warned them.

“There’s no way you’d pull us, you adore us all really,” Beomgyu retaliated.

As much as he didn’t want to admit it, Hyukjae did adore the members of TXT. They were one of his favourite groups to film with, not least because of the ease he felt around them knowing that they shared a connection through you. They weren’t just juniors, they were friends of his too, especially knowing how close they were to you as well.

“If you get married, do we get to be your best men?” Soobin challenged, not quite as willing as some of the others to let Hyukjae get away with things quite as easily.

“I’ve got eight spots for best men,” Hyukjae informed them all, “and you probably won’t be surprised to know that my group members fill them up.”

“Surely there’s five that you dislike that you could replace with us though?” Soobin continued to joke.

Hyukjae’s head shook back at him, shooting a teasing glare in his direction to remind Soobin that when the cameras started rolling once again, he was in charge. From you, he’d heard plenty of stories about the boys that he knew they wouldn’t want to be shared.

“We can always talk about the toilet in Osaka,” he warned all five of them.

Their eyes all went wide, shaking their heads that you’d retold the embarrassing story of their rookie days to Hyukjae. It was a time they all hoped to forget, and the last thing they wanted was for their fans to find out on the programme too.

“What happened in Osaka?” Kwanghee asked, determined to find out about the gossip too. “I’m the MC I shouldn’t be kept out of these sorts of stories.”

Hyukjae looked to him, and then the group, “I’ll tell you, if they make one more comment about Y/N then I will tell everything to you, and all of the cameras as well.”

“Damn, it really must be a bad tale to tell if you’re blackmailing guests.”

Hyukjae knocked Kwanghee’s side, trying to justify his actions of using the story to keep the members quiet. However, they all quickly jumped on Kwanghee’s bandwagon instead, pushing Hyukjae to answer how he’d feel if they went to the media and told them all about Hyukjae’s bribe to keep them quiet.

“I don’t know how Y/N has dealt with you guys for so long at Hybe,” Hyukjae sighed, eventually beginning to cave as all five of them began to gang up on him. “Even NCT aren’t as difficult to handle as you guys all are.”

“No one can beat us.”

“We’ve teased Y/N enough at work, it’s your turn anyway,” Yeonjun informed Hyukjae, “she was the one that actually told us to enjoy ribbing you whilst we were here today and show you what she goes through every day.”

Of course, Hyukjae knew you had some part to play in proceedings too, even from afar, you always managed to find a way to wind him up and get underneath his skin.

“Don’t worry, we always also remind Y/N how sweet we think the two of you are together,” Kai told him, offering Hyukjae a smile, “the two of you make a great couple, even if it means Y/N is never around at work anymore.”

“I promise, she’s barely ever at SM too,” Hyukjae laughed, “I don’t know what she’s doing not at Hybe more often, but she’s not with me.”

Their eyes all rolled as Hyukjae’s voice stuttered, knowing that his defence was one filled with lies. None of them minded however, all they wanted was to see you happy after all the time you’d spent helping them out at the company.

As the producer walked back onto the set, everyone began to get back into their positions to start filming the next segment for the episode, with everyone sat on the white blocks forgetting the real reason for why they were there.

“No mention of Y/N now,” Hyukjae warned, but as their eyes turned mischievous, Hyukjae wasn’t sure whether the five of them could quite be trusted.

“Be on your best behaviour,” Kwanghee added, seemingly having Hyukjae’s back. “But if you want to embarrass Hyuk, then absolutely be my guest.”

“Hey!” Hyukjae yelled, as yet again Kwanghee stabbed him in the back, “I would never do something like that to you.”

Kwanghee shrugged, “I would never invite my girlfriend’s labelmates onto my show.”

“Yeah, this episode will probably be a mistake at my expense.”

---

Masterlist

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possiblyimbiassed · 3 years

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Series 4 - Sherlock’s adaptation of John’s blog?

A.K.A. John’s blog is a gold mine for Sherlock’s EMP!

[This is an updated version of a meta I posted some time ago, but there was some technical problems with the post so I’m not sure many people could read it. Also, now that John’s blog is no longer available on the original website, the links needed to be transferred to the Wayback Machine (X). Anyway, here comes a new, slightly altered, attempt:]

I was reading John’s blog post The Empty Hearse (X) when I spotted this:

I was out having dinner with my girlfriend when he sauntered back into my world. He was dressed as a waiter. BECAUSE HE THOUGHT IT WOULD BE FUNNY. He genuinely thought it would be funny to surprise me. I think he was more surprised when I nutted him. But let’s not dwell on that because again, as the saying goes, life goes on.

Now, doesn’t this sound just a little bit too familiar? Some points in the blog post that especially stand out to me are these, that show up in an exaggerated version in S4 (my bolding):

John: “I think he was more surprised when I nutted him”. Later on, in the morgue scene of TLD, John beats and kicks Sherlock so severely that he’s hospitalized.

John: “He genuinely thought it would be funny to surprise me”. John in TLD (talking to Lestrade after having beaten up Sherlock): “We always saw it coming. But it was fun”.

John: “But let’s not dwell on that because again, as the saying goes, life goes on”. In TLD they do not dwell on that; in fact, the next time John sees Sherlock it’s like the beating in the morgue never happened; Sherlock seems to have somehow harmed himself…

And there’s more:

Only, of course, he comes back into my life which means I find myself being attacked, kidnapped and stuck in a bonfire. We still don’t know why that happened. It had nothing to do with the terrorist plot. It was terrifying though. One of the scariest moments of my life. Trapped. Unable to move. I could hardly breathe. And all I could hear were children! Singing and laughing like they were in a horror movie. Not knowing that I was trapped in the bonfire. And then someone set it alight and that was me gone. Just about. Sherlock and my girlfriend turned up in the nick of time and saved me. It was probably Sherlock himself. Set it all up just so he could save my life so I’d forgive him about what he did. Nah, I know it wasn’t really.

John describes how he felt like he was in a horror movie. In TFP we all feel like we’re in not just one horror movie, but a whole bunch of them!

John is “stuck in a bonfire”, but Sherlock (and - supposedly - Mary) saves him. In TFP John is trapped in a well, but Sherlock saves him.

John: “It was probably Sherlock himself. Set it all up just so he could save my life so I’d forgive him about what he did”. Ghost!Mary in TLD: “Basically he trashed himself on drugs so that you’d help him … so that you’d have something to do, something doctory.” In TLD the roles are reversed, but it’s basically the same idea, isn’t it?

We know from TAB that Sherlock was reading up on John’s blog – something he has probably been doing at least since John’s description of ASiP, even if he might not have payed much attention to it at first. But in TAB Mary asks out loud if Sherlock has been reading John’s blog:

And Sherlock confirms it:

On The Empty Hearse blog post (X) Sherlock even comments: “I see you haven’t spent the last two years working on your writing technique”. So Sherlock has definitely read this post.

To me it seems quite likely that the blog is the ‘John stuff’ Sherlock bases his Mind Palace scenarios on in S4; Sherlock has read and re-read John’s words on his blog after his own return, to try and figure out what John is thinking and feeling. Then he re-hashes these ideas in different scenarios to see what the results might be.

The Empty Hearse post could also be read metaphorically, as in John being terrified by the onslaught of emotions when Sherlock ‘saunters back into his world’ and all the conflicting feelings regarding Sherlock resurge in John’s mind. He can hardly breathe, and his heart is on fire…

But once you’ve started this kind of comparison it’s hard to stop; John’s blog is a gold mine! :) Here’s another one from The Hollow Client (X) where Sherlock’s wild imagination is demonstrated:

As we stared at the suit, Sherlock quickly formulated a number of solutions. Alan had been winding Jack up to the point where Jack genuinely believed he was invisible. Jack had wrapped himself in a complex set of mirrors so that it appeared as if he was invisible. Or had been wrapped up in the mirrors by Alan. He briefly considered invisible paint. Perhaps Jack and Alan were highly-advanced scientists (they weren’t, they were media students). We’d been drugged on the way in and taken to an exact replica of 221B Baker Street where a camera was projecting the suit into the chair. I did stop him at that point and ask who’d have done that. He shrugged and suggested ninjas. Then he continued… the suit was a hologram, Jack had never existed, Jack was dressed up in the same fabric as the chair…

So, we’ve had a lot of mirrors in S3 and S4, haven’t we? On one hand, there are literal mirrors visible in a great deal of the scenes. On the other hand there are other characters mirroring Sherlock and John to such an extent that the protagonists sometimes become ‘invisible’ and the mirror characters take over the show. A complex set of mirrors indeed. There are so many mirrors, in fact, that I won’t even bother to seek them out; even if you only watch a small part of the episodes, you can hardly miss them.

And I strongly suspect that in S4 Sherlock’s been drugged and brought to his own imaginary version of 221B:

And the ninjas, who were, according to Sherlock, the causing agents of the suit deception? Well, here’s Wikipedia’s definition of a ninja (X):

A ninja (忍者, Japanese pronunciation: [ɲiꜜɲdʑa]) or shinobi (忍び, [ɕinobi]) was a covert agent or mercenary in feudal Japan. The functions of a ninja included espionage, deception, and surprise attacks.

Ninja figured prominently in legend and folklore, where they were associated with legendary abilities such as invisibility, walking on water and control over natural elements.

The archetypical ninjas seem to have been climbing buildings with ropes (X):

Sounds like anyone we’ve heard of? ;-)

And in TST we also have Charlie Wellsborough, this guy who made himself invisible by dressing up in the same fabric as a car seat:

This dressing up as furniture is not an entirely new idea, by the way. Here are pictures of Robert Downey Junior disguised as a chair in 221B in Guy Ritchie’s adaptation “Sherlock Holmes - a Game of Shadows”, 2011:

I don’t know, but Sherlock seems to adapt almost every crazy idea that John has documented on the blog to play out scenarios on his Mind Theatre in S4. In fact, it seems to me that just the way BBC Sherlock is an adaptation of Conan Doyle’s stories about Sherlock Holmes, written by his alter ego John Watson, the most surrealistic parts of this show - HLV, TAB and the whole of S4 - is the detective’s own adaptation of John’s blog posts about Sherlock. And there also seems to be lots of references to the many other Holmes adaptations...

Any thoughts?

@lukessense @sarahthecoat @gosherlocked @raggedyblue @ebaeschnbliah @sagestreet @tjlcisthenewsexy

#S4 IS NOT REAL #John's Blog

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ahsokalegend · 3 years

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Ranking Rapunzel’s Tangled Adventure Songs (Part 1)

Here it is, the definitive (read subjective) tier list of the top 15 Tangled The Series songs. I’ve been listening to these daily, and now you can too!

Let’s get to it:

[see Part 2 for #11-15]

10. With You By My Side

Harmonies for days, plagued by relentless forshadowing aka the best way to end season 2.

Pro: these 3 compliment each other so well vocally, chills every time

Con: heavy handed foreshadowing like we get it everyone will betray everyone but for now they’re happy

Rating: 8/10

9. Buddy Song

Let me reiterate THE! BUDDY! SONG! SLAPS!👏 Stream these legends and their beautiful friendship

Pro: Hilarious, stellar melody, broadway-esque extravagance

Con: a plant is trying to eat them during this song

Rating: 8.5/10

8. Next Stop, Anywhere

Ultimate peppy road trip music, especially the final chorus. You can’t get better than Cassandra singing while running with horses.

Pro: each chorus adds in another singer so by the end it’s all three of them and epic

Con: too much dialogue that shouldn’t be in the soundtrack version

Rating: 8.5/10

7. View From Up Here

This song is the embodiment of being free and flying. It’s hard to put into words how this song makes me feel. Classic Disney vibes.

Pro: beautiful vocals and visuals, nostalgic feelings galore

Con: Rapunzel and Cass as singing birds

Rating: 8.5/10

6. Let Me Make You Proud

Time for the best character, Varian, to make his solo debut. “Let Me Make You Proud” is when I first started taking this show seriously, and it was all due to Jeremy Jordan, Alan Menken, and Glenn Slater in this show-stopper.

Pro: that final high note, Varian’s singing voice

Con: I want more after the high note, song ends too quickly

Rating: 9/10

<Attention! You have reached the halfway point. Get ready for the S Tier.>

5. Let Me Make You Proud (Reprise)

If the original version made me stop and pay attention to Tangled The Series, the reprise broke me. THIS SONG is only 1 minute long. One minute spent watching my favorite character transform from a plucky kid to a tragic villain. THEY SET THE MOMENT HE BREAKS TO THE MOST HEART-WRENCHING MUSIC AND I’M NOT OVER IT.

Pro: Jeremy Jordan held back nothing as Varian in this scene. This is the most emotion-filled and shocking song of the show

Con: 1 minute long, I can’t put it higher because of that

Rating: 9.5/10

4. Crossing the Line

Did someone say epic orchestra? Nobody? Oh well, too late the horns are already here.

What’s great is this is technically Cassandra’s villain song, but it doesn’t play like any villain song before it. It’s building, unapologetic, and triumphant. This is Cassandra letting her walls fall and taking what she wants, consequences be damned. Is she right? No. Is she OOC for most of season 3? Possibly. Is it cathartic to watch her wreck two seasons worth of buildup and relationships? HECK YEAH!

Pro: bass boosted “If I’m burning a bridge let it burn!”🔥

Con: This is the one time I’d add back in dialogue from the show. Cassandra’s trigger word is wait. In the episode, Rapunzel asks her to wait three times: once at the beginning of the song, once in the middle, and once at the end. Each occurrence pushes Cassandra further away, but only one makes the soundtrack recording.

Rating: 9.5/10

3. Waiting In The Wings

Emmy winner, best ballad, moving work of art - all define “Waiting In The Wings”. There’s something gripping about a side character acknowledging her place and desire to be heard when the main characters continually overshadow her goals and actions. We all know the feeling, watching your life pass by feeling like you don’t get the chance to lead your own story. Wow, my kind of emo sad song. What can I say, Cassandra gets the best. This would be a classic Disney “I Want” song if the show had been a movie.

Pro: Eden Espinosa singing that key change at “I hear my cue.”

Con: Honestly can’t think of anything besides it not being my favorite, too perfect?

Rating: 10/10

2. Nothing Left To Lose

Stellar concept untouched by anything Disney has made. Here we have the redeemed villain kidnapped by someone he once called friend. He sees her in her brokenness, and instead of being condensing as she has accused others of being, he tells her the truth. Nothing good can come from giving into her anger as he once did. Varian pleads with her; not to choose good because it’s the right thing to do, but to save herself from spiraling self-destruction. By meeting Cassandra where she is emotionally, Varian is the last chance to pull her from the dark. The message is merciful, well-thought out, and completely in character for Varian and Cassandra’s situation.

This song is the epitome of “Your feelings are valid, your methods of coping are not.” Each second is breathtaking from the animation to the song itself. It’s the ultimate battle between the show’s best singers and side characters while demonstrating the power one true friend can have against your own pain and anger.

And you know what hits the hardest?! Varian doesn’t give up on Cassandra in this song (we’re not talking about later episodes here). Every time she thinks she has outmaneuvered, out-argued, or out-sang him he comes back all the more ready to reach the friend he knows is buried deep in her heart. It takes her physically removing him from her tower and caging him ON A CLIFF for the main section of the song to finish.

But that’s not where it ends. A now dejected Cassandra, reminiscent of her “Waiting In The Wings” motivations sings her true feelings now when nobody can hear. “Now, I have nothing... ... ... left... to lose...”. That long pause she takes after “I have nothing” allows the first half to stand on its own. This is Cassandra realizing Varian’s truth. By pushing her last chance at redemption away, by removing her last chance at a friend, she truly has nothing left to lose.

I could go on and on about this song: the 360° turn in 2D animation, the way Varian and Cassandra sing over each other at the song’s climax, the lyrics, Varian’s vulnerability, Cassandra at her most dramatic, and more. I’ll save you the time, it’s incredible.

Pro: THE BEST DUET why are you still here go listen to this song! Jeremy and Eden recorded it together in-person for a reason. It’s too good for anything less. Also, another Emmy nominated song

Con: It could lose its Emmy nomination which would be unjust yet poetic? Cause you know, “Nothing Left To Lose” loses would make a funny headline

Rating: 10/10

https://youtu.be/r-PYYaoq0fY

youtube

1. Ready As I’ll Ever Be

There’s a reason seemingly half the fandom joined due to this song. It encapsulates everything I love about this show flaws and all. Varian gets a solo! Cass gets a solo! Rapunzel gets a solo! Everyone gets a solo! Each time I listen it gets better. Nothing screams epic battle prep song like “Ready As I’ll Ever Be”. Plot and singing-wise this song has it all.

What makes this song a winner is my inability to analyze it. It’s not a song I think about, it’s one I enjoy and constantly replay. The impact this song has had on me and it’s ♥️❤️💕💜💛💖💞💚🧡💝💙-ness makes it the greatest song in Rapunzel’s Tangled Adventure.

Pro: ultimate hype song, villain Varian, mind-blowingly incredible

Con: the king sings (easy to ignore)

Rating: 10/10

Thanks for reading!

#rapunzels tangled adventure #tangled the series #tangled songs #song ranking #how much do I care about these songs? answer: too much #Varian #Cassandra #if my music terms are incorrect I blame my alma mater youtube #part 1 #I spent way too much time on this #Ready As I’ll Ever Be the ultimate BOP

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theonceoverthinker · 3 years

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500. As this daily series of mine comes to an end, I just want to reflect on all the MARRY time writing Fair Game HCs has brought me!

I’m freezing up as I’m trying to write even just this intro. I don’t feel ready. After a year and a half, how can I feel anything else? This series is now a part of me and ending it is like losing a piece of my soul. I have so many emotions -- too many emotions -- it doesn’t feel wrong to end the series here (The 500 milestone makes sense), but it hurts all the same.

Let me start with thank you to everyone whose read these. Seriously, I know I thank you occasionally, but I can’t do it enough. Knowing that there are people interested in what I write and think about these two and enjoy the happier life I’m paining them in the absence of canon just makes me feel so much less alone than usual. It means the world to me so please believe me when I say that I wouldn’t have gotten to 500 without each and every one of you, whether you were here from the beginning or just joined in whenever.

I’m so happy to have finally reached this moment, but simultaneously so torn up about what that means.

Will I never do another Fair Game HC again? HECK NO! While the regular daily episodes are ending, if I find another topic that I want to Fair Game-i-fy, I will definitely make more episodes, and hopefully, before long, I will! I just need to take a break from the daily updates. I’ve hit burnout several times over the past year and a half and it’s not fun, so while I still have some energy to spare, I want to end the daily series on a high note!

Also, forgive me because I’m gonna cheat this as a submission for @fairgameweek2021 while I’m at it (If it’s not cool, then my apologies). The theme today is Charms/Dreams and while neither of these come up in the HC itself, this wedding and this series as a whole I think acts as a reflection of the dreams much of the Fair Game fandom had for this ship.

When I say this, I don’t mean it in the sense of I’d be upset if not each and every one of these didn’t come true -- that’s never been what my love for Fair Game was about, nor that each and every Fair Game fan subscribes to these HCs (Good GOD, no -- not even close). Like many fans, I just wanted these two characters who deserved happiness (Especially Qrow given his almost unreal amount of trauma and hardships) and seemed like they’d finally found it with each other to get exactly that. So in the absence of canon, I hope people were able to take solace in this space and live in the daydreams I created for them here.

So here we are at long last: The Fair Game Wedding. If you want to follow the story thus far, you can check out my HC compilation page. I’ve highlighted all of the wedding HCs in green, and have fully caught up the HC list!

That said, if you don’t feel like reading all of them and just want to check out this last one, here’s the tldr for what you need to know: The wedding is taking place in the Amity communications tower (This HC series only follows canon until 7X11 for those who didn’t know because I only choose to acknowledge good writing (especially for Qrow and Clover) here), Tai is Qrow’s Best Man, Marrow is Clover’s Best Man, Robyn is officiating, Ruby’s walking Qrow down the aisle, Yang’s walking Clover down the aisle, Clover got Qrow a silver ring with four tiny encrusted emeralds, Qrow got Clover a dark ring with four tiny encrusted rubies, Qrow’s wearing an onyx tux with a white undershirt and a crimson bowtie and handkerchief, and Clover’s wearing a black tux with a white undershirt and a dark green bowtie and handkerchief.

Okay! We’re good to go!

Well, for the last regularly-scheduled time, let’s get to it!

HC under the cut!

“Uncle Qrow! Help! We can’t find your shoes!”

Ruby’s cry is what wakes Qrow up.

What a way to start the day. He hasn’t even had coffee or breakfast yet and he’s already been tasked with finding his wedding shoes. Give him a break.

It then comes to attention that this is his wedding day. By the time he goes to bed, he and Clover will be married.

His crankiness at being woken up and put to work so quickly doesn’t fully evaporate, but a lot of it does all the same.

And as Qrow starts searching his temporary room to find his shoes, he can’t help but take note of the bubbling happiness under him.

()()()()()()()()()()()

It feels so weird to Clover to wake up in the Ace Ops’ suite. He’s stopped by from time to time since leaving the Atlesian Army, especially as he’s been planning his wedding, but staying over feels simultaneously nostalgic and bizarre.

Mostly though, the odd feeling is one that stems from not waking up beside Qrow. It’s not that they haven’t slept apart, but whenever they have outside of their bachelor parties, it’s been for a mission.

Well, in all fairness, today’s at once a party and a mission, and by the end of it, he and Qrow will be back sleeping right beside each other.

Clover can just barely stand the wait.

()()()()()()()()()()

The alter is beautiful. The whites and browns and red and greens come together so nicely.

In an interesting surprise touch, Harbinger in its scythe form and Kingfisher in its rod form are tastefully placed right next to Tai and Marrow respectively. And on top of their handles, Qrow and Clover’s respective rings rest safely on each of their handles.

They’re both impressed, more so that their weapons were somehow sneak out and brought all the way to the communications tower without either’s knowledge.

Clover’s the first to arrive at Amity Tower. Tai and Marrow organized how Qrow and Clover would check in on things so they wouldn’t see each other until the ceremony. Though Clover found the superstition banal, he decides not to make a fuss about it today, not when there are more important things going on.

The sweet smell of flowers greets his nose. They’re all laid out so nicely, and possibly even more so in the reception hall. Clover looks to his and Qrow’s table, and then to his pants.

Marrow gave him back his phone this morning, and with Marrow temporarily busy in the bathroom, Clover sends Qrow a quick text before he returns.

Clover: Everything looks perfect up here, but I bet you’ll look even better. See you soon. ;)

Qrow arrives a bit later than expected...which for him was anything but unexpected. Between finding his shoes, Tai insisting on ironing his suit (”I swear, there was a wrinkle on it this morning!), making sure he got a good meal in him, cramming everyone into Tai’s car, and dealing with traffic, it’s amazing they got there when they did.

By the time Qrow gets there, the caterers are starting to arrive and their cake is on its way over, too!

Though Qrow initially felt his scroll buzz in the car, he’s unable to look at it until now. He sees Clover’s text in between the tons of congratulations messages, and smiles.

He’s such a dork.

But he’s Qrow’s dork.

Qrow: You know it. ;) See you soon.

Far too much time is spent for either of their taste’s getting into their suits and going over their entrances and everything (Though given how their rehearsal went, neither can be too annoyed).

Both meet their respective halves of the wedding party and soon enough...it’s time.

()()()()()()()()()()()()()()()

Robyn’s the first to enter. She has a basic script in her hand, but everyone knows she’s gonna do some ad-libbing and are excited for it.

Qrow walks down the aisle first with Ruby. The whole time, he can’t but hold his breath behind his smile, worried he might trip. Ruby, who can now fully tell how her uncle operates, holds his arm tighter and more supportively. Qrow would be lying if he said it didn’t help. Upon reaching the front, Ruby gives Qrow a big hug and a kiss on the cheek before leaving his side.

After he arrives, the two sets of groomsmen enter side-by-side: Marrow and Tai, Elm and Port, Vine and Oobleck, and Harriet and Theodore (Yeah, I know basically nothing about Theodore, but I realized my numbers for Qrow’s groomsmen didn’t add up to Clover’s, and I hear the two of them got along, so we’re doing this!).

Once they’re in position, Clover enters with Yang. Clover, like Yang, holds his breath, but for a different reason. Qrow looks so impossibly good in his suit, and he can tell Qrow really likes how he looks, too. Like Ruby with Qrow, before leaving to join her sister, Yang gives Clover a hug and cheek kiss, but also a nice pat on the shoulder and a wish for “good luck.” Clover loves the sensation.

Clover whispers under his breath that Qrow looks amazing. Qrow thanks him, throwing a wink at Clover. Clover looks as stunned by it as Qrow did when he did it the first time.

Ceremony stuff happens, and then we get to the vows!

Robyn signals for Qrow to go first. He nods at her and begins.

“Clover,” Qrow says. “I want to say something to you, something that I never thought I would, especially here of all places, but something that feels like it should be said all the same. ...Here it goes. Clover, we don’t have to get married.”

There’s a pause as everyone watching gasps. Clover is the only one who doesn’t, though he does raise and eyebrow. Qrow maintains eye contact with him and continues.

“It’s true,” he says. “We know we’re going to be together for the rest of our lives. I’m not leaving you, you’re not leaving me, and once this is all over, we’re going to go right back to the same home we’ve spent years building together to build even more of it for as long as we can. We’ll get up, make breakfast and coffee, work, come home, watch TV, and go to bed. Maybe we’ll do different things on the weekends with Tai and the kids, or maybe we’ll just relax on the couch with a movie. So no, we don’t need to get married...but that’s exactly why I want to.”

The sighs of relief are close to deafening, and expecting that, Qrow takes another pause. Clover’s smile is beautiful, not beaming of exceedingly large, but radiant as it has ever been. Qrow hopes that whoever their planner organized to record their wedding captures it because it’s a smiles Qrow imagines he’ll want to look at over and over again.

“It’s exactly because we don’t need to throw a ceremony or a big party to show the world we love each other that makes me want to do just that,” Qrow continues. “A love like what we have, one that’s special because of all the things that don’t make it special just as much as all of the things that do, well to me, that’s a love worth celebrating. I love you, Clover, and I love the fact that being here with you gives me another chance to celebrate how we feel, how far we’ve come, and how much further we’ll go.”

There are tears in the corners of Clover’s eyes threatening to fall any second. Qrow feels that his own are on the verge of doing the same.

Clover pull him in for a hug. They know it’s not what they’re supposed to do, but it feels right and that’s all that matters. It lasts for ten seconds before they finally pull back.

Robyn’s looking at them jokingly.

“You know you’re not supposed to do that yet, right?”

“Eh,” Qrow says, shrugging with a smirk on his face. “We’re unconventional.”

“Except when we’re not,” Clover chimes in, winking at Qrow over the joke.

Robyn, smiling all the while, rolls her eyes.

“Clover, it’s your turn,” she says. The two exchange nods and then Clover turns to Qrow.

“Qrow,” he starts, “I definitely saw my life differently before I met you. I was an Atlesian Military Captain of the kingdom’s strongest group of Huntsmen, likely to stay just where I was until I retired or died in combat. That’s what I saw for myself, and that’s all I saw for myself. In that life, I didn’t see a home, I didn’t see a family, and I never saw someone I loved so much that I’d leave everything I thought I knew behind just to stand by his side. But once I met you and the kids, I began to see all sorts of things that I’d never considered for myself before -- all of those things I just listed and more. That’s the life we’ve had together so far -- deep, kind, strange, fun, sometimes a bit mundane but also beautiful because of it. I’ve got to tell you, Qrow, I can’t think of anything luckier happening to me in my entire life than finding you.”

Qrow snorts. It’s not an interruption, but Clover can’t help but comment on it.

“I guess you saw that coming?” Clover jokes.

“Maybe a bit.”

“Fair enough. Well, I don’t need to tell you that with semblances like ours, luck’s always been a special thing between us. Misfortune and Good Fortune just have a way of being part of our lives, no matter what we think or plan or want. We’ve talked before about how they counter each other or why one might be more powerful than the other on any given day, but while luck might have been what brought us together as partners initially and it certainly is part of us, it’s not all of us. Luck has some interesting perks, both good and bad alike -- it can make a day or even week better or worse -- but it can’t get either of us what we have together nor take it away. Luck doesn’t earn me the sight of that gleam in your eyes when I bring you a bowl of noodles just the way you like or that smile of yours when I tell you tell you a joke. Luck helps us live our lives, but we do the rest, and I think we do a pretty good job living it together, and I can’t wait to keep on doing it with you for the rest of our lives.”

A good number of the attendants make an “awwww” sound at the end of Clover’s vows. Qrow’s tempted to make fun of it, but abstains.

Robyn nods at the conclusion of her vows. Tai and Marrow collect the rings for Qrow and Clover from off of the weapons and bring them to them. Robyn then turns to Clover.

“Clover Ebi,” she says. “Do you take this man, Qrow Branwen, to be your lawfully-wedded husband -- to love, cherish, and grow with him in sickness and in health and for better or worse as long as you both shall live?”

Clover’s smile is present. It doesn’t get bigger, but it gets deeper.

“I do,” he says. Qrow takes Clover’s ring and slides it easily onto Clover’s finger.

Robyn turns to Qrow.

“And Qrow Branwen,” she continues. “Do you take this man, Clover Ebi, to be your lawfully-wedded husband -- to love, cherish, and grow with him in sickness and in health and for better or worse as long as you both shall live?”

Qrow’s smile stays the same -- relaxed, easy, and so utterly content. Despite seeing it hundreds of times by now, it still looks so beautiful to Clover...especially when he says the next two words.

“I do.”

Qrow extends out his hand, and Clover, with the ring he got him, slides it down Qrow’s flawless finger effortlessly.

Robyn’s smile grows.

“Then by the power vested in me by the Kingdom of Solitas and the land of Remnant, I now declare you husbands. You may now kiss.”

Qrow and Clover have kissed more times than they can possibly count.

But by the time Robyn declares them married, they’re starving to feel each other’s kisses again. Cupping each other’s cheeks, Qrow and Clover share their first kiss as a married couple.

Everyone cheers. A quarter of the room cheers through their tears.

Finally, they’re married.

()()()()()()()()()()()()()()

Qrow and Clover get a small break to themselves before they enter the reception. They spend much of it standing and sitting close together, kissing, telling the Qrow and Clover equivalent of sweet nothings to each other, and talking about what their previous night and this morning were like. It’s kind, relaxed, and happy -- so, so happy.

The reception’s amazing. Between awesome food, “the world’s best cocktail hour” (Qrow and Clover’s words, not mine), a good DJ, heartwarming (and a little embarrassing) speeches, gorgeous decorations, cool party favors, and a beautiful and loving first dance, everyone has an amazing time.

At some point, Qrow and Clover find themselves able to sneak out of their own reception for a break (Qrow especially needs one, but Clover’s not about to pretend he’s not at least a little tired either). There’s a small empty balcony right in front of the moon. Clover loops his arm around Qrow’s shoulders and settles it on the left one.

Clover takes a deep breath through his nose and Qrow can feel his hairs bounce up and down with it.

“Smell something you like?” Qrow teases.

“More like someone. And I can’t wait to keep smelling him.”

They relax in the quiet for a bit. Qrow snuggles into Clover’s side as the gentle wind embraces their forms wherever it can.

“We’re married,” Clover finally says, said as if he’s just realized it for the first time.

It must be the tenth time today he’s done so since the ceremony.

Qrow hasn’t gotten even remotely sick of hearing it.

“We’re married,” he repeats.

Clover releases a rumbling chuckle, then kisses Qrow’s upper right temple. Qrow presses his lips to Clover’s hand. It’s not a kiss, per se, but it lingers delicately on his hand.

They stay for a couple more minutes before deciding that they should probably return to their party.

The rest of the party is so nice. Friends and family party and dance the night away with the gorgeous night sky all around them for hours.

The cleanup is exhausting and despite loving their wedding planner from the moment they hired her, Qrow and Clover have never been more grateful for her services than where she says they can head out and that she would finish up the rest of the work and text them (”Tomorrow afternoon. You guys are gonna need some shut eye.”).

It takes Qrow and Clover about an hour to get home. Clover drives once they’re on solid ground again. In the car, neither talk much, content to sit and enjoy the drive home in a comfortable quiet, save for the occasional joke and “We’re married” statement.

When they’re finally home, they stop at the door. After all, who’s going to carry who over the threshold?

They compromise. Kissing each other’s face all the way, Qrow carries Clover through their front door, and Clover carries Qrow through their bedroom door onto a...very fun wedding night (Which I’m gonna let you all imagine for yourself because I have literally been writing this all day and writing about sex is kind of tough for me when I’m at my best).

When they’re at last ready to go to sleep, Qrow and Clover cuddle close and give each other a final loving look before falling asleep in each other’s arms, blissfully together tonight and for decades worth of them to come, just as they deserve. I don’t even know what to say now that we’re here at the end. I think I said it here earlier, but it bears repeating: I love you all and thank you so much for following these Fair Game HCs.

Tagging @skybird13 @whipped4qrow @mooksie01 @luck-of-the-caw @xwildangel @solitude-of-stars-deactivated20 @vastnessofthespiral @o0nashipear0o @unfairgamey @doctorrwby @clover-and-co @megan-atthedisco @wash-my-brain @bisexualdisasterqrow @thursdayseraph @doubledexterity @rwby-things-i-guess @atlas-heartthrob @the-answer-was-bi-klance @compoterie @thuskindlyiboop @oceansquid @transdemion @deltastream21 @mimiori @xya-hunter @dinosaurs-last-day @roman-torchtwink @subatomictealeaves @drbtinglecannon @saphiralunaris @pretentiouskneecaps @amxngsthxmans @ayomez13 @carbonated-table-spices @darkestsiren @chaosgameingkoi @collectingsparechangemadeeasy @michaels-daughter2005 @youmaywanttoduck @lovethewitchofendor @victorious1956 @spence0112 @madamoisellesica @ju-ka-mc-24

Want to be tagged in future Fair Game HC’s (Or untagged, I understand) and be the first to catch all of the romance, fluff, drama, and puns (Sometimes all at the same time)? Send me a reply, PM, or ask, and it shall be done!

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#fair game #qrow branwen #clover ebi #rwby #lucky charms #luckbirds #luck birds #fairgame #qrow x clover #qrover #fair game hcs #500

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razberryyum · 3 years

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Scumbag System (SVSSS donghua) Episode 10 Thoughts (spoilers)

(covers SVSSS chaps 24 - 26, BC Novels Translations)

And thus the first season of the SVSSS donghua comes to an end...rather weirdly abruptly to be honest, but more on that later. Obviously I love the donghua. It was not perfect, but it still exceeded my expectations. I truly appreciate what they were able to do within their budget constraints and I think they captured the spirit of the source material perfectly, which is really all I hope for when it comes to adaptations. The writing was strong, the humor hit the spot always (for example, when poor Shizun got motion sickness from sword riding, I guffawed), and they also gave us some of the most beautiful characters I’ve ever seen on screen, especially with Shen Qingqiu, Luo Binghe and Liu Qingge. I really, really hope they release official figurines for them. I’m going to start saving my money now just for that possibility.

Even though their time together in this episode was short, the BingQiu love was definitely strong. They gave them a combo move that was not in the source material: for someone like me who grew up watching Cantonese dramas, two characters who have a combo sword move (”雙劍合璧”!) are usually a couple so I was especially tickled by this addition. I am always thankful to the donghua team for the little Easter Eggs they give us for BingQiu, like the way Binghe's eyes lit up when he sees SQQ...

or when SQQ touches him...

Once again, for those not in the know, it can easily be interpreted as a disciple just being devoted and filial to his Shizun. But for those of us who have read the novel, of course we know it’s indication of Bingmei falling in love with SQQ. I love how subtle yet significant these little expressions of Binghe’s are, and I hope they continue on with these little touches even in the next season.

Of course then there are the more obvious gestures, like that HUG:

It lasted for a good 15 seconds and oh my God look at the Binghe’s hand placement! There was totally nipple groppage happening there! This wasn’t in the book by the way...SQQ didn’t get woozy and Binghe most definitely didn’t have to catch him like some fainting damsel, so we have the donghua team to thank for this wonderful moment of (sexy) physical contact between the two of them.

The donghua team was also especially generous in this episode since not only did we get some BingQiu love, but we got a pinch of LiuShen and QiJiu love too.

LQG’s eyes were on SQQ the entire time! And then Yue Qingyuan as usual took any opportunity he got to touch his Qingqiu. So all shippers were fed. Hell, they even threw in some more straight-baiting again so peeps who are watching the show for the “straight” romance between Luo Binghe and his never-to-be-future-wife Qin Wanyue were fed too since the scene where Binghe gives her the handkerchief to wipe away her tears were not in the chapters of the book for this episode, and racking my brain I don’t even think it was in the book, period. I’m trying to remember if that handkerchief even holds any significance but even if it does, it’s all for naught since we know Qin Wanyue is at most just a minor side character. She does pop up again later on but then is mostly forgotten, so...not quite sure what that moment was all about other than to, I don’t know, throw off the censors?

I’m also not sure why we spent so much time with Liu Mingyan and Gongyi Xiao in this episode. Nothing against them personally, I like both characters very much (despite my previous complaints about GYX’s character design), and it’s not that they don’t deserve more screen time, but this was the season finale! Even though the next season has been announced, God knows when we’ll see it next year and how many episodes it would be, so every minute of screen time matters! That’s why I was a bit puzzled that they used up half of the episode showing LMY basically facing the same perils with her group of fellow disciples as before and GYX just running from that huge serpent. Even if that thing DOES turn out to be Zhuzhi-lang, it was still a bit much. They weren’t exactly character building scenes either so...why? Budget reasons? Didn’t have enough money to pay SQQ’s voice actor (Wu Lei-laoshi) so they had to stick in miscellaneous scenes to lessen his screen time?

I’m kidding of course. God I hope that wasn’t the reason because that would just be sad.

Speaking of miscellaneous scenes though, what was going on with these two dudes?

I gotta admit, I’m a bit salty that these two mob characters got to do what our main couple can’t. What’s their story? Why do they get special privileges? Damn these nobodies. XD

All kidding aside, I have to say, of all the episodes this season, this might be the weakest one, not only because of the “filler” scenes, but also, the way the episode ended was so odd, especially for a season finale. The season basically ended on a scene transition. Not a cliffhanger, just a scene transition, and then cut to credits. What?? Why??? It’s almost as if they just ran out of time so had to stop the show all of a sudden. And then as if to make up for it, they added post-credit scenes which, honestly blew me away because it was so unexpected. It was indeed almost enough to make me completely forgive the weakness of the episode as a whole and that weird-ass ending.

I teared up! The scene was kind of chopped up, didn’t even flow that smoothly, but I still got emotional! I’m sure when I see this scene in its entirety next season I am just going to be destroyed. I think they made it even more gut-wrenching than it was in the novel. Looks like the donghua team really aren’t gonna hold back when it comes to delivering the BingQiu knives.

We also got to see Mobei-jun appear in the post-credits scene; I guess they had to stick him in there since he was featured in the poster for this season, so it would have been weird if he didn’t at least make an appearance.

I immediately thought of him as Sephiroth’s younger cousin when I first saw him on the poster and I still feel that way. Anyone related to Sephiroth, I will approve and instantly have affection for. For the MoShang shippers’ sake, I hope the Shang Qinghua they create for him will be just as pretty. I think I can now safely discard my guess from last time and also that moon-faced bearded ojisan others have guessed. We actually got a glimpse of the real deal in this sequence:

They strategically made him blurry so you can’t really make out his features, but what we still can tell from there is that he does not have facial hair (hence, he cannot be the ojisan) and the hair crown he’s wearing is silver and different from the twinky sect leader. So I guess we’ll be getting a fresh out of the microwave Airplane Bro instead of any of the no-name potential cannon fodder we’ve already seen.

We’ll probably get the abyss opening up in maybe even the first episode of next season but that’ll still leave a lot of ground to be covered in just 10 episodes (rumored). There haven’t been any talk about a third season, but I really hope it’ll happen, even though it might take them a while to make it. I know it’s premature to even think of a third season when we haven’t even gotten an actual release date for the second, but I’m greedy because I already miss the donghua. This season was over so quickly, I’m already mourning the lack of new episodes. I hope we get the second season in the first quarter of next year and then by some miracle, a third or even fourth to properly finish out the story. I know we will never get the FULL story, but as long as they keep the spirit of BingQiu’s love and continue to hint at it like they’ve been doing this season, I will be more than satisfied.

And while I’m wishful thinking for new seasons, I hope we also get a BingQiu duet and character songs. I love the opening and ending theme this season, if they want to save money I totally don’t mind if they just use the same OP/ED themes in the next season as well, but I hope they throw in a good BingQiu insert song and then release some individual character songs as well. I’m still not a fan of Binghe’s voice, but maybe they can have someone else do his vocals for the songs. SVSSS is the older son of MXTX’s works, I feel like it already got short-shrifted in terms of adaptation since it got the lesser budget compared to MDZS and TGCF. Hopefully with how popular the donghua is this season, it will be given a bigger budget next season so they can bring to life all the subsequent proceedings from the book properly. And whatever they’re paying Wu Lei-laoshi, SQQ’s voice actor, they should double it because that man is just amazing. I worship his voice and performance. I wish he would read the audiobook version of the the novel. I would listen to the hell out of that. I have always loved SQQ, but if I’m going to be honest, I came into the show just a little more excited about seeing Bingge being brought to life. I still love Binghe of course, in all his phases, however, now, because of Wu Lei-laoshi’s stellar voice performance (and of course SQQ’s beautiful looks), I’m leaving this season absolutely head over heels about SQQ/Shen Yuan. Also thanks to the show, I’m completely obsessed with Liu Qingge as well. So for those two reasons, I will eternally be grateful to the donghua team.

#SVSSS #Scumbag System #Scum Villain donghua #Scum Villain Self-saving System #BingQiu #LiuShen #QiJiu #MoShang

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turtle-paced · 3 years

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A:tLA Re-Watch: Fine-Toothed Comb Edition

Well, not quite on the long weekend, but here’s the recap anyway.

Book 1, Chapter 6 - Imprisoned

(0:55) Previously, on Avatar, the Water Tribes know what it’s like to be stuck at the ass end of the world slowly dying, but Katara’s hope is actually inspiring and she and Sokka found the Avatar for a reason. It’s going to be a Katara-centric episode. The group is still heading to the North Pole, while Zuko continues chasing them.

(1:45) We’re out of the snow! It’s still winter (seeing as the next episode is titled ‘The Winter Solstice’), but yeah. No snow. At the very least, this area’s warm enough that snow isn’t an all-winter condition.

(2:02) This is what I mean by the show bringing up supplies when they’re an issue. Note that Sokka doesn’t actually know what any of these nuts are. He hasn’t spent enough time in the Earth Kingdom to know what’s edible.

(2:48) The character contrast in two nutshells. Aang and Katara run towards the loud booming noises in the forest, Sokka advises hanging back (but goes with the majority). Then, when they find Haru, Aang and Katara want to make friends, but Sokka says he looks dangerous so they should be cautious. It’s a joke, mostly at Sokka’s expense, but it’s also consistent characterisation that helps give Sokka an important role in the team even when he’s outshone by ridiculous amounts in the direct combat department. He thinks very differently in some ways to his sister and his friends. This is sometimes unhelpful and sometimes downright necessary for the characters collectively to succeed. Today is an unhelpful day.

(2:56) Upon seeing Katara, the practicing earthbender drops everything and runs, going so far as to block pursuit. No questions, no chances, just immediate flight. Weird reaction, hey?

(3:06) Aang says that Haru must be running somewhere. Like a village. Which should have a market. Like I said back in episode one, every main character is smart. Showing it in these tiny, low-stakes, incidental conversations makes it believeable when they do big, dramatic smart things.

(3:21) Pan over this Earth Kingdom village. It’s pretty different to Kyoshi Island, and honestly looks a fair bit more prosperous. Earthbending means this village has got a very neat-looking mine and that building a wall around town isn’t a big deal. Interestingly, most building here are made of wood, or at least significantly involve wood in their construction (lintels, structural beams, doors, floors, I think even the rooftops).

(3:40) We get Haru’s name here as Katara spots him and follows him into his mother’s store.

(3:55) As soon as Aang says ‘earthbending’, Haru’s mother slams the doors and windows closed. Until now, the gAang has only travelled in free territory. Scared, paranoid territory, but free territory. This episode is a quick and brutal look at life in an occupied Earth Kingdom village. There’s a lot of fear here.

(4:09) Right on cue, Fire Nation soldiers drop by. The taxes they’re collecting are extortionate and their schedule for payment is arbitrary. The occupying force is taking financially and using this as a terror tactic. This becomes more explicit as the soldier says “we wouldn’t want an accident, would we?” and creates a fireball in his hands.

(4:58) Love the worldbuilding on this show. Why’s the Fire Nation here? Sokka asks, and Haru’s mother has an answer. Turns out all those coal-fired ships the Fire Nation uses? They need coal. The village is being exploited for its natural resources, too.

(5:09) Katara asks why Haru doesn’t help fight back, as he so clearly wants to. Especially since it means not bending, which she says is part of who she is. Haru’s mother explains that Haru would be arrested and taken from the village for earthbending (hold on to the information that the walls and mine are clearly products of earthbending), just like Haru’s father was. So let’s add some deeply personal and cultural oppression to the list of things going on here.

It’s also a tough lesson that resisting the Fire Nation in places like this isn’t as simple as saying “fight back.” There are serious risks involved.

(5:43) More panning over Earth Kingdom scenery. Vegetable patches and a silo can be seen. Little visual touches to remind the viewer that these background characters were in this place before the story arrived there, and will continue on offscreen once the story leaves. It helps make the world feel real.

(6:08) Katara and Haru go off and bond. Katara apologises for accidentally bringing up any hurt related to Haru’s father, ‘cause she’s a good, considerate person.

(6:18) Haru tells Katara how brave his father was to resist the Fire Nation invasion, against what odds. After which Haru’s father was taken away, and his family haven’t seen him since. The only way Haru can feel close to his father is by practicing earthbending, which also puts him in danger.

The entire backstory here gets into the big issues - invasion, mass internment, cultural oppression - by linking it with the much smaller slice of life. Just Haru, missing his father.

(6:48) Katara gives the exposition on her necklace, the last memento she has of her mother. The conversation leaves off pretty brutally as well. “It’s not enough, is it?” “No.” And that’s it. There’s only acknowledgement of their mutual pains, not closure. There’s not enough. There’s a hole there that cannot be filled.

(7:05) As Katara and Haru head back, they pass the mine collapsing. What happens when an earthbender-produced mine has to operate without earthbenders? It seems very likely to me that earthbending is a major part of mining safety and maintenance in Avatar world, and the removal of earthbenders from town would logically result in more mine collapses and accidents.

(7:32) Haru bravely earthbends to rescue the old man from the mine collapse.

(7:59) One of the really nice things about Aang? He’s impressed by Katara’s accomplishments, even one as small as inspiring Haru to his own little rebellion.

(8:12) Sokka brings up that point from back in 1.04 that if they hang around a village (especially an occupied village) they’re going to be in trouble. They have to keep moving. Continuity! Learning the lessons of previous episodes!

(8:41) Fire Nation soldiers show up in the dead of night to arrest Haru for earthbending, on the information of the old Earth Kingdom man Haru saved. Informants and midnight arrests - it’s a freaking scary depiction of life under occupation. Not to mention the moral texture it brings to the series. The Fire Nation is inarguably wrong and oppressive. But that doesn’t make the people of the Earth Kingdom saints. Individuals have a range of responses to the Fire Nation, and here we see it’s up to and including willing collaboration with their oppressors. We’re never going to see this old man again. He never gets any on-screen comeuppance. He never gets told he was wrong. This is just a lesson for the main characters.

The show’s worked up to this idea, with the hostility of the Kyoshi Islanders and Bumi placing the gAang under arrest. Now it’s serious. The characters can’t assume that Earth Kingdom people will be on their side.

And this ultimately leads up to the point that this conflict isn’t about one nation being inherently bad and the others being inherently good.

(8:56) Love to see some mundane uses of bending - in this case, Katara doesn’t bother actually pumping water, she just yanks it out of the pump.

(9:23) And a nice thing about Sokka - when he sees Katara is upset, he moves to comfort her physically. However, also notice what Sokka actually says. Part of his idea of comforting Katara is working on solutions to the external problem, working out what happened and what they might be able to do about it. It’s very pragmatic and not very touchy-feely. While it comes with the best of intentions, and Katara doesn’t even have to ask for Sokka’s support and assistance, you can see where Katara might want a friend who’s a little more emotionally supportive. Different people fill different roles.

(9:31) But on to the main event! Katara’s got a plan to break Haru out of Fire Nation prison. Thus far Katara’s been strong and capable, and particularly impressive in how she’s dealt with a grief-stricken Aang. This marks her first opportunity to take up the foremost heroic role in an episode. She’s making the plans, she’s driving the action, she’s saving the day. It starts with her getting arrested for earthbending.

(9:49) A team plan! Katara had the basic idea of using airbending to simulate earthbending, but it looks to me like Sokka did the actual engineering of finding the vents that connect, while Aang’s going to be doing the actual bending. This is also a classic example of how Sokka’s character development is going to go over the course of the series and the reason he’s such an important part of the team. He puts the details into the big ideas.

(9:55) And here’s Aang’s fun-loving, lighthearted nature shown as a flaw rather than a virtue (in a fairly comedic, low-ish stakes kind of way) before the serious long-term implications become most apparent in season three. He’s goofing off and not taking responsibility for his part in this plan. Later, when Aang doesn’t want to find a firebending teacher and doesn’t want to think about how he’s planning to deal with Ozai, that’s perfectly believeable. We’ve seen him skip out on small details, so we can believe Aang would skip out on the big ones.

Furthermore, in character and plot terms, the character trait that’s a minor hiccup in the plan this episode causes serious problems later, and yet remains an important strength in other episodes (and across those episodes in how Aang actually keeps moving forward). There’s nuance there in Aang’s character, and nuance in the plots that recognise that things aren’t usually as simple as ‘this character trait good, that character trait bad’.

(10:18) This entire scene gives me the giggles so bad, starting with this Fire Nation soldier’s bemused reaction. Earthbending style.

(11:17) The group exchanges a bunch of anxious looks. Despite the comic nature of the faked fight, they did just arrange for Katara to get arrested by the Fire Nation and hauled off to a prison for dissidents. This is serious stuff.

(11:30) Cut to a port, and Katara on a boat. Nobody seems surprised that the prison is offshore.

(12:15) Cameo from George Takei here, hamming it up.

(12:41) The faux affability of the welcoming is shown by the Warden’s willingness to use fire on a prisoner when the prisoner simply coughs. Followed by condemning the man to a week of solitary imprisonment. Also worth noting that the Warden is completely unfazed by the presence of a young teenager amongst the prisoners.

(13:05) The Warden helpfully points out that the rig is made entirely of metal, which earthbenders cannot affect with their powers. (At this point in the series.) It brings a pretty significant limitation of earthbending to the table in a series set just as their world’s industrial revolution is going global.

It’s also a good indication of how hard imprisoning a bender is. This rig must be absolutely brutal to live on, for the guards as well as the prisoners. It couldn’t have been cheap to build, either. I’ll come back to the topic of criminal justice and bending ability later in the series, but for now just keep in mind that prison for benders a) requires cruel conditions and b) is logistically burdensome to say the least.

(13:16) The Warden also describes earthbending as ‘brutish savagery’, so here’s some fire supremacy for you all! Again, the big thing - the Fire Nation taking over the world and thinking that’s okay - is reflected in the little thing, a Fire Nation character casually dismisssing any worth in earthbending (when we just a few minutes ago heard Haru speak about how important it was to his family bonds).

(13:47) Katara looks over the prisoners and sees a lot of people in absolute despair. Keep an eye out for female prisoners. I keep raising this background detail thing because it tells you how the writers and animators are thinking about the “normal” state of the world.

(13:52) A nice touch from a design standpoint is that Haru is about the only person wearing a deep, living green, rather than the prisoner brown/grey/very dried-out green combination.

(14:11) Haru did at least succeed in finding his father, Tyro.

(14:29) This exchange does nicely to set up Tyro as a kind individual whose sense of humour has not been totally eradicated by the situation he’s in.

(14:52) Tyro tells Katara that there’s no escape plan, only a survival plan.

(14:58) There are some female prisoners in this shot! Which is evidence of female earthbenders, even though we still don’t see very many in the rest of the series.

(15:14) Much like in town, Katara is reminded that things aren’t necessarily so simple as “fight back”. She’s talking to people who have been dealing with the Fire Nation, unsuccessfully, for years. What does fighting back look like to these people, after all this time? What do they stand to lose?

(15:21) I do love this exchange. Tyro says, “I’m sorry, but we’re powerless,” and Katara replies, “We’ll see about that.” What she wants and what she aims to achieve is to give the prisoners here their power back. She’s trying to help them to help themselves. Even though this speech doesn’t work. Very eloquent for an impromptu speech, too.

(16:44) Aang and Sokka arrive to provide backup.

(17:01) Katara refuses to leave the prison until she’s accomplished her objective. She emphasises that it’s the people she’s not giving up on. For all her character development over the series, this trait stays exactly the same, arguably the very core of her character.

(17:30) We get the split in group opinion again. Katara and Aang want to stay and help, Sokka wants to leave. Outvoted, and aware that he’s not going to overcome Katara’s stubbornness on this point, Sokka says they’d better hide.

(17:48) Two guards report an Appa sighting to the Warden. This is actually a really good drawback to the convenience of having a flying bison, narratively - he’s just not all that inconspicuous.

(18:06) The Warden throws a man overboard for questioning whether the difference between a flying bison or a flying buffalo is all that pertinent. Love this show. I’m also getting serious “do the tides command this ship?” vibe. Only less competent. Though the Warden does have the competence to get the core point that there’s something amiss, and orders a full search of the rig.

(18:42) Aang wishes he knew how to make a hurricane, because then the Warden would run away and the party could just take his keys. Now this is what people mean when they call Aang naive. Note that this wishful thinking from Aang doesn’t involve direct confrontation with the Warden. He wants the problem to go away. It’s not an issue with Aang’s intellect, it’s an issue with Aang’s psychology.

(18:53) Sokka wants to give the earthbenders some literal power. Some literal substance they can bend so that they can free themselves.

(19:08) It’s Aang who points out that earthbenders are able to bend coal, and the Fire Nation keeps coal on the rig. Naive, not stupid!

(19:22) Like I said, Sokka doesn’t often lead the way or deal with the party’s biggest ideas, but he is absolutely unmatched when it comes to making their goals into workable plans. As Katara asks Sokka “are you sure this is going to work?” we can be sure that the details here were Sokka’s doing. Moreover, he’s applied knowledge of vents he picked up earlier in the episode.

It’s also worth noting that Sokka was against staying to rescue the earthbenders and still put his all into coming up with a plan once he was outvoted. He works with Katara and Aang in good faith so that the disagreement doesn’t wreck their teamwork.

(20:02) Once again, Aang provides the muscle as he airbends some staggering quantities of coal onto the deck.

(20:22) Again, quite realistically, the earthbenders are hesitant to take the opportunity Katara’s just provided. The Warden underlines the point that it’s Katara’s inspirational words versus years of oppression and despair. Sure, that is the problem here. Katara tries, and she’s mocked by the villain for trying.

(20:59) But as the lump of coal crashes into the back of the Warden’s head, the show says that Katara was right and the Warden was wrong. Katara’s faith was not misplaced and her words and actions did make a difference here. Even if it sounded silly to start with.

(21:09) Love that the coal actually ignites when hit by fireblasts.

(21:25) Yes, we did see a female earthbender prisoner fighting back there! And I’m still pretty sure that this is one of the vanishingly few occasions we’ll see female earthbenders active in the background of the series.

(21:57) The earthbenders prioritise getting off the rig.

(22:05) Here’s Katara again. This is the first we see her actively participating in this skirmish. She hasn’t actually done much fighting - the point here was always what she could do to empower others to fight. She’s still got her necklace at this point. Notice also Aang’s creative use of airbending to propel small pieces of coal at the Fire Nation soldiers.

(22:33) The earthbenders steal a Fire Nation ship and head back to the mainland. Katara’s lost her necklace in this shot. Haru and Tyro spell out the effect of Katara’s actions.

(23:04) Tyro declares his intention to take back all their villages, which tells us that the prisoners were not from just one place. They must have been brought in from several towns and villages in the general area. Looks like the gAang’s leaving some insurgents behind them, right in Ozai’s coal supply.

(23:26) Haru thanks Katara for her help with that small thing of returning his dad for him, and wishes he could do the same for her. She also realises that she’s lost her mother’s necklace at this point.

(23:35) And who should pick it up but Zuko, who we haven’t seen for almost two whole episodes. Presumably he’s followed a report of Avatar-based shenanigans, and he’s got real sharp eyes to pick out the one Water Tribe thing in all this.

#a:tla #fine toothed comb edition

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hawkland · 3 years

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Destiel fic recs #3 - the (mostly) longfic edition!

It’s been a while since my last rec post - mostly because I’ve been wallowing in a number of longer fics (50-350k!) so it’s taken me a while to have enough to talk about in one post (and boy do I talk a lot, here!)

With these longer fics, I do sometimes have some caveats with my recs - or at least reasons why they might not appeal to every Dean/Cas reader. But note that if I didn’t overall strongly recommend reading the fic I wouldn’t include it in my recs here at all, so any quibbles I bring up are minor compared to my overall enjoyment of the stories. Just, I don’t want someone to commit to a long read without knowing what they’re getting into and why it might not be their thing.

I’m still not into reading complete setting AUs at this time, but a lot/most of these are canon-divergence AUs, often written/set at the end of a season and giving an alternative take on what happened next. I love those kind of stories, as it’s often so interesting to see how fans thought of what might happen in the next season (especially when it’s better than what we actually got.)

Onto the recs & discussion behind the cut!

The Sinking Ship by UnfortunatelyObsessed (114k). This is a story that ripped my heart to pieces (in a good way!). I stayed up all night to finish reading because I simply couldn’t stop once I started on it and it gave me a massive fic hanger from all my emotions. Season 14 divergence, imagine if Dean did go into the Ma’lak box to trap Michael under the ocean with him forever...and once there, he discovers that Cas has stowed away with him. Because of course Cas would never leave Dean to such a fate on his own.

I loved literally. Every. Damn. Thing. About this fic. Cas telling Dean stories to pass the (endless) time. Their small intimate moments while realizing they can never consummate physically while trapped in the box but finding every other way to express their love. The absolute heartbreak that had me SOBBING when Michael fights for control of Dean and destroys everything they’ve built together and Cas thinks he’s lost Dean forever. Sam & Gabriel & Rowena & Claire & Jack doing everything they can to devise a plan back home to try to save them both while keeping Michael trapped. Also even just the wonderfully sensitive portrayal of aroace Jack still closely bonded with Claire and Maggie and just. And just. This is a story I’ve already re-read just to savor how much I loved it and its portrayal of everyone in TFW 2.0 and their extended family, it just hit my id in all the most incredible ways and I have nothing but absolute love for this one.

Beautiful Chaos by anyrei, mugglerock (141k). Season 9 canon-divergence, in which Dean doesn’t simply abandon Cas to fend for himself post 09x03. Instead he sets Cas up in a kind of squatter’s nest in an abandoned building near the bunker so he can keep tabs on him and help him out.

This fic definitely gets the award for FILTHIEST, HOTTEST, SMUTTIEST Dean/Cas (and Cas/other) I’ve read in, like, ever, for human!Cas turns out to be a rather insatiable sex fiend/cock slut and Dean is too up his own repressed ass to easily give Cas what he wants/needs. It is dark at times, Cas ends up in some very unsavory/non-con situations, and the authors do mention that they tried to hone in on endverse!Cas’s characterization more than what we saw in Season 9...so you might roll with it, you might not. I adored their original character Jerry the tattoo artist in this, and like I said it was seriously hot (if you are good with total bottom!Cas and Cas with others, I know those are not everyone’s cuppa). I did have a few minor issues. For one, the last chapter felt a bit rushed and hand-wavey, but clearly the authors weren’t fond of the canon conflicts of season 9 & 10 (Abbadon, Mark of Cain) and just wanted to be done with them. Can’t say I really blame them. And I did have to laugh a bit at Lebanon, Kansas apparently having such a bustling gay bar/tattoo artist/etc scene being someone from a butt-fuck nowhere American small town myself. But, SPN was never all that realistic in how Lebanon was shown (and yes I’ve spent too much time roaming around it on Google maps), so if you can suspend some disbelief this is an awesome hot/angsty/occasionally heartbreaking read.

These Forsaken Lands by destielpasta (53k). I came upon this story when looking for fics that dealt in some way with the aftermath of Godstiel. This is a wonderfully atmospheric late Season 9 “fill-in” case fic (post Meta-fiction) where Cas ends up in a small town that had been visited by Godstiel...and while initially residents have reaped much good fortune, there has suddenly been a wave of deaths/bad events and he is determined to find out what happened and set things right. He calls upon Dean for help, but Dean is fighting the Mark of Cain and it’s going to take a lot to get past its control and find a way out for both of them. Together they work on repairing an old church while trying to repair each other and their damaged relationship.

I loved this story for how well written it was, really invoking a gothic small-town/Americana atmosphere. The original characters blend in very well with the case-fic at the center of it, and the author deals really well with Cas at a very fragile point when he’s running on borrowed grace and trying to navigate Dean’s MoC-enhanced anger. It’s Dean/Cas but actually much more of a Cas character study, so I highly recommend it to my fellow/compatriot Cas-girls who love a good wallow in his head.

Mixed Emotions by Tierra469 (50k). Canon 12 “parallel” fic that then goes canon-divergent with the season finale. I actually stumbled on this while in the mood to read some Cas/ or & Mary fic after enjoying their interactions in Season 12 (don’t hate me). This is sort of two fics in one. The first half focuses mostly on filling in the gaps with some critical S12 Cas episodes, especially Cas & Mary’s developing friendship (and one night of something more). But of course Cas’s feelings for Dean (and vice-versa) are always there, and when Cas figures out a way to get his powers fully back, the question is if Dean can open himself up to be vulnerable - and express love - the way Cas needs for this to work.

This was an interesting fic in a lot of ways. I loved the author’s take on angels’ connections to their vessels and grace, it was very consistent in a way the show sometimes/often wasn’t. Cas is very Cas in not understanding privacy and personal boundaries (so he does some questionable things, admittedly, which might squick some readers). The smut is fucking HOT - though I will caution at one point it involves Cas temporarily in a younger (NOT underage) female vessel (and the story does point out Dean’s discomfort with this and some of the consent issues involved, I don’t want to spoil too much). I wanted the Mary plot resolved more than it was, but I still recommend this story strongly for the quality of the writing and unique/well-developed take on angel lore and mechanics that was quite different from what I’m used to reading.

We Are Either Here Or Not Here by petramacneary (54k) A post-season 12 fic that goes on a different tangent to how Cas returns, and what happens in the meantime. Particularly, it offers a different take on what apocalypseverse!Cas would be like—as Mary makes her own way back from that world with AU!Cas as her prisoner.

What I loved about this story: first off, BAMF!Mary is awesome here. Dean is so heartbreaking, not quite knowing what the fuck to do with this different Cas who at times is just a painful reminder of who/what Dean’s lost...but then becomes a chance for Dean to say and express some of the things he always was afraid to in the past. And when (real/our) Cas finally returns, there’s some very interesting stuff that happens with both Cas & AU!Cas and Cas & Dean that I don’t want to spoil. (And let’s also just say that when real!Cas and Dean finally get together it’s AMAZINGLY awesome. Like, hot Impala!sex. So is the artwork that goes with this story.)

You Can Keep Holding On by NorthernSparrow (353k) The longest fic I read this time around and probably the one I have the most mixed feelings about, but a while on I do keep thinking about parts of it so I do rec it with some caveats. This is a canon-divergence after the end of Season 11. Dean & Sam find Cas after he’s been blasted out of the bunker...to the bottom of the Grand Canyon. Mary isn’t in this one except for a brief appearance/visit, which Dean thinks is Amara’s gift to him. Life seems good for a while, they’re enjoying dealing with mundane problems for a change, but then Cas seems to be pulling away from the brothers, spending less and less time with them at the bunker, taking a mundane job at another Gas ‘n Sip, and clearly preoccupied by something else. Or is it someone else? Dean is worried yet finally ready to accept that Cas maybe has a girlfriend, or a boyfried, but then it turns out that is not at all what Cas has going on. It’s something far more serious than that.

Honestly I almost stopped reading when the reveal happened - it’s a subject that’s very sensitive to me from personal/family experience and not something I usually like reading in fic (especially if there is a sad ending.) So I admit I jumped ahead to read how it would end first before committing to finishing it. And I am glad I did, because the author handles the subject matter with a realism and obvious knowledge of experience as well, not how I often see it in fanfic. There are a lot of emotional ups and downs but it’s nice seeing Dean in his momma-hen/mode, and Sam is so so good in this one! I think I enjoyed Sam’s characterization here most of all! And the author has a really cool/well developed angel/wing lore that hit my wing-kink pretty hard. I do think it could have all been edited down a bit - I found myself skimming parts, especially in the last third, just to get on with things. But it’s definitely a story you can disappear into for a good long time and I’ve bookmarked the author’s other works to read later, so again, I do rec it even with a few caveats.

A few shorter fics, too, just because I don’t want to forget about them...

Eleven Erogenous Zones of a Fallen Angel by almaasi (15k) Pure gratuitous wing!kink for me :) Cas uses the last of his grace to manifest his wings...but then is stuck with them in his human form and not even able to use them to fly as he used to. This presents a lot of awkward problems to deal with but also the excuse for Dean to help him keep them clean :) I did say wing kink, right? :D :D I loved how Cas seemed confused about the pleasure signals he got from bathing vs. sex vs. grooming and all of that. It’s sweet and hot and has my favorite kind of caretaking Dean in it.

Fossil Tracks by SegaBarrett (3k). Dean & Sam & Cas and dinosaurs. How can you go wrong with that? One of the SPN stories from the Id Pro Quo collection I really enjoyed reading (and didn’t write myself, lol).

#destiel recs #my fic recs #deancas recs #fandom that ate my life hello #destiel fic recs #my destiel recs

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clonewarsarchives · 3 years

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Inside 'Star Wars: The Clone Wars'

By: Gerri Miller (original article link on howstuffworks)

Sources

George Lucas interviewed August 4, 2008

Dave Filoni interviewed September 11, 2008

The sci-fi phenomenon that began more than 30 years ago with a movie about a galaxy long ago and far, far away has expanded exponentially ever since with sequels, prequels, books, games and animated spinoffs. Although the animated "Star Wars: The Clone Wars" movie, released this summer, has to date grossed a less than stellar $34 million, it was an offshoot of creator George Lucas' mission to create a TV series, and it served its purpose as a promotional tool for the weekly "Clone Wars" episodes that premiere on Cartoon Network Oct. 3, 2008.

Focused on the conflict briefly referred to in the original "Star Wars," the galactic civil war takes place in the period between "Star Wars Episode II: Attack of the Clones" and "Episode III: Revenge of the Sith." The Clone Wars pit the Grand Army of the Republic led by the Jedi Knights against the Separatists and their Droid Army, led by Count Dooku, a Jedi turned Sith Lord aligned with the evil Darth Sidious. Many of the characters from the "Star Wars" universe are involved, including Yoda, Obi-Wan Kenobi and young Anakin Skywalker, before he was tempted to the Dark Side and became Darth Vader.

"I was lamenting the fact that in 'Episode II,' I started the Clone Wars, and in 'Episode III,' I ended the Clone Wars, and I never actually got to do anything on the Clone Wars," says Lucas. "It's like skipping over World War II."

To remedy that omission, he tapped Dave Filoni, an animator (Nickelodeon's "Avatar: the Last Airbender" series) and passionate "Star Wars" fan, to bring "The Clone Wars" to TV.

Ensconced at Big Rock Ranch, near Lucas' Skywalker Ranch headquarters in Marin County, Cali., Filoni and his team of artists and computer animators are making 22 episodes in season one and have nearly two more seasons written.

"We're way ahead. We've been doing this ever since I finished 'Revenge of the Sith,'" says Lucas, who hopes to do at least 100 installments.

He and Filoni collaborate on everything from story to design to execution in translating the "Star Wars" universe for television. It's a daunting creative, technical and logistic task, as we'll explain in the following sections.

Building the Universe

How do you scale down an IMAX-size spectacle for television and still have it make an impact, especially on a small screen budget? That's just one of the problems Dave Filoni has to solve.

"'Star Wars' is very famous for the scale of it, and how convincing it looks. So when you're doing a weekly television series, you have to figure out how to do things on that level," he notes. "Sometimes it forces you to be creative and come up with solutions that are better than if you can shoot everything you want," he continues, preferring to consider budgetary constraints a creative incentive rather than a limitation. "The team here is challenged to come up with these giant battles. We haven't shied away from anything."

While he did some of the initial character design, subsequently, Filoni has spent most of his time supervising other artists and animators, who number around 70 in-house and another 80 or so at facilities in Singapore and Taipei.

"Everything is written here, and the story and design and editing are all done here. The animation and lighting are done overseas, and sometimes some modeling as well," he outlines.

"I meet with George to talk about the episodes and he hands out a lot of the storylines and main ideas for the stories. I'll draw while he's talking and show him the sketch," Filoni continues. "That way we communicate right off the bat about what something might look like."

At any given time, the director notes, episodes are in various stages of completion, "from designing to working on a final cut, or adding sound and color-correction. I have four episodic directors to help me, who each have an episode they're managing."

Rather than use computer animation to duplicate the live-action films' characters or continue in the very stylized vein of the 2004-2005 "Clone Wars" micro-series, "We kind of shot for the middle," says Filoni, who endeavored to blend a 2-D esthetic with 3-D technology.

"The 3-D model makers and riggers who worked on the prequels dealt with the height of realism to create convincing digital characters. I knew that we weren't going to be able to do that for the series. And we wanted it to be different than a live-action feature, to get away from photo-realism. It was a choice to simplify something in the character models, the same way we would do things in a 2-D show."

So how did Filoni stay true to the "Star Wars" legacy in this newest installment? Read on to find out.

Clone Style

Taking some inspiration from the earlier cartoon series, Filoni

approached the characters as a 2-D animator would, "but stylized the face a little more. If you look at Anakin, he has certain edges and lines in his face. I would draw an edge or a line that might be unnaturally straight or curved, and that would play into the lighting of it. I tried to sculpt in 3-D the way I would draw or sculpt an image in 2-D, with shadow and light. I wanted it to look like a painting -- you see a textured, hand-painted style on every character. I have texture artists who literally paint every single character right down to their eyeball, because I wanted that human touch on everything."

Advances in computer animation have allowed Filoni to accomplish much more than he would have been able to in traditional 2-D. "For eight years I worked just with a pencil. I never touched a computer. But working with George, we try to look at computers as an incredibly advanced pencil. The technical side helps the creative, artistic side," he says.

Battles filled with huge numbers of soldiers can be rendered faster than ever before, but they still have to be created, along with every other prop and character in an enormous universe. "'Star Wars' is so complex in that you're building a whole galaxy. We go to many different planets," Filoni reminds. "So every rock, tree, blade of grass, native vehicle -- every asset -- needs design. We had to create a whole bunch of assets for each episode, and the budget goes up for each element you have. Once you build it, you have it, but we can't go to a different planet and have the same chair there," he laughs. "On a schedule where we need those things right away, it's difficult to get it all built."

Since "The Clone Wars" is chronologically sandwiched between "Clone Wars" and "Revenge of the Sith," it has been a mandate for the creators to stay consistent with the mythology. "That's probably one of the trickiest things," admits Filoni. "We always have to keep in mind what the characters are thinking and feeling at the beginning of this and at the end. You have a lot of room to play with when you're in the middle, but you have to remember what people say in the third movie. With characters like Obi-Wan or Anakin or Padme, I have to pay very careful attention that it will hook up. And then there's the expanded universe of "Star Wars" novels and video games. I try to be aware of it all and work it in, because fans really appreciate it."

Filoni hopes to attract existing fans and create new ones, especially among the younger generation, but admits doing the latter may be easier. "One thing we have that's different from any movie that came before is we're an animated series. But there's an instant reaction to the word animation that it's for kids. How you get around that is with the stories you tell. We'll have our snow battles and we'll also have our lighter 'Return of the Jedi' moments. Some episodes lean older, some younger. But in the end it has a broad appeal," he believes.

The recent "Clone Wars" movie (out on DVD Nov. 11 ) served as a stand-alone prequel to introduce the characters at this point in time. In contrast, "The series has its small arcs and shows you the war from across a broad spectrum of episodes. It's not just Anakin Skywalker's story," Filoni underlines. "We can go left or right of that plot and deal with characters we have never seen. There's a lot of material. It's a three-year period in the history of the 'Star Wars' Universe, and there are so many stories to tell. The longer it goes, the more chance we get to tell fascinating stories in that galaxy."

Character Study

"The Clone Wars" shows a different side of some of the film franchise's most iconic characters. "In a series, you can do a whole episode about a character and learn more about what they were like, which makes what happens to them a lot more poignant," explains Filoni. "We know Yoda is powerful, but how does that power develop? How does he use it? We get to go into more detail that you just couldn't do in the live action films, because they're mainly focused on Anakin."

While few of the actors from the live action movies agreed to reprise their roles in voice over for "The Clone Wars," Anthony Daniels, the original C-3PO, is the exception. "One of the special moments for me was hearing Anthony on the telephone, discussing C-3PO with me and his experiences. That really helps us round out the characters," says the director, who enjoyed similar input from Rob Coleman, the animation supervisor who worked on Yoda on the prequels.

Of the new characters not seen in the live action series, there's the alluring but venomous Asajj Ventress, a disciple of Count Dooku. "She is, of course, a villain, and fits into the structure of the Sith," Filoni elaborates. "Darth Sidious -- Senator Palpatine -- is the main bad guy, and his apprentice is Count Dooku. Dooku is training Ventress in the Dark Side. She's getting more powerful. I wanted to make her intelligent, deceptive and also kind of sexual. She's kind of a forbidden fruit -- Jedi are not supposed to get involved with the more lustful aspects of life. She adds another dynamic to the series."

On the other side of the good/evil coin is newcomer Ahsoka Tano, Anakin's teenage padawan, or apprentice. "She's Anakin's student and helps us see him as more of a hero," says Filoni. "Once he gets over his initial reaction, he takes pride in her. He's unpredictable and the Jedi know that, but he has compassion and that is used against him and it later brings him to the Dark Side."

Ahsoka was created, says Lucas, "Because I needed to mature Anakin. The best way to get somebody to become responsible and mature is to have them become a parent or a teacher. You have to think about what you're doing and set an example. You look at your behavior and the way you do things much differently. The idea was to use her to make Anakin become more mature. We've made her a more extreme version of what Anakin was- - a little out there, independent, vital and full of life, but even more so. He gets a little dose of his own medicine."

"She's been a really fun character to develop," adds Filoni, who likes Ahsoka but admits that his character tastes tend to run a bit more obscure -- his favorite is Plo Koon, "a bizarre Jedi Master. It's been fun to develop him and show his personality beyond the fact that he's bizarre looking and carries a lightsaber."

Fan Fare

Just three years ago, Filoni dressed up as Plo Koon to see an opening night showing of "Revenge of the Sith," so it's not surprising that the 34-year-old fan is still pinching himself that he has this job. "It's a very creative atmosphere," he says of Big Rock Ranch, where the lakeside setting is "meant to inspire us artistically and definitely does. A lot of the people I work with grew up with 'Star Wars,' so we have a great time. It's hard, intense work, but George is very engaged in what we're doing. What more could you ask for? I have the guy who created the 'Star Wars' universe excited and interested in what we're doing. We couldn't be happier about that."

Asked why he thinks "Star Wars" remains a fan favorite today, three decades later, Lucas says diversification is the key. "We were always able to deal with different aspects of the story in various forms and I think that keeps it alive. It is a lot of fun and it's a universe that has been created to inspire young people to exercise their imagination and inspire them to be creative, and I think that always works."

"The original 'Star Wars' had broad appeal to everybody, and it holds up so well," adds Filoni. "I think there's a timelessness to it, even though Luke looks like a kid from the '70s with that haircut. Luke is a farmer boy and Han is a cowboy. Jedi Knights are like the samurai of Japan or the knights of Europe. Those archetypes work the globe over. It's a world phenomenon that speaks to everyone. There will always be a character you can relate to."

#interview #crew #George Lucas #Dave Filoni #the first part is useless read the stuff about design and characters under cut #highlights bit for own reference

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pastpatientlywaitingforimagines · 4 years

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Supernova | Spencer Reid x Reader Platonic

WC: 2712

A/N: This technically is part 2 to Galaxy, but can be read standalone. Mostly I just wanted to write a fic for Entropy and already had a universe that I could work with.

GALAXY MASTERLIST

Warnings: Mentions of anxiety, PTSD, alcohol. SPOILERS FOR 11x11 (Entropy).

“Let me go.”

“No,” your unit chief didn’t look up from the file he was reading as you paced in front of his desk.

“Let me go with JJ,” you tried again.

“No,” Hotch’s eyes stayed glued to the information in front of him.

“Let me go with Rossi, he won’t let me do anything irrational. I won’t do anything irrational anyways, I don’t need a babysitter, but I will literally do anything if it means you’ll let me go to that restaurant.”

“You’re not going.”

“Hotch-”

“I’m not going to tell you again, (y/n). I know you want to help, you can do that from here,” he finally looked up at you, stone-faced. You sighed in defeat and left his office, slumping down at your own desk once you had crossed the bullpen. A steaming cup of coffee was slid in front of you, Penelope’s gentle hand resting on your shoulder for a moment before she sat down across from Spencer’s desk.

“Thanks,” your words were quiet and defeated, characteristics that weren’t normal for you. You took the cup in your hands but it was only a matter of minutes before you were pacing again, watching your friends- your family gather as they prepared for the events that were about to happen.

JJ, clad in a fluffy burgundy jacket, approached you slowly, “you ok?”

“I should be going with you,” you told her, “Hotch thinks I’m a liability, but I don’t see how keeping a fully functioning agent on the sidelines is any better.”

“Are you fully functioning? I’m sorry, (y/n), but I agree with Hotch. We’ll keep him safe, you do what you can from here.”

“That’s just it, Jayje. I can’t do anything from here. We already have a profile, all of my other skills are entirely field-based. I’m going to spend all night pretending to go over the case files while the rest of my family takes down a hitwoman.”

You glanced over your shoulder to where Spencer was standing by Garcia, quickly tying his tie as they searched for information. You had lived through so many cases with the boy wonder by your side, and somehow this was the one that was making your heart stop and it hadn’t even happened yet.

“Why is it always him?” JJ’s eyes narrowed as you spoke.

“What do you mean?”

“The train, the shed, the cult, the Anthrax, Maeve, Gideon, shot in the knee, shot in the arm, shot in the neck,” you listed, “I know what we do is dangerous but even for an FBI agent he’s experienced so much…trauma. I just want to put some bubble wrap on him for once.”

“He’s going to be ok,” she reached out a reassuring hand. You leaned into her, still feeling like you were suffocating with what-ifs that could happen to your best friend while you were stuck in the office.

Spencer strode over to you shortly after, sticking his arms through a suit jacket as he crossed the room.

“Hey handsome,” you tried impossibly hard to keep your tone light, not wanting to worry your friend before he went out on this case. His face still softened when he saw your disheveled state. JJ squeezed your arm lightly before walking over to Rossi, leaving you alone with the doctor.

“You’re worried about me,” he observed.

“Is that a crime? You’re having dinner with a hitwoman, I have every right to be worried, especially since Hotch sidelined me.”

“Yeah… about that,” Spencer stuck his hands in his pockets nervously, his tongue flickering over his lips.

“You didn’t,” you wanted to get angry as it dawned on you, but you were still too convinced this was the last time you were going to see your best friend.

“I could tell you weren’t happy with the plan when I first pitched it to you. I asked Hotch to keep an eye on you just in case. He’s being careful, (y/n).”

“I’m still not happy with this plan. I’m even less happy that I’m not allowed to participate,”

“I know, but once Cat is in custody you can come over to my apartment and we’ll watch as many episodes of Doctor Who as you want,” he proposed.

You shifted your weight as you considered his offer, “are you sure this is going to work?”

“There’s no other way.”

“Fine,” you sighed, “but we’re starting with Nine. Chris Eccleston is severely underrated.”

“Perfect,” Spencer smiled softly at you before checking his watch, “we should get going. You’re going to be ok here with Garcia.” You nodded, following him towards the glass doors as the dread of what he was walking into crept up your spine again.

He pushed the button on the wall, idly twisting his fingers together as you waited for the elevator to arrive.

“Spencer,” he turned to you with the most genuinely soft Spencer smile, “you’re the only you we’ve got. We can’t-” you cleared your throat, “I can’t lose you.”

“I know,” his voice was soft and calm and embodied everything you loved about the genius. Anything he was going to say after that was interrupted by the ding of the elevator doors opening beside you.

As much as it pained you to watch him get onto the elevator and leave you behind, you had complete faith in his abilities. It was the unpredictable nature of everyone else involved in the network that scared you the most. The rest of the team came from behind you, each patting your shoulder as they passed. Derek was the last, pulling you into a tight hug.

“We’ve got this. He’s got this,” he whispered.

“Promise you’ll bring him back alive?”

“I promise,” he squeezed you even tighter before letting you go and joining the rest of your colleagues.

“This is the worst part,” Penelope said from your side as you watched the elevator doors close.

“I can’t keep wallowing. I need something to do. Is there anything I can help you with?”

“We’ll go to the batcave! There’s plenty to do there,” she smiled, grabbing your hand and pulling you into her office. Eventually Hotch joined you, directing Garcia to start patching in the various team members.

You could feel the stagnant tension between you and the unit chief and you didn’t like it. As seemingly emotionless and serious as Hotch was he filled a certain void in your life that had been missing since you were young. He was your boss though, and you had just tried to go against his orders so the tension was unavoidable.

While everyone was getting situated Hotch tasked you with going over every bit of information that had been gathered from the Sniper. It was a menial task like you had predicted, everyone had poured over these files a million times prior to tonight, and though you appreciated the attempt at distraction you couldn’t help but turn your head to Garcia’s monitors any time you heard something from the team.

“JJ stand down,” Hotch directed. Abandoning your files you scooted your chair to Garcia’s other side to watch the screen in front of you. You didn’t dare say anything, this was Hotch’s call to make. You started listening deeper to the conversation Spencer was having with Cat, chewing on your bottom lip as you did so. You had spent years listening to him talk, but this was a whole new level of banter. Cat was keeping up with him at an impossible speed. You watched as she reached up to grab Spencer’s tie.

“She muffled the mic, we lost audio,” Garcia practically whispered next to you. You waited for what felt like an eternity before you heard Reid’s voice again.

“Rossi, stand down. Please,” his eyebrows furrowed as he tucked his tie back into his vest.

“I should be in there,” you mumbled, eyes glued to his face on the screen.

“She doesn’t know about Morgan and Lewis,” Hotch reminded you. You held back your retort when the team collectively learned about the bomb that was planted under the building. The impending danger gave your intuitive mind something more productive to focus on, but amidst the chaos you still heard Spencer’s voice, clear as day.

“Double or nothing I can get you to sit back down.”

“Reid, what are you doing?” Hotch asked, still trying to work out the bomb situation.

“Spencer,” you hissed even though he couldn’t hear you, pressing your earpiece impossibly further into your ear. You listened as Spencer countered with Cat until she sat down again and he resumed his story.

“Wait. Your mother- tell me.” As Spencer started talking about his trip to Las Vegas, you felt your breath catch in your throat. Penelope looked at Hotch.

“Did you know?”

“No,” she turned to you.

“Did you know?”

You cleared your throat slightly, though it didn’t seem to help, “no, he said he’d tell me about his trip later, once we were done with the case.” You were shocked, to say the least, and frustrated that you hadn’t seen something like this coming. Spencer had seemed so normal when you met up with him at work earlier that day, even hugging you when he found you spinning in your desk chair waiting for him.

“I’ve got her,” Lewis’ voice broke your thoughts as she and Morgan started moving towards the Bomber. In your earpiece you could hear their struggle, but all you could see was Cat pointing the gun at your best friend’s face. Penelope reached over to grab your hand as Morgan started talking to Cat.

“Kid I am trying to save your life, now let me do that.”

“He promised,” your voice was so soft you weren’t even sure if you were speaking aloud, “he promised, he promised, he promised.”

As Spencer had previously mentioned, this was not the first time a killer had pointed a gun at him. It was also not the first time you had seen a gun pointed at him. The difference was that all of the other times you had seen Spencer at gunpoint you had been on site with him. You knew the doctor could handle himself, he didn’t need you to save him, but if he got shot in that restaurant you wouldn’t be there fast enough to say goodbye.

Your eyes narrowed and your brows smashed together as Cat was placed in handcuffs. You didn’t like the way she requested Spencer walk her out.

“You want to go home?” Hotch asked Garcia, putting his hand on her shoulder. The woman beside you was sobbing as she nodded. You couldn’t imagine the relief she must have been feeling, though you were experiencing your own kind of relief knowing that Spencer was safe.

You helped Penelope pack up her things and drove home with her, thankful for the distraction because you knew it would still be a while before Spencer came back to the office.

“I’m going over to Derek and Savannah’s for drinks, are you coming? We’re celebrating my freedom!” She called from her bedroom.

“I don’t know, Spencer and I were going to watch Doctor Who at his place,” you fiddled with the buttons on your phone, waiting for Reid to call.

“He can meet you at Derek’s. Come on, it’ll be fun,” she took your hand, not giving you another option. Normally you would be more gung-ho about spending time with your friends, especially with an outcome as positive as the one that had happened in that restaurant, but there was a weight on your chest that wasn’t going away and it made you unsettled.

This feeling continued even when Penelope started drinking. Savannah gave you a glass of wine, but you only had a few sips before excusing yourself to the bathroom. Standing over the sink, you struggled to breathe and it felt like your heart was going to explode out of your tightening chest. You couldn’t get the image of Spencer being held hostage out of your head. It felt like every flashback you had experienced since coming home from overseas, though you hadn’t had an episode like that in months.

You focused on your breathing, deep breaths that rattled your bones, and tried to calm yourself down. You vaguely heard a commotion coming from the front of the house, so you focused on that until you could breathe normally again. You brushed a wayward tear from your cheek, then stepped out of the bathroom. Penelope was wearing significantly less clothing, and Derek was standing in the entryway with Savannah.

Derek released his grip on his girlfriend to hug you, “I told you I wouldn’t let him die.”

“Where is he?”

“He said he was going home. He only left a few minutes ago, you should be able to catch up to him,” Derek pulled away from you.

“Thanks,” you told him sincerely, grabbing your phone and keys before heading out the door. You didn’t expect to find your friend so soon, but his lanky frame was unmistakeable sitting on a swing in the park between Derek’s house and Spencer’s apartment.

You didn’t say anything when you approached, instead sinking down onto the swing next to him and digging your feet into the woodchips beneath you.

“Were you at Derek’s?” he finally spoke.

“Yeah, Garcia made me go. I thought she told you,” you laughed quietly.

“No, I would have waited for you if I had known. Do you still want to come back to my place?” he turned to you for the first time. Even in the darkness you could see the circles under his eyes.

“Are you sure? I can take a rain check if you need some time to breathe. That case was…” you trailed off, not sure if you could find the words to explain the evening’s events. Spencer didn’t answer, instead leaving a pregnant pause in the warm evening air before finally speaking.

“It’s kind of ironic.”

“What is?”

“My whole life the one thing I’ve been good at is remembering, and now I’m faced with a disease that could take that away,” there was melancholy in his words, a vulnerability you hadn’t seen since the night he had told you about his Dilaudid addiction.

“Are you going to get tested?” you knew he wasn’t looking for advice or your opinion, the best you could do was help lay out what you knew was a tangled mess of thoughts inside his mind.

“I can’t. I’m too young to show the chromosomal indicators,” he went back to looking at his feet, “I just need to fix it to help my mom and maybe I’ll figure out a solution for myself along the way.”

“Your mom is a tough lady. Whatever you work out in that brain of yours, even if it ends up being completely wrong, it’s going to be with the best intentions for your family. You have a heart of gold, Spencer Reid,” you saw the corner of his mouth pull upwards.

“I would really like it if you would come over,” he stood up from the swing, “I don’t think either of us should be completely alone tonight.”

“What makes you say that?” you asked as you joined him, starting to walk shoulder to shoulder down the sidewalk towards his building.

“You had a panic attack earlier,” his nonchalant words caught you off guard.

“Yeah, at Derek’s house. It was mild though, I worked through it pretty quickly. How did you know?”

“You’ve been fidgeting with your bracelet this whole time. You only do that when you’re trying to ground yourself.”

“You know me too well,” you smirked.

“You know me in a way I never thought possible,” he retorted emphatically.

“I know I make it look easy but trust me, it’s not,” your tone was light and teasing, a much needed lapse of normalcy from the otherwise heavy night.

You and Spencer were two inseparable souls, intertwined because the universe saw two lost kids who desperately needed someone to understand them in a way only the other could provide.

“You were wrong, by the way.”

“Wrong? About what?”

“There are plenty of things you’re good at besides remembering. Don’t sell yourself so short.”

GALAXY MASTERLIST

#platonic imagine #Criminal Minds #criminal minds fanfic #spencer reid #spencer reid x reader #spencer reid fanfiction #cm 11x11 #cat adams #platonic soulmates

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oftenderweapons · 3 years

Text

Apple of my pie (2) — Jin

A Small Town Swoons story

Chapter 2.

Pairing: Kim Seokjin x reader (nicknamed Buttercup)

Wordcount: 3.0k

Genre: non-idol!AU, Baker/Café owner!Seokjin, University student!reader Flatmates!AU, Friends To Lovers, Fluff, slightest angst

Rating: suggested 18+ (there are brief apparitions of dirty thoughts, also future episodes will contain NSFW material);

A/N: Hello my sweet poppies! Welcome to the Small Town Swoon Universe! 🥰✨

In this episode: Jin goes on his first date with Grace, who is actually a sweet person. However, during the date, he casually meets a friend who is more than capable of making him open his eyes. Meanwhile, Buttercup remembers exactly why they’re friends. The following day, the young woman faces a challenging conversation with her classmate and friend, Lara — who is also Jin’s assistant at the bakery.

TRIGGER WARNINGS: Sweet date; some angst between friends (Yoongi, the psychiatrist who always cuts too deep when he speaks his mind). Meet Yoongi and his sweet and horny girlfriend, Spice. Lots of swearing, especially from Lara and Buttercup towards the end. Dirty thoughts, mentions of wet dreams, playful bickering and name calling between Buttercup and Lara. There are a couple very painful references to Severus Snape and Lily Potter (lowkey Harry Potter spoilers, just in case).

Remember to vote for next prompt (check the link in my bio) and in case you need it, here’s my masterlist 💜

In case you need it, here is the music companion (Spotify only, sorry 😔)

Enjoy! ✨💜

Navi: Chapter 1 — Chapter 2 — Chapter 3 — Chapter 4 — Chapter 5 — Chapter 6 — Chapter 7 (7/7)

Sitting at the pizza shack near the university campus, Seokjin realised that Grace wasn’t a plain human being.

She was actually cute and funny. He could see himself with someone like this.

Someone who didn’t make him feel dull and a bit of an understudy.

Grace liked puppies. She was at her last year of vet school, she was interning at the local animal clinic and she had spent all day visiting pregnant cows. She hoped she could assist to at least one birth, even though the first expected date of delivery was a couple days after her internship formally ended.

Jin grinned as he listened, genuinely warmed by her caring ways and her childlike laugh. Her name really did fit her. She had a gap between her front teeth and a very sweet dimple that made him grin each time it appeared. Small, a little soft in all the best ways — and best places, he had unwillingly noted — and terribly endearing.

The date wasn’t bad. At all.

And it was way more than decent. Almost too good for being a first date.

No misunderstandings, no embarrassment, no shyness whatsoever. The pizza was good — not as good as his, but it was an eight out of ten, solid — there had been no accidents of choking on drinks or on food, no talking while having mouths full, no uncomfortable flutters in his heart as he looked at her. It was warm. It all felt warm.

However, the more time went by, the more he realised that a few things were missing,

Like you, humming at how good the food was, making jokes about unsuspecting patrons sitting around you, people watching, building impossible scenarios and stories about specific clients, basing yourself on stolen snippets of their conversations.

The strident chord was the sudden appearance of a familiar face. Actually two of them, one slightly less familiar than the other.

“Seokjin?” The very familiar face called.

He turned. “Hello Yoongi!” He greeted with a smile and a small wave. “Hello Spice!” He said, turning to the woman at his side, his hand laced with hers.

“Where’s Buttercup?” Yoongi asked, before he turned and spotted a woman sitting before his friend.

That was not you. Yoongi turned to Seokjin and eyed him suspiciously, making sure that Jin’s table companion didn’t notice.

“Guys, this is Grace.” He introduced the girl.

Spice looked at Yoongi with a meaningful look before turning to the young woman.

“Nice to meet you, Grace.” She said warmly.

Grace blushed. “Nice to meet you too, guys,” she replied with a soft smile.

“We’ll leave you to your night, he seems to be enjoying your company, Grace.” Yoongi said politely, before turning to Seokjin. “I’ll talk to you soon.”

Seokjin’s ears blushed. He felt ashamed, “Sure. Have a good evening,” he said, bidding his friends goodbye.

“To you too,” Spice said it’s a tight smile.

The two left, moving like one, perfect as always.

Seokjin knew how that felt. That’s how he always moved with you.

“They seem good people.” Grace noted, genuinely kind, as she had been all dinner long.

“They are.” Seokjin agreed. “And they’re smart too.” He said, beginning to worry for himself.

You weren’t in the living room when Seokjin arrived at the apartment. He was glad. He was glad he could have a few minutes to rethink about how Grace had stretched to her tiptoes with her hands laced behind her back and had placed a playful peck on his cheek before wishing him goodnight and dashing upstairs.

He was glad he wouldn’t need to confront you. And from the sounds coming from your bedroom, you were very likely watching one of those dramas and films you loved so much. Once more, he was glad.

However, that small peace lasted little.

His phone buzzed in his pocket. He exhaled and picked it up.

Is Pollyanna still around?

Yoongi wrote. Seokjin shook his head in hopelessness.

I’ve just arrived home.

Yoongi called immediately. Seokjin hid into his room. “So you decided to follow Namjoon’s way?”

“I have to save myself. I can’t stand there forever, hoping for her to notice. Or to care.”

“You decided to follow the advice of a miserable man abandoned by the highschool sweetheart rather than that of other four sane men who told you to talk to her?” Yoongi said, raising his voice.

“You never said your opinion.” Seokjin noted.

“You don’t need my opinion. You didn’t care about anyone’s opinion. You had already made up your mind even before the discourse started.”

Seokjin exhaled, exasperated.

“Can’t you just say it?”

“What?” Yoongi snorted. Hearing his frustration, Spice rubbed his back trying to calm him down. He nuzzled into her warmth.

“Just say what you think for once in your life.”

Spice frowned at Seokjin’s voice blasting from Yoongi’s phone. He patted her head.

Yoongi huffed. “Fine. I think Buttercup deserves to know and choose for herself. I think she does care, no matter what you think. Also, all that self convincing you’re trying to do is just you trying to keep yourself from losing something that makes you feel comfortable. Because after all you’re comfortable, aren’t you? You just drown yourself in her so much that you don’t even have to face yourself and what you want. And we both know Pollyanna is not what you want.”

Seokjin frowned and pouted. He already knew he was being childish.

“This silence is precisely why I don’t state my opinion.” Yoongi said, speaking softly when he noticed Spice had closed his eyes beside him, on the pillow next to his. He smiled and looked at how beautiful she is. He cupped her cheek, brushing her hair off her face.

“Yoongi. I can’t go on like this forever.” Seokjin said, his voice hopeless and tired.

“I know. All I’m saying is… you should tell Buttercup first.” Yoongi replied, his voice more comprehensive and gentle.

“I am such a coward.” Jin whispered, sitting on the bed, combing his hair with his free hand.

“Listen. I know Buttercup is to you what Spice is to me. I know it.” Yoongi said, his girlfriend scooting closer to him and pressing her face to his chest. “I know I would give her anything she asks and do anything to stay as close as she allows me.” He petted her hair while her warm fingertips danced on his spine.

Seokjin shut his eyes tight. “I’m just trying to get as much as I can before they take her from me.”

“No one will ever break your bond except your lack of communication. Someday a brilliant, smart man will come along and realise how damn precious she is and snatch her for himself. All you’ll have left will be possibilities and smoky dreams.” Yoongi took a pause. “You guys are amazing. You are borderline disgusting with the amount of private stuff you know about each other. Tell her.” Yoongi said, smiling and closing his eyes once Spice’s lips tickled his throat.

“I’ll try.” Seokjin replied. “Goodnight doctor.”

“Goodnight, lover boy. Try not to have wet dreams of your flatmate.”

“Don’t you have better things to do? I bet your girlfriend keeps a list.” Jin said, biting back.

Spice’s voice rose in the background. “Jin is almost right. However, why be doing things when you could be doing me?”

Jin blushed and snickered. “Goodnight, lover boy.” He quipped before shutting the call.

Yoongi placed down his phone, then shook his head and chuckled. “Doing you, uh?”

Spice licked her lips and closed the light before she bent to his neck. “You’d better provide, Min.” She warned before he pounced on her with an ecstatic grin.

Seokjin went to grab a glass of water sometime around one a.m., quite unusually. His routine is basic: he falls asleep at ten thirty and wakes up at four thirty, showers, dresses and runs to the shop. He starts the ovens and by six fifteen the first morning batch is ready.

But that night for some reason, he woke up. He stood up. He reached the kitchen.

Maybe it was because his sleep had been fitful. Maybe because all he had been thinking about was you. You and how it would have been like to be on a date with you, what you were like on a date, if you would have kissed him goodbye on his cheek, if you would have invited him up, had you been in Grace’s shoes, hadn’t the two of you been flatmates.

First he noticed that the fridge was open. Next he noticed you, in thick flannel pjs and a tank top. You were sniffling and drying your eyes, filling your mouth with the leftovers from breakfast.

“What happened?” He asked, spying on you.

You stood up straight, his face appearing in the dim, yellow glow of the fridge.

“His patronus was a doe.” You said, your lip wobbly, cheeks still wet with tears, filling your mouth with chocolate pudding.

He rose from his position slowly, raising his head from his arms, once crossed on top of the fridge door.

Why are his shoulders are always so damn big? What’s the use of all of that… wingspan — ? — when your kitchen is so tiny? And when he needs to move in the narrow lanes of the bakery? What is he so big for?

As you watched him turn on his side, trying no to hit the fridge or the counter as he stood behind you and hugged you close.

“After all that time.” You murmured.

Seokjin held you closer as you turned around. That’s why he was so big. All those good bear hugs.

“I know.” He replied, one arm snaked around your waist, the other wrapped around your shoulders and head while his hand patted your head. “I know,” he repeated as you hiccuped and sobbed. Of course he knew. He had been stuck there himself. Loving someone after all that time. Always.

“Who pissed in your latte?” Lara asked the following day after your nine a.m. bibliology lesson. “You look awful.”

“Thank you Lara.” You said, pushing your stuff into your bag. “Jin went on a date last night.”

Lara frowned, “What do you mean?”

“On a date. Pizza. With a girl.”

She laughed. “You’re joking, right?”

“I’m serious.” You said, placing your bag on your shoulder and wrapping your scarf around your neck.

“Listen. You’ve been friends for years. Honestly, it was a matter of time before it happened.”

“He’s never had a girl, a boy, a… partner. In four years.” You said as you and Lara walked out of the room, stopping by the closest heater in the main corridor.

“Do you think he would be your loyal servant forever? Your knight in shining armour?” Lara took a small bag of caramelised almonds: she had negotiated that she would work for Seokjin for a monthly pay and a weekly amount of his grandmother’s almonds covered by raw crystallised sugar.

“I am not opposed to it, it’s just… I’m uncomfortable, okay? What if he moves out and leaves me paying full rent. I can’t do that!” You stated weakly with strong disappointment.

“He’s just dating the chick, not marrying her!” Lara replied, throwing another almond in her mouth.

The mere idea of him getting married made you even more petty. “I don’t want her to barge in and change our friendship.”

“Friendship...” Lara scoffed. “You weren’t screaming friendship at my birthday.”

“I was having a nightmare!” You snarled playfully.

“You were having a wet dream. How long has it been since you’ve—”

You pressed your hand to her mouth. “Shut the fuck up. Not talking about that.”

Lara licked your hand, making you yuck and pull it away, cleaning it against her jacket. “We should talk about that, though. Think about it, Buttercup; he’s not gonna be single forever and you definitely have a bone to pick with that Grace girl.”

“She can have him like… on weekdays.” You said, trying to be reasonable. “Except on free mornings. We have breakfast together on free mornings.”

Lara shook her head. “Don’t wanna burst your bubble, but you do realise that soon he’ll be out on dates on Saturday night and staying out until Sunday morning?”

You frowned, pouting. You opened your mouth, trying to object.

Lara snickered proudly. You couldn’t let her have that.

“Well, at least I’ll be able to get laid with him out of the house.”

“Don’t worry. He’ll be getting laid too, fucking finally. He needs it and deserves it.” Lara muttered as she thought about all those years he had spent looking at you with heart eyes. “And remember that Grace will be getting Saturday dinner. Filet mignon. All that meat...” Lara commented.

“The meat...” You said, dreamily. Juicy steaks and roasted chicken and ribs and… Meat.

Your brain short-circuited. He was tall. Handsome. Well-built. And you sort of knew he’s large. For fuck’s sake, that was your best friend you were talking about! Why would you suddenly think about his junk?

You shook your head.

Still, Lara went on, grinning as she saw you falter. “Grace will get all of that. Saturday evening. Sunday morning. Breakfast in bed. Milkshakes. Homemade gelato. Apple pies. Picnics with his granny. Trips to the lake. His granny’s roast-beef—”

“Don’t touch the roast-beef, bitch!” You hissed, pointing a finger against her chest. “Grace won’t have my roast-beef, my homemade gelato, my Sunday breakfast in bed, she won’t have my apple pies, my coffees, my picnics with granny and my Saturday dinners. And no, she will not have the meat either!” You snarled.

Lara cackled. “Nice. Then you should make a plan. ‘Cause I think she wants to take it all. Now that you’re having this sudden mystical revelation, can you also vaguely perceive that you are in L-O-V-E with your flatmate and he’s been pining for you for years and he’d love it if you accidentally fell tits-first on his cock, you big fucking dumb idiot?” Lara said, completely exasperated while a posh, preppy girl gave her the side eye, tutting in disappointment.

“Stop talking about love and all that jazz. We’re platonic. We’re fine. We’re great and we’ll always be, forever.” You said shrugging. “We’ve been friends for years. He’s had plenty of time to make a move, if he were interested.”

“He blushes when old ladies call him charming! God, you’re big dumb!” Lara said, kicking her foot against your toes.

“What?”

“He’s shy! You want him! You’re attracted to him!!! You were literally sobbing his name!” Lara punched your shoulder

You shook your head, making to walk away. “Night-fucking-mere!” You objected violently.

“Li-fucking-ar!” She mirrored as she tugged at your arm and followed you.

Yes. After all, you were a liar. And well, first and foremost, you liked lying to yourself.

“He’s my best friend. I am not attracted to him. And I know I’ll never be.”

--------------------------------

Navi: Chapter 1 — Chapter 2 — Chapter 3 — Chapter 4 — Chapter 5 — Chapter 6 — Chapter 7 (7/7)

#bangtanhq #thetruthuntoldnet #kim seokjin x reader #jin x reader #kim seokjin #Baker!seokjin #bts fanfiction #bts blog #seokjin flatmates!au #seokjin friends to lovers

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petekaos · 3 years

Text

the chanonpom rooftop scene; an analysis

so. what a proposal scene that was, huh?

like always, i’ll be breaking down the major chanonpom scene we got this episode. this scene was given so much meaning by both the things they said and the things they didn’t, as well as the parallels to other characters that have already been established, and scene framing and composition in general.

strap in, folks. chanonpom won, and so did we.

a quick comment on the flashback before pom walks onto the roof - i think this bit is so incredibly important. first of all, chanon looks so terrified and lost here. he clearly hasn’t thought his plan through - all he does is hold a knife to the director’s neck with trembling hands, a half-baked idea of revenge brewing in his head. doesn’t this say something so clear about chanon’s perception of pom and how much he means to him? he remembered out of nowhere that he was subjected to this torture and was forced to live without his memories for years. and yet he never even blamed pom - not for a second. this is the chanon we know, the chanon that was ready to give everything up for pom, who put his own name on that document so that pom could have his future. this echoes in something pom says later as well but either way, chanon’s first instinct is to exact some sort of revenge on the director.

supot, as he does, immediately manipulates him into thinking pom is the one who he should blame and take revenge on - and i fervently believe that supot used his power on him here. he grips his shoulder, the music goes quiet as the camera focuses on supot’s face: all clear signs pointing towards the fact that supot put him under his control. like it was established in this analysis, chanon never would have ever done anything done against pom willingly, considering the fact that he was ready to give his life up for him when he was just seventeen. but him being manipulated into taking revenge against pom is completely believable, especially when supot is the one behind it - as he has been with all of it. chanon was so impressionable and hurt and lost, and he took clear advantage of it.

the composition and framing of this scene is beyond gorgeous. we start out with a shot of chanon on a rooftop, alone. as it has been established with pangwave, the rooftop is a place for vulnerability, for confessions, for the spark of love, and that’s exactly what happens here. just like for pangwave, chanon and pom’s safe space also appears to be a rooftop. moreover, we see chanon from the back, alone as he looks out over the city - the city that has housed him for all these years and that he has gone through without even knowing who he was, having lost everything remaining of him. we, the viewer, are removed from him in this moment as we see him from the back, through glass - because this is his moment. he starts off alone, like he has been for ten years now with nobody to reach out to, his only life force being to take revenge on his pom - a manipulated goal.

then we see pom walk in. chanon doesn’t look at him, doesn’t acknowledge him until the editors cut in with this wide shot again, directly following the last one where chanon was alone. this framing follows their reconciliation process in such a subtle and yet unconsciously noticeable way. pom has just moved into the shot, standing with his hands in his pockets and open, vulnerable towards chanon. his entire body is angled towards chanon, whereas chanon is angled away from pom - but still looking, still having turned his head. they start off on opposite sides.

the care these two lines demonstrate is truly unreal. pom has just been stabbed in the neck with a virus that he’ll now have to deal with and take medication for his entire life, and still he loves chanon so much as to find him and go after him because he knows, in his heart of hearts, that he’s the only one who’s able to stop him in any way. chanon doesn’t expect this obviously, still not looking at him because he can’t bear the thought of what he’s done to pom, but pom doesn’t take his eyes off of chanon here once. it’s worth noting that chanon looks up at pom clearly, levelling his eyes with his for the first time, when he hears that pom has come to stop him from doing anything stupid. this is where he, too, realises, how much pom cares for him. even after all these years, even after everything they’ve done to each other, even after they’ve forgotten and remembered again. they meet in a new life.

again, this is a parallel to the pangwave scene in episode 11, where wave stops pang from doing anything to himself. both of these couples are incredibly romantically coded - what with their rooftops, their subtle ways of taking care of each other, and their utter devotion that shines through their actions. in chanon and pom’s case, the way pom comes to stop him here, the way chanon is ready to give everything up for him.

pom takes a couple of seconds to say this, clearing his throat and looking out to the city - the same place chanon looks when he’s contemplating or doesn’t know what to say - because this is forgiveness. this is him forgiving chanon. he doesn’t say it in the same words, but he says it in the way his eyes flicker down to the floor and then up to chanon, staying there for the remainder for the time until the next wide shot, like he’s waiting for a response. the magnitude of this does not go unmissed - as mentioned already, pom forgives him, even after chanon had injected a virus into him, whether through his own will or not. he clears this up for chanon, to make sure he knows that he could never be mad at him. again, it is very much worth noting that chanon doesn’t take his eyes off of pom once during his little speech here.

this is merely a continuation of pom’s forgiveness - but now it provides chanon with a choice. while he is saying that they could be hostile to one another forever, he is also presenting him with a question. pom is also saying: it is your choice now, what becomes of us. you can choose whether we stay like this, or if we reunite, if we work together. he appeals to chanon here to see things his way, to forgive him too. this also clearly expresses what pom wishes himself - that he and chanon reunite and become themselves again, because pom has spent so long without chanon that it hurts to live longer without him, knowing that he is alive.

chanon looks away for a second, and then back out at the city, contemplating what pom has just asked him. he could have done anything now - moved away, gone through with what he was planning to go through with in the first place... absolutely anything. but he drags his fingers across the balcony, and moves closer to him. this is the part in the reconciliation process where chanon makes the choice to be closer to pom, both emotionally and physically, where he accepts pom’s olive branch and starts to forgive him.

chanon continues with his side of the story here - how revenge against pom (that he was probably manipulated into by the director) was the only driving force in his life. but still - wasn’t it pom he lived for during his darkest times, whatever way it was? while that isn’t completely healthy, they’re building it back up. they’re getting back to where they used to be. chanon says he feels bad, and there we see a glimpse of seventeen year old chanon again, chanon from the gifted, the chanon who was so devoted to pom and the unfurling of his potential and his happiness. we see what he truly feels in this moment. what he doesn’t say here but means is: i’m sorry. i feel bad. please, let’s try again.

it’s here we see the true extent of pom’s feelings about chanon, in whatever way they are. when chanon says he feels bad in that small voice, his apology to what he’s done to pom, pom’s first reaction is to sniffle, looking away from him in order to not cry. what he says next seals his forgiveness, his desire to have chanon back in his life in whatever way possible, because he has been lonely for so long. they both have. he says he doesn’t blame him. even though chanon has injected this virus into him that could potentially kill him, he doesn’t blame him. he doesn’t even need an explicit apology from him - rather he tells him to forget about it because he doesn’t want him to hurt any more than he already does. the way he immediately throws it to the wayside... that’s the devotion and the pure love pom holds for chanon. he’s saying, essentially, with this: i forgive you. it’s okay. let’s forget about it - let’s try again.

chanon turns away from him again, as if he can’t forget it, can’t forget what he did to pom like pom can’t forget what he did to chanon. but pom looks down, and moves even closer to him, as if he’s sealing the deal. he knows that he forgave chanon the minute it happened, and he needs chanon to know the same. this is the last step in their reconciliation process for now - chanon and pom having started out alone and at opposite ends of the rooftop, now meeting in the middle and finding themselves tentatively together again.

here we see more chanon and pang parallels, calling back to when pang said that maybe everything would be better if he died. these are two boys whose childhood was stolen from them, and who had to deal with the consequences with that mostly alone - chanon because he had no-one, and pang because he takes all responsibility onto his shoulder. chanon is almost like a future pang, someone that pang could become if he weren’t careful - hopeless and defeated, more than he already is. but through this scene, the show makes clear that you are never alone nor is it time to give up, through both pom here and wave in pang’s scene.

pom barely allows chanon to finish his sentence before he shoots out an “it’s not.” he cannot imagine his life without chanon in it, not anymore and not again. he needs to have him in it, cannot even let him believe for a second that he is better off dead. and this is where the wedding vow part of this scene comes through: “if i’m still alive, you must be as well.”

with this pom is saying: “as long as i am alive, i will be by your side.” with this, he is saying: “if i am still breathing, you must be breathing with me.” with this, he is saying: “i will go to the ends of the earth to make sure we are alive and together.” with this, he is saying: “i am devoted to you. we will make it together. we will work together. we will see the end of this together.” with this, he is saying: “you’re not allowed to die before i do.” with this, he is saying: “you and i are the same, our hearts are the same.” with this, he is saying: “i cannot fathom my life without you.”

of course, after this they decide to work together, having reconciled and reunited, and they smile at each other and stay close for the rest of the episode. in the preview, we see them with the gifted kids, working side by side as they always should have. it may have been ten or fifteen years too late, a long time coming, but chanon and pom have finally found each other again.

our khu pom and p’chanon - together at last.

#the gifted graduation #tgg #the gifted #chanonpom #the gifted: graduation #i am so tired why do i write analyses.... mhm i know why. to SOB.#either way i love them i love them i love them with all of my heart.#rahul.txt

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itsclydebitches · 3 years

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RWBY Recaps: Volume 8 “Strings”

Happy Saturday, RWBY friends! I am, quite obviously, going to dive into the recap in just a moment, but first I wanted to take a short detour to discuss the elephant in the tumblr room. Namely, Supernatural.

For those of you out of the loop, the tl;dr is that a fifteen year, beloved show ended with a truly horrendous finale. Specifically, the finale rejected everything that the show had been building towards: the logical conclusion to character arcs, the theme that “family don’t end in blood,” the potential for a queer romantic relationship… I could go on. The point I want to make is that the fandom had every reason to believe we’d be getting these things. This isn’t a case of fans upset that the finale didn’t go the way they wanted as an individual viewer, but rather that the finale didn’t go the way the show clearly and explicitly said it would. It’s not an exaggeration to say that in many respects, viewers were straight up lied to.

(I recommend reading the reviews.)

What does this all have to do with RWBY? Well, I can’t help but think that history is repeating itself. Certainly there are some notable similarities between the two series. Both have long, meandering plotlines with no clear end in sight (though I hope RWBY doesn’t reach the 15 Volume mark…). Both began with a small, core cast, but quickly expanded—generating the expectation that these now equally important characters will be given their due. Both have moved from the small conflict of fighting everyday monsters to a god-based mythology. Both have a popular queer relationship dangled in front of the viewers, featuring scenes where they’re “obviously” in love… but will it ever be confirmed? Both have a fanbase that says loudly and confidently that the writers know what they’re doing. Just wait! It’s all been planned! We’ll be rewarded for our patience and soon all the naysayers will be proven wrong.

Thing is, the Supernatural fandom wasn’t rewarded. Right up until a week ago those fans—myself included—had faith that the writers knew what they were doing because they can’t really be that out of touch with their own story...right? It’s not possible. Yet they were, it was, and now that I’ve gotten solid proof of precisely how far a show can go to reject its own logic, themes, and premise, that just makes me more wary of RWBY’s mistakes. Before I had a solid faith that things couldn’t possibly get that bad, that no matter how much RWBY might be messing up in the short term, it will undoubtedly pull it together overall, because what show wouldn’t? Especially a show with such promise and, at times, wonderful storytelling. Well, Supernatural didn’t manage it and frankly I’m not sure what to do with that information.

Seriously. I don’t have any grand conclusion here. It’s not my intention to suggest that anyone should stop watching RWBY, or to claim that it will absolutely fail because Supernatural did. Obviously, we don’t know what will happen until we get to see it in the show. I only want to acknowledge these parallels and the similar journey I see both fanbases on. I can’t help but wonder if, a couple years from now, RWBY fans will be making incredibly optimistic posts about how it’s all coming together, just have some faith, everyone who says that the group won’t get a satisfying ending, or Blake and Yang won’t be confirmed are just mean trolls… only to wake up that Saturday morning and get another metaphorical slap in the face.

It’s something to think about.

But here I’ve spent a page talking about the wrong show. Let’s get into the episode!

We open on a black screen with lots of ambiguous noises. At first I thought this was Oscar struggling in the Hound’s grip or something, but then I remembered that RWBY likes to insert an episode between cliffhangers. I watched Ironwood (presumably) shoot a guy and he only came back this week (though that question still isn’t answered. At this point I kind of wonder if it will be). Oscar was kidnapped last week, which means we won’t get to see him until next week. Or… two weeks from now? RT skips the week of Thanksgiving, don’t they? Sounds familiar doesn’t it? Something horrible happens to Oscar and we need to wait two weeks to find out how it’s resolved.

Watch him escape the Hound off screen and return to the group with a new outfit 😂

So it’s not Oscar we hear, but Ruby, the last one coming out of the tube. Weiss is in the process of pulling Nora’s ear for that stunt… with a frankly strange looking hand. What’s up with RWBY animating weird hands lately? I’m pretty sure that’s not how anatomy works.

Anyway, Nora counters that this was a “Once in a lifetime experience,” but they were all going to go through the tubes regardless. Weiss isn’t pissed that you sent her through, she’s pissed that you did it unexpectedly when she was alone, heading into enemy territory. But of course, there’s no one in the room to hinder them, so the mistake is meaningless.

We’re setting the tone again though. For the first half of this episode everything is sunshine and giddy adventure, which doesn’t fit the situation at all. It also creates emotional whiplash when I’m suddenly supposed to be super worried about things later on. This sort of about-face works once in a blue moon, as an emotional punch, like we see in Mulan:

But RWBY does it every other episode, which makes the overall tone of the series confusing instead. Half the time RWBY feels like two different stories—the cartoony tale of girls going on fun adventures, and the traumatic tale of a fantasy war—that have been badly spliced together.

“Alight, Robo-Girl, which way?” May asks and Penny demonstrates why she’s the best for sneaking into a facility. She’s able to map out the whole place, including seeing where everyone is so they can avoid detection. Kudos to RT for going this route. I was worried that they would have Ruby and the others straight up attacking Atlas grunts, knocking them out/potentially even killing them because who cares, right? They’re the bad guys! So I’m glad they’re working to get in and out undetected. Granted, we see in some places that they’re clearly willing to fight the soldiers if it comes to that—they’re reaching for their weapons when Penny opens the final door, expecting the room to be full of people. They were going to attack—but at least they’re trying to lessen that conflict as much as possible. That’s the sort of choice I expect to see from heroes and I’m glad we got it here.

After scouting the area Penny corrects May: “And my name is Penny,” to which Ruby gives a satisfied “Heh.” I’ve got no problem with Penny rejecting nicknames, even potentially well-meaning ones, because she’s always struggled with her status as a real girl and her name is her own. She gets to decide what others call her. I do, however, have a problem with making the presumed trans character the one who is corrected. Granted yes, we haven’t gotten confirmation in the show that May is trans, but RT doesn’t get to cash in on that rep without likewise suffering the consequences for how the character is treated. You’re telling me that a trans woman is going to roll her eyes when someone asks her to use a specific name? Please give May flaws, yes, she’s a person, but out of all the millions of flaws across the human spectrum, this is the one we’re shown?

Not to mention Ruby’s continued attitude. It’s like, ‘Yeah, May. Stop being a horrible person who draws attention to the fact that Penny is a robot. I never did that.’ Except when Ruby first met her she didn’t know Penny was a robot. Just like she didn’t know Blake was a faunus—something we’re reminded of this episode. We might assume Ruby wouldn’t have ever made any missteps at the beginning of these relationships, but the fact remains that she got to know both girls before their minority status was ever revealed. Ruby loved them before she ever had to grapple with their differences.

Put in her place, May then demonstrates that she can make lots of people invisible, not just herself. That’s handy. She creates an invisibility bubble that reminds me of Harry’s invisibility cloak. In the sense that others might not be able to see you, but they can still hear and touch you, which makes sneaking around still pretty challenging.

No sooner have I thought that then two guards get into the elevator with them. The group keeps quiet as the duo discusses how no one can get close to Salem’s storm without “getting shocked right out of the air.” Interesting. And frankly one hell of a roadblock if the Hound escapes into the clouds. Oscar may be gone for a while if he doesn’t escape on his own... The woman also comments about how creepy it is that all the grimm are just hanging out, waiting. It’s “worse than if they’d attacked.”

No it’s not! RT, stop trying to implement the idea that Salem withholding her forces is some epically cool choice. She should have decimated everyone by now and the fact that she hasn’t just shows how transparent the problem is: you’ve created a villain that’s too powerful and now you don’t know what to do with her.

As the group sneaks out of the elevator Nora grins and presses all the buttons, which is, as expected, a dumb move. They’re supposed to be sneaking into this base. If they’re caught they’re going to be thrown in jail at best, killed at worst, but Nora wants to risk that for a practical joke? Again and again we see this insistence on incorporating comedy where it’s not only unnecessary, but actively interferes with other aspects of the scene.

Reaching a terminal, Penny inserts her finger and gains access via Pietro’s credentials. She’s really demonstrating this episode why she’s… pretty terrifying? I mean, Penny is an incredibly powerful fighter with a computer’s view of the world, access to everything in the most powerful Kingdom alongside its information, and she now has Maiden powers to boot. Which, I should add, it took her one fight to master (because remember, the heroes are now always as strong as they need to be to win…). Now that Watts is planning to hack her, I expect her to be an incredibly formidable enemy, just given the amount she could potentially do. I think Penny herself is too kind to exploit all that potential and as we’ll see via Pietro briefly taking control, she doesn’t always have the knowledge to use the tools at her disposal. But in the hands of someone like Watts? He’ll turn Penny into the ultimate weapon.

Access granted, they learn that they have to go “Right through central command!” Of course, Penny makes it sound like a fun game and the spy-movie music/cartoon lecture doesn’t help. Again, tone. It’s adorable! It just doesn’t fit sneaking into a military base with your lives on the line while Salem waits outside. That was a RWBY Chibi moment.

Penny explains—twice—that Ruby can use her semblance to fly them all through central command and it’s treated like a revelation. At first, I was pretty confused because Ruby has been dong this for ages? She carried Weiss in “Argus Limited” and Nora during the Geist fight. But upon close inspection, what Penny seems to have “figured out” is that Ruby can carry multiple people at once because the “mass doesn’t matter.” Okay. Not a contradiction then, though I think RT could have made it a little more clear that Ruby was shocked at the idea of carrying multiple people, not carrying someone at all.

What I do take issue with though is Ruby mastering this skill instantaneously. I mean, why is Ruby being forced to try this on the fly (pun not intended)—Penny has known the layout of the building since they made this plan. She knew they had to get past central control and that it would be packed with people. She’s obviously thought about Ruby’s semblance a great deal—and why is she succeeding? Give me a Volume 7 where Ruby actually trains in this technique, set up via Harriet’s comment early on about her semblance, and then she’s victorious here when it finally matters. Or give me Ruby assuming she can pull off this incredibly difficult skill only to fall out of her semblance halfway through, a roomful of Atlas personnel staring at them. Then what?

Not this.

This is a character who does everything perfectly on the first try without ever having to fail. Ruby is boring like this.

Crisis averted, we transfer to Ironwood who is… working with Watts.

What else is there to say? I’ve already laid out all the reasons why this is stupid and makes no sense. Others keep coming onto my posts to explain to me how Ironwood’s awful deeds up until now fully show his decent into villainy, conveniently ignoring the numerous limitations he was under and his choice to do what he thought was best for the world using inaccurate information. Ironwood was always a divisive character and many are happy to ignore the years’ worth of deconstruction done—a man who looks like the Evil Military General but actually isn’t—because they never liked him to begin with. Not liking him is fine, no one has to like any character, but I’m honestly shocked by the number of viewers who refuse to acknowledge how bad the writing is, even if it means defending a character they hate a teensy tiny bit (#SupernaturalVibes). As a friend put it, Ironwood now feels like a caricature of his former self, a Pure Evil Ironwood who appeared out of nowhere and is now here to stay. He shoots kids. He shoots unarmed civilians. He teams up with Salem’s men and tries to hack Penny. These are undeniably horrible acts, they’ve just been given to a character who never would have done them until RT randomly flipped the Evil switch.

The “RWBY” tag, alongside all the fluff moments of this episode, is now filled with posts encouraging Marrow to turn, yelling at the Ace Ops for being “bootlickers,” and capslock screaming at anyone who dared to speak up for Ironwood. It still sucks to have bad writing twisted into an attack on the fans and it’s going to continue to suck until at least the rest of Volume 8. I’d like to again remind everyone that Qrow teamed up with Tyrian a few episodes, yet because he’s again in Ruby’s graces, that was twisted into a ‘not that bad’ situation. The issue isn’t really that Ironwood is teaming up with one of Salem’s subordinates, but that he’s doing it to go against RWBYJNOR… the second a character teams up with Salem to get what Ruby wants (to not have her team in jail) then that’s totally fine… but that’s a wrinkle a lot of people are happy to ignore.

So yeah, Ironwood is an idiot now too. Like Qrow also was last Volume. He really thinks Watts isn’t going to betray him somehow? Although, I do wonder if the chance to ruin Pietro’s creation outweighs his loyalty to Salem, but the point is that Ironwood can’t be sure of that either. At least he’s smart enough to keep Watts under continuous guard. He puts his hand on Watts’ shoulders and goes, “I’d hate for us to have to try motivating you. Again.”

So he tortures people too now? Like I said, caricature. This was Ironwood and we were given no clear idea of where he disappeared to.

RIP a great character.

Watts notices though that Pietro has apparently accessed a secure area and alerts Ironwood to it. I laugh that the information is just ¡EMERGENCY! In large, red letters. Ironwood immediately makes an announcement for everyone to be on guard. It’s a level 3 lockdown — that won’t impede the group leaving via airship! — and they’re to use “lethal force” if necessary. Weiss is disgusted.

As much as I disagree with making Ironwood into a shoot first, ask questions later kind of guy — he’s definitely wrong to be doing this — I also find myself rolling my eyes at reactions like that. Yes, Weiss. You attacked four operatives until they were knocked unconscious. Prevented an entire city from escaping Salem’s wrath, endangering them all. Now you’re breaking into the most classified room in the Kingdom to steal an equally qualified project and use it for your own means. There’s no reason why Ironwood would level his might against you. Is death still an extreme response? Yes. Should Weiss be acting like Ironwood is crazy for responding to them in an extreme manner? No. Her remark makes it sound like Ironwood is attacking her poor, innocent, defenseless team… not the team that’s been lying to him, betraying him, attacking him, and stealing from him. Not the team carrying deadly weapons into a facility to take what they want at any cost.

With their presence known, May wants to go grab an airship. That’s the series now.

Meanwhile, Penny insists that they can still complete their mission and we see Nora come up with some sort of plan.

Except, what plan was this?? What did she say to the group? ‘Hey, let’s wait around until some guy conveniently walks by with a full cup of coffee. Then we can trip him and the mug will fly alllll the way across this gap to land on a terminal, startling at least two workers. Except this guy will be hated by the whole room because he’s always messing things up—his coffee mug has been changed from #1 Dad to #1 Dud—so that this little mishap will create a ruckus that gets everyone involved, giving us the opportunity to slip by them all.’

Seriously, what? This kind of “plan” only works with someone like Clover, where we know he has a good luck semblance and thus all these unlikely pieces fall into place. I could absolutely buy Clover smiling smugly, working under the knowledge that he just has to wait around a few minutes and something will come along that works entirely in his favor. But Nora? How did she know any of this would happen? Obviously she couldn’t have, so what exactly was their intention if this coffee carrying, hated guy didn’t show up? RWBY, your contrived plots are showing.

I do, however, love the grimm Jaws poster. Jaws is an absolute favorite of mine, so seeing a reference to it in RWBY? A funny one at that? It almost makes up for how bad this episode is lol.

Because frankly I’m bored. The group sneaks around, criticizes May and Ironwood, briefly confuses me about Ruby’s semblance knowledge, and gets through tons of Atlas personnel in the stupidest way possible. I have to watch this guy running out of the room with coffee on his pants screaming, “WHHHYYY???” and he doesn’t notice the five girls standing right next to him. It’s silly. It’s boring. Luckily for RWBY, things are about to pick up in the second half.

After Ruby gets them upstairs and the final room is also conveniently devoid of people, Pietro takes control of Penny—including yellow possession eyes like Oscar has with Ozpin—and he...gets Amity started. That’s it. After a whole volume of ‘It’s not finished yet’ and ‘We barely have the resources’ and ‘Robyn stole what we were using to do idek what with’ he presses buttons for a while and they’re in. How good for them!

I do love that Penny calls Pietro “Dad” though. I’m here for the android-father relationship.

While Pietro works we turn to Blake, Weiss, and Nora. Blake tries to convince the audience that Ruby and Yang had an actual fight with, “I’ve never seen Yang and Ruby fight like this.” Yeah, because no one in this group has ever said the sliiiiightest thing against Ruby, so you all read the tinniest disagreement as a “fight” to be worried about. I mean, doesn’t RT have friends to draw inspiration from? They’ve never disagreed about Huge and Complex Questions before? Never gotten pissed and then shrugged it off the next time you want to text? RWBY’s idea of a diverse friend group feels like many other writers’ idea of a sibling relationship: anyone with an actual sibling goes, “What is this?” Speaking of, Weiss explains that sisters often have “very different ideas about what’s right” as if, again, people don’t have different ideas? Just in general? Why is this suddenly a sister thing? She’s clearly thinking about Winter, but doesn’t actually bring it up, so all we’re left with is the same situation we had last Volume. Weiss thinks she’s right, Winter is wrong, and they’re just going down their separate roads because there’s definitely no reason to re-examine any choices here. It’s all static.

Until Winter betrays Ironwood, of course.

Nora tries to reassure Blake that the group will be fine (ha) even though they’ve split, the irony being that we, the audience, know they just got wrecked by the Hound. Jaune is a great leader though, Oscar has grown so much, Yang could defend them all in a fight, and Ren… well, she can’t think of anything to say about Ren. I hate the Nora is acting like Ren has drawn away from her for no reason, after she chose to kiss him—without consent—rather than listening to what was bothering him, then proceeded to pretend that this mystery problem never existed. What does she expect? I do, however, like the general acknowledgement that she doesn’t know who she is without Ren. Who is Nora? Someone who is “strong and hit[s] stuff?”

See, this feels like RT writing self-consciously because Nora doesn’t have much of a personality. Oh, on a surface level she’s bursting with it, but past the bubbly exterior? That single layer? We can add maybe one thing to this “Likes Ren, is strong, hits stuff” list: she’s funny. That’s it. Anything else we might add like “she’s loyal” or “she’s kind” is just a generic characteristic of this entire team. They’re all meant to be crazy talented good guys and even the “is strong” aspect is suspect when others frequently pull off attacks as showy as Nora’s hammer hits. So who is she? What are Nora’s dreams? What are her hobbies? Her fears? Her history? We’ve seen a single flashback of her on the streets and one scene back at Beacon where she listens to music and reads a magazine. Seven years worth of material and that’s it. There’s a reason why the go-to, non-combat action for Nora in fics is “makes pancakes.” We know so little about her still.

So I was excited for a brief, shining moment. Yes! Explore who Nora is outside of being strong and hitting stuff! … and then her big action this episode is, as she says, being strong and hitting something. Don’t get me wrong, outside of that setup it’s pretty epic. I like Nora going to those lengths to save Penny and I absolutely love the repercussions of the choice: a broken aura, passing out, and badass lightning scars all over her arms and neck (especially when women often aren’t allowed to accumulate scars in visual media). That’s pretty damn awesome. It’s just that it comes on the heels of the story insisting that Nora is more than this, that we’ll learn something new about her… and we haven’t. This is indeed cool, but we already knew that Nora was willing to crazy lengths by hitting things really hard. That’s already her established norm.

At least this moment has some really nice characterization alongside the stupidity. The conversation between Ruby and Penny is just plain stupid. Penny wants to stay to help with the evacuations, but Pietro says she should come with him in Amity. Why? As Ruby says, because then she’ll be up in the sky and Salem won’t be able to access the relic.

That’s what Ironwood wanted to do! We could have had this conflict episodes ago with you all working with him! I really can’t with this cast. Also, the rest of this is still confusing. I thought pretty much everyone was in the slums by now, so what evacuation are they talking about? Do they plan to evacuate everyone in Mantle out of the kingdom somehow… like Ironwood wanted to do with Atlas? And why are they acting like Amity is evacuating some people too? I thought they were just using it as a communication device? To add insult to injury, Ruby then contradicts herself a minute later when she tells Harriet that Ironwood can’t have the relic because “Salem will find her way to the relic no matter where you go.” Ruby, if Salem can access the relic high in the sky she can also access Penny in the sky. If you believe that literally nowhere is safe then why are you sending Penny away under the claim that she—and via her the Relic—will be safer? If you want Penny in Amity to lessen the chance of Salem getting the Relic, why can’t Penny be in Atlas while simultaneously (hopefully) getting a whole slew of people to safety?

I’m continually confused by this “plan” of theirs. Their claims just flip-flop according to what (supposedly) contrasts them with Ironwood. Even though that’s not actually the case.

Penny is me, sad while watching this train wreck of a scene.

So yeah, the Ace Ops are here. I’ve wondered since the trailer why Weiss looked smug while everyone else was startled. Turns out it’s because of her line, “So, your first time losing to us wasn’t enough?” I can’t express how much I dislike all the girls’ personalities now. I want to shake some compassion and humility into them. Plus, they never should have won that fight in the first place. Marrow yells, “We were holding back!” but coming from the team’s weakest member it reads as defensive. Like we’re supposed to go, ‘Lol yeah right, Marrow. Just admit you got your ass kicked,’ even tough the Ace Ops should have wiped the floor with them, holding back or not. That’s my biggest takeaway from this fight: it’s the reverse of what we should have gotten. The Ace Ops should have beaten Team RWBY with ease and struggled greatly against an android Maiden, not falling before a bunch of teens and succeeding against Penny if not for Nora’s timely breakthrough. Your half-trained cast of growing heroes should not come across as more powerful than an intelligently designed weapon now wielding magic.

Before the fight starts we get a whole lot of lines that are, frankly, frustrating. Vine tells Penny, “I thought you were supposed to protect the people, not hurt them” which is true enough. Penny is taking action that is putting a lot of people in danger, regardless of the fact that Ruby is at the helm. Problem is, the Ace Ops then blame her for Winter’s injuries and “stealing” the power? That’s not the issue here. The issue is Penny’s blind loyalty to Ruby, but by having the Ace Ops back a stance that is clearly inaccurate—Penny didn’t cause Winter’s injuries, Cinder did; Penny didn’t steal the powers, she was encouraged to take them—it makes them come across as Very Evil people who will twist things to make poor Penny look like the villain. Even if this is a case of Ace Ops having bad intel (which seems unlikely. Wouldn’t Winter have told them what happened?) RT has avoided letting the Ace Ops take a justified stance here because that would make them look too sympathetic… even though they do have multiple justified stances to take. Like, ‘Hey, stop keeping half a kingdom here where Salem can easily kill them all’ or, ‘Hey, why did you spend months betraying Ironwood and then turn on us instead of trying to find a compromise?’ Even, ‘Why did your uncle help kill our leader?’ There’s plenty that the Ace Ops should be rightfully pissed about, so choosing Penny and Winter out of everything feels like RT is firmly backing them into Ironwood’s corner: you’re just bad now and bad people blame innocent girls, rather than acknowledging the actual wrongs done against them.

So we have Ruby contradicting herself and the Ace Ops backing warped ideas that make them look worse than they actually are. Adding to the stupidity is the fact that Elm mentions that Winter is in “critical condition” and Weiss… doesn’t care. Harriet then tells Ruby that she’s “throwing [her] in jail right next to your uncle, runt” and... Ruby doesn’t care. Qrow is missing and Ruby just found out he’s been captured by Ironwood, yet there’s no reaction whatsoever. This show continues to go hard on the ‘screw adults’ mentality, huh? Ozpin needs to keep quiet and is horrible for coming back. Ironwood is now a cartoon villain. Winter made the wrong choice so no one cares about her anymore, not even her sister. The Ace Ops remain enemies despite trying to talk things out. Qrow? Barely know him. Who’s he? This is a Ruby loves Penny episode. There isn’t enough emotional nuance for her to care about him too.

The sad thing is I adore Nuts&Dolts. In a different context these moments would be a goldmine for me.

If anything, this episode feels worse than the majority of last week’s because there are good things here that have been thrown into a bad setup. I can’t get excited for the group’s battles when I see who they’re attacking. It’s hard to squee over Ruby hugging Penny when she doesn’t react to Qrow. Watching Nora go all Thor feels like it only has half its potential when it’s coming out of a very messing, ‘I’m more than just being strong and hitting things… which is why I’ll continue being strong and hitting things.’ RWBY has excellent moments set into a terrible story.

The fight, at least, is exciting. The Ace Ops goad Penny into stepping away so they can trap the rest of Ruby’s team—smart—and she’s forced to hold her own while Weiss tries to break through with her knight, then Nora overloads the system. To be frank, I’m not great at analyzing combat. Not unless I’m looking for something specific like whether a win is justified. I’ve already mentioned above the broad issue of the Ace Ops very nearly beating the most powerful fighter next to Salem herself, yet failing so spectacularly against Team RWBY. Outside of that context though? I really enjoyed this. Lots of tight action, creative attacks, teamwork, some emotional pauses throughout… it feels like a pretty solid battle. Put it on Youtube as a clip, outside of the rest of the story’s messiness, and you’ve got yourself a fantastic watch.

We can’t stay in the combat forever though. During all this Weiss calls the Ace Ops “cowards” for making it four vs. one. You know, RWBY should really just do away with dialogue and make the show purely action because the cast frequently sounds so stupid when they speak. Like her comment about Ironwood’s lockdown… really Weiss? ‘Yes, we might be wanted criminals who betrayed this group in the worst possible way, but how dare they not do the honorable thing and have three of their teammates sit out while trying to capture us? Even though the girl they’re trying to capture has magic. I mean, the nerve of them!’

Weiss, at this point I’m not sure how to explain to you that the people you’ve made into your enemies do not owe you a fair fight.

Another detail: we get to see Ruby fall off the edge of the walkway and this time she remembers she can fly! A definite improvement from Volume 6.

Finally: by the time Penny’s eyes go full Maiden in Elm’s grip, I think we’ve seen everything from our trailer. Episode 4 will truly be a mystery.

Ironwood has, of course, been watching the fight this whole time. When it looks like the Ace Ops will lose against the team he means to send in reinforcements, but Watts says he has “a message for your operatives.” Instead of capturing Penny they steal one of her swords instead, ending with a shot on Marrow looking conflicted.

Because remember, there’s no actual moral grayness in this story. The protagonists are right and everyone else is wrong. It’s (supposedly) black and white. Which means that if the Ace Ops have any hope of surviving this Volume and being seen as anything other than evil bootlickers, they have to join with Ruby. Marrow seems primed to do that.

Am I surprised? No. Disappointed? Always lol.

May has the airship ready to go and they fly off… despite the shields. And the lockdown. Consistency? Who’s she? Nora is said to be “in bad shape” and after another hug Penny leaves to hide in Amity, even though Ruby thinks that hiding is a useless, cowardly choice. Just not when she and her allies choose to do it.

We end the episode with Watts receiving Penny’s sword and making the statement, “If you can’t beat them… then make them join you.” I have to say, his cheesy villainy is something I continue to enjoy, even if it’s heavy handed at times. Watts is just fun. I do have to say though: if Penny is hacked, what does that say about her agency? We double-downed on the ‘real girl’ narrative by giving her the Maiden powers, but she’s simultaneously synthetic enough that a single piece of her can remove all autonomy? It once again feels like RT isn’t sure what point they’re trying to make, they’re just chucking a lot of themes at the wall and seeing what sticks. Still, we’ll have to let it all play out before making any judgements.

And that’s it for this week. It seems like this is a slightly shorter recap than normal, though that may be because I struggle with discussing pure action sequences, which made up a decent chunk of this episode. I’ll no doubt return to the Ace Ops vs. Penny fight when I’m not on a self-imposed, one day deadline for posting. The only thing left is to update the Bingo Card, but I don’t think we made any headway this week. So... good job, RWBY?

I’m still going to hold off on the civilian’s square until Salem’s army actually attacks, as well as the two day timeline square.

No Winter this episode

Watts is teaming up with Ironwood which is… so much worse than him teaming up with Jacques again. Does a square get an X if the canon is even worse than what you assumed it would be??

Maria was mentioned this episode. Jury’s out on whether she’ll actually do anything.

Atlas is still standing, we knew Penny was heading towards a hack so it’s not much of a cliffhanger, no Qrow, no Ozpin, no Neo or Cinder.

It certainly looks like we can check off “The team gets Amity up and running,” but let’s just see if there are any problems next episode. If the problem is only ‘We would have launched it if not for Salem’s attack’ or something, I’m checking it off. The point is it would have worked.

I’m also leaning towards “More obvious Blake/Yang implications without confirming a relationship” given Blake’s heart-to-heart with Nora… but let’s see if the Volume does anything more egregious.

All in all (and perhaps despite what I’ve written above), I don’t think it’s fair to totally drag this episode. As said, this feels like a strong episode in a bad story, something that I would have LOVED if a) Salem weren’t here and b) the ‘ethical dilemma’ wasn’t boiled down to a ‘Team Ruby is good’ and ‘Ironwood and everyone associated with him is evil’ situation. It’s an episode whose tone and character action belong in a different version of RWBY. If you gave us this fun episode in an earlier Volume against a Pure Evil antagonist? It would have been great.

Ah well. It is what it is. Expect more emotional whiplash when we come back and everyone learns that Oscar has been kidnapped by Salem’s talking pooch 🙃

See you then! 💜

#rwby #rwby spoilers #rwby volume 8 #rwby strings #mymetas #rwby recaps #apologies if this Recap is messier than normal #I have a zoom meeting in five minutes lol #gotta go fast!

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somegirlsnerdywords2 · 4 years

Text

Anime i’ve Watched

That begin with a O (Part 1)!

Yep this is how i’m going to bring over all the anime and manga i’ve watched and posted about on the old blog. It’s not so detailed but it will have to do. Anything new I watch or read from this point on will have their own posts.

Ojisan to Marshmallow:

Genres: Slice of Life, Comedy, Romance, TV Short

Synopsis: Habahiro Hige is a simple-minded older man who works an office job and is an enthusiast of Tabekko Marshmallows. His days often consist of being teased by his 24-year-old colleague Iori Wakabayashi, who uses his obsession to her advantage: from eating them in front of his face, to buying out his favorite brand from the convenience store, and even embarrassing him in front of their boss. Although her friends cannot fathom what she sees in him, she just cannot get over his marshmallow-like, fluffy frame. No matter the lengths it takes, Iori will find a way to get his attention. Little does Habahiro know that she is trying to seduce him into a romantic relationship with her. The way to a man's heart is through his stomach, right? At least this is what Iori would honestly like to believe. With a bag in hand, Iori continues to make him chase after her day after day, hoping that he will finally see through her attempts. Will he ever realize that their relationship can become s'more? [Written by MAL Rewrite]

My Rating: 9/10

Finished airing in 2016 with a total of 12, 3 minute long episodes.

My Thoughts: A cute, bite sized anime with feeling. Something light and short to watch on a bad day.

Omoide Poroporo (Only Yesterday):

Genres: Slice of Life, Drama, Romance, Film

Synopsis: Taeko Okajima is a 27-year-old, independent woman who spent her entire life in Tokyo. Looking to unwind from the rush of the big city, she decides to visit her family in the country to help out during the harvest. On the train there, Taeko vividly recalls her memories as a schoolgirl in the initial stages of puberty, as if she is on a trip with her childhood self. A young farmer named Toshio picks her up at the station, and they quickly develop a friendship. During her stay, Taeko forms strong bonds with family and friends, learning the contrasts between urban and rural life, as well as the struggles and joys of farming. Nostalgic and bittersweet, Omoide Poroporo takes on Taeko's journey as an adult woman coming to terms with her childhood dreams compared to the person she is today.

My Rating: 9/10

A film released in 1991.

My Thoughts: One of the lesser known films by Studio Ghibli and well it didn’t leave that big of an impact on me it was still an experience to watch and one i’m thankful for.

Onigiri:

Genres: Comedy, Supernatural, Fantasy, TV Short

Synopsis: Ancient Japan is under attack by powerful beings called "Kamikui," and it is up to the "Oni" and his band of eight beautiful female warriors to stop them. Each of these girls have unique skills, abilities, and personalities. They partner themselves with the Oni, Jin, to stop the miasma of darkness sweeping across Japan. Onigiri follows the escapades of Jin and his merry companions as they strengthen their bonds and fend off the demonic invasion. [Written by MAL Rewrite]

(Couldn’t find a gif, the one above is not from the anime.)

My Rating: 7/10

Finished airing in 2016 with a total of 13, 4 minute long episodes.

My Thoughts: Meh. Can’t remember a thing.

Ookami Kodomo no Ame to Yuki (Wolf Children):

Genres: Fantasy, Slice of Life, Film

Synopsis: Hana, a hard-working college student, falls in love with a mysterious man who attends one of her classes though he is not an actual student. As it turns out, he is not truly human either. On a full moon night, he transforms, revealing that he is the last werewolf alive. Despite this, Hana's love remains strong, and the two ultimately decide to start a family. Hana gives birth to two healthy children—Ame, born during rainfall, and Yuki, born during snowfall—both possessing the ability to turn into wolves, a trait inherited from their father. All too soon, however, the sudden death of her lover devastates Hana's life, leaving her to raise a peculiar family completely on her own. The stress of raising her wild-natured children in a densely populated city, all while keeping their identity a secret, culminates in a decision to move to the countryside, where she hopes Ame and Yuki can live a life free from the judgments of society. Wolf Children is the heartwarming story about the challenges of being a single mother in an unforgiving modern world. [Written by MAL Rewrite]

My Rating: 9/10

A film released in 2012.

My Thoughts: Like movies that make you cry and have a bit of an odd concept? This film may in fact be for you! Nice art and a touching story.

Orange:

Genres: Sci-fi, Drama, Romance, School, Shoujo

Synopsis: Naho Takamiya's first day of her sophomore year of high school is off to an uneasy start. After waking up late, she receives a strange letter addressed to her. However, the letter is from herself—10 years in the future! At first, Naho is skeptical of the note; yet, after witnessing several events described to take place, she realizes the letter really is from her 26-year-old self. The note details that Naho's future life is filled with regrets, and she hopes that her younger self can correct the mistakes that were made in the past. The letter also warns her to keep a close eye on the new transfer student, Kakeru Naruse. Naho must be especially careful in making decisions involving him, as Kakeru is not around in the future. With the letter as her guide, Naho now has the power to protect Kakeru before she comes to regret it once more. [Written by MAL Rewrite]

My Rating: 8/10

Finished airing in 2016 with a total of 13 episodes.

My Thoughts: I loved the manga... I honestly have no idea why I only gave the anime an 8... Maybe the story just had less impact the 2nd time around? Not a clue.

Ore Monogatari!! (My Love Story):

Genres: Comedy, Romance, Shoujo

Synopsis: With his muscular build and tall stature, Takeo Gouda is not exactly your average high school freshman. However, behind his intimidating appearance hides a heart of gold, and he is considered a hero by the boys for his courage and chivalry. Unfortunately, these traits do not help much with his love life. As if his looks are not enough to scare the opposite sex away, Takeo's cool and handsome best friend and constant companion Makoto Sunakawa easily steals the hearts of the female students—including every girl Takeo has ever liked. When Takeo gallantly saves cute and angelic Rinko Yamato from being molested, he falls in love with her instantly, but suspects that she might be interested in Sunakawa. With his own love for Yamato continuing to bloom, Takeo unselfishly decides to act as her cupid, even as he yearns for his own love story. [Written by MAL Rewrite]

My Rating: 9.5/10

Finished airing in 2015 with a total of 24 episodes.

My Thoughts: I freaking loved this anime!! The male lead wasn’t your typical pretty boy, all of the characters were wonderful in their own ways and the relationship between the two leads was painfully adorable. Big fan of this title!

#anime #tv short #omoide poro poro #only yesterday #films #onigiri #wolf children #ookami kodomo no ame to yuki #orange #ore monogatari #my love story

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