OVER MY DEAD BODY
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din’s champion
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Love how Lucifer just manhandles Adam during their 'fight' despite everyone else getting their asses kicked. Plus him effortlessly destroying him when Charlie's in danger is really sweet.
gawd me too anon me too
that was everything me to me. like everything. It was built up so well too
we spent the whole season building up alastor as this massive powerhouse, eldritch, nobody messes with him. Only one who tried picking a fight with him (Vox) got utterly humiliated and everyone else was clearly outclassed. Except for Lucifer where Alastor merely just went with annoying instead of power challenging. Like we got vibes okay yeah makes sense that the King of Hell isn't intimidated by anyone, even if it's alastor, but Alastor got TWO wtf moments in Dad Beat Dad one with Husk and one with defending the hotel
other than that, it was pretty much, nobody messes with him cuz he will mess you up
and he fights Adam evenly sorta for a bit before Adam pulls out the "I'm an angel which is stronger than any demon" card and alastor gets his ass handed to him.
Like what a way to set up how strong ADAM is, having him beat Alastor. And then no one else in the hotel is as strong as Alastor was, so everyone's struggling. Charlie at least gets one good hit in but her inexperience kicks her in the ass and then Lucifer just shows up and
like hot DAMN that was just one hit! He broke Adam's mask, the force was enough to send him FLYING across the roof top, and bounce so hard against the billboard he BROKE THE SKYLIGHT
That was just a "HANDS OFF MY BABY" warning too, like LOOK at that face, that's not a "fight me" face it's a "if you touch my baby again, I will screw you so bad your bones will need therapy and you never recover"
Lucifer not even .2 seconds later, just upon seeing Charlie
and then yeah, Lucifer was NOT taking the fight with Adam serious at all, like the dude was taunting him, mocking him, dodging all of his attacks, just shapeshifting like Adam was a joke LIKE LOOK AT THIS
Lucifer isn't even scared, he's just "oh there's a wall there"
His FACE IM DYING he's legit like "wowwww you just tried shoving me into a wall? really? didn't have any other ideas? Soooooo original of you. I will mock you now"
HIS HANDS ARE BEHIND HIS BACK HE FOR REAL SAID HE COULD TAKE ADAM WITH BOTH HANDS BEHIND HIS BACK
rewatching rn for the screenshots, he's legit just shapeshifting for the fun of it. 70% of the time nothing has happened, he's just dodging adam and shapeshifting while doing it, like he doesn't need to be doing that this is 100% mockery.
And then the iconic
like omgggg this is soooo satisfying and amazing to watch. Like the set up of Adam being powerful was great, and then we just get this absolute trolling from Lucifer cuz he really doesn't care about Adam
And listen the trolling is great and all, but when Adam makes the mistake of not heeding Lucifer's warning of messing with his baby, and then does it a second time
RIP Adam just getting one shot-ed like that but hnnnnnggggg we got to see Lucifer fully pissed and it was GREAT
And somehow my favorite part wasn't even watching Lucifer go absolute ham on Adam, it was that even at his absolute most rage fueled moment, snarling like a beast where he was going to and fully intended on making good on his threat about messing with his baby
just one shoulder touch from Charlie and he's immediately chill. Like it's instantaneous, like how much do you love someone to be able to be absolutely livid, about to incinerate someone levels of rage only to immediately be "o oki! No more violence!" the second that person touches you???
Ugh I love them so much! Like everything about that fight, but especially how Lucifer can just go from absolutely the most dangerous person in one second and then OWO SOFT the next just by looking at Charlie
oops this post got long...
IMSORRYYYYY other than "More than Anything" and the phonecall with charlie this is one of the scenes I replay the most, I love them so much
Characters going absolutely feral over loved ones is just aasdfadffalklkmafdjalsg 👌👀👌👀👌👀👌👀👌👀 good shit go౦ԁ sHit👌 thats ✔ some good👌👌shit right👌👌there👌👌👌 right✔there ✔✔if i do ƽaү so my self 💯 i say so 💯 thats what im talking about right there right there ʳᶦᵍʰᵗ ᵗʰᵉʳᵉ mMMMMᎷМ💯 👌👌 👌НO0ОଠOOOOOОଠଠOoooᵒᵒᵒᵒᵒᵒᵒᵒᵒ👌 👌👌 👌 💯 👌 👀 👀 👀 👌👌Good shit
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Actually going insane over the implications of Jason asking Dick to be the Robin to his Batman in Battle for the Cowl.
Like I initially took it at the purely surface-level of Jason wanting a partner in the general sense. Which made sense, it's a huge responsibility and a lonely one so an assistant/sidekick/partner seems a no-brainer if you can get one.
But then I really thought about it, because Jason is not asking Dick to be his partner in the general sense; he's not even asking Dick to be his Nightwing. He's asking Dick to be his Robin.
And they both know exactly what Jason means: "Be the light to my darkness. Be the smile to my scowl. Be the hope to my fear. "
He's saying "Be 'Robin'; be the embodiment of Love and Justice and Goodness. Be the exceptional person that you have always been. Be the slightly-less exceptional person that I was when I wore your colors. Be the person that I was in the process of becoming and might have been (or might still be), if only Joker hadn't clipped my wings."
He's saying "I am prepared to become vengeance, become the Night. And I will go further than Bruce ever dared to, because it is what is needed. I will be the necessary evil. But you don't have to be. If Batman is Gotham's curse, Robin has always been its blessing. I will be the brutal punishment to our world, and I am asking you to be its incandescent gift."
He's saying, "Be for me, what we were for Him. Be my anchor, my comfort, my hope. Remind me what it's all for, why it's all worth it. And remind yourself as well."
He's saying "Be 'Robin' again--for both of our sakes."
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hiii long time no art and I’m late but I’m not immune to skk 109 angst
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I love morpheus because sometimes he looks like an ethereal deity, alien in his perfection, and sometimes he looks like a middle aged man with a punk band that never got off the ground in the 90's, sitting at the bar drinking margaritas at 3pm on a Wednesday and the only thing that seems to guide his choice in the matter seems to be vibes.
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THE CROWD LOVES AN UPSET!!
(THD Jash (Devil) design by MidnightJuno on pinterest <3)
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Noise game.
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Man of the year || Milo Greer
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So, this parallel, right.
That parallel and the 4x11 shadowpeach fight as a whole:
Macaque: "No that's YOU! You're the one always running off! Looking for more power, more sources of immortality—you're the one who wouldn't quit while were were ahead! Not the great sage, he's got to drag EVERYONE else into his mess!"
Sun Wukong: "You're not in this mess, you're still free! Everything I did was for us!"
Macaque: "You did it for yourself! You've become like this, obsessive demon! I told you going against the Jade Emperor was a bad idea, but no, Wukong doesn't listen to anyone! He just does whatever he wants! You put yourself here, not me."
(4x11 A Lifetime of Mistakes)
-
A large part of Wukong's motivation to keep getting more power was the freedom of it—the more power you have the easier it is to do whatever you want. It's easier to ignore everyone else and focus solely on yourself. It's also easier to ensure yourself and your loved one's are protected and have the ability to do what they want.
So, a punishment where the great Monkey King is imprisoned and trapped for hundreds of years? It's effective and tragic and fitting. Wukong wanted to have the freedom to protect the people he cared about, and in trying to reach for the power to do that, he completely had his freedom removed. He went from the mountain, to then the circlet, and then all of a sudden he had morals and was bound to those.
And then I think about his end of s3 choice to go face the Lady Bone Demon alone. Once again Wukong was trying to protect his loved ones (not to mention the whole reason he went after the Samadhi fire to begin with was to have the power, the freedom to stop LBD (which in itself is another case of SWK believing he needed to be stronger for such freedom)), but he also wanted to make sure MK and himself both had agency. He didn't want MK to have to fight LBD, and he didn't want LBD to end the world.
This is exactly the sentiment he tells Macaque in the 4x11 flashback:
Sun Wukong: "It's so we don't have to worry about anything or anyone ever again! Just living a lazy life, sitting in the sun, eatin' fruit, and doing whatever we want!"
But where does it all lead him?
To possession, imprisonment. Once again Wukong no longer had the freedom to do what he wanted (which is to protect the people he cares about). Once again in his attempts to help his loved one's, he only hurt them.
This can be applied to his relationship with Macaque, to MK in s2, hell, even Wukong trying to get the map in the first place left him powerless, which then led to him and the gang being imprisoned in 3x02. It's a familiar pattern, one we see with antagonist and protagonist alike.
MK in s2 trained to become more powerful, which in the end only strengthened LBD and forced him and his friends on the run. Mei in 3x12 protects MK by letting herself get captured and placed into LBD's crystal. Mei in 4x05 goes to protect MK, breaking her sword and leaving her vulnerable to being captured by Kui Mulang ("How am I supposed to protect everyone without my sword?"). DBK reached for more power and then became possessed by LBD, hurting his wife and son. Azure reached for the Jade Emperor's power and bound himself to that role, jeopardizing Peng and Yellowtusk in the process.
It's a cycle of reaching for power, endangering others, and then being imprisoned.
So anyways, here's why MK is going to lose control (his agency) next season and hurt his friends with his own- *get's shot*
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The Patriot Act is a carbon copy of the Nazi Constitution of the 1940's.
Don't believe me?
Search 👀 "The Enabling Act of 1933"
I'll get you started 👇
The Pros and Cons of the "Patriot Act" 👇
Is history repeating itself? 🤔
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
---
P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
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arthur: “my father didn’t strut.”
babes your father was not only PLAYED BY ANTHONY HEAD, but was also seen, on multiple occasions, gaming on his hot pink nintendo ds in the middle of tournament fights, ANDDD dramatically swishing his cloak every time he exited a conversation
this man STRUTTED through the castle corridors like he owned the place 🤨
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here's a hot take for today
the narrative function of sex is the same as the narrative function of fight scenes is the same as the narrative function of songs in a musical
no i will not explain
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