I've seen pieces from this extra comic before, but never read the full thing until today. And holy shit does it hammer home just how much the story is about class.
Multiple times, when food comes up in this comic, it’s also in context of money:
I've seen this last panel on the right brought up before in context of like, dungeon meshi's relationship with fat and eating, but in the full context of the comic it really hits how much adventuring directly consumes bodies for money.
As much as this has been part of the story the whole time, showcased as early chapters 19 and 20...
It never fully hit me before how often adventuring comes down to having no other way to make money but to throw yourself into death repeatedly. To be used, whether it’s by individual selfish people (like the resurrection group that is happy to try and get Kabru's group to kill each other to get extra gold from them in chapter 32), or by the greater cog of the Dungeon Economy in general.
Which, to be clear, is all too often how things work in the real world, too. So many jobs burn through the health and lives of workers. Dungeon Meshi just makes it literal in a new way: by making the healing and resurrection, a core part to the adventuring loop, directly use fat, muscle, and energy from the body being healed.
Imagine Amazon, but if you got injured at work, they could literally burn up some of your body to get you back to working sooner. And that was seen as an advantage of the job.
And then you have Laios, thinking about eating monsters:
Not just because he likes monsters a lot. But because it would help. He says something similar in the actual manga too, during the chapter discussing his dream with the Winged Lion
Laios wants to be able to make a home for Falin. He wants to give her a place where she never has to eat alone. And when he gets a party, he wants to give them a way to eat well. And when he runs a country, well…
He wants to ensure that everyone has enough to eat.
Food is political. Food ties into class, and money. What is deemed "proper" to eat, what is a luxury, what is crass… so much of it comes down to money.
Being judged for eating what's available, when what is “proper” isn't affordable, is already a thing that happens. People forced into work that consumes their energy is already a thing that happens.
Dungeon Meshi has a lot of fantastical elements, but boy is its examination of food and class very real.
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EMERGENCY FANFIC PROTOCOLS: ACTIVATED
Hey while AO3 is down
Here is a GDrive link to all my downloaded fics (it's OVER 9,000 2,000)
Mostly Avatar, also The Magnus Archives, Danny Phantom, Teen Wolf, and a few others
Mostly unsorted, some not even intentionally downloaded because the auto-downloader I use is Like That, so consider this a glorified "give me a random fic" button
MAKE SURE TO KUDOS THE AUTHORS WHEN AO3 IS BACK UP
>>> Linkie link <<<
Edit: Note that when AO3 comes back up that link will go dead again... until it's needed, once more
EMERGENCY FANFIC PROTOCOLS: DEACTIVATED
...Until next they are needed
If you were going through these for fic recs, check out my AO3 Bookmarks for the more curated list.
To make your own fanfic backups, I recommend AO3 Downloader or FanFicFare. (I'm not tech support for either; please don't message me for help.)
Happy reading!
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Art by Readiert for my fic Let Me Believe (Ever After)
Listen. In a Cinderella AU - I know Remus is the obvious down and out Cinderella. But. Which one of them has canonically awful family? Which one of them would have a dramatic outfit reveal?? Exactly. We stan Cinderfoot and Prince Moony.
Thank you for coming to my TedTalk
Edit: minor grammar
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was reading this article on ToughPigs about a trans puppeteer/performer and honestly shoutout both to Morgana Ignis for being brave enough to ask for her name to be changed and Brian Henson for insta-killing her deadname
bonus comment from the author:
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Palestinian poet Najwan Darwish: ‘We can’t begin to comprehend the loss of art’
“Poetry has been the colossal record of violence and. . . the colossal record of compassion,” the Chilean poet Raúl Zurita wrote in the foreword to Exhausted on the Cross [Najwan Darwish’s latest collection], and it’s a duty that the poet takes seriously.
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