#ginny too | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Tumblr was attacked by a cross-site scripting worm deployed by the Internet troll group GNAA on Dec 3, 2012.

basiatlu · 4 months

Note

F2: Pansy and Ginny for the ask game. 🥺👉👈

Wanna see them girlies menace each other (in a gay way)

Hello dearest!! I wanna see that toooo~

((Btw sorry these are taking so long, guys 💖 I want to do all of them for you since you all ask so nicely but they keep multiplying… ))

271 notes · View notes

starlingflight · 2 months

Text

Ginniversary Drabble 4

Prompt: O65 - you dont think that was just lemonade in your glass do you?

AO3 or read below:

The volume in the great hall had reached a clamorous level; the buzzing din and the blood pounding in Ginny's ears, mingled until she was sure the noise was going to drown her.

She tried to catch her breath; her Quidditch robes were suddenly too tight, making her efforts pointless. The sea of students surrounding her was nothing more than a blurred, faceless mass.

A touch on her hand, so light she shouldn't have been able to feel at all, brought her surroundings sharply into focus.

“You need to eat,” Harry said quietly.

Wordlessly, Ginny nodded. She kept her eyes on her plate in front of her, refusing to let them wander to the Ravenclaw table at the opposite side of Hufflepuff. The toast Harry had placed in front of her was swimming in butter. It felt dry as cardboard as it protested its journey down her throat.

She reached for her glass, swallowing a mouthful of sugary-sweet lemonade that did nothing to ease the dryness.

“There's no need to be nervous,” Harry said, using the same quiet tone that Hermione was directing at Ron across the table. Words that were only meant for one person. “If you lose, everyone will blame me… Everyone should blame me.”

His words sparked a fire within her that had been dangerously close to dwindling out a moment before. Ginny looked up sharply from her crumb-covered plate. “We're not going to lose!”

“Right,” Harry agreed at once, one corner of his mouth twitching, threatening a smile as his eyes met Ginny's. “So there's nothing to worry about, is there?”

She felt one side of her own mouth tick up. “Who said I was worried?”

Harry's smile bloomed fully, and the sight did more to ease her nerves than any encouraging words would ever be able to. His smiles had been frustratingly infrequent since the incident with Malfoy; every one that Ginny had managed to coax out of him felt like a victory all of its own. She suspected this one was for her benefit.

“The only thing you should be worried about is how you’re going to deal with your horde of admirers once you win the cup for Gryffindor.”

Ginny's laughter escaped her without her permission, as did the words she spoke next, “and will you be among them?”

Harry took a bite of his crumpet in a very obvious attempt to delay answering. His eyes flicked across the table to Ron, who was too busy listening to whatever soft words of encouragement Hermione was whispering to him to pay attention to what Ginny and Harry were doing.

He swallowed the crumpet. “I'll be the Head of the Ginny Weasley Fan Club.”

It was probably indecent to smile as widely as she currently was in the face of the biggest match of her life.

“Well,” she said, now breathless for entirely different reasons. “Given that my win is a foregone conclusion, I hope you're ready to take the responsibilities that come with your new position very seriously.”

Harry shrugged nonchalantly, but his gaze was steady, unwavering where it met Ginny's. “The season will be over; I'll have plenty of spare time to dedicate to it.”

“You don't have to convince me.” She laughed again, despite the way her stomach was twisting itself into knots. “The job is yours, if you want it.”

Their eyes remained fixed on one another. If the students around them had been faceless to her before, it was like there was no one there at all anymore; like they were the only two people left in the world.

“I'm just letting you know,” Harry said quietly, no longer smiling. “In case anyone else was interested in the position.”

Ginny's voice dropped to barely a whisper. “No one else is being considered.”

A beat of silence stretched on for what could have been eternity for all she knew. Harry didn't look away. She wasn't sure she would be capable of doing so even if she'd wanted to. Whatever this thing was that had been building between them was teetering dangerously close to a precipice and she was about to fall–

“Ginny!”

Dean's voice broke the spell that had fallen over them with jarring abruptness. Harry blinked, and then his attention turned to the half-eaten crumpet on his plate.

Resisting the urge to scream in frustration, Ginny turned in the direction her name had been called from.

“Are you ready to go down?” Dean asked.

Ginny didn't need to turn back to Harry to know he'd tensed beside her.

“You go ahead,” Ginny said smoothly. “I’ve still got some toast left.”

“You can eat on the way,” Harry said quickly. “You should probably take the others down before they get too deep in their own heads.”

She hesitated, wanting to protest the suggestion of leaving Harry up here, alone, while the rest of them went down to the pitch, yet knowing his logic was sound. Ginny's eye met Katie's further down the table, a short nod was enough to instruct her to gather the rest of the team and begin ushering them out of the hall.

Hermione's hand wrapped gently around Ron's forearm, guiding him from the table. Harry stood, and Ginny followed him, wishing she could recapture the moment they’d been so forcefully removed from.

“You've successfully boosted my confidence,” she said as they made their way towards the door. “Consider your Captain duties fulfilled.”

“That wasn't me,” Harry said with a smirk that didn't quite reach his eyes. “You don't think that was just lemonade in your glass, do you?”

“That little trick won't work twice,” Ginny assured him, unable to summon her own smile now their moment of separation was here.

It didn't matter, she promised herself, forcing a grin despite her mouth's reluctance, the match – and Harry's detention – would be over soon, and once she had the cup, everything would fall into place.

#hinny #harry x ginny #ginniversary bingo #guys i wrote this after too much wine #if its bad just lie to me #I'll discover the truth myself in the morning #drabble

115 notes · View notes

saintsenara · 23 days

Note

Not disputing you ofc but do you remember the exact line about ron looking like bill perchance? I would love it for referencing purposes

thank you very much for the ask, anon!

and i am afraid that you're getting a more long-winded answer than you may have been hoping for...

male weasleys are split down the middle into two camps, physically:

charlie, fred, and george are described as being short and stocky [although "short" is doing a lot of heavy lifting here, since they're all taller than harry: fred and george shrink when they take polyjuice potion to transform into him in deathly hallows].

the implication - i think - is that charlie and the twins look like molly, who is described several times as short and plump in build. ginny is also described numerous times in the books as short and is said in chapter thirty-three of order of the phoenix to resemble fred and george facially, which, since's she's described in deathly hallows as having her mother's brown eyes - which probably triggered some sort of freudian shudder in harry - means i think we can conclude that this half of the family all look their mam.

[and also that molly is a hottie herself. she often gets turned by the fandom into a fairly sexless being - even though she didn't have those seven children immaculately, did she? - with a strict, prudish vibe. and - to do some discourse for a moment - we all know that the fact that she's described as fat is the direct cause of this. but several men are canonically ready to risk it all for ginny - and it's time we all acknowledged this is because she inherited her bonafide baddie powers straight from molly.]

percy and ron - on the other hand - are, like arthur, described as being tall, thin, and gangly. bill is never explicitly said to be slender, but he is described in the fifth chapter of goblet of fire as "tall" immediately after harry has stated that charlie is short[ish] and broad - which allows us to reasonably infer that he's on the arthur-weasley-skinny-legend side of the family.

and we can also assume - since ron is never said to resemble molly, nor [to harry's great relief] ginny, facially - that his features - his long nose and blue eyes - come from his father, who is also the source of percy's short-sightedness.

and, while harry [the narrative perspective] never says that he thinks arthur is hot - because why would he? - nor percy and ron [although i think it's worth noting that he doesn't consider it ridiculous that both of them manage to pull - and it's never suggested that penelope clearwater and lavender brown aren't cuties] it's actually possible to justify the idea that they are canonically fit using more than pure hot air...

[harry does - obviously - think bill's a babe. he sees fleur checking him out and immediately thinks... same.]

because a very striking narrative choice that the series makes is the idea that all pureblood nuclear family units look identical to each other - which serves as a visual metaphor for the importance of blood-status and lineage within the wizarding world. this is why narcissa malfoy is as pale and blonde as lucius and draco [even though bellatrix and andromeda are dark haired] and why molly is a redhead even though red hair and freckles are stated in the text to be weasley - rather than prewett - traits. harry's resemblance to his pureblood father eases his passage through wizarding society. voldemort's lack of resemblance to his pureblood mother does the opposite.

the weasleys and the malfoys are narrative mirrors within the series - with the fact that ron and draco are both so near-identical to arthur and lucius as to be immediately identifiable as each man's son by anyone who meets them part of this mirroring. it makes sense, then, that since the non-ron weasley children don't have a specific malfoy mirror, the same general principle applies, and the three weasley brothers who are built like arthur also strongly resemble him facially - and that bill also has a long nose [and a long something else, i'll wager!] and a cracking pair of baby blues.

or that if bill is hot, arthur is hot - and therefore if arthur is hot, ron is hot.

[where bill outpaces his brothers, i fear, is that he clearly has rizz - whereas ron's seduction skills are famously weak before he gets his hands on a copy of twelve fail-safe ways to charm witches - i.e. when he cockblocks harry spectacularly by beefing with cho unprovoked about the quidditch team she supports, which always sends me - and percy is... percy.]

[if ron had simply played it cool he could have finessed going to the ball with fleur, and i'll die on that hill...]

#asks answered #ron weasley #hot ron defence league #also I'm sorry but arthur and molly *fuck* and you're all deluding yourselves if you think they don't #harry - on the other hand - is canonically mid #ginny takes the fleur view - i am good-looking enough for both of us #one of the reasons you have to back romione is that she's too clever to risk fumbling him

138 notes · View notes

goldenromione · 3 months

Text

"Harry lost all his father figures-" Arthur Weasley. "Harry grew up without a mom-" Molly Weasley. "Harry never had siblings-" Ron. Fred. George. Ginny. "Harry never had a family until he made his own-" Weasley's. The answer will always be the Weasley's.

#percy too #and don't forget bill and charlie #harry potter #arthur weasley #molly weasley #ron weasley #fred weasley #george weasley #ginny weasley #percy weasley #bill weasley #charlie weasley #hp #jk rowling

99 notes · View notes

moongothic · 6 months

Text

You know I was wondering if Crocodile ever did have any kind of involvement with the Revolutionary Army in secret (lest the Government finds out and revokes his Shichibukai status), what kind of involvement would that even have been

And now, with both the Vegapunk/Ohara flashback and Kuma's flashback, it's being made very clear to us that the Revolutionary Army was broke as hell 22 years ago. Like the fact that this has been brought up twice now in a relatively short span of time is interesting to me, that's usually a sign it's not an unimportant plotpoint

But you know who would have had money to help fund the Army

A funny little warlord who would eventually go and build a fucking casino to run for funsies. A warlord who had to give the Government some of his Pirating Income to keep his warlord-status

Like Crocodile hated the Government anyways so why not help fund the Revolutionary Army in secret, out of spite if for no other reason

Vaguely related, but I keep on remembering this scene (post-Enies Lobby), which at first glance just seems like a basic Lore Dump

But then there's the

"Yet..."

(Or "however", she says "no ni" in Japanese and you could translate that in many ways, I would probably have gone with "however" but that wouldn't have fit into the speechbubble)

Mind you, the conversation just kind of ends there, next we see Garp realize he probably shouldn't have mentioned Dragon infront of such a massive audience, so wherever that "yet" was going to lead to we will never find out, because Oda conveniently changed the subject before we got to it

And you know. Like yes, Robin could be just expressing her shock over finding out that the leader of the Revolutionary Army had a child with someone

But also, Robin was a part of an organization that was trying to overthrow one of the founding countries of the World Government in an explicit attempt to go against said Government (compared to like, Blackbeard, who currently wants to make Fullalead into a "pirate country" that's a part OF the World Government)

Like you don't have to be a genius to look at Crocodile's ultimate goals and compare that to what Dragon is doing and find a few similarities here and there maybe

(Also like, Crocodile's equivalent in Romancing SaGa 2 is meant to be Wagnas, the queer-coded leader of the Seven Heroes (whom the OG Shichibukai are based on) who "hoped to help the world". You know, an interesting detail and all.)

Not to mention, during the time Robin spent with Baroque Works, if Crocodile was ever in contact with the Revolutionary Army at all, considdering she has the ability to easily spy on people and that she didn't trust Crocodile one bit, it wouldn't be unsurprising if she ever spied on Crocodile and/or just overheard a phone call or knew about Crocodile having secret spending habits or something

(Mind you, I'm not saying "she knew" Crocodile was involved with the Revolutionaries, more that she might've been Suspecting Things, that "yet" being about her connecting the dots while unsure if her conclusion was right or not)

Of course Crocodile's plans can't have been Dragon Approved by any means, especially considdering the Army had been looking for Robin for over 10 years (pre-timeskip)

Four years of which were with Crocodile. Like if he was FULLY allied with the Army and KNEW they were looking for Robin, surely he would've called Dragon and been like "hey I found the kid from Ohara, wanna come hang out" or something. But no, he had bigger plans and kept Robin a secret from the Revolutionaries and the Government alike

Also like, I have seen people question why the Revolutionaries weren't involved with Alabasta's rebellion at all, and "Oda hadn't come up with the Revolutionaries yet at the time of writing" (/"OP was meant to end at Alabasta at one point so there would've been no reason to introduce the subplot at that point") aside Between Baroque Works being a secret organization working undercover (thus the Army might not have been aware of the civil war being manufactured), the framing of the King making him look bad and very much the type of monarch that deserved to be overthrown in the Army's eyes, and Crocodile maybe lying through his teeth about what was happening in the country... Yeah, the Army's lack of involvement with Alabasta suddenly makes sense

EDIT Minor addition: Just realized that because Crocodile was technically working for the Government, if the Revs ever did send forces to participate in Alabasta's civil army and taking down the throne, the Government could've easily ordered Crocodile to step in to stop the rebellion and take down the Revolutionaries, right? Because he was supposed to be on the Government's side, right? And surely the Army wouldn't have wanted to fight against Crocodile if they were secretly allied (Croc's secret betrayal aside), and if Crocodile refused to fight the Revs the Government could've seen that as a reason to revoke his Shichibukai rights (which wouldn't be great if they wanted to keep Crocodile in a position where he could fund the Army?). So it could've also been a case of it being for the best for everyone's sake to let this one play out "naturally"

But my point is

I'm just deeply intriqued by these little details and wonder if I'm Actually Masterfully Connecting The Dots Like a True Genius or just seeing a pattern where there's none. Like this is far from confirming the theory, I'm just saying, the pieces do kinda fit together do they not

#Moon posting #OP spoilers #chapter 1097 #I'm just saying Crocodile being the Revolutionary Army's Secret Sugar Daddy would be hysterical #Not me having to tag this as OP spoilers because of one and a half panels from the latest chapter lmao #Also Croc and Iva knew each other etc etc everybody remembers that I don't need to point it out #((Although in Impel Down Iva-chan does actually tell Bon-chan about Crocodile being imprisoned at Level 6))#((Saying ''he's crazy too in his own way''. Which is an interesting comment. IDK what to make of it. But it's there))#((Like Level 5.5 was able to access news from outside Impel Down to the point they knew Bon-chan had worked under Crocodile))#((To the point Iva-chan was like ''weren't you and Strawhat enemies''. So like. IDK I'm just Intriqued))#You could also make an argument that this could also tie into Crocodile's good ol' trust issues #'Cause if his involvement with the Army was ever found out he'd have his Shichibukai Rights revoked etc #Also interestingly the Kuma flashback has very much skipped completely the period of time during Luffy was born #Going from the founding of the Army 22 years ago to Ginny's kidnapping 14 years ago #Crocodad Real etc (jk)#You know the derangement is bad when I look at one irrelevant line of dialogue and go like ''is this about my blorbo''#OP Meta

184 notes · View notes

whinlatter · 1 year

Text

Harry’s thoughts of Ginny in the Forest: a meta

‘Nothing too big, because you wouldn't be able to take it with you... I wanted you to have something to remember me by.' - DH, p. 99 (UK edition)

Here I am, on a rainy Thursday, doing re-reads for some writing and thinking about the parallels between Harry and Ginny's kiss on his birthday, and Harry’s thoughts of Ginny as he goes to his death.

I’m thinking differently about Ginny’s motivations for the kiss these days. I used to think about her words to Harry that morning, and the act of kissing him, as a promise she’ll wait for when he comes back. Lately, I’m wondering if it’s not something sadder, and more profound. I think what Ginny does on Harry’s seventeenth is the act of a person who is starting to process the fact that the person she loves is likely going to his death — that he might not be coming back. It's a scene of a person bracing for grief and thinking about love after death, and it will set the stage for how Harry meets his own death in the Forest.

So here’s a much-too-long meta to help me think through these ideas - about the kiss, Ginny’s suspicions about Harry’s fate, and what it means that Harry returns to the memory of Ginny at the end of his life. (Stick the kettle on for this one and if you worked this all out long ago before me, just give me an eye roll and forgive me).

I’ve always taken Ginny's words to Harry before their kiss at face value. I thought of it not quite as a fun scene - it’s certainly sad - but sweet, a little sexy, and sort of reckless, even a bit mischievous on Ginny’s part.

It’s the birthday of the boy Ginny loves. They’re not together anymore. She knows he's going away. She wants to give him a birthday present, but she doesn't want to give him something he has to haul around or might lose. She does want to let him know that, despite their separation, her feelings are still the same. She craves a moment with him before he goes. She is still in love with him, she is deeply attracted to him, and part of her still feels a bit possessive. Although she’s not really concerned Harry’s going to crack on with some Veela, she does want him to have a memento of their time together. She wants him to have a happy memory, of physical intimacy and emotional comfort, to keep him going while he's away, to feel less alone.

Most of all, I used to think of the kiss (and whatever Ginny imagined might come after the kiss) as a promise. I still love you. Even though we’re not together and I respect why you have to go, I’m still all in on this. I’ll wait for you for when you come back. I want you to have the memory of this, as proof.

Harry’s reveal

But the more I’ve thought about it, the more I think about the context of when this kiss happens, after Harry and Ginny's last conversation before his birthday. It's the one a few days before, when Harry and Ginny are laying the table for dinner, and Harry lets slip to Ginny what he, Ron and Hermione will be doing when they leave:

'‘And then what does she think’s going to happen?’ Harry muttered. ‘Someone else might kill off Voldemort while she’s holding us here making vol-au-vents?’ He had spoken without thinking, and saw Ginny’s face whiten.‘So it’s true?’ she said. ‘That’s what you’re trying to do? ‘I - not - I was joking,’ said Harry evasively. (DH, 78-9, UK edition)

This is a desperately sad scene, but it’s also an important moment. Harry, so used to having his guard down with Ginny, realises he’s accidentally confessed something big: that he’s going on the run to try and kill Voldemort himself, with Ron and Hermione’s help.

Ginny is shaken by this. As a character, she tends to either take things in her stride, or yells first, processes later. But this catches her off guard. Her words suggest there has been speculation about what it is the three of them are going off to do (‘So it’s true?’ suggests that Ginny, and perhaps other members of her family or the Order, have been speculating about this for some time). But both she and Harry realise here that he’s flippantly confirmed something huge that Ginny did not already know for sure. He’s spoken aloud the task is that Dumbledore has left him.

It is a sign of how close Harry feels to Ginny, how safe he feels in her company, and how difficult he finds managing keeping secrets from her, that he lets this slip. He won’t come as close to telling the truth to anyone else, even people he trusts. The scene before this, in his conversation with Mrs Weasley, he didn’t let on nearly as much (though he admits that he found affirming the importance of secrecy difficult when he looked at Mrs Weasley and saw Ginny’s eyes staring back at him):

‘Well, Dumbledore left me . . . stuff to do,’ mumbled Harry. ‘Ron and Hermione know about it, and they want to come too.’ ‘What sort of ‘stuff’?’ ‘I’m sorry, I can’t—’ ‘Well, frankly I think Arthur and I have a right to know, and I’m sure Mr. and Mrs. Granger would agree!’ said Mrs. Weasley. Harry had been afraid of the “concerned parent” attack. He forced himself to look directly into her eyes, noticing as he did that they were precisely the same shade of brown as Ginny’s. This did not help… ‘Dumbledore didn’t want anyone else to know, Mrs. Weasley (…) I didn’t misunderstand,’ said Harry flatly. ‘It’s got to be me.’ (DH, 77-8)

Later, he’ll also refuse to give any information to Lupin, for the same reason.

'‘Can you confide in me what the mission is?’ Harry looked into the prematurely lined face, framed in thick but greying hair, and wished that he could return a different answer. ‘I can’t, Remus, I’m sorry. If Dumbledore didn’t tell you I don’t think I can.’ ‘I thought you’d say that,’ said Lupin, looking disappointed.’ (DH, 173-4)

But with Ginny, he’s accidentally gone much further. He hasn’t said Horcruxes, but he’s as good as. The trio are setting off to try to kill Voldemort, the most dangerous task imaginable in this war. He tries, in vain, to undo it, but the damage is already done. Ginny knows more now than she did before: that the journey he’s about to go on is one that very likely will claim his life.

What does Ginny know about Harry’s fate before this moment?

It's clear from this interaction that Harry has never discussed any of this with Ginny before. In their breakup scene, Harry repeatedly said that he was breaking up with her for her own safety. He said he did not want her to be used as bait, as she already had been previously, and as Sirius was: 'Think how much danger you'll be in if we keep this up...' (HBP, 602). The focus was entirely on the risk to Ginny's life, a risk Harry says he cannot live with.

Ginny’s remarks at Dumbledore’s funeral told us something about how she, at that point, understood the path ahead for Harry. She made her half-joke that Harry was always busy saving the Wizarding World, and says she thinks he 'would never be happy', never fulfilled or satisfied, unless he were 'hunting Voldemort' (HBP, 603). She showed she interpreted his actions as choices being made by someone brave, determined, and personally committed to bringing about the end of Voldemort, not someone destined to. Harry’s motivations and reasons are ones she respects and empathises with. She knows the path ahead is dangerous. She doesn’t yet think of it as lethal.

Harry didn’t respond to her assessments at the funeral, neither correcting nor confirming them. He didn’t let her know, at that stage, exactly what it is he is going to set off to do. The closest Harry came to revealing the road ahead for him in the break-up scene was this:

'It’s been like… like something out of someone else’s life, these last few weeks with you,' said Harry. 'But I can’t… we can’t… I’ve got things to do alone now.' She did not cry, she simply looked at him.’ (HBP, 602)

This is a pattern throughout their relationship, both as friends and later as romantic partners. Ginny knows a little, but not a lot, about Harry’s path. She thinks of it almost entirely as a decision he has made himself. Conversations about Harry’s destiny - about the Prophecy, about being the Chosen One, and, eventually, about the Horcrux hunt - happen near Ginny, but never with her. She does not seem to believe that Harry is the Chosen One or in any way bound to Voldemort's own fate. At the start of HBP, on the train in Slughorn’s carriage, Ginny states publicly her belief that any speculation about Harry being the Chosen One is nonsense:

‘We never heard a prophecy,” said Neville, turning geranium pink as he said it. ‘That’s right,’ said Ginny staunchly. ‘Neville and I were both there too, and all this ‘Chosen One’ rubbish is just the Prophet making things up as usual.’ (HBP, 140)

Ultimately, before DH, Ginny has been given very little information. We can assume that she’s decided to respect Harry’s decision to keep any information from her and not to push for it. She has reason to fear he might be in danger, but she doesn’t yet know the full extent of it.

Ginny’s response

The immediate aftermath of Harry’s confession at the Burrow is very telling.

‘They stared at each other, and there was something more than shock in Ginny’s expression. Suddenly Harry became aware that this was the first time that he had been alone with her since their stolen hours in secluded corners of the Hogwarts grounds. He was sure she was remembering them too.’ - DH (79)

It’s important that, immediately after this confession, Harry’s mind immediately takes him to private time spent alone with Ginny at the end of HBP. His certainty that Ginny, too, is reminiscing about them is typical of their wordless displays of understanding. They both reach for memories. And the memories of the last time he was alone with her, when they were still together, suddenly trigger an intense emotional and sexual tension. They are soon interrupted, and the dinner afterwards is extremely awkward. Harry wishes he were further away from Ginny, and tries, with great difficulty, to avoid touching her at the dinner table. The energy between them is intense and charged, anticipatory and frustrated. There are lots of ‘unsaid things’ that have just passed between them, and both are aware of it (DH, 79).

There are important themes being introduced here. Whenever Harry thinks about memories of his time with Ginny in DH, he does so consistently in two clear ways. To him, those times were private, intensely intimate moments which carried huge personal significance. It is strongly implied those were moments of sexual intimacy between the two of them, and where they shared an emotional closeness neither has found with any other character. But those moments with Ginny are also something Harry feels he was wrong to take. His relationship with her was something that, in retrospect, he embarked upon against his better judgement. He now feels it was something he was not entitled to, on account of his own burdens and obligations. Those were ‘stolen hours’ that were ‘something out of someone else’s life’. If we look to the wedding scene, we can see this most clearly:

‘‘Yes, my tiara sets off the whole thing nicely,’ said Auntie Muriel in a rather carrying whisper. ‘But I must say, Ginevra’s dress is far too low cut.’ Ginny glanced around, grinning, winked at Harry, then quickly faced the front again. Harry’s mind wandered a long way from the marquee, back to afternoons spent alone with Ginny in lonely parts of the school grounds. They seemed so long ago; they had always seemed too good to be true, as though he had been stealing shining hours from a normal person’s life, a person without a lightning-shaped scar on his forehead…’ (DH, 121)

There are certain tropes at play here, that will that recur again and again in Harry’s thoughts of Ginny until the point of his death: the memory of time alone, the feeling of shared emotional and physical intimacy, to an intense degree; the sense of their time together being something stolen, both in the sense of it being snatched from within darker times, but also being forbidden, given with Harry’s fate when it comes to Voldemort. That Harry recalls these moments at a moment as two other characters make lifelong vows of marriage to each other is not insignificant: all is set up to maximise the sense of tragedy.

Ginny processing Harry’s fate

Ginny is not naive. Harry’s confession seems to change something about how she thinks about what he’s about to do. She may once have dismissed the prophecy of Harry as the Chosen One as nonsense. But she now has reason to suspect that might not quite be true.

She may well re-trace what she does know. After all, she was at the Department of Mysteries two summers prior, where she learnt that Voldemort, at least, thinks there is a prophecy of significance that involves Harry directly. She knows Harry has been having one-on-one lessons with Dumbledore: she even gave him one of the invitations (HBP, 228). She also knows that Harry and Dumbledore left school for a secret mission alone on the night the Astronomy Tower was attacked and Dumbledore was killed. She observed how Harry saw Dumbledore’s death as a catalyst to prepare for a path that required him to step back from her. Above all, we also know that Ginny is a character who understands Tom Riddle intimately. She is one of the people who comes closest to understanding the stakes of your life being bound, in some way, to Voldemort.

It is also significant that Ginny is a character canonically intrigued, and touched, by death, and by powerful Dark magic. The diary, and her own near-death experience, is the most obvious example. But in the Department of Mysteries during OotP, we are told she is also one of the characters most drawn to the veil, despite having far less direct experience of loss and grief than Harry, Luna, or even Neville:

‘[Harry] took several paces back from the dais and wrenched his eyes from the veil. ‘Let’s go,’ he said. ‘That’s what I’ve been trying to — well, come on, then!’ said Hermione, and she led the way back around the dais. On the other side, Ginny and Neville were staring, apparently entranced, at the veil too. Without speaking, Hermione took hold of Ginny’s arm, Ron Neville’s, and they marched them firmly back to the lowest stone bench and clambered all the way back up to the door.’ (OotP, 775)

I don’t mean to suggest Ginny knew what was coming for Harry, that she foresaw him having to go to his death. She knows nothing of Horcruxes, she doesn’t know the contents of the Prophecy, and she certainly doesn’t know Harry himself is a Horcrux. Harry, of course, doesn’t yet know the certainty of him going to his own death, at this point in the text. But given the information she alone has been handed, inadvertently, by Harry, she has plenty of reason to begin to suspect the path Harry is on is one that might end in death, moreso for him than for an anyone else in this war.

Ginny doesn’t appear much in the following pages, other than in her role helping to prepare the house for the wedding. Over the next few days, she has lots of time to consider Harry’s words. We know she’s also sharing a bedroom with Hermione, who is actively preparing for their imminent departure, and watching the three of them try to sneak off together to make plans. This is time for Ginny to start to digest the information Harry has unwittingly divulged. She can now begin to think about how she ought to respond to the prospect of him leaving for a mission that will, likely, cost him his life.

The kiss itself

We can see Ginny has planned this interaction with Harry in her bedroom. The false casualness of how the scene opens - ‘Harry, can you come in here a moment?’ - and the actions of the bedroom’s other occupant, Hermione, suggests some level of premeditation and collaboration. For the first time, Ginny brings him into her bedroom, with the door closed. The setting is obviously intimate and suggestive.

Harry describes Ginny as seeming nervous, but purposeful, like she is readying herself for something - she ‘[takes] a deep breath’. She is looking at him ‘steadily’. Harry is nervous, too: he cannot bring himself to look at her, finding it almost painful, like ‘gazing into a brilliant light’ (DH, 98). Her trademark blazing look is in full force. She doesn’t entertain his attempts at small talk: she is serious about what she’s about to do.

‘‘I couldn’t think what to get you,’ she said. ‘You didn’t have to get me anything.’ She disregarded this too.’ (DH, 98-9)

Ginny opens by revealing how difficult it has been for her to work out what she could give him, under the circumstances. She is, in her own way, acknowledging how hard she is finding processing what it is he has to do now. She has been struggling with the prospect of Harry’s departure, and the possibility, even the likelihood, of his death. But she has decided she wants to make that path easier for him. Despite his reassurance, she insists she wanted to give him something.

‘‘I didn’t know what would be useful. Nothing too big, because you wouldn’t be able to take it with you.” He chanced a glance at her. She was not tearful...' (99)

These lines are so significant. The first two lines in particular are deeply profound. They read very differently to how I first thought of them, if seen in this light. I didn’t know what would be useful, she says, because she doesn't know what she can say that will be useful. What could possibly make this easier, to help Harry think about the enormity of his situation, or to help guide him on a path requiring him to accept his own likely death?

She doesn’t want what she gives to him now to be too heavy, too sad, or too serious, because she knows Harry will not be able to deal with it (‘nothing too big’). Anything too declaratory, too sentimental, or too enormous, would be impossible for him to leave with. In the last part of the sentence, her words are deliberately vague: because you wouldn’t be able to take it with you.

I think this is the most poignant part, and it suggests the part of Ginny's mind that believes in, and is curious about, what happens beyond, after death: the voices on the other side of the veil. I think there is some part of her that thinks Harry might be going somewhere she can’t reach him - what Dumbledore will later call going on. Ginny does not openly speculate about where Harry will be taking whatever she gives him. That it could be to his own grave, or beyond, is left unspoken. He looks at her, finally, after these words, because he seems to understand, on some level, what she is trying to say to him.

‘She took a step closer to him. ‘So then I thought, I’d like you to have something to remember me by, you know, if you meet some veela when you’re off doing whatever you’re doing.’’ (DH, 99)

Ginny has decided: the thing she will give him is a memory, one that he can take with him when they part. Something to remember me by. She wants the memory of her, of them, to be useful, to serve him in some way, and to be something that he might be able to take on with him after death. She tries to soften what she’s trying to convey, with the joke about the veela. But both seem to understand what she is really saying: that she isn’t really asking for his loyalty or fidelity. She doesn’t say she’s giving him ‘something to remember me by’ for when he comes back and they can be together again. Her words are very final. The joke is supposed to make it easier for him to hear what she is saying: she’s telling him, quietly, how to think about her when he leaves, whatever leaving might mean.

Harry, for his part, continues the joke. (‘I think dating opportunities are going to be pretty thin on the ground, to be honest.’) She plays along, sort of, in a very sad way (‘there’s the silver lining I’ve been looking for’). But both seem to know that there is no real silver lining to this.

And then there’s the kiss itself:

‘There’s the silver lining I’ve been looking for,’ she whispered, and then she was kissing him as she had never kissed him before, and Harry was kissing her back, and it was blissful oblivion, better than Firewhisky; she was the only real thing in the world, Ginny, the feel of her, one hand at her back and one in her long, sweet-smelling hair —’ (DH, 99)

It all comes to a head here. Harry recognises that this kiss feels exceptional, unlike any other they’ve ever shared - that Ginny has never put so much into a kiss before. It is ‘blissful oblivion’, this moment of extraordinary intensity, where she kisses him and allows him, for a moment, to think only about her and them together. It’s heady and sexual (‘the feel of her’). It’s a gift for Harry to be able to forget everything and let this moment be a vacuum, to focus only on her. The crescendo effect of the short causes and run-on sentences allows the moment to build and build, a crescendo effect that anticipates something to come.

Of course, their moment gets interrupted, again. Unlike when Ron interrupted her with Dean, Ginny doesn't rage at him this time: she is subdued, a response that is far more appropriate for her processing the fact that she may have just had her final kiss with the boy she loves. Harry suspects she has started to cry, something he notes is out of character. Ginny had imbued a lot of meaning into this interaction: this is a portrait of a character whose heart is breaking.

When Harry and Ron are discussing the kiss outside on the lawn, after the initial shock of being yelled at by Ron for going anywhere near Ginny, Harry has his own, shattering realisation of what all of this means for himself and Ginny:

‘Yeah, but you go snogging her now and she’s just going to get her hopes up again—’ ‘She’s not an idiot, she knows it can’t happen, she’s not expecting us to— to end up married, or—’ As he said it, a vivid picture formed in Harry’s mind of Ginny in a white dress, marrying a tall, faceless, and unpleasant stranger. In one spiralling moment it seemed to hit him: Her future was free and unencumbered, whereas his . . . he could see nothing but Voldemort ahead.’ (DH, 100)

Thinking aloud, Harry says it would be idiotic for he or Ginny to imagine they could be together, either now, or at any point in the future. He expects her to find someone else; he cannot even begin to imagine a future for himself after the task set out for him. He does not say his inevitable death - he has not yet embraced that reality - but he remains caught in the certainty of an existential battle with Voldemort that he knows he may well not survive.

Later that day, Harry will receive the snitch from Dumbledore’s will. Though he doesn’t know it yet, he now holds the resurrection stone, the item that will open at the close in the forest. It is a birthday that starts and ends with hints about what little time he has left: the stage is set for an arc that, now, has to end in his own death.

Foreshadowing Ginny and the Forest

Moments foreshadowing the significance of the forest are all over Deathly Hallows. Sometimes, they mirror the moment of his own death; often, they are related to Ginny. When they leave the Ministry, with Ron splinched, clutching the Horcrux locket, they arrive in a forest. For a moment Harry’s heart ‘leaped’ at the thought that they were back in Hogwarts’ grounds, the site of so much of his earlier happiness with Ginny (DH, 221). When the trio hear that Ginny, Neville and Luna tried to steal the sword of Gryffindor, it is the Forbidden Forest they are sent to by Snape as punishment (248-9). Harry does not fear the Forest, and is consoled by the thought of Ginny serving detention there rather than anywhere else.

In the Forest of Dean, the scene where Ron returns begins with Harry thinking of Ginny. He sits at the mouth of the tent, wanting to look for Ginny on the Marauders’ Map, until he remembers it’s Christmastime and she is at the Burrow (297). Later, in a moment that mirrors his later walk to his death, he follows his mother - Snape’s patronus, the doe - into the woods, in order to recover and destroy the Horcrux, inching Harry’s own life closer to its close:

Though the darkness had swallowed her whole, [the doe’s] burnished image was still imprinted on his retinas; it obscured his vision, brightening when he lowered his eyelids, disorienting him. Now fear came: Her presence had meant safety. “Lumos!” he whispered, and the wand-tip ignited. The imprint of the doe faded away with every blink of his eyes as he stood there, listening to the sounds of the forest, to distant crackles of twigs… He held the wand higher. Nobody ran out at him, no flash of green light burst from behind a tree. Why, then, had she led him to this spot?’ (DH, 299)

Foreshadowing Harry's end in the Forest means also foreshadowing Ginny's own appearance at the moment of his death.

Harry’s ‘death’ in the Forest

In the final battle, Ginny is the last person Harry sees before he begins his walk into the Forest. He takes the words she says to the child on the ground as her final act of comfort. Harry hears them as if they are being spoken to him:

‘He was feet away from her when he realised it was Ginny. He stopped in his tracks. She was crouching over a girl who was whispering for her mother. ‘It’s all right,’ Ginny was saying. ‘It’s okay. We’re going to get you inside.’ ‘But I want to go home,’ whispered the girl. ‘I don’t want to fight anymore!’ ‘I know,’ said Ginny, and her voice broke. ‘It’s going to be all right.’ Ripples of cold undulated over Harry’s skin. He wanted to shout out to the night, he wanted Ginny to know that he was there, he wanted her to know where he was going. He wanted to be stopped, to be dragged back, to be sent back home (...) Ginny was kneeling beside the injured girl now, holding her hand. With a huge effort Harry forced himself on. He thought he saw Ginny look around as he passed, and wondered whether she had seen someone walking nearby, but he did not speak, and he did not look back.’ (DH, 558-9)

Harry believes that this is his final moment with Ginny before he goes to die. A part of him wants her to know that it’s happening: he is leaving, at last. But he can't call to her, because he worries she will try and stop him, and he might let her. Instead, he walks on, and doesn’t look back. After watching Ginny comfort the girl crying for her mother, Harry then goes on to the Forest, and summons his own mother, his own family, to walk with him to his death.

‘His body and mind felt oddly disconnected now, his limbs working without conscious instruction, as if he were passenger, not driver, in the body he was about to leave. The dead who walked beside him through the forest were much more real to him now that the living back at the castle: Ron, Hermione, Ginny, and all the others were the ones who felt like ghosts as he stumbled and slipped toward the end of his life, toward Voldemort. . . .' (DH, 561-2)

Harry is already preparing to go on from this world: his living loved ones are the ones he now feels furthest from. He stands now with the dead he has summoned, who recognise him and seem to have memories of him. He doesn't fear the dead: he is going to join them.

It’s the death scene itself that I think has subtle, but important parallels with the kiss scene much earlier. In both imagery and in writing style, the scene recalls that earlier moment, where Harry found himself on the edge of another kind of oblivion. There is this mounting, febrile sense of anticipation. There is a tension that is almost sexual, a dynamic injected into the scene through descriptions of Bellatrix’s body language and behaviour towards Voldemort:

‘Bellatrix, who had leapt to her feet, was looking eagerly from Voldemort to Harry, her breast heaving. The only things that moved were the flames and the snake, coiling and uncoiling in the glittering cage behind Voldemort’s head.’ (DH, 564)

The ugly parallel of Bellatrix and Voldemort is not supposed to show the pair as the mirror image of Harry and Ginny. Rather, it is a theme that recurs throughout the series to demonstrate the gulf between Harry, with his immense capacity for love, and Voldemort, with none. Bellatrix and Ginny are memorably paralleled twice in the series: once, at the Department of Mysteries, where Bellatrix moves to ‘torture the little girl’, and Harry steps in to prevent her (OotP, 783), and again in the final battle:

'Bellatrix was still fighting too, fifty yards away from Voldemort, and like her master she dueled three at once: Hermione, Ginny, and Luna, all battling their hardest, but Bellatrix was equal to them, and Harry’s attention was diverted as a Killing Curse shot so close to Ginny that she missed death by an inch— He changed course, running at Bellatrix rather than Voldemort, but before he had gone a few steps he was knocked sideways…’ (DH, 589)

As Harry waits for the killing curse, we see the most direct parallel with Ginny's final kiss to him:

‘None of the Death Eaters moved. They were waiting: everything was waiting. Hagrid was struggling, and Bellatrix was panting, and Harry thought inexplicably of Ginny, and her blazing look, and the feel of her lips on his — ’ (DH, 564)

There's such an intense physicality and breathlessness to the whole scene, and an enduring pseudo-sexual tension, with Bellatrix audibly panting. Even the sentence structure even invokes the kissing scene: the run-on build up of clauses, the repetition of the present participle to actively hold the reader in one present moment, building and building and ending on a dash, the promise of something more.

At the end of his life, Harry returns to the memory Ginny gave him. She meant for it to be useful, if he was to go to his death. And at the close of his life he chooses to use it, as he prepares to leave her behind in this world and depart for the next. Just as the Resurrection Stone helped accept death, so too does the memory of Ginny. He feels the memory of her, the sensation of physical touch and of being kissed, the look she gives him that he knows as one of love and great courage. As he is killed, he remembers her last gift to him, the certainty of her love for him impressed upon him.

There's a line in OotP that I think is such an underrated line that sums up who Ginny is as a character. Harry is trying to get to Umbridge's fire to speak to Sirius when he thinks the latter is being tortured at the Ministry; Hermione suggests using Ginny and Luna as a distraction, despite Harry's objections:

'Though clearly struggling to understand what was going on, Ginny said immediately, ‘Yeah, we’ll do it,'... (OotP, 736)

This is who Ginny is. It's especially who she is to Harry, during the war. She doesn't fully know what's actually being asked of Harry (and, by extension, what is being asked of her, as the person who loves him, and who has most to lose if he is to die). But even when kept in the dark, she is enormously selfless, and her biggest act of bravery is extremely quiet. She keeps the secret Harry accidentally bestows on her, and she realises, in some sense, before he does, what it will likely mean for his life. She chooses to let him go on, knowing that he is loved, to make the path that he is on a little bit easier, even when she has realised that it will take him away from her for good.

#well that was longer that it needed to be #when in doubt write your way thru ur thoughts #pointing out foreshadowing and gasping is a full time job #justice for the birthday smooch basically #man said: blissful oblivion and also oblivion as in my DEATH #too deep in this to work out if this is even insight at this point #hp analysis #meta #harry/ginny #harry and ginny #hinny #harry x ginny #harry potter #ginny weasley #deathly hallows

552 notes · View notes

sweeethinny · 4 months

Text

I know Harry and Ginny are probably a low profile couple, but I think at least one time of the year they would sell pictures of them to magazines so the paparazzi would stay away from them, especially when the kids are born. something like what happens with the queen and the British royal family

and so, at some point next week I will post a drawing of them from one of these photo shoots :)

#hinny #harry x ginny #my art #sweet talks #i'll probably write something too

115 notes · View notes

daniifanz · 1 year

Text

I don’t see people discussing Zion’s parents and just how supportive they were prepared to be for him, Ginny, and Georgia. I know they aren’t shown much in the show but for the moments that they are, I was very elated. They literally embraced 15 year old, homeless, Georgia into their family and set up a solid support system with a QUICKNESS!!! And even thought it’s not what Zion or Georgia wanted, their proposal for legal guardian ship was smart and considerate! That way the kids didn’t have to technically give up custody, all 3 of them would have been supported into getting they’re lives on track for a better future and Ginny would’ve grown up in a structured, stable, and loving environment. (And when Zion and Georgia were no longer teenagers and had gotten on their feet then the legal guardianship that Zion’s parents would have had, would have ended!) Even after Zion wanted to go back on the agreed terms of his gap year with his parents, they still pulled through, ready to be there for their son and this poor 15 year old girl and their coming grandchild. Plus it’s very rare to see black family dynamics in media portrayed in a positive light where the family isn’t struggling with poverty or missing one parent or riddled with stereotypes of drugs, abuse, and gangs etc. It’s nice to see a black family doing well for once and literally no one is talking about it.

EDIT: just wanna say I wrote this post about season 1 and I’m so glad they touched on the topic in season 2 . It was nice to see more of Zion’s family and hear about their feelings on Georgia’s decision to leave in the past. And we got to see Georgia reflect on it too! Lots of hurt, pain, and anger on both sides but no hate. I really liked the added conversation between Ginny and her grandmother where she clarifies that she doesn’t hate Georgia just that she’s still angry with her. I think the writers accomplished a pretty genuine and realistic representation of how Ginny’s grandparents and Georgia would be feeling. The tension, regret, and anger and worry… even Lynette’s petty jabs at Georgia at Christmas dinner! Like we get why she’s upset and provoking Georgia a little bit she doesn’t hate her (to me i would say that Zion’s parents do still care about Georgia and love her as a person). And GOSH it hurt to see Georgia getting roasted like that IN HER OWN HOME, that she had to excuse herself to check her emotions. Because we know Georgia was just in survival mode and and we know Georgia kind of regrets putting her kids through all that. Ughhh the writers really popped off this season and I hope we get a season 3 because I would love to see Georgia and Zion’s parents have a heart to heart about the past, hug it out and see each other’s perspectives. Maybe even talk about being more involved in Ginny’s life in the future (and Austin’s life because YES I did see how they interacted with him and I think they’d be a positive influence on both kids. They’d benefit from the stability.) I’m loving hearing everyone else’s thoughts so please continue the conversation 🥹🫶��

#ginny and georgia #zion miller #georgia miller #ginny miller #completely unrelated #but like I need people to talk about Paul’s brother some more #Chris Randolph #dude was hilarious #fucking relatable cause I too tell horrible jokes in awkward situations

703 notes · View notes

evafoxs · 11 months

Photo