there is something so exceptional about the audio form and the kind of...meta-narrative (?) of horror it creates that really leapt out at the end of this re: dracula episode (25 Sept).
seeing the runtime of each episode sets the scene - 27:06? ok, i'm in for something here -- we have a few, uhhhhh, long-winded characters in rotation so it might not be an eventful something, but at this point in the story, we've already been gutted by episodes with longer runtimes so just glimpsing the runtime already sets the scene for heightened dread. you might set aside time to experience the dread instead of maybe quickly listening to a minute long episode wherever/whenever you are.
i luckily got to listen through without interruption and so i was only vaguely aware of the passing time in that approximate way one's body clock ever is. so as this episode came to a close, and mina asks van helsing to not reply if he agrees to meet for breakfast, the dread spiked
i didn't know how long was left in the episode -- the music was still lingering. how much time has it been? 27 minutes? it feels like it could be 27 minutes, but it also feels much shorter? can't be sure. and even if the runtime is nearly elapsed, we know from previous episodes that a telegram can take mere seconds, a journal entry just a few words. is van helsing going to be called away? is he going to cancel the meeting? is mina going to be left alone again with no answers and no friends? with the count and the 'bloofer lady' closing in? how long has the music been playing? holding my breath for the morse code. holding my breath for van helsing's voice. holding my breath for 'letter by hand'. holding my breath for 'letter unopened'...
"this episode featured..."
relief
when reading, you have the unread pages in your hand constantly telling you the story of the progress of the narrative's shape. unless every piece of ephemera of an epistolary story is set on its own separate page, you can see the next item in your eyesight. sure, even if they are on separate new pages, you can see through the printed page the shadows of the text on the next, giving you a subconscious hint of expectation.
with a film, you lose the tangibility of the physical object informing the narrative, but you have other sensory cues - something like a fade to black over the lingering music can manipulate your expectations of narrative completion (and either follow through or subvert them). if you're watching on a device, an accidental activation of the screen or cursor might give you a glimpse of the progression bar, again changing your narrative perception.
with an audio drama you're left with just the one sense as your guide. unless you're actively watching the progression bar as you're listening or actively watching a clock, you just don't know beyond your own imperfect perception of time what you're in for and fuck me the added anxiety because of that is just
whew
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I love you tragedy I love you corruption arcs I love you doomed relationships I love you character succumbing to their fatal flaw I love you codependency I love you characters doomed to die from the start I love you road to hell paved with good intentions
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"Well, this is a bad idea," Tim says, hands on his hips as he surveys the mess they’ve made in the cave.
"Nah," Danny replies, twirling his screwdriver in the air in what is probably meant to be an impressive trick to inspire confidence, except he fumbles it and it clangs to the floor loudly, "we good. If a younger version of myself hasn't come forward in time to stop me, how bad can it be?"
"Shouldn't it be the other way round?"
"What?"
"Normally, it's an older version of yourself going backwards in time to stop you, right?"
"Not in my experience."
Danny's grin is impossibly feral and a shiver runs up Tim's spine.
"This is definitely a bad idea."
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"you need not have come to my defense" except dream LOVES it because in that moment Hob is a knight protecting his king and Dream hasn't had anyone fight on his behalf before because he doesn't wage wars, he doesn't reap he creates but to have someone stand up and fight for him even though HE DOES NOT NEED IT makes him smile that little smile and realize that he loves seeing someone fight for him, seeing HOB fight for him, defending him in a way no one has before even though he need not come to his defense. he need not!! but he does. in this essay i will
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dates that i legally need to take someone on at some point:
- those cute little build a bear dates i see all over tiktok
- book date (go to second hand book store and pick out books for each other, then go somewhere and read them)
- coffee date but you switch drinks (like order what you'd usually get and then switch. doesn't work for everyone but like i'll drink anything so it can work for people like me)
- cooking date. (let me cook for you. please. that's all i want)
- watching twilight but making fun of it (nothing funnier than talking the whole time and making fun of them)
- just. going outside. and sitting on a blanket together. maybe reading a book or taking a nap or drawing or writing. just,,,, being.
- stargazing date :) (see above but at night and also looking at the stars???? i love)
- zoo date. i love the zoo. lets go see all the tiny little animals and lose our marbles.
- (this only works for people who knit or crochet but could be adapted to other art forms) each go and buy one color yarn (it can be cheap as hell, i think the dollar store has yarn sometimes) and switch and you have to make something out of the yarn the other person picked out. idk i think that's cute
- literally just hanging out. anything is a date if you do it together. run errands with me. i'll come sit with you while you do homework. rant about your day while im cleaning my room. that's a date.
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Somehow never caught this before, but does this imply Birdperson’s mom killed his dad and he remembers seeing it?
The fact this memory is somehow tied to Blood Ridge in his mind makes me wonder if that’s part of why he didn’t accept Rick’s advances— maybe even subconsciously. If that’s what this implies, no wonder he had commitment issues. Makes the shit with Tammy hit differently, too…
I know it’s a throw away moment, but I really hope we get a follow up on that… Regardless of what that memory is, it’s dark shit.
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My favourite relationship dynamic is the equivalent of when the teacher sticks the “good kid” with the “bad kid” to be a good influence or whatever bs. But the “good kid” is just the kind of autistic who follows the rules to the most literal interpretation, and the “bad kid” is just the kind of autistic who thinks the rules don’t make sense (which, fair) so doesn’t follow any of them. So instead of the ‘bad kid’ quieting down, the ‘good kid’ realizes ‘wait these rules ARE dumb actually’ and they just vibrate excitedly and info dump about phschology and Jane Austen. And also neither kid is actually bad the teacher just sucks
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